Now seems like a good time to re-recommend my favorite post-S2 "Roy has broken up with Keeley and is a complete wreck" pair of fics, by @wildwren .
Roy x Keeley; Roy x therapy (slow burn):
And Roy x Jamie (but with a setup for Roy/Keeley/Jamie endgame):
Mind all the tags for both, but enjoy!
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im sure this has been done already but uh mimiku
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reminding everyone that the in-universe problem with The Doctor and The Master isn’t “ooo horrible nasty enemies who hate each other and don’t get along and fight all the time but are also in love”
the problem is that they get along. the problem is that they can’t stop themselves from falling naturally into a rhythm of riffing off one another and enjoying the other’s company. THAT is the problem. the problem is that it works and that’s the thing that caused all their issues. they like one another. they just click.
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The Dread Wolf Take You (Part 1)
~~Link to the complete 31 page comic here~~
"Imagine that, overlooking the god in your mids!"
May I present, my attempt at illustrating the last four pages of Tevinter Nights. 😁 (Also, the first time I'm posting art on here!)
As the whole thing was quite literally too long to post on tumblr, I uploaded the full version on a customized site made for reading webcomics (via ComicFury). Feel free to check out the link above if you like to read the rest! Also, if you're on mobile, there's a "Scroll View" option for easier navigation. :)
And, obviously, HUGE spoilers for those who haven't read Tevinter Nights!!
On a personal note though, I can't believe I actually finished it... As it had been a *very* long time since I drew (and finished) anything, let alone a 31 page comic and reading Tevinter Nights again finally sparked my motivation (and the courage to post it lol). So I want to thank Patrick Weekes for helping me overcome this massive art block and over two decades of Case Closed mangas for inspiring me how to draw an overly dramatic "exposing the imposter" moment. 😂 I tried my best to be as faithful to the book as possible and it took me forever, so... hope you like it! :D
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Hi sorry it’s been awhile. I cinthfied him in the meantime
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☀️🐥
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So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.
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louis @ armand: you're SOOO BORING!!! colourless, flavourless, dull, DULL
lestat 5 seconds later: say no more, my pretty baby, I got you
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the leverage team would have had a games night… once. everyone cheated so much and in such increasingly extreme ways that all mentions of monopoly are banned in their headquarters (this makes talking about marks who monopolize the market very confusing)
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the place me and my roommate were supposed to move into today was so disgusting and uninhabitable we just took our stuff and left and now we're gonna be staying at airbnbs and hotels until further notice/until we can find a new place hopefully quickly...........im in my homeless drifter era y'all!!!😍😍so if im not as active then thats why LMFAO
1 like = 1 prayer
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Tiny little guys
(That comic of mine is on its way - wanted to share the little ones from the current wip haha - EDIT: no longer wip!)
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The deeply moralist tone that a lot of discussions about media representation take on here are primarily neoliberal before they are anything else. Like the shouting matches people get into about “purity culture” “pro/anti” etc nonsense (even if I think it’s true that some people have a deeply christian worldview about what art ought to say and represent about the world) are downstream of the basic neoliberal assumption that we can and must educate the public by being consumers in a market. “Bad representation” is often framed as a writer’s/developer’s/director’s/etc’s failure to properly educate their audience, or to educate them the wrong way with bad information about the world (which will compel their audience to act, behave, internalise or otherwise believe these bad representations about some social issue). Likewise, to “consume” or give money to a piece of media with Bad Representation is to legitimate and make stronger these bad representations in the world, an act which will cause more people to believe or internalise bad things about themselves or other people. And at the heart of both of those claims is, again, the assumption that mass public education should be undertaken by artists in a private market, who are responsible for creating moral fables and political allegories that they will instil in their audiences by selling it to them. These conversations often become pure nonsense if you don’t accept that the moral and political education of the world should be directed by like, studio executives or tv actors or authors on twitter. There is no horizon of possibility being imagined beyond purchasing, as an individual consumer in a market, your way into good beliefs about the world, instilled in you by Media Product
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To the next adventure...
Image description and details under cut
I.D.
[A drawing of Nicky, Joe, Quynh, and Andy from The Old Guard. They are all in profile, walking in a straight line facing the sun. They are dressed in medieval clothing and armour, and each carry their own weapons and bags. Nicky has his sword, a crossbow, a quiver of bolts, a dagger at his belt and another strapped to his ankle. Joe is holding his sword, a bag, and a coin purse. Quynh's bow is over her back, and her quiver is at her hip. Two daggers are strapped to her belt, one of them matching Nicky's. Andy is holding her axe, two bags, and a dagger. They each have serene expressions and closed eyes, as if they're not in a hurry. In the background, the seasons change from winter to spring, summer, fall. There is an old tree behind them, and its branches change with the seasons.]
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