#and they show you things you don't really see in the novel

[shutyourfacemonsterlover]

Overall thoughts and opinions on the most famous Phantom adaptations / most famous Eriks

Because these things are fun, i thought maybe it could be interesting for me to reunite my overall thoughts on the most popular adaptations, because everybody has opinions on them (and maybe my takes are super cold and vanilla). Still, it's fun!

I'm also gonna go with the most popular because there are like a million Phantom adaptations and I don't have the energy to rank them all. (i'm also mostly doing the ones that are series / shows / musicals- the books i would pretty much mostly mention the Leroux OG and Kay, and i'm already going somewhere with the second one). (Forgive me all Ken Hill / Song at Midnight / MazM fans)

-The 1925 silent film with Lon Chaney: I'm really biased, but I admit this is my favorite Phantom adaptation, even if i know as a film it's rather limited by the constraints of the era (bad acting, slow pacing, the weird whitewashing of the Persian etc etc). It downplays the tragic romantic elements of the story (Christine is very one-dimensional and seems more afraid of Erik than empathetic), and Erik is written a little too "generic evil villain", but there are elements to suggest that there's more to Erik than meets the eye, and why he's an engaging figure in the first place. Yeah, like most, i hate the ending, but it's saved by overall faithfulness to the novel (he's born deformed! he has a death's head! he has a life of tragedy! he loves Christine! you can't imagine the number of adaptations that don't get these simple things RIGHT), and the subtle moments Chaney adds to make his Erik more three dimensional (the moment in the Apollo's Lyre scene where he holds his mouth in pain lives in my head rent free) It has my favorite movie Erik, and that's all that matters to me. <3 8/10

-The 1943 film with Claude Rains: I always call this film "missed potential". It looks beautiful, it sounds beautiful, it has good quotes, I like the film delving more into Christine's character; but the Abbott and Costello comedy of the two Raouls is out of place, and the writing of Erique is kinda of a mess (and considering he's the most important character in POTO...YEAH a good adaptation depends a lot on his writing). You don't really understand what is his connection with Christine, and how his initial sympathetic scenes kinda clash with his more violent streak (he gets thrown acid in the first place because he kills a man pre-Phantom); making the character come off as a little inconsistent and not as sympathetic as he should be. This movie also started the "disfigured in an accident, no Persian" versions of Phantom that I feel kinda cheapen the story later on (a lifetime of tragedy is what shaped Erik, not "one bad day"). A real shame, because Rains carries an elegance to Erik that I think helps with the imagery of the character (a monster trying so much to be "human"). Hmm...6.5/10

-The 1962 with Herbert Lom. This one also changes a bit, and normally i'd be bitching and moaning about it, but i prefer the changes here to the Claude Rains version since they're more consistent in portraying Erik's character. You feel for his music being stolen, and want to see this artist have such a simple dream as seeing his creation come true. People don't like it erases his obsession with Christine, but i think here it works, since you can believe his passion for his art is what drives him. (Also, i think this movie is what started the trend of Phantom adaptations having another villain, which is something explored better in Phantom of the Paradise). It doesn't look as nice as the Claude Rains film, tho, and something in the acting stops it from going the most. 6/10

-Phantom of the Paradise: A BLAST. It changes a lot about the source material, but considering even the setting is different, everything works to its advantage. Winslow is the first Phantom that really delves well into the "tragic monster" element of the character, with even his violent tendencies being a consistent trait from the start of the story (he attacks Philbin for making an inoffensive comment about the Juicy Fruits). The imagery is distinctive, Swan is a very compelling villain, and the songs are fantastic. Winslow's sacrifice, like Lindsay Ellis said, is simply a progression from his acts in the novel (yes, I believe Erik would sacrifice himself to guarantee Christine's safety, post development). What only sucks is that I don't feel you buy Winslow's passion for Christine / Phoenix, and she comes off as inconsistent in her ambition and not as empathetic (still, she sings very nicely and I love that the actress resembles Mary Philbin (1925 Christine) at times). Also while the Faustian elements add to the movie, i'm not sure how they can relate to Erik's' character in general (not to mention the Dorian Gray element). Also the pacing in the last 10 minutes is rushed and kinda sucks. But still...As a movie? It's my favorite. 9/10

-The Maximilliam Schell 1983 made for TV film: My least favorite, and it all has to do with how slow and dull the pacing is, you just don't get the sense of dread or tragedy. The reincarnated wife subplot is really random, and it makes Sandor pathetic and delusional instead of empathetic and tragic. And i'll take bad over boring any day of the week. 2/10

-ALW's musical (add here the 25th version too): Oh ho ho, the one piece of media that got us all into Phantom I think. It's a big, bombastic musical, and you can see the appeal. While i don't like some characters are turned more one-dimensional (Raoul, Christine); I do like how it pushes forward Erik's trauma, and how it has broken him; he's not a good man, no, but not a monster, either. And this idea that abuse victims can turn cruel as well...But, you know, they still deserve love. Perhaps they always did! And the focus on the romance which puritans complain about...Boy you will not be ready to hear me when i tell you the original novel implies Christine is indeed into both Raoul and Erik, for different reasons lol. I dont like the omission of the Persian, but I like that this cements that again, Erik wasn't a rando who one day snapped, it was a life of tragedy that turned him into what he is....We can dislike it, we can like it, but we can admit it has influenced our perception of the story in more ways than one. 8/10.

-The 1988 cartoon: The most faithful adaptation of the novel is also the cheapest movie of the bunch. Whew lads...Tho I do like Erik's character. He's got the redemption, the deformity, the sense of humor (when i read Erik i often headcanon him having this Erik's voice). I also like Christine, she's not written as a bland damsel, she shows a bit of an attitude. And hey, rare Persian appearance! I even like the ending, with the cast showing compassion towards Erik's misfortune. It's just that the technical limitations of the movie avoid the film from reaching high status. 6.5/10

-1989 with Robert Englund: An unpopular opinion, but I love this film. It's strange in that it's both very faithful to the novel, adapting the gothic horror of the elements, but it changes way too much Erik's character (the crux of the story) into somebody who isn't really tragic or sympathetic. A musician who sells his soul to the devil (an element it took from Phantom of the Paradise...I have the theory that Phantom adaptations take elements from each other more than from the novel) and gains immortality...and kills people for no reason??? Normally, in another adaptation, I would dislike a lot this change, but Englund's interpretation turns the character into more layers than simply a psychopathic asshole. He gets the "allure" and horror of Erik, which is a big part of the character. I feel with a more book accurate backstory, and impulse more the angle of "doomed dark lover" with Christine (yes his love is also...downplayed), this would easily be one of the more popular Eriks. Yeah it steals a lot from Nightmare on Elm Street, but there's an interesting movie in here, amidst the music and the beautiful cinematography...8/10.

-The 1990 miniseries with Charles Dance: Cherik! The phandom darling! This one is strange since i feel it diverges from the novel as much as the Robert Englund version, yet it's one of the most beloved adaptations. It offers an interesting interpretation of Erik, he's not as cruel, but the movie delves more into the aspect of him being a doomed romantic lover. He's not as manipulative to his Christine (i'd argue this is one version of the story where they should've gotten together imo), and has a gentler approach to life. The series takes the element of the book of him having arrested development and runs with it. Still tho, the gentler approach kinda cuts the tragedy of the character; what with loving parents and all being something Erik DIDNT have growing up. The appearance of the father is what dulls the film, and makes Erik come off as more dependent and childish. Still, Charles Dance gives his Erik a quiet dignity, that avoids the character falling into a manchild interpretation. 7/10 (not bad, just that i like my Eriks more lonely and threatening)

-The 1998 film of Dario Argento: Y'all owe Gerard Butler an apology, lol. This is the ONE truly shit adaptation of Phantom, lol. It feels like a fever dream. It's more gross than scary, it's not tragic, it's not romantic, Erik is not in any way sympathetic or complex or alluring...Like the fuck lol. 3/10 (and that 3 is because it makes me laugh...)

-Wishbone "Pantin' at the Opera" episode: Eh, "Phantom for kids", not a interpretation of the story I like, but it's accurate to the novel, which makes it stand out. And it gives Erik a rare happy ending! Tho, as expected since it's for kids, it downplays a lot of the more complex themes. Still...gotta praise the accuracy. 5/10

-2004 with Gerard Butler: I don't think it's as bad as the phandom made it out for years. It could be better, but i think the technical details and the bad makeup are what drag the film down, since it doesn't diverge massively from the story or themes (except the weird grooming thing...ew). This Erik is interesting in that much like Cherik, he grew up inside the Opera House, and it's an unique view of the character, that he's got arrested development due to never leaving his own "house" growing up (a bit of a plot hole then how he learned magic, engineering, architecture, etc etc, but eeeeh). He's also more vulnerable and emotional compared to the stage counterpart, who seems more self assured and angry. It's not horrible, just average, and could be better. 6.5/10

-The cartoon episode of the Triplets with Phantom (aired in the 2000s-something): Phantom for kids again. it's not an interpretation of the story in general that i like (too fluffy for my liking), but this episode gets the points of the story; Christine's complex feelings and Erik's redemption, while still keeping his initial wickedness (he even gets a sorta happy ending! my boy!). also it's funny at times, so there's that. 6/10

-Love Never Dies: This is...frustrating. I'm of the unpopular opinion that a sequel focused on Erik can work, but I feel his story with Christine is over, and dragging it back again just places the characters in square one, their development null. As an original story, it can be a potential good drama, but with these established characters, a lot of the emotions feel forced and manufactured. 5/10

So overall...My favorite versions of Erik and the story are...the musical and Chaney? And Paradise and Robert Englund for the wild out there versions. But there's always something missing, i can't always point to one and go "THAT is the definitive Erik". Erik is a very complex character, made of light and shadows, and the movies never reflect that.

I don't think most of these movies are good, we like them because they're Phantom content, but still, it's interesting to observe how this story has changed reflecting the interests of society at the time being. Before, we wanted this cruel monster punished...Then we turned him into an 80s slasher...And now in the monster fucker era we see him as a potential romantic lead...Huh.

[vacantgodling]

i'd like to say that this year was more of a planning year than a writing year; not to say that i didn't write; but i spent a lot more time on outlining, worldbuilding, and a new skill that i've added to the fold -- conlanging(!!). because of that, i didn't hit all the goals i made last year but tbh that's aight. without further ado tho:

TOTAL WORDS WRITTEN [january 2024-november 2024]

111,535 (as of 11/15)

once again, if this was all in one place, that would be a full novel but. speaking of full novels:

2024 GOAL STATUS

❌ reach 150k words written overall ✔️ finish cage like it’s GOING to happen i will it ❌ finish the first draft of paramour!!!

so i'm only 1 for 3 and tbh i'm not that mad about it. finishing cage back in february was one of the biggest writing highlights of this year because i showed myself i could do it, i CAN finish something of novel length if i really put my mind to it.

(and yeah, i really did go and get it printed out lmao)

and more than just the accomplishment of writing 82k in one piece, it's also helped me really understand and work out what systems and processes i need to have set up prior to writing to make it work. this is why outlining has been such a huge undertaking for me this year, in varying levels of success (lmao). having a fully fleshed out outline with the literal beat by beat playout of how i want the story to go helped me TREMENDOUSLY in pushing through cage. even on chapters that were rough for me, having that outline to fallback on made it so much easier to stick to a every week one chapter system. and its something i plan to implement with my original wips too.

the only issue is, because original work inherently requires more work since there's no framework except what's in your own head... its been a bit slower for me writing wise. BUT next year i will be operating out of a desperate need for whimsey so i think i'm going to make my goals much.... less stressful than i did this year.

2024 WRITING HIGHLIGHTS

FINISHED CAGE! biggest accomplishment in my life right now tbh. seriously if you haven't and you have any interest in overwatch at all go read it and leave me nice comments while you're at it lol. technically i am working on the interlude piece between cage and its eventual sequel, schism, but that's been kinda slow going as i don't have much motivation to do it right now. first chapter of it is also up on ao3 though -> interlude - quiet

created a conlang??? in a very bizarre turn of events i have created a conlang for my wip with the working title HE WHO SMITES THE SUN (under the tag #s: ph). the language itself is called dzonime'si and if you want to see more of that process check out my #ren fights linguistics tag :)

finished the entire "first draft" of my wip betwixt thumb and forefinger--which is actually an idea that i only thought of this year so that's fun. for the uninitiated it is a gothic reimagining of twilight but with a shit ton more body horror and prochoice commentary. the reason first draft is in quotations is because it is technically a 16k word long outline that i am considering draft one. draft 2 is literally me going bullet point by bullet point and expanding the draft into something more akin to prose. i do have the first few paragraphs of draft 3 started, which is where i'm going to attempt actual prose writing for the first time. pretty much, btaf is becoming a very lengthy process but it's my first "test drive" on how this new outlining to written prose for my original projects will go. i've just gotten... distracted by other wips since then.

2025 GOALS

to be honest, i don’t know if i have many hard goals for next year. mostly because of *gestures at the state of the world right now* :))))))) it’s blatantly obvious that when things are tough, it becomes more difficult to do the things that you want to do that bring you joy. amid trying to just survive the day to day, there’s also my desires to get more involved in bothering the FUCK out of my senators, looking into ways i can be more involved locally (without burning myself out) and just generally trying to not let the state of the world get me down.

i think there’s a lot of things i want to do. i want to finish a bunch of outlines for my wips becuase i can’t tell you how REWARDING it’s been to be able to fully just go back and reread btaf’s outline whenever i like (and have the AMAZING multi leave comments on it like that’s actually another huge highlight of this year thank u friend 💛) and get excited about telling this story all over again. it motivates me to keep doing it! i'd also love to finish btaf's draft 2, maybe try and finish interlude - quiet etc. but—long story short. i don’t think i’m going to put myself on for any particular goals. next year is going to be about celebrating wins in any and every capacity. so all i wanna do is give myself wins.

looking forward to seeing y’all next year, crying about our ocs as usual

💛 ren 💛

[delphiniumpacificguinevere]

Gosh, this is gonna be a long story… I mean really long…

Absolutely starting with T.H.White’s the once and future king. My parents were like changing working places in different countries all the time and so my siblings and I were usually went to international schools which were taught in English, u know, global language, and international schools in all countries teach in English. So back to about 7 one of my teachers (a very sweet British lady) gave me that White’s novel and I was just so into it. But then I’m started to focus on other stuffs and did not think about Arthurian for years.

The when I was like 13 or something(can’t remember lol) my family moved to the UK and my school was like spending the whole year teaching Le Morte D’ Arthur in Literature class, but what’s the most important for me is that, they adapted the book into a stage play (not a big one, just school show) and selected performers from among the students. Yes, and I have been chosen to cast Guinevere. (I still don’t know why my teacher choose me a new coming student and English is like my 3rd or 5th language, maybe just eney menny miny moe ur gonna be Guinevere in this show lol). I was under huge pressure but also very grateful for the trust so I was like “I’m gonna do this beyond just ok, come hell or high water”. I made the whole year absorbing all Arthurian sources as much as I could and I spent most of my time learning about Gwen (Obviously). I feel like I started to have a strong and deep emotion connection to the Camelot Queen and by the end of the show I felt like I wanted to cry so badly, I was so attached to Guinevere (it was really embarrassing i still can’t figure out what’s wrong with myself lol).

Yeah, I think this is where I really started to get into the Arthurian legend, I even think that liking it was the reason I chose to stay in the UK. (Yup, my parents have since happily gone on to work in other countries, but I said I don't want to wander around, I’m gonna stay here plz let me stay) Gosh, it's so convenient that if you live in the UK if you see a certain location of interest for Arthurian you can just go there and check it out…

btw my sister is also quite into Arthuriana (well, under my influence), but she’s pretty stick to Arthur & Guinevere, so every time u know when i say “aww i feel like Guincelot and even MordGuin is cute” she’s like “damn u…” lol, sisterhood<3

Plz ignore this part:

And thanks for the Isles of Britain to “adopt” me lol, feels like I'd be more likely to call the UK my home rather than others, as although I've lived in many countries (thanks to my parents? I guess I should be thankful? But I actually don’t really think so) I haven't grown attached to any of them probably because none of them have I lived for time long enough (even those where my ancestors came from, how to say this, like my lineage). Being mixed race identity crisis has always been a thing, even exacerbated by changing residence all the time in my childhood, so it really feels good to have a place a country to be called home u know… Seriously, in that way, Arthurian legend has changed my life (my saviour) (this sounds really really weird I know…)

Yeah i just yapped too much, ignore me plz… but this question just brought so many precious memories to me🥹… thx 4 this question for just be brought up🥺

arthuriana fandom. what was your FIRST introduction to arthuriana im v curious,,, like was it a book a movie word of mouth etc etc

[unproduciblesmackdown]

Lackadaisy Enrichment

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[fallloverfic]

There are two versions of ORV: the original serialized version and the revised version, and the revision is what the manhwa is based on (it's the same for singNsong's other completed novel, The World After The Fall, which was revised after publication, and it's the revision that's being used for the manhwa adaptation of TWATF). One of the ORV arcs that was most heavily edited for the revision was the Peace Land arc. But the manhwa also adds/removes things as it goes because that's kind of the nature of adaptation.

The popular English fan translation of the novel is the unrevised version. As far as I'm aware, no one has fully translated the revised version into English. It's one thing people are wondering about with Yen Press' upcoming English translation: are they translating the revision or the unrevised version? It would make more sense that they'll do the revision because that's what singNsong have apparently said is their ideal version of ORV, and it's what's used for the ebook version of ORV.

Hi! I hope it's okay to ask, but I really want to read ORV and I'm.. a bit confused about something? How or where exactly do I read it, and which version of ORV is the one people usually recommend? Is there even a difference? I'd appreciate any and all help!

no worries! redirecting you here

as far as i know there are two versions? one is translated (the one i am directing you to) and the other is an edited version which may not be translated? and may or may not be the base for the webtoon? with some scenes added and removed? take whatever i say with a grain of salt though, i got handed the file in a dark alley by an ill meaning friend. she was out for my blood apparently.

[fallloverfic]

I love singNsong again reminding people in Side Story that Dokja wanted other people to read TWSA (he wrote reviews and comments! It was his first wish), and he only stopped bothering because people harassed him for it. He didn't gate-keep the story. When he's avoiding talking to Sangah about it at the beginning of ORV, it's because he knows what happens when he tells people about the story, not because he's gate-keeping it from her. He notes he's not proud of his hobby (likely because he's been bullied all through his life, including for reading the thing he loves): he finds it embarrassing to talk about, and better respects her studying Spanish in her free time (learning another language is a generally accepted thing in society). He assumes she won't care or will look at him funny (or worse) for when she learns about the novel he's into.

Basically anyone writing "let's gatekeep ORV" posts because of the anime announcement or because they dislike the manhwa or some other weirdness, y'all are the villains in the scenario.

The literal climax of the story is about sharing ORV with as many people as possible. What story were y'all reading?

[microwavetoaster-selfships]

I love the original Cars 2006 game so much. The one that got released on like GameCube and Xbox. I mean, I love all the Cars games(Cars 3 Switch game they did you dirty), but that's an entire story for another time giving my individual appriciation for all of them later. What I'm going to say here applies pretty well to the other games that are centered around the first movie as well like Race-O-Rama and Maternationals, but I'm specifcally rewatching the original one's cutscenes again because I don't want to restart my data every time I wanna go through the cutscenes again(even though I enjoy playing it so, so much), and I just love the atmosphere in it so much. Some of my favorite movie scenes are the ones where they don't have any music playing because I love to close my eyes and turn up the volume and just.. pretend I am right there with the characters and right next to them and stuff or that they're talking to me or such, and that is extra immersible when there isn't an entire orchestra going on(not that I am knocking at having music at all, I regularly go back and listen to the soundtracks from movies if they have them posted).

And the game doesn't really have any music at all during any of the cutscenes and the whole thing is like super..soft to me? Not soft as in like fluffy pillows and pink aesthetic soft, but soft as in like it's getting late out and so you're trying to be kinda hushed with your voice and there's not really anywhere you have to be so you slow down your pace and kick a couple of pinecones or rocks. If that makes any sense at all. Cause normally movies or shows(whether the whole series or each individual episode) have a certain plot or arc that is happening that everyone is focused on and consumes the whole thing, give or take a few moments. And while this game does have a particular thing so it can have a start and end to the story of the game, everything is framed in like a "Yeah, this is what they get up to in their freetime." And I don't know if you know but I love my slice of life stuff so sooooooo so so infinitely much. So getting to get that sort of content is really fun and perfect for me. It's like you're just actively hanging around them and getting caught up in whatever typical nonsense they end up in(assuming we are ignoring the whole monster truck bit), and the "OH THINGS ARE. HITITNG THE FAN." Or bigger development moments are saved for like the movies or something or whatever comes up in my head.

I'm not really entirely headed anywhere with this, I just wanted to put out some appriciation for the game and how nice the atmosphere is. I think it's also cause I really love getting to just sit and here them talk and there is a lot of casual conversation that happens and just plain dialog. Like it's not even filler dialog it's just talking and chatting. And I spend a stupid silly amount of time listening to voiceline compilations on YouTube so this is just the bees knees for me.

Thank you for the read though, may I offer you with a clip because APPERENRLY there's a limit to one clip per post that I am just now finding out about. I think I've already talked about the Litnig one anyway. Maybe I'll post it again later.

I uuuuguguhhh also perfectly reached the tag limit. If anyone needs anything to do in their freetime while bored or as a filler may I suggest reading this post and it's tags, you will be occupied for a while IFNFJCJFNS. I was half joking about reaching the tag limit as well. Well, we all saw it coming, it was going to have to happen one day. And go figure after a long absence that I was going to have it in me to do some running of my mouth...

I do want to say I am probably back now yall! Knock on wood- but I think the reign of my absence is over! Which I am especially hoping so for several reasons but also because I am so SO not done milking F/Ovember to its full extent. I spent too many months looking forward to that to not invest and rot my blog with it.

[giantkillerjack]

One of the things I love about Glass Onion is the way that the camera and music work together to tell nonverbal jokes.

Like when Benoit basically has to hold Miles' hand to get him to the conclusion that someone reset the puzzle box Benoit lies about receiving:

Benoit asks if it's possible that someone reset the box, and Miles then declares that someone must have reset the box like it is this huge reveal - and the camera zooms out while the music subtly swells as though he really has figured out something smart, when actually he literally restated what Benoit just said.

[themidnightcircusshow]

@heartofstanding tagged me in this meme months ago and unfortunately it took me this long to get to it because I had a mild crisis over how long it's been since I've read a novel, let alone one that I loved 😅 so this is nine of my favourite novels (not books, because if I included manga/short stories/comics/etc this would be giant)

0The Picture of Dorian Gray -- Oscar Wilde// Pyrrhus-- Mark Merlis//The Scarecrow--Ronald Hugh Morrieson//Unnatural History--Kate Osman//Tunnels of Blood--Darren Shan//The Coffin Dancer--Jeffery Deaver//Hero--Perry Moore//Frankenstein--Mary Shelley//One Flew Over the Cuckoo's Nest-- Ken Kasey

[bookwyrminspiration]

I found the artists Instagram and I love her art but my gosh what is with the cover

For anyone curious, here's a link to her IG! She is a very talented artist, though there is a big difference between doing a single piece you can put all the thought and detail you want into it, and illustrating a graphic novel.

Between being asked to use a different style than her typical one (as she said on her tumblr), and the simplifying necessary for a graphic novel (though not as much so for a cover), and probably much more, it definitely was not what many of us were expecting.

I don't think it's bad--although I will say I think the layout of Fitz's face is wrong for the angle, a technical critique--it's just very different from the example art we've seen of hers prior. Which makes sense, but is still something to get used to.

There's also what others have said about it not feeling like it embodies keeper, but I'll go into that in another ask about the cover :)

Anyway! I want to very clearly emphasize my support for the artist, she has a massive task in front of her and a fandom with high expectations. I don't think she's paying attention to us or what we say, but either way. Even if the cover isn't what we thought or expected (honestly I forgot it needed a cover), she clearly has skill and artistic knowledge I'm curious to see in the rest of the novel--which I think will be a better judge. Covers are all played up, but the book is the real meat of it and, I think, more important.

[debleb]

americans try not to immediately turn anything irish into magical mystical uwu pagan faeries challenge (100% IMPOSSIBLE)

[aroace-number-eight]

One of my worse fears when I do rereads of the series is that I look at moments where the characters are obscenely rude and/or make offhanded comments and gestures, and they're actually not OOC moments or contradict previous establishing character traits, because the reality is that they're total assholes and we just choose to believe they're nicer than that

[unproduciblesmackdown]

remembering a fun marble hornets trans wrights element throwback where i managed to show up for one of their first convention features & while this was ofc already [serious "hmm...Not Cis: me??"] occasions i wasn't yet out or anything like well time to suffer being known & perceived thusly....while i Was out by the same occasion the next year like well here i am again, different name, binder, no plans to give anyone any rundown about this thing, hope it goes smoothly anyways and/or i'm effectively giving a reintroduction anyhow even though i May have been up to more memorable things that last time....no conversations needed to be had, i think i had the impression i was recalled as the same person but it was an entirely chill time, just this as like an early and pretty unique Occasion of like, here's people who know me from In Person (and ig Kind of online, i also don't recall ever like distinctly linking said in person appearance to onlineness lol. it just may also have not been an unsolveable mystery or a mystery at all. but mostly in person, and that's the element i was focusing on anyways) and my showing up transly in person with a whole other name this time as the major difference really lol. like well hope this goes swimmingly....And It Did. and at some point not eons later ya boy tim with some cringe comp sincerety like oh let me make this post somewhere about how an epic element of being a known internet creator is meeting new & various people including explicitly the [mh fans are like exclusively The Gays. and then some unfiction posters] factor & i'm like lol well you're welcome. just doing my part. but fr that was neat like i'm glad to get chill indirect & direct trans validation from internet horror series contributors in that immediate period of coming out & having to sweat it like damn wasn't at this point last time around

[darlingofdots]

the vast majority of fanworks are bad, and that's fine, actually. they are bad for the same reason that the average number of legs for a human person to have is less than two: statistics. like with all endeavours and especially creative ones, most people who write fanfiction or draw art of their favourite characters are bad at it. if you line up all the crochet projects in the world, most of them will be, well, bad. some are bad because they're the first thing a person ever made, or the second or third or tenth, and this kind of thing takes practice. others are bad because the person who made them is just not very good at it. maybe they just learned how to make granny squares and they're perfectly happy to never expand or improve on that. most people who dance or bake or garden or braid hair are not amazing at it! and you'd never go to your kid's dance recital or eat your friend's homemade carrot cake and expect the same experience as you'd have at a professional ballet performance or award-winning bakery. And that's if we assume there is an objective measure of Good Art, which there isn't! Some art is just "bad" because you don't like it!

I think though that specifically with fanfiction, we sometimes forget that when we read a book or watch a movie, dozens of people have looked at it and given feedback and made changes and done quality control before the final product reaches our shelves or screens, and that's not counting the original writer's learning process and past experience. A published book is not anyone's first crochet project, even if it is their debut novel. But with fanfiction, the barrier to entry is so low (on purpose! this is a good thing!) that we do get to see a lot of wonky granny squares, and on sites like AO3 they're sitting on the same shelf as the hand-made silk lace wedding dress and you can't always tell just by looking at it which is which. The consequence of this is that we encounter fic that we think is unpolished, has bad punctuation, is out of character, and we are tempted to think "well, this is awful! how dare this person put this wonky granny square on the same shelf as the lace wedding dress!" But that's not how fandom is supposed to work! That wonky granny square is somebody who is really excited about this TV show they just watched and they are reaching out into the void to share their excitement with you. To scoff at them for not making a lace wedding dress is really, really rude. Even if they did make a lace wedding dress, maybe it's just really not your style, or you think they should have used a different pattern, and it's still their wedding dress. You don't have to wear the dress and you don't have to read the fic.

We all know that there is some fanfic out there that is incredible. I think it's important to talk about that! But the vast majority of people who post their writing online are just sharing their little hobby projects that they make for fun and I also think it's important to remember that.