#and this is quite short sorry !!

[naturecalls111]

WIP!!! Stealing glances amidst victory celebrations in Suna….

[stark-lord]

Side B

[aspirationalpeony]

Lucky Me

Summary: You and Mel do a little experimenting after she shares a disappointing truth about her past relationships. Content Warnings: Lots of smut. :) This fic is loosely set in the same world as "Finding Beauty," but can be enjoyed independently. AO3 Link

"He wasn't good at it," Melissa says. "Joe. Makin' me come." She blushes.

It's so not her--tough, capable Melissa, fearless and demanding. You touch her cheek, brush a strand of red hair back behind her ear. She hasn't had a touch-up in a while, and there's a streak of gray growing in at her temple. You love that she can be vulnerable with you, admitting these little truths about herself, in words, in body.

"Really?" you say. You have a well, duh moment in your own head: the last time you saw Joe, he interrupted you constantly, derailing your thoughts to tell his own stories, never letting you get to the punchline of a joke. He just feels like a bad lover, inattentive and untrustworthy. Plus, you know the stuff he said to Melissa about her body.

"Yeah." She plays with the band of her smart watch, then leans forward off the couch toward the coffee table, picking up her wine glass. (It's a weeknight, so the liquid inside is grapefruit-flavored sparkling water.) "And 'specially later on, I couldn't get wet, he'd get so frustrated."

"Even though you were telling him what to do?"

Putting her glass back down, she cuts a look at you for the assumption, but it breaks out into a smile, a little sheepish. Your heart does a flip-flop at the sight. "Well, yeah."

Your fingertip traces the shell of her ear. She shivers. You can't believe Joe would get frustrated, impatient, bored of trying to give this woman pleasure. Every inch of her has some private sensitivity: the lobes of her ears, the small of her back, behind her knees, below her navel. Getting to learn these secrets has been the most incredible privilege. And it's been fun.

It's taken her a while to learn to let you, rather than tell you; to give you a chance to explore. She's so used to controlling every moment, organizing her own pleasure and yours. You love when Melissa is the boss, but you also love when she gives up the authority; when she melts into the feeling and lets you be in charge.

"What about Gary?" you ask.

She snorts. "Gary who?" Her mouth twists and she shakes her head, at the question, at herself. "I mean, sometimes I'd take his mustache for a ride, but that's about it. He didn't have, y'know. It." Her eyes flick up to yours again. You haven't missed the way they've been down this whole time, unable to hold your gaze; how her chin is tucked toward her chest, her shoulders up. "It doesn't... Bother you? Talkin' about them?"

You check in with yourself, but end up shrugging. "Not really." You've spent time with Melissa and Joe together, and there's no heat between them, just the friendly chemistry of two people who've known each other half their lives. Gary you did see once, and he looked kind of like an uncooked ham. What is there to be jealous of?

You study her face. She's still pink and a little twitchy. "Does it bother you? You don't have to talk about it if you don't want to." You drop your hand to her nape, rubbing your thumb comfortingly along the column of her neck. She sways into you with a sigh.

"I wanna," she says. "Talk about it. I feel like I..." Her lips pinch. "Owe ya."

"No," you say, straightening up. The plastic of the couch creaks with your movement. "Melissa, you don't owe me anything. I want to talk about it if you do, but--"

"Nah, that's--" she shakes her head. "It's not what I meant. I mean, I... It's like, it's a part of... Me. Y'know." She pushes her hair back from her face. "And 'cause I love you, and--" she laughs a little--"cause you're stuck with me, I..."

Your always-active heart gives a tremor, hearing the cautious vulnerability of her voice. You slide your arm around her and pull her in.

"It ain't that big a deal," she says, muffled, lying, against your shoulder.

Even if she can't admit it--your tough-girl sweetheart, not wanting to let her soft heart show--you can. "It is to me," you say, and squeeze her.

You loosen your grip, and she tucks herself against your side. It always surprises you how small she really is. Every day she's like a cat that's making itself big, back up, fur on end, daring anyone to come at her; here she gets to shrink back down, turn back into herself, become your kitten.

"I don't get it," you say after a few minutes of comfortable silence. "It's fun making you come. I love it."

"Lucky me," Mel says, very smugly.

"I sometimes think about--" you stop. This really isn't the moment for your fantasies: yeah, you guys were talking about sex, but not in the dirty sense; it was Melissa sharing something important, something emotional, and...

"Yeah?" she says. Her voice has two registers when she's turned on: airy, almost girlish, usually when you've surprised her, and throaty, a rasp. Now it's that fainter, breathless one. The sound of it sends a tickling frisson down your spine.

"Um," you say, and it's your turn to blush. "I think about... A lot of things."

"I'm waitin'."

You huff an embarrassed laugh. It's one thing to fantasize, another thing to tell the object of your fantasy all about it. "Sometimes I think about," you say, and clear your throat, "how sensitive you are. And I want to know how many times I can make you come."

You can feel the way her breathing speeds up, her body against your side, but she doesn't speak.

"We usually stop at two," you say, "but I think you can take more. I think you can take a lot more. And--sometimes, I think about how little it takes, like, when you're right there. Like I can just breathe on your clit and you'll come. I think about getting you there and telling you 'no.'"

Her breath catches.

"I bet you'd go crazy." You're smiling a little. You touch your mouth, tapping your lower lip, thinking of it. "You'd cuss me out, you'd yank my hair. You'd probably try to finish yourself off. I might have to tie you up to stop you."

"Oh," she says.

You risk a glance at her face. She's looking up at you from where she's leaning against your side, her green eyes glassy, her cheeks pink, her lips parted.

"You like that, baby?" You slide your hand down her back and feel the muscles shift as she moves, pushing herself up, then throwing a leg over you, settling onto your lap.

Having her like this is perfect. She used to hold herself up on her knees, not letting you take her weight, until you got her to understand that you loved the pressure of her body against yours, that there was no such thing as too much of her.

She dips her head and kisses you. It's not a starter kiss, warming you up; she kisses you like you're inside her now, deep and filthy, putting her tongue in your mouth with no foreplay. You groan as her hand cups your neck, feeling the prickle of her manicured nails against your skin.

"You think about me like that a lot?" she asks you when she's letting you catch your breath. The words are low, your faces close, like it's a secret someone could overhear.

"Yeah," you admit. Your hands slide over her hips to grip her ass. She gives an encouraging little motion when you squeeze. "I love thinking about what I could do to you..." Her breath hitches again. "What you'd enjoy."

"You get off on it?"

"Yeah, I do," you say. "I get off on getting you off."

Her eyelashes flutter. She makes a noise like a whimper. You have a flash of inspiration, and before you can second-guess yourself, you take her hand from your neck, the other from your shoulder, and pull them behind her back.

She gasps. It's an arrow of electricity right to your clit. Her eyes open wide, searching for yours, as you gather her wrists into one hand. It's not a very strong grip--she could yank away from you easily--but it pulls her shoulders back and leaves her chest thrust forward.

"Is this okay?"

She nods.

"You have to tell me."

"It's okay," she says. Her voice has dropped into that second register of pure arousal, throaty and low. "It's... It's good."

"Did Joe ever do this to you?" You don't know what makes you bring him up. Not jealousy, but... Maybe curiosity. Maybe wondering if he ever took the time to catalogue Melissa's reactions, to think through what would really turn her on, if he ever gave that much of a shit.

She chuckles breathlessly. "Like to see him try," she mutters. Her blush is traveling down her throat and blotching her chest.

You follow its path to the three buttons at the front of her blouse. You watch her chest start to heave as you work them open with your free hand. They expose the center gore of her bra and a hint of the silky curve of its cups.

You palm one breast roughly, squeezing. She groans. You can just feel her hardening nipple through the layers of fabric separating you. You thumb it, pinch hard, to make sure she can feel it, turning her next moan into a whine.

Her hips rock into your lap, trying to get friction. You lean back to look at her: disheveled, red, her hair spilling everywhere, her lip gloss blurry from kissing.

"You're so fucking sexy," you tell her, voice low, making her moan again.

You'd love to finger her, but there's no lube, and she's in leggings pulled up high over her hips, with not a lot of room between the two of you to get inside them. You slide your hand between her legs and over her covered sex.

She pushes down into your palm, hard, as you nose the tender inner curve of one breast, tracing your lips against the edge of her bra. Pressing through her leggings, you can feel the plump shape of her cunt. You trace those folds down, then up, over her clit.

"Oh, fuck," she breathes as you start rubbing. "Oh, fuck..." She shifts restlessly; you think she might pull her wrists away, but instead she arches toward you, drops her head back, inviting a bite to her throat, which you give. You suck soft skin into your mouth, scrape of your teeth, nibble, move down, find another spot, repeat. You can't leave marks, but there are blotches of satisfying pink where you've touched her.

"You getting close?" You work your thumb against her clit.

"Uh huh," she says, weak and needy. She picks her head up again and there's a lost, fogged look of pleasure on her face as she meets your eyes.

You hold her gaze. "Tell me when you're there," you say. "When you're right there. Okay?"

Her brow creases as she tries to focus. You wonder if she's ever tried to do this before, parsing out stages to her pleasure, or if she's always just gone up and over, never thinking about how she got there.

"I--I--I think I'm--" her voice is wobbly.

You pull your hand away. She whines and her hips jab down toward your lap, seeking a touch that isn't there. You rub her thigh, slide your hand up, over the soft curve of her belly and down to press against her mons; her hips jolt again.

"Fuck you," she says feebly.

You rub your thumb back and forth, far above where she wants it. You know she can feel the contact here in her cunt, a phantom pressure to remind her how empty she is, how close she was.

"More?" you ask.

She squirms and nods. When you give her no response, she huffs a sigh, rolls her eyes, and says, "Yes, fine, yes, more, oh--shit--"

You've found her clit again. You know this time she'll already be sensitive, and she might not be able to tell you when you need to stop. You focus on watching her: the glazed look in her eyes before she shuts them, her parted lips, her frantic breaths, her rocking hips.

You time it; you pull your thumb away. She gives a frustrated cry and squirms in your lap. You take pity and give her a distraction, rubbing your cheek against her breast, finding the hint of her pebbled nipple, the one you neglected before, and biting hard. You feel the elasticity of her bra's cup more than you feel her flesh, muting the sting of your teeth, but it makes her keen.

"You've got no fucking clue how hot you are," you tell her. You bite again and tug, drawing out another delicious sound. "I haven't even taken your clothes off. Look at you. I want to do this to you forever."

Your thumb at her clit again, this time so lightly it barely counts. "You want to come, don't you?"

Her wrists twist in your grasp, but don't pull away. She says, all breathless, angry bravado, "What do you think?"

"I think I could stop right now." She gasps, though you don't stop gently rubbing her clit. "Even though I want to make you come. And after that, I want to take you upstairs and eat you out. I want to suck on you and get you all over my face. I want--"

"Oh, shit, I," she says weakly, her hips starting to twitch.

Realizing, you say, "Just from this?" She's really almost there again? "Fuck, you're incredible. Should I stop?"

"No," she whines.

"You want it harder?"

"Yes!"

You give her what she wants. Finally, she pulls her wrists out of your grip so she can grab your hand and shove it fully against her cunt, letting her ride your palm to her orgasm. Melissa's always noisy, but this time, she's loud, the sound of her desperate cry huge in the living room.

"Oh, fuck," she says faintly as she sags down onto your lap. "I, oh..."

"You did so good," you murmur to her and rub her back, grateful to have both hands again. She buries her face in your neck and clings to you, breathing hard. She mumbles something. "What, baby?"

She picks up her head a little. "I said, 'yeah, you too.'"

It makes you snort. It's a funny mix of tenderness, affection, and gratitude you feel, knowing that even after an orgasm that took her like a runaway train, she'll still make sure to remind you of your place. Can't ever get too smug around Melissa.

You trace a hand up and down her back, finding the hem of her blouse and rucking it up so you can touch her bare skin underneath. She's hot against your palm and it makes you sigh.

"You want to go upstairs and keep going?" you ask, mouth against her ear.

"I wanna recover first," she says blearily. "What the hell was that?" She sits up a bit in your lap and you have room to reach around her and pick up her water from the table.

"A little taste," you say.

She brings the glass to her lips and sips, eyes narrowed, watching you the way kung fu heroines watch their enemies, prepared to bust out their fists at any moment.

"Of what I've been thinking about," you add. You rub her lower back. "I think you liked it."

"I think you gotta be crazy to get off on somebody not letting you come," she says, then scowls. "Which I guess makes me crazy."

"I guess it does." You can't smother your smile. "You're okay, though?"

"What do you mean? I came, didn't I?"

"I mean, sometimes emotions can get weird," you say, "after doing that kind of stuff. You get a lot of hormones and chemicals in you and they can make you feel..." You shrug.

"You got a lot of experience with 'this kind of stuff'?" Now her gaze is accusing. "You been holdin' out on me?"

"No, not a lot of experience. A little, maybe." You hold her hips, rubbing your thumbs over their soft curves. "A little experience. And a lot of things I want to do to you."

Her whole body shudders. She reaches back to put her water down, then loops her arms around your neck and kisses you. It's her post-coital kiss, lazy and loving, the hunger more muted.

"Gee," she says breathlessly when you part, and repeats herself, a grin curving her lips: "Lucky me."

[welcometogrouchland]

I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry

[greencatalystcomet]

im so excited for one year from now when there's an abundance of really long, like 100k+ word deadpool/wolverine fanfiction because. there is currently a drought

[yuttikkele]

oh my gosh zuko and aang have mirroring scars too. they’re gonna make me feel things guys

the BACK SCAR and CHEST SCAR from azula??? and aang’s scar on his foot and zuko’s on his face??

did the creators give up ANY chance to have them mirror each other?! goodness…

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[ask-gikabi]

Did you changed your Marx's design? Can we see more of the precious boy (gender neutral)?

“Marx is, as ever, a nuisance.”

[art-story-by-deroko]

"Awoken memories"

-If you have a problem with me...

...then spit it out, man.

It relates to this post. My “Afterthoughts” AU has two endings. This is from the “bad one”.

Since Bon is Buddhist monk he probably believes in reincarnation.

Imagine if maybe... A century after he passed away Rin meets a young exwire one day who looks, acts and sounds like his Bon.

I tried to show something like rebranded True Cross Academy uniform. The arrows on "reincarnated Ryuji's" shoulder is a special version for "exorcist cadets". The blue arrow represents that, the orange represents main Aria course and his class. In this timeline exorcist are wildly known and even considered a prestige position in life. Even after a couple centuries demons are rampant and fighting for Assiah freedom is a nonstop job. At this point Rin is the Paladin of True Cross Order for at least the last 60 years. They even gave him even more special title:

"Echo"

Rin also leads Myodha's sect since the day of Ryuji's passing.

It's not like he is responsible for everything there but the sect is under his explicit protection as a part of his family. Because they are. He is a highest Elder amongst their people. He is responsible for big decisions and changes in organisation. Also the sect grown big enough to be considered a daughter branch of True Cross Order. Pretty much even gaining autonomy and independence while being Order's Allies.

So Ryuji's reincarnation is actually from that branch since it's a large Buddhist organisation with connections amongst families.

Rin doesn't know them all personally sometimes so he was not aware of his existence.

Some cadets are invited to True Cross Academy from that branch too. His name is Ryugo (龍吾: dragon; me, I. As if screaming about his past life). And he is from a distant village down south of Japan.

Also Rin was not aware of Ryugo's existence but the young man actually was. Rin is his hero and he admires their "Highest Elder" to the moon and back for everything he has done for the sect and the world. He also wants to be his apprentice. And he WILL succeed in his pursuit. But Rin will accept him on his secon year after many attempts to keep distance from someone who was his Ryuji but not him at the same time. Exorcist training is now 3 year course as any other faculties.

Also, Ryugo did fall for Rin the first day he arrived at Academy.

Mephisto lost a lot of his powers during war. So every 10 years Rin would perform a flashy ritual on the first day before the sudents to renew a powerful barrier around True Cross town. (Many exorcists wannabes enroll in Academy a couple weeks earlier to train and preform in that “show” and help to solidify a stable barrier. Ryugo was one of these wannabes)

He fell hard. It was a mix of his admiration and unexplainable feelings he held since the day he saw him in person. (Perhaps these are remains of Ryuji's will and a wish to find Rin in his next life to be with him again. Too bad he didn't have time to say it out loud on his deathbed while he looked in Rin's teary eyes with his last breath)

[roitaminnah]

btw I'm obsessed with my kitties.. ppkk (peepee ketchup kitty) sketchpage I commissioned by @wolpworf I wanted to share :3c :D

[california-112]

[agalychnisspranneusroseus]

Indeed her hair did grow a bit (thank god because before WHAT THE FUCK WAS THAT)

Bonus: how she actually wants it

[httpiastri]

okay it's 3am…. but i just watched the campos vlog for the first time as a new campos girlie and i'm- 🥺🥺 sebas and chris's hand heart? hello??

oh and i could go on a full rant about how freaking cute pepe is but i shall try my best to refrain… it will only send me into a spiral and i will end up not sleeping……. so instead i'll just drop off this vid of his ADORABLE laughter and call it a day 🫡

(also this ^^ specifically @ that one anon who sent me an ask weeks ago about his laughter…….😭)

[wayfayrr]

Tears with a short s/o?

man would be a MENACE - he has never met a single person (who isn't a kid) who's shorter than him. Now you pop into his life? his beloved sundelion? and you're shorter than him?

yeah, best be prepared for him to throw every single short joke he's ever faced at you (affectionate) or for him to make you zonai contraptions to help you reach anything you struggle with

[minty-drop]

Yandere AL-AN x reader

Type: headcanons

Warnings: mentions of mental abuse, manipulation, a character who knows what he’s doing but doesn’t know the extent it’s going, isolation.

Author note: this is my first time writing for AL-AN so hopefully this is close to canon. I have not played subnatica or subnatica below zero because well I’m Broke lol, but I have watched some gameplay through it and have some knowledge on who AL-AN is. I do hope I did interpret him right though. I find it sad that AL-ANs popularity is not that big anymore, look at them how could you not love them. I put more effort into this one so enjoy!! AL-AN will be using he/they. Reader is gender neutral for all readers to enjoy.

⋆⭒˚.⋆ - AL-AN is a soft spoken, reserved and intelligent being capable of speaking in gentle tones, carefully calculated and rich of precise words that smooth over intentions like a silk blanket that drapes over spikes of emotions that refuse to pierce through the silk. AL-AN is nimble and wise with his ability to communicate with you, gliding around questions that are left unanswered, slithering past accusations and with a flick of a snakes tongue, effortlessly flowing and gracefully swinging anything that is not of interests of him answering back at you.

⋆⭒˚.⋆- While AL-AN has a talent with words, human behaviour is quite new to him, alas making it difficult to understand at times. Even through the difficulties navigating through sarcasm to other factors of human interactions create some gaps in his knowledge of humans, he begins to gain a sense of understanding and a more natural and direct response to those circumstances over time. This makes it easier to form connections between you and him on a variety of topics that are considered important, intriguing or influential.

⋆⭒˚.⋆- AL-AN as intelligent and capable as they are, can be insensitive to some topics unknowingly. Comfort is not necessarily an uncommon nor unnatural language of connection to him, more so due to a lack of it, it is hard to proceed with comforting actions or receive them. Though he makes an effort to try even when you scream and push him away.

⋆⭒˚.⋆-AL-AN’s obsession with you stems from his craving for knowledge about you, curiosity consuming him more than he would like to admit. Soon after this follows the more obvious signs of obsession. The slow isolation, the constant stress of where you are and what you are around and the small but steadily growing physical affection. Eventually these develops into blatant isolation and confinement out of your control, manipulations and mental abuse beyond what you thought he was capable of.

⋆⭒˚.⋆- They are not delusional, they know exactly what they’re doing. How to melt you down and build you again just to smash you back down into a pitiful mess of insecurity and uncertainty. AL-AN knows he’s gone to far. But his morals are thin when it comes to you.

⋆⭒˚.⋆- AL-AN keeps you beside him almost all the time. And you’re not leaving until he’s satisfied with the knowledge he has of your kind (which frankly, is an excuse he tells himself). While he does not mind indulging in the arguments you put up, he will silence you when he becomes irritated or bored, like a zipper shutting and locking everything inside from the outside.

⋆⭒˚.•- AL-ANs got you wrapped tied to him. And there’s nothing you can do about it.

[thebirdandhersong]

Lol