#and though I couldn't make it fit in the original post it had to be said

[littlepocketuniverse]

I saw someone talking about Charles and Edwin's hero colours, and how they symbolise each other's afterlife designations (Edwin in blue, Charles in red) which I thought was a cool concept.

Only now I'm thinking about how Charles' colour symbolises the light that takes people to Hell, and imagining Edwin's realisation, perhaps several years into their partnership, that when he thinks of the colour red, he now associates it with Charles too.

There are undoubtedly a million moments over those years where Edwin realises he is happy for the first time in his existence, and as close to safe as he possibly can be. But I think realising that Charles has managed to start redefining what the colour red means to him would really drive it home that somehow this boy's continued presence at his side is systematically overwriting seven decades of pain.

With every moment Charles chooses to stay - with every case, every smile, every laugh, every memory - he gives Edwin one more way to counterbalance the scales with something happy and warm and beautiful. That, no matter if Edwin is on the run for the rest of his existence, everytime he sees someone being taken to Hell, he will see the colour red and think of 70 years of torture - and then he will think of Charles, a constant reminder that he no longer has to face the fear alone.

And then, he wonders if perhaps one day, as the decades pass and they make more wonderful memories together, he might see the colour red and think of Charles first. If, finally, suffering and pain - Hell itself - might become nothing but a footnote to the life they have made together.

Over 3 decades later, Edwin can finally stop running, and knows it to be true - at last they have forever guaranteed, and maybe, just maybe, one day Hell won't need a footnote at all.

[outeremissary]

Poll about creating characters for a game really has me thinking about my methods because while I don't usually situate a character in the world/create a full backstory beforehand I feel like I need such a strong sense of who a character is, how they behave, and at least the skeleton of why they behave like that that I usually get bored and feel like I'm playing some flat nothing when I don't have that. I guess that isn't the same as having a fully rigid concept, especially since I'm happy to change things radically in conversation with a game when it's going well, but it's still enough of a distinct Guy Who Already Exists In My Brain I couldn't call it a loose concept. And usually when things go well for my looser concept characters and I develop them during a playthrough I just hit a point partway through where it's like... cool! I have completed the concept for this character now, I can stop playing and relocate them to a Real Story. They almost never feel like they fit right until they're in something where they're starting from that state, haha. I'm like this with tabletop stuff as well. I'm not always the ten page backstory guy but if I'm not at least coming in with some needlessly complex portrait of personality the character is not going to stick for more than a oneshot. Just doesn't interest me to play! I don't feel like I'm seeing through their eyes yet. Can't get in the right zone mentally. I think that's what it's really about for me- a loose concept is rarely immersive, and without that immersion I just struggle to feel like the actions are coming from the character instead of me and come together into a cohesive story about the character (rather than one about me pushing buttons).

[whateversawesome]

Some Theories about Anya's Name

Who would have thought a short chapter would bring so much information and discussion? But then again, we're talking about Anya, agent of chaos (according to her papa).

After that chapter, there's plenty of theories flying around, so I decided to make this post to compile, explain and expand these theories 😉

Ready?

Anya is an acronym: This one is pretty clear has been a popular general theory. It means that the letters of her name stand for something else. What exactly? We don't know yet, but it probably has to do with Project Apple and the infamous lab Anya was created.

Anya...Ania...OstANIA: If you live near small children, you probably know that when they are learning how to talk, they do it by picking up words adults say and many times they say those words wrong. While discussing with some friends, I imagined those scientists constantly saying the word Ostania in front of that little girl. Maybe baby Anya thought that was her name because she heard the word OstANIA all the time, but she couldn't say it right.

Anya, the foreign princess: This one is very simple. It means that her name was spelled differently in her country of origin. This theory is vague, but I do believe a third country could be involved in all this mess. Also, it would make sense for Anya to be hiding in Ostania, if she was born and kept captive in a different country.

Anya...A N/A: This one is one of the most interesting theories! A N/A would mean something like "Non-applicable". You probably think this doesn't say much, but it really does. In the first few chapters of the story we learned that Anya was adopted and returned 4 times. Instead of a child, she was returned as if she was a piece of clothing. Even though it's been barely mentioned, we've also learned that people that participated in Project Apple didn't treat the subjects nicely (see how they treated Bond). Those people called Anya "subject 007". They didn't even give her a name. If we think about it, Anya is very "non-applicable". She was created in a lab, she has a strange power, so she's not like the other kids, she's been adopted and returned 4 times...

The A N/A and Anya being treated like an object instead of a human being fits the Spy x Family premise of the story, which is: Humans like Twilight, Yor, and Anya are used as weapons instead of being treated like humans. The story is about them regaining their humanity through love and family.

So even if A N/A says nothing about Anya, it says a lot about the story.

Look at this little girl. This illustration was heartbreaking. Do you know when it takes place? It's right before he meets Twilight. We see that it's the same filthy orphanage Twilight visited on chapter 1 and this is not Anya's first orphanage, so that means this illustration happened after she was returned again. The way she's facing the door, her body language, the way she holds Mr. Chimera by the hand is so sad. Here she is, once again, in a place she doesn't want to be, where nobody will take care of her...alone 😭

Enough of that or we'll end up crying...🤧

Some other things to take into consideration about her name:

Mr. Chimera: Since this is a visual story, that panel of Mr. Chimera tells us that this plushie is involved in Anya's name. If you've read certain fic, you know where I stand on that. In this case, I think that yes, the person who helped Anya escape gave Mr. Chimera to her. However, I don't think it was exactly that character (you know who). It probably was someone else, maybe even a new character we don't know yet. It could also be a scientist who took pity on Anya or disagreed with the use of children as lab rats, and helped her escape. We don't know yet.

Twilight: One of the most beautiful panels on that short chapter was seeing Anya's eyes lit up when her papa told her the correct spelling of her name. Did you see it? Those were the eyes of someone who had just learned something new about herself and by doing this, Twilight made her even more human.

One more thing...I've seen speculations about the next arc of the manga being about Anya's past because of this short mission. In my opinion...I don't think it'll happen yet. Why? If it was the case, this would have been a longer chapter and the actual beginning of the arc.

I believe Anya's past will be one of the last things we learn, because there's plenty of things to resolve and a lot of information we don't have. Stories are like puzzles; this chapter was an important piece, but we're not working on that part yet.

[reds-skull]

CW FLASHING IN THE VIDEO (3rd from the bottom)

This is it. 3 months in the works, the comic (and video) are finally done.

A little over a year ago, I uploaded the first work in Revenant AU, Ghost's origin comic. I never thought I'd write a whole series for this, but I'm so glad I did. I got a whole new hobby out of it, haha.

I already began working on part 2, but this for me marks the start of it. I'm really excited to get back into this world!

Under the cut there are some comments on the comic I thought some people might be interested in (don't wanna make this post longer than it already is lol). I will upload the frames from the video separately, with comments on it there.

Bottom line is, thank you for letting me just go wild with this :)

Okay, I'm mostly gonna talk about the part where Fate shows Makarov the 141+Farah. Makarov doesn't see the Fate of people as literal images, he often has to interpret odd symbolism in the flashes he gets from the Weave of Fate.

I decided to go for a style I saw in a collection of calling cards in MW3, mainly from this one:

You can really see it in the faces and pitch-black cel shading.

I'll be going in order of appearance, starting with Farah.

Obviously, each of the "flashes" shows the Reaping of each person, Farah being crushed under rubble. Behind her is a helo of green gas, which symbolizes the Russian experimental gas. The motifs around her are more interesting imo - they're taken from the Urzik flag (and yeah apparently it's "Urzik" and not "Urzikstani"... according to the wiki at least). Wings, plants (feels to me like a pomegranate and some sort of crop, but I couldn't find what it is specifically), and a moon, upside down.

I'm skipping ahead a bit, but I've had the idea to make a drawing of Gaz in the Hanged Man pose since I started the AU basically. I tried sketching it once, and it went bad so I gave up lol. But I decided to come back to that here, and add some sort of tarot connection to all of them. I know practically nothing about tarot, googled the meanings of each, they fit well enough, I called it a day lol.

So Farah is the Moon, upside down.

Price is next, showing him taking control of the brain of someone. I didn't use the flag of the UK for the 141 (it'd be kinda boring...), instead I took the Taskforce 141 logo, and broke it down to different elements.

I took the laurels for Price, both framing his illustration and sitting above his head like a crown. I decided he will be the Emperor.

Next up is Gaz, the Hanged Man of course. Gaz gets both the wings and the stars (I changed mine to 4-pointed because... I like them better). Pretty clear why, both symbols relate to the sky. The illustrations kinda follow a rough day cycle, if that makes sense. Farah being night, with the moon. Price with his golden and purple color palette, twilight. Gaz being sunrise, and Ghost and Soap, day. This is why Gaz has a sun behind him.

Ghost was fun because he's the only inhuman one out of the group. I'll let you think what that implies, that even in Fate's Weave, Ghost is an outlier... Ghost gets the skull, and the card "Death". That one was easy, but what I did add is blood flowing down the skulls, like tear tracks...

Soap, the problem child, gave me the most issues as always. For once, it wasn't his fucking face, it was the flames behind him, and overall contrast and readability issues. Soap's illustration is probably packed with the most "hidden" details, though they're obvious if you've read the fic and Konchar's side story. The headless man behind Soap is Konchar himself, holding 4 chains with dog tags on them. The 4 soldiers from Soap's squad, who he killed before Soap was Reaped. Soap's pose is from the moment he came to his senses, after getting shot in the head and destroying a large part of Verdansk. He has 4 swords, pointing at him and downwards, so his card is 4 of Swords, upside down.

Between Soap and Ghost is a circle and a triangle. I'll explain that in the post concerning the video, since that's where I got that from.

If you read all of this, thank you so much! There will be another post for you to read in a moment lol

[kanmom51]

You are me I am you

You know how sometimes when you are lying in bed just about to fall asleep and you have an idea or train of thoughts that leads to clarity of mind?

Well, a couple of nights back I had one of those epiphanies. I hurried to jot it down so I can come back here and put them to paper, so to speak (before forgetting them the next morning, which I surely would have).

So what's it all about, you may ask.

Well, I guess the header is a pretty good tell.

You are me I am you.

Or more so, how, for some reason, we seem to forget just how amazingly romantic that notion is, and what it truly means to JM and JK.

I will tell you where this train of thoughts started.

It started here:

I was thinking about Jikook in Sapporo, and this conversation came to mind.

Talking about how alike they are (following them doing the robot man simultaneously and telling us they watch the same content).

Yes, they don't do the You are me I am you in this instance, but I couldn't help think about it. This would be their You are me I am you on a more "we're one and the same" on a day to day basis kind of way.

And they are pretty much one and the same. So many similarities.

Is there any surprise they just FIT one another? One might think they were actually made for each other.

Their moles:

Their IQs

Thoughts, likes, habbits:

I don't even know how to describe this one:

Knowing each other through and through.

Knowing what the other thinks without words - a type of telepathy.

And:

When it comes to You are me I am you, they made it their own. Something that symbolizes them and their relationship.

Used it to express their feelings for one another publicly!!

Came by @haedalkoo 's post just today, kismet I guess, explaining the translation of JK's Tweet:

They have used it so much since JM's Serendipity. Many times doing so playfully.

All while claiming it as their own.

And perhaps because of that, I feel so many are either unaware or perhaps have forgotten over time the true meaning of You are me I am you, the deep romantic sentiment attached to it, and just how amazingly romantic those two are by claiming it as their own.

So, where does "You are me I am you" even come from?

Seeing that there are quite a few new Army and Jikookers around, I guess another short history lesson is required here. The origin story so to speak.

The line/saying originates from a 2016 song "You are me I am you" by Zico.

You are me, I am you I am you, you are me If our hearts are the same Two will become each other You are me I am you We make a pretty picture Who came up with the word “cringe”

There was talk about JK & JM using a reference to the song's MV wearing matching plasters during a Puma fansign in April 2016.

*Do I remind that this is way before JM's Serendipity came to pass?

JM saying he was given the band aid from JK (again, a reference to the song's MV).

What a coincidence...

I dare say this was not a coincidence, quite like JM tells us in Serendipity.

You know, the song that same exact line found it's way into....

Yes JM did not write the lyrics to Serendipity, but we have seen their writing process, we've heard from them and seen that the members have input and are consulted at times, especially when it's their solo songs. Remember JK's Begin? Such a personal song. So JK, right? Well, JK didn't write Begin. RM is credited though, just like he is for Serendipity. Does anyone doubt that JK had a input into the lyrics of Begin. I don't think so!!!

All this is no coincidence Just, just, by my feeling The whole world is different from yesterday Just, just, with your joy When you called me I became your flower As if we were waiting We bloom until we ache Maybe it's the providence of the universe It just had to be that You know, I know You are me, I am you

Serendipity is a love song.

One would say the ultimate love song.

Me being one of those.

Me also being one of those who say that JM took ownership over Serendipity making this his love ode to JK (and then came Letter...).

This was theirs.

And You are me I am you is theirs.

They even claimed copyright over it.

They were kidding.

Or were they?

Those two have been so friggin loud over the years with this.

JM and JK are the embodiment of You are me I am you. They took ownership over it and wore it ever so loud and proud.

They obviously had so much fun with it over the years.

And because they have been so loud about it and mostly in a playful manor, at times we forget the deep romantic meaning of it all.

But then you have those moments when it's clearly just for them, more intimate. It's quieter or softer or without realizing it's caught on camera, or embedded in their own lyrics with so much meaning or just so loud and emotional that it just hits you right in the face.

Those times when it's less about playfulness (you know, at times it can be romantic and playful too) and more about THEM.

The romantic undertone is just so so obvious.

This was done for no one but themselves!! Definitley not for us!!

Those moments where they remember where it came from and what it means to them.

The way JK's hand goes for JM's waist and then he moves to hold on so softly to JM's jacket.😭😭

The way the rest of the members move away, leaving them to themselves (a couple of them clearly thinking to themselves "get a bedroom").

They were both really caught up in the moment. And their embarrassment after it's over is a clear testimony to that.

I'm struggling with putting this into words... just how fucking romantic this was. Smiles on faces, teasing, flirting, giggling, and so damn romantic. And when you remember this comes on the coattail of TTU and the staging and lyrics change up...

I'm sorry. I'm just lost for words, hoping that you guys just see it, feel it. How can you not?

I can't end this without mentioning Like crazy as well.

JM may not have written Serendipity (although, again, I do believe You are me I am you has ALWAYS been theirs), but he certainly did write Like crazy.

Thinking again of how JM was struggling and what he was going through is heartbreaking. And JK's place in this song written by JM is so very loud. JM referring to another person that is with him is very loud. JM using the line "You are me I am you" in the song is very loud.

As for JK and his feelings for Like crazy, well I do think he has mixed feelings about that song. He loves loves loves SMF pt. 2. It's JM's catharsis song, his healing song, and JK is mad about it (not to mention the MV and just how damn sexy JM is there). But Like crazy, that one hits home for him. It's a reminder of hard times, emotional times, times that perhaps, just like JM tells us in the song, JM was hurting and wasn't allowing that other person with him, "the moon with you in its arms...forever you and I..." to save him:

This will break me This is gonna break me (Break me) No, don’t you wake me (Wake me) I wanna stay in this dream, don't save me Don't you try to save me (Save me) I need a way we (Way we) I need a way we can dream on (On, on, on)

JK was that bystander. Can you imagine that feeling of helpless, unable to pull JM out of the darkness?

And being reminded of that every time you hear the song.

JK's reaction here to JM playing Like crazy.

It's not about not loving the song. It's not about not loving JM or supporting his art. It's about the emotional baggage that comes with the song.

Try and remember the times we got to hear JM's songs during JK's lives. The one song that JK put off (in a sense) listening to on camera was Like crazy. First time he played it in one of his lives was when JM was on the show JK was watching and JM sang it in English!! Next time he listened to it was months after the song was released and after AYS CT (what they call season 1, lol) was shot. And even then, when he played it he did the whole comical intro and dance.

How did I get here from You are me I am you?

Good question.

Oh yes! JM's Like crazy, using You are me I am you in the lyrics, it being such a personal song and one that hits hard for JK as well. The romantic undertone to You are me I am you. That one person that JM is with and doesn't want to wake from the dream he's in with that person by his side (awaken to the reality of the pandemic and his emotional struggles).

JM and JK have told us and shown us oh so many times they are "You are me I am you".

The personification of "You are me I am you"!!

How do people still not see this????

[gh0st-t0wn3]

I finally had time to make proper designs for the Trio!

Redson: Ver 1

Ver 2

I couldn't decide on if I liked it better with the braids or not so I just posted both, but anyways!

I gotta admit, I used to not like the idea of redson having Bull features (except for a small pair of horn maybe) but the concept really grew on me and now I really love it and wanted to try making my own design and I'm really proud with how it turned out.

I would've added more scars, since Guanyins throne pierced his entire body, but there came a point where it just looked like there was too much going on so I had to get rid of a few scars to tone it down, so we're just gonna say they faded over time, okay? Okay.

I also made him Miao (one of the largest ethnic minorities in southwest China) on PIF's side, and Mongolian on DBK's.

The Miao ethnicity of China has a long history, rich culture, and an ancient folk religion. Adorned in beautiful traditional clothes, possessing natural talent for singing and dancing, they live in uniquely designed indigenous architecture, which I think fits perfectly with how I imagined Princess Iron Fan and with her; Redson.

As for DBK being Mongolian, I saw someone else talking about this headcanon and I just liked it so I decided to use it, I don't really have a specific reason for it, I just thought it fit, not sure why though, it's just one of those things that makes sense even if you don't know why, you know?

Mei:

I made her taller and gave her a long dragon tail (like really long, it drags along the floor if she's not holding it up), though her scales are pretty much everywhere across her body they're most noticeable on her shoulders, thighs, and face (they're a bit hard to see in this photo because they're kinda hidden behind her hair, but I did give her scales beside her eyes)

I also gave her horns these little spiral designs around them, gave her sharper nails, and designed her ears to look like coral, since she's a water dragon and I thought they looked cool.

Honestly idk what else to say about her design, I didn't have anything specific in mind when designing her, I kinda just had to wing it, but I'm happy with how it turned out :)

(I also made her Bengali, on her dad's side, but it's not really important or has any reason behind it, just a headcanon I've had for a while, don't know where it came from though)

MK:

Alot of people have speculated that the monkey form we see during the fight against Azure in season 4 isn't MK's full form yet, that we're just seeing a fraction of what he's yet to become, based on the fact that while he has the weird side burns, the tail and the face marking, he also lacks a natural skin tone, they didn't give him a proper nose etc, so I wanted to play with the idea.

I decided to make him this strange mix between human and monkey, leaving him pretty much human with the addition of his tail(s), and weird li'l monkey feet.

(I was also gonna give MK more arm/leg hair, it was in my first sketch, but I forgot to add them when I was doing the line art and didn't realize until after I saved it as a jpeg, so that's my bad, but I'm gonna add it in to any other art I make)

It's also a bit hard to see in this, but I designed his staff with more details, specifically adding dragon-esque imagery to the Golden ends, this is because (for anyone who's new to the fandom/hasn't read JTTW) Wukong's staff was originally one of the several pillars that held up the sea in the dragon palace, until he stole it and shrunk it down to use as his weapon.

I also did MK's clones :)

Porty MK:

I gave him stripes of coloured hair and gave his tails all different colours, though I don't think he would actually dye it, instead I like to think that he would use that really crappy dollar store spray in hair dye (or hair chalk). I kept the fishnet clothes that I added in my originally design of him for my headcanons post, and decided to give him striped elbow length fingerless gloves.

I also gave him a cropped shirt, ripped shorts and these weird fingerless glove-esque shoes for convenience, since regular shows seem like they would be uncomfortable.

Edit: my dumbass forgot Porty's stupid print jacket 😭

Artist MK:

For Artist MK I gave him overalls and a jacket over it, which he wears specifically for when he's doing paintings so he doesn't ruin too many of his actual clothes (I know I said that this was inspod by Circusapple, which it still is, but this is almost exactly what I wear when I'm painting too, just in different colours).

I also gave him those gloves that digital artists wear so they're hands don't accidently trigger something on the screen because everyone knows that every artist just walks around with their art glove on even when it's not necessary.

Delivery MK:

I have to admit, I was never a big fan of MK's work uniform just being his regular clothes with a work jacket thrown over it so I wanted to try and make him look a little more professional and decided to instead give him a chef coat (similar to the one Pigsy wears on the show as well), with a logo for the restaurant on the chest, along with it I gave him plain black pants, since casual red jeans didn't seem very professional (I know he's just a delivery person, but if you were to look at pretty much any food corporation, even people who do deliveries have to wear uniform, so it's always been kinda strange to me that he's just in regular clothes). 

The shoes were harder to make professional given the whole "half-monkey" thing so I opted to give him the same strange fingerless glove-esque shoes for comfort and convenience, but made them plain black as well.

[angrykittybarbarian]

Things that bother me about Dragon Age: The Veilguard part 3 (final thoughts)

I have finally finished the playthrough. I endured because I wanted to give this game a fair chance. I wanted to see it from start to finish in the hopes it would deliver something, anything capable of redeeming it. But it just didn't. Or more precisely, not in a way sufficient to make its flaws easy to overlook. These are my closing impressions on the game. I have already done two posts about this in which I documented my observations and comments as I progressed. I will link the posts here: Part 1, Part 2.

Let's finish this ride for now.

!Spoilers below the cut!

The music

I don't know what the direction of the music was meant to take. When it was announced Hans Zimmer would compose the OST I had high hopes. Hans Zimmer is a houshold name in Hollywood and skilled at what he does. I listened to a number of movie OSTs of his making and they were all excellent. So what happened here?

The music sounds generic most of the time without a clear theme or a unique piece that got me searching for it on youtube.

The main theme has sort of a recognizable composition but isn't anything outstanding. Emmrich's theme sounds like a halloween piece written for Wednesdsy Adams and the rest of the OST seems to mimic Trevor Morris' work for DA:I, namely the Lost Temple and In Hushed Whispers themes, but without the emotional impact the original pieces created.

It's as someone has already pointed out and I agree: Bioware has bought the name Hans Zimmer but not his quality. It sounds like he didn't even seriously create something but half heartedly whipped something out of his sleeve and called it a day.

The facial animations

The main problem with these is they often don't fit the emotions the VAs are communicating.

The VAs actually did a fantastic job. The scene that touched me the most was the one Rook confronts Solas in after they escape the regret prison in the fade. That was the first time Rook felt involved, raw and real.

But what broke the atmosphere in an otherwise flawless scene was how unmoving their facial expression was. There was the VA shouting their lung out and the animation couldn't even give half a fuck about it.

I don't even see an excuse for this lack of facial animation. It was possible to do since DA:O, hell, even since the first Mass Effect back in '07. Why is it not possible in the year of our Lord 2024, when technology is presumably better?

The handholding of the player

The plot is tightly paced. This is not necessarily a bad thing as I didn't really like the Open World approach of DA:I since it stretched the main plot too thinly and the maps created weren't filled with interesting side content but boring and pointless fetch quests.

But Veilguard went into the opposide extreme as it leaves only little room for the player when and how to do things. The quests are activated and must be completed in a specific order. They have also only one outcome without room to make different decisions.

Rook can never be truly ruthless. They can never disagree and butt heads with their companions.

And I hate how on the side of the screen the game exactly tells you what you have done and how it affects your companions' behaviour. It doesn't bake it into the interaction organically. Instead it has yet again, explained to me what I did and why it has this very specific effect without any of the characters discussing it. But the beauty of consequential decisions lies in the very unpredictability of its outcome. That's what creates the emotional impact. It doesn't work if I am being warned and explained to like a small child.

It's this lack of trust the game puts into the intelligence of its players that is so experience breaking, insulting even. It doesn't trust its players to figure stuff out themselves. It assumes we are too stupid to get any of the things it tries to tell us.

The ting is though, dear Bioware writers, if you think you have to overexplain your story because you think your audience won't get it then that's a telltale sign of the story being actually badly written.

Another area where this becomes appearant are the "puzzles". I used the quotation marks because there isn't really anything to solve. The solutions are obvious and at times your companions go out of their way to tell you.

The romances

Romances have always been a nice bonus on top of the otherweise amazing game content. They added some enjoyable extra fluff purely for enjoyment and some cases even deepened the main storyline.

In Veilguard they don't do that. In almost all of them the flirting is so meaningless that your cutscene with them just proceeds as if nothing happened.

There is no shift or change to their tone towards Rook. You don't build up the relationship with them. There is no last goodbye kiss before the last mission or passionate affirmations of love and trust. It just leaves you cold.

The only romance that seems to have that old depth is Emmrich's. The rest however, they don't add anything significant. There virtually is no difference to the game without the romances.

Companion relationships

Let's begin here with the simple fact that all deeper interactions Rook has with the companions are strictly scripted which ties back into the handholding part of this criticism. Rook cannot initiate a conversation and ask them some general questions about their histories and opinions on certain matters.

Rook only gets to interact with them when they happen to want something from them. Otherwise they cannot be bothered to acknowledge Rook with more than a one sided oneliner.

And then there are the relationships between the companions themselves. They either get along swimmingly or the game feels the need to stage some immature conflict between them without any deeper purpose.

Like Harding not understanding why Emmrich brings so many books on the road despite it literally not being any of her damn business bevause it doesn't personally affect her in any way.

Or Taash not understanding his profession as a Mournwatcher as they call him names so Rook has to point out Taash in turn likes dragons which is an interest he doesn't share only to culminate the discussion with a "We need to respect our differences" sort of statement.

These are not conflicts, these are squabbles of children and like children Roik talks to them which is brought ad absurdum with Emmrich because he is literally old enough to be Rook's father.

Why bother at all with writing conflict if it is only to be something as inconsequential as this?

Varric's death

This one is a .... choice.

I won't go into why the decision to let him die or not is good or bad because I feel like this is highly subjective.

However the impact of the reveal of this fact is only partly executed well.

Why?

Because it only hits hard when the player has known and cared about Varric at least since DA:I if not DA 2. The execution of this plotpoint thus relies too heavily on nostalgia instead of building the tension up within its own setting.

When thinking about Bioware also wanting to be newcomer friendly with this game I am left to wonder then why they didn't introduce Varric properly and didn't give the players time to build up the relationship? Why would a new player care about Varric? They don't know him.

Bioware cannot in good conscience claim they designed the game to be new player friendly while simultaniously heavily relying on knowledge from previous games, dlcs, comics, novels and other spin-off media. They cannot claim this and have anything but DATV do the heavy lifting when it comes to executing their plot.

The final mission

For my final point I also want to lose some positive feedback about this game.

The ending was actually well written.

In relation to Solas it comes full circle. You can actually feel what's at stake and the decisions Rook makes actually matter.

The final questline roughly follows a Mass Effect 2 approach where it is classified as nothing short of a suicide mission.

Companion quests essentially function as loyalty missions and Rook gets to assign various posts in battle. Just like in Mass Effect 2 assigning a companion a post completely outside of their expertise may get them killed.

The dialogue is actually written well at this point in the game. There isn't really much to complain about.

But even this part is not entirely without faults.

For one I don't like the non negotiable sacrifice that has either to be made by Harding or Davrin. Rook doesn't even get a chance to save any of them. But again these non negotiable companion deaths where you only make the choice who's it's going to be isn't anything new (i.e. Hawke and whatever Warden you happen to get, Kaidan/Ashley in ME 1). So maybe a bit if a bummer but nothing experience breaking.

A stronger point however is that Rook will always keep the Veil intact in the end.

I suppose this outcome already is part of the game title itself but was it necessary to take it so literally?

With everything the elves have lost and the discrimination they faced it should absolutely have been an option to agree with Solas and tear the Veil down.

But since we don't talk about racism and slavery I guess Rook doesn't reflect on these points either. So I guess keeping the Veil intact is in line with the game's general sanitization of the world.

So in conclusion?

The game is far from great, not gonna lie. It feels like the devs actually wanted a new IP but were too afraid of the risks that come with such an endeavor and thought gutting an existing franchise that already did the heavy lifting of building a fanbase and using it as a package would save their ideas from flopping. Surely no one will notice it is actually something else if we market it as Dragon Age, right?

But we are not that stupid. This behaviour is insulting to put it plain and simple and I am heartbroken, angry and said that this was done to Dragon Age. I wanted to love this game. I was optimistic before the release. Everything looked fine, nothing in particular to worry about.

But I cannot continue to defend this without breaking my basic brain function.

The most frustrating part is that with the ending the devs showed they can write a story and meaningful dialogues. It left me wondering why it couldn't be done like this for the rest of the game and living with the reality that I will never get what this game could have been.

All in all this is not a good Dragon Age game. It is a massive disappointment and does not live up to the promises made by the devs.

I am sorry for everyone who preordered.

I am sorry for everyone who paid the full release price.

Nominating it for Game of the Year is not justified no mattee how you look at it.

If you are genuinely enjoying the game, I hope you continue to do so and all power to you.

For the rest: let's stop excusing Bioware's disrespect towards the fans and enabling them by paying them too much money for it.

Don't buy at release. Don't buy spin off media. Wait for sales. These people only understand the problem when you give them a good run for their money.

[gin-juice-tonic]

So, while it's certainly not my intention to talk about pages of the bill book basically every day, it seems every time I write one post I end up thinking about something else. Here's the next something else.

This time it's these two pages. There are several things that are odd to me here. Not necessarily on their own, but when compared with the journal.

First and foremost, I want to use something that struck me here for a quick bit of doyalist analysis. (I know, I know.) Several people have said to me they didn't believe Alex had gone back and read through journal 3 again, and this could be a reason why things are so different and contradictory. But the thing is, these pages hold lines that are strikingly similar.

That top image is small, so I'm going to zoom in on what I mean. These are lines from that first book of bill page:

Here is a line from the "hiding places" page of journal 3:

and here is another line, from the page after this one:

You could argue that the thing about the caves is a plot point, and something Alex might've remembered. But part of Ford's motivation to get going to the caves so soon being the snowfall? Well, I certainly didn't remember that anyway. It's pretty a minute detail. Could its inclusion mean nothing? Maybe. But maybe not.

And if you read past my carefully placed initial highlighting, you'll also notice that lines inclusion is slightly different in the two versions.

Like I said, in journal 3, the pushing factor in getting Ford to make his trip with haste is worrying about the soon to be inclement weather.

But in the Book of Bill he mentions "little time". Why? Because of what's been written down on the previous page:

Im not going to paste the whole thing in here, because it's very heavy. But Ford has been given an express time limit by Bill.

Why then, is the snow even worth bringing up in the first place? I'm having a hard time getting the words together. But I just find it all very odd.

But the similarities between these pages and the ending of the first act of journal 3 aren't all I want to talk about. There's more differences than just the specifics of the snow line.

So, Differences:

This first one is small, but notable to me at least. On the matter of Fiddleford, here's what the Book of Bill had to say:

And here's what Journal 3 had to say:

Fiddleford being "gone" is a lot different from Fiddleford "refusing to speak" to Stanford. The former implying Ford couldn't reach out even if he wanted, the later implying he's made attempts that have failed.

And it's important to remember that the narrative is the Book of Bill pages were ripped out. Ford has written Fiddleford is missing, rips out the page, and decides upon next re-write that Fiddleford just isn't talking to him?

.

The next thing is a really big difference, and requires the addition of two more original Journal 3 pages. It also requires a new question to be asked: "Where do the two Bill pages I've shown fit within the journal?"

Here are the new pages that will be submitted into evidence added into this post:

Though I want to mainly focus on this second one,

The page where Ford's plan all starts to come together. It's worth noting this page comes before the "Hiding places" page I've shown before.

The order of events as laid out by Journal 3 are:

Ford goes to and escapes the truck stop and notices the twin motel sign, realizing he can contact Stan -> Ford lays out where he's going to hide the journals and that he's going to make the trek up to Bill's cave -> Ford fully discloses his plan to hand journal 1 off to Stan.

The Bill Book pages I've been discussing are directly after the page of Bill tormenting Ford within his mind. (Again, not going to post that page due to the subject matter). But we see that the top of the first page says "I awoke from the hallucination" so chronologically it's safe to assume there were also no non-missing pages in between them.

which means the order of events as laid out by the Book of Bill are:

Bill torments Ford within his mind -> Ford futilely searches for clues to Fiddlefords whereabouts -> Ford announces he must make his trip to the caves -> Ford realizes he must contact Stan.

The Bill book is stating "Ford came up with his plan first, and realized he needed to add Stan second."

The journal is stating "Ford was able to come up with his plan upon realizing Stan can help him."

These are very different ideas. And while it's framed in a bit of a cheesy way, I think that Journal 3's idea is very important. Despite everything stacked up against him at this point, Ford was able to keep going and come up with his plan upon realizing that he's not all alone. And specifically, working together with Stan has been the key to defeating Bill since the beginning.

If we are to take the Book of Bill's idea as truth, what of the trip to the truck stop diner and the twin motel sign? When is this supposed to have happened? Is it trying to claim it didn't at all? It's a bit silly, but I don't find it to be fake personally. Nor do I think Ford would have any reason to waste time and pages concocting a fake narrative at this point in his story. In both narratives, Bill is tormenting him every time he loses consciousness, he is exhausted from both the abuse and his general lack of sleep. He does not have time to spare.

But that's not the end.

This book of Bill page:

And this Journal page:

Are sort of paired off again, aren't they?

Supposedly, the "Should I contact S?" Bill page takes place before this journal page with the perpetual motion machine, as this page says Ford has already "Sent word to him".

Ford includes his own mini pros and cons list here, with notably more pros

There are also less cons. The idea Bill might get to Stan, or the idea Stan might destroy the portal no longer seem to be concerns.

Do the pages contradict? Well, not really aside from the order of events I've laid out. But that's sorta the thing, right?

Ultimately the two pages I've been discussing stand out to me because they're re-writes of things already in J3. Very similar except for the big hole of cutting out Ford's motel story.

Ford's supposedly on a mad 72 hour time-limit dash to make all his final arrangements to best Bill. He is at the end of his rope from the nonstop torment he's been subjected to. Does he really have both the time and the energy to be re-writing journal pages just because he didn't like them, let alone adding in entire new false narratives? And even if he does, why would he change it so that remembering Stan becomes the catalyst for his plan to outwit Bill?

[pushingdaisies1]

Nasty Dog . . . ♡ ↳ (part two of ''kinda hate you - kinda love you")

(✧ ˚.) PAIRING-> James "Logan" Howlett {A.K.A} Wolverine x "X-Man" Reader >_< (✧ ˚.) SUMMARY-> You kept on replaying that moment with Logan in your mind. Something small definitely put you on one hell of a roll. It made you think a lot more about what you two shared. Especially if it was even something to hold on to as much as you did. Antagonizing him over breakfast about how much of a show-off he can get, he complies to help you with your class. Specifically when he overhears you talking about your lesson plans. Hand-to-hand combat and you need another demonstrator? Sign him up big time.

(✧ ˚.) AUTHORS NOTE -> hi party people!! gonna make this part short so I don't fill half of this post with my yapping. like I've repeated over the last two(?) , tysm for all of the love. its funny x-men has reignited my writing hehe haha. i wanna write for logan more nd also do professor x?? james mcavoy my love? anyways , u and logan are so weird I'm loving it so hard. also might open up requests for x-men so I can write for the whole bunch. ESPECIALLY lolo , the honey badger of my eye 100%. Hope you enjoy and comment if you'd like to be on a taglist for my works!! (most likely will be doing a lot of x-men stuff until I run out of ideas.)

(✧ ˚.) CWS (?)-> again this is supposed to take place within the context of X-Men 97/X-Men animated series , second person pov , descriptions of combat/sparring, kinda alluded to you two being fwb?? lowkey more complicated but, YALL DONT FUCK SRRY but definitely some suggestiveness , you and Logan kiss n argue and not so makeup so idrk if that counts for hurt/kinda comfort???..

Like the night before that, you were pacing back and forth around your room. The place you would stay most of the time if you ever even had a day off. On your nearby desk would lay students' reports. Ranging on physical fitness and endurance, health studies, and so on.

Ororo sat crisscrossed on your bed as she watched you. Her expression was grim as she looked down into her tea. She was originally planning to go to bed. Though you came to her with troubles plaguing you. X-Men are like family to one another, so she spared you her time. Your worrying made more sense once you gave her the slightly skimmed-over details. You left bits and pieces out of the story for your own sake.

“So he.. and then you…?” She questioned, voice low and face absent in thought as she cringed in realization. You quickly nodded as you held your hands to your face embarrassed. "I know Ororo! It's really ... really bad." Storm couldn't help but crack a small chuckle seeing how frazzled you were over Wolverine. It looked like there was smoke coming right out of your ears with how huffy and puffy you were. "Wow, breath for me. The only thing you should be passing out onto is your bed, not the floor." She assured as she set her cup aside on your nightstand. She got up to look at you face to face. Gently taking your face in her hands. The most, and I mean the most you told Storm was a very cut-down version of the story. Nothing about the nights you were whisked away into his room. How you two used each other consensually as another body to rip into and hold when nights got long.

It's not like you two had nothing. There was a spark undeniably there. But to you, it felt like his eyes would always be for Jean. It's not like you couldn't see why he was infatuated with the redhead. You've known her long enough to know that she would always stick things through with Scott.

Logan was always a fan of the hunt, you were like a place where he could bury his bones. You were familiar, you never had plans to leave his side.

Besides, for the sake of your affair with Logan, it was best not to complicate things. That was before he decided to throw out some choice words. Words that made your chest tighten and sweat rise through the roof. She rubbed under your eyes with her thumb as she guided you to look back at her. "Whatever you and Logan have going on is truly none of my business. Nor the team's business at all." She explained, hearing her speak was so calming. Her tone was always so smooth almost ethereal. "As your friend and your sister, I can't sway your hand either." From the day she arrived in the mansion, Ororo was like your constant. You relied on your friends sure. But like her and Jeans shared kinship, you had something similar with her. Which is why it hurt even more with your dilemma. "Logan is not a perfect man. I know you are stronger than this. You know what's good for you. The X-Men will always have your interests at heart, yes. But it's you who has to make this call." She hummed as she leaned her forehead against yours. "Sadly the ones we yearn for sometimes, or even will always have their heart set on another. You are better than that. You and him can mess, sure. But one day it will end and he'll go back to pining over our Jean." She spoke sweetly with a sympathetic smile. She was right like always.

She looked at you once more, forehead still against yours. "It is you who has to move on to someone who will put you into perspective."

A comforting embrace from Ororo absorbed you. It felt as if you were embraced by the world. Clinging onto her tight, she stopped the storm weathering inside of you. Gently rubbing your back she'd let the silence ruminate inside of your bedroom for a while. "Take some time dearest, maybe speak to him if you can." She murmured into your hair. "Maybe you two just need some needed distance? Because he's definitely missing out on one extraordinary creature." A small smirk grew onto her features as she separated your hug, you complying of course. "All I know is that you deserve whatever honesty you can squeeze out of that man." She acknowledged with the smile you always related to hope. Ororo was your consciousness, she was pretty much one of the most level-headed of your team. You thanked the fate that brought Ororo into existence. Without her words of real wisdom, you would still be spiraling in your bed like a clown. "Thank your Ororo, truly I do mean it." You spoke with a humble smile as she chuckled softly. "We're family, I'll always guide you by any means necessary." She replied, giving you one final look of affirmation before reaching the door. She opened it gently, letting the air open it wider before her eyes wandered to you one last time. "Sleep well, don't let yourself run mad because of him." She purred, leaving you alone. You stood there with yourself. Sucking in a breath of air you knew what was needed. The haze in your continuous stream of thought cleared. With one more look around at your walls, your eyes turned to your bed. You fell right in under your warm and fuzzy blankets. You were practically knocked out as soon as your head filled the pillow. Tomorrow you should be fine, tomorrow will be a better day. Quickly night turned to day. You were awoken by the sound of the students playing on the nearby basketball court down below. Your shoulders eased some more once you saw the empty hall in front of you. No one to interrupt your morning stroll down to the kitchen, where you knew by now someone had to be in there. You quickly jostled yourself down the stairs as soon as you caught a whiff of food. By just a tiny sniff you knew it was Gambit cooking. Your stomach cheered and roared as you rounded the hallway. Coming into the kitchen, Gambit was already dishing some of his beignets up. His hair was up and swooped as he wore a cropped t-shirt, with a colorful display of artwork on it that you didn't really want to decipher. Surprisingly it was a pretty quiet morning. But then you realized why when looking at the clock. The biggest surprise was that even Gambit was up this early. Scott too, as he was sat down with a newspaper on and his regular shades. Gambit swung around seeing you, fresh beignet in hand. "Cher, good morning to you!" he greeted you with a sing-song tune. He stopped at no time dishing up the last batch. You cracked a sleepy grin as you rubbed one of your eyes. "Am I in heaven? I don't think I've ever seen you whip something up this early." You joked as you found a seat at the table. "Gambit is in a good mood this wonderful day, no?" He purred as he smacked on his final touches. Scott looked up from the paper with an eye roll. Only noticeable with the way his head tilted. "He accidentally charged his alarm clock, woke me and Jean up." He snickered, taking another sip of his mug. The sweet smell of sugar and cinnamon filled the air. If you had no self-restraint, he'd be having to remake that entire batch after five minutes.

"Alarm clock? I thought you said Gambit works on his own time?" You turned to Gambit with a raised brow as he leaned against the island counter. He looked away with a small smirk gracing his lips. "I listened to the missus." He shrugged carelessly as you couldn't help but hold back a laugh. His and Rogue's back and forth always made your mornings lighter. Soon the kitchen filled with everyone else. Jean happily greeted Scott with a kiss on the cheek, sucking your wandering eyes into conversation. Rogue soon followed, coming into the kitchen and stretching like a cat. Gambit was already climbing up her tree, given their whole "deal." Their coy and flirtatious banter always brought a smile to your lips , making you get all idealistic-y.

Jubilee and Storm were one of the last to follow. Jubilee of course decided to sleep in late, what teenagers do. Storm explained her absence due to deep talks with the professor.

She especially looked at you with a kind-eyed smile, peacefully soaking in the team's chatter as she too gathered herself food. Jubilee clung to you the entire breakfast. Not like at your hip, but you were one of the ones she got close to immediately. It made sense and you didn't mind her popping into your meal to ask about how this all was supposed to work. "I thought since I'm an X-Man, I didn't really have to DO school here?" She thought aloud, beignet and soft blueberries halfway in her mouth. You answered her question swiftly, relishing in your thirst diminishing.

"It's different since you are still a kid." You hummed, taking the last bites of your plate. "Besides, the extra training besides just on-the-field stuff could help. Danger room drills aren't the only thing a young X-Man like yourself should be going over."

She sighed while resting her chin on her knuckles. "I know, just feels so bogous!" She scoffed playfully, serving herself a big bite of food. Your heart rate was exhilarated by some once you heard Storm greet Logan a "Good Morning." The two of you haven't spoken much to each other. Outside of short-term missions and war room meetings. You weren't surprised when the both of you so quickly made and lost eye contact. He grumbled in response, you weren't surprised. You could hear his confused murmuring as he rummaged for a cup. You spoke up from where you sat at the table. "On the counter, got bored, and knew you would be hankering for a pick me up." You turned back to face him in your chair. You were even taken surprised that you made the first "move." In response, he flashed you a toothy grin. "Looks like someone kissing ass this morning." He gruffly spoke, making up his own hefty plate.

As usual, the professor stayed off in his study. Everyone at the table talked amongst themselves. You couldn't remember how you and Logan started pestering one another. No shocker Gambit with a shit-eating grin amped up the bragging. One minute it was lesson plans, another it was Logan talking about how he could easily show you up during your lesson. Chest puffed, his arms crossed somewhat. He picked scraps out from in between his teeth using a free claw. It gleamed in the shimmering sunlight escaping into the room as his mouth continued to run. "Come on! I'm always the one saving your ass." He chuckled with grit as he finally was able to get out of a piece of that egg. "The other way around Grandpa." You snickered with your teeth on full display. Jean tried to put a stop to your and Logan's childish spat. If you could even call it that. One remark after another and soon he was agreeing to help you in the dangeroom later on in the day. Just your luck, it was foolish to even think this would have no hiccups. You passed through the day doing regular tasks. When the professor wasn't alert about any new trouble, or the school wasn't in shreds it was pretty peaceful.

You spent your time diligently working over those same tasks you despised when you had your hunger for excitement. The quietness around the school was comforting.

Time swept you away before you could realize it was time for your class. Young mutants swarmed into your room, chipper and excited for what today brought. You never expected to enjoy teaching this much. Quickly as the chatterboxes chattered, you soon quieted down the bunch. Greeting your students, you stood up from behind your desk. Rounding up to the front to address the entire room. Diligently you went over the topic for today's lesson. Today it was time to focus on hand-to-hand sparring. Being a mutant did mean having powers at whoever's disposal. But just in case the situation arose of being unable to use those powers, there was always a "plan b" needed at the ready. Most of the students were either paying attention first row or loosely clueing into what was planned for the hour. You didn't really mind, hearing a teacher talk no matter how vibrant they were would never stop being annoying. In the middle of your rapid explanation, you were interrupted by the door swinging open. No thanks to a lot of the doors in the school being a lot more noisy. In the doorway stood Logan, posture steady. With the amount of flannels he wore you wouldn't be surprised to see them being eighty percent of his closet. "I was needed, so here I am." He announced with a bitter sound as he cleared his throat. His arms fell to the side of him almost like he was showing himself off. You immediately perked up as you forgot one small detail. "I forgot to mention, everyone to the danger room!" You instructed as your hands gestured to the doors. Soon bodies started to move as Logan sauntered up towards you. His hands shoved deep in his pockets. "Y'know, I'm gonna kick your ass demonstration or not." He blabbed with that same stupid smirk on his face. You always wanted to wipe it straight off of his face. You turned to him with a pointed look as you whispered to him a threat. Less of a threat and more of an invitation. "Oh sure, missed you pinning me down. Forgot how your hands felt." You hummed before pushing past him. It was only you two, as by now most of their students were already making their way towards or were already in the danger room. Faintly you could hear the slightesting crackling of a chuckle from him. You were going to wipe the floor with his stupid hair.

Finally, everyone was inside and ready. You made sure to wrap your hands since you and Logan were sparring. Given that it was only for demonstrating purposes. But if you really tried, packing a punch into Logan was a lot harder than expected. Can't forget the metal skeleton that lay behind that stupidly handsome rugged jaw.

You paired students off to see how they worked without any use of their powers or special abilities. As a sort of example to anyone up next. After a small mistake by two of some students, you brushed them aside without any pestering. They tried, but maybe now that teacher example should be coming in handy.

Setting up the room, you sequenced it before rushing downstairs to the room itself. Of course, Logan ran right in behind you. "Now - me and mister Howlett are going to give a demonstration. Please watch as that'll be needed for anyone else I haven't sent in yet." Finally, the command commenced as the room quickly shifted into place. It was the simple danger room. White walls and white flooring are suddenly the only things around you two. Finding your stance you stared Logan down. He, not surprisingly, brought back that same sort of fervor and even more. Fists were up and it was time to fight. It was like two predators trying to dominate the other into becoming their respective prey. Your fighting styles clashed in the best of ways. You were quiet when it came to making the first attack. You knew how to be stealthy on your feet. Especially quick when diverting oncoming attacks from enemies. Logan was very abrasive especially when it came to how he attacked opponents. Run in first and think about the consequences later. Quickly you were able to ambush him. Throwing him for a loop once the bottom of your feet met his backside. It was like landing on solid ground. He groaned as he fell back, but that smirk still lay smeared on his lips.

You knew his weak spots and he was the same. Every single point, the two of you could find without even a poorly timed guess. For only a demonstration you two went at it for a while. His knuckles met your frame and so did yours. It was a dance of dominance, as old as time still stands. You soon did realize how much time your sparring was stretching. You still needed to at least have four or more students go up. By the time you two escaped each other's limbs as you had him pinned to the floor only just moments ago, you looked up to see your students.

Some were either paying attention or again, too absorbed in the conversation other classmates were having. Jubilee stood there a little bit taken aback by how you and Logan went at each other. I mean that was brutal but was the huffing and puffing needed? You two looked as if you were about to do the finishing blow to another. "Alright!" You said with an exhale. "Now use that when going head to head with your partner. Treat them as a peer but also as another fighter. Going against a fellow student doesn't mean you cant test out what you learned." You threw out teacher voice , quickly announcing which kids were next. You and Logan made your way back to the observational area of the danger room. The ascend back up was pretty quiet between the both of you. It was the same when you made your way back up and observed the rest of the class.

Soon enough you dismissed your students. Then there was only two , you and Logan. You stood there looking over the empty dome down below you. Logan soon walked up behind you.

Silence was never you shared kind of vibe. So you were somewhat joyous when he snuck a small kiss from you. Pecking the nearest edge of your lips , you came back at him with an embrace of those same lips.

Hungry and desperate like the usual. Internally you fought with yourself. You and Logan as companions and friends didn’t make things any easier. This sneaking around made you feel dirty. You didn’t want to be second pick.

It was you who stopped the exchange. Logan looked back at you with a blank expression. He couldn’t deny that the consistent dynamic between you two did make him guilty. He respected you tons but Jean would always be something he could never get his hands on. Some bastardoues part of him knew he liked that cat and mouse game. He would always wait for her , you and him were a different story.

“I can’t Logan.” You mumbled as your limb’s disconnected once again for good this time. This time it wasn’t with such passion. “This , us , I can’t do this anymore.”

His blank expression stayed as he almost barked out. “What do you mean? Yah never really said anything before, this makes no sense.” He rasped as his throat cleared a little.

The way his hazel eyes looked back at yours was a sight to see.

“I don’t like this charade. I like you but.. this thrill is gone.” You sucked in a breath as you stood apart now. “I mean I don’t just like you. What I feel for you is like nothing I’ve felt for another man. But here you are , waiting like a frail dog for Jean to finally drop Scott.”

He scoffed almost in your face. A part of him knew his yearning for Jean was pathetic. That he didn’t have a chance ever with her. Almost like she subconsciously infected his thoughts with only her. He knew though that it was just him being a fool , for you and for a woman that would never truly reciprocate his affections.

“You should have just said that , bub. I didn’t mean to waste your time parading around like a joke.” He shook his head , hands going deep into his pockets just like how he arrived. He slowly started to walk away. Bordering on leaving , finally you were honest.

“I love you Logan! There I said it!” You shouted , hiccuping like an idiot as you held your chest. That same flustered sensation spread throughout your lungs. “I’ve been in love with you ever since the night we made this stupid thing official. Ever since I felt your lips on mine.” You gritted out , fate was twisting your hand.

“But I respect myself too much to be so blind. I respect you too much to let us do this back and forth. I want something real with you. I want your words of praise to mean something. I don’t want these lies , I want you to love me. Because I do , and this whole poor man’s game of checkers deal isn’t what I want.” All of the hot air was gushing out of you as you went on and on about how you were internally struggling.

He looked back at you for a good minute. Burning silence was in the air. Before he spoke the word that stabbed you right in the heart.

“It’ll pass.” Then soon after he left you alone. In a puddle of your own feelings. You crumbled to the floor like a child. You held yourself up as you wiped your eyes of any free falling tears. You hated that someone so flip floppy with your feelings made you like this.

The heart of a lover was now eaten in two. Now it was your turn to piece yourself back together. With gritted teeth you got up a while later and collected yourself.

You would always be his fool. That was the worst thing about your desire for the Wolverines affection. Just the corner of your heart set for him was now bruised and battered.

ꔫ✉ reblogs/interaction is appreciated <3 (im so sorry if the ending feels rushed , i was in the mood for Logan angst 😔)

TAGLIST:

@pussy-f41ry @weallhaveadestiny @malfoys-demigod @dojacatswink @keenchaosdonut @emilyprentiss06 @honda-odyssey-fucks-hard @sl4sh3r

[parvulous-writings]

Could I request headcanons for Wyll, Rolan, and Zevlor react to being stuck in close proximity with gn crush?

Warnings: None!

Notes: These may be a little short/uneven, but these were so cute to write!! Anon, you've become such a prominent asker, that I'd love to give you a nickname of some sort, if you're comfortable with that! <3  My requests are currently open! My pinned post (found here) contains both a list of characters I write for, and a masterlist!  Original character list - please request for these too!

Wyll

Wyll is a gentleman about the whole situation - or at least he tries to be. He gives you as much space as he is able to, even though he's squishing himself into a corner, he's more than happy to do that so that you're comfortable.

He tries to keep up conversation with you, to try and distract from the somewhat uncomfortable situation; mostly mundane questions, like 'What's your favourite...' or 'Have you ever...' It's also partly to distract you from the fact that his cheeks are burning hotter than the hells. Who'd have thought it'd be easy to fluster the Blade of Frontiers, even if it were only slightly, by being so near to him?

He cannot take his eyes off of you. Not even for a moment. He tries, at first, but finds it astronomically difficult, and eventually just gives in. He loves gazing at you - your presence brings him such peace, even in such a compromising position such as this.

Once the two of you are found/make your way out of the confined space, Wyll apologises - even though it was not his fault - and offers to make it up to you at some point, by however you see fit.

Rolan

Rolan is entirely speechless. He cannot find the words to say anything to you, not even a half-handed snappy quip. His eyes rarely meet yours, and are rather more often aimed off to the side, or somewhere above your heads. It's... Quite awkward.

You try anything to break the silence between the two of you; "Can you move your leg, please, Rolan?" Followed by a quiet shuffle as Rolan tries to move a little bit further from you but still remain comfortable. It is of little use on either front, but he tries. Any question of "how are you feeling?" Or "You okay?" is met with either complete silence, or a quiet grunt of acknowledgement.

Rolan doesn't know what to do, he's never been in a situation like this before - much less a situation where he can't find the words to express himself. His heart is pounding against his ribcage, harder than he can recall it ever being in his life. He's entirely tense, and he has no idea what to do; his normal confident facade has completely crumbled away, leaving little besides anxiety, and a slightly fuzzy feeling in the pit of his stomach whenever you speak.

The first chance he gets after the pair of you can separate, he all but disappears from view - for several hours. You had wanted to talk to him about it, but couldn't find him anywhere. Eventually you do find him, but as soon as you bring up the situation, he turns his gaze from you; "I... Would rather not dwell on the situation... If it's all the same to you." He's just too flustered still to be able to process any of it.

Zevlor

Zevlor is constantly asking how you're feeling. "Are you sure you're well?" followed a few minutes later with, "Is there anything you need? ... Yes, I am aware I can't go and get anything, but I'm sure you understand the sentiment..."

He constantly asks you if you're alright, comfortable, etc. Neither of you know how long you're going to be stuck in this situation, so is completely understanding of the constant need to shuffle to keep your limbs from going dead. This being said, he'll always tell you if he's going to try and move himself, just so that he can try not to kick you, and you can brace yourself just in case of this outcome.

He tells you of his time in Elturel before it's descent into Avernus, his time as a Hellrider, all sorts. He finds it very easy to share things with you, since he's so sweet on you - it would usually take some probing for anyone to get that kind of information out of him. But, since he would like to establish more of a relationship with you, he's willing to part with some of it.

Once the two of you are out in the open again, Zevlor double checks that you're okay. "I would have hoped to have had some of those conversations in a more... Traditional way. But, I suppose, one cannot deny the deft hands of fate, hm?"

[beryllineart]

The Cost of Mercy

This is my 100th post, I wanted to do something special and I liked this idea. It was not originally going to be this long. (20 pages! Wow!)

Because this took me half a month to create, I think I'll probably do a little "making of" post just to discuss how the end result differed from my original plans for this comic. I wish I could say I have a backlog of art to post, but I don't, and this comic might have given me burnout.

Ughhhh, my stupid brain has been telling me non-stop how "talentless" I am and how all of my drawings look terrible and that made making this comic an uphill battle. But I did it, and I hope that eventually I can feel proud of it. In the meantime, I think I need to do a couple of art tutorials so my brain actually acknowledges that I've been improving.

(Update: took a break between page 10 and 11 which improved my mental state, I still feel it's important to acknowledge that time of low self esteem and how I pushed through it. Also, I learned what a pen stabilizer was on page 12.)

I deserve a small ramble about this comic, right? Actually, it's pretty much as long as the comic itself, so you have been warned.

Yeah, so, this was inspired by my Susie vs. Lancer comic. In that, Susie does not admit her vulnerability to herself in time and that leads to her making a mistake she regrets. I wanted to show Asriel showing false vulnerability (my headcanon of him being an actor coming into play here) and creating a betrayal similar to Susie's, only this one was on purpose.

"But Beryll," I hear you say, "doesn't Asriel think Frisk is Chara? Why on earth would Asriel kill his best friend?" Well, besides the fact that a) Asriel is both a god of hyperdeath and a LV 9999 maniac b) he's already killed Frisk dozens of times in this battle alone and c) the image of black silhouettes on a red background with a glowing white sword is too cool to pass up, I have a little interaction I couldn't fit in the comic that should explain things.

That's my way of reconciling the whole "I thought you were Chara" thing when Chara and Frisk do not physically look alike at all. Remember, Flowey's genocide dialogue in the Ruins says, "I have a plan to become all powerful. Even more powerful than you and your stolen soul." Meaning that he knows this human physically is not Chara come back to life, but something in their mannerisms or something is so similar to Chara that Flowey convinces himself that they are. And in this comic, Asriel was so desperate for Chara to remember him that he takes Frisk's soul for himself, in the hopes that when they are reunited Chara will come back as well. (And he had to get up close and personal because of the soul's annoying tendency to crack before he can take it, also, glowing white sword. That's why I don't show the heart as broken on page 4, even though that would give the off the "dead" vibes more clearly.)

And now we come to the part where he says, "Hey, remember that time you wanted to kill all of those humans? Want to try again?" I think Flowey has been holding on to the whole "kill or be killed" mentality because he thinks it was his fault that he and Chara died. He fears being weak and being a coward, which is why he became a sadistic LV 9999 psychopath. Again, the whole acting headcanon thing that I rambled about in a different post.

Asriel's last memories of being with Chara are of feeling Chara's anger towards the humans, and when they finally reunite, he can't accept that, as a ghost, Chara learned to let go of that anger, having realized their own mistakes and realizing that it was their anger that got them into trouble. But Asriel has been holding on to that anger that wasn't even his own, all because he believes that it was his fault that they both died, since he fought against that anger.

So yeah, Asriel and Flowey's strongest emotions are actually guilt. Flowey's got a bit of survivor's guilt because he was brought back, albeit as a flower. But most of the guilt comes from convincing himself that it was his fault he and Chara died. That guilt causes him to reject all of the positive emotions that come his way and hold on to the hurt for so long that he hardly realizes it's there, causing that empty feeling that he thinks is a lack of emotions. But if he ever managed to actually let go of his guilt, he would realize that he actually can feel emotions. I have never believed that soulless = emotionless, given the way Flowey acts.

I just want to say, when Asriel resets in this comic, I'm definitely imagining a thing like when Majora's Mask Link plays the Song of Time, where all of the souls are leaving him like Link's items leave as he falls through the void, finally waking up as Flowey. Also, from a mechanics standpoint, Asriel has access to several save files when he's got Frisk's soul. He can reset to the moments after he got Frisk's soul, to when Frisk took away his control over resets, and to when he was first brought back as Flowey. He can't go further back than that because he can't go back to a time he didn't have that power. The only reason he can go back further than the moment he stole Frisk's soul is because of the enormous amounts of determination from all of the souls he has, both monster and human.

Okay, now I want to talk about the ending of the comic. All sweet and nice because Flowey's finally learning to let go of some of the things that made him evil and mean, right? I'm writing this ramble halfway through drawing the comic, so I'm assuming how that ends. (Also, if it's not clear, Frisk has forgotten their entire time in the Underground before. To them, this is the first time they've been down here.)

Well, that leads me to wonder, how will Flowey act since he has decided to be nice and stuff? Honestly, I don't know how the boss battles would go, but I think he and Frisk would develop a genuine friendship. He would hang around places he's pretty sure have save points, maybe give some tips and share a joke or two. Basically, imagine something like what he does for Clover in Undertale Yellow.

But, because we can't have happy Flowey, let's give him a new source of guilt. Now, Flowey lives in fear of Frisk finding out what he did, how he preyed on their sympathy just so he could kill them and steal their soul. He's been acting nice now, and enjoying their friendship, but he can't convince himself to fully commit to it (acting headcanon mention three) because he's afraid he might lose that friendship. Which is why, when Frisk chooses to hug and forgive Asriel, he refuses both, since he remembers what happened last time they hugged (on page 4) and he doesn't feel he deserves forgiveness when they don't even remember the truly horrible things he did. (Again, I'm not completely sure what the boss battles would have been like.) <Actually, I've taken a few days since writing this ramble and have figured it out but will discuss it in a future post.

But Frisk is a determined kid, and after they watch the sunset with everybody (and decide to live with Toriel of course) they go all the way back to the Ruins where this happens.

I hope you are noticing the parallels between Frisk and Chara that help defend Flowey/Asriel's confusion, because I worked hard on integrating that. They are very much alike.

So, that's the end of my ramble. I guess a long comic needs a long ramble, huh? Despite my brain's attempts to convince me otherwise, I actually really enjoyed making this comic. If you did read this whole thing, good for you! I'm not the best at explaining these things in an understandable manner, so I know it might have been hard to read.

Also, January 16th is/was Appreciate a Dragon Day. So here's Douglas, who guards my things while I do art. (I did 6 pages today, so Douglas got plenty of work in.)

[pinkgy]

idk if u take requests but is it possible for u to write whb x reader that often wears revealing clothes? if u dont take requests then u can ignore this 💗 hope u have a good day!!

Hi ! Thank u so much for requesting !!

Sorry if it's too short :( Since it lacks a scenario I don't have much to write about this, so it ended up this way, also I read your other ask where you said something about this post being with a Fem Reader a bit late ... Like 5 minutes ago by the time I'm writing this, but I tried fixing it a little, sorry about that too.

Since you didn't ask for any specific characters for this post I took some creative liberties and did the kings and added 2 little bonuses with two of my fave nobles ;)

"𝗟𝗢𝗩𝗘 𝗛𝗢𝗪 𝗧𝗛𝗔𝗧 𝗟𝗢𝗢𝗞𝗦 𝗢𝗡 𝗬𝗢𝗨"

𝗖𝗪: Kinda suggestive (Asmo's fault), tried my best to not make them red flags, bare with me, Fem Reader coded but only in some parts, Kings being kinda possessive, wear whatever you want queen don't let any man disrespect your style.

𝗦𝗔𝗧𝗔𝗡

He won't complain, but you can see in his face that he's not thaaat into your fashion choices.

It's not that you look bad, the opposite, you look too good, way too good actually, but he knows other devils that have two eyes and functioning brains think the same, and that's what infuriates him.

Satan trusts you and knows that your eyes and your heart are placed on him and only him, but still, other devils lusting over you is something that gets on his nerves to the point where he wishes he had thousands of legs to kick all of them.

But since that's impossible and he wouldn't dare to vocally manifest his disagreement, then you'll have to settle for reassuring him constantly that he has nothing to worry about, until your words eventually get to his head and he makes a switch in his mindset.

He'll leave you to do as you please, and in case anyone dares to give you any nasty looks, he has two fists and very strong legs to beat up anyone who dares to disrespect you.

𝗠𝗔𝗠𝗠𝗢𝗡

Doesn't give a fuck, it's your body at the end of the day, you are even free to walk around naked if you want to.

He buys you tons clothes, and if you don't like them he'll give you his card so you can buy them yourself, he's your biggest supporter, and he'll even get you your personal seamstress so you can get the best quality and original clothes that suit your style and your likes perfectly.

Mammon doesn't get bothered by others staring at you, they're his too so why should he care? Their greed to have you fuels him, but knowing that he's the one that owns you and that gets to be as greedy as he wants with you gets him going like nothing else.

He might get worried that you may catch a cold by wearing your preferred style during low temperatures, but Tartaros is a country with outstanding technological advances, he'll find a way to make you heated clothes or anything else so you can still wear what makes you comfortable without getting sick.

Or he could just share his natural body heat with you by carrying you everywhere in his arms, you choose ;)

𝗕𝗘𝗘𝗟𝗭𝗘𝗕𝗨𝗕

Loves everything about you, EVERYTHING, there's no reason why your clothing decisions should be any of his business, and he probably wouldn't even notice, until he does and just tells you how hot you look.

Beelzebub might not notice what you're wearing, but he does notice others looking at you (sometimes), but he couldn't care less until the looks turn into something else, that's when he bothers, but it's nothing that his flies can't solve.

Since a big part of his fashion choices lean towards the more revealing side, he would let you borrow some of his clothes, but make sure to return them unwashed tho, though Beelzebub insisted that if they didn't fit you you could get them fixed by a seamstress, but they wouldn't fit him anymore so why does he want them back?

Beelzebub thinks it's an amazing deal, you get to have his clothes that fit your style perfectly, and in exchange, he gets to have them back but drenched in your scent, what a great businessman he is.

He also likes to get you both matching clothes, take it as one of his love languages, he might forget about a lot of things, but he'll NEVER forget to get you something cute that he thinks you'll love on one of his trips.

𝗟𝗘𝗩𝗜𝗔𝗧𝗛𝗔𝗡

You would have to give him some time.

He tries, he really tries, you would have to explain to him a thousand times that you dress the way you prefer because you want and not because of others until he finally understands that he doesn't have to hang every devil that steals a glance at you.

Eventually Leviathan will begrudgingly understand, if 100 devils stare at you, he won't hang all of them, maybe 20 if he's in a good mood.

He'll also stop telling you to take off your clothes or to cover up, and he'll just give you dirty looks and shut up, be patient okay? Be grateful he's trying.

Eventually (And after reassuring him for god knows how long) Leviathan will realize that at the end of the day, you're his, and no one will take that title away from you, and the ones who should be feeling jealous are them and not him, so he'll just let them envy you both, he's still gonna hang those who's stare lingers at you for too long tho, you don't have a say in that, good luck.

𝗕𝗘𝗟𝗣𝗛𝗘𝗚𝗢𝗥

If that's what you like, go on, he pays no mind to such a thing, that's your body and he has no right to complain about it, and even if he did, that's too much of a hassle anyways.

It's not like he goes outside that much to notice others lusting at you, but he knows, it's just that he's too lazy to do something about it, he trusts you tho so he knows that he has nothing to worry about because, in the end, he knows you would rather cuddle for hours with him that pay attention to some lowly devil.

If your normal body temperature tends to lean towards the warmer side Belphegor won't leave you alone, because more skin showing= More skin to lay on to sleep.

He'll have Beleth buy you some clothes that maybe are too revealing to wear outside so you can model them to him in private, Belphegor may get a bit annoyed at first because Beleth seems to know your style too well, but that feeling goes away once he sees you, thank god Beleth knows you so well.

Bonus points if you manage to get your hands on a very bold cosplay of one of his favorite characters of an anime or Hentai and wear it around him, you'll have the king of sloth wrapped around your finder as you step into his room.

𝗟𝗨𝗖𝗜𝗙𝗘𝗥

Way more into it than what you would expect, it's your body and there's no reason to hide it, God created humans to not be ashamed of themselves, and Lucifer was proud that you were following his word.

Lucifer enjoys staring at you from a considerable distance as others stare at you and your revealed skin, maybe he does that just to feed his pride, poor lowly devils as they look at something they will never get to have, something that only he owns.

Contrary to others, Lucifer will give you his honest opinion if you ask for it, he would enjoy dressing you up in cute clothes, and he'll even get you some himself and feel like the proudest demon in hell when you wear them.

Just because he enjoys the boost of pride that others staring at you gives him doesn't mean he won't get possessive towards you, there's a limit to everything, and there's a difference between just staring and giving lusty looks and touching (or trying to touch) he draws the line there and those devils will face ruthless consequences.

His main worry is that you may catch a cold if you wear such revealing clothes in cold weather, that's the only time when he'll encourage you to cover yourself, and maybe he'll even try to force you to do it if you refuse, but he's worried okay? There's no ill intentions behind that.

𝗔𝗦𝗠𝗢𝗗𝗘𝗨𝗦

You could wear a sack of potatoes and he would still get turned on.

Lust is like fuel to him, so he doesn't mind others staring at you, that would just turn him on more, and to think that they can't have you because all of your lusty self is reserved for him and only him? Damn, he must stop thinking about that or he'll get hard.

If you were thinking that Asmodeus would behave normally around you when you have such "pleasing to the eye" clothing preferences you are terribly wrong, and covering yourself more won't make it any better, the damage was already done once his eyes landed on you

Also, more revealing clothes>more skin showing>less clothing>easier to take off.

We all know that he would rather have you naked, but since you may be against that then this works too.

𝗕𝗢𝗡𝗨𝗦

𝗙𝗢𝗥𝗔𝗦

Foras wouldn't take his eyes off you, ever, but he's a bit too shy to stare at you, so he often turns invisible so he can look at you all he wants without getting embarrassed.

He would LOVE to go shopping with you, if what you want is a partner who gives you a critical opinion about what you try on then Foras isn't for you because he would just tell you how beautiful everything looks on you and say that you look stunning in every singly synonym of that word that exists.

𝗚𝗔𝗠𝗜𝗚𝗜𝗡

It would take some time until Gamigin is finally used to your clothing preferences, in fact, he won't get fully used to it ever, but seeing you happy with your body makes him happy too, so he doesn't care.

Loves it when you model your outfits to him as he sits on your bed staring at you completely lovestruck, eventually he won't even pay attention to what you're wearing, and his gaze is only focused on you.

[instantdoodlez]

Jashtober days 1-20

Alright, it's a while later than I was hoping to post it, but here it is. Same deal as the warmups, moving my art and commentary over from Twitter, because that site sucks ass <3

Day 1: Single. Didn't realize it meant like.. a music single until the day of, so it's pretty basic. Got a Mr Jash Like ™️ though, so that was a strong start to the project.

Day 2, Astral. Space themed Soul drawing. Soul is the Stars in my hc (the way that Mind is the sun and Heart is the moon in canon), so I figured it would fit well enough.

Day 4, Light. Nothing to really say on this one. (skipped day 3 since it was a duplicate prompt, 'power hour')

Day 5, Angel. My best try at what the angel at the gates in Chonny's inferno looks like. Biblically accurate because it's just cooler. Meant to add a normal-ass clipboard in their hand for the funny, but I forgot.

Day 6, Forest. Dear god, the background on this one killed me. Took many layers and overuse of the blend tool. On another note Mr Jash liked the post on twitter and that, yet again, jumpscared me (This is a pattern /lh)

Day 7, Moss. The little mushrooms were my favorite part to do. Didn't know I would ever call fungi cute, but the little mushrooms were my favorite part to do. Proud of this one overall. And it got Jash liked as well, so! 🎉

Day 8, Tidal. Jesus, did all my ship of theseus drawings do relatively bad in the algorithm. Anyways, this one was based on the fifth ship of theseus. Very pretty color pallete, cool colors.

Day 9, Cruisin'. This one was posted late because I couldn't get the shading right and just left it for the next day. Looks much better now.

Day 11, 8-bit. Dug out my old pixilart account to make this one. (Skipped day 10 because "apathy, haha funny". Also to help stave off burnout)

Day 12, Haiku. Heart coming up with his magnum opus (that line from Haiku/lh). This one's background took forever. Many different layers.

Day 13, Encore. Drew The Announcer, everyone's favorite eldritch horror story narrator. Props to GW for making me actually like Monster Mash, I don't even mind the original one now. Mr Jash liked this one too, so that's nice :]

Day 14, Reflection. Whole with a scribbled out face… cool design, and pretty visually interesting. Happy with this one. It also got jash liked.

Day 15, Momento. Had a hard time drafting this one before I realized "oh.. momento.. like.. momento mori.. I am very dumb". Regardless, very happy with this one. It's probably my favorite out of all the jashtober drawings I've done.

Day 17, Theseus. Based on the first Ship of Theseus song, a drawing of the shipmaker. (Skipped day 16 because it was another repeat prompt, Hindsight)

Day 18, Sunset. Based on the lines "When I woke it was daylight, and the clouds were pink / The sun was coming up or going down, I think" from Drink to Death.

Day 19, Savages. The crowd sure does love an upset.

Day 20, Crowned. Mind. Wanted to add a nightlight in the shape of the sun but the composition got too crowded, so I compromised with the lamp chain.

And, that's it! All 17 prompts I've done so far. I'll continue posting the rest of the Jashtober prompts one by one on here. Have a good day/night, and thank you for reading this far if you have!

[faraway-sunshine]

We Interrupt This Blog To Show You Something Awesome

Omori has a Lego Ideas set! This awesomeness is brought to you by designer FoodIsScarce.

Under the cut, I'll be showing more images, explaining my thoughts, and give clarifications on how Lego Ideas works for this set. But if you want to skip that, link is here.

Lego Ideas Neighbor's Room and White Space Set Breakdown

To start off, this set has a whopping three components, all of which stand alone.

First, we have Neighbor's room!

The colors are honestly so nice in this mock-up. Lego has a fairly limited palette, but being bright and poppy works really well here.

Compared to the in-game room, it's pretty compact, but that makes sense so it doesn't dominate your shelves. Everything important is there, to outstanding detail. The leaves may ride up higher above the doorframe, but it doesn't break the immersion for me. It all feels like a piece of really nice fanart or even concept art.

The yellow cat is the centerpiece and I am very impressed with it. It isn't as stretched out as the original, though that's affected by the build size, but the shape of the paws, ears and head are spot-on and the face sticker really sells it.

Also, building the set sideways so it's smooth? Genius in my books. Sure, the minifigs won't stick, but all the smooth edges in this make the set stand out from Lego's lineup without seeming like a jarring oddity. Kind of like Omori's world compared to a bunch of other RPGs, really, so it's fitting.

I guess if I have a nitpick it'd be that the leaves are entirely different in vibe due to being all fluffy and rounded instead of the big sharp shapes in the original, but I don't think that's even really a bad thing. Just part of the Lego-ifying process. Also I groan at how I know I will place the cat's eyes wrong. Stickers are the bane of my existence. For Yellow Cat though, I would in theory persist.

Next, we have Mari's picnic blanket!

Gotta be honest, this caught me off guard, even as someone who was keeping track of this project for a while, but this is AWESOME. Colors are nailed, the existing basket and fruit pieces translate so well, and I just want to place all my fave figs on it immediately. I do hope that Mari's square could be subbed out with something with studs to keep her in place, as nothing else seems to be (maybe the basket has a 1 by 2 piece keeping it locked?).

I think it's an excellent choice even if it doesn't appear in either main room because you can plonk it by any other set or the huge pile of loose bricks you haven't gotten around to sorting yet and boom. You've just made a new corner of Headspace!

Last but certainly not least, White Space!

The computer and tissue box I think were really well done. Smooth place also tickles my fancy. I'm not as sold by the suspended light bulb; some white walls that maybe has a claw on the side would have helped sell the room more to me, I think. But it's solid.

And then you get to my favorite part in the room:

Original creator, you have my vote.

What about the minifigs?

This set still has you covered!

In this current iteration it includes six minifigs for your main characters as well as the cat and snake seen in earlier pictures. Everyone except Hero and Mari seem to be those shorter models, which always used to annoy me as a kid cause I couldn't bend the legs, but gets a pass here because remembering that height difference is nice.

The hair is a hot point of contest with the comments and Reddit posts. I'll explain more below, but Lego Ideas has rules about custom molds for new figures, so these were the closest the creator could get. And hey, I think Hero is spot on!

All the outfits and faces are custom prints, which are far easier than custom molds, and I think were done really well! Basil's top might be a bit bright, but otherwise the colors are perfect, and so is all the printing.

I also saw that Mari, Basil and Aubrey all had one extra face, which is rad. Not sure yet if Hero and Kel do too or if it's just the girls (I should assume Omori is just slate-faced as ever).

Just one more note: I love how spoiler-free this set is. You know everything in the first few moments of play. Our community is really bad with spoilers, I admit, so this is perfect for a shelf.

Here's some pics of them in action:

How does Lego Ideas even work? Is my vote worth it?

Short answer: Heck yeah!

Long answer:

Lego Ideas is a really popular program with a lot of new builds all the time, and people put a lot of work into both the models and promoting them just for the off-chance of it becoming a product.

I compiled some questions you might have based on this set specifically, but there's plenty of info yourself if you want to learn more.

How does a set get selected?

Lego Ideas has three intake periods a year for products that get over 10k signatures between the last period and that date. Each intake only has a select few that actually get to that mark; the record number in 2021 according to Wikipedia is 57 in one 2021 intake. It sounds like a lot, but in the site's 10-year run it's had over 135,000 ideas shared, not including a bunch that would have been struck down prior to going live due to breaking rules.

Each set gets 60 days to meet that goal on first launch, then an additional 365 once 100 people have signed on. Getting 1,000 supporters gives you an extra 6 months on top of that, and 5,000 (the halfway mark) another 6 months.

Meeting that 10k mark is non-negotiable for that specific set to receive the expert review through Ideas, though successful ideas that are lower may spark inspiration from their own teams.

Do I need to pledge money?

No! Lego Ideas is not a Kickstarter or crowdfund campaign. Those ask for money as they need a way to produce and distribute the product. Lego handles this on the creator's behalf.

All you need is to make a free Lego account and click the support button. You don't even have to enable email notifications on signup.

Where will I find the set then if it's made?

Anywhere else you find Lego! Even toyshops I go to have a small shelf for Ideas sets. If none of your local retailers have it, it'd be on online storefronts worldwide.

But Omori is a licensed product!

So are most of Lego Ideas' concepts that make it to becoming a set! Out of the 65 sets announced and confirmed for production (or who have already had their run!) just 29 are not tied to an IP.

So Omocat will be involved?

Yes. If the idea gets far enough, Lego would reach out to Omocat and any other copyright holders of Omori to discuss how to proceed. They will also get a say in any tweaks, and likely make a licensing fee off of Lego.

However, due to the Ideas streamline, the set likely won't be sold on Omocat's storefront (and if they are, it'd be because Omocat got a few sets to sell from them; they'll never be exclusive to Omocat's store).

Will the creator get paid?

If it makes it, yes! Lego Ideas people get a 1% cut. It's not much, but for all the work it gets to 10k I think it's earned.

But Omori isn't for kids!

Guess what: Neither are most Ideas! They're packed in black boxes and kept near the architecture and more advanced Technic sets targeted towards adults. Each set also has an age recommendation based both on set difficulty and the IP.

Is Omori even appropriate for Lego as a brand?

Omori is on the list of approved IP for Lego Ideas. This may be reviewed, but I think it will remain appropriate both because the set does not portray any of the concerning content in the game and because of the nature.

Lego says they won't make sets for franchises built around graphic violence, alcohol, or sex. Omori lacks all that. I doubt it would be yanked down based on that.

I don't care about Omori. Why should I support this?

First, why did you make it down here?

And second, look. I get it even as a fan. But if we can get an Omori set even to the review stage, that opens up the door for people to try with all other kinds of indie franchises. Undertale, Oneshot, Stardew Valley, Hollow Knight, whatever you think of!

Lego Ideas is a portal to Lego working with IP that isn't just owned by a mega corporation, and I think that is awesome.

I signed! What else can I do?

Spread the word! Reblog this post, tell your friends about it, repost (with links and credit) to other social media. Every little bit helps on the road to 10k, to catch Lego's attention, or even just to inspire someone else with a set idea they worry is too niche to share.

Cause this isn't just about Omori. It's about supporting the creativity of a dedicated fan who spent a long time working on something clearly inspired by a game held closely. And I am always going to support that.

Thank you for reading this far! If you're a regular, sorry for the break, lol. I will get back to regular posts soon. I just had an exam so am still a bit drained.

LINK IS HERE FOR A SECOND TIME: https://ideas.lego.com/projects/a73aaefc-9bc2-44f8-b106-63d66817fd1a/official_comments#content_nav_tabs

[yourheart-inmyhands]

YOU HAVE A CAT?! ME TOO?!

She hates me tho :(

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Zhongli, Neuvillette and Dottore

With a fox!darling that is always with animals and isn't social at all due to heavy torture in her past and they discover it? 💀

Man I'm in need of some gore rn 💀💀

- Weird anon ✨

i'm so sorry but i just couldn't write neuvillette for this prompt, he's too precious DX

Warning: this post contains yandere-themes, including being held against will, delusional behaviors, torture, breaking of bones, and other potential topics. Please Read At Your Own Risk!

Yandere!Zhongli sympathizes with you, and since it’s clear that the animals bring you comfort, he allows you to keep a couple when he moves you in with him. He even goes the extra mile and builds a special enclosure so they’ll be just as content as you are, even if you aren’t receptive to his love yet. 

When he finds out about your past, which is inevitable with how overbearing he can be and how good he is at finding out things from the locals, it almost hurts his heart a little. But the more sickening side of him is thrilled because now he knows exactly how to get to you, exactly how to make you his perfect little spouse.

Whether it’s be reintroducing trauma through breaking bones, locking you in a cold, damp room with no lights for hours on end, or even things that border on torture, he’ll use it against you so long as it won’t entirely ruin you. While he wants you compliant to his whims and wishes, he doesn’t want you to be a shell, it would’ve been a waste of his time to break you to that point;

Zhongli would never stop as low as hurting your animal friends, but if need be he could certainly find ways to turn them against you. It’s almost amusing to him, the way you care so much for creatures who you’ll outlive. How you care so much for creatures who don’t even really know you, funny.

The sickening crunch of bone echoes through the room as Zhongli stands over you, the heel of his shoe digging into the freshly crushed bones in your leg. The makeshift gag, a towel from the kitchen, dug into the sides of your mouth as it muffled your screams and cries. The Geo Archon almost feels bad for using his strength in such a brutal manner, but it would all be worth it, at least that was how he justified it to himself. It wasn’t about the now, but rather what now would soon be bringing him. By breaking you down bit by bit, sending you spiraling back into some of the worst moments of your life, he could slowly rebuild your shattered pieces how he saw fit. What use was a puzzle if the pieces weren’t in the correct order, right?

Yandere!Dottore is sick, sick, twisted, and absolutely disgusting. If he wasn’t the cause of your original trauma, you could surely bet he’d be the driving force behind re-traumatizing you. 

Whether he chooses to reenact every step, or to simply do something far worse than what had previously done it all dependent on how he feels that day. Some days will be so similar to your past that you’ll truly feel like you were back there, all those years ago. Other days are so awful it almost makes what happened in your past seem insignificant as if that were a stone among boulders resting on the ocean floor. 

Dottore does think it’s funny though, using it as both amusement and research opportunities. It wasn’t often that animals such as yourself came across his table, so of course he’d taken the prime subject as soon as he’d laid eyes on you.

In his lab, you aren’t seen as anything but a thing that exists only for Dottore’s own gain. If you’re lucky one of his more sympathetic clones might take pity on you and actually give you a day to rest when he’s out of the Palace, but they’re expected to keep up the same treatment he inflicts in his absence.

It was almost sickening to the segments as the watched the fox-human endure soul shaking torture day in and day out. Everything from injections to straight up live surgery to see how much pain the body could take whilst awake had occurred on the cold, steel table. They were often left to clean up the mess, expected to stitch you up, administer antidotes to anything too harmful that had been administered today, and even sometimes bathe you due to the mess that had occurred. You’d been fed little since you arrived, given water only when necessary for your survival, and hadn’t seen sunlight in days- or months maybe? With the sickening way time seemed to pass, you couldn’t tell how long you’d been here. Your only reprieve would be when the doctor left for something more pressing, leaving you in the care of his segments that only sometimes took pity on you. Some seemed to hold a little more humanity than others.

[marigraphia]

Behold: The Yassification of Emma Frost!

So, early last year I went into a haze and read all the Emma backstory comics I could find -- and it was a bit disappointing to find out there's not much focus in depicting her visual journey from ugly duckling teenager to bombshell blonde. Emma's appearance is so important for both her character and her in-universe history, in a way that it is pretty rare in cape comics, and I was looking forward to see it develop in a consistent way... So I did it myself :)

Better look + rambles under the cut

The references were:

Emma Frost (2003) for her school to university years, and everything in between (#1-16)

Generation X (1994) #24 and X-Men (2010) #13 for her brief mental asylum stay (#17)

X-Men Origins: Emma Frost (2010), X-Men: Deadly Genesis (2006) #5 and Uncanny X-Men (1981) #531 for her early Hellfire Club days (#18-21)

And some random comics from around her 1979 debut, for more accuracy in the original costume (#22)

The focus in choosing what to redraw wasn't really impacting moments in Emma's life or anything, just strictly showing her visual journey. Here's what I tried to make each little sketch say:

1- Young Emma isn't a dazzling natural beauty, and also doesn't really know how (or care) to best present herself.

2- Makeover! This is young Emma looking her best. I really kept the makeup in mind when colouring her, you can probably see when directly comparing both portraits (especially how the lips and brows were filled out). Also, her hair was trimmed and straightened.

3- She took the makeover seriously, this is now how she dresses to go to school. Plus a nice expression and angle.

4- You can see her body. She's scrawny and there's not much in the chest area (though I'm not great at drawing small breasts, so this part might not be as apparent). Wears a one-piece swimsuit and does her hair to suntan, indicating a lack of confidence.

5- This one is a bit of a sneak peek for the next post, and it's all about comparing her and her sisters. The focus is also how insecure she was. It's from right before her father announces her as his heir (and she rejects), which will mater later.

6- What one decides to dress when dramatically running away from home says a lot about you. Plus full body shot.

7 & 8 - At work vs eating out, wearing the same outfit. She's much more confident in herself since leaving home.

9- I mostly just wanted to draw this scene (and I absolutely love how it came out!!), but I also like the comparison between her more natural hair and how it looked fresh off the tight ponytail in #8. Just wavy hair things.

10- Fancied-up! There were probably better ways to show off the dress, and how much more confident she must be to wear something like it, but I really wanted to draw her laughing.

11- Serves mostly as a comparison to #10, but also highlights how the dress doesn't really fit her (both because she's still a bit scrawny and because she doesn't have many shopping options at this point).

12- She's finally blonde!! I wanted the hair to look a bit orange, because this was her first time bleaching it (and probably by herself, since she's trying not to be recognised). Her clothes are pretty clearly stuff she had for work, and we never see her wear anything similar again (though the artist changed here, so can't say if it was on purpose).

13- New portrait, now that our girl has officially gone blonde (now professionally done). She's also lost some baby fat since the last one.

14- This comic was released in 2003, so the fashion is Something. Considering the sliding timescale, though, that's probably not far from when current Emma would've gone to university, so I couldn't miss the chance. And I also used this one to show her wearing a padded bra.

15- A better look at her body (now without the bra, which she took off when getting home). I also thought it'd be cute if she still did a side-part when in private (aka not worrying about being recognised).

16- The end-of-arc full-body shots are basically a tradition now.

17- Generation X #24 and X-Men #13 had conflicting info on whether her hair was brown or blonde at that point, so I went with roots showing (which makes sense, it doesn't seem like they were having beauty days in there), though I admittedly have no idea how long she stayed there nor how much it'd realistically grow during the time. Also, the skin situation isn't supposed to be like this under the makeup all the time, it's just the stress. And I gave her mixed skin, because it's what seemed to make the most sense for someone who had a lot of pimples as a kid but apparently no big issue after that.

18- First day at the Hellfire Club! Her outfit here is still based on the one she wears in the comic, but I kind of reverse-engineered it using pieces from the 2006 VSFS segment 'Winter Wonderland of Glacial Goddesses', just because I thought it'd be cool touch lol. (Corset worn by Hana Soukupová, panties/stockings by Ana Beatriz Barros, cape by Adriana Lima, and poofy shoulder thing by Julia Stegner, who also inspired the hair)

19- New portrait to mark another change. I love her necklace! Jokes aside, I've also given her lip and brows fillers. And she lost most of the remaining baby fat. Honestly, I think this is the one ended up the most Emma, if that makes sense.

20- No way I'd skip on drawing her with a freshly broken nose. Mixed her looks from X-Men Origins: Emma Frost and X-Men: Deadly Genesis #5 because I think it'd be cool if the Charles/Moira and Shaw scenes took place in the same night.

21- The moment she becomes the White Queen. I purposefully drew it on the same angle as #5, as a parallel (told you it'd come up later). Not only because of the significance of both moments, but also to showcase the absurd growth in self-confidence. Also, spot the new nose and the bloodstain.

22- Emma, finally, as she was first seen on comics! I'm not super sure why I decided her shade of blonde would start off darker than how I colour it today, and at first I didn't even know when the change to this lighter tone would happen (actually even considering going back and making everything the same), but I really like how it turned out. She doesn't get a crown when becoming the White Queen, so maybe dying her hair almost white was her own personal coronation.

And if you read all of this you get bonus alternate versions 😊