#and they take that to mean he has no information and is considering the possibility
Explore tagged Tumblr posts
Text
Ebb Tide (Male!Reader x Finnick Odair)
Going home is weird for both of you.
It's still hard for anyone to trust you besides Finnick, given that you, even up til the end of the war, were considered a Capitol citizen.
You spend a lot of events curled into Finnick's shoulder, the shoe on the other foot now.
Mere months ago, you were the one protecting Finnick. At Capitol galas, at events celebrating the Games.
When he would be shipped off to the Capitol from District 4, it was you he would come to stay with.
You spent and schemed to pay off the right people. Grease the right palms and cash in the right favors to get him.
The horrid practices of your society, solely to protect him.
You never pushed upon him or forced him into anything.
The story that he was your kept pet, that you had essentially bought him for your own use - it was safer.
Finnick could use it as a shield.
You were jealous, you were possessive - he couldn't possibly escape your sight for any rendezvouses.
You were rich, you owned him - he couldn't possibly betray your trust, not when he owed you so much...
And in the Capitol, during the war, it served as your own shield.
You had been dragged before Snow, who demanded you be interrogated for information about Finnick's escape.
But you had been lying to the world for decades. There was nothing but the rich boy who treated people like things, and simply mourned the loss of what you had given up so much to attain.
Your home was lucky enough not to be destroyed in the siege on the Capitol or its own pod defenses.
But it was too much to stay there.
So Finnick instead brings you home.
District 4.
"They will not take you from me again. Not ever." Finnick whispers. A running theme of what he says, in his sleep and nightmares and when you lean against him.
You both are scarred and damaged now - in ways both visible and not.
But the sea air, briny and crisp, new to you, though Finnick has told you about it countless times.
But warmth and sunshine. But safety in Finnick's home in the Victor's Village.
Home revives and nourishes Finnick - he is brighter, calmer, and happier than you have ever seen him.
And it is this that helps the most. He's not better, and not even okay, but he's happier, and that means everything to you.
He teaches you to fish, laughs at how terrible you are at it. Brings you to festivities, dances, singalongs.
He does not let you wallow in grief and loss and fear. And you know you must be there for him in the same way.
Caught in the high tide for so long, you two now walk in the surf during the ebb tide.
Finnick holds your hand constantly. He cannot bear to be separated from you for long. He freely states his love. Freely gives now that there is no imbalance or debt left.
And one day soon, while holding your hand, Finnick hopes to feel a ring there, brushing against his own.
#finnick odair x reader#finnick odair x male reader#hunger games x reader#hunger games x male reader#hunger games headcanons#headcanons
26 notes
·
View notes
Note
For the Director's Cut ask game, in Losing Time
How was the reaction of mugiwaras when Robin explained about flevance? And in what moment she did?
Robin would have explained during that first night, while Penguin and Shachi and Bepo were off doing their own painful explanations to the rest of the Heart Pirates. And it wouldn't be a terribly detailed explanation, either: one, Robin respects Law's rights to privacy as much as she can in this instance, and two, she herself does not have the whole truth of what happened, which means she can only take her own knowledge and the few other bits that they have (what Penguin and Shachi say, the small anecdotes Sanji remembers) and try to explain that way. She's a good historian; she'd never make concrete assertions without all the facts or the permission of a primary source ie. Law.
So what she says more or less boils down to "Flevance was destroyed because of a perceived plague that the government aided and abetted in the exacerbation of, and contributed to the destruction of to hide their own involvement. Law is the last survivor of that genocide."
As for reactions...we know Sanji's and Robin's, since they were there for the initial discussion. The rest?
Nami gets that explanation and I think a lot of things click into place for her. She's very smart, and I think she'd make a lot of connections to how Law acts in the face of certain triggers (loss of control, for example) and see herself in that. And she loves children, so now she has to confront the fact that the quiet little boy from the forest becomes the Law she knows. (Maybe she wonders how different she's become from how she was before her own tragedy).
Franky cries. Of course Franky cries. He probably blubbers something about how impressive it is for Law to have held up in the face of that, and if adult!Law saw that he'd probably threaten to chop his limbs off because he'd be embarrassed.
Chopper, predictably, is absolutely horrified. On like, every level. On the medical misunderstandings, on the abandonment of the government, of the lack of care. Chopper already likes Law, and he knows what it's like to lose something to a medical condition you do not know how to heal.
Zoro's take on it is fairly pragmatic. He's experienced life not being fair. He knows that sometimes people just die and there's nothing you can do about it. Law has proven that he's made of strong stuff before this point, and this only proves that point more. If anything, in addition to sympathizing, Zoro respects him more.
Luffy's reaction is basically what you get in the chapter where he talks to little Law. He makes those possible connections between Law's actions in Marineford and Ace, and later when he learns about Lami about how that adds even more context. However, Luffy is Luffy, and he's not ever going to act differently around Law or poke him for more information. He doesn't share himself, and it's fine that Torao doesn't either. If Law wants to talk, he can talk. If he doesn't, that's fine too. Luffy already likes Law and knows what sort of person he is.
Brook knows death. He's polite enough to not comment on seeing the clear markers of tragedy on others, but I imagine getting the explanation fills in a lot of questions he had about Law.
Jinbei is probably the least surprised. He knows what the World Government does and he knows all the sorts of things that can drive people into piracy. It's just a shame that he has to keep adding to that tally, because he considers Law to be an honorable sort. He saved his life. And now this.
Usopp is freaked. Law is one of the most powerful people he's met personally (and one who doesn't want him dead). It's a reminder that on the Grand Line, no one is immune from bad luck, bad experiences, and you're always just an inch away from the worst day of your life.
25 notes
·
View notes
Text
DUDE WHY
Do you think Batman ever sits in the Justice League meeting while Captain Marvel interrogates him on what he knows about the Wayne Murders as Gotham’s vigilante because he’s hooked on a podcast about it and then has to uncomfortably listen to the entire table have an in depth discussion of his parents deaths and the sad media circus of his childhood?
#imagine the podcast makers thought baby Bruce Wayne grew up to be the Joker because he just snapped tho#and Bruce is sitting there wanting to be like 'that would never happen' but he knows it happened to his mom in another world#and so people are debating whether or not that's a reasonable possibility all while Bruce is having an existential crisis about it#and they take that to mean he has no information and is considering the possibility#and then later they're delicate around it and like 'oh I'm sorry I don't mean to talk about Bruce Wayne who might've killed your son'#and Bruce breaks down completely because like. in his mind Bruce Wayne DID kill his son so there's that#< prev tags#😭 don't do this to me#put that sad wet rat in therapy PLZ#he desperately needs it#batman#bruce wayne#justice league#addition +#dc headcanon
158 notes
·
View notes
Text
I think a lot of what's currently informing my fellow white people curdling like milk and shitting their pants when asked to interrogate their relationship with rap is the way many people (especially well-meaning white people) still can't help but think of racism as something that you get accused of rather than something that influences the entire world in pernicious ways.
like, I think a lot of people currently posting the most cringe takes about rap right now would very much agree that Racism Is Bad and probably even acknowledge that rap has been and is still widely maligned and devalues for racist reasons.
but that last step, acknowledging that your personal tastes and interests are also influenced by systemic racism, is where a LOT of people stumble. it's very easy to assume that because you consider yourself against racism, then your tastes and interests cannot possibly be at all informed by racist. if you're a white American, that's simply extremely unlikely to be true.
speaking from personal experience, I had to Work to decenter whiteness in my media tastes. when I was like 19 I listened to a podcast where a white Jewish man talked about keeping a spreadsheet of the books he read to make sure he was reading a roughly equal number of men and women, and I started doing the same thing to track how many authors of color I was reading. at the time I took pride in my belief that I was reading diversely, but when the year ended I was shocked to discover that people of color had written barely a quarter of the books I'd read. I had been giving myself way too much credit while still unintentionally prioritizing white authors, because white authors were the ones I knew best. so I started making an extremely conscious effort to seek out books by authors of color, both fiction and nonfiction, that sounded like my kind of shit.
music was extremely similar. I grew up a little white girl in a very white city in a very white state; nobody was offering me an education in rap or r&b or soul or hip hop. as an young adult there were definitely some Black artists I liked, like Janelle Monáe, but I had to take the initiative of seeking out more artists to find out who I fuck with. you're not going to like everybody, which is fine, but are you even giving anyone a chance? are you even looking?
racism has roots everywhere, bro. it's not enough to just acknowledge it, you have to actively get digging.
11K notes
·
View notes
Text
consume
s. in a world of ghouls and humans, you've got a crush on a really hot guy with tattoos, but that doesn't mean he's a ghoul right?
w.c. 5.9k
w. fem! reader, ghoul!sukuna! x reader , fluff!, smut!, cannibalism!, gore!
a/n: this is a continuance on this thought of mine :)I just wrote this to get this out of my system :/ don't think I cooked as I usually do! but feel free to indulge in ghoul sukuna to at least scratch the itch.
"is that him y/n?" your friend's eyes widen and she grabs you by the shoulders, staring into the void of your soul "go up to him. now."
you came for drinks with your friends just a couple minutes ago. and you were so unaware until now, that across from you is the random hot guy you always see on your way home.
your friend, the one bolstering you to go up to him, has heard of this crush. considering you can't spend a day without talking about the hotness of this man.
"I-I, " you start to stutter, "I shouldn't. I see him all the time around the neighborhood and he's never so much as bat an eye at me or acknowledged my presence."
"and I do not care," she huffs, turning you around and beginning to push you in his direction at the bar, "no guy is capable of rejecting your beauty when its waved right in front of their face."
you hear her huffing and can probably make out how flushed her cheeks are from going against your planted feet on the ground, scared to go up to the man nearing you, even though its you coming closer. you feel your heartbeat quicken by at least 50 beats and the adrenaline from such a simple act is rushing through your veins.
until you're there. and he's doesn't even move to face you, his eyes just dart to you.
"hi." you manage to choke out.
he smells like like leather and stone cold vanilla. it's a smell you won't be able to get out of your head tonight.
he looks like he's about to sigh and say something to send you walking away, but you speak again before he can dismiss you, possibly, "I think you're handsome and I wanted to talk to you."
"you looking for a quick fuck?" his voice rumbles so nonchalantly as he takes a sip of his whiskey
"no." you answer in a heartbeat, quickly moving your head from side to side as a sign of your counter to the idea, "I don't think I would be this nervous if I was just looking for that."
"Then what are you looking for?" He's suddenly looming over you, body now turned to face you and his early stance of dismissal gone. although you don't know if that's what you prefer now considering this is so much more intimidating. he's squinting his eyes at you just a tad and you can tell he's biting his cheek.
"something that doesn't hurt me." is all you can speak into existence, softly.
he stares at you
he stares at you for a long while, his brown eyes so light, they're almost red. it's intense and you don't know what he's playing at.
he gets up abruptly, the chair that was beneath him screeching, face unnerved when he reaches a hand out expectantly, "your phone."
your eyes widen and you fumble around for your phone before planting it in his hand.
"what's your name," he says as he presses what you suppose is his contact information into your phone.
you hear a ring coming from his back pocket when you answer, "y/n"
"sukuna," he replies back curtly before handing you back yours and moving to shut off his phone. he then takes out a ten dollar bill and puts it on the countertop before turning to leave, "stay with your friends, it's not safe on your own out there."
you hadn't noticed at all that your friend had left you to talk to the familiar stranger, sukuna now, at some point during the interaction. when you turned around, your group was staring between you and the ominous figure leaving as if they were watching a thriller movie and needed a bowl of popcorn to shove their hands into.
when you were on the way home by cab that night, you received a text, that seemed a manifestation due to how hard you prayed for the next buzz from your phone to be from him.
it was a curt reminder that he would meet you outside your apartment--that he also asked for the address of--the following morning so he could take you out. and nothing more. it was so curt, that although he was still inviting you out, you made it your mission to dress your most attractive the next morning.
you notice he's already outside of the door when peek your head out the door early, doubtful of how early he would be, which he was. sukuna had gotten there ten minutes beforehand, at the least. and although you weren't that mentally prepared to be out with him, you sucked it up and tried your best to confidently walk out the door when he noticed you.
"looks like we're both early," you joke a bit shyly, fiddling with the straps of your purse
"if you need more time you can go back up," he says, having straightened his posture from leaning against the wall and now looking at the busying street, as if to stay aware of his surroundings
"no it's okay, I've been ready for about half an hour now," you smile meekly in embarrassment
the comment makes him flick an eye to you, "should have told me."
"for?" you blink up at him, unaware
"for me to show up earlier," he clicks with his tongue before looking to the left and motioning for the both of you to start walking
it's about ten minutes into your silent walk to who knows where that you hear him speak again without previous poking, "you eat breakfast?"
"yes, actually! it was a lot so im still pretty full, considering the time."
"alright," he nods before locking eyes on something and placing a surprisingly gentle hand on the small of your back to maneuver you to your left, "it's here."
and the small entrance he guides you through leads to an immediate splash of greenery
a garden, a large one, surrounded by something you couldn't make out
"it's a bookshop."
and now you could make out the shelves through the surrounding windows
there's a number of different flowers surrounding you and you can't help but dash to a rather beautiful spawn of peonies.
"they're so beautiful!" you bite your lip in excitement, like you'd just seen a puppy. and that's when you spot a small pathway leading to a shrouded bench.
and you get an idea, "do you think they have Takatsuki in there?"
sukuna quirks a brow at you, "you like that insane shit?"
"I like creepy stuff." you blink at him, shamelessly stating the interest of yours
"come on," he juts his chin towards the far end of the garden, where the entrance was
moments later, you come out with a hardcover edition of The Black Goat's Egg you'd been vying for for months, purchased by sukuna, who asked, "that the one you want?" when you said yes, he plucked it from your hands and paid for it at the register.
"thank you." you say in appreciation when you set your purse down next to you on the bench, and flip to the beginning page of the book while sukuna adjusts himself next to you.
the handsome giant says nothing and instead drapes an arm over the side of the bench behind you and flicks his eyes towards the book, waiting for you to read like you'd promised so.
"you'll like it," you smile at him before subconsciously sinking just a little into his personal space and adjusting the book comfortably onto your lap, "ahem..."
you had been reading for about an hour and a half now, and sukuna showed no signs of distaste for the book. he hadn't said a word since the moment you started reading, listening and skimming over the book with you.
"mother's hands carved out the veins beneath his chest, not me. from her nails came the rotten smell of hardened blood. oh this is my favorite part. but I could feel the pulsing of his lungs on my hands. how his heart still beat when I had opened his chest. the breath of life beneath my palms, inhaling and exhaling. my excitement brewed, a woman's touch knew nothing of the enthrallment this brought me-"
grrrrrrrrrr
embarrassing
there's no way in hell your stomach just did that in front of him. you try to mutter a quick sorry and pick back up where you left off, but the moment you open your mouth again after the quick apology, sukuna interrupts you.
"it's time for you to eat."
why did he say that like you were some sort of pet.
he was such a serious speaker sometimes.
while you start to gather your things, sukuna already stands up and reaches a hand out for you to stabilize yourself on.
"I don't think its time time," you say while taking his hand, not wanting to go back to your apartment yet and finish reading yet, "I won't cook normally until another half hour from-"
"you said you liked the same type of pasta the guy was eating in the book right," he cut you off, levitating a hand over your shoulders that simply wooed you into stepping next to him at a comfortable pace while he moved for the both of you to cross the street.
"yeah..."you agreed, catching another whiff of his cologne in the breeze
and that's how you wound up with him ordering a full plate for you and a boring cup of coffee for himself moments later at a restaurant.
"you sure you're not hungry?" you questioned worriedly, eyes searching for any illness on him, scared to grab the fork before you
"I'm cutting, I'll cook at home." he shrugged
"cook what then?" you almost pout, feeling bad that you were going to be feasting in front of him while he merely had a coffee
he looked you dead in the eyes and said before taking a sip of his coffee, "steak."
"ghoul." you shot back while reaching for your fork and making towards the pasta
for the first time, you saw irritation on sukuna's face in the form of a twitch of his nose, "beef. steak."
he seemed so serious and you couldn't help but stick your tongue out playfully, "I know, but you might as well be one if you're that built from so much protein. heh."
sukuna let a tsk out and took a sip of his coffee, "eat your food."
you wound up getting walked home by sukuna later after the meal, a full stomach and new book, both provided by him upon your return.
"thank you again for the book" the corners of your lips quirked up a little cutely, "and for the meal too."
"you still need to eat something later tonight."
"I will" you nod and look up at him earnestly before reaching for his hand and gesturing for him to be level with you.
"goodbye," you land a quick peck on his cheek and let go of his hand, already rushing towards your building door and entering the code in as fast as possible. you couldn't look back, and didn't .
this pattern of dates repeats itself quite often after. sukuna's taken you to what seems like every bookstore in the city and purchased whatever makes your fancy every time. he's had you read for him. he's bought you every sweet and dessert you've wanted. he's brushed a crumb of a macaroon of your lips, carried you bridal style to avoid getting your shoes wet in a large street puddle, the most endearing things, albeit stoically, but
he's never kissed you
you think it has something to do with how stoic he is. maybe there's some sort of damage with him. he's so immersed whenever he's with you, learning and observing you, but it's always felt as if he's keeping part of himself watered down with you.
a hint of snarkiness has left him before, you saw so when a little girl in a park punched an older boy for yanking on her pigtail.
and he never takes you out at night. he hasn't specifically said he doesn't want to go out during the late hours of the afternoon or night, but he always manages to schedule your outings to end before so.
it's why you bite the bullet, and make today's lunch, into a dinner hosted by you, with the convenient excuse that your work asked you to come in for finishing touches on a project you'd be presenting next week and couldn't make it to lunch.
sukuna agreed with no qualms, that you couldn't see through the screen of your phone of course, and even asked if you needed any ingredients.
your chicken had already been in the oven for about twenty minutes when he had knocked on your door--you had texted him the code to your building earlier.
"hi." you breathed, opening the door for him to come in, "I put this chicken recipe I found online to bake. it's supposed to be healthy."
sukuna walked further into your apartment and analyzed his surroundings while you yapped away.
"it's probably not like the steak you eat, maybe less in protein, but I think you'll like it. I don't think I could make steak that good for someone else on the first try..."
"your hand," he slightly quirks a brow up and gestures towards your right hand, two bandages on your middle and pointer finger.
"tomato dicing mishap," you give him a sheepish closed mouth smile while raising your hand up, "it's a bit more annoying than a paper cut. bleeds more than one."
"I could order for here-"
"no! it's okay. I'm done anyway. I need to take out the chicken in a bit anyways." and you move to grab the controller to your tv, "do you have anything in mind you want to watch?”
“the news.”
you slightly furrow your brows, but accommodate to his request then leave the controller on the coffee table, "you see something happen?"
"just don't like not knowing what's going on," he huffs gruffly while eyeing the ongoing news report for the day.
"A ghoul has atrociously murdered and consumed various members of our community. last night's victim is unidentifiable, but his age can be estimated to be about thirty. surveillance cameras near the area show no capture evidence of who could have done this, but reports and evidence point to it being the same perpetrator of the last couple of murders this month-"
you walk to your oven to get the chicken out and start to put on your mittens, "at least it's not girls."
sukuna's eyes flicker towards you, interested in what you're saying, "you should be scared."
you're setting the hot pan on the countertop when you look back at him, eyes clean of any fear, "but he's been eating shit guys."
sukuna turns his body to you and crosses his arms, as if he's about to chew your ear off for saying that, but you continue, moving to plate the food for both of you, "all the bodies they've reported are all well distinguished low life perverts, some have even tried to chase me down when I say no. one of them tried taking a picture under my skirt once."
you place the plates on either side of the dining table for the both of you and sit down, "whatever ghoul that's getting his full with them doesn't scare me. we know he eats a lot, if those guys weren't enough, he'd go for girls already. and before you bite my head off for not being scared, you should know by now that I rarely go out at night, especially not without someone with me. now sit, food's ready."
sukuna eyes moves towards the dining table and eyes your dish a bit wearily as he slides his chair out for him to sit on.
when he sits, you speak again, "I got the recipe from one of those super healthy bodybuilders, so it should be good enough for you. plus, I'm a good cook."
sukuna still stairs into the void, where our plate should be, but he makes for the knife and fork you put for him, "thank you."
and he enjoyed it, you think. he didn't say it was good, but he finished his plate diligently. if he hated it, he would have said something, or shown it on his face.
"I'll wash the dishes," he said when you were about to reach for his plate and instead he took both of yours and got up.
"oh, okay," you observed as he turned on the faucet, his back to you, he looked out of place in the small spot, "I can start putting a movie, you liked when I read Howl's Moving Castle, I have the movie for it."
You looked for a response, and you received one in the form of a nod, so you stood up and sat on the couch, looking through your streaming services.
sukuna finishes faster than you expected
"I need to take a piss," he says as he walks towards the restroom
"okay," you responded without hesitation as you tried to restart the movie considering your streaming service was glitching on you and the movie was already in the ends credits--you watched it that often.
you solved the problem quicker than you thought, because when sukuna comes back from peeing, you've already got the movie paused at the beginning, waiting for him to sit so you can press play.
and when he does sit, it's at a distance from you, which you don't make a comment about because hey, maybe he's just a guy with boundaries.
and it's halfway through the movie that you have barely even paid attention to your favorite movie of all time. the music you always enjoy and look forward to seems to have never reached your ears. the funny antics by Calcifer don't elicit a giggle from you.
"why haven't you tried to kiss me?"
is he even attracted to you? because you have boundaries and you're a woman, but
you want his hands on you for more than just protection or help. you want to know what it feels like to sit on his lap, that you're sure is more comfortable than your couch considering how meaty and large he is.
and now you're in silence, even though the tv must be at more than the recommended volume setting.
"do you want me to?" sukuna asks, still watching the movie, but you can tell his attention is entirely on you
"I wouldn't be saying anything if I didn't want you to..." you breathe, cursing yourself for bringing such an awkward situation upon the both of you. the movie seems as if its not being processed by your eyes even though you're staring at it, too scared to look at him.
the need to backtrack overcomes you and you feel like you need to overexplain your lack of manners and how he should disregard what you're saying when-
he's tilted your chin towards him
and his mouth is on yours
its beyond sensual and you can feel your thighs shift against each other, but nowhere is it an intense roughness.
he's a godsend, you think, right as he pulls away and gets up.
you're dazed and confused as he walks to your door
"I preferred when you read the book to me," he states monotonously while he shrugs his leather jacket on and opens the door.
"I'll send for a dessert for you later." he's halfway through the doorway and his back is to you, "don't finish it all if you still feel full. your cramps get worse with sugar."
"my cramps-"
he shuts the door and you're left dumbfounded in your living room
oh. he must've seen the packaging of your pad thrown in the restroom bin.
later that night, there was a large helping of warm churros that a guy delivered to your apartment building.
you img_786 thank you, they're really good
sukuna don't finish all of it
you I won't <3
and then he's gone
for a month you haven't heard from him
you shouldn't be rotting in your bed this often, but you are. you don't want to frequent out unless its with him. the few bookstores you did know before him, and went to after with him are sickeningly wrapped in the ambience of him.
going out at night reminds you that he didn't like when you were out at night, sending punctual texts about whether you were home or not
the walk home, where you got excited to even see him for a second is a disdainful reminder of him.
and you feel so ridiculed
the last time you talked, it was because you technically asked for a kiss that he ended up giving
but then walking away and going home.
it hurt your ego
you ran out of matcha tea a bit before sundown. it was a calming drink for you, something you'd been finding comfort it especially during this time.
so you left your apartment to go to the grocery store in your neighborhood. it was a weekday, so the streets weren't all that crowded, everyone was already on the way home.
it was a quick trip, you came out with a tin of matcha and a tub of ice cream, but the sun was halfway through its descent back into the night.
nothing would happen. ghouls don't lurk the moment the sun sets.
your apartment is around the corner when you hear a familiar voice.
"don't move unless you want me to eat your kagune."
why does that sound a lot like him?
there was a sort of mushy sound that followed, then a painful groan
or screech, you couldn't tell the the difference from how pained it was
"please sukuna! I-I didn't know-"
a scream followed, along with a grotesque noise
he said sukuna's name? is that-
"AHAHAHAA LOOK AT HOW FUCKED UP YOUR LUNGS ARE! BASICALLY SHREDS IN MY HANDS!"
it's undeniably his voice, but you've never heard him like this.
if you could just get a look, turn your head over the alleyway just a little
you almost vomit at the sight.
the man you had been moping over for the past few weeks had four large tentacles for a kagune, bright blood red and pinning down the man beneath him, who's lungs unmistakably were in sukuna's hands.
he was eating it like it was something easy, like a slice of ham
the other man-ghoul's intestines were spilling out onto the ground
and all you could do was stand still.
"I didn't know she was off-limits!" the ghoul cried, tears running down his half eaten face considering he was missing a piece of cheek.
"doesn't matter," sukuna retorted, digging a hand in again and taking out what looked like a liver, "what were you going to do to her huh?"
he took a bite and spoke with a full mouth in his face, "I know what lowlife creeps like you like to do to girls like her."
"and how are they supposed to stop coming if I let every creep that wanders near her live?"
and upon further inspection, you realize that the guy underneath him spoke to you this morning on the subway. he made uncomfortable conversation about your skirt and you got off the moment he started getting too close to your personal space
unbeknownst to you, you start shaking and your breath hitches
sukuna hears it
when he turns to face you, where the noise came from, his eyes are red this time, the whites blackened. he's breathing hard as he stares you down.
"go. home." is all he snarls menacingly
and no matter how hard you want to plant your feet and say no because you're mad at him, you run back home. the minute that was left in walking home became twenty seconds.
how you wound up at your apartment that fast was a wonder to you. but all you know is that so many things are making sense, but not at the same time.
that ghoul was going to come for you if it wasn't for sukuna. was sukuna the ghoul from the news? had he eaten all those men? god, you can't even remember all the times you've been cat-called or bothered on the street. how long had he been doing this?
"open the door."
you're back to reality at the sound of sukuna behind the door to your apartment
maybe if you pretend you're not-
"I can hear your heart beating, open the door."
"I don't want to!" you try not to yell, speaking as firmly as you can so as to not garner unwanted attention.
"if you open the door," he starts to speak with irritation that so tells you theres a just as irritated smile on his face, "I can explain to you."
"why do you want to talk now?" you stomp your foot on the ground, praying that the inertia stops the tears building on your waterline from falling down your cheeks
"open the door and I'll tell you y/n." he says, patience still wavering
he stares you down menacingly when you abruptly open the door, but you've got your own look to challenge, brimming with almost tears and an anger like no other at how he hurt you
"I told you to not go out at night."
"how long ago was that huh?" you retort
sukuna bites his cheek and enters your apartment, planting himself in the farthest corner of your living room to argue with you.
"you still know better." he gestures a hand to the window, outside, "I don't care if there's still a couple minutes before the sun sets. don't go outside."
"why not, you'll be there to eat anyone who lurks near me."
your nose is scrunched at him in anger and for the first time, it looks like he has nothing to say
"were you the ghoul from the news the other night?" you sniffle
sukuna looks at you with dead irritation, like he has a million things to say, but none at the same time.
"are you trying to keep me to yourself? to eat me on a rainy day, like a special treat? is that why you couldn't bare to date me? because I was just food?"
"no." he bites back, arms crossed, tongue poking through his cheek while his head moves to face the other way
"then?" you waiver, hands dropped to the sides of your body in fists.
"I'm a ghoul," his red eyes dart to you, pinning you under his gaze," you're a human."
"you can't stand that I'm a human?" you step back, hurt
it seems your words confund him to irritation again when he responds, "you just saw me eating someone's lungs."
"he was going to eat me." you reason
"you're an idiot..." he scoffs, tapping his foot impatiently on the ground
"then why are you still here?" you bite back
your retaliation seems to have set him off, because he soon starts walking towards you and pins you under his body and the countertop behind you
"I was born to eat you," he snarls close to your face, "I will find a way to break you. it's nature. every single day, all I can think about is how much I want to sink my teeth into your flesh. does that not scare you?"
"maybe that's because you never tried to take out your urges on me in other ways." you murmur defiantly
the comment makes him stand still, leaving both of your breaths as the only sound in the room.
"you don't know what you're saying." his nose twitches
"neither do you, you've never tried."
his hands are gripping the countertop so hard, you can hear a slight crumble.
but then sukuna's breathing grows ragged and it would have alarmed you, were it not for his following actions.
his arms brings your entire body towards him when he envelopes you in a nasty kiss.
this
this was sexual
his chest grumbles when you stick your tongue into his mouth and he sucks on it painfully
the bliss is so entrancing, you can't even distinguish the metallic taste.
one of his hands goes to envelop your ass and the grip he has is so strong and painful that you think he's made finger sized holes in your jeans.
the moan that leaves you is far too sinful, but he pulls you impossibly closer and grabs you by the back of your legs to pull you up. sukuna then starts walking to the only other door that doesn't lead to the restroom. to your room.
he'd just bitten your lip to the point where you're sure it'd be bruised within an hour when he threw you onto the bed and yanked your pants off. you don't know if he tore them off or genuinely took them off, but all you know is that the sight when he takes off his shirt next is magnetizing. his body is sculpted and defined everywhere, his pecs are huge, his abs scrumptiously lining his abdomen, and his v-line makes you eager to jump on top of him.
but his tattoos, they're the cherry on top. there's two ragged lines, almost as if fangs scraping down his abdomen, and they seem as if they have brothers and sisters reaching to do the same down his pecs and on the small of his neck. you know about the others on his arms, but not these.
"take off your shirt before I rip it off and you start whining about it." he growls while he fiddles with his belt to push down his pants
you follow orders, no care for if he did rip your shirt (in the moment), but eager to have him
the hard on you're greeted with is just below terrifying.
were all ghouls this gifted?
you have a feeling this was just sukuna
"still feel like you can take it." sukuna snarls as he pushes you further up the bed and positions himself between your legs.
you don't even get a chance to make a comment on what he's about to so intimately do before he tears through the fabric separating your pussy from the outside and delves in without so much as a second thought.
not even ten seconds in and your legs are shaking furiously, with no stop to it so as long as he was on top of you
his tongue is penetrating you so deeply and you don't even have time to question if that's a biological feature on ghouls. all you know is that's it's wet and oh so stimulating, so much so, you're screaming and whining
there's no words you can say, you're screaming so much from the pleasure that you instinctively start to pull away from him, but he growls and keeps you in place
oh
he's been staring at you this entire time
with those eyes
mercy be
it's just enough to drag you to the tipping point and your relief washes over you and him, while he drinks it all up ferociously.
you think he's going to stop when it feels like he's licked you clean from your mess
until he doesn't
he goes on
and he goes on for what seems like an hour
you feel you've gone insane, you can't even count how many times he's made you cum since. you've never been destroyed this way.
your voice is gone when he comes up and stares at you, caging you between his arms.
you're not going to tap out, you try to say with your eyes
and he understands, as it seems, hiking up both of your legs to your chest and beginning to run his fat tip across your folds
"remember, you asked for this." sukuna mutters meanly when he pushes in in one go
you thought it was a lie when some girls said their boyfriends were so big, that they could feel their veins rubbing against their insides
it wasn't
even his tip is being molded to by your pussy
"oh my god," you moan painfully, "I can't-i'm gonna-"
"you can," he retorts, starting to pull back and the mere drag has you keening
you think you have the same effect, considering how labored his breathing has gotten and there's nothing left for you to do besides pull him in for a kiss to sedate yourself from the intensity happening below
the single beginning of the contact illicits sukuna's start of a ruthless pace
your moans seem to make him suck on your tongue punishingly every time. and your hands can't find nothing else to do besides drag painfully down his back. you think you might have just hurt your own hands from how hard his skin is.
sukuna stops kissing you while he pummels inside of you to speak
"scream for me."
command or not, you were still doing so
"filthy little slut," he groans through each stroke, "tightest fucking pussy I've ever fucked."
"pussy's fucking mine, you're never going to touch anyone else. if you even try, I'll kill them."
he keeps going like this, on and on and all you can do is nod and agree with everything he says, because let's be honest, who were you to even glance at someone else after this?
you notice purple indents forming where his hands are on your thighs when he leans down to your face and says, "whaddya say princess, you like being mine?"
"mhm," you nod ernestly, and gather the courage to speak, even if it is hoarse, "love it so much sukuna."
"gonna blow a huge fucking load in your pussy," he murmurs to himself more than anything
"plea-please." you moan needing to be as close to him as possible, feeling an idea surface to your mind
"bite me."
if sukuna weren't so depraved and lost in you, he would have stopped. but he keeps going and instead leans closer to hear you
"bite me," you breathe, almost screaming at the end, "just enough for it not to scar."
sukuna keeps staring at you while he destroys your insides, giving no indication as to if he was going to do follow through with your wishes, until he leans down to your chest
you scream in pain and a delicious ecstasy
there's a small little pool of blood coming from your skin and his mouth when you look down. his hips start stuttering too, and it makes you think that this might be his tipping point.
you're so fucked up that it's yours too
before you know it, his pace grows so erratic that you start cumming and pulsating around him sporadically, unable to contain yourself from the pleasure.
and he starts cumming too.
sukuna lifts himself up from your chest and captures your mouth in his, making you taste a part of yourself you never thought you would. he grows weak in the kiss too, while his cum seeps out and pools into you. it lets you nibble on his tongue, an action that him sinking into your body while he gives you a last few weak thrusts.
"ow," you giggle after a moment of silence
sukuna brings his head up quickly, eyes slightly wide and in worry
"how am I gonna wear a bra over that," you laugh, observing the bleeding bite mark over your boob
sukuna looks down at it, "just don't wear one."
"boobs bring perverts."
sukuna rolls his eyes in exhaustion and dips his head into your chest, licking your wound, "you're not going anywhere without me there anyway."
#sukuna x reader#sukuna ryoumen x you#sukuna ryoumen smut#sukuna smut#jjk smut#jjk x you#jjk x reader#sukuna ryomen#jujutsu kaisen x you#jujutsu kaisen x reader#jujutsu kaisen smut
2K notes
·
View notes
Text
“Show, Don’t Tell”…But This Time Someone Explains It
If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”
Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).
More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation.
The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)
1. What Does "Show, Don't Tell" Even Mean?
“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.
EXAMPLE 1:
Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.
EXAMPLE 2:
Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.
EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")
Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.
Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.
Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating.
As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!
2. How Do I Use “Show, Don’t Tell” ?
There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.
In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.
i. Help When Your Writing Feels Bare-Bones/Soulless/Boring
Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?
It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!
Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)
ii. Add More Depth and Emotion to Your Scenes
Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.
Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."
Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."
iii. Understand that Sometimes Telling Can Fit Your Story Better
Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!
Initial Impressions and Character Opinions
If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).
2. Tone and Reader Opinions
Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.
3. Pacing
"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.
iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!
If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.
Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!
3. How Can I Get Better at “Show, Don’t Tell”?
i. Use the Five Senses, and Immerse Yourself!
Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?
Smell? Hear? See? Touch? Taste?
Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.
EXAMPLE:
TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut.
The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)
ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer
Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.
Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.
(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)
If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?
How do the actors convey things that can't be experienced through a screen, like smell and taste?
Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.
iii. Listen to Music
I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.
Here’s a link to my master list of instrumental writing playlists!
iv. Practice, Practice, Practice! And Take Inspiration from Others!
“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!
If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.
In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!
If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !
Hope this helped, and happy writing!
3K notes
·
View notes
Text
it was always you (from the vault)
originally titled: take my breath away.
a.k.a. the original draft for my “it was always you” fic wherein naval aviator!jungkook is your cocky soon-to-be-ex-husband who won’t sign your divorce papers because he’s still in love with you lol.
pairing: jungkook x reader
word count: 4.5k
content: fluff, semi-angst, exes to ??? | ft. naval aviator!jungkook + husband!jungkook
warning: what you’re about to read (if you do choose to read this) is an unfinished work which perhaps will forever be unfinished.
the only reason i’m posting it because i feel like it’d be a waste to let it rot in my drafts considering that i really liked how it went until the moment i stopped writing hehehehe. i’ve also thought about continuing this story but since i already have an existing naval aviator!jungkook in my masterlist, i felt like it’d be redundant to post this!
anyhow, since a lot of you showed so much love to “it was always you”, i thought it’d be nice to share this 🥹
You really hoped that flying for almost three hours and experiencing horrid turbulence during half of the trip was going to be worth it. But again, that was only the first part of the whole charade; the real challenge would begin perhaps much later, when you finally come face to face with the person that you were scheduled to meet.
As you walked inside the bar, the nerves that previously weren’t there started to crawl from your chest to your legs, making it harder to reach the counter where a vacant bar stool stood. You didn’t even know why you were suddenly nervous—although you could only guess that the sudden burst of anxiety was rooted from talking again to the most stubborn man ever to walk on earth—and you were already preparing yourself for the long conversation you were going to have with him and possibly the extended leave you’ll have to inform your boss for this trip because of his infamous stubbornness.
“____?” a familiar voice abruptly called out for you after you finished ordering a mug of beer from the barmaid, “no fucking way. It can’t be.”
You turned to your left and saw Jung Hoseok.
Spoiler: he wasn’t the person you were going to meet today, which made seeing him such a delight. You grinned immediately upon making eye contact, hopping out of your chair and exclaiming his name with the same enthusiasm he let out when he did realize it was you who he was looking at.
“Holy shit. What are you doing here?” He automatically engulfed you in a tight embrace when you initiated. You noticed that he was wearing an off duty attire, a plain black polo shirt and blue jeans, his hair kept neat and short. “Actually, scratch that—there’s only one person you should be here for.”
You bothered to smile. “Yeah. I’m guessing he didn’t tell anyone I’m visiting, huh?”
“Nope. He 100% kept it a secret because he knows that we’re going to steal you away if he spills.”
“We?” you mused. You didn’t even know that he was training with Hoseok, and now you’re discovering that Hoseok’s apparently not the only friend he has here. “How many of you that I know are training with him?”
Hoseok takes a short pause to think about it. “Hm… well, there’s me, then Yoongi and… Namjoon. That’s just about it.”
“Wow. It’s essentially the whole group again, huh?”
“Yup. I mean, we are the best of the best.” He smirked.
You playfully rolled your eyes.
“And we’ve missed you,” he added swiftly. “I’m a bit mad that your husband didn’t inform us that you’d be here—but again, I’m not surprised.”
“Sorry. I think I have myself to blame for that. I did tell him that I don’t intend to stay here for too long.”
“Why not?”
“I’m just here to make sure he signs the divorce papers.”
Hoseok nodded, thoughtful and a bit disappointed. “Is he giving you a hard time with them?”
“You can say that.” A dramatic sigh escaped you. “He insisted that if I really wanted to get his signature, I should just go here where he’s training.”
“Classic Jungkook.” He laughed, and you agreed with a snort.
He was right, this was all a Classic Jungkook move.
Sometimes, you didn’t understand why you agreed to marry Jungkook so urgently when he asked for your hand, even after knowing that he did everything he could to ensure that he got what he wanted in the end.
Though that was just that thing, wasn’t it? He knew exactly what to do in order to get what he wanted—and at that time of his proposal, you knew it was you that he sought for.
Despite the fact that Jungkook had only been seeing you for less than a year, he was convinced that you were the love of his life. It was the reason why when he needed to be deployed for a mission, it seemed proposing was the most natural thing to do, going on about how he wanted to be reassured that when he came back for you, you were going to be there waiting for him, not only as a girlfriend, but as his wife.
And you said yes, without missing a beat, because you genuinely loved Jungkook and for you, the both of you were a match made in heaven.
By the two year mark of being a wedded couple though, just being in love with each other wasn’t enough. There were a lot of arguments, irreconcilable differences, a lot of moments wherein you wanted to abandon everything and just disappear—until you finally declared that enough was enough and you were going to file for divorce.
Of course, Jungkook didn’t want to sign them, but he did grant you a little bit of your freedom back. He did so by leaving your shared apartment on a random Thursday, only sending a text that said he was being called by the Navy for a mission he couldn’t disclose per usual, and that if you really wanted to divorce him, you’d just have to wait for him to go back.
He never returned though. Because after that mission, came a next one, and another one, until you heard that he was invited to a naval fighter weapons school in the northern part of the country, close to the seas and where he’ll be training for a few weeks among the best naval aviators in the nation.
That’s when he decided to invite you over and say that if you wanted his signature, you’d have to be the one who’ll go to him. You initially contemplated for a long time before just going forth with his ridiculous demand. Nonetheless, you figured you were once again left with no choice because here you were now, doing exactly what he wanted to get what you exactly wanted as well.
God, who knew that contrary to how easy it was to enter this marriage, it was an absolute pain to get out of it?
“Do you know where he might be?” you asked Hoseok while taking a sip of your beer. “Or if he’s going here at least?”
“I have no clue,” Hoseok said. “Though I do know that he should have free time. We don’t have training for the rest of the day.”
“I’ll be seriously pissed if he stands me up.”
“He won’t.”
“It’s Jungkook.”
“Yeah, but you’re ____,” he said it like it was reason enough, “and Jungkook can’t resist seeing you. Especially if it’s been what? How many months have passed since you two saw each other?”
You held up six fingers, continuing to gulp down your drink in frustration. “Still, he loves to annoy the shit out of me.”
“It’s his love language.”
“Oh, I’ve been made very aware.”
Hoseok barked out a laugh. He was a huge fan of your dynamic with Jungkook; he was practically there throughout the whole journey of your relationship. As Jungkook’s weapon systems officer, the both of them were thick as thieves, which also made him the best man of the wedding—so deep inside, he wanted to believe that whatever it was that you and Jungkook were dealing with, it would be resolved soon enough.
“Well, it looks like you don’t have to wait for too long.” Hoseok toasted his glass to the direction of the entrance where the Jeon Jungkook entered, removing his aviator sunglasses and hooking it on the collar of his white shirt, worn inside a dark blue long-sleeved polo he was sporting as well.
You followed his line of vision and scowled at the sight of Jungkook. Not because you hated your husband, but because even when in the middle of finalizing a divorce, you couldn’t deny that he was too handsome for his own good.
“I think this is my cue to leave,” Hoseok added, getting off his seat. “It was nice seeing you again, ___. Let’s catch up later, yeah? I’ll conspire with Joon and Yoongi to steal you away.” He smiled mischievously and gave you a sweet chaste kiss on the cheek before walking over to Jungkook, greeting him, pointing to where you were, and then walking to another table where you guessed a bunch of other naval aviators were hanging out.
A sigh escaped you, just in time when Jungkook met your gaze.
He grinned—actually grinned—and you had to prevent your eyes from twitching to not look like some crazy person who didn’t have any self-control. So, instead of plastering the same scowl a few seconds ago for him to see, you flashed a sarcastic smile, waving your hand.
“There’s my beautiful wife,” Jungkook claimed when he was close enough, marching towards you, appearing like he was going to go for a kiss but before he could, you outstretched an arm and stopped him by literally wrapping your fingers around his neck as if you were planning to choke him to death with the gesture (which you were tempted to do).
He rolled his eyes, holding your wrist and bringing it down.
“Can’t I give you a kiss?” he retorted.
“No.”
“And Hoseok can?”
“Hoseok’s my friend.”
“I’m your husband.”
“Ex-husband.”
“Wrong. I haven’t signed any divorce papers, honey, so in the eyes of the law, I’m still very much your husband.” He quickly stole a kiss on the corner of your mouth and you allowed yourself to grimace in annoyance, glaring at him as he took Hoseok’s previous seat.
You watched him order a drink for himself and nachos for sharing. You didn’t say anything while he did all that; you just stared at him, analyzing him, trying to decipher what was going on in that head of his. You honestly had no clue what his thought process was in depriving you of the signature you wanted and then randomly agreeing to meet you again, accompanied with the condition that you’re the one who has to go to him and not the other way around.
As he reasoned, he was still in the middle of training, and he couldn’t just leave even if he wanted to and that’s why you had to make the effort to make this work (he made it clear that he didn’t want to make the effort anyway if it meant it could lead to his and yours divorce).
“How are you?” he asked once he was done ordering and you scoffed.
“Let’s not do that, Jungkook.”
He raised an eyebrow. “Don’t tell me that I’m not allowed to know how you’re doing too.”
“I meant the small talk. Let’s just cut to the chase.”
“Where’s the fun in that?”
“Jungkook.”
“Alright.” He placed an arm against the counter, spinning his stool to face you. “You already know where I stand, though. I still haven’t changed my mind in wanting to work it out first.”
“What? But you told me that if I went here—”
“I would talk to you, not sign the papers,” he finished. “You didn’t really think I’d sign them just like that, right?”
Your stomach dropped.
There goes assuming that the three-hour flight to go here would be worth it.
“I did, actually.” You grumbled. “When are you giving this a rest?”
He seemed annoyed by the rhetoric question. “When are you going to stop thinking that divorce is the answer to our problem?”
“We already did couple’s therapy and that proved to be a waste of time.”
“That’s because you were stubborn and wouldn’t cooperate.”
“Oh, I’m the one who’s stubborn between the both of us? I’m the one who wouldn’t cooperate?”
“Yes.”
“No, I’m not!” You raised your hands up. “You were the one who always said some lame excuse to not attend it with me.”
“Babe, how many times do I have to tell you, my schedule isn’t—”
“Yeah, whatever.” You didn’t let him finish, knowing that he was going to say something about how being in the Navy didn’t grant him the free time you were expecting him to have.
“I’m just saying… you can’t keep on doing this, you know?” you said.
“Can’t keep doing what?”
“Prolonging this. We already broke up, Jungkook. There’s not point in staying married.”
“That’s the thing, though.” He smirked. “I can keep prolonging it.”
Your nostrils flared. “Why?”
“Because I can.”
You think flashes of red were beginning to blur your vision.
Jungkook noticed the rage building up, yet he didn’t back down. “Why are you even so eager to legally separate? Do you plan on getting married again soon?” he asked.
It was supposed to be a joke, because Jungkook didn’t actually think you were seeing anyone at the moment—but at the mention of it, he saw the manner in which your expression slightly shifted, and he narrowed his eyes at you, understanding. “Don’t bullshit me. You aren’t seeing anyone, right?”
You blinked, acting all innocent. “It’s none of your business.”
“It is. You’re still married to me.”
“We’ve broken up for almost a year now, Jungkook.” You groaned, remaining him once again. “If you just signed the goddamn papers, all of this would be out of your hands.”
He scoffed. “You are seeing someone?”
“That is not the point of our conversation.”
“Well, it’s a significant aspect of it.”
“Fine.” You huffed. “I am seeing someone. Happy?”
Jungkook was in fact not happy. He was angry, but then he thought of how he shouldn’t be, because you and him have broken up for almost a year now like you said. Even though he wasn’t in support of that notion, he remembered at least granting you enough freedom to feel like you could date around without thinking about how you were technically cheating on him if ever you did.
However, he didn’t really think you would find someone. Sure, you were beautiful, you had an amazing personality, there was no question when it came to you attracting men, yet you could be picky most of the time. It was even a miracle how he managed to bag you; though he guessed that he didn’t really have to try that hard in the first place before because the two of you just had so much in common for you to ignore.
“What’s his name?” he asked after a long silence.
You crossed your arms. “Do you have to know?”
“Yes.”
“Fine.” You adjusted yourself in your seat. “It’s Ben.”
Jungkook thought the name sounded stupid. “How long have you been dating him?”
You hesitated, already predicting how he was going to react that you almost exaggerated the answer, but decided against it last minute. “Five weeks.”
He suddenly burst out laughing, the sound echoing inside the bar; it was the exact type of response you were positive he was going to do, proof that you knew him too well and that you shouldn’t have changed your pretense in the first place.
“It’s not funny,” you hissed, noticing that a lot of people were glancing at where you were both situated. “What the hell is funny about what I said?”
“You want to divorce me for a guy you’ve been dating for five weeks?” He carried on snickering; he barely got the whole sentence out because he was too busy catching his breath.
“Of course not! I would just prefer it if I don’t have any baggage left before attempting to commit to another relationship.”
The barmaid came back with Jungkook’s beer and nachos. He thanked her and slid the basket of cheesy nachos to your direction, an offer that you could get a piece if you wanted. However you were neither hungry nor interested in getting anything from him that would elicit a thank you from you, too prideful at this point due to how annoying he was being.
“What does he do for a living?” he asked next.
“I’m not telling you.”
“Why?”
“Because you’re going to make fun of it.”
“Is it worth making fun of?”
“No.”
“Then just tell me.” He threw a chip inside his mouth.
You pressed your lips together. “He’s a bank clerk.”
Jungkook didn’t laugh this time, but the corners of his mouth were twitching as he grinned, and you found yourself refraining from wanting to strangle him again, questioning why you thought it was a good idea to come here since it was obvious that talking to him properly was an impossible task.
“You’re dating a bank clerk?” he posed the question like it was the most preposterous thing he had heard from you today. “What the hell do the both of you have in common?”
“It doesn’t matter. I’ll have you know that Ben is a very nice guy.”
“That’s what ladies say when a man is horrible in bed.”
“That’s not true.”
“Is he good then?”
“That’s none of your business, Jungkook,” you uttered once more, teeth gritting. “Besides, it’s only been five weeks.”
He smirked. “That’s a no then. It seems that you haven’t slept with him,” he said. “Makes sense. I mean, if you have already slept with another guy, you might be already begging me to get back together. Given that I’m the best sex you’ve ever had.”
You stared at him in disbelief. “How the fuck are you always so arrogant?”
“It comes with the praise I usually get during my escapades, babe.” Jungkook winked at you, hand reaching out for another nacho.
“Oh, so I’m assuming you do have sex with other people now. You know, if you’ve just divorced me, you can go live your happy single life again to go to that without any worries.”
“I don’t sleep with other people—”
“But you just said—”
“I meant before I met you.” He pointed out, giving you a look. “Why are you even thinking about that? Are you jealous?”
“God, you’re fucking impossible.” You practically growled.
He flashed you another smirk, amused.
“Anyhow,” you began, bringing out the divorce papers from your bag that you should have given him the second you saw him, but as what you think was part of his plan, he did manage to stall you in doing so, “here’s the papers.” You shoved it to his chest, rendering Jungkook no choice but to grab it.
He glanced down at them. “You’re never going to stop until I sign these, huh?”
You nodded. “Never.”
“Fine.” Jungkook flickered his gaze on you. “I’ll sign them.”
You glared at him. “Be serious.”
“I am serious.”
“Are you?”
You were still suspicious, but at the same time, you had high hopes.
“Yes. But I need to meet Ben the bank clerk first.”
Your spirits dropped. “Oh, no, no, no,” you made a huge cross sign with your arms, “you are not giving me another condition just to go against your word in the end.”
“I won’t this time.”
“Yeah, right.” You scoffed loudly.
It was his turn to narrow his eyes at you. “I’m serious. You want my signature or not?”
You bit the insides of your cheeks, gazing at him.
You were no fool, you knew why he wanted to meet him; you knew that it was because he wanted to see it for himself if the guy you replaced him for was actually more good looking than him or at least appeared as if he could survive a fistfight if Jungkook prompted to start one. It was all testosterone and ego, and you contemplated cutting his balls just to get this over with once and for all.
Surely, by then, he would be more agreeable.
“Fine,” you told him. “If you meet him, you’ll sign the papers? Promise?”
He took a sip of his beer, shrugging. “Sure.”
***
Jungkook watched the scene unfold in front of him with an amused expression.
Although he did admit it once that he did get a bit jealous whenever you gave the other guys more attention than him, he loved his best pals too much to care.
It was why he allowed instances like this to happen wherein you made it apparent that you valued their company much more than you did Jungkook. It was evident in the manner in which you laughed loudly as Hoseok, Yoongi, and Namjoon hugged you, each one of them taking turns in lifting your body off the ground a few seconds in glee.
You were seen as a beloved sister to them as they saw Jungkook as a cherished brother in the Navy.
“Alright, that’s enough,” Jungkook reckoned after five seconds.
Namjoon glanced at him, the last one to embrace you. “Jealous?” he teased, reading his mind.
“I am, actually.” Jungkook affirmed. “You three got a better greeting than I did.”
You rolled your eyes at the pettiness of his comment. “That’s because there’s nothing good about seeing you again, Jungkook.”
Jungkook glanced at you. “You wound me, babe.” He placed a dramatic hand on his chest. “Truly, you do.”
The guys stifled a laugh.
Today’s agenda was supposed to be a catch up session with the three guys. News spread quickly yesterday that you were in town thanks to Hoseok, and given that the three of them were good friends of yours, you didn’t decline the offer when Jungkook informed you that they wanted to meet you while you were here.
So, as the next day came in and the evening rolled, they met up with you at the same resto-bar Hoseok found you in. It did seem like the only venue that was both near enough from the academy and the hotel you were staying at that offered adequate food. You observed that the occupants of the place were composed primarily of people wearing naval aviator uniforms or motorcyclists stopping by before going forth with their ride.
“So,” Yoongi began just as Jungkook headed to the counter, volunteering to relay all of your orders to the barmaid, “we heard from a little birdie that you’re seeing someone else.”
You gave him a look. “Still a big gossip, I see.”
“Oh, it’s not counted as gossip if it’s what Jungkook’s been complaining about the whole time at the showers,” Namjoon humored.
Hoseok agreed with a nod. “It’s what he’s been nonstop yapping about earlier when we were flying,” he said. “Seriously, ____. Release the boy from misery and just get back together.”
They watched you grimace. “You all know my relationship with Jungkook has been long complicated for it to be as easy as that.”
“Did he cheat on you?” Namjoon asked.
“No, of course not.” You scoffed. “He’s an annoying shit for the most part but he’s not a cheater.”
He physically relaxed at the confirmation. “Good, because I don’t think I can beat him in a fistfight.”
Yoongi chuckled. “What’s the matter then? You still haven’t spared us any details on why you’re so keen to divorce him.”
“There’s no particular reason,” you sighed with a throw of your hand. “It’s just a compilation of the small things. He’s away most of the time, I’m away most of the time when he’s available—we fight a lot, argue a lot, it just doesn’t seem to be worth fighting for anymore.”
“So, you don’t love him anymore?”
“I…” you trailed, abruptly feeling like you were being interrogated, “I mean, love doesn’t go away easily. And it hasn’t been that long since we called it quits.”
The three men shared a look among themselves.
You straighten your posture. “What’s that supposed to mean?”
“What does?” Hoseok queried.
“That look you guys just gave each other. I don’t like it.”
“That’s just their faces, babe,” Jungkook reappeared, taking the liberty to take the seat on your right. “What are you fellas talking about?” he asked his buddies.
They didn’t dare utter a word. You were under the impression that they had an understanding between them that talking about your relationship right in Jungkook’s face was something one should not ought to do.
You, on the other hand, took it as your cue to speak, starting another topic to hopefully erase the previous one. “Ben said he can come. He’s boarding tonight,” you told Jungkook as he’s sipping from his glass of service water.
“That’s good.” He didn’t look as interested as he was yesterday.
“Who’s Ben?” It was Hoseok again.
“The bank clerk,” Jungkook answered.
“The new guy you’re seeing?” Yoongi asked you.
“Yep,” you said before turning to Jungkook. “And can you please refer to him by his name? He’s not just a bank clerk.”
“Is he a boring bank clerk?” Jungkook asked, that teasing smirk flashing on his mouth.
“Will he be here tomorrow?” Namjoon chimed in.
You nodded. “Hopefully.”
“Great,” Jungkook placed his glass down on the table. “It’ll be enough time to get to know him.”
He said ‘enough time’ like his time was limited because it really was. He informed you before you parted ways yesterday that he was graduating from the academy this Friday, and that after that, he was almost 100% sure he was going to be deployed again with some of his classmates for a mission that you wouldn’t be allowed to know the details of.
Your stomach somersaulted when he told you that.
Somehow, despite convincing yourself that you no longer cared for Jungkook, the thought of his life being put at risk again once he was back on the field made you want to vomit in anxiety. It reminded you that his very dangerous occupation was one of the root causes of your separation, for there were months wherein you couldn’t take the fear of waiting in uncertainty on whether he was going to come home to you or not, regardless of how he promised he would every single time.
It was funny, you thought. One of your similarities with your husband was that the both of you were adrenaline junkies. You and him bonded over extreme rides in amusement parks, activities that got your heart pumping and gave you the sensation of being on top of the world—and yet it was the reason why you didn’t want to be with him anymore as well, too scared to continue loving him if he always sought for adventure and danger through being a naval aviator.
“You knew what you were signing up for, ____,” he told you during one of your many arguments. “You entered this relationship knowing the nature of my job. You can’t expect to adjust for you when it comes to—”
“I’m not expecting you to adjust for me, Kook,” you replied in exasperation, practically begging him to listen to you with an open mind at that point. “God, I just want you to consider me. I just want to feel that for once, you actually remember that someone’s always waiting for you to come home.”
Whenever conversations like that popped back inside your memory, you forced yourself to push it away. It wasn’t an experience you wanted to relive. You’ve spent far too many nights just crying because of how it felt like to be in a constant state of worry for the person you found yourself loving the most.
“We can all meet him, right?” asked Hoseok, looking at the other guys for back up.
You surveyed them, raising your eyebrows before saying your answer.
“Like the hell you would.”
902 notes
·
View notes
Text
Okay, so with Quackity Studios tweeting about adding new people and the need for tolerance and patience with people who don't speak English, let's just take a second and have a chat about what that's gonna look like.
First: you will hear things or read things on the translator that hurt or offend you.
This is inevitable. Do not immediately post about it. What you need tolerance for is hearing things that hurt or offend you and what you need patience for is figuring out of malicious intent was present or if this is a hill worth dying on right now.
As an example, we're pretty sure at this point that Korean is gonna be the next language added. The second person pronoun in Korean sounds a lot like the n-word in English. The n-word in English, if you're not aware, is like the single most offensive slur we have. It's not something that you want to hear unexpectedly. But also, if we get Koreans, they're gonna be using the word for "you" and English speakers are gonna have to be able to tolerate that.
On the other side of things, Korean has a complex system of honorifics and addressing someone without an honorific would be considered very forward and intimate at least if not very rude. None of the QSMP languages have honorifics though and only French really retains formality* so no one else is going to address them with honorifics unless they specifically explain it to people and walk them through it. That will probably be weird and uncomfortable for them and they're going to have to be able to tolerate that.
*Spanish and Portuguese do technically have formal vs informal but it's disappearing quickly in both of them.
These natural cultural clashes and pain points are going to be harder to overcome since we also know that at least some of these creators won't speak English at all so they can't just switch to English to helpfully explain things to us easily in a way we understand. We're going to have to deal.
So here's the thing: just because there can be cultural miscommunications and mistranslations, that doesn't mean that people can't also be assholes. How do you distinguish between the two?
Step One: Assume good faith. Assume that everyone in a given encounter is trying to communicate respectfully and compassionately and that a failure to do so can be overcome
Step Two: Don't get involved. Especially not in Twitch Chat. Two or more people trying to communicate through a language barrier does not get easier when they're also trying to wrangle hostile viewers.
Step Three: Are you sure you heard what you thought you heard or saw what you thought you saw? Did the translator fuck up? Is it a word that just coincidentally happens to sound like another word? If this is the case, the streamers can ask for clarification or use another tool and get it cleared up. Keep watching and see if they do.
Step Four: If they did say what you thought they said, are the streamers handling it? We had a thing a while back where Bad called some friends, including Bagi and Etoiles, uncultured because they didn't get a reference he was making and Etoiles was like "bro I'm French" and Bad apologized. That should have been the end of it, but I had to see people arguing about it for weeks. The problem was solved in 10 seconds.
Step Five: If the person is doubling down, are you sure this is something you can fix by yelling about it on Twitter or Tumblr? Would it be better to let people who actually know them talk to them behind the scenes? Pierre made a few missteps in the beginning of the server, Quackity said they had a chat, Pierre hasn't misstepped since. It's just easier to sort things out in private, one on one conversation than yelling at someone in public.
In short: it's fine to take note of behavior in case patterns start to emerge in it, but yelling on social media about how so and so is the worst person possible is not constructive.
2K notes
·
View notes
Text
Late-Night Genius
Spencer Reid x Female BAU Reader WORD COUNT: 1500+
Summary: During a late night in the BAU, reader finds Spencer hunched over his desk muttering to himself about the deranged killer on the loose, and decides that in the midst of all this carnage, he needs someone to look after him, too.
Content Warning: mentions of death, mutilation of the human body, blood and murder, pocket knife used as a murder weapon, intentional sleep deprivation, strangulation, overworking yourself
────── ꒰ঌ·✦·໒꒱ ──────
Nine people are already dead, and nobody has a single piece of useful information on the unsub, only that they are — possibly, not definitely — an old white man, which sums up half the human population.
Most of the team, including yourself, have been staying in the office until stupid hours of the morning recently, to try and figure out what you're missing before this mysterious killer takes another victim.
Some believe he's already done so, but the bodies are still unfound.
There are no connections between the victims, except for the fact that each of them are from out of town, but each of them were killed in similar fashions — strangled with a noose made of fishing line, then their throats jaggedly sliced open post-mortem.
All of them were also missing both hands and both feet, hacked off poorly by a pocket knife found near the crime scene. That, however, was not post-mortem, meaning that these poor people were mutilated while still alive, possibly fully aware of what was happening.
It should be impossible that the unsub left no trace with something such as this, but here you are, struggling in the behavioral analysis unit at two in the bloody morning, to come up with what should be the most basic details.
You sigh dejectedly as you relax into your chair, pressing your palm into your nose with a little more force than necessary and tiredly rubbing your shut eyes with your thumb and pointer finger.
Right now, you think you'd do just about anything to be back home in bed — not that you technically can't go home, you're free to go home anytime you please as long as you're back in... later this morning, but you feel an uncomfortable sense of duty to this case.
A sound draws you out of your half-asleep state on the chair, a soft mumbling from the desk adjacent to yours. You begrudgingly peel your eyes open to find Spencer Reid hunched over his desk in a way that definitely can't be good for his back.
His face is twisted up in concentration as his finger runs up and down the page he's reading.
"You're going to give yourself back problems, Spencer," you mumble, using your hands as leverage to push yourself up from your seat. He doesn't look away from the paper in front of him, but hums in acknowledgement, though you're not entirely sure he heard you.
It's probably a really bad idea to be overworking yourself so much, tiring out your body to the point of exhaustion, considering your line of work. But you don't plan on stopping until this killer is behind bars, and apparently as it turns out, neither does Spencer — you can sleep once the risk of another person dying is handled.
With another near-silent sigh, rubbing your hands over your face once more, you grab a few things out of your bag and start making your way towards the exit.
Spencer doesn't ask where you're going, but you feel the need to specify anyway, albeit vaguely.
"I'm heading out for a bit," you whisper over your shoulder, waving your hand around limply. Realistically, you know you should head home like Hotch suggested, catch some sleep before you're back at work, but you just... can't. Exhausted as you may be, you don't think you could sleep even if you tried.
The cool early-morning air against your skin soothes the heat lingering just beneath as you slowly trudge towards your car, hopping into the drivers seat and pulling away from the building. You shouldn't be driving in this state, but you desperately need something to eat.
If Spencer were here, he'd be telling you all about how many people die while driving tired. Probably lightly scold you and insist on driving, even though he's just as, if not more tired than you are.
You're only half-aware as the car takes you away from the building, mind zeroing in on the music playing quietly over the radio. Boring, not something you would ever listen to on your own.
It's a miracle that you're able to reach your destination without getting pulled over — a little twenty-four hour café you frequently visit. Granted, it's usually at more appropriate hours of the morning.
The girl behind the counter looks bored and tired, just over everything and likely wanting to be at home in bed, much like you. As you shuffle up to the register and see her smile falter, you feel pity.
Poor girl probably doesn't get paid enough for this.
"Hello, welcome to Pine and Pastry," she says in a flat voice. "What can I get for you this morning?"
"Hi there, Caroline," you whisper, eyes halfway shut. For a moment she looks surprised that you know her name, before you point to the nametag pinned to her apron.
She writes down your order in sloppy handwriting as you speak — a plain black coffee with a crap ton of sugar for Spencer, and a hazelnut latte for yourself, along with some extra espresso shots in a cup just in case. You also get a couple of breakfast bagels and a box of cinnamon rolls.
It takes her maybe ten minutes to get everything ready, making the coffee, and even going the extra mile to warm up the cinnamon rolls.
"Your total is $34.79," she says, rubbing her eyes with one hand as you place a fifty dollar bill into her other, murmuring a quiet 'keep the change' and grabbing a handful of sugar packets before collecting your things and stepping back outside.
The drive back to work is easier, you're more aware of your surroundings now that you've been off your ass for a little while.
"You're back," Spencer comments softly as you walk back into the office, though he doesn't even look up from the page — a different one than before, but still one he's looked over hundreds of times.
"I'm back," you agree as you set everything down on your desk. He glances up at you once as you place the coffee and breakfast bagel on his side. "I got you some coffee and something to eat."
He watches you for a second before offering a quiet 'thank you', picking up the bagel and taking a bite out of it — still hunched over.
Spencer's eyes widen when you're suddenly beside him, ushering him out of that horrid position and into a chair, holding him up straight for a moment before returning to your own desk.
"You need to take better care of yourself, Spence," you demand softly, looking down at your own files, fully aware of how intently he's staring at you. "It's bad enough that we're keeping ourselves awake at all hours of the night and into the morning, you can't just not eat."
If you're being honest, you've always had a bit of a thing for the genius boy, so seeing him doing so... not well upsets you a lot little.
A small smile appears on his lips as he takes a sip of his coffee. "You already take such good care of me, though," he snipes back playfully, eyes narrowing suspiciously. "You really shouldn't drive while this tired, it can actually be worse than—"
"—Worse than driving intoxicated, I know, Spence," you finish for him, rolling your eyes and taking a bite of your own bagel. "I think Hotch might put us on mandatory rest, if we don't get some sleep soon."
Spencer hums in agreement, looking back to the files on the desk in front of him, making a sudden thought spark in your mind.
He doesn't look at you as you stand up again, rounding the desks so you're back on his side, but he does give you a side-eye when you place your hands on his shoulders and start pushing his head down towards the desk.
"What are you doing?" he asks, though he doesn't make any moves to stop your ministrations, folding his arms on the hard surface and letting the side of his head rest atop them.
"You've been working so hard," you whisper soothingly, gently squeezing his shoulders in what you hope is a comforting gesture, "just give your mind a minute to rest — and I know you'll say you don't need it, but maybe it'll help you think better."
He bites his bottom lip a little before giving in, letting his eyes close. "Maybe if it's just a minute," he agrees quietly, voice already drifting off into silence. He's out like a light before he can stop it.
With a small, tender smile on your face, you use your finger to brush some of his hair out of his face and let your thumb briefly stroke over his temple.
He's so absolutely, heartbreakingly adorable when he's sleeping, you realize, heart stuttering and eyes watering at the sight before you. His face is no longer twisted in concentration, rather soft and peaceful.
Just because you're tired, doesn't mean poor Spencer needs to be, not if you have any say in the matter.
He might be slightly upset with you when he wakes up, even if it's only brief, but all of that's fine if it means he'll get at least a little bit of sleep.
Humming a quiet little tune to yourself, you return to your desk and continue your work where you left off.
#spencer reid#spencer reid x reader#spencer reid x female reader#spencer reid x bau reader#spencer reid x female bau reader#criminal minds#criminal minds fanfic#criminal minds fanfiction#criminal minds fic#plus size reader#spencer reid fanfiction#spencer reid fanfic#spencer reid fic#fluff#cute#enderlovez
411 notes
·
View notes
Text
A Look at Ratio and Aventurine... and Ratio/Aventurine
I was morally obligated to use this picture.
Anyway, I got an ask about my understanding of Ratio and Aventurine's relationship both in canon and as a ship that I have been holding on to for a while now because... phew, there's like... a lot to talk about there... But I felt I should at least give it a try, so here is my attempt to comment on the intersection of two of Star Rail's most complicated personalities. Long post is longgggg; you have been warned.
First, Aventurine's canon relationship to Ratio:
In the interest of not hitting tumblr's image limit, let's just throw out some of the information we have in one go:
It's pretty complimentary. (Yet somehow...)
The implication of the infamous "Keeping Up with Star Rail" video is that Ratio understands Aventurine better than anyone else, and Aventurine knows this. At the very least, putting all shipping aside, Ratio is the person who can explain Aventurine's behaviors best. He's the person Aventurine chooses do so. This suggests significantly more knowledge of each other's lives than the game first led us to believe.
Other people (read as: my GOAT Owlbert) perceive respect from Aventurine to Ratio, and although I read them as a bit sarcastic, the 2.1 mission logs not only repeatedly confirm that Aventurine views Ratio as smart and reliable, but that Ratio is reliable "as always," again indicating a longer and closer history of collaboration than we get to actively see in game. The devs were working hard to tell us "Penacony isn't Ratiorine's first rodeo," which is interesting--given Topaz's voiceline recommending the Trailblazer avoid working with Aventurine whenever possible, we're led to believe through 2.0 and 2.1 that not many people will willingly work with Aventurine more than once, let alone many times.
While going through psychological scrutiny from the Ghost of Christmas Yet to Come his Harmony-infused self, the "Future" Aventurine suggests that Ratio and Aventurine are quite similar, and that Aventurine puts a surprising amount of trust in Ratio, to be willing to hinge such a dangerous plan on something as untested as Ratio's ability to act. At the very least, Aventurine's own psyche is pondering on Ratio and whether or not their connection has any emotional meaning.
But despite all this evidence suggesting Ratio and Aventurine spend significantly more time with each other than we get to see in game, Aventurine's own thoughts cast strong doubt on whether he and Ratio are actually close.
Aventurine's "About Dr. Ratio" voice line suggests that Aventurine believes Ratio does not particularly like him. He seems to think that Ratio would prefer to stay away from IPC operations where possible, and it's "unfortunate" for Ratio to be stuck with Aventurine as a conversation partner. He's tolerated, rather than enjoyed. His overall impression seems to be that Ratio mostly views them as distant coworkers.
When the "Future" Aventurine suggests Ratio did not betray Aventurine willingly, actual Aventurine immediately pushes back:
(Personally I'm on the fence about whether this was real doubt or just a ploy to continue sussing out Sunday; see my other post about this scene for some more thoughts.)
But if we take this statement to be played straight, it implies that Aventurine doesn't fully believe Ratio will side with him, even (maybe especially) in dire circumstances. If this statement is real doubt, then despite considering Ratio the person who best understands him, despite building an entire life or death gamble around Ratio's loyalty... Aventurine still doesn't think Ratio even likes him.
Aventurine's not stupid or blind, so theoretically he should be able to read the situation better than that. But actually, there's plenty of evidence both in the game and outside it to suggest that Aventurine is not the most accurate judge of his own relationships to others and is a down-right terrible judge of his own worth as a person.
"Future" Aventurine suggests that one of Aventurine's deep inner flaws--the truths that he rejects about himself--is a massive inferiority complex. This is backed up well by the mission text, where Aventurine's thoughts about himself spiral into self-harm, and the scene in the maze, where "Future" Aventurine taunts our Aventurine with the unforgettable fact that his entire life was only worth pennies:
There's also pretty consistent self-deprecation, with both "Future" and real Aventurine noting several times that he's a pathetic mess of a person that other people don't trust or like.
The overall impression 2.0-2.1 left me with is that Aventurine is perfectly capable of respecting and caring for others, but virtually incapable of accepting other people genuinely respecting and caring for him.
Part of this seems to stem from the directly-stated sense that he's a failure whose only worth is in transactional exchanges, using and being used by others (there's so many layers to this--internalized racism even), but I also suspect that much of his inability to accept genuine connection from others is defensive behavior.
Aventurine's true self, Kakavasha, is deeply hidden away, like the ghost of the child that manifests from his Harmony delusion in the Dreamscape. Although Aventurine clings to that person, claiming that he has "never changed," he actively coats over his beliefs, his kindness, and his authenticity with the mask of a "cavalier gambler," with glitz and glamor and showy distractions. No one gets to see Kakavasha. No one gets to know him, because being buried deep in the dirt is the only way to remain untouchable, and fiercely keeping one's distance is the only safe bet. (For both Kakavasha and any fools who would doom themselves by daring to care for him.)
So: Canon is telling us that Ratio is one of, if not the, closest people in the world to Aventurine. But canon is also telling us that that still means absolutely nothing at all, because Aventurine won't let himself be close to anyone living.
Aventurine's senses of self-worth, trust, attachment, and safety have been warped so badly by ongoing and untreated trauma and mental health issues that, at least until the end of 2.1, I just don't think he was capable of even accepting genuine friendship from Ratio, let alone anything more.
(Interesting side note here: Ratio is actually one of the people Aventurine calls "my friend" the least. He only says it directly to Ratio a single time in all of their lines of dialogue across 2.0 and 2.1, and even then, does so only when right outside Sunday's door, while almost certainly being spied upon by the Family. Anyone who knows how often "my friend" is peppered into Aventurine's dialogue otherwise should know that the absence of the phrase is actually pretty telling. It almost feels like canon Aventurine's not even sure he can call Ratio his friend, at least to Ratio's face.)
Which makes Ratio's canon relationship to Aventurine quite sad and ironic:
From start to finish, Ratio canonically esteems Aventurine more highly than almost any other character in the game. I'm not even talking about shipping when I say that there is no character Ratio is closer to in the entire game.
At present, Ratio has only four voice lines about other characters, and of those four, Aventurine's is the only one that isn't someone from the Genius Society. The only one. Ratio's voice lines are also notably, uh, not very complimentary. Herta is "talented but not helpful to others" and "sees no one as her equal" (read as: she's self-absorbed). Screwllum is a "monarch, rather than a genius" (with the vague implications of being a tyrant), and Ruan Mei is overly ambitious and "fooling everyone."
Meanwhile, Aventurine is "our man" (who is "our" Ratio? who?) whose success "can't all be chalked up to luck," implying that part of Aventurine's success must come from skill. Ratio notes that Aventurine questions his own ability... but as far as Ratio's evaluation goes, he seems to doubt that Aventurine will ever experience a downfall. For someone who thinks 99% of the people he meets are mediocre failures scrambling around in the filth of existence, to be recognized as skilled and unlikely to fail is quite obviously glowing praise.
Then, of course, there are numerous moments that echo Aventurine's hints, implying that Ratio spends significantly more time with Aventurine than we see on-screen, that he knows Aventurine extremely well, and, although he tries (vainly) to pretend he isn't, he's clearly quite concerned with what Aventurine thinks of him.
Especially this last one. "No wonder that gambler likes you so much" is pretty intentional on the devs' part, confirming that Ratio and Aventurine are having off-screen conversations we players are not privy to, which obviously would indicate a closer relationship than the in-game cutscenes could cover.
Then, Trailblazer has the option to flat out ask Ratio to "rate" Aventurine. (Star Rail ship bait is not even subtle.)
At first, this line might read as all over the place:
"The bosses say we're partners but I wouldn't say that" -> Read as: Ratio wants people to know how their relationship is classified but doesn't want to admit to being actually invested.
"I see myself as the teacher to everyone I meet" -> Read as: Ratio at least pretends that he doesn't view anyone as his equal; everyone is either above him--geniuses--or below him--students.
"Aventurine is not that bad of a student" -> High praise; even Ratio can't pretend Aventurine's untalented.
"Actually, Aventurine's probably in metaphysical danger" -> Read as: Ratio is aware of the "void" Aventurine is experiencing and his mental struggles.
The ultimate takeaway of Ratio's "rating" actually says more about Ratio than Aventurine. When it comes down to it, Ratio's choice to answer this question for the Trailblazer instead of dismiss it tells us that Ratio has spent time quantifying and trying to define his relationship with Aventurine, is willing to at least discuss that relationship with other people (when we have no evidence he ever discusses any other personal/non-academic matters with anyone), and that Ratio pays attention to Aventurine's mental states.
Canon Ratio is not beating the allegations, I'm afraid.
But actually, I think the biggest tell about Ratio's canon relationship to Aventurine is that Ratio's behavior completely changes the moment Aventurine appears in the game.
In every single one of Ratio's other appearances, two facts are hammered home again and again:
First, Ratio hates interacting with fools and "noisy" people. He wears his plaster bust so that he doesn't even have to see them. Canonically, we're informed by both March 7th and Argenti that Ratio brought and was wearing his headpiece in Penacony. Curiously though...
The players never see it throughout 2.X--probably because 90% of Ratio's scenes are with Aventurine, and Ratio is never shown wearing his bust on screen with Aventurine--even in their very first meeting in the Final Victor lightcone. Aventurine clearly knows of the bust, but despite Ratio verbally going on and on about how Aventurine is the most "flashy" and "devoid of logic" person Ratio knows... the devs deliberately send their message: Ratio has chosen not to cut himself off from Aventurine.
Aventurine can be more "clamorous" than a screaming peacock, but Ratio will still not put up walls against him. This isn't accidental. The devs had every opportunity in the world to go the opposite route and make jokes about Ratio refusing to take the bust off in Aventurine's obnoxious presence; instead they decided that Ratio apparently has a glaring, Aventurine-shaped exception to his "I don't want to perceive you fools or be perceived by you" life rule.
This "willing to tolerate shenanigans only if Aventurine is involved" behavior continues basically throughout all of Penacony's plot. In 2.3 for example, if you turn around and talk to Ratio again on the Radiant Feldspar, he flat out says:
But there's no actual explanation for why he's there in the first place. He mentions he was assigned to watch over "the IPC's ambassadors," which theoretically should apply to Jade and Topaz, yet we never see him interacting with them in any capacity. He's never even shown in the same room as Jade or Topaz, and he's not shown doing any other form of business for the IPC on the Feldspar either. Theoretically, he could have been on the Feldspar to meet regarding the Divergent Universe... except Screwllum wasn't there yet, and Ratio doesn't mention a single word about the Divergent Universe to the Trailblazer.
The only person Ratio talks about in his dialogue on the Feldspar is Aventurine, and the only non-Trailblazer he talks to in 2.3 at all is also Aventurine, replying to him and only him in the group chat.
He looked like he might give it a shot to try to befriend Boothill and Argenti at the end of 2.3... but immediately changes his mind and leaves without saying a word to them.
It's not really a stretch to suggest that the only reasonable excuse for Ratio to attend the party on the Feldspar was if he was there for Aventurine, a behavior that he himself notes is out of character. ("A waste of time" he says, as he stands there anyway.)
But, second and even more importantly: Ratio's single most defining character trait is that he believes people need to pick themselves up. The entire point of his debut appearance in the game was to present his philosophy that if the powerful or privileged intervene to continually "save" the mediocre, ordinary people will never learn for themselves or get the chance to grow. It is in times of desperation, he says, that fools exceed their limits and reach greatness.
This is why, in 1.6, he insisted on Asta and the Trailblazer being the ones to solve the attacks happening on the space station, without relying on Screwllum or the other geniuses. Although Ratio did actively intervene a little (using the phase flame to save the researchers from death), he did so only from behind the scenes, where his actual help would not be noticed by those affected and where it had no impact on their decision-making or their struggles to solve the mystery.
He let Asta and the Trailblazer panic. He let them flounder. He even deliberately misled them at points, claiming that Duke Inferno must have kidnapped the researchers (when it was actually Ratio himself who re-routed them).
Ultimately, Ratio let Asta and the Trailblazer grow from their experiences.
This is also why he lets the Trailblazer go blazing in to fight Ruan Mei's faux emanator of the propagation, despite knowing that Trailblazer was not actually strong enough to win. Ratio watched and was ready to intervene... but in the end he did not, because it was the Trailblazer's fight to lose.
Ratio's most defining character trait is that he believes standing back and observing is the true kindness, rather than inserting oneself and denying people their autonomy or opportunities to grow.
Buttttt... then there's Aventurine, and suddenly the story is completely different.
Suddenly, Ratio isn't an observer but becomes essential to the plan. He's even walking around making big claims about being the manager of the task, flexing all of his C+ acting ability to actively carry out their mutual ploy.
In 2.3, he claims he was just there to watch, and his Penacony sticker asserts he's only "a supporting character"--yet we have never seen Ratio take a more active role in the entire game. Unlike with the Trailblazer in 1.6, he's not primarily watching events unfold from shadowy corners. He's in Penacony as Aventurine's active partner in crime.
And, even more telling--he later jeopardizes their entire mission just to ask if Aventurine needs help.
What? Huh? The character who is famous for the voice line "You look distressed. Is something troubling you? If so, you can figure it out for yourself" is suddenly offering his assistance entirely unprompted?
The guy whose motto might as well be:
Is suddenly out here throwing his own core philosophy out the window to solve Penacony's mystery for Aventurine and save him from himself in Aventurine's hour of greatest need?
A lot of people get hung up on the second half of Ratio's letter, the part about staying alive, which of course is very sweet. But I think the second half causes people to forget that the first part of Ratio's letter is, quite literally, the answer to Penacony's mystery.
Ratio gave Aventurine the answer.
This is like if your professor just gave you and you alone the score key to the final exam and then turned around to insist he "doesn't play favorites."
Of course, Aventurine is brilliant and didn't need Ratio's answer about dormancy, which makes the fact that Ratio went out of the way to give it to him even more odd. Ratio despises unnecessary repetition. If he wasn't dead worried, he would never have given Aventurine an answer that Aventurine had the power to find on his own.
And, as far as canon tells us, Ratio has never done this for anyone else.
The difference is night and day. It's literally the Gordon Ramsay meme, with everyone else in the entire game being the "fucking donkeys" to Aventurine's "Oh dear. Gorgeous."
So: Even if we entirely put aside shipping, if we look strictly at what we're given in canon:
Ratio treats Aventurine with more respect than he treats most other characters in the game.
He involves himself in Aventurine's struggles in a way that he flat out refuses to do for anyone else.
He compromises his own beliefs purely out of concern for Aventurine.
So, at least as far as we've been shown in canon, it is accurate to state that Aventurine is the closest character to Ratio--and unlike Aventurine (king of self-gaslighting), Ratio isn't even good at acting like he doesn't care.
Frankly, the whole thing is a little sad. Ratio's behavior is so blatantly out of character that a smart person like Aventurine should easily be able to determine it is genuine, but Aventurine's personal hang-ups and ongoing trauma make it difficult for him to even see that authenticity, let alone put faith in it. Even in canon, Ratio is mostly unable to help himself when it comes to Aventurine, which is especially unfortunate given how badly skewed Aventurine's perception of himself and others is by the start of Penacony's story.
PHEW! I finally made it through canon content!
Now there's just... everything else... 🫠
Well, to be honest, I don't think I could ever manage to put all my thoughts about this ship into one post. Probably not even fifty posts.
So rather than trying to say everything there is to say about Ratiorine, what I want to focus on is how fantastically these two characters just fit together. Like puzzle pieces that need to be mirror opposites in order to link, these two characters parallel each other while also perfectly filling in each other's voids. It's some of the best character pair writing I've seen in a long time (though I'm still sort of convinced it was at least 50% sheer luck on Hoyo's part), and my perspective on their ship can really be tied to my underlying perception of Ratio and Aventurine's characters as remarkably similar individuals:
It's obvious that Aventurine is not a healthy or well-adjusted adult man, but like... neither is Ratio.
Both of these characters are "not quite right" marginalized people who, at least in my interpretation, have essentially given up on even faking normality and are now just vaguely play acting their way through being functioning members of a universe that is entirely unequipped to accept them for who they are. In a world full of cyborg cowboys and people with wings growing from their heads, the game still manages to somehow convince us that Aventurine and Ratio are odd ones out.
Kakavasha can't even exist in the dystopian capitalist hellscape of the IPC's machinations. "Aventurine" isn't even a real person, just a never-ending performance, a slick, devil-may-care persona without a single ounce of substance.
Ratio, meanwhile, is a world of one, rejected from the only place he thought he could find validation and acceptance but unable to lower himself to fit in anywhere else.
Aventurine is so bad at making genuine connections that he turns everyday conversations into gambles because he doesn't believe people will care enough to keep talking to him without tangible incentive.
Ratio's insistence on treating everyone as students, not as equals, also means he has an excuse to never emotionally engage with anyone he meets. (This is not at all a textbook method of intentional avoidance to prevent any chance of social rejection. Not at all.)
At the end of the day, Aventurine and Ratio both come across as desperately lonely, and so caught up in their own situations that they really don't have the ability to climb out of that hole on their own.
Preventing them from even being able to maintain any form of relationship is also the fact that neither one of them can even find justification. Neither one of them has a reasonable answer to the question "Why am I alive?" anymore, because Aventurine's reason died on Sigonia and Ratio's reason died with an IPC invitation instead of a Genius Society letter. Though their differing perspectives have led them on opposite paths pursuing their own answers to that ultimate question of "Why should I keep living?" (Aventurine was headed toward giving up before the end of Penacony, while Ratio has invented an immeasurable, impossible goal to distract himself from feeling purposeless), both of them are pretty much miserably unfulfilled in their current lives.
They're also both violently allergic to emotional vulnerability and to having any of their flaws or true desires actually be perceived. Both of them put up insanely high walls. Aventurine pushes boundaries with everyone he meets to provoke their hatred in advance, before they can come to disdain him for his "real" flaws. He acts out harmful racist stereotypes to use others' preconceptions for advantage, manipulating every situation he's in--incidentally affirming the stereotypes against his people by doing so.
Ratio puts a physical wall of plaster between himself and others, but the plaster bust actually doesn't have anything on the mental and emotional gymnastics he's engaged in to justify his isolation from the world, doing everything in his power to convince himself that he's isolated by choice, that it's perfectly logical for Veritas Ratio to have nowhere to truly belong, no one to truly belong with. He's so mundane after all. Of course the geniuses don't want him, that's just commonsense. But everyone else is so... different, so foolish, so illogical... It just wouldn't be reasonable of him to try to become one of them either, to be their friend instead of their distant educator. (You know, if you never try to integrate with others, then they can't reject you. Ratio has learned his lesson.)
Somehow, Aventurine and Ratio are two of the most competent and successful people in Star Rail's entire universe and simultaneously also two of the most misfit, reject, dysfunctional messes in the game. Like... Blade has a better support network than Aventurine and Ratio combined. The 7000-pound murderous mech with a disabled, genetically-modified war veteran who never got to live a normal human life hiding inside it is more capable of making friends than Aventurine and Dr. Ratio.
Which is why I love that the devs decided to make their canon backstory: "Some absolute treasures in the IPC and the Intelligentsia Guild had the galaxy-brained idea of pairing Ratio and Aventurine as strategic partners." The game's writing really said: "These two characters are so socially stunted, they have to be assigned a relationship like it's homework."
They may not have it all figured out yet, but the fans see the design: Now that Ratio and Aventurine have each other, they're not alone anymore. I have never seen two characters better fit the "Is anyone going to match my freak?" meme only for the actual answer to be "Yes."
Ratio is "plays chess with himself" levels of loner weird? No problem--Aventurine is "Wanna take bets on who's going to die today?" weirder. Ratio wears a plaster bust to ward off idiots? Aventurine transforms into a monster on command, which is pretty much guaranteed to achieve the same effect.
Ratio wasn't chosen by Nous? That's fine, Aventurine's one job as a "chosen one" was to save his people and now they're all dead. Nobody can keep up with Ratio in conversation? Watch a single comment from Aventurine turn him into a fumbling mess on live television.
Ratio's inability to relate to the experiences and development of any peers his own age have left him extremely isolated and with a permanently scarred sense of self-worth? Wow, I wonder if Aventurine knows exactly what that feels like.
They just... fit.
And, changing focus a little here at the end: While I personally think that recovery from trauma requires internal motivation and self-kindness foremost, I also think that Ratio and Aventurine's relationship should be considered from the perspective of how they help to fill each other's gaps.
Unlike any connection at the Genius Society who will always evoke unpleasant memories of Nous's rejection, Aventurine isn't going to make Ratio feel intellectually inferior. Aventurine has nothing but good things to say about Ratio's intelligence, and it's even apparent that Ratio felt comfortable enough to at least mention his Genius Society woes to Aventurine, something he explicitly does not do with anyone else.
Even when it comes to social interactions, Aventurine isn't going to make Ratio feel inadequate, because honestly? Aventurine's almost as bad at them as Ratio. Aventurine is much better at faking it socially, but when it actually counts? When he's trying to be real with others? A solid 70% of the people who meet Aventurine still end up wanting to strangle him. The guy tried to apologize for threatening to detonate the Trailblazer like a bomb by buying them a model train...
Then there's this:
Aventurine is the only character explicitly called Ratio's equal in game, and more than just treating him respectfully as an equal, Aventurine also exhibits one extreme appeal that no one else in game has ever shown to Ratio: Aventurine makes Ratio feel needed. For Aventurine, Ratio is not a forgettable after-thought as he is to Herta and most of the other geniuses. He's not just "some weird guy who scolds me about school" like he is to the Trailblazer. Ratio's intellect and skill were integral to Aventurine's plan from step one to the very end. Ratio has a place in Aventurine's plots. For a character who directly assesses worth by how beneficial a person can be to others, the fact that Aventurine can make Ratio feel wanted and valued probably produced some of the strongest personal fulfillment Ratio has had in years.
On the opposite side, Ratio's in a unique position. Out of every relevant character in Aventurine's story, Ratio is the only one who has nothing to lose by choosing Kakavasha over "Aventurine." Ratio doesn't profit off Aventurine or take any expensive gifts from him, like the Trailblazer does. He doesn't need Aventurine's luck for anything at all. He'd be able to work for the IPC even if Aventurine wasn't in it. Ratio certainly doesn't want the glitz and glamour of a shallow gambling hustler persona. His work doesn't require Aventurine's continued involvement like Topaz's and Jade's does. He'd probably prefer not to know any Stonehearts at all, thank you for asking.
Outside of deliberate-acting insults about Sigonians for Sunday's sake, we're not told that Ratio has any connections to--and therefore has no preconceived biases against--Sigonians. Being a person who values self-determination and a refusal to live in mediocrity above all else, he would have nothing but esteem for how far Aventurine has managed to come despite the harsh circumstances of his life. Ratio probably wouldn't even think Aventurine's belief in Gaiathra is that strange; one of Ratio's doctorates is actually in theology.
Unlike literally everyone else in the universe who needs "Aventurine," we have every indication that Ratio's respect and admiration will only grow when he finally gets to meet "Kakavasha."
Loneliness, rejection, betrayal, a lack of understanding from others--all of these can leave wounds that only genuine, deep bonds with others can heal.
On death's doorway, in the darkest shadow, when Aventurine had to make the choice between passing on to be with the family that loved him and choosing to return to a reality without them... Ratio's letter was there, telling Aventurine the exact thing he needed to hear to choose life: Someone is waiting for you to come home.
If the resounding rejection of Star Rail's Nihility is belief in humanity's power to make meaning in our own lives through our connections to others, then the ultimate message of Ratio and Aventurine's arc in Penacony is that no one needs to be alone. The world is not as empty as you fear.
And that is a message that Ratio and Aventurine can learn best through each other.
(I just... love them so much...)
#ratiorine#aventio#honkai star rail#aventurine#dr. ratio#golden ratio#ratio/aventurine#there's too many goddamn names for this ship#ship analysis#writing this stuff takes like an hour#but then finding the pictures in the sea of cutscenes#takes like 439575050 years#I'll do it for them#LISTEN#“If we want the rewards of being loved we have to submit to the mortifying ordeal of being known” coded ship for sure#when you and your super hot work husband#want to be real husbands#but you both have so much emotional baggage#the airline is refusing to let you board for your destination wedding#tsk tsk tsk
802 notes
·
View notes
Text
Survivability Bias Pt 2
Masterpost
Danny spends the next few days exploring the town more, while he considers the implications of everything he’d learned at the library. He’d taken notes, but they’re not exactly the best. Danny’s never been that good at taking notes, after all, but he has a pretty good memory, so the various key words and few quotes he’d scribbled down are plenty useful in reminding him of all the wild shit he’d read about.
There’d been a lot of history involved in the whole meta situation. It seems like these so-called meta humans, and various other races (species? Danny doesn’t know nearly enough about the cultural implications of that) have been around long enough to have had a significant impact on the world at large. And yet, at the same time, there really hadn’t been a lot of personal information on any of the heroes. Oh, there’d been plenty on some of the villains - and of course there’d still be villains here, he’s not lucky enough to escape that - but aside from various speculation about their romantic lives, and a few acknowledgements of family ties here and there, there’d been very few details about where most of them actually came from.
Superman, for example (he seemed to be this world’s go-to example of metas and superheroes), is listed as being an alien, who’s powers come from his biologies unique interaction with this planet’s atmosphere, although it doesn’t explain anything about what that means. Interestingly, there seems to be almost no speculation about Superman’s so-called secret identity. Only about half the listed heroes seem to have one according to the public, but Danny knows that song and dance too well to fall for it. Honestly, they’re even more likely to have a secret identity than Danny himself, seeing as Danny’s alter ego is literally dead. Not that ghosts seem to be much of a thing here.
He’d felt so silly looking up information about ghosts, right before leaving the library. Compared to the deep dive into recent history, googling “are ghosts real” must have looked insane if anybody could see it. The answer he’d returned had been not unlike the way things had been when he was ten or twelve. Before the portal, you’d see dumb ghost hunter shows where they never actually saw much of anything. Ghosts were, like, poltergeists that moved your furniture around and slammed the doors shut. The results here had been a little more interesting - clearly in a world where superheroes are a fact of life, fantastical stuff is a little more rational, and the speculation was clearly affected by that fact, but it still had been, seemingly, all speculation.
Of course, none of that really mattered when it came to Superman. Danny was at least ninety percent sure he wasn’t a ghost. And even if he somehow was, it didn’t change the fact that he either has a secret identity, or he basically never takes part in society. And if he doesn’t have a secret identity, then the question very much becomes why not. Because that means he either has no real reason to care about anyone here (which seems implausible), or he’s unable to spend that time in public. It’s that possibility that’s knocked out any chance of Danny approaching any of the heroes. Because there’s always the possibility that the endorsed heroes are being used to lure other metahumans in. And Danny doesn’t know nearly enough about this world to make any kind of judgment on what’s most likely here. After all, historically there’s plenty of examples of governments that work with specific people among targeted groups, in order to more successfully take out the others. it tends not to end well for those people when it’s all over, but anyone who’s short-sighted or even just backed into a wall enough can fall for that.
Hell, the GIW had actually tried that line on Danny once or twice, not that he’d ever accepted. After all, they’d never realized that was actually sort of alive, so their pitches had always been... less than convincing.
Danny blinks, reaching out to touch the brick wall in front of him. He hadn’t meant to come back here, but honestly at this point, he really shouldn’t be surprised. This random little alley on side street wouldn’t be interesting at all to anyone else. But if Danny stares long enough, he can almost see the green-tinged light of the portal that brought him here. Not that he’d ever seen the portal from this side. He hadn’t turned to look until after the light had faded. The idea of seeing his friends’ faces through the swirling green had been too much.
They had all known exactly what it meant when he came here. The difficulty of the journey was the point. Between the anti-ecto acts gaining not just mainstream awareness, but support, and the GIW gaining access to better funding and training, well, the second the GIW had started successfully ending ghosts, it seemed like all the denizens of the zone had collectively decided to stay the fuck home.
At first Danny had enjoyed it, had relaxed and been excited to finally be able to focus on just being a teen. But the GIW hadn’t calmed down, had just started going even more on the offensive, and the second he and Jazz had noticed agents showing up casually at their house, everyone had gone into full alert.
That’s how they found out that the next goal was to apparently take the fight to the zone itself.
The conclusion had been easy from that point. The portal needed to be destroyed, and fast. But with the ghost zone blocked off (and Danny’s death being the unknowing link that made the portal ever work in the first place), that would leave Danny as one of three remaining targets.
They’d all immediately agreed that Vlad could figure out his own solution. Dani- well, she had been traveling, but the second she turned up, the others had made plans to send her on her own one way portal trip too.
Of course, the likelihood that she’d end up here is probably minuscule. So he’s alone.
“Hey,” a stern voice cuts through Danny’s thoughts. He glances over to the person who’s standing at the door to a building. “There’s no loitering here.”
Right. It’s almost easy to forget, in the face of his life’s inescapable absurdity, that to everyone else in this town, he just seems like a possibly-homeless delinquent. Not that the delinquent part is unfamiliar.
“Sorry,” Danny mutters belatedly, realizing that the person is just waiting as he stares at them like a weirdo. He’s not very good with people anymore. Not that he was that good to begin with. Phantom had been a Ghostly Menace, constantly destroying the town with his fights, nobody had expected him to function as a person. Nobody had thought he was a person. But as Danny Fenton- well, he’d fallen short of just about every expectation set at Danny Fenton’s feet.
Distantly he wonders if his friends even bothered to disguise his disappearance. He’d always kind of wondered if his parents would ever notice if he and Jazz just- left. School definitely noticed, though most of the faculty would probably take it as completely expected. After all Danny Fenton was a terrible student, constantly skipping class and never doing his work, and even when he was in class he was usually halfway to falling asleep anyways. Lancer had certainly lectured him about his lack of discipline more than enough. So they might just come to the conclusion that he’d dropped out and run away.
He doesn’t know if he’d prefer that, honestly. The truth is messed up and complicated and frankly, unbelievable. But maybe if they knew the truth at least one person might feel a fraction of sympathy for all the bullshit that he’d been dealing with. Funny, Danny thinks, how coming here feels more like a death than when I actually died.
#dp x dc#the one where danny stumbles into a new universe and immediately guns for nasa#the unofficial title for this chapter is post-dimensional depression#suffice to say that he's got like... a LOT of baggage
546 notes
·
View notes
Text
some really silly (AND CANON!!!) things about chrollo that i enjoy a lot
lmao im giving you all more since i think u all seem to rlly like the fun facts on the last post🥺💕❤️
———
- chrollo has a phone, and the only times that he actually uses it is to call someone—plus, he only uses it a few in the series. an example is after his fight against hisoka (ch. 357) and another time is on the black whale trying to find his “ideal partner” (ch. 406, will elaborate more on in the next fact)
- chrollo basically uses the nen equivalent of tinder, as he steals an ability (notably from a woman) called “love dial”, in which he can put in a condition to find someone on his phone with the nen ability and the ability will give him the number of the person who is his “ideal match” (it’s not necessarily romantic). for example, if chrollo puts in “someone with a strong rage towards me”, then kurapika’s number would show up. (note: just because you call doesn’t mean that the call will necessarily go through).
- chrollo can basically use any resource to his advantage, no matter how seemingly useless. for example, in the yorknew city arc, chrollo kills all of the assassins going after him with the pen that neon used to write his fortune. another example is when shizuku and pakunoda talk about how kurapika probably came to yorknew for the auction and chrollo suddenly pieces together where exactly kurapika could be, who he is, etc,.
- according to the yoshihiro togashi exhibit in japan (which holds completely canon information), chrollo is considered a genius at nen, meaning that he is only one level away from the ultimate tier of nen use. according to togashi, anyone can reach the ultimate nen user tier as long as they train hard enough.
- chrollo has an ongoing pattern of taking someone’s nen ability and using it far better than the original owner ever could. for example, neon only used her ability with little to no knowledge about how it actually worked; meanwhile chrollo managed to take full advantage of her ability by predicting exactly what will happen in the future and managed to save numerous troupe members due to it. another example is kortopi’s ability, which was believed to be useless in combat. however, chrollo proved that to be wrong, as kortopi’s ability was crucial to chrollo’s win against hisoka.
- chrollo can TECHNICALLY win any battle as long as you give him prep time. (i know, it’s the ultimate chrollo fangirl powerscaler card, but im not wrong😔)
- chrollo actually seems to prefer letting his hair down. the only times that chrollo actually has his hair slicked back is when he is around the troupe, possibly due to not wanting to seem vulnerable around the troupe. his unmoving hair when slicked back represents that. however, when chrollo’s hair is let down, it moves and represents the more human, more fragile side of him.
- chrollo’s eyes directly contrast hisoka’s. while chrollo’s eyes are gray—a plain and dull color, they are nearly always lighted because chrollo cares despite trying to pretend that he doesn’t. meanwhile, hisoka has bright and fun colored yellow amber eyes, because hisoka doesn’t care about or feel anything despite wanting to.
- it’s canon that chrollo knows so much about Christianity and the Bible because he often visited the church in meteor city as a child (ch. 395-397). he seemed to be very close with the pastor, Father Lisores, as the pastor often complimented chrollo and talked about chrollo to the meteor city elders, talking about how chrollo might be the one to help the city.
- chrollo and the troupe actually seem to be viewed as heroes in meteor city rather than a villain. when the troupe visited meteor city to battle the chimera ants, the elders had no protests whatsoever despite knowing of their crimes. not only that, but judging from the way that chrollo spoke during his fight against hisoka, the meteor city elders also had very little, if any, issues against chrollo stealing their nen ability.
- chrollo has canonically met characters such as razor, eta, illumi, abengane, and dog man; no, that wasn’t a typo😭 his name is actually dog man (ik this isn’t really a fun fact but can u imagine how each of their conversations would go🤭 it’d lowkey be so silly)
- chrollo name in katakana (クロロ ku ro ro) has the word “kuro” in it, meaning black. the word “ro” is often added to names in japanese to make a name more masculine. thus, chrollo’s name can mean “black” or “darkness”
- chrollo’s tattoo is a type of cross called a “double vajra”
- a small plot hole in HxH about chrollo is how relaxed chrollo is with showing his face when going in public. during the yorknew city, people put chrollo’s face up on the internet. although they eventually take it down, there is still digital footprints.
- chrollo has a habit of self blame even when he is fully aware that something is not his fault (read his backstory for specific examples because there are WAY TOO MANY examples of it, especially in his backstory😞)
- chrollo seems to view himself as some sort of “higher being”. superior to humans, and yet the “being” that he sees himself as has little value. during the hisoka vs chrollo fight, chrollo says “humans are so very interesting” while looking down—and for the first time in the series, his eyes aren’t lighted. they are just dark and empty with very little emotion. chrollo doesn’t even view himself as a human anymore, and chrollo seems to view humans as some sort of strange entity.
- chrollo is an actor who acted a role for so long that he eventually forgot what his actual personality was like, and thus began to act out different roles and personalities hoping to find the one that he once was before he began acting.
———
oh chrollo, how i love you. the way that you genuinely changed my life. how dare you be such a realistic and relatable character? how dare you be such a fun and addicting character to analyze and dissect? how dare you be such an incredible character to daydream about to my ocs? how dare you be the character that made me cry the most in all of fiction? how dare you occupy such a special place in my heart?
#hunter x hunter#hxh#chrollo#chrollo lucilfer#hxh chrollo#chrollo hunter x hunter#hxh hcs#hxh x reader#chrollo lucifer x reader#chrollo x reader#chrollo x y/n#chrollo hcs#chrollo x you#phantom troupe hcs#phantom troupe
336 notes
·
View notes
Text
it's a good thing conclave didn't waste any time on making the stories about catholic orders and their in-fighting. and probably i shouldn't either because i am not informed enough about it to go on at length. pls take all of this w a grain of salt.
but i know in my heart of hearts that aldo bellini is a progressive liberal jesuit, the holy father's specialest most progressive liberal italian-american jesuit.
look at him. look at his glasses. those are the glasses of a man who did his dissertation on reinterpreting loyola through a contemporary reformist lens. academic wunderkid. has sooo much beef w the editors of american jesuit weekly. possibly the events of conclave are occurring in a better more beautiful world where aldo bellini is the editor of american jesuit weekly.
the late holy father for sure was a progressive jesuit also. vr pope francis coded. and low-key set him up as a successor. for a while, that seemed nearly a sure thing in some circles.
but there is the fact. well. the fact that everyone is tired, done and tired of jesuits, progressive or otherwise.
this among other factors meant he couldn't consider him the best option, besides whatever character judgement and uncanny machievallien prediction he came up with.
adeyemi has that benedictine swag which makes his potential election particularly seem like a breath of fresh air + reliable + lots of influence. tremblay is giving dominican drip and dominican corruption. and dominican flop. his nespresso machine? it's giving dominican also.
tedesco has to be an italian-founded order member. most hypocrital salesian of all times maybe?? this is unrelated to the fact that i was nearly enrolled in a salesian primary school and the weirdly panopticon-ish playground didn't pass the vibe check. and also because: consider tedesco rising in the ranks of an order created to help migrant workers...someone kick him in the head for me pls.
who even knows about benítez. i want to say franciscan but that might be just too on the nose. cistercian?? honestly it would work well if he is also without affiliation.
this lens does make lawrence's homily being interpreted as a campaign speech more understandable (and particularly funny).
because, as far as anyone can tell, he's fully running as an independent candidate. zero platform besides - if i fuck up i'll apologize and do better and be held accountable, which is more than any of you probably would.
and because he stands alone, he can be held accountable. he can belong to all, and not one faction only. as far as anyone can tell, he's burning bridges with bellini and rocking the statues quo.
he is speaking to/from a place of frustration with institutional inertia and factionalism, he is using his position as dean to bravely promote a platform for internal change in the curia, he is offering doubt as an alternative to certainty, he is pulling an absolute wildcard move.
pity he didn't mean it.
pity the the only order lawrence is interested in joining is the most hardcore discalced carmelite experience possible.
you know how some people look into luxurious real estate listings like it's porn? that's lawrence w tiny monasteries. the sort of minuscule organization with not enough people for management to be necessary. too small for politics. as close to erasure as you can get in this world: no need to be useful.
serving god by existing only to meditate on him. a narrow slant of a life, at that. barely taking up space, barely casting a shadow.
his favorite is a decrepit wreck of a place in the middle of southern spain, nowhere. no wifi no speaking aloud no possessions. no shoes no food. no nothing, only prayer. and a big big sky overhead.
maybe that will fix his issues with reaching god. if that doesn't work he'll probably just wander into the tabernas desert and become an hermit. works for some people, supposedly; plenty of order founders seem to believe so, anyway.
#conclave#sabbadin also gives jesuit. imo#i can't begin to guess at ray o'malley. some really niche order no one's heard about or he's also unaffiliated#i do think that. perhaps. unfortunately. everyone thinks lawrence is pulling another curve ball of a political move.#so even if he does join an order post canon#that reputation will proceed him. no abbot will believe this political mastermind if he says he wants to set aside wordly matters#he just won't get that spiritual job interview acceptance.#guy who is cursed to remain orderless. to answer to his own discernment and be an agent in the world. forced to try and try again#thomas lawrence#aldo bellini#vincent benítez#goffredo tedesco#joshua adeyeme#joseph tremblay#conclave spoilers
289 notes
·
View notes
Text
Okay I am going to use the Somerton situation to talk about something that is very important to me. Following the discussion I have seen former Somerton fans being disappointed in themselves and questioning how they can ever trust another video essayist again. I have also seen some people being smug because to them Somerton was obviously unreliable from the start. As a person who also saw the "red flags" in Somerton, I would like to skip the smugness and talk a bit about what the red flags were to me.
Someone else has probably posted something similar and Hbomberguy's & Todd in the Shadows's videos touched a few of these points, but they didn't focus on them or how to spot these things. I think it is a good thing: I think it would have reinforced the idea that Somerton's fans were to blame for being lied to, and these youtubers didn't want to pin any blame on the fans. Also, some of the things I'm going to talk about were not by any means proof of him being unreliable, they were common tropes I personally associate with people who are bullshitting on internet. Think of it as something like spotting terfs: If you consider following a tumblr user and find out they have at some point posted "males will always be a danger to females no matter what they say", it is very possible that they are not a terf. Maybe they were having a bad day and were just wording their post badly – But you should probably search "trans" from their blog before following them, just to be sure.
So, the tropes in James Somerton's content that I consider red flags:
Lack of sources. This one may seem obvious and Hbomb talked about this in his video, but the lack of sources in his videos was outrageous. Video essays are called essays for a reason, they are not supposed to be just a guy talking about whatever comes to his mind, they should be well researched essays. Obviously video essays should contain one's own thoughts and interpretations and those do not need citations. But James Somerton didn't come out of the womb knowing everything about LGBT history, Disney and film theory, if he actually knew something about all this stuff, he should have learnt it from somewhere. There should be sources he could point to. It is very common that even when a video essayist doesn't tell you where they got all their information, they open their video by saying stuff like "when I prepared for this video I read the book Also sprach Zarathustra by Friedrich Nietzsche and this one thrilling blog post about lesbian cruising in 1960s Sweden". From what I've seen, James does not really do this. From watching his videos you could arrive to the conclusion that James Somerton does not read any books, he just knows everything. There are situations where people don't feel the need to add sources, like when the information is considered common knowledge or when the topic relates heavily to the essayist's actual academic field or profession. This is okay and very understandable, but can sometimes be dangerous, since if the video essayist markets himself as a marketing specialist, people are more likely to take his word for stuff that has to do with marketing, even without sources. It is understandable that in many situations an essayist may think "why should I cite a source? I know this thing!", but doing your research well is partly about checking if the information you are certain of is actually true. Also, as Hbomb pointed out, if you can cite a source, your audience can go learn more about the subject. It's not about anyone doubting you know your stuff, it's about learning. That's why well-respected video essayists usually cite their sources very clearly.
Lack of pictures and screenshots. This is about different kinds of sources again, many things on this list are kind of about sources. An example: When James Somerton made a video about JKR, he mentioned something about Rowling at one time saying that trans students in 30-50Feralhogs (or whatever the wizard school is called) could use magic to present as their gender. If this was any other video essayist, you'd expect a tweet to pop up, or something else confirming Rowling ever said this. Nothing pops up, obviously because Rowling didn't say this, but you can't see anything fishy in that because things rarely pop up in Somerton's videos. He doesn't show you court documents when speaking about a court case, he doesn't show you the comments apparently mad at him for implying the gay anime is gay when he is complaining about people being mad at him. There is a reason people show screenshots and tweets in video essays. When a good video essayist says JK Rowling has tweeted that all people who menstruate should be referred to as women, the video essayist shows the tweet so people know they are not making it up. If there were hoards of annoying bitc-- I mean, angry white women whining about gay sex in HuffPost articles or Somerton's youtube comments, he should have no trouble showing you those. Remember that you should not trust someone just because they show you pictures or screenshots. Pictures can be photoshopped, screenshots can be doctored. Many youtubers are aware that you listen to their videos while cleaning or while walking your dog and don't actually see the screen all the time, and some may take advantage of that by saying something like "and here she threatened to kill me" while showing a text message where someone said "die mad about it". A screenshot alone isn't much but you should demand to see the screenshot.
Passive voice. I am once again bitching about this. Somerton repeatedly says things like "it's been said that" or "it was common knowledge that" or "a legend says that" or "according to most interpretations". He doesn't say who says it, making it very hard to fact check and that seems to be his goal in some cases.
Relying heavily on anecdotes. Writing a dense, analytical video about film theory or history can be exhausting and you may want to pepper in little fun facts. However Somerton seemed to rely on these heavily; he can't just talk about how he has totally bought every lie told by The Pink Swastika, he also needs to tell a cute little anecdote about SS men forcing sexual favours out of men. He can't just tell a story about a court case, he needs to add in ridiculous stuff about the jury booing. This is what I mean by not all the things on this list being necessarily proof of someone being unreliable. Many people use anecdotes and little stories in their storytelling, it makes the videos flow better and it's hard to decide which anecdotes are valid and which are not. A source obviously makes an anecdote a bit more believable, but here are some things that instantly make me fact check an anecdote:
It's a bit too convenient, poetic or ironic. Sometimes real life is weirder than fiction but if an anecdote is "perfect" and has an amazing punchline and you could write twelve poems about it, there is a possibility it was invented by pop science books.
It assumes your political enemies are stupid. Dunking on conservatives, MRAs and transphobes is always fun and after you've seen a lot of this kind of content it's easy to believe anything about these people. You must resist the impulse to believe everything that may make your opponents look stupid.
The person telling the anecdote implies it is an example of a larger, systemic problem. You know what's worse than taking a random happenstance from human history or internet and basing an entire political theory on it? The said random happenstance being made up. You should in general be wary of people telling one story and explaining why it's an example of everything that's wrong in the world. We live in a huge world. You can always find a white woman who loves cute gays but hates the idea of Nick Heartstopper and Charlie Heartstopper getting nasty but that doesn't mean it's an indicator of a larger issue.
Simplifying complex issues. We all know that "only the boring gays survived the AIDS crisis, and that's why gays started to only care about marriage equality and military" is a horrible, insensitive thing to say, but you also have to think about it for like two seconds to realize that it can't be correct. It kind of reminds me of the "roe v wade caused the crime drop of 1990s" claim in Freakonomics. It sounds logical and simple, like a basic math calculation. Societal issues rarely are like that, though. You should never believe anyone who tells you about a huge societal shift and says it happened because of one thing and one thing only.
These were some of the things I noticed in Somerton's content that caused me to distrust him. I hope these were helpful to you and feel free to add your own "red flags" if you feel like it!
#phew. maybe that's enough salt for one day.#james somerton#hbomberguy#todd in the shadows#edit:// embarrassingly many mistakes in the original post. in my defence i have a fever and english isn't my first language. forgive me#edit2:// made the text bigger!
2K notes
·
View notes
Text
Kokushibo meeting another moon breather and falling hard
Pairing: Kokushibo x fem!reader
Word Count: 2,1k
Synopsis: You were supposed to be another killed demon slayer on his list, nothing but a girl he stumbled upon in the woods at night. But something about you is different. Something stops him from ending your life.
Warnings: Honestly none, a little bit of violence, a little bit of HEAT, this will get a Part 2 if you guys are interested so feel free to interact with that fic! <3
„Leaving again?“
You tilt your head to the side ever so slightly, your katana already lying heavy in your rough hands.
“I have no choice. The order comes from Ubuyashiki-sama himself”, you reply with low voice.
Out of instinct, your eyes wander to the shining orb above, the most faithful companion of your life. Countless innocent nights, you just sat on the grass and took in its beauty inch by inch. But at times like these, the moon being out also means that demons wander on free foot.
“Lucky bastard”, Sanemi mumbles under his breath.
You wouldn’t consider yourself lucky. Not when you know painfully well that all those demons where once humans with dreams, hopes and love filling their hearts. Not when your whole family drowned you with love and affection only a few years ago.
Until Muzan Kibitsuji decided to turn their heads against you by turning them into demons.
“I’ll be back before training starts.”
“You better live up to that.”
Without looking back one last time, you begin your journey to the other side of this haunted land. If Ubuyashiki-sama called for a hashira, the matter has to be serious-minded. And while his crow didn’t deliver a lot of information about details apart from the place being a small village in the south, you know all too well what that means.
A strong demon, maybe one of the upper moons, even. And you, a hashira who was chosen to kill it.
Your eyes roam around the peaceful area, take in how beautifully the full moon lights up the trees around you. A truly remarkable scenery you try to enjoy as often as possible, even though working as a pillar keeps your mind and body occupied most of the time.
But you aren’t alone. An unsettling feeling starts spreading inside of your chest, the instinct of being watched out of the darkness becoming more and more urgent in your mind.
“Are you the one who is responsible for the destruction of the village nearby?”, you question into the dusk.
Destruction? Kokushibo can’t help but shake his head ever so slightly. As if he’d waste his time with something this minor.
The real question is, who are you? The way you walk and talk tells him more than urgently that you aren’t one of those average demon slayers, that you have to be someone special. A pillar, probably. He can’t help but take in your graceful sight, the way you almost float over the wet grass, your eyes lit by the moon oh so perfectly while your hands are tightly grabbing your katana in contrast.
You are beautiful. Enigmatic, powerful, and captivating... truly mesmerizing. In his long-lasting life, Kokushibo stumbled upon countless of women.
But they never caught his attention like you.
“I came here to end your suffering”, you continue calmly, not even your hands shaking by the sensation of meeting a demon.
You must sense it, that he’s far above the average demons you’ve encountered before. You have to feel his presence by the way you tilt your head towards his direction ever so slightly. And still, you don’t waver. Not even a little bit.
“Even if your skill level proceeds mine by miles.”
His eyes widen for a brief moment.
“Why don’t you show yourself, upper moon?”
It’s an instinct, an act out of trance. Kokushibo follows your word and emerges out of the darkness he found comfort in, his gleaming eyes now meeting yours directly.
The upper moon one.
You don’t allow your heart to skip a beat, force your mind to keep its focus. This must be the head of Muzan Kibutsuji’s army, the mightiest of them all apart from himself. The upper moon Kyojuro lost his life to was number 3. Weaker than the man standing in front of you, less dangerous than the man standing in front of you.
And you? You wouldn’t consider yourself stronger than Kyojuro was.
“I am forced to end your life right here and now”, you declare with a calm demeanor.
“You are too weak to even reach me”, Kokushibo replies automatically.
“I have no other choice but to try.”
He tilts his head to the side, watches like in slow motion how the neutral expression on your face hardens ever so slightly while you lift up your sword.
“Moon breathing, third form: celestial silence.”
You release a wave of soundless crescent blades like you always do, emerge him into confusion and darkness to prepare for your next attack.
“Moon breathing. You use moon breathing?”
You are barely able to escape the grasp of his arm that shouldn’t even be able to reach you by letting yourself fall onto the ground. Not even Sanemi is able to see through that curtain of silence, how was he able to react so fast?
A faint layer of cold sweat starts forming on your forehead, your fingers now grabbing the handle of your sword tighter. What did you expect from the upper moon one?
“Fourth form: Lunar precision.”
You can’t allow your thoughts to wander, need to focus on the way your sword feels inside your hands and the series of rapid, precise slashes that crush against his blade without mercy. Each strike is executed with meticulous accuracy, searing for any weaknesses.
But the man in front of you has none.
All it takes him is one minor slash to disarm you. With his other hand, he grabs your wrist tightly. Is he about to kill you? Will this be your last moment walking on earth? You can’t rip your now glossy eyes away from him, can’t even force yourself to look at the moon one last time.
“Who taught you that breathing technique?”
Your mind starts racing, brows furrowing ever so slightly. What is he talking about? And why are you not dead already?
“What?”, you breathe out.
With a swift motion, he puts his sword back in its sheath and grabs your other arm as well, now holding you so close that you can feel his breath dance across your face.
“Who taught you how to use moon breathing?”, he continues visibly aroused.
“I taught myself.”
Confusion, anger and shock roll over his face like a wave while his hands still keep you in place.
Impossible. This means that you mastered sun breathing as well. You, nothing but an average girl with eyes that make it easy to get lost in them. You with that basic sword that doesn’t show a single hint of your abilities.
Do you know what you’re capable of, that you might be a worthy opponent?
Or a mighty demon.
“You need to come with me.”
“Coming with you?”
Your heart now almost pounds out of your chest, arms instinctively fighting for what is dear life. If you go with him, you’ll die. What is his plan? Does he want to torture you, eat you alive? Your usual so collected mind starts falling apart bit by bit with every passing second.
“Stop attacking me”, he warns you.
You fight against his grasp even harder, desperately try to free you from the prison of his arms. You promised Sanemi that you’ll be back before the next training session starts, you promised Mitsuri to braid her hair in the morning. You made so many promises.
And now you might not be able to live up to a single one of them.
“Enough”, the man in front of you grumbles.
One well-placed hit. Then everything goes black.
Kokushibo’s heavy breath hangs in the air, eyes staring at your unconscious figure lying on the floor. He lifts your body off the ground as gently as possible, allows his eyes to regard your face up-close. You look so peaceful while lying in his arms, your features not showing a single sign of your fight earlier on. Apart from a single tear at the corner of your eye, you look flawless. He wipes it away with his index finger, watches how the moonlight reflects so beautifully in your perfect little teardrop. If he’d be able to caress your cheek one time, feel the softness of your hair only once-
He shakes his head ever so slightly. No, he needs to focus on what’s in front of him, needs to find out what lend you that power. Are you just like him? Are you maybe the only person on this planet who understands his silent suffering?
The second you open your eyes again, everything is still black. What happened? Are you at home? The demon…
Your eyes widen in an instant, dart around the poor-lit area in a haste. Where is the upper moon one?
“It took you quite some time to regain consciousness.”
His cold voice cuts through your bones with ease. There he sits, only a few meters away to your opposite. You swallow hard, scan your body for any injuries.
But you aren’t injured. Not even a single scratch decorates your skin.
“Why did you allow me to stay alive?”
To be honest, he doesn’t know. Muzan Kibitsuji made it more than clear that all demons are forced to kill every single demon slayer who crosses their path. Especially pillars like you. He stares at you without saying a single word.
“Are you going to kill me now?”
It is his responsibility to do so. Not even the fact that you use moon breathing should be enough to change that fate of yours, not when you’re a hashira, a dirty demon slayer. Again, he keeps his mouth shut.
When you open your mouth again, not a single sound escapes your dry lips. The countless questions that linger through your mind make it hard to form a logical thought. What are you supposed to do? Is there any way out of this? You need to fight, need to stay strong until you die.
“What do you know about moon breathing?”
“More than you”, he gives back.
He’s beautiful. Despite the unpromising gleam in his orbs and that number one than reminds you oh so urgently that this man is the highest ranked upper moon, you can’t help but let that thought sink in. There’s no doubt in the fact that he was once a truly handsome man.
The two of you sit opposite of each other, plainly staring in your faces without saying another word. You never felt anything apart from sorrow for those creatures, never allowed yourself to get lost in their features or to ponder about what they might have become. But this man…
“Did you use this breathing technique when you were still human?”
In the blink of an eye, the upper moon one draws his sword. Sparks fly, the air around you suddenly so hot that you almost feel like choking. What is that immense power of his? Are those…moons? Out of instinct, you grab his arm. For support, to stop him? You don’t know anymore.
“Stop”, you cough out.
“Please…stop.”
He lowers his blade, his free hand now grabbing your back and pulling you towards his chest.
“I was the only user of moon breathing for countless centuries. Until you showed up”, he clarifies distantly.
“Tell me how you conquered sun breathing. Tell me how you taught yourself this technique.”
His face is only inches away from yours, forces your breath to get stuck in your throat all over again.
“It just happened.”
“You will come with me.”
He starts dragging you along with him, the unusual flaming touch of his hand almost driving you insane. Just a few hours ago, you were on a mission to free a small village from the cruel hands of a demon. What about those innocent people? What about those poor souls who might get slaughtered at this very moment? You can’t just follow him like a lost puppy.
“Only under one condition.”
Slowly, the upper moon one turns his face towards you.
“You set conditions?”
“Free the village I was assigned to from those demons or otherwise…”
With a swift motion you draw your sword and press it firmly against your very own neck.
“Or otherwise, I’ll make sure I won’t be able to answer all of your questions.”
You find yourself devoured in his arms and pressed against a cool stone wall before you finished blinking once, now staring straight into his dangerous orbs.
“I don’t negotiate with something like that”, he presses out.
Tags: @chilichopsticks @hellkaiserinphoenix @ynackerman9499 @keepghostly @beatrexworld
@froufrousnowman @hidazinie @tomiokathedepresso @poketrainer2270 @chaoticwinnercupcake
@lees-chaotic-brain @wordskeeper @polarbvnny @sugu-love @ryva @baku2345
@komelrebi-san @kentocalls @barbuse @sunshine7queen @lavenderdrxp
@yaninnaacu @hopefulbelievertimemachine @laurencrsnt @virtual-202 @blunderland
@strawberry784
#kny#kny x reader#kny fluff#kny fanfic#demon slayer#demon slayer x reader#demon slayer fluff#demon slayer fanfic#demon slayer kimetsu no yaiba#kimetsu no yaiba x reader#kokushibo#kimetsu kokushibo#demon slayer kokushibo#kokushibo x reader#kokushibo x you#kokushibo x y/n#kokushibo demon slayer#kimetsu no yaiba#kokushibo fluff#kimetsu upper moons#upper moon one#demon x reader
732 notes
·
View notes
Text
Soo... anyone else notice this look from "Better Than Blitzo" right before he kissed Stolas?
Yeeaahhhh, quick question. What the fuck?! lol
It's the epitome of "blink and you miss it," taking up just two frames, which is a single illustration in Helluva Boss.
I actually spent two months making a 30 minute video on this that I uploaded to YouTube back in August. Unfortunately, my channel was taken down in the latest algorithm crawl, but if you’d like to watch it, here’s a link to it on Odysee and BitChute.
Otherwise, buckle up while I take us on a journey ✨ I have three basic ideas I'll be delving into, split into three posts:
Part One: His tattoo—what it is, what it means, and what (or who) it could be linked to.
Part Two: Verosika—how and why she could have orchestrated things.
Part Three: Just an ex??—what his personal motivations could be for taking the time to check if Blitz is watching before kissing Stolas.
Keep reading to dive into Part One!
Before we dive in, just a quick heads-up that I will not be referring to this Incubus as “Better Than Blitzo.” Partly because it’s kind of long but mostly I just really like the nickname I’ve given him, which is: “IncuBlitz.”
IncuBlitz Part One: His Tattoo
I’ll start things off with the tattoo on IncuBlitz’s arm and its possible significance.
Because this thing is strikingly similar to Stolas’ crest, leading a lot of us to wonder—Is IncuBlitz some sort of Stolas stalker? Or does he work for someone in the Ars Goetia who has a similar crest?
In both cases, I think the barometer is going to be how similar his tattoo is to Stolas’ crest, but I’ll go into a little more detail on why he might be working for another Goetia and who it could be.
I think Aldreaphus, Stolas’ brother-in-law, would be the most likely candidate in this scenario, considering that we’ve already been introduced to him and his manipulative nature.
In Western Energy, we see him convince Stella to call off the hit on Stolas so that they can wait for, and possibly even create, an opportunity to take advantage of him later—be it for his position, wealth, power, or all three.
Even more compelling, we see what appears to be an attack or takeover by Aldreaphus at Stolas’ palace in the trailer for the second half of season two.
It’s been theorized that he may be hoping to take over Stolas’ position partially because in mythology, he’s actually already known to be an astronomer.
This would obviously overlap nicely with Stolas’ duties, which would make him a prime candidate to take over his position—be it temporarily until Octavia has finished her training, or perhaps even permanently depending on what he’s capable of and willing to do.
So far, we’ve only seen this brief glimpse of him in Western Energy, so we don’t know yet what his actual cannon position is in the Goetia family. The mythological Andrealphus is not associated with any sort of ice powers, so it’s possible that this is where any likeness between the two ends.
But regardless of any previous knowledge or affinity for astrology, I can see Andrealphus being interested in Stolas’ status and position. Whether it’s to have for himself, or to get close to Octavia so that he can take advantage of his influence with her in the future.
So, in this theory, IncuBlitz would have been strategically placed to get information from Stolas, keep tabs on him, manipulate him, and possibly even to further drive a wedge between Stolas and Blitz.
For any other Goetia, the desire to keep Stolas and Blitz apart could just be for appearances and maintaining the social structure that they’ve put into place.
But if Andrealphus is his employer, I think he would have a different reason to keep them apart. And that’s to keep Stolas from having someone who can protect him.
Because if he knows anything about either attempt by Striker to assassinate Stolas, then he would be aware that in both cases, Blitz or someone under Blitz’s employ, intervened.
The first time, they completely stopped him, causing the assassination attempt to be a failure, which resulted in Striker having to actually flee.
Then, during the second attempt, despite it being called off by Stella, Moxxie and Millie’s intervention did prevent Striker from bringing Stolas to Stella and Andrealphus, which is what her explicit instructions to him had been.
Now that I’ve covered how a Goetia could be involved, let’s move on to what I personally believe to be the determining factor for both aspects:
How similar is IncuBlitz’s tattoo to Stolas’ Crest?
Because if IncuBlitz is actually a stalker, we would expect the tattoo to be as close to Stolas’ crest as possible. And if it belongs to someone else in the Ars Goetia, that implies that Geotic crests, in general, would all have at least a heart in common.
So far, the only crest we’ve seen that we know to be associated with the Geotia family belongs to Stolas. Considering that we’ve only ever seen his crest displayed within his own palace, I’d say that, at best, it’s unclear whether other demon royalty also have similar, heart-themed crests.
But let’s explore that a bit.
The seals that we’ve seen so far, belonging to several Sins, Paimon, and Stolas himself, all seem to have the same basic structure.
This could lend credence to the idea that other Goetian royalty could also have a similar crest to Stolas. But personally, I don’t think it’s likely.
Mostly because Stolas’ crest seems to reflect him personally. From the tip of his five-pointed crown down to his cloak and neck accessory.
We haven’t seen much of Aldreaphus’ castle, but in the room that is shown, there does not appear to be anything present that resembles a heart.
In fact, we don’t actually know yet if Aldreaphus is canonically a marquee in the Hellaverse, the way he is in mythology. So it’s possible that he doesn’t have a crest at all if those are limited to the upper ranks of royalty. But if he does have a crest, I think it’s the snowflake that’s depicted on his chest and plateware.
At first, I thought his crown being shorter than Stolas’ and only having 3 points was an indicator of lower status. Especially considering that we see Stella, Octavia, and Baby Stolas with similar crowns.
But after realizing that Paimon’s also only has 3 points, I dug a little deeper and found this.
Apparently, there is something called a Celestial Crown that has five points, which are usually depicted with a star on each tip.
With Stolas’ job as a Goetia being to study the stars, it makes sense that his crown would be reflective of his line of work.
Considering this, I don’t think Andrealphus’ ice-themed crown and possible crest give us enough information to determine whether he is or is not a marquee.
But either way, there doesn’t appear to be any evidence to support the theory that IncuBlitz’s tattoo is reflective of a connection to himself.
Now, let’s take a look at the tattoo and compare it directly to Stolas’ crest.
One thing I noticed was that even though it doesn't look like his normal crown, he is wearing a crown that looks similar to the tattoo, both as a child and at this particular party as an adult.
I went back and scrubbed through footage of the entire show, trying to find any other instances of this kind of tattoo or imagery.
While Verosika and Millie both have heart tattoos like the one on IncuBlitz’s lower back, the closest thing I could find to the tattoo on his arm is the door to the prototypes at Ozzie’s.
This has led me to believe that it might truly just be a heart with a cupid’s arrow pointing down. Though it does look a little odd with the additional v-shape between the arrowhead and the bottom of the heart. I’m not sure if that’s supposed to represent a bow or is just a stylistic choice, but, interestingly, the heart on the back of the romance novel that Stolas is reading at the beginning of this episode does have something similar going on.
So, in the end, I think his tattoo might genuinely just be symbolism. An indication that he’s a kindred ‘romantic’ spirit, maybe who also wears his heart on his sleeve; Or even simply that he’s just not afraid of love and romance the way that Blitz is. If so, perhaps it’s intended to be another implication of why he is “Better Than Blitzo.”
Click here for Part Two: Verosika
#helluva boss#helluva boss analysis#helluva theory#stolitz#better than blitzo#incublitz#stolas#stolas goetia#blitz#blitzo#blitzø#andrealphus#apology tour#onehelluvafan
292 notes
·
View notes