#and they all deserve to be written

[thefloatingstone]

Appleseed PDA montage to save you from reading endless pages of unimportant politics that don't amount to anything

also because I have nothing better to do, I'm bored, I'm moody, my gaming laptop is still broken so no BG3, and it's too late at night to start drawing after doing animation clean-up all day.

[yuviur]

Summer vacation, 4am.

Tons of easter eggs in this one! Click the image to find them (and for better quality ofc)

Close ups and process shots under the cut, description in alt text

[rainedropsart]

Some Wondie doodles to go with the Arrowette I drew yesterday, I need to draw her stupid wig outfit more

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[kandyzee]

Fiona was a top athlete, breaking records in track but had to drop out of high school.

Lip was a genius, always told he was gonna be the one to make it but dropped out of college.

Ian was in ROTC for years and trying to get into West Point but had any chance of enlisting ruined.

The 3 eldest gallagher siblings are gifted kids/ dedicated to a goal, but never live up to it, and it kills me every time.

[springypaws]

So I listened to the first two episodes of Malevolent

[somewhereincairparavel]

Literally where do people get the idea that Jason was full of himself and that he thought he was better than Percy? This is legit brought up in so many 'why-i-hate-jason-grace" arguments it just screams lack of reading comprehension and obvious Percy bias saltiness. Like just say you are bitter that Jason is written as percy's equal and that you want Percy to have nobody rival him 💀

Never once in his povs did he ever think about how much better he was, on the contrary it's just him not feeling good enough about himself. He and Percy NEVER said anything bad about eachother.

His and Percy's rival is just a joke between two powerful demigods who have rival dads, that's literally it. Even if Jason did indeed think he's better, so what about it? What's the big deal?

he has worked hard and accomplished great things, so he has like, every right to be confident in his power, stop acting like hes all weak and inferior when he canonically killed a titan with like his bare fucking hands till the point Krios swore vengeance on him. No he's not "weak" or morally inferior to Percy as a person. You are merely trying to cope. Not to mention the way people judge a character's worth SOLEY based on their abilities is a huge red flag in itself, but that's a discussion for another time.

he shouldve canonically had more achievments and power than he originally got in the books as a son of jupiter. but rick made Percy too OP and fumbled jason for the sake of keeping percy's spotlight intact. Has it ever dawned on people that Percy is shown to have cool abilities like bending tears but Jason is never shown to have abilities like controlling lungs? Yeah, that's authors privilege for ya.

Y'all put Percy in an obnoxiously high pedestal and that's not a good thing. It diminishes his flaws and makes him appear so saint like and Gary Stu even though he's not. the fact that ppl get so sensitive over their rivalry and try to belittle jason by making up scenarios (like claiming jason thinks he's superior and shit) and go around saying that to ppl to reduce his value DESPITE being well aware that he has like enough hate already, is so insanely petty. BOTH Jason and Percy deserve equal amounts of respect.

God forbid a teenage boy say he's better than the other as a joke, he's such a terrible, stuck up, and shitty person who deserved death for that, isn't he?

[gunsatthaphan]

🤓🚩🫶🏻

[gigglemite]

I don't know, there's just something that hits so hard knowing that at his very core, Wanderer is just a sweet boy who wants to help others and find a family who will love and take care of him in return. We can see this when he's first found after Ei left him, and also when he erases himself from Irminsul.

Wanderer, when we meet him as Scaramouche is someone tainted by centuries of deceit. He's the product of a twisted mind twisting the naive mind of a puppet just looking for his place in this world. His personality as Scaramouche is fragments of those he's spent the most time with (the harbingers), coupled with his three perceived betrayals, and we end up with a homicidal puppet who hates humanity and detests the gods. He may have hated them, but the Harbingers (especially Dottore) are the ones who shaped the Balladeer we met.

But the Wanderer we meet post-Irminsul is helping out at a fruit stand in Sumeru fully expecting no compensation for his work. He goes out of his way to pick fresh sunsettias and take care of this stand all because the man who runs it helped him. He's shocked and confused, not angry, when the Traveler says that he's a puppet despite him making it a point to never tell anyone. He happily accompanies the Traveler and Paimon to Nahida, even apologizing for the inconvenience.

Dottore made sure all of Wanderer's naive traits turned bitter towards the world because he wanted a fascinating test subject. And yet, even when he could go on the warpath and murder Dottore after finding out the core betrayal that shaped him was a lie, he instead chooses to erase himself from the past just as a small chance to fix the wrongs he's done and give those hurt because of him a chance at a better life.

If the Kabukimono and Wanderer were him without being molded by the harsh world and Scaramouche was the result of being manipulated, I really wonder how he would have turned out had Ei not chosen to give him up.

In other words: Scaramouche is baby and he deserved so much better. Wanderer is a sweetheart who had to reconcile with a past that went completely against who he thought he was and deserved better. But the Wanderer we have now, is healing.

He's healing and I can't explain how proud of him I am that he's trying.

[jubileepizza]

Waking up in a cold sweat remembering that the torchwood writers gave us Toshiko and Owen’s backstories, which introduce completely new and significant context to their characters and open so many avenues to explore, one episode before Exit Wounds

[author-morgan]

Title: Daylight Rating: M Pairing: Arthur x fem!Reader Summary: Arthur always knew you and he would make a fine match. ...hiding all of our sins from the daylight... I've now collected all(?) your husbands for my infinity gauntlets. a late merry christmas and an early valentines for you boo. @mrsragnarlodbrok.

“SORRY,” ARTHUR MUTTERS, “hands are rough.” He noticed how you pulled away from his calloused touch as he pressed the stained damp cloth against the bloody wound on the back of your shoulder—remnants of an arrow after Bedivere and the Mage helped him dig out the bodkin point. It’d likely been meant for him in the heat of the battle and he cursed himself seeing you fall nigh feet from him, pulled away to shelter by his kingsguard. Even with the power of Excalibur, he’d been unable to protect you—an age-old promise broken.

You lift your gaze from the charred stone floor, looking at your reflections in a fogged-over mirror on the opposite side of the room. Focus has his brows furrowed and lips pressed into a thin line. “You always say that,” you tell him, words slurred from the pain, exhaustion, and strongwine, and voice rougher than normal. This isn’t the first time Arthur Pendragon has tended your hurts and woes, and at this rate you doubt it’ll be the last.

Dried blood and sweat washed away, Arthur picks up the piece of tree bark with a salve prepared by the Mage to stave off the pain for a while and keep the wound from festering. Then, Arthur binds the wound with fresh linen and wipes his hands, kneeling in front of you—hands resting on your hips. You lay your hand on his cheek, thumb sweeping across his cheek, marred with dirt and soot. Leaning toward him, he meets you halfway, and you set your lips on his—a soft, fleeting kiss like the touch of butterfly wings.

“Thank you, Arthur,” you tell him, fingertips mindlessly combing through the scruff on his jaw. He straightens to full height but does so with a grimace. “You’re sure you’re not hurt?” You ask again.

“Just bruises,” he assures you, and this time, it seems like he’s being truthful, besides the few scratches on his hands and the slim, already scabbed-over, cut on his forehead. 

Arthur sits next to you on the edge of the bed, looking toward the open balcony. You both can hear the joyous shouts and chants. Bedivere and the others will only be able to satiate the men for so long. They will want to hear from the one who led them to victory. From the Born King. “They’ll be waiting for you to give a speech,” you tell him. 

“They’re waiting to go headfirst into the barrels of grog,” he amends, but if the out-of-tune songs are anything to go off of...  

“Sounds like they already have,” you laugh. Tonight, there will be revelries for the victory against Vortigern and his forces. In the following days, there’ll be feasts to honor the fallen and growing lists of preparations for a coronation. But right now, Arthur Pendragon doesn’t want to be a king just yet. Right now, he’s content just to be Arthur the street rat, especially when you lean your head against his shoulder and link your fingers through his—and then he’s certain there’s no one else in all of England for him except you.

“HIDING FROM ME? Or everyone else?” Your head quickly swivels to the side, only to relax at the sight of Arthur approaching. You cannot help but wonder how he isn’t cold. He's not dressed anywhere near as layered or warm as he should be for the winter evening, but somehow, he manages to look cozy even in just a scarlet linen-and-wool doublet. Stepping back, your eyes flit up to the scarlet-tinged leaves, still clinging to the branches of the white-bark birch, before looking beyond to the fresh falling snow. 

He stops at your side and looks up, too. “Was just thinking about what a bad influence you’ve been on my person,” you tell him, a small half-smirk creeping onto your features. Arthur tilts his head back in amused question, then stares up at the leaves and the silver sliver of the moon peeking through the winter clouds. “As I recall, I was an innocent girl before you came along and ruined all that.”

His blue eyes narrow, arms crossing over his chest. “You’ll have to refresh my memory on how I did that, darlin’.” He moves a little closer, and you sense his ploy, twisting and ducking when he moves to grab you. 

You face him with brows raised, smiling. “Such a brute,” you taunt, “grabbing at innocent girls in the castle courtyards at night. Is that any way for the King of England to behave?” 

Arthur only rolls his eyes, trying to smother another smirk, and this time, he catches your arm as you move around him. It takes little strength to move you how he wants—pressing you into the trunk of the great tree at the heart of the courtyard. His hands press against the smooth bark beside your head as he leans in enough to look down at you. The glint in his eyes is mirthful, but there’s something else shining in his gaze too—you’ve seen that look a dozen times now, and you’re almost afeared to think about what it can mean. “Maybe you have a point,” he drawls, wearing that crooked, boyish grin that makes your heart flutter.

Your laugh almost catches him off guard. His hand slips down to run gently along your waist, the other toys with the hair at the side of your head. You lean back into the tree more, relaxing as your hands find his waist to rest on. “My father sends his kind, innocent daughter to study in Londinium, and what does this strong, noble boy do?” Arthur raises his brow. “He shoves her against a wall in an alleyway because he has no reasonable way of expressing his feelings with words.” He was just a street rat orphan and you were the daughter of some fancy lord from far away—opposites in nigh every way but more alike than you ever could have imagined. “I was never the same after that.”

His head dips down into the crook of your neck, nose training across your throat and inhaling the scent of roses and lavender. “No,” he smiles, voice low—more of a muttering husk—lips twitching as he pulls back, glancing to your lips and up, “but you’re more fun now.” Your expression falls flat, and Arthur laughs. It’s nigh impossible not to grin or melt at the sound and how little it seems you’ve heard it of late—and by Merlin’s beard, he’s impossibly handsome with laugh lines crinkling the edges of his eyes and a lopsided smile. Leaning further into him, his breath dances across your cheek, the back of his fingers brushing along your neck. 

You exhale shakily, and Arthur teases you again with light presses of his lips along your jaw and neck—hands smoothing up and down your waist as he does. For a moment, your hands find their way to his chest before you remember how open the courtyard is and that anyone can happen upon the two of you like this. Glancing around, you breathe his name in a flustered whisper, hand pressing against his chest—the last thing a new king needs is rumors to turn into scandal. 

Arthur takes a step back, giving you both room, but then there’s a new glint in his eyes. The playful mirth disappears from his cornflower eyes, replaced by something more serious—kingly, even. It’s something he’s been thinking about for years. Maybe even since the two of you first met by happenstance in the streets of Londinium and struck up an odd friendship. But over the years, Arthur thinks he cannot just call you a friend, not anymore. What he feels runs deeper than that, and given his newfound title and responsibilities...“I’ve been thinking,” he starts.

“And does it pay well?” You quip in a poor attempt to lighten the now solemn mood.

He rolls his eyes, exasperated, unable to hide how his lips quirk upwards. “Would you let me finish?” And so you do, unsure what he must say or ask that warrants such a dramatic change in his usual demeanor. Arthur reaches for your hand, the rough pads of his fingers curling around and into your palm. He stoops forward, lips brushing against your knuckles—reverent. “I’d like you to stay,” he breathes, straightening back to full height. Your brows furrow. “Here,” he adds, “with me.”

You know what he is asking of you—marriage—and it should be an easy answer. Yes, of course. You’ve loved Arthur since before you knew what the word truly meant. But given the events of the last few months and the precipitousness of his proposal, you’re left speechless, heart beating in your throat until all you can do is run to the haven of your chambers with tears pricking your eyes.

A LOUD KNOCK on the great wooden door echoes in your bedchambers. You rouse from sleep, righting the oversized tunic hanging off one shoulder in an attempt to appear decent at the late hour. Part of you already knows who will be waiting on the other side, but when you crack open the door, it still surprises you to find him standing before you—wearing only a loose, nigh threadbare tunic and pair of dark britches. “Arthur,” you greet, rubbing the sleep from your eyes before motioning for him to come in.

There’s still an uneasy air between you after the earlier events and conversation in the courtyard—his proposal. “I shouldn’t’ve….” he starts as you do. “I should not...” You both fall silent, eyes searching the other’s face for an indication of who will be the first to speak, the first to act, but there’s only silence. 

“Yes,” you quickly tell him—the shock of his initial proposal has faded, and now you’ve never been more certain about something in your life. You still can’t say what it is that caused you to react in such a way—Arthur’s the only man you’ve ever loved, the only person you could have ever thought of having a life with, even before all this Born King shite. The answer is ‘yes.’ It had always been. 

“Yes?” He repeats with furrowed brows, not sure he’s heard you correctly.  “I’ll stay” —you reach to comb your fingers through his close-shorn beard, and he leans into the touch— “with you.” Forever.

He smiles, and it’s as though a great weight has been lifted from his shoulders. Arthur cradles your face in his hands, thumbs running over your cheekbones. You smile for him, and he leans toward you, closing the distance. His lips are on yours in an instant.

You answer his kiss, slowly at first, then with more fervor when you settle your hands on either side of his neck, drawing yourself closer. Parting, you press your forehead against his and meet his heated stare. “Do you have any idea how long I’ve waited to hear you say that?” Arthur asks, breathless.

Then he’s kissing you again and again—hands straying to your waist and backside, pulling you closer, tighter. And it fans the embers burning low in your belly to flames. Arthur breaks the kiss with an anguished groan—fighting a losing war with himself. He brushes back the hair falling in front of your face, the rough pad of his thumb running over your lips. “Tell me to stop,” he mutters—it’s almost a plea. And then he’s adrift in your soft and dark gaze, knowing if you do nothing to stop this, he’ll be acting on countless years of love and pent-up desire.

“No,” you breathe, catching his wrist and sliding his hand up from your neck—peppering his fingertips with gentle kisses. He watches you, lips parted and heart aching. Closing your eyes, you draw in a slow breath, and with a final kiss to his palm, you guide his hand to rest on one of your clothed breasts.

“Arthur.” You speak his name as though it is a quiet prayer. “I want you.” He pulls on the string at the neck of your nightshirt, loosening it until the gauzy material falls off your shoulders—puddling around your ankles, 

Though bare, you still hold his clear blue gaze. He goes silent as he draws in a sharp breath—eyes dart over the length of your body. His eyes darken, though, a mix of lust and adoration. “Think this is the longest you’ve been qui–” He cuts you off with a kiss, and one of his hands rises to cradle your cheek—the side of your neck again—and his lips coax yours open.

You sigh into his mouth, hands instinctively dipping under the hem of his roughspun tunic, fingertips trailing over the taut muscles of his abdomen and the scar on his ribs. Arthur breaks the kiss, quickly shrugging off his shirt, and lets the undyed piece of wool fall to the floor.  

Then, suddenly, he lifts you off your feet effortlessly. You hastily grip his shoulders for balance until he lays you on the bed—standing back to take off his trousers, and you watch him with a weird mixture of hunger and wistfulness as he strips. Arthur kicks aside his discarded clothes, then crawls onto the bed, making room for himself between your thighs—his clear and cold gaze burning with the warmth of the Sun and never once straying from yours.

You gaze tensely at his face as he studies you. His expression is greedy and appreciative, and the firelight glowing in his eyes just makes him look all the more ardent, and the longer he stares at you without doing anything, the more restless you are for him to act. You want his touch, his cock, his lips on yours, and all he’s giving you is this appreciative greedy stare, and it’s not enough.

Arthur kisses you again, and then he leans away from your lips and kisses the angle of your jaw. His mouth travels to the side of your neck, and your pulse flutters in your throat. His lips are surprisingly soft, and as his mouth trails from your neck to your collarbone, the delicacy of his kisses makes you feel lightheaded —a mix of pleasure and disbelief. 

He nuzzles your collarbone, then places a kiss just above the swell of your breast, and you arch helplessly toward his mouth. The heat of his breath wafting over your breast, making your nipples go taut with anticipation, and when the scruff of Arthur’s beard brushes over your nipple, you jolt and make a helpless little mewling sound. You twine your fingers into his golden hair, trying to hold him in place against you. But Arthur shoots you a quick smile, then shuffles lower on the bed still and kisses your breast —and you twist your hips, hands slipping from his hair to his shoulders.  

A sob leaves your throat—not a crying kind of sob, but an instinctive noise tore from your throat without your permission. He lifts his mouth from your breast and smiles at you, and you stare stupidly at his handsome face—the spark in his clear eyes and the boyish smirk twisting his lips.

Arthur palms your breast and squeezes gently. He shuffles lower still on the bed and places a sweet, open-mouthed kiss on your navel, and your sense of surreal disbelief ratchets to a nearly unbearable degree. His mouth drifts lower now, the scruff of his beard tickling your belly as he presses his lips to the skin below your navel and eases your thighs further apart.

Arthur places a kiss between your legs, and your mind goes blank with pleasure. 

“You alright, darlin’?” He smirks. You stare at him, too stunned by pleasure to find a clever response. Instead, riled by the teasing sparkle in his face, you spread your knees wide. His gaze drops between your legs, and his expression darkens with interest as he places his hands on your knees—stroking up to your thighs. He places another firm, wet kiss between your legs, and a helpless moan leaves your lips, and he hums with approval, a smug, half-growly little hum.  

You gasp in a breath, realizing you haven’t been breathing at all. Arthur lifts his head to look you in the eye. “Relax, love,” he croons, smoothing his palm over your belly as he laps at your cunt with slow hot sweeping strokes of his tongue. It’s not long before a finger presses into you, working you slowly open.

Your hips jerk softly along with his movements, and there’s unspoken interest in his gaze as he stares down at you, relentless in his efforts to see you come undone. His tongue and lips are at your clit, fingers stroking and curling deep within you. You jolt, and then he moves slower, dragging over the sensitive spots he’s discovered inside you and leaving your nerves tingling with every touch.

Pleasure washes over you in waves, making your calves twitch, your fingertips feel numb, and that high-pitched mewling noise leaves your throat. Overwhelmed—enraptured—you buck your hips toward his face and clench your fingers convulsively in his hair, and he keeps licking and kissing you until you can’t take it anymore. You pull on his hair to stop him, and he finally pulls away, lips glistening in the moonlight and fading glow of the firelight. “Enough,” you groan. “Need you.” It’s nigh a broken plea.

You shudder as he moves, situating himself between your thighs, calloused fingers dipping into your cunt to gather your slick and spread on his hard cock as he strokes himself. “Arthur, please,” you whimper, impatient, and he won’t keep you waiting.

He slides his cock through your folds before his angle changes just slightly, and on the next pass, your breath stutters as his cockhead presses just inside you—barely splitting you open. Arthur’s hand grabs your hip and angles you up just a bit so he can slide deeper inside you, and you cling onto his biceps—feeling his scars press into your palms and admiring the way his muscles flex under your touch. 

Arthur hisses through his teeth when he fully seats himself inside your warmth, then releases his breath slowly and smiles at you. “You’re lovely,” he murmurs, twining his fingers through yours, pressing the back of your hands into the mattress. From the moment Arthur first saw you in the Londinium streets, he knew your fates were intertwined—just as your bodies and hands were now. He trembles at this personal heaven, then draws his hips back, starting to move.

You laugh breathlessly, mindlessly. “Charmer,” you pant, hooking your legs around his waist. You roll into his thrusts, pulling him deeper. His ragged breaths and grunts mingle with your sighs of pleasure—panting scarcely keeping up with your racing heart. 

He huffs in amusement. “Can’t say that’s something I get called often,” Arthur says as he pumps his hips slowly, teasing you and pleasing you almost more than you can bear. Then he lowers his lips to yours in a kiss—there’s something sweet on his tongue, like honey wine. 

His whole body begins moving, surging, and writhing against yours. One of his hands releases yours and caresses your cheek before he slides it down your body. Without thought, your body arches into his hand as it moves, ripening under his touch—thoughts clouded by lust and love. His fingers find your clit at the same time his mouth latches to your neck.

Another guttural cry bursts from your lips. He’s pounding into you now, and he’s still holding your hand while his other grips your hip. Your breathing is loud, and so is his, and his hand is tightening on your fingers. He drags in a breath, then expels it in a strained groan.

He shudders, then pounds into you hard, twice, thrice, and then he pauses with his cock deep inside of you. His jaw clenches, and his grip on your hip is so tight that it’s almost painful, but you like it—just as much as you like the guttural sound he makes as he shudders in completion. A few long seconds later, he gasps in a breath, then sighs and releases your hand. “Fuck,” he groans, holding his weight above you on shaking arms. 

You beckon him to lie atop you, his golden head pillowed on your breasts as his breathing steadies, sighing when you kiss his hair and whisper a quiet, I love you, for him to relish. He stays sheathed inside your warmth, unwilling to part just yet. “I love you,” he murmurs in turn, never tiring of how you smile when he says the words. Sighing, he rolls to the side, and you whine at the loss of him and the empty feeling between your thighs.

He lays on his side, and you pillow your head on his outstretched arm, nuzzling close against his chest and threading one of your legs through his. Arthur presses his cheek to the crown of your head and strokes your hair as the first dregs of daylight break over the horizon, shining upon England, Camelot, and his future wife and queen.

[Forever taglist: @certifiedlittleshit / @erzsebetrosztoczy / @hereforreadandwrite / @mrsragnarlodbrok / @rigshak ] if your name is italicized, tumblr would not let me tag you. if you’d like to be added to my forever taglist, or any other character/fandom taglist, just let me know with this Google Form!

[jymic]

My favorite joes

[trappedinafantasy37]

"Weeeh! I wanna recruit Minthara on a good playthrough! Weeeh! I don't like the ultimatum and want to keep both Minthara and Halsin! Weeeh! I wanna make Minthara good! Weeeh! I don't want Minthara to break up with me!" Minthara deserves more content but none of these things are at all what she needs or deserves. No, these are all things that you want for yourself, but do absolutely nothing for her. This is one of the biggest L's in the game and it will forever enrage me because I just know it will never happen.

Minthara deserves to confront Orin like all the other companions do with their abusers. She deserves to scream and yell at Orin. She deserves to cut at her the same way Orin did, make her bleed and scream in pain. Minthara deserves to torture Orin, just as she did her in the mind flayer colony. Minthara deserves the right to roll up to the Temple of Bhaal and beat the shit out of Orin with her bare hands. Leave Orin begging for mercy in which Minthara will not even give her a drop. To slam Orin down on that altar and slice her throat, offer her up as a sacrifice to the father she is so blindly devoted to.

And yes, Minthara would be afraid. She would be TERRIFIED. Despite how strong and powerful Minthara is, she is also the only one afraid of Orin. Unlike Ketheric, or Gortash, or Sarevok, she is the only one who fully acknowledges just how dangerous Orin actually is and does not underestimate her. She will walk down into that temple, intending to duel Orin with a massive disadvantage because she is terrified.

Minthara choked when seeing Orin again in the mind flayer colony. She choked when seeing Orin as an imposter, throwing her deep into the ocean of paranoia and fear. And she is so entrenched in paranoia that it actually becomes palpable to everyone around her, even you. She describes herself as paranoid, but this is the first that you actually see how paranoid she is. And she choked again when Orin kidnapped someone in camp, making her feel inadequate, making a mockery of her for being unable to protect one of her own. And every day that passes, the more and more likely that the victim is going to die and she has doubts on their survival.

At every possible avenue in which Minthara could have done something or said something about Orin, she froze in place with fear. But she's had enough. She cannot be afraid of Orin forever and she doesn't want to be. One way or another, Orin has to die and she wants to get over that fear. She needs to know that Orin is dead, for herself.

This would also make the alurlssrin confession all the more impactful. She wants to tell you that she loves you in the best way that she can because of the very high likelihood that she will never have another chance to do so. She would beg you to come with her as you give her the courage. She has the courage to face her fears and confront her tormentor, because she knows she has you in her corner. If you have the courage to stand up to the very gods themselves, then she can stand up to Orin. Romanced or not, your presence alone is enough to give her the strength to do something she would otherwise be too terrified to do.

Minthara deserves the honor to solo duel Orin in a fight to the death. Minthara deserves the right to achieve vengeance for herself. No, I do not care that this confrontation would conflict with a Durge playthrough. In fact, it would provide a phenomenal source of some interesting, and toxic, drama between Durge and Minthara. Especially if they're in a relationship. This also does not mean that Minthara killing Orin instead of Durge would not have its consequences (because it most certainly will). Even if Minthara does not fight Orin, it would be so much better if Minthara was just given the fucking chance to yell at Orin like all the other companions in their personal quests.

[quick-catton]

i just want to say that these two have been on my mind literally all of january. the thought of the debauchery they would indulge in. bobby and his pretty boygirlfriend. using him as a decoy in robberies, his cute lil thing an easy distraction while he takes what he needs, allowing them both to easily slip away. getting to show off his pretty baby in clubs, having a sweet little thing as his passenger princess during long drives through the dessert. a doll for him to dress up and have hanging off his arm wherever they go. anyway <3

[comic-book-fan-us]

AtLA Fans: Azula isn't a sympathetic character because she seems pure evil until the finale.

Live-Action AtLA: *Gives Azula a more sympathetic portrayal and tones down her more over-the-top 'evil' elements.*

AtLA Fans: Why isn't Azula being written as pure evil?

[screechingfromthevoid]

@disastertourwaterdeepedition

Sorry for the weird fucking post but like tumblr straight up ate your ask?? I had to search and screenshot from my email??

Its like super fine I love big rants and big feelings (especially about the blorbo of the month).

Whoa buddy if you wanna talk about a rant. This got so long I'm putting it under a read more.

I'm not sure any of this is above board conscious thought process. When he looks to Orym, when he thinks about how he feels about Orym, I think Dorian, king of compartmentalizing, gets a rush of all three of the things in the post. He gets a little too lost in thought looking at the way Orym's hair now tries to curl against his ear or how well tailored the armor is to his body, he first gets hit with the Will guilt. Then he thinks about "ohmygodtheresawaron" and he'd shovel all of that down. Because its not time to think about Orym and him. But he knows by the way Orym watches him "sleep". He knows by the way Orym refused to be princess carried in Aeror. (Seriously dude Dorian princess carries everyone. It would have been less suspicious if you let it happen). He knows because Orym didn't see his husband when they were in Zephrah. But when he dares himself to actually think about a possible future together, he uses the big three to shove it down. And no, he has no clue that Orym thinks he doesn't return his feelings. (Wow you're right. Pronouns are hard)

Lol to finally answer your question: I'm not sure! Because the thing is! Orym has gone down twice in a battle with Dorian there! And honestly if Orym being on death's door doesn't make either of them confess, i'm not sure what will! (thats a lie I do have an idea). But like Orym went to the moon and back and almost died on the moon and all the count communicate to Dorian was "I miss you"!! Orym nearly died twice in one battle and he didn't think to give Dorian a sloppy, "If I die again I want to have kissed you once" kiss before going in for another round of getting hacked on. Dorian watched him go down and had to bring him back from death's door (one failed save scared the shit out of me) and he didn't think to give Orym a "We need you, I need you" kiss.

My unfortunate thought process, which I can't decide if I want it to come true or not, is that Dorian has to get hurt. Like when I say hurt I fucking mean it. Taken down in a round or two, two failed death saves, hurt. Because then Orym will have to face losing Dorian again. Face losing the man he loves, again. He pours a healing potion into Dorian's mouth because warlocks don't have a single healing spell. (Just checked). Orym feels so helpless in saving Dorian, because a healing potion isn't nearly enough to keep him up. He starts to cry over Dorian's (now conscious) body. He whispers between sobs "Not again, not again. Dorian you can't leave me. I love you, please, I never got to tell you, please stay alive." and Dorian, having heard all of that, reaches up to cup Orym's cheek and says. "Alright, just for you though."

Or something like that.

As much as I would love for them to be adults and just talk to each other. I know thats not going to happen. (Please, Robbie, Liam, prove me wrong.) So I think major tragedy will be the reason they confess to each other. Because they're idiots in love with a lot of weight on their shoulders.