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coconutdays · 4 months ago

Text

consume

s. in a world of ghouls and humans, you've got a crush on a really hot guy with tattoos, but that doesn't mean he's a ghoul right?

w.c. 5.9k

w. fem! reader, ghoul!sukuna! x reader , fluff!, smut!, cannibalism!, gore!

a/n: this is a continuance on this thought of mine :)I just wrote this to get this out of my system :/ don't think I cooked as I usually do! but feel free to indulge in ghoul sukuna to at least scratch the itch.

"is that him y/n?" your friend's eyes widen and she grabs you by the shoulders, staring into the void of your soul "go up to him. now."

you came for drinks with your friends just a couple minutes ago. and you were so unaware until now, that across from you is the random hot guy you always see on your way home.

your friend, the one bolstering you to go up to him, has heard of this crush. considering you can't spend a day without talking about the hotness of this man.

"I-I, " you start to stutter, "I shouldn't. I see him all the time around the neighborhood and he's never so much as bat an eye at me or acknowledged my presence."

"and I do not care," she huffs, turning you around and beginning to push you in his direction at the bar, "no guy is capable of rejecting your beauty when its waved right in front of their face."

you hear her huffing and can probably make out how flushed her cheeks are from going against your planted feet on the ground, scared to go up to the man nearing you, even though its you coming closer. you feel your heartbeat quicken by at least 50 beats and the adrenaline from such a simple act is rushing through your veins.

until you're there. and he's doesn't even move to face you, his eyes just dart to you.

"hi." you manage to choke out.

he smells like like leather and stone cold vanilla. it's a smell you won't be able to get out of your head tonight.

he looks like he's about to sigh and say something to send you walking away, but you speak again before he can dismiss you, possibly, "I think you're handsome and I wanted to talk to you."

"you looking for a quick fuck?" his voice rumbles so nonchalantly as he takes a sip of his whiskey

"no." you answer in a heartbeat, quickly moving your head from side to side as a sign of your counter to the idea, "I don't think I would be this nervous if I was just looking for that."

"Then what are you looking for?" He's suddenly looming over you, body now turned to face you and his early stance of dismissal gone. although you don't know if that's what you prefer now considering this is so much more intimidating. he's squinting his eyes at you just a tad and you can tell he's biting his cheek.

"something that doesn't hurt me." is all you can speak into existence, softly.

he stares at you

he stares at you for a long while, his brown eyes so light, they're almost red. it's intense and you don't know what he's playing at.

he gets up abruptly, the chair that was beneath him screeching, face unnerved when he reaches a hand out expectantly, "your phone."

your eyes widen and you fumble around for your phone before planting it in his hand.

"what's your name," he says as he presses what you suppose is his contact information into your phone.

you hear a ring coming from his back pocket when you answer, "y/n"

"sukuna," he replies back curtly before handing you back yours and moving to shut off his phone. he then takes out a ten dollar bill and puts it on the countertop before turning to leave, "stay with your friends, it's not safe on your own out there."

you hadn't noticed at all that your friend had left you to talk to the familiar stranger, sukuna now, at some point during the interaction. when you turned around, your group was staring between you and the ominous figure leaving as if they were watching a thriller movie and needed a bowl of popcorn to shove their hands into.

when you were on the way home by cab that night, you received a text, that seemed a manifestation due to how hard you prayed for the next buzz from your phone to be from him.

it was a curt reminder that he would meet you outside your apartment--that he also asked for the address of--the following morning so he could take you out. and nothing more. it was so curt, that although he was still inviting you out, you made it your mission to dress your most attractive the next morning.

you notice he's already outside of the door when peek your head out the door early, doubtful of how early he would be, which he was. sukuna had gotten there ten minutes beforehand, at the least. and although you weren't that mentally prepared to be out with him, you sucked it up and tried your best to confidently walk out the door when he noticed you.

"looks like we're both early," you joke a bit shyly, fiddling with the straps of your purse

"if you need more time you can go back up," he says, having straightened his posture from leaning against the wall and now looking at the busying street, as if to stay aware of his surroundings

"no it's okay, I've been ready for about half an hour now," you smile meekly in embarrassment

the comment makes him flick an eye to you, "should have told me."

"for?" you blink up at him, unaware

"for me to show up earlier," he clicks with his tongue before looking to the left and motioning for the both of you to start walking

it's about ten minutes into your silent walk to who knows where that you hear him speak again without previous poking, "you eat breakfast?"

"yes, actually! it was a lot so im still pretty full, considering the time."

"alright," he nods before locking eyes on something and placing a surprisingly gentle hand on the small of your back to maneuver you to your left, "it's here."

and the small entrance he guides you through leads to an immediate splash of greenery

a garden, a large one, surrounded by something you couldn't make out

"it's a bookshop."

and now you could make out the shelves through the surrounding windows

there's a number of different flowers surrounding you and you can't help but dash to a rather beautiful spawn of peonies.

"they're so beautiful!" you bite your lip in excitement, like you'd just seen a puppy. and that's when you spot a small pathway leading to a shrouded bench.

and you get an idea, "do you think they have Takatsuki in there?"

sukuna quirks a brow at you, "you like that insane shit?"

"I like creepy stuff." you blink at him, shamelessly stating the interest of yours

"come on," he juts his chin towards the far end of the garden, where the entrance was

moments later, you come out with a hardcover edition of The Black Goat's Egg you'd been vying for for months, purchased by sukuna, who asked, "that the one you want?" when you said yes, he plucked it from your hands and paid for it at the register.

"thank you." you say in appreciation when you set your purse down next to you on the bench, and flip to the beginning page of the book while sukuna adjusts himself next to you.

the handsome giant says nothing and instead drapes an arm over the side of the bench behind you and flicks his eyes towards the book, waiting for you to read like you'd promised so.

"you'll like it," you smile at him before subconsciously sinking just a little into his personal space and adjusting the book comfortably onto your lap, "ahem..."

you had been reading for about an hour and a half now, and sukuna showed no signs of distaste for the book. he hadn't said a word since the moment you started reading, listening and skimming over the book with you.

"mother's hands carved out the veins beneath his chest, not me. from her nails came the rotten smell of hardened blood. oh this is my favorite part. but I could feel the pulsing of his lungs on my hands. how his heart still beat when I had opened his chest. the breath of life beneath my palms, inhaling and exhaling. my excitement brewed, a woman's touch knew nothing of the enthrallment this brought me-"

grrrrrrrrrr

embarrassing

there's no way in hell your stomach just did that in front of him. you try to mutter a quick sorry and pick back up where you left off, but the moment you open your mouth again after the quick apology, sukuna interrupts you.

"it's time for you to eat."

why did he say that like you were some sort of pet.

he was such a serious speaker sometimes.

while you start to gather your things, sukuna already stands up and reaches a hand out for you to stabilize yourself on.

"I don't think its time time," you say while taking his hand, not wanting to go back to your apartment yet and finish reading yet, "I won't cook normally until another half hour from-"

"you said you liked the same type of pasta the guy was eating in the book right," he cut you off, levitating a hand over your shoulders that simply wooed you into stepping next to him at a comfortable pace while he moved for the both of you to cross the street.

"yeah..."you agreed, catching another whiff of his cologne in the breeze

and that's how you wound up with him ordering a full plate for you and a boring cup of coffee for himself moments later at a restaurant.

"you sure you're not hungry?" you questioned worriedly, eyes searching for any illness on him, scared to grab the fork before you

"I'm cutting, I'll cook at home." he shrugged

"cook what then?" you almost pout, feeling bad that you were going to be feasting in front of him while he merely had a coffee

he looked you dead in the eyes and said before taking a sip of his coffee, "steak."

"ghoul." you shot back while reaching for your fork and making towards the pasta

for the first time, you saw irritation on sukuna's face in the form of a twitch of his nose, "beef. steak."

he seemed so serious and you couldn't help but stick your tongue out playfully, "I know, but you might as well be one if you're that built from so much protein. heh."

sukuna let a tsk out and took a sip of his coffee, "eat your food."

you wound up getting walked home by sukuna later after the meal, a full stomach and new book, both provided by him upon your return.

"thank you again for the book" the corners of your lips quirked up a little cutely, "and for the meal too."

"you still need to eat something later tonight."

"I will" you nod and look up at him earnestly before reaching for his hand and gesturing for him to be level with you.

"goodbye," you land a quick peck on his cheek and let go of his hand, already rushing towards your building door and entering the code in as fast as possible. you couldn't look back, and didn't .

this pattern of dates repeats itself quite often after. sukuna's taken you to what seems like every bookstore in the city and purchased whatever makes your fancy every time. he's had you read for him. he's bought you every sweet and dessert you've wanted. he's brushed a crumb of a macaroon of your lips, carried you bridal style to avoid getting your shoes wet in a large street puddle, the most endearing things, albeit stoically, but

he's never kissed you

you think it has something to do with how stoic he is. maybe there's some sort of damage with him. he's so immersed whenever he's with you, learning and observing you, but it's always felt as if he's keeping part of himself watered down with you.

a hint of snarkiness has left him before, you saw so when a little girl in a park punched an older boy for yanking on her pigtail.

and he never takes you out at night. he hasn't specifically said he doesn't want to go out during the late hours of the afternoon or night, but he always manages to schedule your outings to end before so.

it's why you bite the bullet, and make today's lunch, into a dinner hosted by you, with the convenient excuse that your work asked you to come in for finishing touches on a project you'd be presenting next week and couldn't make it to lunch.

sukuna agreed with no qualms, that you couldn't see through the screen of your phone of course, and even asked if you needed any ingredients.

your chicken had already been in the oven for about twenty minutes when he had knocked on your door--you had texted him the code to your building earlier.

"hi." you breathed, opening the door for him to come in, "I put this chicken recipe I found online to bake. it's supposed to be healthy."

sukuna walked further into your apartment and analyzed his surroundings while you yapped away.

"it's probably not like the steak you eat, maybe less in protein, but I think you'll like it. I don't think I could make steak that good for someone else on the first try..."

"your hand," he slightly quirks a brow up and gestures towards your right hand, two bandages on your middle and pointer finger.

"tomato dicing mishap," you give him a sheepish closed mouth smile while raising your hand up, "it's a bit more annoying than a paper cut. bleeds more than one."

"I could order for here-"

"no! it's okay. I'm done anyway. I need to take out the chicken in a bit anyways." and you move to grab the controller to your tv, "do you have anything in mind you want to watch?”

“the news.”

you slightly furrow your brows, but accommodate to his request then leave the controller on the coffee table, "you see something happen?"

"just don't like not knowing what's going on," he huffs gruffly while eyeing the ongoing news report for the day.

"A ghoul has atrociously murdered and consumed various members of our community. last night's victim is unidentifiable, but his age can be estimated to be about thirty. surveillance cameras near the area show no capture evidence of who could have done this, but reports and evidence point to it being the same perpetrator of the last couple of murders this month-"

you walk to your oven to get the chicken out and start to put on your mittens, "at least it's not girls."

sukuna's eyes flicker towards you, interested in what you're saying, "you should be scared."

you're setting the hot pan on the countertop when you look back at him, eyes clean of any fear, "but he's been eating shit guys."

sukuna turns his body to you and crosses his arms, as if he's about to chew your ear off for saying that, but you continue, moving to plate the food for both of you, "all the bodies they've reported are all well distinguished low life perverts, some have even tried to chase me down when I say no. one of them tried taking a picture under my skirt once."

you place the plates on either side of the dining table for the both of you and sit down, "whatever ghoul that's getting his full with them doesn't scare me. we know he eats a lot, if those guys weren't enough, he'd go for girls already. and before you bite my head off for not being scared, you should know by now that I rarely go out at night, especially not without someone with me. now sit, food's ready."

sukuna eyes moves towards the dining table and eyes your dish a bit wearily as he slides his chair out for him to sit on.

when he sits, you speak again, "I got the recipe from one of those super healthy bodybuilders, so it should be good enough for you. plus, I'm a good cook."

sukuna still stairs into the void, where our plate should be, but he makes for the knife and fork you put for him, "thank you."

and he enjoyed it, you think. he didn't say it was good, but he finished his plate diligently. if he hated it, he would have said something, or shown it on his face.

"I'll wash the dishes," he said when you were about to reach for his plate and instead he took both of yours and got up.

"oh, okay," you observed as he turned on the faucet, his back to you, he looked out of place in the small spot, "I can start putting a movie, you liked when I read Howl's Moving Castle, I have the movie for it."

You looked for a response, and you received one in the form of a nod, so you stood up and sat on the couch, looking through your streaming services.

sukuna finishes faster than you expected

"I need to take a piss," he says as he walks towards the restroom

"okay," you responded without hesitation as you tried to restart the movie considering your streaming service was glitching on you and the movie was already in the ends credits--you watched it that often.

you solved the problem quicker than you thought, because when sukuna comes back from peeing, you've already got the movie paused at the beginning, waiting for him to sit so you can press play.

and when he does sit, it's at a distance from you, which you don't make a comment about because hey, maybe he's just a guy with boundaries.

and it's halfway through the movie that you have barely even paid attention to your favorite movie of all time. the music you always enjoy and look forward to seems to have never reached your ears. the funny antics by Calcifer don't elicit a giggle from you.

"why haven't you tried to kiss me?"

is he even attracted to you? because you have boundaries and you're a woman, but

you want his hands on you for more than just protection or help. you want to know what it feels like to sit on his lap, that you're sure is more comfortable than your couch considering how meaty and large he is.

and now you're in silence, even though the tv must be at more than the recommended volume setting.

"do you want me to?" sukuna asks, still watching the movie, but you can tell his attention is entirely on you

"I wouldn't be saying anything if I didn't want you to..." you breathe, cursing yourself for bringing such an awkward situation upon the both of you. the movie seems as if its not being processed by your eyes even though you're staring at it, too scared to look at him.

the need to backtrack overcomes you and you feel like you need to overexplain your lack of manners and how he should disregard what you're saying when-

he's tilted your chin towards him

and his mouth is on yours

its beyond sensual and you can feel your thighs shift against each other, but nowhere is it an intense roughness.

he's a godsend, you think, right as he pulls away and gets up.

you're dazed and confused as he walks to your door

"I preferred when you read the book to me," he states monotonously while he shrugs his leather jacket on and opens the door.

"I'll send for a dessert for you later." he's halfway through the doorway and his back is to you, "don't finish it all if you still feel full. your cramps get worse with sugar."

"my cramps-"

he shuts the door and you're left dumbfounded in your living room

oh. he must've seen the packaging of your pad thrown in the restroom bin.

later that night, there was a large helping of warm churros that a guy delivered to your apartment building.

you img_786 thank you, they're really good

sukuna don't finish all of it

you I won't <3

and then he's gone

for a month you haven't heard from him

you shouldn't be rotting in your bed this often, but you are. you don't want to frequent out unless its with him. the few bookstores you did know before him, and went to after with him are sickeningly wrapped in the ambience of him.

going out at night reminds you that he didn't like when you were out at night, sending punctual texts about whether you were home or not

the walk home, where you got excited to even see him for a second is a disdainful reminder of him.

and you feel so ridiculed

the last time you talked, it was because you technically asked for a kiss that he ended up giving

but then walking away and going home.

it hurt your ego

you ran out of matcha tea a bit before sundown. it was a calming drink for you, something you'd been finding comfort it especially during this time.

so you left your apartment to go to the grocery store in your neighborhood. it was a weekday, so the streets weren't all that crowded, everyone was already on the way home.

it was a quick trip, you came out with a tin of matcha and a tub of ice cream, but the sun was halfway through its descent back into the night.

nothing would happen. ghouls don't lurk the moment the sun sets.

your apartment is around the corner when you hear a familiar voice.

"don't move unless you want me to eat your kagune."

why does that sound a lot like him?

there was a sort of mushy sound that followed, then a painful groan

or screech, you couldn't tell the the difference from how pained it was

"please sukuna! I-I didn't know-"

a scream followed, along with a grotesque noise

he said sukuna's name? is that-

"AHAHAHAA LOOK AT HOW FUCKED UP YOUR LUNGS ARE! BASICALLY SHREDS IN MY HANDS!"

it's undeniably his voice, but you've never heard him like this.

if you could just get a look, turn your head over the alleyway just a little

you almost vomit at the sight.

the man you had been moping over for the past few weeks had four large tentacles for a kagune, bright blood red and pinning down the man beneath him, who's lungs unmistakably were in sukuna's hands.

he was eating it like it was something easy, like a slice of ham

the other man-ghoul's intestines were spilling out onto the ground

and all you could do was stand still.

"I didn't know she was off-limits!" the ghoul cried, tears running down his half eaten face considering he was missing a piece of cheek.

"doesn't matter," sukuna retorted, digging a hand in again and taking out what looked like a liver, "what were you going to do to her huh?"

he took a bite and spoke with a full mouth in his face, "I know what lowlife creeps like you like to do to girls like her."

"and how are they supposed to stop coming if I let every creep that wanders near her live?"

and upon further inspection, you realize that the guy underneath him spoke to you this morning on the subway. he made uncomfortable conversation about your skirt and you got off the moment he started getting too close to your personal space

unbeknownst to you, you start shaking and your breath hitches

sukuna hears it

when he turns to face you, where the noise came from, his eyes are red this time, the whites blackened. he's breathing hard as he stares you down.

"go. home." is all he snarls menacingly

and no matter how hard you want to plant your feet and say no because you're mad at him, you run back home. the minute that was left in walking home became twenty seconds.

how you wound up at your apartment that fast was a wonder to you. but all you know is that so many things are making sense, but not at the same time.

that ghoul was going to come for you if it wasn't for sukuna. was sukuna the ghoul from the news? had he eaten all those men? god, you can't even remember all the times you've been cat-called or bothered on the street. how long had he been doing this?

"open the door."

you're back to reality at the sound of sukuna behind the door to your apartment

maybe if you pretend you're not-

"I can hear your heart beating, open the door."

"I don't want to!" you try not to yell, speaking as firmly as you can so as to not garner unwanted attention.

"if you open the door," he starts to speak with irritation that so tells you theres a just as irritated smile on his face, "I can explain to you."

"why do you want to talk now?" you stomp your foot on the ground, praying that the inertia stops the tears building on your waterline from falling down your cheeks

"open the door and I'll tell you y/n." he says, patience still wavering

he stares you down menacingly when you abruptly open the door, but you've got your own look to challenge, brimming with almost tears and an anger like no other at how he hurt you

"I told you to not go out at night."

"how long ago was that huh?" you retort

sukuna bites his cheek and enters your apartment, planting himself in the farthest corner of your living room to argue with you.

"you still know better." he gestures a hand to the window, outside, "I don't care if there's still a couple minutes before the sun sets. don't go outside."

"why not, you'll be there to eat anyone who lurks near me."

your nose is scrunched at him in anger and for the first time, it looks like he has nothing to say

"were you the ghoul from the news the other night?" you sniffle

sukuna looks at you with dead irritation, like he has a million things to say, but none at the same time.

"are you trying to keep me to yourself? to eat me on a rainy day, like a special treat? is that why you couldn't bare to date me? because I was just food?"

"no." he bites back, arms crossed, tongue poking through his cheek while his head moves to face the other way

"then?" you waiver, hands dropped to the sides of your body in fists.

"I'm a ghoul," his red eyes dart to you, pinning you under his gaze," you're a human."

"you can't stand that I'm a human?" you step back, hurt

it seems your words confund him to irritation again when he responds, "you just saw me eating someone's lungs."

"he was going to eat me." you reason

"you're an idiot..." he scoffs, tapping his foot impatiently on the ground

"then why are you still here?" you bite back

your retaliation seems to have set him off, because he soon starts walking towards you and pins you under his body and the countertop behind you

"I was born to eat you," he snarls close to your face, "I will find a way to break you. it's nature. every single day, all I can think about is how much I want to sink my teeth into your flesh. does that not scare you?"

"maybe that's because you never tried to take out your urges on me in other ways." you murmur defiantly

the comment makes him stand still, leaving both of your breaths as the only sound in the room.

"you don't know what you're saying." his nose twitches

"neither do you, you've never tried."

his hands are gripping the countertop so hard, you can hear a slight crumble.

but then sukuna's breathing grows ragged and it would have alarmed you, were it not for his following actions.

his arms brings your entire body towards him when he envelopes you in a nasty kiss.

this

this was sexual

his chest grumbles when you stick your tongue into his mouth and he sucks on it painfully

the bliss is so entrancing, you can't even distinguish the metallic taste.

one of his hands goes to envelop your ass and the grip he has is so strong and painful that you think he's made finger sized holes in your jeans.

the moan that leaves you is far too sinful, but he pulls you impossibly closer and grabs you by the back of your legs to pull you up. sukuna then starts walking to the only other door that doesn't lead to the restroom. to your room.

he'd just bitten your lip to the point where you're sure it'd be bruised within an hour when he threw you onto the bed and yanked your pants off. you don't know if he tore them off or genuinely took them off, but all you know is that the sight when he takes off his shirt next is magnetizing. his body is sculpted and defined everywhere, his pecs are huge, his abs scrumptiously lining his abdomen, and his v-line makes you eager to jump on top of him.

but his tattoos, they're the cherry on top. there's two ragged lines, almost as if fangs scraping down his abdomen, and they seem as if they have brothers and sisters reaching to do the same down his pecs and on the small of his neck. you know about the others on his arms, but not these.

"take off your shirt before I rip it off and you start whining about it." he growls while he fiddles with his belt to push down his pants

you follow orders, no care for if he did rip your shirt (in the moment), but eager to have him

the hard on you're greeted with is just below terrifying.

were all ghouls this gifted?

you have a feeling this was just sukuna

"still feel like you can take it." sukuna snarls as he pushes you further up the bed and positions himself between your legs.

you don't even get a chance to make a comment on what he's about to so intimately do before he tears through the fabric separating your pussy from the outside and delves in without so much as a second thought.

not even ten seconds in and your legs are shaking furiously, with no stop to it so as long as he was on top of you

his tongue is penetrating you so deeply and you don't even have time to question if that's a biological feature on ghouls. all you know is that's it's wet and oh so stimulating, so much so, you're screaming and whining

there's no words you can say, you're screaming so much from the pleasure that you instinctively start to pull away from him, but he growls and keeps you in place

he's been staring at you this entire time

with those eyes

mercy be

it's just enough to drag you to the tipping point and your relief washes over you and him, while he drinks it all up ferociously.

you think he's going to stop when it feels like he's licked you clean from your mess

until he doesn't

he goes on

and he goes on for what seems like an hour

you feel you've gone insane, you can't even count how many times he's made you cum since. you've never been destroyed this way.

your voice is gone when he comes up and stares at you, caging you between his arms.

you're not going to tap out, you try to say with your eyes

and he understands, as it seems, hiking up both of your legs to your chest and beginning to run his fat tip across your folds

"remember, you asked for this." sukuna mutters meanly when he pushes in in one go

you thought it was a lie when some girls said their boyfriends were so big, that they could feel their veins rubbing against their insides

it wasn't

even his tip is being molded to by your pussy

"oh my god," you moan painfully, "I can't-i'm gonna-"

"you can," he retorts, starting to pull back and the mere drag has you keening

you think you have the same effect, considering how labored his breathing has gotten and there's nothing left for you to do besides pull him in for a kiss to sedate yourself from the intensity happening below

the single beginning of the contact illicits sukuna's start of a ruthless pace

your moans seem to make him suck on your tongue punishingly every time. and your hands can't find nothing else to do besides drag painfully down his back. you think you might have just hurt your own hands from how hard his skin is.

sukuna stops kissing you while he pummels inside of you to speak

"scream for me."

command or not, you were still doing so

"filthy little slut," he groans through each stroke, "tightest fucking pussy I've ever fucked."

"pussy's fucking mine, you're never going to touch anyone else. if you even try, I'll kill them."

he keeps going like this, on and on and all you can do is nod and agree with everything he says, because let's be honest, who were you to even glance at someone else after this?

you notice purple indents forming where his hands are on your thighs when he leans down to your face and says, "whaddya say princess, you like being mine?"

"mhm," you nod ernestly, and gather the courage to speak, even if it is hoarse, "love it so much sukuna."

"gonna blow a huge fucking load in your pussy," he murmurs to himself more than anything

"plea-please." you moan needing to be as close to him as possible, feeling an idea surface to your mind

"bite me."

if sukuna weren't so depraved and lost in you, he would have stopped. but he keeps going and instead leans closer to hear you

"bite me," you breathe, almost screaming at the end, "just enough for it not to scar."

sukuna keeps staring at you while he destroys your insides, giving no indication as to if he was going to do follow through with your wishes, until he leans down to your chest

you scream in pain and a delicious ecstasy

there's a small little pool of blood coming from your skin and his mouth when you look down. his hips start stuttering too, and it makes you think that this might be his tipping point.

you're so fucked up that it's yours too

before you know it, his pace grows so erratic that you start cumming and pulsating around him sporadically, unable to contain yourself from the pleasure.

and he starts cumming too.

sukuna lifts himself up from your chest and captures your mouth in his, making you taste a part of yourself you never thought you would. he grows weak in the kiss too, while his cum seeps out and pools into you. it lets you nibble on his tongue, an action that him sinking into your body while he gives you a last few weak thrusts.

"ow," you giggle after a moment of silence

sukuna brings his head up quickly, eyes slightly wide and in worry

"how am I gonna wear a bra over that," you laugh, observing the bleeding bite mark over your boob

sukuna looks down at it, "just don't wear one."

"boobs bring perverts."

sukuna rolls his eyes in exhaustion and dips his head into your chest, licking your wound, "you're not going anywhere without me there anyway."

#sukuna x reader #sukuna ryoumen x you #sukuna ryoumen smut #sukuna smut #jjk smut #jjk x you #jjk x reader #sukuna ryomen #jujutsu kaisen x you #jujutsu kaisen x reader #jujutsu kaisen smut

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she-who-fights-and-writes · 9 months ago

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“Show, Don’t Tell”…But This Time Someone Explains It

If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”

Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).

More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation.

The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)

1. What Does "Show, Don't Tell" Even Mean?

“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.

EXAMPLE 1:

Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.

EXAMPLE 2:

Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.

EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")

Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.

Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.

Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating.

As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!

2. How Do I Use “Show, Don’t Tell” ?

There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.

In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.

i. Help When Your Writing Feels Bare-Bones/Soulless/Boring

Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?

It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!

Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)

ii. Add More Depth and Emotion to Your Scenes

Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.

Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."

Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."

iii. Understand that Sometimes Telling Can Fit Your Story Better

Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!

Initial Impressions and Character Opinions

If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).

2. Tone and Reader Opinions

Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.

3. Pacing

"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.

iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!

If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.

Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!

3. How Can I Get Better at “Show, Don’t Tell”?

i. Use the Five Senses, and Immerse Yourself!

Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?

Smell? Hear? See? Touch? Taste?

Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.

EXAMPLE:

TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut.

The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)

ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer

Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.

Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.

(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)

If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?

How do the actors convey things that can't be experienced through a screen, like smell and taste?

Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.

iii. Listen to Music

I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.

Here’s a link to my master list of instrumental writing playlists!

iv. Practice, Practice, Practice! And Take Inspiration from Others!

“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!

If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.

In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!

If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !

Hope this helped, and happy writing!

#writing tips #writing advice #writing help #writeblr #booklr #writers #writing #show #creative writing

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empire-of-the-words · 3 months ago

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AU where Bruce and Talia get married and Ra'd just... hangs around

He finds Wayne Manor’s version of the mother-in-law suite and refuses to leave

He had LoA meetings there for a while, but Bruce kept spying on them ("It’s my house!") so confidential information isn't discussed there, but everything else is fair game

Alfred's cookies means the League book club is suddenly very popular

None of the kids can bring friends home without having to explain "Yeah that's my (step)grandpa wearing the dramatic robes cursing my dad for stopping him from killing the mayor. Yeah the ninjas are his too. Same with the endangered animals wandering around the house. No it's actually pretty calm today"

Alfred starts cooking larger amounts of food because there’s always a ninja or two (or ten) hanging around, and he’s determined to be a good host ("Why is there a cake tonight?" "It’s Bob's birthday, Master Bruce " "Ninja Bob? Damn I forgot to get him a gift.")

Ra's always spoils his grandkids rotten, of course, but in the weirdest ways possible. Mainly pets. Bruce does not appreciate this.

When Cass shows up, she and Ra's have a staring contest for an hour straight. No one's quite sure what happened, and no one really wants to know

And his shenanigans aren't confined to private either! If there's a gala, he's there, and he does not care about social etiquette. That man makes headlines way more often than not ("'Wayne FIL Has Bodyguards Attack Socialite For Wearing Fur'." "That fur comes from an endangered fox; how else was I supposed to react?")

Ra's likes to match gala outfits with Talia, Talia likes to match with Bruce and Damian (and whatever kids consider her their mom), and the other kids like to join in on the joke, meaning the entire family is matching except for Dick, who refuses out of spite (a picture of them all together quickly becomes a meme format)

The Halloween gala is filled with people in ninja "costumes"

The Court of Owls tries to assassinate Ra's once, not because of the League of Assassins thing, just because he got on the nerves of one too many members. Taking them down is one of the few times Ra's and Dick get along, and it freaks everyone out so much they're determined to never let it happen again

The family is divided on whether they find him and his shenanigans amusing or not. Talia, Jason and Duke do. Bruce and Dick don't. No one's quite sure about Cass, and Damian won't say either way. Tim starts a mini war with Ra's, with the casualties ending up as 2 chandeliers, 5 computers, 4 antique vases, at least 7 League plots, the microwave and Tim’s spleen

He does manage to find the Lazarus Pit infecting Gotham’s water supply and isolate it. So. That's nice.

#ra's al ghul #batman #batfam #al ghul family #bruce wayne #alfred pennyworth #talia al ghul #cassandra cain #damian wayne #dick grayson #jason todd #duke thomas #tim drake #as in every au tim finds a way to lose his spleen #league of assassins #brutalia #(minor)#ras al ghul

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magicalmanhattanproject · 9 months ago

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Okay, so with Quackity Studios tweeting about adding new people and the need for tolerance and patience with people who don't speak English, let's just take a second and have a chat about what that's gonna look like.

First: you will hear things or read things on the translator that hurt or offend you.

This is inevitable. Do not immediately post about it. What you need tolerance for is hearing things that hurt or offend you and what you need patience for is figuring out of malicious intent was present or if this is a hill worth dying on right now.

As an example, we're pretty sure at this point that Korean is gonna be the next language added. The second person pronoun in Korean sounds a lot like the n-word in English. The n-word in English, if you're not aware, is like the single most offensive slur we have. It's not something that you want to hear unexpectedly. But also, if we get Koreans, they're gonna be using the word for "you" and English speakers are gonna have to be able to tolerate that.

On the other side of things, Korean has a complex system of honorifics and addressing someone without an honorific would be considered very forward and intimate at least if not very rude. None of the QSMP languages have honorifics though and only French really retains formality* so no one else is going to address them with honorifics unless they specifically explain it to people and walk them through it. That will probably be weird and uncomfortable for them and they're going to have to be able to tolerate that.

*Spanish and Portuguese do technically have formal vs informal but it's disappearing quickly in both of them.

These natural cultural clashes and pain points are going to be harder to overcome since we also know that at least some of these creators won't speak English at all so they can't just switch to English to helpfully explain things to us easily in a way we understand. We're going to have to deal.

So here's the thing: just because there can be cultural miscommunications and mistranslations, that doesn't mean that people can't also be assholes. How do you distinguish between the two?

Step One: Assume good faith. Assume that everyone in a given encounter is trying to communicate respectfully and compassionately and that a failure to do so can be overcome

Step Two: Don't get involved. Especially not in Twitch Chat. Two or more people trying to communicate through a language barrier does not get easier when they're also trying to wrangle hostile viewers.

Step Three: Are you sure you heard what you thought you heard or saw what you thought you saw? Did the translator fuck up? Is it a word that just coincidentally happens to sound like another word? If this is the case, the streamers can ask for clarification or use another tool and get it cleared up. Keep watching and see if they do.

Step Four: If they did say what you thought they said, are the streamers handling it? We had a thing a while back where Bad called some friends, including Bagi and Etoiles, uncultured because they didn't get a reference he was making and Etoiles was like "bro I'm French" and Bad apologized. That should have been the end of it, but I had to see people arguing about it for weeks. The problem was solved in 10 seconds.

Step Five: If the person is doubling down, are you sure this is something you can fix by yelling about it on Twitter or Tumblr? Would it be better to let people who actually know them talk to them behind the scenes? Pierre made a few missteps in the beginning of the server, Quackity said they had a chat, Pierre hasn't misstepped since. It's just easier to sort things out in private, one on one conversation than yelling at someone in public.

In short: it's fine to take note of behavior in case patterns start to emerge in it, but yelling on social media about how so and so is the worst person possible is not constructive.

#sorrelposting #qsmp

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starcurtain · 2 months ago

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A Look at Ratio and Aventurine... and Ratio/Aventurine

I was morally obligated to use this picture.

Anyway, I got an ask about my understanding of Ratio and Aventurine's relationship both in canon and as a ship that I have been holding on to for a while now because... phew, there's like... a lot to talk about there... But I felt I should at least give it a try, so here is my attempt to comment on the intersection of two of Star Rail's most complicated personalities. Long post is longgggg; you have been warned.

First, Aventurine's canon relationship to Ratio:

In the interest of not hitting tumblr's image limit, let's just throw out some of the information we have in one go:

It's pretty complimentary. (Yet somehow...)

The implication of the infamous "Keeping Up with Star Rail" video is that Ratio understands Aventurine better than anyone else, and Aventurine knows this. At the very least, putting all shipping aside, Ratio is the person who can explain Aventurine's behaviors best. He's the person Aventurine chooses do so. This suggests significantly more knowledge of each other's lives than the game first led us to believe.

Other people (read as: my GOAT Owlbert) perceive respect from Aventurine to Ratio, and although I read them as a bit sarcastic, the 2.1 mission logs not only repeatedly confirm that Aventurine views Ratio as smart and reliable, but that Ratio is reliable "as always," again indicating a longer and closer history of collaboration than we get to actively see in game. The devs were working hard to tell us "Penacony isn't Ratiorine's first rodeo," which is interesting--given Topaz's voiceline recommending the Trailblazer avoid working with Aventurine whenever possible, we're led to believe through 2.0 and 2.1 that not many people will willingly work with Aventurine more than once, let alone many times.

While going through psychological scrutiny from the Ghost of Christmas Yet to Come his Harmony-infused self, the "Future" Aventurine suggests that Ratio and Aventurine are quite similar, and that Aventurine puts a surprising amount of trust in Ratio, to be willing to hinge such a dangerous plan on something as untested as Ratio's ability to act. At the very least, Aventurine's own psyche is pondering on Ratio and whether or not their connection has any emotional meaning.

But despite all this evidence suggesting Ratio and Aventurine spend significantly more time with each other than we get to see in game, Aventurine's own thoughts cast strong doubt on whether he and Ratio are actually close.

Aventurine's "About Dr. Ratio" voice line suggests that Aventurine believes Ratio does not particularly like him. He seems to think that Ratio would prefer to stay away from IPC operations where possible, and it's "unfortunate" for Ratio to be stuck with Aventurine as a conversation partner. He's tolerated, rather than enjoyed. His overall impression seems to be that Ratio mostly views them as distant coworkers.

When the "Future" Aventurine suggests Ratio did not betray Aventurine willingly, actual Aventurine immediately pushes back:

(Personally I'm on the fence about whether this was real doubt or just a ploy to continue sussing out Sunday; see my other post about this scene for some more thoughts.)

But if we take this statement to be played straight, it implies that Aventurine doesn't fully believe Ratio will side with him, even (maybe especially) in dire circumstances. If this statement is real doubt, then despite considering Ratio the person who best understands him, despite building an entire life or death gamble around Ratio's loyalty... Aventurine still doesn't think Ratio even likes him.

Aventurine's not stupid or blind, so theoretically he should be able to read the situation better than that. But actually, there's plenty of evidence both in the game and outside it to suggest that Aventurine is not the most accurate judge of his own relationships to others and is a down-right terrible judge of his own worth as a person.

"Future" Aventurine suggests that one of Aventurine's deep inner flaws--the truths that he rejects about himself--is a massive inferiority complex. This is backed up well by the mission text, where Aventurine's thoughts about himself spiral into self-harm, and the scene in the maze, where "Future" Aventurine taunts our Aventurine with the unforgettable fact that his entire life was only worth pennies:

There's also pretty consistent self-deprecation, with both "Future" and real Aventurine noting several times that he's a pathetic mess of a person that other people don't trust or like.

The overall impression 2.0-2.1 left me with is that Aventurine is perfectly capable of respecting and caring for others, but virtually incapable of accepting other people genuinely respecting and caring for him.

Part of this seems to stem from the directly-stated sense that he's a failure whose only worth is in transactional exchanges, using and being used by others (there's so many layers to this--internalized racism even), but I also suspect that much of his inability to accept genuine connection from others is defensive behavior.

Aventurine's true self, Kakavasha, is deeply hidden away, like the ghost of the child that manifests from his Harmony delusion in the Dreamscape. Although Aventurine clings to that person, claiming that he has "never changed," he actively coats over his beliefs, his kindness, and his authenticity with the mask of a "cavalier gambler," with glitz and glamor and showy distractions. No one gets to see Kakavasha. No one gets to know him, because being buried deep in the dirt is the only way to remain untouchable, and fiercely keeping one's distance is the only safe bet. (For both Kakavasha and any fools who would doom themselves by daring to care for him.)

So: Canon is telling us that Ratio is one of, if not the, closest people in the world to Aventurine. But canon is also telling us that that still means absolutely nothing at all, because Aventurine won't let himself be close to anyone living.

Aventurine's senses of self-worth, trust, attachment, and safety have been warped so badly by ongoing and untreated trauma and mental health issues that, at least until the end of 2.1, I just don't think he was capable of even accepting genuine friendship from Ratio, let alone anything more.

(Interesting side note here: Ratio is actually one of the people Aventurine calls "my friend" the least. He only says it directly to Ratio a single time in all of their lines of dialogue across 2.0 and 2.1, and even then, does so only when right outside Sunday's door, while almost certainly being spied upon by the Family. Anyone who knows how often "my friend" is peppered into Aventurine's dialogue otherwise should know that the absence of the phrase is actually pretty telling. It almost feels like canon Aventurine's not even sure he can call Ratio his friend, at least to Ratio's face.)

Which makes Ratio's canon relationship to Aventurine quite sad and ironic:

From start to finish, Ratio canonically esteems Aventurine more highly than almost any other character in the game. I'm not even talking about shipping when I say that there is no character Ratio is closer to in the entire game.

At present, Ratio has only four voice lines about other characters, and of those four, Aventurine's is the only one that isn't someone from the Genius Society. The only one. Ratio's voice lines are also notably, uh, not very complimentary. Herta is "talented but not helpful to others" and "sees no one as her equal" (read as: she's self-absorbed). Screwllum is a "monarch, rather than a genius" (with the vague implications of being a tyrant), and Ruan Mei is overly ambitious and "fooling everyone."

Meanwhile, Aventurine is "our man" (who is "our" Ratio? who?) whose success "can't all be chalked up to luck," implying that part of Aventurine's success must come from skill. Ratio notes that Aventurine questions his own ability... but as far as Ratio's evaluation goes, he seems to doubt that Aventurine will ever experience a downfall. For someone who thinks 99% of the people he meets are mediocre failures scrambling around in the filth of existence, to be recognized as skilled and unlikely to fail is quite obviously glowing praise.

Then, of course, there are numerous moments that echo Aventurine's hints, implying that Ratio spends significantly more time with Aventurine than we see on-screen, that he knows Aventurine extremely well, and, although he tries (vainly) to pretend he isn't, he's clearly quite concerned with what Aventurine thinks of him.

Especially this last one. "No wonder that gambler likes you so much" is pretty intentional on the devs' part, confirming that Ratio and Aventurine are having off-screen conversations we players are not privy to, which obviously would indicate a closer relationship than the in-game cutscenes could cover.

Then, Trailblazer has the option to flat out ask Ratio to "rate" Aventurine. (Star Rail ship bait is not even subtle.)

At first, this line might read as all over the place:

"The bosses say we're partners but I wouldn't say that" -> Read as: Ratio wants people to know how their relationship is classified but doesn't want to admit to being actually invested.

"I see myself as the teacher to everyone I meet" -> Read as: Ratio at least pretends that he doesn't view anyone as his equal; everyone is either above him--geniuses--or below him--students.

"Aventurine is not that bad of a student" -> High praise; even Ratio can't pretend Aventurine's untalented.

"Actually, Aventurine's probably in metaphysical danger" -> Read as: Ratio is aware of the "void" Aventurine is experiencing and his mental struggles.

The ultimate takeaway of Ratio's "rating" actually says more about Ratio than Aventurine. When it comes down to it, Ratio's choice to answer this question for the Trailblazer instead of dismiss it tells us that Ratio has spent time quantifying and trying to define his relationship with Aventurine, is willing to at least discuss that relationship with other people (when we have no evidence he ever discusses any other personal/non-academic matters with anyone), and that Ratio pays attention to Aventurine's mental states.

Canon Ratio is not beating the allegations, I'm afraid.

But actually, I think the biggest tell about Ratio's canon relationship to Aventurine is that Ratio's behavior completely changes the moment Aventurine appears in the game.

In every single one of Ratio's other appearances, two facts are hammered home again and again:

First, Ratio hates interacting with fools and "noisy" people. He wears his plaster bust so that he doesn't even have to see them. Canonically, we're informed by both March 7th and Argenti that Ratio brought and was wearing his headpiece in Penacony. Curiously though...

The players never see it throughout 2.X--probably because 90% of Ratio's scenes are with Aventurine, and Ratio is never shown wearing his bust on screen with Aventurine--even in their very first meeting in the Final Victor lightcone. Aventurine clearly knows of the bust, but despite Ratio verbally going on and on about how Aventurine is the most "flashy" and "devoid of logic" person Ratio knows... the devs deliberately send their message: Ratio has chosen not to cut himself off from Aventurine.

Aventurine can be more "clamorous" than a screaming peacock, but Ratio will still not put up walls against him. This isn't accidental. The devs had every opportunity in the world to go the opposite route and make jokes about Ratio refusing to take the bust off in Aventurine's obnoxious presence; instead they decided that Ratio apparently has a glaring, Aventurine-shaped exception to his "I don't want to perceive you fools or be perceived by you" life rule.

This "willing to tolerate shenanigans only if Aventurine is involved" behavior continues basically throughout all of Penacony's plot. In 2.3 for example, if you turn around and talk to Ratio again on the Radiant Feldspar, he flat out says:

But there's no actual explanation for why he's there in the first place. He mentions he was assigned to watch over "the IPC's ambassadors," which theoretically should apply to Jade and Topaz, yet we never see him interacting with them in any capacity. He's never even shown in the same room as Jade or Topaz, and he's not shown doing any other form of business for the IPC on the Feldspar either. Theoretically, he could have been on the Feldspar to meet regarding the Divergent Universe... except Screwllum wasn't there yet, and Ratio doesn't mention a single word about the Divergent Universe to the Trailblazer.

The only person Ratio talks about in his dialogue on the Feldspar is Aventurine, and the only non-Trailblazer he talks to in 2.3 at all is also Aventurine, replying to him and only him in the group chat.

He looked like he might give it a shot to try to befriend Boothill and Argenti at the end of 2.3... but immediately changes his mind and leaves without saying a word to them.

It's not really a stretch to suggest that the only reasonable excuse for Ratio to attend the party on the Feldspar was if he was there for Aventurine, a behavior that he himself notes is out of character. ("A waste of time" he says, as he stands there anyway.)

But, second and even more importantly: Ratio's single most defining character trait is that he believes people need to pick themselves up. The entire point of his debut appearance in the game was to present his philosophy that if the powerful or privileged intervene to continually "save" the mediocre, ordinary people will never learn for themselves or get the chance to grow. It is in times of desperation, he says, that fools exceed their limits and reach greatness.

This is why, in 1.6, he insisted on Asta and the Trailblazer being the ones to solve the attacks happening on the space station, without relying on Screwllum or the other geniuses. Although Ratio did actively intervene a little (using the phase flame to save the researchers from death), he did so only from behind the scenes, where his actual help would not be noticed by those affected and where it had no impact on their decision-making or their struggles to solve the mystery.

He let Asta and the Trailblazer panic. He let them flounder. He even deliberately misled them at points, claiming that Duke Inferno must have kidnapped the researchers (when it was actually Ratio himself who re-routed them).

Ultimately, Ratio let Asta and the Trailblazer grow from their experiences.

This is also why he lets the Trailblazer go blazing in to fight Ruan Mei's faux emanator of the propagation, despite knowing that Trailblazer was not actually strong enough to win. Ratio watched and was ready to intervene... but in the end he did not, because it was the Trailblazer's fight to lose.

Ratio's most defining character trait is that he believes standing back and observing is the true kindness, rather than inserting oneself and denying people their autonomy or opportunities to grow.

Buttttt... then there's Aventurine, and suddenly the story is completely different.

Suddenly, Ratio isn't an observer but becomes essential to the plan. He's even walking around making big claims about being the manager of the task, flexing all of his C+ acting ability to actively carry out their mutual ploy.

In 2.3, he claims he was just there to watch, and his Penacony sticker asserts he's only "a supporting character"--yet we have never seen Ratio take a more active role in the entire game. Unlike with the Trailblazer in 1.6, he's not primarily watching events unfold from shadowy corners. He's in Penacony as Aventurine's active partner in crime.

And, even more telling--he later jeopardizes their entire mission just to ask if Aventurine needs help.

What? Huh? The character who is famous for the voice line "You look distressed. Is something troubling you? If so, you can figure it out for yourself" is suddenly offering his assistance entirely unprompted?

The guy whose motto might as well be:

Is suddenly out here throwing his own core philosophy out the window to solve Penacony's mystery for Aventurine and save him from himself in Aventurine's hour of greatest need?

A lot of people get hung up on the second half of Ratio's letter, the part about staying alive, which of course is very sweet. But I think the second half causes people to forget that the first part of Ratio's letter is, quite literally, the answer to Penacony's mystery.

Ratio gave Aventurine the answer.

This is like if your professor just gave you and you alone the score key to the final exam and then turned around to insist he "doesn't play favorites."

Of course, Aventurine is brilliant and didn't need Ratio's answer about dormancy, which makes the fact that Ratio went out of the way to give it to him even more odd. Ratio despises unnecessary repetition. If he wasn't dead worried, he would never have given Aventurine an answer that Aventurine had the power to find on his own.

And, as far as canon tells us, Ratio has never done this for anyone else.

The difference is night and day. It's literally the Gordon Ramsay meme, with everyone else in the entire game being the "fucking donkeys" to Aventurine's "Oh dear. Gorgeous."

So: Even if we entirely put aside shipping, if we look strictly at what we're given in canon:

Ratio treats Aventurine with more respect than he treats most other characters in the game.

He involves himself in Aventurine's struggles in a way that he flat out refuses to do for anyone else.

He compromises his own beliefs purely out of concern for Aventurine.

So, at least as far as we've been shown in canon, it is accurate to state that Aventurine is the closest character to Ratio--and unlike Aventurine (king of self-gaslighting), Ratio isn't even good at acting like he doesn't care.

Frankly, the whole thing is a little sad. Ratio's behavior is so blatantly out of character that a smart person like Aventurine should easily be able to determine it is genuine, but Aventurine's personal hang-ups and ongoing trauma make it difficult for him to even see that authenticity, let alone put faith in it. Even in canon, Ratio is mostly unable to help himself when it comes to Aventurine, which is especially unfortunate given how badly skewed Aventurine's perception of himself and others is by the start of Penacony's story.

PHEW! I finally made it through canon content!

Now there's just... everything else... 🫠

Well, to be honest, I don't think I could ever manage to put all my thoughts about this ship into one post. Probably not even fifty posts.

So rather than trying to say everything there is to say about Ratiorine, what I want to focus on is how fantastically these two characters just fit together. Like puzzle pieces that need to be mirror opposites in order to link, these two characters parallel each other while also perfectly filling in each other's voids. It's some of the best character pair writing I've seen in a long time (though I'm still sort of convinced it was at least 50% sheer luck on Hoyo's part), and my perspective on their ship can really be tied to my underlying perception of Ratio and Aventurine's characters as remarkably similar individuals:

It's obvious that Aventurine is not a healthy or well-adjusted adult man, but like... neither is Ratio.

Both of these characters are "not quite right" marginalized people who, at least in my interpretation, have essentially given up on even faking normality and are now just vaguely play acting their way through being functioning members of a universe that is entirely unequipped to accept them for who they are. In a world full of cyborg cowboys and people with wings growing from their heads, the game still manages to somehow convince us that Aventurine and Ratio are odd ones out.

Kakavasha can't even exist in the dystopian capitalist hellscape of the IPC's machinations. "Aventurine" isn't even a real person, just a never-ending performance, a slick, devil-may-care persona without a single ounce of substance.

Ratio, meanwhile, is a world of one, rejected from the only place he thought he could find validation and acceptance but unable to lower himself to fit in anywhere else.

Aventurine is so bad at making genuine connections that he turns everyday conversations into gambles because he doesn't believe people will care enough to keep talking to him without tangible incentive.

Ratio's insistence on treating everyone as students, not as equals, also means he has an excuse to never emotionally engage with anyone he meets. (This is not at all a textbook method of intentional avoidance to prevent any chance of social rejection. Not at all.)

At the end of the day, Aventurine and Ratio both come across as desperately lonely, and so caught up in their own situations that they really don't have the ability to climb out of that hole on their own.

Preventing them from even being able to maintain any form of relationship is also the fact that neither one of them can even find justification. Neither one of them has a reasonable answer to the question "Why am I alive?" anymore, because Aventurine's reason died on Sigonia and Ratio's reason died with an IPC invitation instead of a Genius Society letter. Though their differing perspectives have led them on opposite paths pursuing their own answers to that ultimate question of "Why should I keep living?" (Aventurine was headed toward giving up before the end of Penacony, while Ratio has invented an immeasurable, impossible goal to distract himself from feeling purposeless), both of them are pretty much miserably unfulfilled in their current lives.

They're also both violently allergic to emotional vulnerability and to having any of their flaws or true desires actually be perceived. Both of them put up insanely high walls. Aventurine pushes boundaries with everyone he meets to provoke their hatred in advance, before they can come to disdain him for his "real" flaws. He acts out harmful racist stereotypes to use others' preconceptions for advantage, manipulating every situation he's in--incidentally affirming the stereotypes against his people by doing so.

Ratio puts a physical wall of plaster between himself and others, but the plaster bust actually doesn't have anything on the mental and emotional gymnastics he's engaged in to justify his isolation from the world, doing everything in his power to convince himself that he's isolated by choice, that it's perfectly logical for Veritas Ratio to have nowhere to truly belong, no one to truly belong with. He's so mundane after all. Of course the geniuses don't want him, that's just commonsense. But everyone else is so... different, so foolish, so illogical... It just wouldn't be reasonable of him to try to become one of them either, to be their friend instead of their distant educator. (You know, if you never try to integrate with others, then they can't reject you. Ratio has learned his lesson.)

Somehow, Aventurine and Ratio are two of the most competent and successful people in Star Rail's entire universe and simultaneously also two of the most misfit, reject, dysfunctional messes in the game. Like... Blade has a better support network than Aventurine and Ratio combined. The 7000-pound murderous mech with a disabled, genetically-modified war veteran who never got to live a normal human life hiding inside it is more capable of making friends than Aventurine and Dr. Ratio.

Which is why I love that the devs decided to make their canon backstory: "Some absolute treasures in the IPC and the Intelligentsia Guild had the galaxy-brained idea of pairing Ratio and Aventurine as strategic partners." The game's writing really said: "These two characters are so socially stunted, they have to be assigned a relationship like it's homework."

They may not have it all figured out yet, but the fans see the design: Now that Ratio and Aventurine have each other, they're not alone anymore. I have never seen two characters better fit the "Is anyone going to match my freak?" meme only for the actual answer to be "Yes."

Ratio is "plays chess with himself" levels of loner weird? No problem--Aventurine is "Wanna take bets on who's going to die today?" weirder. Ratio wears a plaster bust to ward off idiots? Aventurine transforms into a monster on command, which is pretty much guaranteed to achieve the same effect.

Ratio wasn't chosen by Nous? That's fine, Aventurine's one job as a "chosen one" was to save his people and now they're all dead. Nobody can keep up with Ratio in conversation? Watch a single comment from Aventurine turn him into a fumbling mess on live television.

Ratio's inability to relate to the experiences and development of any peers his own age have left him extremely isolated and with a permanently scarred sense of self-worth? Wow, I wonder if Aventurine knows exactly what that feels like.

They just... fit.

And, changing focus a little here at the end: While I personally think that recovery from trauma requires internal motivation and self-kindness foremost, I also think that Ratio and Aventurine's relationship should be considered from the perspective of how they help to fill each other's gaps.

Unlike any connection at the Genius Society who will always evoke unpleasant memories of Nous's rejection, Aventurine isn't going to make Ratio feel intellectually inferior. Aventurine has nothing but good things to say about Ratio's intelligence, and it's even apparent that Ratio felt comfortable enough to at least mention his Genius Society woes to Aventurine, something he explicitly does not do with anyone else.

Even when it comes to social interactions, Aventurine isn't going to make Ratio feel inadequate, because honestly? Aventurine's almost as bad at them as Ratio. Aventurine is much better at faking it socially, but when it actually counts? When he's trying to be real with others? A solid 70% of the people who meet Aventurine still end up wanting to strangle him. The guy tried to apologize for threatening to detonate the Trailblazer like a bomb by buying them a model train...

Then there's this:

Aventurine is the only character explicitly called Ratio's equal in game, and more than just treating him respectfully as an equal, Aventurine also exhibits one extreme appeal that no one else in game has ever shown to Ratio: Aventurine makes Ratio feel needed. For Aventurine, Ratio is not a forgettable after-thought as he is to Herta and most of the other geniuses. He's not just "some weird guy who scolds me about school" like he is to the Trailblazer. Ratio's intellect and skill were integral to Aventurine's plan from step one to the very end. Ratio has a place in Aventurine's plots. For a character who directly assesses worth by how beneficial a person can be to others, the fact that Aventurine can make Ratio feel wanted and valued probably produced some of the strongest personal fulfillment Ratio has had in years.

On the opposite side, Ratio's in a unique position. Out of every relevant character in Aventurine's story, Ratio is the only one who has nothing to lose by choosing Kakavasha over "Aventurine." Ratio doesn't profit off Aventurine or take any expensive gifts from him, like the Trailblazer does. He doesn't need Aventurine's luck for anything at all. He'd be able to work for the IPC even if Aventurine wasn't in it. Ratio certainly doesn't want the glitz and glamour of a shallow gambling hustler persona. His work doesn't require Aventurine's continued involvement like Topaz's and Jade's does. He'd probably prefer not to know any Stonehearts at all, thank you for asking.

Outside of deliberate-acting insults about Sigonians for Sunday's sake, we're not told that Ratio has any connections to--and therefore has no preconceived biases against--Sigonians. Being a person who values self-determination and a refusal to live in mediocrity above all else, he would have nothing but esteem for how far Aventurine has managed to come despite the harsh circumstances of his life. Ratio probably wouldn't even think Aventurine's belief in Gaiathra is that strange; one of Ratio's doctorates is actually in theology.

Unlike literally everyone else in the universe who needs "Aventurine," we have every indication that Ratio's respect and admiration will only grow when he finally gets to meet "Kakavasha."

Loneliness, rejection, betrayal, a lack of understanding from others--all of these can leave wounds that only genuine, deep bonds with others can heal.

On death's doorway, in the darkest shadow, when Aventurine had to make the choice between passing on to be with the family that loved him and choosing to return to a reality without them... Ratio's letter was there, telling Aventurine the exact thing he needed to hear to choose life: Someone is waiting for you to come home.

If the resounding rejection of Star Rail's Nihility is belief in humanity's power to make meaning in our own lives through our connections to others, then the ultimate message of Ratio and Aventurine's arc in Penacony is that no one needs to be alone. The world is not as empty as you fear.

And that is a message that Ratio and Aventurine can learn best through each other.

(I just... love them so much...)

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audliminal · 1 month ago

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Survivability Bias Pt 2

Masterpost

Danny spends the next few days exploring the town more, while he considers the implications of everything he’d learned at the library. He’d taken notes, but they’re not exactly the best. Danny’s never been that good at taking notes, after all, but he has a pretty good memory, so the various key words and few quotes he’d scribbled down are plenty useful in reminding him of all the wild shit he’d read about.

There’d been a lot of history involved in the whole meta situation. It seems like these so-called meta humans, and various other races (species? Danny doesn’t know nearly enough about the cultural implications of that) have been around long enough to have had a significant impact on the world at large. And yet, at the same time, there really hadn’t been a lot of personal information on any of the heroes. Oh, there’d been plenty on some of the villains - and of course there’d still be villains here, he’s not lucky enough to escape that - but aside from various speculation about their romantic lives, and a few acknowledgements of family ties here and there, there’d been very few details about where most of them actually came from.

Superman, for example (he seemed to be this world’s go-to example of metas and superheroes), is listed as being an alien, who’s powers come from his biologies unique interaction with this planet’s atmosphere, although it doesn’t explain anything about what that means. Interestingly, there seems to be almost no speculation about Superman’s so-called secret identity. Only about half the listed heroes seem to have one according to the public, but Danny knows that song and dance too well to fall for it. Honestly, they’re even more likely to have a secret identity than Danny himself, seeing as Danny’s alter ego is literally dead. Not that ghosts seem to be much of a thing here.

He’d felt so silly looking up information about ghosts, right before leaving the library. Compared to the deep dive into recent history, googling “are ghosts real” must have looked insane if anybody could see it. The answer he’d returned had been not unlike the way things had been when he was ten or twelve. Before the portal, you’d see dumb ghost hunter shows where they never actually saw much of anything. Ghosts were, like, poltergeists that moved your furniture around and slammed the doors shut. The results here had been a little more interesting - clearly in a world where superheroes are a fact of life, fantastical stuff is a little more rational, and the speculation was clearly affected by that fact, but it still had been, seemingly, all speculation.

Of course, none of that really mattered when it came to Superman. Danny was at least ninety percent sure he wasn’t a ghost. And even if he somehow was, it didn’t change the fact that he either has a secret identity, or he basically never takes part in society. And if he doesn’t have a secret identity, then the question very much becomes why not. Because that means he either has no real reason to care about anyone here (which seems implausible), or he’s unable to spend that time in public. It’s that possibility that’s knocked out any chance of Danny approaching any of the heroes. Because there’s always the possibility that the endorsed heroes are being used to lure other metahumans in. And Danny doesn’t know nearly enough about this world to make any kind of judgment on what’s most likely here. After all, historically there’s plenty of examples of governments that work with specific people among targeted groups, in order to more successfully take out the others. it tends not to end well for those people when it’s all over, but anyone who’s short-sighted or even just backed into a wall enough can fall for that.

Hell, the GIW had actually tried that line on Danny once or twice, not that he’d ever accepted. After all, they’d never realized that was actually sort of alive, so their pitches had always been... less than convincing.

Danny blinks, reaching out to touch the brick wall in front of him. He hadn’t meant to come back here, but honestly at this point, he really shouldn’t be surprised. This random little alley on side street wouldn’t be interesting at all to anyone else. But if Danny stares long enough, he can almost see the green-tinged light of the portal that brought him here. Not that he’d ever seen the portal from this side. He hadn’t turned to look until after the light had faded. The idea of seeing his friends’ faces through the swirling green had been too much.

They had all known exactly what it meant when he came here. The difficulty of the journey was the point. Between the anti-ecto acts gaining not just mainstream awareness, but support, and the GIW gaining access to better funding and training, well, the second the GIW had started successfully ending ghosts, it seemed like all the denizens of the zone had collectively decided to stay the fuck home.

At first Danny had enjoyed it, had relaxed and been excited to finally be able to focus on just being a teen. But the GIW hadn’t calmed down, had just started going even more on the offensive, and the second he and Jazz had noticed agents showing up casually at their house, everyone had gone into full alert.

That’s how they found out that the next goal was to apparently take the fight to the zone itself.

The conclusion had been easy from that point. The portal needed to be destroyed, and fast. But with the ghost zone blocked off (and Danny’s death being the unknowing link that made the portal ever work in the first place), that would leave Danny as one of three remaining targets.

They’d all immediately agreed that Vlad could figure out his own solution. Dani- well, she had been traveling, but the second she turned up, the others had made plans to send her on her own one way portal trip too.

Of course, the likelihood that she’d end up here is probably minuscule. So he’s alone.

“Hey,” a stern voice cuts through Danny’s thoughts. He glances over to the person who’s standing at the door to a building. “There’s no loitering here.”

Right. It’s almost easy to forget, in the face of his life’s inescapable absurdity, that to everyone else in this town, he just seems like a possibly-homeless delinquent. Not that the delinquent part is unfamiliar.

“Sorry,” Danny mutters belatedly, realizing that the person is just waiting as he stares at them like a weirdo. He’s not very good with people anymore. Not that he was that good to begin with. Phantom had been a Ghostly Menace, constantly destroying the town with his fights, nobody had expected him to function as a person. Nobody had thought he was a person. But as Danny Fenton- well, he’d fallen short of just about every expectation set at Danny Fenton’s feet.

Distantly he wonders if his friends even bothered to disguise his disappearance. He’d always kind of wondered if his parents would ever notice if he and Jazz just- left. School definitely noticed, though most of the faculty would probably take it as completely expected. After all Danny Fenton was a terrible student, constantly skipping class and never doing his work, and even when he was in class he was usually halfway to falling asleep anyways. Lancer had certainly lectured him about his lack of discipline more than enough. So they might just come to the conclusion that he’d dropped out and run away.

He doesn’t know if he’d prefer that, honestly. The truth is messed up and complicated and frankly, unbelievable. But maybe if they knew the truth at least one person might feel a fraction of sympathy for all the bullshit that he’d been dealing with. Funny, Danny thinks, how coming here feels more like a death than when I actually died.

#dp x dc #the one where danny stumbles into a new universe and immediately guns for nasa #the unofficial title for this chapter is post-dimensional depression #suffice to say that he's got like... a LOT of baggage

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moondirti · 8 months ago

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so.. simon and johnny stopping by a seedy 24/7 roadhouse on their way back home post-op

featuring: established ghostsoap. pregnant fem!reader. alluded kidnapping, extremely toxic attitudes. they’re literally delusional. mentioned death. this verges on dark so please beware!

They’ve driven past it about a hundred times, never having given it more than a passing glance. Who would, really? Nothing about it seemed appealing – in all its sun-bleached paint job and flickering neon signage glory – but circumstances lent themselves to its consideration. What was supposed to be a half-day mission ended up taking two, meaning they haven’t had time to sleep let alone eat. On top of that, a delayed exfil made it so they touched down on base at an ungodly hour. By the time Price waived their paperwork and they got into their car, they were famished.

“Could eat the scabby heid aff a dog,” Johnny eventually groans. He’d tried his best to hang in there, mindful not to be a pest during the hours it takes his partner to decompress after a rough operation, but his stomach kills and he knows Simon’s does too. He only receives a grunt for a response, though the man abruptly steers into the leftmost lane, catching the nearest exit towards the place in his periphery. Cleary meant to model an American diner with it’s fading blue exterior and obnoxious banner: The Dahlia

But they’ve been in worse. They hardly take note of the coffee rings staining their table, or the homeless man who’s taken residence in a corner booth (besides the brief once-over in their threat assessment upon entering). No; they just slot themselves by the nearest exit, scan over the menu and decide to order the quickest meal possible.

Only for things to take a sudden turn when their waitress stops by.

Christ alive, Johnny wonders how you manage to glow under the harshest of fluorescents. Dewy skin. Bright eyes, if not a little sunken at the late hour. Still, you smile and do so genuinely as you waddle to their station, clicking a pen before asking: “And what can I do you for, gentlemen?”

Simon doesn’t look at you immediately, not even when you speak up. He’s too fixed on Johnny, replaying the past days’ events in his head. Revisits the hour where their comms malfunctioned, when he lost touch with his boy and had to fight not knowing whether he was holding up okay. He has trust in him, of course, more bleedin’ trust than he has in earth to keep rotating. Still–

You clear your throat.

His pupils shift to pin you under their scrutiny, only he can’t bring it in him to be as severe as he wants to be. Because, while the first thing Johnny notices about you is your beauty, the first thing Simon sees is your bump.

Obscured by your apron, but still there. Round. Full. 6 months along, by the looks of it.

He’s forced to recall Beth, Tommy by extension. An old working knowledge that comes back to haunt him. At 23 weeks, his sister in law’s pregnancy began to weigh on her. Heartburn. Backaches. Hot flashes that resulted in bouts of dizziness. She couldn’t be up for more than 2 hours at a time, and yet here you are.

What the fuck were you doing in a place like this?

“Need more time to decide?” You ask. Patient. Lovely. If Johnny weren’t so sleep-deprived, so in over his head, he would perhaps realise the subtle hints you were dropping. They’ve been staring too long now, unsettling no doubt. Grimy, each with a tell-tale bump on their waistbands that point to their armament. Simon sans hard-shell mask, but still in a balaclava and eyeblack. Both larger than life and practically alone with you in this isolated place.

It’s Simon who speaks up first. “Fish and chips for the both of us. To-go. Cheers.”

You scribble the order down, pausing to consider. “Coffee? Gotta inform you, it’s drip, bottom of the carafe so it might taste burnt too. Hotplate’s all out of sorts.”

“Aye, just the one. Gae head an’ dip yer finger in it too. Might benefit from a little sweetener.” It takes you a second to process Johnny’s flirt. When you do, though, you visibly blanch, ducking your head to hide your face as you pretend to jot what he said down.

“I’ll have that right out for you.”

And then you scurry off, glancing over your shoulder once you think you’re out of sight. Curious. Flustered.

Simon’s attention refocuses on the scotsman once you’re gone, an eyebrow raised under his mask. His partner is able to read the expressed question well enough: what do you think you’re doing? Strict, but not so much angry as it a press for him to think before he speaks, to balance the scales before he asks something of Ghost that he can’t refuse.

“Dinnae look at me like tha’.” Johnny whispers. “Bonnie lass, isn’t she?”

Simon blinks. “Expecting, too.”

“We cannae leave her here.”

Memories occur in rapid succession. Tommy. Beth. The cherubic face they had brought into the world – little Joseph, who was the first he found dead upon returning home.

He considers Johnny, Soap, this force of nature that wormed his way into his life and sunk his teeth into the rot of his heart, fastened before Simon could even think of brushing him off.

“And here’s that coffee! Your meals should be coming out soon, thank you for being patient.”

It’s a bad idea. Horrible. You could have a partner, a cozy home waiting for you. Nursery already painted. Names already chosen.

What good partner would let you work this shitty job?

It’s a bad, horrible idea. No good for anyone. They’re on constant deployment. They risk their lives on every run. You’d be put in harm’s way yourself.

Not if they hide you well enough. Their house is secluded for a reason.

It’s a bad, horrible, no good idea – but Johnny accepts the mug with a gracious smile and you bloom all pretty, hand inadvertently cradling your belly. Little flower, persisting against all odds. Growing from the fissures of broken concrete. Dignified still. Kind. Strong.

So what if they pluck you from your place? They’ve got somewhere much better for you to thrive.

next part

#this was supposed to be a lil thing #oops #simon ‘ghost’ riley #johnny ‘soap’ mactavish #ghostsoap x reader #ghoap x reader #simon ‘ghost’ riley x reader x johnny ‘soap’ mactavish #ghost x reader x soap #ghost x read #soap x reader #ghost x soap #x reader #x female reader #ghostsoap #ghoap #cod #call of duty

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in-class-daydreams · 1 month ago

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Imagine ex-husband Geto watching the new assistant the school hired being completely awestruck by you.

Naturally, before this meeting, Suguru had to disclose to the new assistant that you two were once a married couple. The details of your divorce, Suguru chose not to get into. Unfortunately, this information, considering how much the newbie admired him, only served to make you even more fascinating. After all, who could possibly be worthy enough to marry - and eventually separate from - Suguru Geto?

"--or so the Inspector General says." Suguru catches the tail end of your explanation regarding an unusual amount of cursed spirits in a concentrated area. He may or may not have spaced out for the last minute of you talking, but at least the assistant, though lacking subtlety, has been taking diligent notes.

The assistant, a young man a few years younger than you and Suguru, somewhere in his mid-twenties, looks up at you in awe.

"The Inspector General speaks to you directly?" he asks. "You must be amazing at your job."

The Jujutsu Inspector General. The high commander of all jujutsu society, the highest of the higher ups. Yes, he spoke with you often.

Suguru fights the urge to roll his eyes when you preen. You're no stranger to praise whatsoever, but you did love basking in everyone's admiration.

"Flatterer," you respond.

"No, I mean it!" the assistant insists. "The report you sent us was so detailed! It was flawless! You're really talented."

"Aw, thank you! Was my report up to your standards, Suguru?" You turn to your ex-husband.

"Sure," Suguru scoffs.

The meeting continues on without much more incident. You've only just given them the supplemental documents when you check the time.

"Looks like that's all the time I have for now. Feel free to contact me if you need anything else." You stand and incline your head to them both, a gesture they return.

"Nice to meet you," you tell the newbie. To your ex-husband, you say, "Bye, Suguru!" and blow him a kiss. Suguru makes a gesture like he's swatting away a mosquito.

As they leave, the assistant nearly runs into the door frame in his eagerness to keep fawning over you, and Suguru feels like his soul's trying to climb out of his body.

Then again, that is the effect you tended to have on people. There were times when you were married when the both of you went to an event, your lethal face cards alone could get people to drop their drinks.

You smile and the assistant blushes. "Someday, we'll all meet for a nice lunch. I wish I could today, but I have a meeting with my father," you tell them with a wave, wiggling your fingers and the poor thing looks like he's about to devote himself to your every desire.

Suguru, however, has been there, done that. "Let's go." He grabs the assistant by the collar and tries to drag him out as fast as possible. If he could teleport out of here like Satoru, he would.

"Geto, sir," the assistant says, eyes never leaving your office door. "You were married to that woman? Isn't she just stunning? She's incredible! How could you ever have let her go?"

To each statement: Yes. Yes. I know. You'd be surprised.

"It's much more complicated than that," Suguru grumbles.

Suguru throws open the door to the hallway just to run into two men in suits. Behind them is their employer whom Suguru knows all too well, and behind him, another set of bodyguards.

"Suguru," the man greets lowly.

"Inspector General, sir." Suguru bows respectfully while the assistant nearly bashes his head on the floor in his haste.

"If you'll excuse me, I have business with my daughter," the Inspector General says. The two move right out of the way and watch as the entourage heads into your office.

It takes the assistant a moment to compute, but by the choked sound he eventually makes, it's clear that he's begun to comprehend just how complicated your marriage was.

I promise I haven't abandoned Sen and his family! I just wanted a little break/practice in Geto x Nepo Baby!MC and the much pettier divorce where I have free reign for them to be more problematic towards each other without having to worry about how horrible it would be for their child to have to witness it

[Masterlist] | Tag for this AU is #geto's nepo ex

#geto's nepo ex #jujutsu kaisen #jujutsu kaisen imagines #jjk x reader #jjk imagines #jujutsu kaisen x reader #geto x reader #geto suguru x reader #geto suguru

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neroushalvaus · 11 months ago

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Okay I am going to use the Somerton situation to talk about something that is very important to me. Following the discussion I have seen former Somerton fans being disappointed in themselves and questioning how they can ever trust another video essayist again. I have also seen some people being smug because to them Somerton was obviously unreliable from the start. As a person who also saw the "red flags" in Somerton, I would like to skip the smugness and talk a bit about what the red flags were to me.

Someone else has probably posted something similar and Hbomberguy's & Todd in the Shadows's videos touched a few of these points, but they didn't focus on them or how to spot these things. I think it is a good thing: I think it would have reinforced the idea that Somerton's fans were to blame for being lied to, and these youtubers didn't want to pin any blame on the fans. Also, some of the things I'm going to talk about were not by any means proof of him being unreliable, they were common tropes I personally associate with people who are bullshitting on internet. Think of it as something like spotting terfs: If you consider following a tumblr user and find out they have at some point posted "males will always be a danger to females no matter what they say", it is very possible that they are not a terf. Maybe they were having a bad day and were just wording their post badly – But you should probably search "trans" from their blog before following them, just to be sure.

So, the tropes in James Somerton's content that I consider red flags:

Lack of sources. This one may seem obvious and Hbomb talked about this in his video, but the lack of sources in his videos was outrageous. Video essays are called essays for a reason, they are not supposed to be just a guy talking about whatever comes to his mind, they should be well researched essays. Obviously video essays should contain one's own thoughts and interpretations and those do not need citations. But James Somerton didn't come out of the womb knowing everything about LGBT history, Disney and film theory, if he actually knew something about all this stuff, he should have learnt it from somewhere. There should be sources he could point to. It is very common that even when a video essayist doesn't tell you where they got all their information, they open their video by saying stuff like "when I prepared for this video I read the book Also sprach Zarathustra by Friedrich Nietzsche and this one thrilling blog post about lesbian cruising in 1960s Sweden". From what I've seen, James does not really do this. From watching his videos you could arrive to the conclusion that James Somerton does not read any books, he just knows everything. There are situations where people don't feel the need to add sources, like when the information is considered common knowledge or when the topic relates heavily to the essayist's actual academic field or profession. This is okay and very understandable, but can sometimes be dangerous, since if the video essayist markets himself as a marketing specialist, people are more likely to take his word for stuff that has to do with marketing, even without sources. It is understandable that in many situations an essayist may think "why should I cite a source? I know this thing!", but doing your research well is partly about checking if the information you are certain of is actually true. Also, as Hbomb pointed out, if you can cite a source, your audience can go learn more about the subject. It's not about anyone doubting you know your stuff, it's about learning. That's why well-respected video essayists usually cite their sources very clearly.

Lack of pictures and screenshots. This is about different kinds of sources again, many things on this list are kind of about sources. An example: When James Somerton made a video about JKR, he mentioned something about Rowling at one time saying that trans students in 30-50Feralhogs (or whatever the wizard school is called) could use magic to present as their gender. If this was any other video essayist, you'd expect a tweet to pop up, or something else confirming Rowling ever said this. Nothing pops up, obviously because Rowling didn't say this, but you can't see anything fishy in that because things rarely pop up in Somerton's videos. He doesn't show you court documents when speaking about a court case, he doesn't show you the comments apparently mad at him for implying the gay anime is gay when he is complaining about people being mad at him. There is a reason people show screenshots and tweets in video essays. When a good video essayist says JK Rowling has tweeted that all people who menstruate should be referred to as women, the video essayist shows the tweet so people know they are not making it up. If there were hoards of annoying bitc-- I mean, angry white women whining about gay sex in HuffPost articles or Somerton's youtube comments, he should have no trouble showing you those. Remember that you should not trust someone just because they show you pictures or screenshots. Pictures can be photoshopped, screenshots can be doctored. Many youtubers are aware that you listen to their videos while cleaning or while walking your dog and don't actually see the screen all the time, and some may take advantage of that by saying something like "and here she threatened to kill me" while showing a text message where someone said "die mad about it". A screenshot alone isn't much but you should demand to see the screenshot.

Passive voice. I am once again bitching about this. Somerton repeatedly says things like "it's been said that" or "it was common knowledge that" or "a legend says that" or "according to most interpretations". He doesn't say who says it, making it very hard to fact check and that seems to be his goal in some cases.

Relying heavily on anecdotes. Writing a dense, analytical video about film theory or history can be exhausting and you may want to pepper in little fun facts. However Somerton seemed to rely on these heavily; he can't just talk about how he has totally bought every lie told by The Pink Swastika, he also needs to tell a cute little anecdote about SS men forcing sexual favours out of men. He can't just tell a story about a court case, he needs to add in ridiculous stuff about the jury booing. This is what I mean by not all the things on this list being necessarily proof of someone being unreliable. Many people use anecdotes and little stories in their storytelling, it makes the videos flow better and it's hard to decide which anecdotes are valid and which are not. A source obviously makes an anecdote a bit more believable, but here are some things that instantly make me fact check an anecdote:

It's a bit too convenient, poetic or ironic. Sometimes real life is weirder than fiction but if an anecdote is "perfect" and has an amazing punchline and you could write twelve poems about it, there is a possibility it was invented by pop science books.

It assumes your political enemies are stupid. Dunking on conservatives, MRAs and transphobes is always fun and after you've seen a lot of this kind of content it's easy to believe anything about these people. You must resist the impulse to believe everything that may make your opponents look stupid.

The person telling the anecdote implies it is an example of a larger, systemic problem. You know what's worse than taking a random happenstance from human history or internet and basing an entire political theory on it? The said random happenstance being made up. You should in general be wary of people telling one story and explaining why it's an example of everything that's wrong in the world. We live in a huge world. You can always find a white woman who loves cute gays but hates the idea of Nick Heartstopper and Charlie Heartstopper getting nasty but that doesn't mean it's an indicator of a larger issue.

Simplifying complex issues. We all know that "only the boring gays survived the AIDS crisis, and that's why gays started to only care about marriage equality and military" is a horrible, insensitive thing to say, but you also have to think about it for like two seconds to realize that it can't be correct. It kind of reminds me of the "roe v wade caused the crime drop of 1990s" claim in Freakonomics. It sounds logical and simple, like a basic math calculation. Societal issues rarely are like that, though. You should never believe anyone who tells you about a huge societal shift and says it happened because of one thing and one thing only.

These were some of the things I noticed in Somerton's content that caused me to distrust him. I hope these were helpful to you and feel free to add your own "red flags" if you feel like it!

#phew. maybe that's enough salt for one day.#james somerton #hbomberguy #todd in the shadows #edit:// embarrassingly many mistakes in the original post. in my defence i have a fever and english isn't my first language. forgive me #edit2:// made the text bigger!

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ponderingmoonlight · 3 months ago

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Kokushibo meeting another moon breather and falling hard

Pairing: Kokushibo x fem!reader

Word Count: 2,1k

Synopsis: You were supposed to be another killed demon slayer on his list, nothing but a girl he stumbled upon in the woods at night. But something about you is different. Something stops him from ending your life.

Warnings: Honestly none, a little bit of violence, a little bit of HEAT, this will get a Part 2 if you guys are interested so feel free to interact with that fic! <3

„Leaving again?“

You tilt your head to the side ever so slightly, your katana already lying heavy in your rough hands.

“I have no choice. The order comes from Ubuyashiki-sama himself”, you reply with low voice.

Out of instinct, your eyes wander to the shining orb above, the most faithful companion of your life. Countless innocent nights, you just sat on the grass and took in its beauty inch by inch. But at times like these, the moon being out also means that demons wander on free foot.

“Lucky bastard”, Sanemi mumbles under his breath.

You wouldn’t consider yourself lucky. Not when you know painfully well that all those demons where once humans with dreams, hopes and love filling their hearts. Not when your whole family drowned you with love and affection only a few years ago.

Until Muzan Kibitsuji decided to turn their heads against you by turning them into demons.

“I’ll be back before training starts.”

“You better live up to that.”

Without looking back one last time, you begin your journey to the other side of this haunted land. If Ubuyashiki-sama called for a hashira, the matter has to be serious-minded. And while his crow didn’t deliver a lot of information about details apart from the place being a small village in the south, you know all too well what that means.

A strong demon, maybe one of the upper moons, even. And you, a hashira who was chosen to kill it.

Your eyes roam around the peaceful area, take in how beautifully the full moon lights up the trees around you. A truly remarkable scenery you try to enjoy as often as possible, even though working as a pillar keeps your mind and body occupied most of the time.

But you aren’t alone. An unsettling feeling starts spreading inside of your chest, the instinct of being watched out of the darkness becoming more and more urgent in your mind.

“Are you the one who is responsible for the destruction of the village nearby?”, you question into the dusk.

Destruction? Kokushibo can’t help but shake his head ever so slightly. As if he’d waste his time with something this minor.

The real question is, who are you? The way you walk and talk tells him more than urgently that you aren’t one of those average demon slayers, that you have to be someone special. A pillar, probably. He can’t help but take in your graceful sight, the way you almost float over the wet grass, your eyes lit by the moon oh so perfectly while your hands are tightly grabbing your katana in contrast.

You are beautiful. Enigmatic, powerful, and captivating... truly mesmerizing. In his long-lasting life, Kokushibo stumbled upon countless of women.

But they never caught his attention like you.

“I came here to end your suffering”, you continue calmly, not even your hands shaking by the sensation of meeting a demon.

You must sense it, that he’s far above the average demons you’ve encountered before. You have to feel his presence by the way you tilt your head towards his direction ever so slightly. And still, you don’t waver. Not even a little bit.

“Even if your skill level proceeds mine by miles.”

His eyes widen for a brief moment.

“Why don’t you show yourself, upper moon?”

It’s an instinct, an act out of trance. Kokushibo follows your word and emerges out of the darkness he found comfort in, his gleaming eyes now meeting yours directly.

The upper moon one.

You don’t allow your heart to skip a beat, force your mind to keep its focus. This must be the head of Muzan Kibutsuji’s army, the mightiest of them all apart from himself. The upper moon Kyojuro lost his life to was number 3. Weaker than the man standing in front of you, less dangerous than the man standing in front of you.

And you? You wouldn’t consider yourself stronger than Kyojuro was.

“I am forced to end your life right here and now”, you declare with a calm demeanor.

“You are too weak to even reach me”, Kokushibo replies automatically.

“I have no other choice but to try.”

He tilts his head to the side, watches like in slow motion how the neutral expression on your face hardens ever so slightly while you lift up your sword.

“Moon breathing, third form: celestial silence.”

You release a wave of soundless crescent blades like you always do, emerge him into confusion and darkness to prepare for your next attack.

“Moon breathing. You use moon breathing?”

You are barely able to escape the grasp of his arm that shouldn’t even be able to reach you by letting yourself fall onto the ground. Not even Sanemi is able to see through that curtain of silence, how was he able to react so fast?

A faint layer of cold sweat starts forming on your forehead, your fingers now grabbing the handle of your sword tighter. What did you expect from the upper moon one?

“Fourth form: Lunar precision.”

You can’t allow your thoughts to wander, need to focus on the way your sword feels inside your hands and the series of rapid, precise slashes that crush against his blade without mercy. Each strike is executed with meticulous accuracy, searing for any weaknesses.

But the man in front of you has none.

All it takes him is one minor slash to disarm you. With his other hand, he grabs your wrist tightly. Is he about to kill you? Will this be your last moment walking on earth? You can’t rip your now glossy eyes away from him, can’t even force yourself to look at the moon one last time.

“Who taught you that breathing technique?”

Your mind starts racing, brows furrowing ever so slightly. What is he talking about? And why are you not dead already?

“What?”, you breathe out.

With a swift motion, he puts his sword back in its sheath and grabs your other arm as well, now holding you so close that you can feel his breath dance across your face.

“Who taught you how to use moon breathing?”, he continues visibly aroused.

“I taught myself.”

Confusion, anger and shock roll over his face like a wave while his hands still keep you in place.

Impossible. This means that you mastered sun breathing as well. You, nothing but an average girl with eyes that make it easy to get lost in them. You with that basic sword that doesn’t show a single hint of your abilities.

Do you know what you’re capable of, that you might be a worthy opponent?

Or a mighty demon.

“You need to come with me.”

“Coming with you?”

Your heart now almost pounds out of your chest, arms instinctively fighting for what is dear life. If you go with him, you’ll die. What is his plan? Does he want to torture you, eat you alive? Your usual so collected mind starts falling apart bit by bit with every passing second.

“Stop attacking me”, he warns you.

You fight against his grasp even harder, desperately try to free you from the prison of his arms. You promised Sanemi that you’ll be back before the next training session starts, you promised Mitsuri to braid her hair in the morning. You made so many promises.

And now you might not be able to live up to a single one of them.

“Enough”, the man in front of you grumbles.

One well-placed hit. Then everything goes black.

Kokushibo’s heavy breath hangs in the air, eyes staring at your unconscious figure lying on the floor. He lifts your body off the ground as gently as possible, allows his eyes to regard your face up-close. You look so peaceful while lying in his arms, your features not showing a single sign of your fight earlier on. Apart from a single tear at the corner of your eye, you look flawless. He wipes it away with his index finger, watches how the moonlight reflects so beautifully in your perfect little teardrop. If he’d be able to caress your cheek one time, feel the softness of your hair only once-

He shakes his head ever so slightly. No, he needs to focus on what’s in front of him, needs to find out what lend you that power. Are you just like him? Are you maybe the only person on this planet who understands his silent suffering?

The second you open your eyes again, everything is still black. What happened? Are you at home? The demon…

Your eyes widen in an instant, dart around the poor-lit area in a haste. Where is the upper moon one?

“It took you quite some time to regain consciousness.”

His cold voice cuts through your bones with ease. There he sits, only a few meters away to your opposite. You swallow hard, scan your body for any injuries.

But you aren’t injured. Not even a single scratch decorates your skin.

“Why did you allow me to stay alive?”

To be honest, he doesn’t know. Muzan Kibitsuji made it more than clear that all demons are forced to kill every single demon slayer who crosses their path. Especially pillars like you. He stares at you without saying a single word.

“Are you going to kill me now?”

It is his responsibility to do so. Not even the fact that you use moon breathing should be enough to change that fate of yours, not when you’re a hashira, a dirty demon slayer. Again, he keeps his mouth shut.

When you open your mouth again, not a single sound escapes your dry lips. The countless questions that linger through your mind make it hard to form a logical thought. What are you supposed to do? Is there any way out of this? You need to fight, need to stay strong until you die.

“What do you know about moon breathing?”

“More than you”, he gives back.

He’s beautiful. Despite the unpromising gleam in his orbs and that number one than reminds you oh so urgently that this man is the highest ranked upper moon, you can’t help but let that thought sink in. There’s no doubt in the fact that he was once a truly handsome man.

The two of you sit opposite of each other, plainly staring in your faces without saying another word. You never felt anything apart from sorrow for those creatures, never allowed yourself to get lost in their features or to ponder about what they might have become. But this man…

“Did you use this breathing technique when you were still human?”

In the blink of an eye, the upper moon one draws his sword. Sparks fly, the air around you suddenly so hot that you almost feel like choking. What is that immense power of his? Are those…moons? Out of instinct, you grab his arm. For support, to stop him? You don’t know anymore.

“Stop”, you cough out.

“Please…stop.”

He lowers his blade, his free hand now grabbing your back and pulling you towards his chest.

“I was the only user of moon breathing for countless centuries. Until you showed up”, he clarifies distantly.

“Tell me how you conquered sun breathing. Tell me how you taught yourself this technique.”

His face is only inches away from yours, forces your breath to get stuck in your throat all over again.

“It just happened.”

“You will come with me.”

He starts dragging you along with him, the unusual flaming touch of his hand almost driving you insane. Just a few hours ago, you were on a mission to free a small village from the cruel hands of a demon. What about those innocent people? What about those poor souls who might get slaughtered at this very moment? You can’t just follow him like a lost puppy.

“Only under one condition.”

Slowly, the upper moon one turns his face towards you.

“You set conditions?”

“Free the village I was assigned to from those demons or otherwise…”

With a swift motion you draw your sword and press it firmly against your very own neck.

“Or otherwise, I’ll make sure I won’t be able to answer all of your questions.”

You find yourself devoured in his arms and pressed against a cool stone wall before you finished blinking once, now staring straight into his dangerous orbs.

“I don’t negotiate with something like that”, he presses out.

Tags: @chilichopsticks @hellkaiserinphoenix @ynackerman9499 @keepghostly @beatrexworld

@froufrousnowman @hidazinie @tomiokathedepresso @poketrainer2270 @chaoticwinnercupcake

@lees-chaotic-brain @wordskeeper @polarbvnny @sugu-love @ryva @baku2345

@komelrebi-san @kentocalls @barbuse @sunshine7queen @lavenderdrxp

@yaninnaacu @hopefulbelievertimemachine @laurencrsnt @virtual-202 @blunderland

@strawberry784

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hanniebaeee · 4 months ago

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First Kiss

Best friend Hyunjin x fem!reader

Warnings: Kissing, some suggestive content MDNI

Genre: friends to lovers, fluff

Summary: You've never kissed before and your best friend, Hyunjin shows you how to.

You and Hyunjin loved watching movies together. Both of you can't shut up for even a minute from start to end. You had way too many questions to ask and Hyunjin had way too many theories to share. Not to mention all the snacks.

This particular movie was going really well, until a romantic scene unfolds. The characters who have been at each other's throats the entire time were now kissing. And not just a kiss, a kiss that looked like the male lead was sucking the soul out of his lady.

You stole a glance at Hyunjin and saw that he had a small smile on his face. Your cheeks heat up as you wonder what this actually felt like, because, you've never kissed anyone before. Except for the boring cheek kisses or forehead kisses. You've never had your share of the real deal.

Before second-guessing yourself, you turn to Hyunjin and ask, 'What's it like to kiss someone?'

He turns to you, eyebrows raised, surprise flickering in his eyes.

'What do you mean?'

'I've never kissed anyone before. I was just wondering what it feels like...kissing someone.' You were already regretting this, because your neck and face and ears feel really hot with embarrassment.

Hyunjin's eyes widen, and he looks a bit surprised with this new piece of information.

'Are you serious? You've never kissed anyone before? Like really?' He asks, moving a bit closer.

You feel incredibly self-conscious now, and you shake your head, no.

He grins. He looks like a really handsome Cheshire Cat now, and says, 'Do you want to try it with me? Just so you know what it's like.'

Your heart skips a beat at his offer. He looks way too excited and eager for you to even consider saying no. Even though the thought of kissing Hyunjin was rather terrifying. Not that you never thought of it before - he does have the most beautiful lips in the world.

The intensity of his kiss made you dizzy, that you close your eyes, savoring the feeling of his soft wet lips on yours. When you finally pull back gasping for air, he's looking at you with a dark glimmer in his eyes.

So, naturally, you nod. And he doesn't waste a second. His eyes light up as he pulls you towards him, and onto his lap. You gasp in surprise, and before you could even react, his lips are on yours. He starts off slow and just takes your lower lip between his lips, and you try to follow his lead.

And then, there was a sense of urgency in the way his lips moved - like he was afraid that you'll pull away, so he has to get as much done as he possibly could. His hands held you firmly in place, one on your waist and the other cupping the back of your head.

'Is it always like this?' you ask breathlessly, your voice a bit shaky.

Hyunjin smiles and leans in, kissing you softly, his lips light and gentle against yours.

'It can be soft.' he murmurs against your lips.

Then, he kisses you with more force, knocking the air out of your lungs. His hands move down to your hips and he pulls you closer to him, and you can't ignore how hard he is under you. And all you did was kiss.

His lips move roughly against yours and when you think you can't take it anymore, he's pulling back, biting your lower lip seductively. This instantly sends a jolt of pleasure coursing through you and you feel a flutter in your belly.

'It can be rough.' he says, his voice husky.

His lips are touching yours as he spoke and you love it a little too much. You definitely want more and the way he's looking at you shows that he wants more too.

'And it can also be full of love.' he whispered softly, a smile pulling at his lips. 'Because I love you.'

You are leaning in, and he's kissing you again, this time his tongue moving along the inside of your lower lip, and he grips at you hip a little harder, making you gasp. And, he slips his tongue into your mouth. You're pulling him closer, and he keeps kissing you, your tongues brushing in a beautiful dance. This goes on for God knows how long, because when you pull back, you're nearly dying for more.

Your heart leapt and you thought it would jump out of your mouth. You have always loved Hyunjin, he was your person, your everything. And hearing him say this made you so happy, you wanted to cry.

You love this, this feels just right - you and him. His places open-mouthed kisses down your jaw and neck, his warm breath fanning your skin, and making you shiver.

He saw you struggling with your emotions, a tear trickling down your cheek. He is quickly wiping it away, his eyes sparkling with joy.

'I love you too, Hyunjinnie.' You mumble, and he pulls you into another kiss, this one, slow and sweet. You moan into the kiss, and shift on his lap. He moans in response, his hands sliding down to rest on your butt. You giggle into the kiss and he's laughing too.

The movie continued to play in the background, completely forgotten, as Hyunjin kissed you to heaven and back.

#skz #stray kids #skz stay #hyunjin #hwang hyunjin #hyunjinnie #stray kids hyunjin #hyunjin x reader #hyunjin x you #hyunjin x y/n #hyunjin smut #skz x y/n #skz x you #skz x reader #skz fluff #skz smut #hyunjin fluff #skz scenarios #hyunjin scenarios

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storiumemporium · 1 year ago

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Astarion As a Father

Fem!Tav/Reader

I FINALLY GOT A NEW KEYBOARD WITH FULLY FUNCTIONING KEYS LETS GOOOOOOOOOOOOOOOOOOO

I elected to write about something that's been giving me brainworms for ages, because I'd been talking about it with someone on here awhile ago and it just infested me. Astarion finding out you're pregnant and how he handles fatherhood. (Or, in this case, doesn't at first.) This isn't my best work but I blame it on the fact that I didn't intend for it to be THIS FUCKING LONG okay 😭

But without further ado, daddy Astarion:

Finding out:

When it comes to children, I think Astarion hasn't put much thought into it beyond 'me!? ABSOLUTELY NOT—'

He has no illusions about his state of mind and his faculties, you see. Astarion knows that he's fucked up, he knows that he's a problem, and he's only entirely too confident that any child unfortunately put under his care would likely end up just as damaged as he is, were they to miraculously make it to adulthood. He's just not equipped for it.

And, frankly, Astarion isn't even aware he can have children... That's just, not something he ever thought to question. He's undead, is he not? That should take care of the...fertility question.

Shouldn't it?

Truth be told, Cazador never told him of the possibilities because it was never meant to be a possibility. Astarion was too malnourished, his victims too short lived for anything to ever have come of it. He was supposed to die a sacrifice, not live to carry his own bloodline (hah) onward.

Were you to ever ask him about it, even jokingly over dinner one eve, he'd be very firm in the fact that it's a terrible idea and he'd be entirely unequipped. He would even go so far as to say he's the worst choice out of all of your past companions.

"Me? No. Absolutely not. I'm sure whatever little devil you managed to cook up would be the most charming child Baldur's Gate has ever seen... But even that magical explosive that fancied himself a God would be better suited to fatherhood, darling. I am built for luxury and adventure, nothing else." All bookended by typical Astarion preening.

So when the day comes and you inform him of the little life growing in your womb?

Nope. Not happening, not even a chance of happening.

The denial is strong with this one.

And when I say denial, I mean that Astarion well and truly blots out what you've said from his mind, as if it simply didn't happen at all. You never had the conversation, you never dropped the revelation, there is no child, he is not becoming a father.

It's not a lack of want— though he doesn't realize that yet— it's true, blinding terror. Before it was just a joke, just something for him to brush off with commentary about how terribly he'd do as a parent, better the uncle than anything else. But now it's a reality and to accept what you've said is to accept that he might well and truly destroy a child. But not just any, yours.

The traumas Astarion possesses heap onto his shoulders and slough off plentiful enough to make new oceans of it. Now, not only is he just beginning to regain his own autonomy, he's supposedly being given responsibility over a brand new life?

(It would only make sense for Astarion in retrospect, that the life you willingly sacrificed to nourish and nurture him would in turn allow him to grow a new life within you. The fool had just been too blind to consider it: The way, fresh off your blood, he could pull back from the delicate column of your throat and you would find his cheeks and ears and chest flushed with the loveliest shade of pink, eyes wide and soft and alive. The way his entire body would warm, going from corpse frigid to something just beneath normal. The way his once-still heart would slowly beat again.

He'd even asked you once- curled together on a familiar silken bed, foreheads touching and your hands clasped together between your chests- if you knew what it felt like to be so, so hungry that all you could even think about was about badly you wanted to eat? How food sounded so good that the desire became crossed and instead felt even more painful and nauseating? How it consumed your ability to make rational decisions, denied you the capacity to control your emotions?

He'd told you then, voice tender and timid and weak, that he'd felt like that every single day for two whole centuries, until the night you'd willingly laid down on that cot and put your life in his hands.

It was so simple really, of course you granted him the strength to create life. It was you.)

And of course it comes to a head before there is any chance at recovery. Your body begins to show the changes, you begin to swell, and Astarion only grows more avoidant and flighty. Because now he can't simply wipe the idea from his mind and continue on as if the child doesn't exist, the proof is there every single time he looks at you. He makes it very clear to you that he will not be returning to your side without a confrontation, a very potentially ugly one at that.

And ugly it is, explosive. Astarion hasn't truly had the time to recover from his life under Cazador, and all of those protective traits he grew remain sharp as ever, returning to the surface as if they'd never truly gone away to begin with. He sneers and hisses, tries his best to dig in and hurt you enough to stop poking his tender wounds. Enough to push you away so he can lick his wounds back open. He'll go so far as to accuse you of infidelity, though he regrets the words the moment they leave his lips, it's easier for him to imagine that you simply grew tired of him, that you were weary and longed for the daylight. That you wanted someone who could hold you beneath the sun, unlike him.

How you respond to this is entirely up to you, but just shy of throwing something truly despicable back into his face, such as Cazador, Astarion will apologize... eventually. If you remain stalwart and patient, if you have it in you to recognize that he doesn't mean his words, that he's barbing you with intent, Astarion will break down in that very same argument, his angry and accusatory rant will dissolve into an admission of deep insecurity and deeper terror.

But if you respond with anger? Justifiable, and Astarion knows that even in the moment as it's happening, but emotions rule him far more than he'd ever care to admit, and he will dig in and relish the reaction he's managed to draw from you. He will bristle and bite back until suspicion and bitterness fully claims his heart, and he aborts the conversation to hide in the shadows.

Astarion will wait until nightfall, until his freedom calls for him. The one thing that always manages to clear his head, even when you prove to be the cause of his muddying. It's a reminder, every time he steps into the cool and dark of Baldur's Gate, that Cazador is dead and he is a free man. That he can go where he chooses and when he chooses to, and not only that no one can stop him, but that you wouldn't even want to stop him.

And that truth is always what brings Astarion home.

Under the distant lonely stars and that cold moon, he has to remember that time and again you have let him. You have accepted him, you have not fought him on anything shy of a horrible mistake he wanted to make in a moment of weakness and hysteria. You have accepted all his deepest and ugliest wounds and kissed them like they were freckles to pour affection on. You fought Cazador for him, you defended him from your own friends. You even- at times- tested your own morals for him.

You wouldn't betray him, and Astarion knows he can't betray you.

Astarion would return to you late, curling into bed at your side, his eyes would not meet you, and his apology would come in the form of a simple confession. "I am... afraid. I am afraid."

Astarion wouldn't blame you if you don't forgive him immediately for his transgressions, he was cruel and you were vulnerable. But even then you'll find that your love doesn't abandon you again. He accepts- however frightened- that what you've said is true and is coming, and he must accept it. Mind you, it won't be perfect and it won't be romantic. Astarion doesn't know the intricacies of handling a pregnant woman, he's hardly tactful beyond his well honed and flirtatious lines. He genuinely loves you, but he's going to come pre-equipped as father material.

You need something? He'll get it with minimal complaint (but never none, you'd sooner get him to dye his hair black than cease complaining for the sake of it), he won't begrudge you your mood swings though he might be inclined to poke fun at you ever so often. And he will panic when you burst into tears for seemingly no reason, and no- time doesn't make him adjust, he will panic just as much the thousandth time as the first.

However, if it's any consolation. The moment your child enters the world, Astarion is a changed man.

When You Go Into Labor:

Astarion did the honors of informing all of your friends about your pregnancy, once he came to terms with it. And believe me when I say it is extravagant. The stationery and grandiose script that Astarion wields when informing everyone that you were expecting better fits a wedding invitation than it does... well. Very elegantly explaining that Astarion had accidentally knocked you up.

You can tell from the splotchy stains addressed to you from Wyll and Karlach that one of them had been crying when penning the message, Astarion has coin on Wyll, and you on Karlach. Lae'zel never responds to begin with and you know for a fact the Githyanki's response will likely come in the form of her simply showing up one of these days, unprompted. Jaheira personally and rather frequently visits as well, she becomes a sort of bastion as nerves take you over, confident and calm as she is. Halsin's "letter" arrives late, rather because alongside his letter is several little carved animals for the child's room, and mentions of a quilt he intends to bring along when next he visits. Shadowheart's letter, while congratulatory, contains an air of interrogation strung all about it, all aimed with pinpoint precision at the man responsible for your pregnancy and dripping with sarcasm.

Gale's letter is seven pages long, comes with a violet hued wax stamp, and multiple different inks in the most lavish hand he can manage. You daresay he's competing with Astarion. However, surprisingly, Gale's seems to be the most... helpful of them all? It wasn't your intent, you simply wanted your dear friend to join you in celebration, and yet Gale goes on to inform you that upon reading the letter he'd become a madman in pursuit of knowledge on pregnancy and giving birth. He admits that this wasn't a particularly fruitful endeavor, as he's rather confident that you're not a gnoll, troll, cambion, succubus, or any other variety of strange creature with strange metrics of procreation. Still, Gale directs the latter portion of his letter to Astarion quite pointedly, informing him of bookshops around Baldur's Gate where he might have more success.

Astarion scoffs, but you don't miss the way his fingers twitch and flex.

After the hilarity of this is resolved and you just begin to believe that peace might return to your soft little home in the city, the first of your companions begin to arrive.

This continues on for the next week or so, without you ever knowing that this had been planned- and without knowing that Astarion had been the one to plan it. It's a furthering of his apology, of his guilt over the way he'd treated you. Again, Astarion has no illusions of the kind of man he is, and the fact he's not nurturing in the sort of ways that you need- but he's not completely stupid and he knows you're scared. So... bring the cavalry, darling.

Eventually your entire home has become a crash pad for all of your dearest friends, your family, and you only grow suspicious of Astarion's hand in this chaos because he's surprisingly amicable to having his peace so thoroughly disturbed by 'everyone and their mother'. Truly, he manages to bite his tongue some of the time about them trampling his fine rugs and scratching the plates. He even seems... wistful about it. As nostalgic as you openly are at seeing all of these beloved people under one roof again.

Nights are filled with raucous laughter, clattering utensils, a table so thoroughly overcrowded that people are playfully shouldering each other out of the way for a chance to get at their own food. And Astarion stays faithful at your side, his hand perpetually clasped gently around yours, thumb rubbing over your knuckles. Days are never spent alone, no matter what it is you need to do, someone (if not everyone) is following you along. And though Astarion feels his heart ache that he can't join you, he'll be glad to know you're safe.

Besides, your companions are likely all taking turns tormenting, testing, and relentlessly teasing him about what is to come. He has his own hands full. He's starting to regret being such a generous lover.

And then your water breaks in the dead of night.

Remember how I said Astarion was far from perfect? This would be one of those moments that it really shines.

Not that he's particularly terrible, no. He's not actively cruel toward you, and certainly not dismissive, it's somewhat the opposite. Halsin and Jaheira end up the ones helping you, the only two with some iota of understanding on what was happening and what to do with and for you. The others, less experienced in "mundane" medical situations will take up the second most important role.

Prevent Astarion from catastrophizing any more than he already has been.

Karlach has been the sole force capable of keeping Astarion away from the wine, typically bear hugging him away from your cellar while Wyll tries his best to talk your lover down from a total nervous breakdown. Of which he nearly has, several times. It's not even the sight of you, specifically. He's okay with being at your side and holding your hand, in trying his best to provide comforting words that aren't laced with sarcasm for once. But the sounds you make, that's what breaks him. Astarion isn't good at hearing you scream from the pain, he isn't good at the choked sobs or your heavy breaths. The way you sound like you're struggling against death. It makes him want to crawl out of his own skin, fight assailants that aren't there.

And for a few hours there, in the midst of your labors and your exhausted, pained little cries, Astarion isn't sure how he can love the child causing you this much suffering. It's not as if Astarion was an altruistic man on his best days, as if he were particularly reasonable when it came to you. You've both come to a mutual understanding that were something to happen to you, no morals would be involved in the things Astarion would do to rectify it.

And now, here you are, suffering. Astarion isn't supposed to do a thing about it? He's supposed to be- what, overjoyed by it? It infuriates him, he's truly prepared to have a grudge match with an infant.

Until, as the sun is starting to creep up on a brand new day, it's no longer your screams that meet the air, but another's entirely. Tiny but powerful, high pitched little squeals of fury and distress. And your laughter, disbelieving, soft, adoring already.

Astarion has a daughter.

I go with the HC that Astarion had eyes like honey once, and that his daughter takes after that, along with the delicate points of his ears mirrored in her own. She's small, so small, but healthy and already feisty, wiggling as best as her tiny body can whilst still too heavy for her to lift and move.

You're the first to hold her of course, and Astarion will be at his knees beside the two of you. The expression he wears is something you've seen maybe two or three other times in the entire time you've known him- moments when you know he expected everything to fall apart, moments where he couldn't believe that the world was so good.

It's then that you can breathe for the first time, and know that both of your darlings will be just fine.

Once he does hold her, he's not inclined to let her go. Even once you ask to have her back, he'll simply move you into his lap, so that he can hold you both. It's better that way anyhow, having both of his girls in his arms. And Astarion will repeat again and again how stunned he is, he just can't believe it. Cannot fathom any of it. I think he's the type to say that he's speechless and then spend the next five minutes doing nothing but talking. It's nervous rambling, but still, speechless is not the term I would use to describe him here.

Astarion With Your Baby:

Once your little darling is actually in your lives, you get to see how hilariously unorthodox Astarion is with children. Especially his own. Astarion doesn't baby-talk like you or the rest of your companions, he speaks in the same exact tones as he would a grown woman. In fact, for the first few days you're adjusting to a child in your life, you sometimes mistake Astarion as speaking with an unexpected guest, only to round the corner and find him lightheartedly chastising his own daughter for her poor nappy conduct as he wrinkles his nose and changes her diaper.

He's disgusted by that, by the way. Absolutely hates it, complains loudly about having to do it. But if you so much as try to stand to help he'll force you back down onto your chair or the couch, something something not useless something something already up, darling. It's as if Astarion is simply allergic to admitting that while it makes him nauseous, he wants to care for his daughter. He wants you to rest.

And yes, Astarion is the type of father that thinks all other children are hideous little fecal beasts and his daughter is the only gorgeous little angel in the entire world. Perfect, can do no wrong. He tells her as such too, in the same deadpan voice he always uses, wiggling and stretching her legs.

"You know, darling. You should count your blessings, you're the only child I've ever seen that doesn't look like some sort of hideous, deformed bean. I can't be surprised though, with as gorgeous as your parents are." And though he rolls his eyes, he's unable to contain the grin that shows his teeth when she coos and squeaks at the sound of his voice.

And yes. Astarion dresses up with his child.

The older she gets the more he does it, little matching outfits and ribbons. Nothing that she would choke on, were she to get her mitts on it. (You had to be the one to tell him no, at first. He did throw a little fit about it, just a small one).

But it's not all lighthearted, good or bad.

There are times where Astarion won't touch your daughter, won't be alone with her in the same room. He fears it, he'll eventually tell you. His... affliction came with it's dangers, always. But he's always trusted that you could defend yourself, and you're big enough that he can't just kill you between one blink and the next. The same can't be said of your darling girl. She's so small and so fragile that, were he to lose even the slightest grip of himself around her, it could cost her her life. No doubt it would traumatize her for life, regardless.

You watch it, too. The way it pinches his brows and makes him wipe his palms against his pants as if he were sweating. Nervous habits creeping up his throat and causing him to pace about like a caged animal. It's during these times that you have to bring your daughter to him. Gently place her in his arms and remind him that he's loved her from the moment he saw her. And where once he held trepidation and queasiness at the prospect of fatherhood, you can see him care so much about this little bundle that he looks sick from it. A vulnerability he can't mask.

And of course, there are times he nearly weeps for other reasons.

Like when she takes her first steps, and immediately tries to run for him.

And Astarion knows he should let her tumble, that it's good to let her fall and get back up again, but the moment her unsteady feet cause her to careen she's safe in his arms. Little kisses peppered against her giggly face. And he'll tuck away against her to try and get his bearings back, but she'll pat his cheeks and tug his ears- and you'll have to distract her with a toy while he hiccups and sniffles down his need to cry. He wasn't ready for her to grow so fast, gone is the tiny bundle that could fit perfectly in one arm, now she's walking. How long before she's dating? Gods, should he be preparing for betrothal requests!?

"I want to be mortal." He whispers to you, one night. She's tucked between your bodies, sound asleep and wiggling from time to time. This is one of the rare moments you and your love can speak to each other uninterrupted, in the tranquility of the dark hugging around you.

It's strange that he brings this up now, you'd spoken about it several times since the Elder Brain had been taken down... But in the past few years since your daughter had been born, all of that had fallen to the wayside. "What brings this to mind, Starling?"

Your hand comes to cup his throat, as you watch and feel him work as if he were swallowing a stone. "I don't want to outlive this."

It's hard to blink the tears from your eyes, understanding the implications.

Were he actually two hundred years old, Astarion wouldn't survive well past the existence of his sweet little family.

He'd been more melancholy the past few weeks, after realizing that your daughter was beginning to function on her own. She was walking, grabbing things, talking in rudimentary sentences. She was even beginning to call him pa.

He'd cried, at that.

"I'll forget," his voice draws you out from that brief reverie. The distress is palpable, but runs low like the tide before a storm. "I'll forget all of this. I don't want to know what I'll become, then."

And when you run your hands up into his hair, to scratch lovingly along his scalp, he doesn't hide the shiver or the way his face presses against your palm, cold and smooth on your skin.

"We'll find a way, Astarion. I haven't given up yet... We just- she's too young."

It's both a strain and a relief, to know that. To be reminded that your daughter is still so small, that he won't be losing her- or you- any time soon. There's still time.

Astarion With Your Teen:

Arguably this is the best time between your daughter and him. It's simultaneously a surprise and yet- not at all? He's more like her confidante and best friend than strictly a father. He isn't one for harsh curfews and strict ways of dress- rather, he's the one she comes to when she's made some sort of mistake. Or when she's angry about something.

In general, Astarion withholds judgement of her, for better or worse. The unintended consequence is that you might become more of her enemy than Astarion, because he's less inclined to punish for questionable behaviors.

It's not that he's afraid of angering her or dealing with push back- rather that Astarion's frame of reference for what constitutes a mistake is ah... rather broken. Even in the beginnings of your relationship with Astarion, the mistakes that would anger him constituted dropping an entire building on his head or... risking being turned into a Mindflayer to help some old lady find her cat.

Not feeling up cute boys in alleyways.

As a result you'll likely need to have a few conversations with him about not being so lenient on her, because she needs to have structure in how to behave. Stealing things is in fact, not okay! And Astarion will listen, but he's always going to be a bit more of a friend than anything else.

A total gossip with her, too. You'll catch them huddled around the dinner table at night, both with a glass of wine (this was an argument that Astarion ended up winning, she's allowed one glass a week, but that's all!) in hand shittalking a storm together. Astarion has become the Baldur's Gate equivalent of a PTA mom, he shows up as stylishly as he can and beefs with the parents of whichever children have upset his daughter the most. And then when they get home they just toss it back and forth together.

But I want to stress, just because he doesn't punish her doesn't mean he isn't protective of her. Astarion is more protective than you are.

Once she begins dating you'll find yourself home alone semi-frequently, because Astarion will play the supportive, loving father part when she leaves- and immediately follow her out into the dark. He's had centuries to know what dangers lurk around every corner, and foggy memories of simply being in the wrong place at the wrong time before his nightmare began. He won't allow that to happen with his girl.

And it's funny, because Astarion will talk mad shit to himself while he does it. Logically he knows that she's with some teenage boy or girl, but it doesn't stop the petty, emotional side of him from rolling his eyes and sneering at the cheap one-liners and the dumb tactics that this would-be charmer utilizes. Really, taking her into dark alleys to get her to tuck into you? Going to a totally secret spot that Astarion has known about for at least a hundred and sixty years? Get real, kid.

And you have to try valiantly not to laugh when he comes home, huffing and puffing about it. Because you will hear every single petty thought he had the entire time, and you will know that he looks like a petulant child. It's very cute.

All in all, I think Astarion is a reckless, chaotic, petty father. And one that loves his child so, so much. To the point of ruin, to the point where suddenly staying in one place doesn't seem so bad, just so she can have friends. Helping people isn't the worst, just so she can know there are heroes in the world. Suddenly he's learning to bandage scrapes and kiss bruises, and having tears and snot on his clothes mean nothing compared to the grief of the one shedding them. He loves her in ways he didn't anticipate he ever could. Enough to know all of her ticks and secrets, to know when she's lying through her teeth and when she's being devastatingly obvious.

Learning to cook even when he can't eat, listening to her spin a story with a straight face and then- as she's stepping out the door- telling her to be careful with that boy and listening to her groan loudly as the door slams shut, a mischievous smile on his face.

Holding you and dancing you around, cradling you close with all the tenderness he has in the whole of his body and soul. Kissing you, calling you the mother of his child, thanking you for giving him something he didn't even know he'd wanted. A family.

Small and odd, but his.

#astarion ancunin #astarion #astarion x tav #astarion ancunin x tav #astarion x reader #astarion ancunin x reader #bg3 #baldur's gate 3

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elliethefroggy · 2 months ago

Text

Operation Seduction

One night when Buck is a bit tipsy, he takes one of those online sexuality tests. The internet informs him that he’s bisexual.

After he sobers up, he starts to consider the possibility that he’s not as straight as he’d previously thought. He takes a few weeks to discretely stare at pretty men. Reads through some forums. Wanders into a few gay bars. Has one very messy make-out session with a man in one of those gay bars (it’s for science).

Thanks to his very scientific research, he realises that not everything you read on the internet is a lie, and that yes, he’s bisexual.

But that realisation doesn’t change the fact that he’s looking for a long-term commitment, no longer interested in flings and one night stands. He wants to settle down.

Though thanks to his recent revelation, this does mean that his dating pool has significantly expanded, allowing room for a whole new gender.

Then in waltzes Tommy, here to save the day. Here to fly them into a literal hurricane. Tommy Kinard. Hot pilot extraordinaire with an amazing cleft chin, an even better ass, pecks Buck wants to smother himself with, and attractive amount of confidence to boot.

How could Buck resist?

But before he gets ahead of himself, Buck has to figure out if Tommy is actually attracted to men. This is rendered easy by the fact that Chimney can’t keep a secret to save his life and is always willing to wax poetic about how cool Tommy is. One not-so-subtle interrogation later, Buck is now aware that Tommy is both very gay and very single.

Excellent.

The next obvious step is to see if Tommy is attracted to Buck. Now Buck knows how to pick up woman. He’s very good at it. He imagines it can’t be that much different to pick up men (if his one make-out session with a man was anything to go by).

But Buck is a changed man. He is Buck 4.0. He doesn’t want to hook up with Tommy. He doesn’t want a one-night stand or a messy make out session in a dark corner of a bar. He doesn’t want to start dating Tommy immediately after sleeping with him only for their relationship to fizzle out a few months down the line because of lack of communication and a misunderstanding of each other’s wants and needs.

So he tests the waters first. Starts hanging out with Tommy more. Gets an invite to those pub quizzes. Takes Tommy up on those flying lessons. Invites Tommy out to as many pretentious craft breweries he can find (that’s another hot tip he weaseled out of Chim).

During all this, his shorts get smaller and smaller. His tops get skimpier and more form-fitting. He wears less sleeves. He starts discreetly flexing in Tommy’s company. He rushes to the gym area whenever Tommy visits the fire station, showing off how much he can lift. He also uses any excuse to take his shirt off around Tommy to the point of pretending to spill greek yogurt all over his front on two occasions.

Buck pays close attention to Tommy’s every expression. He notices when Tommy’s eyes linger on the almost indecent amount of skin Buck is showing. Notices Tommy staring at Buck’s biceps whenever Buck forgoes sleeves. Notices Tommy’s gaze slide down to Buck’s lips whenever they’ve had a little too much fancy craft beer.

Operation Seduction is a go.

Buck ever so slowly starts making their hangouts more and more romantic.

At first, it’s just sandwiches on a bench in a nice park after a shared workout session.

Yes, he did stake out the park beforehand.

Yes, he did choose a nice, secluded bench where they wouldn’t bothered by too many people.

Yes, the bench just so happens to be located next to a very nice flower bed.

And yes, he did spend an hour preparing these sandwiches before the gym, and they tasted fucking fantastic. Admittedly, the deliciousness of the sandwiches does become detrimental when Tommy bites into his and moans around his mouthful.

He takes Tommy out to a nice restaurant with low lighting, cosy booths and excellent pasta. No candles on the table yet, though; it’s too soon for candles. But, the tables are small enough that Buck and Tommy’s long legs are pressed together during the whole meal.

He starts carrying around Tommy’s favourite snacks whenever he has a flying lesson.

(Buck’s heard that the way to a man’s heart is through his stomach, and Buck is taking that very seriously).

Buck thinks his plan is going brilliantly, that he’s the height of discretion.

Tommy being Tommy, he notices all of this. From Buck’s outfits losing more and more fabric to the ever-closing distance between their bodies. He lets it play out for while, wanting to see where Buck goes with whatever he’s doing, but all Buck does is shower him in ever more delicious sandwiches.

It’s not until they’re having a not-officially-romantic walk along the beach as the sun is setting that Tommy finally asks the question he’s been puzzling over for a few weeks.

“What exactly is going on here, Evan?” Tommy asks.

“What do you mean?” Buck asks back, knowing exactly what Tommy is referring to, but trying to buy himself a little time. He’s figuratively hitting himself over the head because of course a sunset walk along the beach was too obvious. They should have gone bowling instead; there’s nothing romantic about bowling shoes.

“Come on,” Tommy says, “The fancy dinners, the even fancier sandwiches, the sunset walks,” he says, waving at the beach they were standing on, the gentle orange rays turning everything soft and golden.

“Ah. Right. That.” Buck says, pondering what to say. He settles on honesty because he would have had to admit to his plan eventually though that was meant to be at the end of Part 3 of Operation Seduction, and he’s only half way through Part 2. “Well, I’m attempting to seduce you.”

It takes a moment for the words to truly register in Tommy’s mind. And then hope inches its way in.

Because Tommy had an inkling that Evan was attracted to him. But he hadn’t allowed the hope to grow; he’d been burned one too many times when it came to romance.

Tommy enjoys Evan’s company, enjoys it more than he probably should. Evan was a fun, lovable man with a beautiful personality and the face to match. What’s not to like. But Tommy hadn’t wanted to ruin their growing friendship by testing out if Evan really liked him or not.

And here’s Evan, having the courage to try what Tommy could not.

“If you’re not interested, I’ll stop immediately, of course. I don’t want to make you uncomfortable,” Evan says when Tommy is quiet for too long.

“I never said I wasn’t interested.” Tommy says immediately, and then watches as a gigantic and oh so sincere smile blossoms on Evan’s face. Tommy can’t do anything but smile back.

“That’s good. Because I really like you,” Evan says.

“Yeah?” Tommy asks, trying to not sound as breathless as he feels because that hope that he has been beating down with a broom is rising up tenfold.

“Yeah,” Evan says, “Does this mean I can continue seducing you?”

“Seduce away,” Tommy says, then adds because he wants Evan to understand, “But you do know I don’t need all that?” Tommy is more than willing to start making out with Evan on the spot now that he knows he hasn’t been imagining all the wanting looks Evan’s been sending his way.

“But I want to,” Evan says, “It’s just, well, I’ve been told that I sometimes take things too fast, especially with dating, and I’m trying to be better about that. I want to be better. I want to do this properly. You’re the kind of person who deserves it. You deserve to be properly courted.”

“Courted? I’m being courted now.”

“Yes.” Evan nods. And Evan means every word, and Tommy sees that, and Tommy really wants that.

“Okay,” Tommy says because what else do you say when a hot, sincere, wonderful guy informs you that he wants to court you in the 21st century? You agree.

After that conversation, they are both on the same page. They’re not dancing around each other, they’re actively dancing towards one another. Though it’s less dancing and more Evan sashaying towards Tommy, a peacock strutting about with its tail feathers out on full display. They both know full well where this is going, how this dance ends, and they’re both happy to take their time on the journey there.

(Though Tommy is a bit impatient to get to the kissing part because he thinks he’ll enjoy kissing Evan quite a lot. But the joy on Evan’s face whenever Evan gets to do something even remotely romantic for Tommy makes the wait worthwhile.)

Once Buck has Tommy’s full permission to continue with seducing him, Operation Seduction goes to a whole new level. No longer needing to be subtle with his interest, Buck gleefully skips all the way to Part 5.

He goes on full seductor mode.

And Tommy has no idea what to do with himself. He hadn’t realised how much Evan was holding back until Tommy gave him the ‘go ahead’, but having Evan’s full attention on him is a thing to behold.

There are hikes in the hills surrounding LA accompanied by picnics at the very top with spectacular views and spectacular company (and also sandwiches that somehow get even fancier).

There is even more craft beer in places so obscure that even Tommy’s never heard of.

There are movie nights filled to the brim with some of Tommy’s favourite romcoms.

It’s not until Evan takes them to a drive-in movie of Love Actually that Tommy realises Evan has an informant, but Tommy is having so much fun that he doesn’t give Chim shit for revealing all his secrets to Evan.

Evan opens the door for Tommy at every opportunity he can get. When they drive somewhere together, Evan will ask Tommy to wait so that Evan can rush around the car to open Tommy’s door for him all the while Tommy stares at him bemused, but charmed all the same.

There are candle-lit dinners with rose petals scattered over the tablecloth. Tommy’s being showered in so many amazing home-cooked meals that he considers upping his work-outs just so he can eat more of them.

And flowers. There are so many flowers. The first time Evan offers him a bouquet, Tommy doesn't know what to say; no one has ever given him flowers before. Tommy couldn’t stop smiling for the rest of the day. He’s sure Evan noticed because barely a week later, he gets another bouquet. Tommy had to go and buy himself a vase because he didn’t have anywhere to put them.

Throughout all of this, Evan is constantly asking Tommy if something is ok, checking in to make sure Tommy isn’t uncomfortable.

On their second sunset walk along a beach, Evan asks Tommy if he can hold Tommy’s hand. And of course, Tommy says yes. Evan’s hand is about as big as Tommy’s, and it’s so warm in Tommy’s own.

After that, Evan is always asking to hold Tommy’s hand no matter where they are or what they’re doing. Tommy says yes every single time. Even if it’s during a long hike or just after a gym session together when their hands are both sweaty and disgusting. And despite doing it so often, Evan always has that big smile on his face whenever Tommy agrees. Tommy is just the same.

But after a few weeks, the anxiety starts creeping in.

Because Tommy’s not used to this. Not used to so much effort being put into dating him (Are they even dating yet? Tommy’s not sure; it definitely feels like dating. But when in the courting process is Tommy allowed to call it dating? He should ask Evan for clarification.)

When it comes to romantic relationships, Tommy is usually the one doing all the work, coming up with all the outing ideas. He’s not used to the reverse, and he’s not completely sure how he’s meant to act in this situation.

When he asks Evan if he should be returning the seduction, Evan smiles at him and says, “You ask me that as though you haven’t already inadvertently seduced me. That terrible fake mouth static really did it for me.”

Evan informs him that he’s meant to sit back and enjoy the ride, nothing more. And so Tommy does.

(Tommy does also ask if they’re allowed to call it dating yet, but according to Evan’s clipboard and the very detailed spreadsheet attached to the clipboard, it is still too early call it dating. Tommy nods in agreement when Evan informs him of that, but Tommy still calls it dating in his head.)

(Tommy tries to ignore how hot and bothered it makes him to see Evan with the clipboard because, according to the spreadsheet, what he wants to do to Evan is not in the cards any time soon.)

But then it’s Buck’s turn to be anxious. The last time he took it this slow was with Abby, and that did not end well.

Despite the very detailed plan, despite all the thought he’s put into Operation Seduction, he wonders if maybe he’s taking it too far.

He knows not everyone likes this pedantic side of him, especially when he’s got a clipboard at hand.

When he shares these worries with Tommy, when he suggests that maybe they give up the plan entirely and just admit that they’ve basically already been dating for months, Tommy refuses.

“You made a colour-coded spreadsheet. Of course, we’re finishing the plan.” Tommy is invested now even though he has long since been seduced. Also, fuck knows how much time Evan took to make the spread-sheet. “What’s next?” He asks.

Evan smiles as he looks down at his phone to open said-spreadsheet (constantly carrying around a clipboard can be a hassle, so he also has a digital version on his phone. Tommy would not mind constantly seeing Evan with a clipboard).

“Uh, right. Next up is star-gazing.”

And so they go star-gazing, and they have an amazing time, just like they always do.

One day, Evan hesitantly asks Tommy if he wants to go on a hot air balloon ride. Like every time Evan asks him for something, Tommy says yes.

Even though Tommy is used to these heights, the hot air balloon ride is amazing (though that could have more to do with Evan than anything. Evan who handed him the largest bouquet of flowers yet before they lifted off and who packed them a whole bunch of Tommy’s favourite snacks for the ride.)

As they admire the view, Evan showers him in so many hot air balloon facts that even the person flying them is riveted.

Evan quiets down after a while because even he had to run out of facts eventually.

Instead, they quietly watch the small world beneath them, shoulders pressed against one another, not an inch of room between them. And it’s nice. It’s so wonderfully nice that Tommy’s starting to suspect that that he’s going to want to keep this, to keep Evan for a long, long while.

“So how far along in the plan are we?” Tommy asks instead of asking how much longer before he gets to kiss Evan.

“Actually, funny you should mention that. This is actually the before-last part of the plan.”

“What’s the last?” Tommy asks.

Evan turns to face him, their shoulders no longer pressed together, but their bodies still so close.

“Tommy Kinard,” Evans says, grabbing Tommy’s hand and interlacing his fingers with Tommy’s, “Will you do me the honour of dating me?”

“There is nothing I would love more,” Tommy says, because again, what else can he say?

They lean into each over even further. Tommy lets go of Evan’s hand and instead places two fingers underneath Evan’s chin, tilting Evan’s head up towards him. And finally, after all this time, they kiss.

Operation Seduction is a resounding success, and the infamous spreadsheet will one day be framed and hanging in a place of honour in their future home.

#911 #bucktommy #buck x tommy #evan buck buckely #tommy kinard #buck buckley #Yes I gave Buck his hot air balloon date #He derserves it #Buck basically tells Tommy that all he has to do is stand there and look pretty #when the firefam hear the good news #they're all very happy for the both of them #but most of them are releaved they don't have to stage an intervention to finally force Buck to start swapping spit with Tommy #again like all my other 911 fic ideas if anyone wants to write this go ahead

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