#and there’s very little adult characters that i like

[linkspooky]

SUKUNA, YOU ARE ME

Now that we're in the last few chapters of Jujutsu Kaisen it's time to do a deep dive into Yuji and Sukuna's relationship. Is what Yuji showing Sukuna here truly empathy? Does Sukuna's death and Yuji's attempt to reach out mean Sukuna was human all along? We'll discuss that, the parallels between this and Mahito, and what Sukuna's exit means for both himself and Yuji as characters underneath the cut.

I AM YOU

While this post is about the connection between Yuji and Sukuna, I'm going to say the majority of this post will be about Yuji. I stated this in a previous post, I don't believe Yuji's showing Sukuna empathy here. While his offer to let Sukuna live inside of him may be genuine, it doesn't come from a place of genuine understanding. Sukuna himself isn't written as a character to be understood or empathized with.

Look at the words Yuji said. "You are me." He's not saying he's like Sukuna, he's saying Sukuna is like him. He is projecting himself onto Sukuna. Everyone in the story does, even Kashimo and Gojo who both considers themselves the strongest of their time and who naturally should have been able to understand the isolation of being someone as incomprehensibly strong as Sukuna were just projecting their own personal experiences on them in the end.

Of course we could dig a little deeper on the topic.

How much can one person truly understand another? It doesn't have to be a curser, or a borderline incomprehensible deity like Sukuna. How much do you understand your own best friend?

Gojo mentions that he felt loved by everyone, but also that he was so beyond their understanding that they may as well have been plants in comparison to him.

Of course, Shoko herself says that Shoko was always right there next to Gojo trying to offer him support and Gojo just chose to keep her at an arm's length. Gojo also believed that only someone as equally as powerful as him like Sukuna could understand him. Only to find that Sukuna didn't care about Gojo's feelings of isolation at all, nor was he troubled by love in the least.

Gojo makes himself out to be someone so superior to other human beings that he's beyond their comprehension, but that's Sukuna. Gojo did feel understood once, by Geto in his youth. The thing was that Gojo assumed that Geto could understand him because they were both euqal in power level. However, years after the fact when Gojo has long surpassed Geto, their friendship remains exactly the same.

The one that Gojo pictures patting him on the back is adult Geto, not teenage Geto. The one who Gojo truly would have been satisfied by in the end was Geto, not Sukuna.

So maybe what makes Sukuna so impossible to understand by others is that same reason why Shoko can't be close to Geto. Sukuna can't be understood by others because he doesn't care to be understood by them.

Perhaps, understanding isn't the end all be all of human connection. Gojo accepted Geto, and he didn't accept Shoko. Maybe Shoko would have been able to understand Gojo if Gojo ever tried to be emotionally open with her the ever way he was with Geto then he might have felt understood.

Then there's Ryomen Sukuna who rejects love and every notion of humanity along with it.

Therefore empathy means nothing to Sukuna. Yuji's empathy in particular. No, Yuji's attempt to save Sukuna is more about himself than Sukuna. It's a reflection of a change of Yuji's state of mind that he's willing to accept living with a curse like Sukuna. That he'd even try to understand Sukuna. Curses that Yuji previously dismissed as not even being worth understanding.

The first time Yuji said these words was when Yuji tried to make an offer to Sukuna to let him take control of his body in order to heal Junpei, in order to be laughed at by Sukuna. It was the last time Yuji ever asked anything of Sukuna.

Remember, in the very beginning of the manga Sukuna seemed like a standard inner demon character like the nine tails, or hollow ichigo. Yuji even thinks he can use Sukuna to switch out to help fight for him like against the special grade cursed spirit. However, we and the audience quickly learns that not only is Sukuna not just some evil half of Yuji, or a convenient power up, he's an actively malevolent entity with a will that will do anything to escape.

When Yuji realizes that Mahito and Sukuna are both curses, he starts to see Sukuna as an enemy trapped within him. Something he's reminded of again and again, especially after the Shibuya Massacre. From that moment Sukuna and Mahito become like villainous foils to Yuji, the dark to his light, the enemy for him to kill.

Yuji defines Mahito and Sukuna as his opposites and his enemies By killing them, he also gives himself a role. It's Sukuna and Mahito's actions in taunting is the first time Yuji uses the language "kill" when dealing with curses.

Mahito compared himself to Yuji and by saying as a curse he mindlessly kills humans. The same way that Yuji as a sorcerer, mindlessly kills curses. They are on the opposite side of the same cycle with no end in sight.

Yuji decides to embrace this violent cycle because it at least gives him a role to play. If curses are the shadow of humanity, if they're a reflection of humanity then what exactly is you saying here?

Yuji says he is Mahito, and then immediately that he's going to kill Mahito. It's not a statement of self acceptance, or accepting your shadow, but rather a statement of self destruction. Even though Mahito is a chaotic evil curse who enjoys killing humans, Yuji's decision to throw away his humanity just for the sake of killing him isn't a healthy way.

When Mahito said "You are me" he was attempting to drag Yuji down to his level. Yuji then willfully descends to Mahito's level as long as it gives him the strength to kill Mahito. It's character regression on his part. Yuji once said he didn't want to kill because then the value of life might become vague to him.

In a way it did, because Yuji began to devalue his own life. Yuji wasn't able to see any meaning in his life besides a "role' that someone else assigned him. Not only was he willing to throw it away at the drop of a hat, but he also didn't feel like he had permission to live.

Unlike Yuta who actively sought affirmation from others, Yuji rejected that affirmation and tried to push everyone including people like Megumi and Choso away. They were right next to him, but Yuji became unable to accept their love and support.

Yuji is a strange paradox because he presents himself as an all-loving hero who just wants to save as many people as possible, but then you read his dialogue and he's like "I'm just a cog in the machine, I will continue to kill curses until one day I die. Then I'll just be replaced by another cog. There's no meaning at all to this sequence. Life is an endless nightmare."

I'm exaggerating, but underneath Yuji's sweet nature and goofing around, there's this very bleak attitude that his life means nothing except for the labor that he produces, and one day he'll be tossed aside and that's fine because it's what he deserves.

If Yuta seeks self-affirmation, then Yuji is seeking self-destruction. His self-loathing leads him to practically lay his head down on the chopping block and offer his neck up for execution by Higuruma's domain during the fight with Higuruma, even when Higuruma himself points out that Yuji isn't the one at fault because he wans't in control of his own body. Yuji will still take the blame, anything to punish himself further.

So, the words Yuji uses in his triumph against Mahito also signify the destruction of his own ego. That is what Yuji does when he adapts his cog mentality, he denies his own sense of self.

What Yuji experiences is basically a prolonged ego-death.

Ego death is a "complete loss of subjective self-identity".[1] The term is used in various intertwined contexts, with related meanings. The 19th-century philosopher and psychologist William James uses the synonymous term "self-surrender" and Jungian psychology uses the synonymous term psychic death, referring to a fundamental transformation of the psyche.

I brung up Ego-Death in the Jungian context, but in Yuji's case, resigning himself to being a cog is also an act of self-surrender. Yuji basically moves away from all of his previous ideals. He only sees himself as a tool to kill curses. Saving others, or helping guide others to a natural death, those things get put on the back burner as a tool doesn't need ideals.

He's abandoned all kinds of idealism and higher reasoning. In fact that is what Mahito wanted him to do, to abandon the higher reasoning that belongs to human beings and act on instinct like a curse. Mahito successfully pushed Yuji to abandon human reason and become an unthinking cog.

Jung defines the Ego-Death as the stripping away of everything else to revert to your natural self. According to Ventegodt and Merrick, the Jungian term "psychic death" is a synonym for "ego death":

In order to radically improve global quality of life, it seems necessary to have a fundamental transformation of the psyche. Such a shift in personality has been labeled an "ego death" in Buddhism or a psychic death by Jung, because it implies a shift back to the existential position of the natural self, i.e., living the true purpose of life. 

Megumi also experiences an ego-death over the course of the manga that mirrors Yuji's own when Sukuna takes over his body, soaks his soul to bring Megumi near evil, and then kills Tsumiki. At this point both Yuji and Megumi both lose what were their reasons for fighting. The so-called "dignity obtained by human reason" is lost. After having those reasons stripped away from them and experiencing their ego-deaths both of them surrender control. Megumi becomes helpless and stops trying to fight Sukuna. While Yuji may not seem like he's given up on anything since he keeps trucking along, he too has given up on thinking for himself. Yuji has essentially given up as much as Megumi has, there's just less plot consequences for it.

Either way they are both brought to their lowest point by ego-death, in order to bring them to their lowest point, and make them experience a rebirth of sorts.

The persona in Jung is the face you show the outside world. it's one part of personality, with the other being the shadow. The shadow is the repressed part of peresonality. Just like curses are made up of repressed human emotions that leak out from our collective subconscious. Curses serve as the shadow of humanity collectively, especially Mahito who is made up of everything humans hate and fear about other humans. The physical embodiment of human cruelty.

However, a person can't live without their shadow. There's no such thing as a human without flaws after all, and you don't become a better person just by ignoring your own flaws. The kinds of people who are unaware of their own flaws tend to unconsciously repeat the same mistakes again and again and again.

Yuji despises curses as inhuman monsters that he can slaughter like they're enemies in a video game, but they're like... made of human vices. They are the product of humanity's emotions. Yuji's habit of only looking at the good makes him unaware of both his own shadow, his own shortcomings, and also the darker shades of grey in the world around him.

Megumi and Yuji both are characters who, need to be dragged down to the darkest point of the shadow and forced to confront their own flaws in order to learn about themselves. It's not a coincidence thaT Yuji who puts humanity on such a pedestal is a human and curse hybrid. That his older brother who's shown to be a source of overflowing unconditional love is also a human / curse hybrid, and who Yuji nearly killed because he blindly, obediently decided to kill curses. That Yuji killed two of his other curse / human hybrid brothers in spite of noticing they were different from other curses and had a family bond with each other.

It's not a coincidence that Yuji who puts humanity on such a pedestal devoured the corpses of all of his other brothers the same way that Sukuna ate his own twin in the womb to gain the power to defeat Sukuna.

Yuiji lacks a lot of self-awareness. That's why I've always said he doesn't quite live up to the "all-loving hero" he sees himself as. Savior is just a role that Yuji has adopted in order to give himself a purpose in life, but he falls short of that. The reason that he falls short is ironically that Yuji tries so hard to be superhuman, that he can't forgive himself for having basic human flaws.

It's why "Being a child is not a sin" is such a meaningful line coming from Nanami. In Yuji's eyes being a child is a sin. He constantly blames himself for not being able to hold the weight of the world on his shoulders, for not being able to save everyone by himself even though he's only been a jujutsu sorcerer for a few months.

It's why Yuji gets excited for a moment when Kusakabe mentions that Yuji is developing very fast by sorcerer standards, because he wants to be someone monstrously talented like Higuruma or Gojo - and why he immediately looks so disappointed when Kusakabe says it's not because Yuji is talented it's just because of Sukuna.

Yuji feels an overwhelming amount of responsibility and wants to be a special person who is strong enough to actually carry all that responsibility on his shoulders. That's why I say Yuji isn't a true all-loving hero, because it's more about Yuji's own feelings than the act of saving others. His guilt complex over Sukuna.

His desires to be someone special and meaningful. Yuji wants to be a good person who saves others because it gives YUJI and purpose and it gives YUJI a sense of fulfillment. If you've read Tokyo Ghoul it's like Kaneki's reason for participating in the Anteiku Raid. Not because he genuinely wanted to save others, but because he "was tired of not being able to do a thing."

(I'm keeping the meme panel because it's funny)-

Yuji wants to be strong and wants to be a savior because Yuji feels insecure in himself and loathes himself for his own weakness. However, this pushes Yuji farther away from his goal of saving others and making connections with other people so he can die surrounded by people BECAUSE people empathize with each other over their weaknesses.

Yuji wants to become someone strong and unbreakable who will never falter, never feel pain, and most of all never lose. He basically wants to become Satoru Gojo, but if Yuji were to ever rise to Gojo's level like that just by getting rid of all of his weaknesses he'd fundamentally lose his ability to connect with people the way Gojo and Sukuna have.

Yuji defines himself in strength, and suffering, and always overcoming, but then what is his heart for? He strives to become someone stronger than Gojo or Sukuna to protect his friends, but if he loses his heart that loves and cherishes those friends in the process then what even is the point?

Yuji walks a dangerous road from the culling games up until the Shinjuku incident, into nearly becoming like Mahito or Sukuna in his attempts to be stronger than them. I don't think he was ever in danger of going on a murder spree, but I do think he was risking becoming someone like Gojo.

Gojo made himself a tool for Jujutsu Society for the greater good and look what happened to him in the end. Not only did he die in the line of duty, his corpse was turned into a puppet to use as a weapon against the enemy. He made himself into a monster even when people like Yuta were begging Gojo not to. Yuji was on a similiar path of cutting off all the people who loved him and just becoming a person exploited in both life and death for the greater good.

So what stopped him?

Megumi.

YOU ARE ME.

A few people said that Yuji's abandoning the cog mentality suddenly happened too fast, or felt unearned but I think if you look at the culling games arc from higiruma's fight onwards as a whole it's actually a natural progression.

It all starts with Higuruma and Yuji's conversation:

Higuruma: "You're innocent. You didn't commit that crime." Yuji: "Even so, it's my fault." Higuruma: "Why?" Yuji: "...I see. Itaodri, there still may be a lot of people who are weak like you."

Yuji is someone who loevs humans, but puts humanity as a whole on a pedestal. He loves humanity but hates human weakness, especially his own weakness. Ironic because Higuruma is also someone who became jaded by having to work in the corrupt justice system and was forced to look at human ugliness day after day after day even though he wanted to be someone who valued people for their weaknesses.

Yuji doesn't learn to empathize with human weakness until Megumi's weaknesses are the one he's forced to confront. He doesn't abandon his notion of roles until he's robbed of his roles by Sukuna when Megumi becomes the possessed one instead of him.

Yuji is fine with being a sacrifice for the greater good, but he is not fine with sacrificing Megumi. By knowing exactly what Megumi is going through and wanting to save Megumi from Sukuna's possession, Yuji is in an odd way forced to empathize with himself. Like, it's a double standard on his part that's being challenged. Yuji blames himself for all the people he hurt as Sukuna, but he'd never blame Megumi for letting Sukuna kill tsumuki while possessing his body.

In his refusal to sacrifice Megumi for the greater good, even when Megumi is begging him to do so he rejects the common Ethos that sorcerer's are expendable cogs who are expected to sacrifice themselves and their comrades in the eternal fight against curses for the sake of public safety.

Yuji carries with him this grandiose notion of saving as many people as possible. However, when the option comes to make a sacrifice that would save hundreds of thousands of people from the merger by fighting to kill Megumi instead of save him from Sukuna's clutches Yuji can't do it. Even though Megumi at that point would be a completely willing sacrifice.

Yuji has to abandon his cog mentality to save Megumi, because an unthinking cog wouldn't put Megumi's life over the lives of everyone in Shibuya. A cog, especially a sorcerer would kill that one kid in order to save thousands of lives. Heck, Kusakabe more conservative sorcerer even brings up that argument that everything would have been avoided if Yuji was executed to begin with.

In order to save Megumi, Yuji must also reclaim his own humanity. There's a reason that Nanami, and Nobara, die right before Yuji adopts his cog mentality. Nanami, the most ethical of the first grade sorcerers who tried to teach Yuji to value his own life because he was a child, and Nobara the only kid in the main trio who was a normal person are both representatives of Yuji's humanity.

After losing both Yuji becomes reckless, he stops valuing his own life. As I said far, far bove, Yuji never listened to the advice Nanami gave him that it wasn't a sin to be a child. Yuji has this entire time thought it was a sin just to be weak, just to need the help of other people, just to not be able to accomplish everything on his own.

After Yuji starts reconciling with his own humanity though, he regains his connections to both Nanami and Nobara. Nanami comes back symbolically in the form of Higuruma, someone Yuji tries to encourage to live instead of taking the same suicidal path that Yuji was bent on. Whereas, Nobara herself actually comes back from the dead in time to land the final blow, the same way she reminded Yuji of her presence and that she wasn't alone in the Mahito fight.

Yuji also regains these connections when he's processed the grief for both people. He remembers Nanami and what Nanami left him in a more positive light. In my interpretation the line "I am a sorcerer" refers to Yuji developing a more healthy version of being a sorcerer. That instead of Yuji seeing sorcerers as slaves who have to sacrifice themselves for the greater good like Geto did, Yuji can see the camraderie between sorcerers who fight and put their lives on the line together.

Either way, I think the moment Yuji truly reconciled with the grief of death is sadly enough with Choso's death. If you want proof that Yuji's revelation wasn't rushed, that he didn't skip from point a to point b, then it's right here.

Choso apologizes to Yuji for leaving him ahead of time, and Yuji tells him not to, because Choso was always by his side when he was at his lowest point and that brief time they had together was enough for him.

Yuji's relationships so far have been defined by his fear of losing people. He wants to have a natural death, he wants the other people around him to have good deaths, he doesn't want people to die too early. By focusing on the fear of losing people, he hasn't yet been able to enjoy the time that they were around. However, in this moment he realizes how much Choso meant to him, even if their relationship was brief, and even if it came to an end. Yuji learned you can still love someone even if you inevitably lose them.

This is when Yuji finally accepts mortality and fragility as a part of life.

This is also what Sukuna can't accept. That life is fragile. That life is weak. That life comes to an end. Sukuna's entire goal is to maximize pleasure and live as long as possible, and therefore he's rejected all of the unpleasant parts of reality. Sukuna doesn't want to live in the real world like a human being, he wants to exist only in the world of Jujutsu where he's a god.

This is what Yuji represents to Sukuna, The human vulnerability, and mundanity that he threw away, by literally cannabilizing his own twin and throwing away part of his soul. The part of his soul that Sukuna threw away was taken by Kenjaku, and used as a science experiment to create Yuji. Technically, Sukuna is Yuji's uncle but symbolically Yuji is the twin that Sukuna cast aside. Especially since in this world cursed energy treats identical twins like they are the same person.

Yuji for the longest time tried to do what Sukuna did. Tried to throw his own humanity away so he could be as strong as Sukuna. He literally even ate the corpses of his own brothers.

Yuji and Sukuna are symbolically twins, but Yuji learns to embrace the things that Sukuna threw away. Sukuna threw away his own soul's twin in order to grow strong. He became all powerful in the jujutsu world because he ate his twin and gained an extra pair of arms and a mouth. He's like if Maki chose to kill Mai instead of Mai sacrificing herself for Maki's sake.

Yuji chose companionship with others over power. Sukuna doesn't need others people to satisfy him, and Yuji begs Megumi to come back from the dead because his life would be lonely without him. Yuji doesn't have some noble reason for going this far for Megumi's sake. He's not saving Megumi for the greater good, but because his connection to Megumi is important to him. Because he doesn't want to go through life without Megumi.

Yuji loathes weakness like Sukuna. Yuji desires to be someone special like Sukuna. Yuji has a grandiose sense of self importance like Sukuna. Yuji desires power like Sukuna. Yuji looks down on weak people like Sukuna does, he just condescendingly wants to save them instead of Sukuna who just wants to stomp on them like ants.

Yuji is also literally Sukuna. He was created by an offshoot of his soul. The same way that Sukuna was born with a body perfect for Jujutsu, Yuji was born stronger than anyone his age, and develops at an extreme rate as a sorcerer BECAUSE he was Kenjaku's science project to make the perfect vessel for Sukuna.

They are totally twinsies in so many ways, the only difference in the end is that Yuji learns to value human connection. In Sukuna's book there is no meaning to life, except for the pleasures he pursues as an individual. Therefore Sukuna is the only real person that matters or even exists. The narrator says as much he alone is the honored one, all that exists is his pleasures and displeasures.

In Buberian terms Sukuna only experiences existence and I and It relationships.

Buber's main proposition is that we may address existence in two ways:

The attitude of the "I" towards an "It", towards an object that is separate in itself, which we either use or experience.

The attitude of the "I" towards "Thou", in a relationship in which the other is not separated by discrete bounds.

Sukuna is the "i" and everyone else is an "it." Sukuna is the only real person who exists, and everyone else is just an object for their amusement.

Whereas, Yuji experiences "I" and "Thou" relationships. Yuji learns to see other people as different from himself. Yuji appreciates people as separate entities. While Sukuna gets amusement from his life by treating other people like toys, for Yuji the value in his life comes from the people who have entered into his life in some form. He appreciates the relationships he's formed with people and the memories they've left behind, no matter how brief the time they spent together was.

This is why Yuji's words reach Megumi, because he respects that Megumi feels differently than he does. He doesn't tell Megumi to just suck it up and keep fighting because that's what Yuji would do. He understands that he's a different person than Megumi, and he can't say he understands the grief and pain Megumi is going through right now.

That's Yuji's big revelation, in just a few short months as a sorcerer he's met so many people who left an impact on him. Some of those relationships came to an end early, but that painful ending doesn't negate what they meant to him.

The few months he spent with Choso have value even if it's not the same as the one hudnred and fifty years Choso spent with the rest of his brothers, because Choso supported Yuji when he was at his lowest point. Yuji finally sees that what gave his life meaning was the memories he made with other people while they were alive together. Not the way that they died.

So Yuji is finally willing to let himself exist outside of a role.

That's what he's offering to Sukuna as well. Maybe not empathy or understanding, because if Yuji had truly learned empathy maybe Sukuna might have accepted his offer. No, Yuji is simply willing to offer Sukuna the chance to live alongside him.

Sukuna rejects bonds of all kinds and Yuji is now embracing them. Yuji no longer seeks to annihilate curses because they're a fundamental part of life. Yuji wants to live on with his curses and burdens. He's also willing to give Sukuna a chance to keep living too.

Even Yuji points out that both of them are totally twinsies. Sukuna was born as a curse because he devoured his twin brother in the womb. Yuji was born as a curse because he was created to be Sukuna's vessel. The only way that Yuji is the way that he is is because he was raised as a normal child by his grandfather. If Yuji hadn't then he would have turned out entirely different. It's the same way that Choso became human because of his love for his brothers, even though he was born as a curse human hybrid and tossed aside by Kenjaku as a failed experience.

Yuji acknowledges both his capacity to have turned out like Sukuna if not for his grandfather's sake. This time when he says You are me, he's not saying it to threaten and destroy the person he sees as his shadow. This time Yuji is trying to reconcile with his shadow. He's looking at the person who represents the absolute worst of humanity, and the things he hates about himself and is still willing to give them the chance to keep on living together with him.

When Yuji says "I am you, so I'll kill you" to Mahito, that signals his first step on the road to self destruction.

When Yuji says, "I am you, so I'll save you" to Sukuna, that signals his first step on the road to self-acceptance.

It's Yuji allowing himself for the first time to just exist as a normal person not as the hero of some epic story. He even gave Sukuna that chance too, to just continue living alongisde him, but sukuna rejected it to keep on living as a curse until the end.

So, while Yuji saying "You are me" to Sukuna isn't true empathy, it is Yuji learning to accept himself and his flaws. . Because if Yuji is willing to forgive someone like Sukuna, then perhaps he might just learn to forgive himself.

[sarahreesbrennan]

Quick Evil Note

To all my wicked darlings, I have now received rather a lot of messages asking me about the influences of Long Live Evil. And I wish to get messages about LLE and truly appreciate the ones I do get! And I wish to answer them. But answers about influences are tricky.

The book has been out in the US for a little over two weeks, and it’s going so well so far, I couldn’t be more delighted and appreciative about its reception.

But also I’ve been informed (not asked) that two of my characters are obviously somehow both Harry Potter and Draco Malfoy of Harry Potter, and Wei Wuxian and Lan Wangji of Grandmaster of Demonic Cultivation. (Very puzzling as I don’t think these pairings - and one isn’t a pair - have much in common with each other or with mine. Vague hostility against a vaguely academic backdrop for a bit? For the record… in the book everyone is an adult and I don’t even have any academic backdrops to be vaguely hostile in front of…) This hasn’t happened to me in a long time, because I haven’t had an original novel out in a long time due to illness, and it is upsetting to always be discussed differently than writers who didn’t openly link their real names to their fan identity.

I have very different feelings and new appreciation for fandom than I once had. It’s been amazing to see and meet people who have stuck with me for decades. People are generally way more open and affectionate to and within fandom than they once were. Love matters to me a good deal more than hate. But getting death threats in your early 20s for excitedly telling your Internet friends you were going to publish a book does mark the psyche, and so does having your characters dismissed as other people’s characters.

And we can say there is nothing wrong with fanfiction or writing fanfiction and there isn’t! Fanfiction is great and can be genius. Terry Pratchett wrote Jane Austen fanfiction, and didn’t (and shouldn’t) have people saying Captain Wentworth = Captain Vimes. Still, when a TV show is discussed as ‘like fanfiction’ or when Diana Gabaldon said she didn’t like fanfiction and many said ‘YOU write fanfiction’ it isn’t intended in any kind spirit, even when it’s fannish folk saying it. And it’s just generally odd to have everyone call your apple a tomato, and has had professional consequences for me in the past.

However! All the asks I’ve received have been very kind, and I do want to answer them. I do want to talk about my influences because they are manifold and because I actually think it’s important to always talk about influences. I don’t believe stories exist in isolation - we tell tales in a rich tradition, and also a story doesn’t come alive to me all the way until it’s heard or read.

Long Live Evil is a love letter to fandom: it’s chock full of references to many many stories I’ve loved, to fairytales, myths and legend and Internet memes and epic fantasy and meta. My acknowledgements are endless partly for this reason. I do owe a great debt to many portal fantasies and archetypes and musicals and jokes about genre and plays through the ages, though I do think of my characters as themselves and nobody else.

I was frankly tempted to go ‘Yes I stole EVERYTHING! Bwhahaha!’ But while I am thoroughly enjoying and finding great freedom in my villain era, I do want to talk sincerely to you all as well, especially when asked sincerely interested questions.

But I’m a little scared to do so and have people say ‘AHA! Now we know what it’s fanfiction of’ (it’s happened before) or ignore me and go ‘we know the truth!’ (it’s happened before) and to feel like I’ve injured my book. Long Live Evil means more to me than any other and I really want to get talking about it right, and make sure it has the best reception I can give it.

So. Questions on all Evil topics very very welcome but answers to influence questions may come slowly. Bear with me. I am working on this!

[arkadijxpancakes]

Yes. The Weasleys had too many kids. An analysis. (Part 1 of 2)

Everyone who read Harry Potter read about the prejudices regarding the Weasleys: They all have red hair, are poor and have more kids than they can afford. Insert a sneering Malfoy here.

The books were adamant that that was not the case. The Weasleys are depicted as the best family in the books. (Just look at the others. The Dursleys were narrow-minded, bigoted and abusive. The Malfoys were bigoted terrorists. The Lovegoods were weird. Let’s not even start about Merope and Riddle.)

However, if you look closer, the prejudices have some truth to them: They had more kids than they could afford. However, money isn’t the issue here, not really.

Yes, the Weasleys are clearly depicted as members of the working class. They don’t have much money and fall back on second-hand stuff a lot of the time. Ron in particular is shown to be using hand-me-downs in book one.

However, they don’t live in abject poverty. The family owns their own home on their own land. They have a garden to grow their own vegetables and they have chickens. This means that food scarcity shouldn’t be a big issue for them, because they can produce a lot of it on their own. (Magic should make this even easier, because they can use it for the gardening stuff. And if we assume that you can duplicate food, this should keep everyone well-fed.)

The main issue when it comes to money isn’t that they don’t have anything. They have clearly enough money to stay comfortably over water. They just don’t have enough money to buy all the fancy shit the wizarding world uses as status symbols. (Like racing brooms and dress robes.)

Could things be better, money-wise? Sure. But one can have a loving, comfortable childhood, even with second-hand clothes and working class food. So no. It’s not about the money.

It’s about time. 

And it's also about how the parents divide that time (and the work that comes along with it.)

The Weasleys follow a family structure one would expect from a muggle family of their time (the second half of the 20th century): Arthur is the one who goes out to work and earns money, while his wife Molly is a stay-at-home-mother who takes care of their home and kids. It’s also just their nuclear family that lives in the burrow. There are no other relatives (no grandparents and no aunts or uncles, either) living there.

I find this a little bit weird, tbh. The nuclear family (parents and kids) living alone, without any other relatives and with the father as the sole breadwinner, is a pretty new development. The practice only really established itself after the Statute of Secrecy went into effect. It developed first in the upper classes (who used this to flaunt their wealth) and in urban centers (where there was no space to live together with your extended family.) Before this, living with one's extended family was very common, especially in rural areas, where it was beneficial to stick together. The Weasley’s don’t really have a reason to live as a nuclear family. There is no need for wizards to follow the Muggle trend, and things were different before the statute. Living with other, adult family members would also be beneficial, especially for Molly. And the books do suggest that the extended family is quite large, so “They don’t live with other relatives, because they don’t have any” doesn’t fit their situation either.

This is a common theme for Rowling, by the way. She tends to ignore the extended families of her characters, whenever it is possible. The numbers of grandparents, aunts, uncles and cousins that get mentioned in the book is incredibly low. (The only character who seems to have close connections to his extended family is Neville – and that’s because the other members of his nuclear family are completely absent because of health reasons.)

Anyway. When we look back at the Weasleys, this leaves Molly basically as a tradwife. (Minus the religious baggage.) But let's start at the beginning. 

(Note: I will focus on the books in this. I don’t consider the games canon and will not use them as a source.) Arthur and Molly were born around 1950. We know that he went to Hogwarts from 1961 to 1968. They were close enough in age to start a relationship while still at Hogwarts, and they married shortly after graduating. For this to work, she must have been in his year or maybe the year below or above.

Bill was born in 1970 and was followed by six siblings, the last who was born in 1981. So from the age of ca. 20 to the age of ca. 33 Molly was either pregnant or nursing at least one baby at any given time. (There might have been a short break in that pattern between Charlie and Percy, but it only got worse after that.)

As I said before, Molly and Arthur seem to have a very traditional division of labor between them: He works at the ministry and earns money, she takes care of their home and kids. This means that Molly has drawn the short end of the stick.

While Arthur is working one job 9-5, Molly has to work three jobs and at least one of them is 24/7. Let’s pick them apart:

Her first job is to take care of the home. Molly cleans the house and does the laundry. It is also very likely that she is not only responsible for cooking, but for food production in general. This means that she takes care of the garden and chickens. This would be pretty exhausting, if not for her magic. She can likely cut down on time and effort by using magic for most of those tasks.

On top of this, she is also producing at least some of the clothing her family wears. We don't see her sewing, but she knits a lot. She is using magic for that, too.

Her second job is to raise their kids. Molly is their primary caregiver and does most of the parenting. This is a difficult job to begin with, but there are seven of them. This is where her workload starts to stretch her thin. It can’t be easy to do the laundry, while Ginny needs to be fed, Bill and Charlie are arguing in the backyard, and the twins have just vanished. Magic is less helpful here, because a lot of the work requires her to interact with her kids. She can’t really flick her wand to speed that up.

On top of that - and this is where things get even worse - there doesn't seem to be any kind of elementary school in Wizarding Great Britain. At the very least, the books do not mention any form of primary education and Hogwarts seems to be Ron’s first school. But Hogwarts still requires its students to be able to read, write and do math. Having some education about the Wizarding World couldn’t hurt, either.

However, someone has to teach the kids. And this someone is probably Molly, because Arthur is at work, and they don’t have the money for a private tutor. They cant sent their kids to an elementary school, because there is none. (And they obviously did not send them to a muggle school.) 

So this is her third job. This is another job she can’t really speed up with magic, because she can’t hex the knowledge into her kids’ brains. (Or at least I hope she can’t, because everything else would be disturbing.)

This means Molly has to take care of their home, produce their food, take care of their kids and teach them elementary school-stuff. All while being pregnant and/or nursing for circa 13 years straight.

Her workload just isn’t doable for a single person. It might have started off okay, when she only had Bill and Charlie, and it probably got better once most kids had left the house to study at Hogwarts. But the years in between must have been hell. And she did not really have any help to do it.

Arthur was off to work most days and seems to spend quite a lot of time on his hobby. Additionally, he just doesn’t seem to be all that involved as a father and seems to take care mostly of the fun stuff. 

His parenting style is much more relaxed than Molly’s, too. He’s probably the parent the kids go to when they want to do something their mother would say no to. This, of course, makes parenting even harder for her, because she doesn’t just have to deal with the kids, but also with Arthur’s parenting decisions. There are no other adult family members around to help her, either. They also don’t have the money to hire help. (No wonder Molly dreamed of having her own slave house elf. It would have allowed her to drastically reduce her workload. It’s a really disgusting wish, but I understand where it comes from.)

This is where the family dynamics probably took their first severe hit: It’s very likely that Molly’s workload left her with more work than she was able to do consistently. Whether Arthur pulled his weight in that regard is questionable (and he was at work for most of the day anyway.) She also had no other adults to help her, so she probably offloaded her workload elsewhere: her kids.

Yes. I think it is very likely that the Weasleys parentified their kids, especially Bill, Charlie and Percy. We don’t see it with Bill and Charlie, probably because they had already left the house when Harry meets the family. Still, it’s a little weird that both of them went to live so far away from home. Yes, sure, exploring tombs in Egypt and taming dragons in Romania is fun and exciting in and off itself – but being so far away from home that mom can’t rope you into household chores and babysitting duty is probably a really nice bonus. It would also relax their familial relationships quite a bit, because moving away gives them control over when and how they want to engage. (And it’s probably easier to be the fun big brother to your younger siblings when you aren’t required to watch and control them every day.)

We do see it with Percy, however. He looks after and take responsibility for his younger siblings a lot, especially at Hogwarts. You can see it in the way he looks after Ginny and how he’s constantly at odds with Fred and George because they refuse to follow any rules.

Fuck, he still does this after the big row with his father. Yes, the letter he sends to Ron is pretty obnoxious, but he still wrote it. He did not need to. At that point he had cut all contact, after all. He clearly cared for his younger brother and wanted to look out for him, even if he did it in the most annoying way possible. It would be interesting to know whether he also wrote to Ginny or the twins or not.

Also, did I mention that the Weasleys have too many kids?

They have too many kids.

It’s a numbers game, really. The more kids you have, the more time you have to use for household chores (you need to clean more, wash more, cook more, etc.) You also have less time to spend time with each kid individually. This is especially true for quality time – so time that isn’t spent on chores or education. Time that is spent playing and talking with each other, just to enjoy each other's company.

Molly is already working three jobs. She doesn’t really have any opportunity to spend time with her kids equally. She’s too busy looking after the home and teaching the older ones, while watching the younger ones and making sure the twins don’t burn the house down. 

I just don’t see her spending quality time with her kids regularly, because of this. It’s just difficult to talk with Charlie about his favorite dragons or read something to Percy or to play with Ron, when there is always someone else who needs her more. Full diapers. Empty stomachs. Unyielding stains of unknown origin on Arthur's work robes. A sudden explosion on the second floor. And probably everything at the same time and all the time.

So yeah. Chances are that her attention and her affection can be pretty hard to come by at times. (To a certain degree, this also applies to Arthur, because he is away from home so much.)

Let’s look at the timeline.

It probably starts pretty harmless:

1970 - Bill is born, and he’s the only kid for two years. Yeah, it’s Molly’s first child, and she is a really young mother, but she is a stay-at-home-mum, and it’s just one kid. It’s mostly her and Bill who are at home, and her workload isn’t all that big, because she can use magic for most stuff. The war has started, but it probably hasn’t kicked into overdrive just yet, so this shouldn’t affect her too much either.

1972 – Charlie is born. Molly’s workload is expanding, but things should still be pretty manageable. Also, they don’t have another kid for almost four years. This allows Molly to adjust to caring for two kids. She can also relax from both pregnancies and births. If it wasn’t for the war, this might be her favorite years as a mother.

When Arthur is involved in parenting Bill and Charlie, it’s probably on the weekends. I can imagine him taking them out to do fun stuff, so their mother can get some rest. It’s probably a great time for him, because he can bond with his boys. I can’t see him do much more than that, though. Molly has a handle on things, and interfering could be seen as overstepping.

1976 – Percy is born. This is probably the moment, where the attention-distribution in the family gets a little bit wonky. Molly has three kids now, and it’s the middle of the war. Bill is almost six, which means that she has to start teaching him, while simultaneously nursing Percy and keeping Charlie entertained/away from trouble. This is probably still manageable. She can wait a little longer with teaching Bill, so she can teach him and Charlie together. She can also hand him (and maybe Charlie) over to Arthur, so he can teach him/them on weekends.

Additionally, Arthur is probably still taking Bill and Charlie out for some bonding-fun-time. However, the war is in full swing now, so leaving the house gets increasingly dangerous. Their trips will get shorter and stay closer to home. They will happen less frequently, too. He will also end up working more because of the war, doing overtime much more frequently. When he is home, he is going to be exhausted, as a result.

1978 – Fred and George are born. The attention-distribution in the family falls off a cliff.

This is when Molly's workload starts to become overwhelming. Charlie will be 6 at the end of the year, Bill will be 8. She has to start teaching them, if she hasn’t already. Otherwise, Bill will not be ready when he starts Hogwarts.

And on top of everything, Molly has to take care of the twins. She has to do everything that needs to be done for a newborn – times two.

So her workload explodes. Molly is raising five kids, now. She needs to educate Bill and Charlie, nurse Fred and George, and has to make sure Percy doesn’t fall to the wayside completely. She also has her household chores that aren’t related to her kids. The war is still raging on. Arthur is probably tied up at work most of the time, and when he is home, he’s exhausted. And Molly will be pregnant again in a year. (Really, why do they have so many kids during a war? One or two, I would understand, but this is getting irresponsible.)

This is probably the time when Bill has to take over at least some chores, not just to learn how to do them, but to take some pressure off of his mother. This might not be parentification yet, but it will get worse over time. I assume he has to look after his younger brothers a lot.

On top of all that, it is increasingly hard to shield the kids from the war. At least Bill and Charlie are old enough to understand that things are really, really wrong and scary. And there is not much Molly can do about it.

1980 - Ron is born. The twins are already old enough to open cupboards. Molly is not having a great time. She probably hands over Percy to Bill and Charlie (“Go, play with your little brother!”), so she can take care of baby Ron while keeping an eye on the twin shaped chaos that is growing by the day. She will be pregnant again in a couple of months.

Bill (who will be 10 at the end of the year) and Charlie (8) still require teaching. Percy (4) isn’t old enough just yet, but he will be, soon. (And, let’s face it: It’s Percy. Chances are that he wants to learn, even now.)

The war is still in full swing. Arthur is still overworked and underpaid. Everyone is tired and scared. This also affects the kids. There is probably a lot of pressure on Bill as the oldest brother to watch over his younger siblings, to make sure all of them stay safe. They don’t spend much time outside their home, because it’s just too dangerous to do so.

Around 1980/81 is also the time when Molly’s brothers Fabian and Gideon die. (Gideon can be seen in the photograph that was taken of the Order before James and Lily went into hiding, so he was still alive back then. But we know that he dies soon after the photograph was taken.) Molly never talks about her brothers in canon, but this must have been horrible for her.

1981 – Ginny is born. They are seven kids now. Fabian and Gideon will be dead by the end of the year (if they aren’t already.) Molly’s workload is at its peak, while her ability to pay equal amounts of attention to her kids is at an all-time low. She’s grieving, the rest of her family is in danger, and Arthur is stuck at the ministry. This means that she will likely lean on Bill’s support even more. As Charlie is 8 now (and will be 9 at the end of the year), Molly might consider him old enough to help, so he might see an increase in responsibility, too. At this point, we are in parentification-territory.

With each day, the twins grow more into the troublemakers we see in canon. This sucks away attention and affection from their siblings (simply because they need to be watched and disciplined).

I think the following years are very formative for the family dynamics between the kids. It’s probably less pronounced for Bill and Charlie (who are stuck with chores and babysitting-duty and will leave for Hogwarts soon-ish) and Ginny (who gets more attention because she is the youngest child and only girl). It’s worse for the others. Percy, Fred, George and Ron are basically in direct competition for their mother's attention. I think the dynamic develops as follows:

Fred and George are active and pretty extroverted. They explore a lot and start to play pranks on their family members. This is overall harmless, but Molly has to pay attention to them, to make sure that no one accidentally gets hurt. From this, the twins learn that they can get Molly’s attention by causing trouble, so they will lean into it even more.

This sucks away attention from Percy and Ron. It causes Percy to veer hard into the opposite direction: He tries to gain Molly’s attention by following all her rules and fulfilling her wishes. This earns him her affection and will turn him into her golden child in the long run. It will also put a strain on his relationship with the twins, because Molly compares them a lot, especially when angry. This will cause Percy to perform the “Good boy”-role even harder (because he doesn’t want to be treated like the twins), while they start to resent him on some level.

Ron on the other hand is still too young to affect the family dynamic on his own. He internalizes that his mother cares more about his siblings and that there is nothing he can do about it.

The only good news: At the end of the year, the war ends. This will bring a lot of relief. (It’s short term relief for now, things will need some time to go back to normal.)

However, the end of the war also means, that Percy gets a pet. Either late in 1981 or early in 1982 he (or another member of the family) finds a rat that is missing a finger on its front paw. Percy keeps him and calls him Scabbers.

We all know who Scabbers is, of course. I just want to highlight how fucked up this situation is. Percy is 5, when he adopts him. Because he was a little kid, he probably took him everywhere without a second thought – into the bathroom, into his bed, you know, everywhere. There is probably no part of Percy’s body Scabbers hasn’t seen. Percy probably told him everything, too, all his worries, all of his fears. It’s just creepy.

And keep in mind, Scabbers – Peter – is not just a random wizard. He is a Death Eater and mass murderer. We don’t know if he ever hurt Percy (there are fanfics that do explore that possibility). He probably didn’t, but the idea alone is nightmare fuel.

To get this back on track: This could have impacted the sibling-relationship, too. It depends on whether the other kids were allowed to keep pets.

With that, we are done with the war and with Molly’s time being pregnant. The family dynamic is already fucked up – and it will get worse, as the kids get older. However, this post is long enough, already. So we’ll take a break here. Next time, we will look at how the dynamics shift, once the kids start to go to Hogwarts. See ya!

[myfairkatiecat]

okay so shannon giving us a keefe pov seems actually lowkey important and what i would do in the story rn but I'm not convinced she's going to use it to do the things I feel like we need her to do.

let me explain.

Shannon set Sophie up as a character who behaves certain ways. A lot of those ways are very good, and she's certainly a hero, but she also has character flaws that get worked through. For example, she can be a little reckless (personally I would have made all the same choices) (I know we think of Keefe as the reckless one but he's a different type of reckless) she can prioritize the wrong things, she can be disorganized, etc (all things that are super valid and understandable and make her relatable btw. I am a sophie foster defender)

and BECAUSE sophie is the protagonist, we see all of this develop. She has certain qualities that are a little stagnant sometimes, at least if you look from the outside, but there's actually a ton of development going on. She hears others' opinions on her actions, good and bad, and the reader sees how this impacts her and how she grows and changes, even if that change is nonlinear or in many ways she stays the same and just grows more mature.

Here's the thing about Keefe. he wandered out of side character territory and into second main character territory starting at the end of everblaze and peaking in legacy. And Shannon has been INTENTIONALLY writing him with consistent character flaws since the beginning, explainable by his past circumstances in fascinating ways. But we aren't there to see a lot of the falling out for that stuff.

A lot of people complain that keefe never faced consequences for stealing the caches or never had the black swan or adults yelling at him or mistrusting him or his friends avoiding him. And like... we do not know that. It could simply be that that was just not Sophie's problem at the time. Sophie also may have simply not been one of the people giving him a difficult time about it. In fact, we know she wasn't, but boy oh boy Fitz certainly didn't bounce back in less than five seconds. And we don't know what the Council and/or black swan did with him that sophie just wasn't involved in--and bc it didn't become relevant to the plot from sophie's perspective, sophie being the actual MC, it just seems unimportant.

Another thing is that Keefe has a lot of the same character flaws throughout the series, but they do shift somewhat with his experiences, and that's without us even seeing in his head, you know? So here's the thing.

Shannon went and started developing Keefe like a second protagonist (who is interestingly also an anti hero in some ways) and even if you aren't a person who thinks he's the most developed character on the paper (disagree but see where you're coming from) he's DEFINITELY most developed in shannon's brain, and that bleeds through. But then we ONLY see Sophie's perspective BECAUSE THIS IS SOPHIE'S STORY, and everything revolves around what is relevant to the plot from her perspective, and then keefe is just in the background being extremely important and relevant and having all these extra issues that we ONLY ever see from sophie's perspective.

Unlocked was... well, it was half a book, and only half of it was keefe. I actually do think his perspective was enlightening in some ways, but a full keefe book at this point kind of seems necessary to me. Because... he's taken on the role of another main character in this story, but we don't see any of that development happening, and for a lot of people i can see that getting taxing. Now I get that those same people also wish keefe would just. step back from the plot. and i get that! but I think with the way he's involved in the plot NOW, seeing his perspective is important, because sophie's POV (especially with her unreliable narration) doesn't give us enough of a window into the complexity that is keefe's worldview right now, especially with all the ways he keeps impacting things. it's just a really important perspective to have at this point.

Shannon, if unraveled is just keefe trying different human foods and giggling like a kotlc react on wattpad, I will probably enjoy it bc i love your work always, but i will also be shaking you by the shoulders because we need this book and you better spend it doing the things we need

[scintillyyy]

actually it is interesting how dixon has tim discover his feelings for steph over the course of and in contrast to what was ultimately his failing relationship with ari & like. listen i'm not here ti cast judgment on either tim or steph here, but it was very much written by dixon as like. steph knowingly was very pushy about wanting to be in a relationship with tim even knowing he was actively in a relationship and fundamentally did not care about tim's girlfriend as a human being because steph saw tim being in a relationship already as basically minor inconvience because she wanted tim & tim clearly seemed to want her so he should just be with her instead. and like tim's hands clearly aren't entirely clean here either, because he did kind of ultimately just going with the flow and letting things happen. (but!! i am on the side of both of them are messy teens in their first relationships & neither deserves lifelong castigation for 14-15 year old messiness, let's be clear). but the circumstances around this messiness even being able to happen is because ariana is fundamentally unable to truly know what's going on as she's never privy to the secret. she had no way of knowing what tim is doing or who he's meeting--sure she gets jealous when she sees tim notice steph, but she never knows that there's another girl in tim's life exists & can't know. meanwhile the whole time steph is flirting with tim she is well aware that ariana, or "tim's girlfriend" exists. tim & steph exist because at the time of his relationship with ari, tim was allowed to actively and consistently interact with another girl while actively in a relationship with another one & steph was well aware and a participant in that.

and that's kind of by design--dixon, i do think dixon fairly early on decided that he was more interested in tim&steph over tim&ari, but i do think it's important to note that when dixon created ari he's on the record of conceiving of her as a lois lane type romance interest for tim, she was clearly originally intended to have long term sticking power for him. but then--*readers* didn't vibe with her. there's letters in old issues basically asking--"hey, is steph going to come back, hey is steph going to date tim, hey love steph when are they getting together". so while dixon got fully on board with tim & steph i think it's safe to say he was also. probably very cognizant of readers deciding they like a different love interest better.

so there's an interesting pivot in dixon once tim & steph are firmly on the "getting together" train and it's that tim is not allowed to exist of breathe near other female characters without being chaperoned by steph or it involving steph somehow in deference to steph's jealousy issues. with steph's entrance into tim's life, tim is moved away from the mixed more sex friend group (that existed with callie & ariana) of gotham heights high to 1) homeschooling in keystone 2) all male boarding school brentwood. the only female friendship he gains is star, and that's used in a story for steph to misunderstand and start stalking star and her brother in an attempt to find tim & catch him in the act. tim is no longer allowed to team up with girls his age or a little older without stephanie there. he's not even allowed to be concerned about random adult woman dana (his stepmom) without steph breathing down his neck despite the fact that once they start dating tim is doggedly pretty loyal to steph as far as girls were, far more than he ever was with ariana. & like. in universe this is an interesting character beat for steph considering the start of their relationship being that steph pushed tim while he was in a relationship & is paranoid of all other women, that they'll act like she did. but from an out of universe perspective you can tell dixon was absolutely shutting down any other relationship possibility for tim other than steph. he knew the pain of creating a love interest that got subsumed in interest by another and was under no circumstances going to let anyone else in that that could become a threat to his girl. hence, every time he teams up with a girl after steph has to be there, monitoring & chaperoning. which is very interesting. considering their beginnings and steph's own willingness to hang out with a guy known to be taken without his girlfriend there & her eventual disallowment of tim to do anything with girls who aren't her.

[twentyfivemiceinatrenchcoat]

jjk chapter 270 spoilers under the cut !!

GODDDDDDDDD I LOVED THIS CHAPTER. I LOVED IT SO SO MUCH . i feel so high rn you guys don’t UNDERSTAND 😭😭😭 it gave me literally everything i wanted (minus gojo stuff but we’ll get to that) AND I’M JUST !!!!!!!!!!!! i feel so satisfied . all is right with the world . i am a happy mouse

i love love loveeeee the fact that akutami finally decided to pick up (most) of the loose ends — at least the ones from the culling game !!!!!! it’s my favorite arc and i really adore all the side characters, so getting to see them all again was so nice 🥹 and my biggest criticism for akutami’s writing in general has been how he leaves these loose threads behind him, so i’m glad this chapter went back to piece them together. there’s still obviously a lot i would’ve liked to see before the finale, but this chapter finally made me feel somewhat satisfied with it all …..

buuuuut okok!!! let me get through some stuff <3

^^^^ THIS . THANK YOUUUUUUUUU GOD 😭😭😭😭😭😭😭😭😭😭😭😭 ALL I WANTED WAS SOME FINAL SHOKO CRUMBS . THAT’S LITERALLY ALL. i love her so much chat …………. THE BUN :((((((( i wonder if she’s paying tribute to suguru, in a way. since she can’t make his grave all nice like she did with tsumiki’s. <- WHICH IS ALSO . so heartbreaking :((((( shoko has been the closest to death and corpses out of everyone.

’that moron should’ve let me handle geto’s body, too’……… gojo thought he was doing her a favour by not forcing her to dispose of him, but i wonder if his decision only caused her more suffering? :’) either way i loveeee shoko and i think her character is so wonderful. her not believing in an afterlife is also so in character LMAO, my little cynicist <3333

^^^^^ AND THEN THIS . PEEEEEERFECT. SO PERFECT. shoko and her cigarette motif :’)))))))) SHE FINALLY QUIT AGAIN . SHE IS AT PEACE . also need to mention how fucking cute she looks ……. i neeeed to squish her cheeks !!!!! she’s my baby !!!!!!!!!!

i will say that . obviously . i would’ve loved for her to get a more concrete final moment with stsg :’) like her being at the airport, or something. overall i’m satisfied with this being her ending of sorts (though if gojo is alive i’d obviously like to see them talk)…… she hasn’t gotten as much spotlight in this manga as she’s rightfully deserved, but i do think her character writing has been lovely and consistent throughout everything, and she remains one of my ult favorites <3333333 i LOVE my wife. love all her little quirks . i hope she quits smoking forever and ever!!!!!!!

ahh, it was also nice to see them mention tengen!!!! and how the barrier techniques worked. again, i’m just really happy that we’re not letting plotpoints go unfinished 😭😭 i also think it’s . a little romantic. that tengen’s barriers will exist as long as sukuna’s remnants remain . the tengen / sukuna / kenny trio is very interesting to me (MORE ON THAT . LATER.)

THEN WE ALSO HAVE THIS !!!!!!!!!

^ this moment means . soooo much to me. will try to get my thoughts out coherently but this theme really resonates with me so deeply :’) since the beginning of the manga, jujutsu society has been built on the foundation that is the suffering of youth — adults casting blame and burdens on children. like the higher ups who hide up at the top and force the children to work themselves to the bone. we saw this so clearly in hidden inventory most of all. and gojo is the anti thesis of that society — he wants to preserve youth !!!!!! even nanami, who didn’t really have any clear desires to change the fundamentals of their society, did his best to protect children as an adult.

so to see gakuganji refer to utahime and nitta as young (even though they’re both grown adults)….. and say that ’they needn’t worry over this just yet’…… i think. it shows how much the society is already improving. with someone like gakuganji in charge. and also kusakabe, who basically told the trio to just be kids last chapter, and leave the hard stuff to the adults (can’t remember his exact wording lmao but he said it so perfectly)…… it just warms my heart. jujutsu sorcery is still a shitshow but as least the children won’t be as exploited anymore (or at the very least, there are good adults around them, who will bear most of the burden on their own backs). idk. i just loved this moment sm :’))))))

ahhhhh, and and and !!!!!! mr katana and mr sumo 🥺 IT WAS SM FUN SEEING EVERYONE AGAINNNN and it was so sweet seeing maki try to look out for them a little after they helped her ……..

^ maki and her middle aged man besties …… :3

AND THEN CHARLES !!!!! MY BOY !!!!!!!!!!! just needed to mention him lmao. i love him T_T happy that he’s working on his trashy little manga. keep up the good work king <3333333 SAME WITH THE FORMER BULLY . sorry can’t be bothered to remember his name ….. the pudding guy. you know who i mean. seeing him apologize and try to make amends was rlly heartwarming …….. i really am so happy to see all culling game characters happy and alive . WHERE IS REMI THOUGH . 🤨

…… but okay . okay. okayyy.

actually yk what we’re saving the best for last ^^ ONTO HANA AND MEGUMIIIIIII WHAT A CUTE MOMENT . SOOOO CUTE . i don’t ship them at all i think they’re adorable though …… AND HANA IS SOOOOOOO GODDAMN CUTE I CAN’T EVEN EXPLAIN IT ????? :((( I NEED TO SQUISH HERRR

^ LOVE this line . my brother pointed this out but isn’t it like …. eerily similar to that akiangel scene 😭 lmao. i just really love this. megumi offering to be her right hand because ’he’ was the one who took it from her ……. he’s such a good boy :< also instantly pictured him being her scary knight/guard dog and yk what maybe this ship could sail after all…..

^ THEN THISSSSS 😭 THEY’RE SO CUTE. MEGUMI IS SO FUCKING AWKWARD HANG IN THERE BUDDY ………….

ah i forgot to mention higuruma …… i love him!!!!!!!!! i love him a ton!!!!!!!!!!!! :’3 i think seeing his junior demand a retrial for the sake of justice meant a lot to him. i could go deeper into it because higu’s character is so dense but yeah !!! very fitting ending for him …… i’m kinda sad that he’s cursed to be an overworked sorcerer though 💀 hang in there king…

AND THENNN WE HAVE :333c A NEW MISSION… feels kinda nice to go back to our roots. i have literally NO idea what’s gonna happen though 😭 hopefully tied to gojo….??? for the record i obviously want him to live and will have Many things to say if it turns out he’s really been dead this whole time, but. we’ll save that for the next chapter <3 for now i’m just happy to see the babies back together….

^ noba being gay ……. all is right with the world 🥹

BUT OKAY . ENOUGH. ENOUGH ABOUT THATTTT ENOUGH ABOUT EVERYTHING ONLY ONE THING REMAINS AND IT’S THE ONLY THING THAT MATTERS. akutami loves me and only me and this chapter finally confirmed that once and for all…..

I FUCKING . SCREAMED. YOU HAVE TO UNDERSTAND.

TAKABAAAAAAAAAAAAAA FIRST OF ALL? I MISSED HIM . I MISSED MY BABY 🥺🥺🥺 BUT SECOND OF ALL WHAT THE FUCKKKKK WHAT THE FUCK ALL MY PRAYERS HAVE BEEN ANSWERED???? THIS IS ALL IVE EVER WANTED????????? i��ve been telling my brother that if i could manifest one thing i’d want jjk to end with takaba on stage with kenjaku without it ever been elaborated on AND MY PRAYERS HAVE BEEN ANSWERED . I’M SO HAPPY YOU DON’T GET ITTT

there’s so much to say ……… truly ………. these two make me insane ………… will start with: they’re so funny. they’re so gay. kenny wanting to make sex jokes like the freak he is. THEY’RE TOGETHER GUYS 🥹 THE KENKABA SPINOFF MANGA I WANTED IS RIGHT IN FRONT OF MY EYES .

….. but also !!!!! truly truly trulyyyyy — i love this. i love how akutami did this. this is kenjaku’s final scene, and it’s perfect for them!! it’s so chaotic…. they left sorcery behind for a life of stand up comedy 😭 AND IT’S SOOO IN CHARACTER . IT REALLY IS. what kenjaku wants, what they’ve claimed to want since shibuya, is to create chaos that not even they will be able to control, using cursed energy. and takaba is exactly that. kenny created takaba’s cursed technique using the culling game, and takaba is chaos personified!!! a chaos kenjaku can’t control!!!!!! as dissatisfied as i was with yuuta just swooping in and cutting their head off i did think that the takaba fight was a really clever and perfect end to kenjaku :3

soooo — it makes sense that kenjaku would go back to takaba. they had fun with him!!!! he matches their energy!!!!!! and takaba could easily have saved his life using his ct, which i think is the implication here. i love that kenny’s face is obscured, it just feels like such a fun little thing to throw in at the end 😭 but i doooo genuinely think this is akutami’s way of implying that kenny is alive and living the happy yaoi life with takaba . as they fucking should.

i also wanna say !!!!! that i think it’s so thematically fitting that kenjaku’s ending is soooo different from tengen’s and sukuna’s . i LOVE this aspect of it so much; kenjaku is the most morally corrupt of the three, and also the most human. sukuna is a human turned calamity, who slumbered for centuries, and tengen is a shut-in who ended up mimicking sukuna’s appearance while only maintaining human contact through a barrier. kenjaku laughs at them for it. he hates them for being so passive, because kenny is the opposite of that — he’s lived through it all!!!!!! changed with the centuries!!!!!!! so i think it’s just ….. soooo perfect and tasty that sukuna and tengen now only exist as remnants, as barriers, just like they did before — while kenjaku chooses to live, and takes an entirely different approach. they’re so fucking chaotic and i adore them. i can’t explain how much i love their character …… i really can’t ……… :’3

i’m just . still so happy . i really thought it was kenover…… i didn’t think they’d get an ending so perfect………………. i really, really hope akutami comes in clutch and gives gojo the same treatment :’) even if the chances are slim. i thought this chapter was absolutely lovely and i hope with allllll my heart that i end up enjoying the final chapter too.

……….. i think ……. that’s all 😭 (if you’ve read this far i’m kissing you with tongue btw). THANK YOU FOR BEARING WITH ME !!!!!! this chapter made me feel so genuinely satisfied and giddy and i’m super sleepy and tired but i just needed to rant :’3 i love kenjaku. they’re so silly . such a brat. i wanna kiss them. takaba too actually. we are in a happy polycule

[stusbunker]

Spotless: Animato

Chapter Thirty Four

Featuring: Dean Winchester/Reader

Other characters: Gibson Child OMC, Bobby, Annie, Victor, Charlie, both bands and roadies, nameless DJs

Word Count: 3160

Warnings, etc: Mutual pining, still unbeta'd, the last of Uncle Dean for a while, drinking and mild drug use, smoking cigarettes (do not come at me for this), Kevin calling Dean out publicly but subtly.

Series Masterlist

The rapid beat of a double-stroke roll woke Dean from the haze of sleep. He cracked one eye open and found the source of the wake up call. Gibson, sitting on the floor in Dean’s suite, was wailing on the coffee table while watching a random infomercial on the hotel’s tv’s world class Sunday morning programming. At least the little dude hadn’t gotten into Dean’s guitars without asking. 

“Gibby! What gives, man?”

“Oh, sorry,” the little boy didn’t even look back, instead he lightened his efforts into a tapping from the original knocking.

Dean huffed and fell back onto his pillow, muttering to himself and the ceiling, “I guess we’re up for the day.”

They had spent the night watching old monster movies and eating pizza. Dean had even taken Gibson to the hotel’s pool for a dip before the adult only hours kicked in. He had no idea how Pam and Lee kept up with the kid on a normal day, Dean was fucking beat. And that was after he slept more than double his usual night’s rest. 

How was it after nine already?! No wonder the kid was bored.

“You hungry? Probably should see if the buffet’s still going,” Dean asked suddenly.

“Okay!” Gibson dropped his sticks on the coffee table and hopped up with the unbridled energy of youth.

“Yeah, uh, I gotta throw some real pants on, dude.” Dean dragged himself to the edge of the bed and rolled his back. “Give Uncle Dean a minute and we can head down.”

Gibson nodded, but then ran to the counter in the kitchenette. “I made you coffee! They’ve got the little cups. But that was a while ago.”

Dean raised his eyebrow and surveyed the damage from his perch on the bed. “You make one for yourself?”

“Yep! It was gross. And the pink sugar didn’t help.”

“Yeah, well, that’s because it is gross. White or brown are best�� no matter what Uncle Sam says.”

Gibson giggled, walking carefully over to Dean with the paper cup sloshing slightly. Dean wanted to help him, but he looked so proud of himself that Dean just sat back and clenched his hands as he awaited the delivery.

“Thanks, buddy,” Dean diligently took a sip. It was god awful. Cold, sure, but also really bitter and thin. Thankfully the kid didn’t think to add anything for him. He sighed and took another gulp while trying not to breathe and taste it more. “Uh—-yeah. Can’t start the day without some fuel.”

“You like it?”

“Yeah, man, of course. Now, I am gonna get dressed, find your shoes so we can get some grub.”

Turned out, the continental breakfast was already being cleaned up when they got back downstairs. Gibson’s spirits dropped instantly, but Dean assured him it was alright, and took the little man over to the attached restaurant that was hopping with the brunch crowd. 

“Look who the cat dragged in!” Bobby’s voice caught Dean’s attention as they rounded the corner with the hostess. “Make room. Miss— these idjits are with us, sorry they don’t have any manners about showing up on time.”

“Alright, I’ll— uh, I’ll let your server know.”

Dean had the wherewithal to murmur and hand over his thanks and apologies right in time to get a surprised smile. Kevin and Annie were on Bobby’s right while Sam and a very hungover looking Victor filled out the left side of the six person table.

“Rough night?” Dean teased.

“It aint over yet,” Victor lamented.

“Ooof! Been there, man. More bacon’ll help.”

Just then their server returned with two extra chairs and a busser slid in two extra place settings for them. “Thank you— thank you both. Seriously.”

“Of course, let me get you some menus.” Then the server disappeared in a flurry, weaving through the crowd of people in various states of dress and sobriety.

Kevin nudged Gibson with his elbow. “How was the sleepover at Dean’s? I bet he snores.”

Everyone around the table laughed.

“Bite me, Kev. Gibby, steal me one of his fries would ya?”

Gibson looked back and forth between the two men. “What?! No.”

Dean just shrugged. “He deserved it.”

“Two wrongs don’t make it alright,” Gibson told him knowingly.

“Yeah, UNCLE DEAN,” Sam butted in.

“From the mouths of babes,” Annie said, shaking her head in amusement. 

Kevin just laughed and took an obnoxious Dean-sized bite of fries.

“So— last day on tour until school’s out, what do you want to do today?” Bobby asked the star of the table.

“Is Mom and Dad awake? I want to see them ‘fore Grammy comes and gets me.”

“And you will, dude. I’m guessing they’re just up in their rooms getting dressed or something. It’s still early yet.”

“What timezone are you in?!” Bobby gave Dean the stink eye.

Dean ignored his manager and just ruffled Gibson’s hair. The menus appeared and they all settled in for another hour of each other’s company. 

        Dean knew it had to be hard for Gibson when they were on tour, he’d lived his own childhood with his dad barely there. But to have both parents out of reach for months at a time seemed worse. That’s why they made sure to give Pam and Lee breaks on the road, fly them home for three days at a time when they could. And they let Gibson come along when he didn’t have school.

It still felt like a worse case scenario though. He didn’t even have a little brother to make the days go by faster. Lee’s mom and their nanny were all he had outside of school friends. And the dogs. At least the kid got pets too.

Dean never did.

“Full House, bitches!” Charlie declared and threw her cards into the center of the table. “Jacks over twos.”

“You’ve got to be shitting me,” Madison exclaimed, leaning in to inspect Charlie’s hand herself. She’d tagged along with Lee’s mom down to San Diego so she could join in on the Vegas leg of the trip. 

“She always pulls it out, I swear to god. I don’t know how, but she does,” Sam muttered and tossed his hand to Dean to shuffle for the next round.

They were an hour into the trip to Vegas and the mood on the bus was contagious. No more little ears and eyes to worry about, meant that the bottles and the bongs came out and the chips were stacked high across the tiny table. 

“Alright, alright, fair hand. Get your cards in, and maybe you can win some of them stacks back. If you’re lucky,” Dean taunted, collecting the rest of cards and sliding them back into a deck to be shuffled. “Trouble? Ante up.”

You tossed your share into the pot and took another sip of your drink. Dean felt your eyes on him as he dealt, bottom lip between his teeth in concentration. Technically, he knew everyone was watching him as he doled the next hand, but your attention felt heavier the last few days. Maybe you knew something he wasn’t ready for you to know.

Maybe you were waiting for him to fuck up again.

Or maybe it was all just wishful thinking and you weren’t really watching him at all. Either way, he was preoccupied with it all when he picked up his cards to find absolute trash.

“Oh Christ. I’m going to need more to drink. KEVIN! Another round of shots, if you don’t mind?”

You chuckled. “Dealer can’t deal to himself, huh?”

“Apparently not,” Dean muttered, not even bothering to pick up his cards again.

“More chances for the rest of us at least,” Madison pointed out and placed her call bet.

The afternoon turned into night while Bobby drove on. Games and ridiculousness ensued. Just when they stopped for dinner, Dean found himself in the playful overlap of drunk and stoned. 

He hummed a few bars of some pop number that was playing over the truckstop speakers and Kevin joined in in harmony as they trudged across the parking lot to the twenty four hour diner. Lee came in for the chorus and they started getting louder and sillier with it, doing the monkey walk with Dean in the middle of the two shorter guys.

Dean couldn’t hear the radio station any longer, but they carried it along, finishing the number strong while guessing at some of the lyrics. When everyone had reached the double doors of the restaurant, he caught you and Charlie with your phones up recording the shenanigans. Meanwhile, Sam and Madison were giggly, leaning a little heavier on one another than most people would be at just after seven at night.

“Alright, cool it you damn buffoons. Let’s see if they’ve got room for everyone,” Bobby grunted before disappearing inside.

“Looks like you guys are the fun bus!” Donna greeted, as SPS and company caught up with them.

“Just gettin’ started darlin’,” Dean drawled, nodding and smirking. “Though I doubt it’s all charades and crochet on Big Bertha over there either.”

Jody took a swig off of her flask. “Oh, fuck no. Nancy knits, but that’s about it. But that’s only when the Adderall kicks in.”

She dangled the metal bottle out towards the circle of waiting musicians in offering. Kevin and Pam both took a pull and passed it back. Then the equipment rig pulled in and the headcount shot up even more. Benny sauntered over with a knowing glint in his eye as he stepped right in between Dean and Donna. 

“We think we gettin’ in or gotta spread out to the fast food joints?”

“Hard to say, looks pretty dead in there, but that might mean there’s a small staff too,” you answered as everyone’s head craned to look inside.

“Alright, well I’m heading over to the cancer section until we hear one way or the other,” Jody nodded towards Annie and Patience smoking down the sidewalk. 

Dean perked up and followed her like an earnest puppy. He wasn’t a habitual smoker anymore, but he definitely still imbibed, especially on the road. Sam’s influence could only go so far. But oddly, you were trailing along behind him, followed by Jesse and a newer, yet awkward roadie that he’d only heard called Chief.

You actually pulled a pack out of your purse and held one out to Dean expectingly. “What?” you asked like an accusation.

“Are you just smoking because you’d knew I would be or—?”

You exhaled your first pull and offered him your lighter. “It’s been a fucking week, okay? Let me have this until we hit the states with actual vegetation and I have to deal with allergies too.”

Dean lit his cigarette nodding and blew out a smoke ring. “You don’t have to justify it to me, I was just checking I’m not the bad influence.”

You rolled your eyes. “You’re always a bad influence, doesn’t mean I still didn’t choose it.”

That got him a little hot, if he was being honest. And he felt his smile all the way to the tips of his ears. “Damn, Trouble. Always knocking me back on my heels, you know that?”

You took another drag and shrugged, looking around to see everyone else somehow in their own conversations. “Part of the job.”

“Nah, that parts all you.” Dean said without even meaning to.

You looked up at him and gave him a little squint. “You need to eat something or you’re gonna be miserable in a couple hours.”

“I’m trying!” He huffed, gesturing with his cigarette towards the front doors, right as Bobby made his glorious return.

“Listen up!” Bobby glanced around at the bands and accumulated crew. “They’ve only got room for thirty folks, so line up and whoever is stuck at the back’s gotta find something else. We’re pulling out of here no later than ten o’clock, so be on time or be left behind.”

You chuckled over the hard-learned line.

Dean sucked a deep pull off his cigarette, trying to speed through it and getting lightheaded in the process. 

“Uh,” he exhaled and looked over at you then over you towards the rest of businesses in the travel center. “We trying to get in or we taking a walk?”

“I’m finishing my square.” You pointed to yourself and held up your cigarette.

Dean couldn’t get over your sass tonight. “Alright, then. A walk it is.”

It ended up with Jody and Patience sticking around while you and Dean finished smoking and then all four of you headed to the Arby’s across the parking lot. 

“Alright, folks, we got a quick segment at the end to wrap things up. Phantom Traveler, are you ready to ‘Hit It or Quit It’?” the gruffer DJ asked them from his chair across the room.

They barely all fit in the little sound booth, but managed to squeeze together to make it work. Lee, Pam and Kevin were on the three stools they provided, while Dean and Sam hovered over them to get at the shared mic. It was six o’clock in the morning and Dean didn’t know if any of them had even slept. But there they were anyway.

“It is five questions we ask in rapid succession and you just say the first thing that comes to mind. And since all five of you are here, we’ll just go down the line— or clockwise I guess,” the younger DJ explained.

“I’m game!” Dean exclaimed, futsing with the ball cap on his head.

Pamela, who was holding the mic, winked. “Let’s hear ‘em, boys.”

The DJs laughed. “Alright, Pamela’s ready. First question: Who’s got the craziest ex’s of the band?”

Everyone ‘Oh’d!’.

Lee leaned in and said deeply into the mic. “I’m sitting right here!” 

“Couldn’t have planned that one any better!” Dean teased.

“Wait! I want to hear the answer though!” Kevin butted in, steering them back on track.

“NEW KID doesn’t know these things yet!” The first DJ said excitedly.

“Oh, this is too easy, though,” Pam rumbled.

“Yeah, sorry, bro, everyone knows this one,” Dean tacked on.

“Eat me,” Sam snapped back.

“But yeah, it’s Sammy for sure,” Lee agreed.

Sam rolled his eyes but the DJs just ate it up.

“Okay! Second question is—- for—- Lee! Favorite venue you’ve ever played?”

“Seriously? He gets a real question and I got a Cosmo question?” Pamela said, annoyed, but not quite into the mic.

“Seriously— I’m just reading off the list,” the younger DJ promised, holding up a clip board.

“That one’s easy— Harvelle’s back home.”

“Hands down,” Sam agreed.

“Best burgers in Nebraska, too,” Dean tacked on.

“Ellen’s gonna kill you,” Pam warned.

“Totally worth it,” Dean shot her down.

“Yeah. Nothing like playing for your hometown,” Lee finished.

“What a bunch of saps!” The older guy teased. “Okay, okay, I’ll let you have it. Sam— third question: Who would you still like to collaborate with? You’ve got Annie Hawkins on the latest album, you’ve played with some of the greats at some special events— I know you all were close with the late, great Rufus Turner and now you’re touring with his granddaughter’s band Sheriffs, Psychics and Secretaries. Who else?”

“Uh, honestly? I’d kill to play with Sarah and Provenance, even though our sounds are totally different. Maybe Mick Davies? Especially now that he’s left Men of Letters, I am looking forward to what he works on next.”

“Wow— those are not names I expected to come up today. But, yeah, okay— always the wildcard Sam Winchester!” The younger DJ seemed genuinely surprised and maybe even impressed.

Dean could tell it annoyed Sam, but he was always way smarter than anybody gave his bodybuilder-shaped self credit for.

“DEAN! Question numero four: If you weren’t a rockstar— okay, musician– what would you be doing?”

“Right now I’d be sleeping, that’s for damn sure.”

Everyone laughed and nodded. “I don’t blame you there, but for a job?”

Dean scratched his three day stubble. “I always say I’d have made a killer mechanic or car restorer, but, uh, honestly at this point in my life I’m going to go with firefighter.”

“Nice, very heroic.” The first DJ approved.

“Dude!” Sam gave him a look that asked if he was alright.

Dean shrugged. “Well, hopefully we won’t have to find out. Just a reminder we’ve got two shows at Cesar’s Palace tomorrow night and Wednesday!” he plugged like they needed help selling tickets.

“Which are completely sold out! We’ve got tickets for our listeners tomorrow morning at seven, eight and nine if you listen for the code to play.” The younger DJ picked up where Dean left off. “One more question and you guys can get on with your days. And it’s for Kevin Tran— the newest member of the band, stepping up for the now reclusive Cas Novak. Fifth and final question!---”

Dean flinched at Cas’ name coming up, but all things considered, it could have been a much more brutal comment. Out of the corner of his eye, Dean saw Bobby whisper something to you through the glass in the adjoining room.

“In one word describe your bandmates.”

“One word total or—?”

“One word a piece,” Sam clarified.

“Yeah one word total. Band. That’d be the worst question answered ever,” the first DJ joked.

“Okay, okay, I got it. For Pam I’ll say ‘badass’. Lee’s word will be ‘groovy’. Sam gets ‘salad’ and Dean can have ‘Trouble’.”

“Oh, fuck,” Lee actually had to cover his mouth. While everyone else just about choked on their own spit. 

Dean glared at the kid, but didn’t say anything, counting down from twenty in his head.

“It is going to be a very long tour, folks,” Sam tried to ease some of the tension, clearly the DJs did not get the significance of what was just said.

“Alright that is a wrap with Phantom Traveler, in town for just a few days on the start of their latest tour. Thank you guys, it was a blast. Their fifth album drops next month. You guys have been digging the new single, so we’re gonna close with that as we get these guys on their way.”

The intro to ‘Baby’ played in the background as everyone handed over their headphones and shook the DJs' hands. Their marketing people came in for some quick publicity shots. Dean spotted you getting matching angles, where you stood behind their photographer, for the band’s socials.

God, he wasn’t ready. He had no idea if you caught what Kevin had said or if you knew he was really talking about you. The little punk had to go and say that shit on air of all places. 

One thing was for sure, Dean’s time was running out. Sooner or later somebody was going to let it slip and it wasn’t fair to you to hear it from anyone but him. Now, he just had to figure out how.

Tagging:

@deans-spinster-witch

@mrswhozeewhatsis

@cosicas-cuquis

@fics-pics-andotherthings-i-like

@suckitands33

@ladysparkles78

@deans-baby-momma

@stoneyggirl2

@sassy-pelican

@leigh70

@globetrotter28

@winharry

@lastactiontricia

@rockhoochie

@brightlilith

@coldhearted93

@djs8891

@beautiful-places-blog

@n-o-p-e-never

@spxideyver

[kirbybecomesastarwarrior]

Why doesn't Marx want Kirby to forgive him, is it just the guilt thing?

Long story short, this is a combination of "the fear of getting hurt/rejected" & "shame and guilt," which results in self-sabotaging, but the main reason is...

HAMELIN REALLY MESSED UP MARX!

So, like Kirby with Cappytown... Marx was Hamelin's hero, but they betrayed him and thus turned to the dark side.

This all ties into his initial hatred for Kirby... he's very much angry at his former self for being so foolishly naive, and Kirby's good nature is too reminiscent of his former self.

That also makes it the main reason he could never truly hate Kirby... a younger self that he can't help but connect with. Leading to his "fake friend act" to accidentally grow to care for him and actually want him as a friend.

However, Marx knows he deceives Kirby the same way the people of Hamelin did to him... "pretending they cared for him." Using the very same methods, the townsfolk did to him... ("became what he hated")

This is why Marx doesn't have the heart to forgive himself... even though Kirby was always ready to forgive him and welcome him back with open arms. Because he knows he can never forgive the people of Hamelin... Why should Kirby? And, of course, he does!

The restoration of a friendship between Marx & Kirby happens~, But unlike the people of Hamelin, Kirby has this unconditional love for Marx and wants more than anything to have him back in his life.

I'd say these events happened after Planet Robboot... Marx finally makes his return and "saves Kirby?!" (I'm not gonna reveal from what because of spoilers)

With my interpretation of Marx, I wanted to take him into a sympathetic route (to make him stand out from the others). He still has the sass and mischievous charm, but I wanted to give him a proper reason why he is the way he is. It's a more heartfelt version of Marx that Kirby would want to be friends with and him in turn.

Marx represents "self-worth"; if people don't appreciate or treat you the way you deserve, then they don't deserve you. (Minus the piping all the Dark Matter back into the town as revenge...) KNOW YOUR WORTH AS A PERSON PEOPLE!

And he stands as one of the main reasons why Kirby ultimately chooses to become a star warrior. Moved out of the Popstar to travel and pursue his aspirations & dreams.

Please keep reading for spoilers & quick bonus comic~

So Arthur pretty much reveals Marx's backstory to the rest of the Kirby gang... and needless to say, they're speechless!

He still doesn't want to be forgiven, so he stays with Magolor (which I cover here with Magolor's lore), but yeah, of course, Marx opened up to Mags about Hamelin. And that's why Mags is there, while Kirby & Marx are back in his place telling his story to Kirby. (Kirby saw it because of "empathic touch" but didn't know the exact details of it..)

And Dragato, yeah, he was already on his redemption arc (Falspar's already went through his with Fluff, so he's there for moral support, plus it's the reason why Arthur partnered up together).... he already knew he messed up. But now, hearing the full story that he was, not only did he fall for the people of Hamelin's lies, but... MARX WAS THEIR HERO. (I know kinda of shoehorned the crew for the sake of missing the gang, I just missed them I had to...)

There's actually a small bit of tragedy... while the adults sold Marx out, the children who really loved him would've vouched for him... it'll tie back into his character later.

And I know it seems like I'm painting Dragato in such a bad light, but it's part of his character development. And for those of you who don't know... HIS MENTOR WAS DAME MORGAN (LE FAYE)! So yeah, high standards, little affection, never impressed~

Which is why I still need to establish her a bit more! More Morgan coming up soon

I'm trying to get to the old asks I wasn't able to answer before (since I was still developing the lore...) And I just need a little break from the tournament plus, I've been working on some Kirfluff stuff for Oct.: Kirfluff week!

Also, little funny side notes and gags' "Hero to Zero... Hercules" reference and Mag's little side comment. Based on the meme, "you ruined a perfectly good child..."

So, hope you guys enjoyed it!

[mrdogface]

tbh, babs as someone who went right from a very gawky middle school phase to superhero explains a lot of her actions and beliefs in simone's birds of prey, ie. her being inscure about dick fucking helena. that conflict was kind of undercooked imo, because dixon (who i promise i am not complaining about) was, by his own admission in interviews, not someone who wanted to write characters having pre-marital sex and imo didn't want to explore that concept because it'd mean making it a whole thing. so when babs mentions it in simone's BOP, it kind of comes out of nowhere, y'know?

i DO think that simone has a bit of a habit of having women get mad at each other for dumb shit men do instead of getting mad at those men together, but to be ABSOLUTELY fair to her, because i want to like gail simone's work and mostly do (keeping in mind i haven't read her modern work and this was written by simone just shy of 20 years ago), when you're working on birds of prey often conflict directed at a man is going to go nowhere because they, by design, aren't regular cast members. it's less a "all women hate each other" thing and more just good writing to give your central cast conflict like that imo.

simone kind of acknowledges and does something with it by making babs a little traumatised by how boys do be smellin and directing that towards power girl, imo. i think it also plays into her disability -- when chuck dixon was writing her early in the BOP, babs had a whole mini arc about becoming comfortable being perceived and dating around her e-situationship with ted kord, which imo ends in a cute place, and culminates imo in her being able to date dick and get trapeizy with him. i think that it's fair to say that babs has a bit of insecurity around the idea that stupid boys are going to disregard her for prettier girls or whatever when she went from "boys are cruel to me because i'm not hot" teenager to "i don't know how to be comfortable in my own body as a recently disabled person" young adult.

i also like that in this scene babs consciously addresses it and am hoping that it's a thing that simone lets fade out / allows babs to mature beyond.

still, redirecting babs and helena's conflict away from "you might be a psycho killer and batman, robin and nightwing have all warned me about you, plus how you went rogue with fascist cop pettit during no man's land" to "you fucked the boy i liked" was eeeeeeh. like i get it and i think it's cool to explore for all the reasons i discussed above but i would like it if their conflict had more to do with, for instance, helena almost getting herself jason todd'd / stephanie brown'd at the end of no man's land.

[tossawary]

So, Force-users in "Star Wars" appear to have their telepathy and empathy powers mostly only when it's convenient for the plot. (And obviously different characters naturally have different natural talents and different trained skills.) The "Jedi Apprentice" series that I am slowly trying to read introduces more concrete telepathic elements than the vagueness of the films, such as both intentional and UNINTENTIONAL mental bonds between characters.

And it keeps making me thinking about the accidental Force bonds that must often exist between young Force-sensitives and their non-sensitive parents. (Note: This post is mainly about Anakin Skywalker and Xanatos witnessing the violent deaths of their respective parents.)

I used to do a lot of casual reading on toxic and abusive relationships, because I stumbled on a quote from some book and thought that it was just fascinating from a character perspective (I did also use that information for reflection on other stuff, but that's not relevant here). Children usually become deeply attached and attuned to their guardians, even if those guardians are intentionally cruel, or even if those guardians have toxic behaviors because they are stressed and a little self-absorbed or whatever. Children spend the early years of their life with no way out and just trying to survive by keeping their parent (who provides them with that survival) happy. People in abusive relationships are often made to feel responsible for the reactions of their abuser. They often have panicked instincts that demand fight or flight or freeze or fawn reactions to someone getting upset with them.

(I am summing up a LOT of stuff, I know! Unhealthy relationships are very complicated and varied! People all react differently. I'm trying to quickly establish a few points to make a later point here.)

Even adult children trying to establish boundaries with their toxic parents often meet a great deal of resistance, and are sometimes accused of being disloyal and ungrateful and disrespectful and sometimes even abusive themselves, just for doing things like asking their parents not to show up without calling first, because their emotionally immature parents regard any sort of disagreement or conflict as harmful to them and their authority. A lot of adult children talk about the mental struggle that comes with learning how to stand up for themselves against their parents, whether that parent has been intentionally or unintentionally abusive.

Which has all made me think about how much worse any relationship could get if one side of it has telepathy and empathy. Especially if that side of it is a child who doesn't know it! And the parent probably doesn't know about this either!

The Jedi Order is already kind of set up so that a cruel or neglectful Master could potentially do a lot of damage (a few months, at least) to a Padawan before hopefully being caught. Being able to literally feel your abusive Master's intentionally projected / focused disappointment or anger sounds nightmarish for a child. Most Jedi who are decent people shield themselves and do not project negative emotions at vulnerable / impressionable children, but we know from canon that there are plenty of Jedi who fail at being decent people.

(And oh, man, everything about Sith training sounds SO BAD. The mental and emotional damage that can intentionally be done by a Force-user projecting bad vibes is truly off the charts.)

Non-Force-sensitive guardians probably won't have any kind of mental shielding. Even if the guardian is outwardly the nicest parent in the world, it has to be hard that your child is (potentially) apparently constantly unhappy, and you won't know that it's because they are telepathically sensitive to all of your internal tiredness and anger and sadness. There would be no emotional privacy. And if the life situation is bad for the family, then that child is potentially going to grow up being hyperaware of the mental and emotional states of everyone around them, knowingly or unknowingly using the Force, because being able to read the room like that has been imperative to their survival.

Shmi Skywalker seems to be a remarkably even-keeled person for her circumstances. I headcanon her as being (perhaps unconsciously) Force-sensitive herself and having taught herself some degree of mental and emotional shielding due to her hard life. If someone as powerful as Anakin had been raised by someone who was constantly stressed and willing to scream about it, lash out at their child about it, then he could have been even more of a mess. He seems remarkably well-loved compared to what could have happened.

I do think that Anakin and Shmi must have had some accidental mental and emotional bond with each other. If Anakin is as gifted in the Force as everyone says he is, he probably would have naturally reached out to the minds around him, because that's what baseline senses / existence are to him. (It's fun to think about Anakin's existence being wholly unique and WEIRD, and how this causes him to clash with everyone else. It's possible that one else experiences the universe quite like he does.)

Being separated from a parent will cause anxiety in ANY child, but it's interesting to think about how things might have been heightened for Anakin, if Shmi's mind has been an unconscious cornerstone / foundation of his mental reality and his emotional keel since his birth. Due to telepathy / empathy, Anakin may have been unconsciously using Shmi as his mental and emotional ground to stand on for as long as he can remember. Losing his mother, even by separation, when he's been halfway into her head all his life, might genuinely feel like losing a piece of his mind to Anakin. He doesn't initially have the teachings to deal with this kind of catastrophe to his baseline operating system.

He DOES get teaching for these things over the course of the next ten years. (I don't think that he was too old to be trained (Luke was famously 19 in the original "Star Wars") but I do think Anakin could have probably been trained better. Anyway, if he hadn't been trained, Sidious probably would have scooped him up immediately.) But then his mother dies in a very violent and painful way when he's RIGHT THERE, when his control probably already isn't very good due to the situation, and it cannot feel good to be inside the mind of a loved one when they're dying, especially if their own mental and emotional shielding is limited.

Like, yeah, I can see why someone who has telepathy and empathy might have some kind of mental break there. Anakin is permanently losing someone who has potentially been a mental and emotional cornerstone all his life, literally. I don't think it makes his thorough massacre of the Tusken Raiders, down to the last child, in any way excusable, that kind of vengeful, murderous collective punishment is horrifying, but I understand why it might happen from a character perspective.

If were arguing that Anakin is innately more telepathic than most people, he should be able to feel the people he's attacking as well. And it's interesting to think about how someone incredibly naturally empathetic might choose to adapt an apathetic perspective to the suffering of anyone he doesn't personally care about. Yeah, of course he might try to close himself off as much as possible. The universe is already constantly screaming at him with its death and pain. If super-telepath Darth Vader cuts someone down with his own hands, then at least they're quiet now.

Anyway, this post was also about Force-sensitive children who have shitty parents who aren't in any way Force-sensitive. Which, funnily enough, brings us to Qui-Gon Jinn's other potential Chosen One: Xanatos. Xanatos even witnessed his parent's violent death, like Anakin, because Qui-Gon semi-accidentally killed the corrupt Governor Crion for trying to start a civil war and threatening Padawan Orykan.

Like, I just finished reading "Star Wars: Jedi: The Dark Side", a 5-part comic that depicts how Qui-Gon and Xanatos broke up as a Master-Padawan pair. (I wanted context for the "Jedi Apprentice" series.) They're sent there to investigate a murder and are cooperating / protecting Governor Crion, before it is ultimately revealed that Crion has been intentionally stoking the conflict and local xenophobia for his own benefit. Xanatos spends almost the entire time telling Qui-Gon explicitly that he wants to go back to Coruscant, he doesn't want to be here; all but outright saying that he's emotionally conflicted and that there's a conflict of interest here.

It's not made explicit that Crion was abusive before, but he does seem to be a little toxic, and Xanatos clearly has a very rocky relationship with this man who is trying to start a fucking war. It is very clear at the end of the story that Xanatos resents being tested like this, having watched both of his family members die violently.

And I couldn't help but relate this to Anakin: that uneven, childhood-deep Force bond with a parent (which I am presuming exists, there's no specific canonical proof of this for either Anakin or Xanatos that I have yet read) snapping back on a telepath presumably isn't great for a person's mental state. Even though he clearly wasn't too close to his sister, watching Nason die first couldn't have helped either. Merely standing in a room getting blasted with whatever bad emotions Crion is pumping out was probably bad for Xanatos. Xanatos may be vulnerable to psychic damage from this shitty guy specifically.

I get that Jedi are supposed to rise above their attachments and fears, Yoda is clear in that he thinks putting Xanatos on this mission to his chaotic homeworld is necessary to "prove" his status as a Jedi. And I get that maybe someone even presumed Xanatos's personal connections might help the bad situation, more than it might be a flagrant "conflict of interest" in any way. But MAN, does it fucking suck that the Jedi (Yoda) are kind of like, "No, you can't do literally anything else to help people in the galaxy. You have to go face your past right now or else you can't be a good Jedi. We ARE going to judge you if you bow out and cry 'personal conflict'."

To be somewhat fair to the Jedi, Xanatos WILL need to be objective to be a good Jedi Knight and they don't KNOW that Crion is a warmonger, but Xanatos is clearly not ready to see him again, and apparently only goes on the mission because he's afraid that Padawan Orykan will replace him as Qui-Gon's student. He repeatedly accuses Qui-Gon of trying to leave him on Telos IV with his father, which is obviously a fear that's weighing heavy on his mind. Usually when a kid doesn't want to go "home" that badly, it's... indicative of something unpleasant in their home life?

At the end of the comic, Qui-Gon is like, "Oh, this situation is BAD. I was wrong to bring Xanatos here. We need to get out." But Crion is killed, Xanatos apparently has a mental break, scars his own face, and then disappears into the riots? And Qui-Gon apparently assumes that Xanatos has been killed? The execution is more than a little confusing. But yeah, Jedi need to rise above their personal shit, of course, but maybe prematurely exposing this supposedly telepathic / empathetic kid to what's potentially a bunch of deep-seated triggers to "test" him was a bad idea. (And personally I think that the comic is saying that it was a bad idea. Qui-Gon clearly regrets it afterwards.)

As far as I can tell, Xanatos's main crimes here were 1) being a huge snobby brat, partially because he has glaringly obvious rejection / jealousy issues, 2) like everyone else, not really knowing what his father was up to until after things had gone to shit, and 3) having a mental breakdown and attacking both Orykan and Qui-Gon, and ultimately failing to kill or injure them.

Xanatos is flawed, obviously, but he looks pretty young thoroughout these comics. Like, he looks like a teenager? Sixteen-ish? (Every shitty thing that Xanatos does afterwards in regards to Offworld Mining and trying to kill Obi-Wan will be on him, of course!) And I keep thinking about what a child being telepathic / empathetic does to their relationship with a Force-null parent... Especially when that parent is a piece of shit. Especially when watching them die violently. Involuntary magic has really got to suck sometimes...

[creatingblackcharacters]

I'm not involved in the fandom anymore but Deethra from Dark Crystal: Age Of Resistance is my favorite character and back when I was involved there was a lot of people who considered her Black. She's not human and her puppeteer is white, but her voice actress (Nathalie Emmanuel) is mixed race I want to say afro-dominican but I'm not sure.

This is her with her friend Hup. Deethra (Deet) is also called "Gentle Deet" a lot because she's very kind and loves animals a lot. She's what's called a Gelfling, specifically a Grottan which means she lives mainly underground. She likes to feed these little baby worm things, which are like her pets, and she's close with her brother and her dads, and I like how her puppet design is just GORGEOUS.

In the TV show, she leaves her home for Epic Quest Reasons, and she's never been above ground so Hup decides to protect her since she's very trusting and sweet at first. He has a spoon which he uses as a sword and defends her honor like a knight. Deet isn't stupid or helpless though, and she's very strong and clever when she needs to be.

Also she has wings and can fly, and she's got this special moss she grows that if she eats it she starts glowing.

The show wound up not getting finished, which is disappointing because she'd just gotten involved in a really scary action-packed plot line and also started to have romance with one of the other MCs, Rian.

Ms Missandei herself (ik she wants more than that but still it was a hell of a role)!! I'm always happy to see Nathalie Emmanuel in other media. IMDB says her mother is Dominican and her father is Saint Lucian and British, and she is from Britain. So multiculturally Black lol. OMG she played young Nala at ten!! How cute!!

I've never seen like, an adult puppet show before I don't think. What a unique idea! Her puppet is lovely. I'm sorry it got canceled 😭 that's always the worst. We can't have nothing 😭

[alanaartdream]

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#drawing #sketches attempts at ideas on what older #fairlyoddparents #timmyturner #dannyphantom #dannyfenton we got off of butch with maybe my own ideas mix in; with Timmy there are still quite a few options that are up in the air with him; but with Danny butch made a few drawing videos on what’s happening with Danny Sam and Tucker in their futures (( apparently Danny and Sam get married and have 2 kids who inherited Danny’s ghost powers but one can teleport and the other can open portals and go wherever she pleases with these ghost portals of hers)) and Danny Phantom along with Sam and Tucker run a very good ghost hunting business and Tucker becomes Mayor of the tow/city they live in );; funnily Butch seems to like turning his protagonist’s into beef cakes and I normally don’t draw beef cakes kinda characters so this was a challenge to try to draw them

💀🧚‍♀️🧚🦄🍄‍🟫🍄🍀🐈‍⬛🐱✏️🌈🖍️🎨✍️🐾💕✨⭐️

Not joking here with his 1st 3 cartoon series he came up for nick he did designs where the protagonist gets a lot of muscle 💪

Fairly odd parents - Timmy has a few older versions of him where he gets tall and beefy (heck there was a teenager version of him that got mistaken for a teenage super model in one episode)

Danny Phantom- episode he had a beefy muscle evil version of himself show up and there is two YouTube videos by Butch himself has said being as Danny is fighting with ghosts so much he becomes super fit by age of 25 and right into his adult years so kinda makes cents Danny have alot of muscles

And then Tuff puppy the dog was draw super beefy as well

So in conclusion even though Butch isn’t running the show fairly odd parents a new wish anymore the people will have to take in SOME advice from Butch on how adult Timmy gonna be

And if they choose to do more with Danny Phantom they’ll have to get Butch’s input on where that show will go being as Danny phantom & fairly odd parents were his ideas

So where does this leave Timmy Turner? Well we have a couple of choices to go with him we can

We can have him getting adopted by Wanda Cosmo so become a fairy and grow up with peri poof

Of he grows up becoming a lawyer/ someone who works in child services so whatever happens to him as a kid doesn’t get as bad as it did for him / maybe writes books/comics being as he was quite the creative imagination and gets to keep his memory and helps fairyworld on the side while being married to toothie being as Unless Trixie learns to stop worrying about how others see her and just be herself I don’t really see a romantic relationship working out with her and Timmy; best they might become friends as teenagers being as they share interests in manga / comics and toothie will probably calm down with her affections towards Timmy but being as she’s only one who’s liked him even when he was ignored neglected abuse kid I see Timmy learning to appreciate that as he has the chance to grow; I’d see Timmy getting away from his parents as he gets older being as they’re kinda crazy dumb and a little totic ALSO helping Toothie get away from her sister Vicky being as they were both abused by Vicky as kids (and the adults in their lives did nothing to stop it; I mean I get Toothie’s parents were scared of Vicky but they couldn’t even protect their other child from her?)

Maybe Jimmy Timmy could still be friends and Jimmy and Cindy end up an item not sure

In my au I went with Timmy becoming a fairy and gets to hang out with nicktoons unite gang as a fairy and Danny and Jimmy do well for themselves in their own universes

Now with nicktoons

Danny met Jimmy and Tommy with they were both 10 years old and he was 14; and with SpongeBob he’s already a adult (although SpongeBob is a weird sea creature so not sure how sea sponges age at all not don’t think he changes as much as Jimmy Timmy and Danny do as they get older)

So trying to work with their ages is also something ones gotta work with as well as where the creators of their shows wanted to take their shows

Also in the nicktoons unite games they started adding in Danny’s friends Sam and Tucker as well as a few of SpongeBob’s friends; with Timmy though they only ever had was Wanda & Cosmo

If they were gonna make more games they’d have added poof/peri but don’t think they’d add more being as not many liked that dog and Cole

But far be it from me to stop anyone from shipping who they like but not comfortable with Danny being shipped with a sponge and then a super hero character who’s supposedly the same ages as Timmy and Jimmy were in their shows OR I could be wrong about El Tgrey show it’s been awhile from few episodes I got to see of that show (( not sure even how the sponge got shipped with Danny in the first place the age gap with those two is pretty big but then people use to ship bald with Danny so I guess people will ship anything;;; I’m just not comfortable with enther ship honestly more so being as Danny kinda ends with with Sam at the end of the original Danny phantom series so can’t see Danny with anyone else after that) )

Also with the nicktoons unite game el Tgrey never made it as a playable character in those games being as the show didn’t get to be as popular as Danny phantom Jimmy neutron Fairly odd parents and SpongeBob did but funnily enough Invader Zim did so Zim and Dib ended up joining the nicktoons unite games grated only in one game then they switch anther series main character to join the gang if the nicktoons unite games were to do anther huge crossover game I believe they’d add my teenage robot life kj9 Jenny as the next playable character being as like in today’s world people are complaining there isn’t enough female characters to play in games and being as the fandom for my teenage robot life is still going strong it feels more likely they’d add her; they’d most likely add in Sam tucker and that squirrel that SpongeBob likes into games again as well being as they did add them before

So will most likely have them in my au for Fairy Timmy and the nicktoons unite gang (also Jimmy Timmy becoming a thing in my au being a Cindy will mostly become good friends with Timmy and a reluctant friend of Jimmy)

[becquerel]

the other issue with feferi discourse is like feferi really gets so little screentime in comparison to many many other characters that she doesnt get a chance to be as nuanced in her depiction of everything she entails as being born into a princess position but also her entire people were wiped out en masse except her literal only family member who was planning to kill her when she got too old. like yes thats a compelling character concept and the bubbly and fun while still doing things like being in a relationship she doesn't really like in order to keep her whole race from dying out sort of personality we do see is very much There, homestuck doesnt have time & doesnt really want to spend much time on alternian culture in the grand scheme because its not as important to the story being told. which like i wish there was a universe (esp with whatever goes on with the retcons bringing vriska back) where she does live & we get a nuanced discussion of her character it is like... a lot of feferi's personality and character comes from conjecture of the world around her at times. and not to mention the whole beforus adult form stuff that people decided transmute 1-to-1 to her alternian self (ignoring everything else with how the dancestors might be in any way biased or the fact they were in their session for years after their world ended). something something you guys want evil women but you decided a girl who died at 13 was that. somehow.

[thesharktanksdriver]

Dicentra D. Boa

Content warning going in: implied rape, human trafficking, slavery, implied sexual assault, implied Sa of children, and massacres. It’s not talked in length or in detail but it is alluded to due to the Boa sisters backstory and Dicentra’s conception. I wanted to be sure to give a warning just in case because of the nature of these topics. If any of these themes are triggering please skip past the section labeled “Josephine” and go to “childhood” instead

Also sorry if she’s cringe or Mary sue but she’s my little blorbo and I love her. Writing her is also my excuse to write (and rewrite) about Boa Hancock because I think she’s underrated and I think her character could’ve been handled better by oda (this is in regards to her liking Luffy which is really weird since she’s a grown adult who fell in love with a 17 year old after being victimized through a decent portion of her life by adults)

General information

Name: Dicentra D. Boa.

Following after the flower naming convention of the Amazon lily, Dicentra is the scientific name of the bleeding heart flower. Her name was chosen by Hancock since dicentra’s birth mother didn’t know what to choose

The D. Is gained to her by her birth mother Josephine D. Etheus. Though Dicentra is apart of “the will of D” she has no idea about it due to the fact Boa swore to Josephine that no traces from her would connect back to Dicentra.

Age: 13

Dicentra was born a few hours before the mass breakout of Mary geoise when Hancock was 16.

Race: half-lunarian

Dicentra’s motherJosephine was a full lunarian captured in the massacre of her people. Despite Saturns extermination efforts a few celestial dragons wanted a lunarian as apart of their collection and were able to accomplish this secretly

Being only half lunarain attributes to her white hair and darker toned skin. But along with this it also acts as a reason as to why her wings are so small and why she doesn’t have an eternal spark.

She can’t create fire because of this, but she could control already lit flames if she needed to. But she has not found this out yet

(Fun fact is that whenever in a room with some type of fire, she subconsciously pulls that flame slightly towards herself. Kinda like how sunflowers face the sun, flames direct themselves towards her)

Personality: curious, sometimes oblivious, good hearted, optimistic, overly eager and a bit chaotic

As a young sheltered girl Dicentra is naturally curious of the world and just about anything she can get her hands on. She enjoys soaking in all of the knowledge of the great world beyond the Amazon lily, whilst also secretly yearning to see it for herself.

Another side effect of her sheltered upbringing is the fact she’s very oblivious to things. Whether that be wandering into a bad situation due to curiosity of something that caught her eye or just being unaware of concepts like men not being hideous monsters that’ll kill her (Hancock taught her this lol). Despite her being oblivious to these environmental concerns she’s actually very observant of others emotions when needed.

Unlike her mother’s cold and dominating facade Dicentra is very openly warm to those around her. She often times is found conversing with others around her, joyfully asking about things and recounting new stuff she discovered.

Along with this she can be very eager about whatever catches her eye. Leading her to blindly and stubbornly pursue it even at her own detriment (much to her mother’s and Nightshade concern). This has lead to her acting without foresight and acting on the first thing that entered her mind which can have varied results…like biting someone’s hand

Interests and hobbies: journaling, exploration, drawing, dance and song

Once more due to her interest in the world beyond the Amazon lily Dicentra has taken to journaling all she’s learned. When her mother brings her gifts from far off places she enjoys documenting everything she can about it. Of all subjects she loves writing about the most she enjoys exotic Fish, birds and gemstones the most.

Due to her journaling she ends up exploring places quite a bit. From the city of her home to the jungles and mountains she’ll explore. Some of it from blind interest and from plain eager stubbornness

Something gained from her journaling is her hobby of drawing. Though years of practice she’s gotten decent at drawing, though it’s less out of passion and moreso just for proper documentation.

Her real hobbies are that of song and dance. As a princess Dicentra had taken up many hobbies but the two that stuck with her are dancing and song. She enjoys dancing since it’s an active activity and picking up new instruments to learn and play.

She’s particularly fond of the Erhu (I’m taking in some Chinese inspiration due to the Chinese influence of the Amazon lily)

Habits and quirks: Manners, stiff posture, back issues, lack of shoes, playing with her hands, love of berries/fruits and tendency to put others before her

Dicentra as princess (though that title is moreso just a title since the Amazon lily leadership is based on strength rather than bloodline) she was educated to have proper manners. While she’s a tough and tumble kind of girl she still implores these manners in most social situations until she finds something interesting and throws manners to the wind.

Due to these manners she can sometimes also have a stiff posture in mix with her back pains. Hiding her wings is a hassle for her so binding them along with keeping a certain posture as to be sure their hidden is important. When around those she trusts she lets up a bit and is more relaxed but that’s if they know of her wings. If not she keeps up the posture to be sure they won’t be found

As stated above she gets quite a lot of back pain and jolts of discomfort due to her hiding her wings. It’s an unfortunate thing she has to deal with, something all the boa sisters feels guilty about but know it’s for Dicentra’s best interest in the end.

Despite being taught manners Dicentra can’t stand wearing closed toe shoes. She doesn’t mind sandals but she loves being barefoot much to her mother’s ire. Dicentra loves the feeling of grass and sand beneath her feet.

A nervous quirk she has is that she plays with her hands quite a bit.

Also is a giant sweet tooth for things but especially loves Berries, Fruits and her favourite food of peach buns with a custard filling. It’s definitely due to the D trait.

Another tendency she has is for her to value others above herself. As princess though it’s more of a title she believes that her mom and the Amazon lily comes first. She’ll put down or put away her own feelings and ambitions if it means she can’t help others. It’s the reason as to why she stayed in the Amazon instead of exploring like she wanted, why she asks questions about the outside world and sees glimpses of it through stories and objects instead of pursing it herself.

Relationships: Hancock, Marigold, Sandersonia, Nightshade, Rayleigh and Shakuyaku, Gloriosa, Salome and Ouroboros

Hancock: Dicentra has a very strong relationship with her mom and looks up to her as her hero (for various reasons). She loves her mom deeply for both her kindness and dedication to protecting the Amazon lily. She knows deep down her mom is a lot more tender than she lets on but puts up a front to protect everyone else (and herself). Even though dicentra wishes to explore the world she follows her mom’s rules of staying in the Amazon Lily knowing there has to be some reason as to why her mom is so insistent on it. Along with this she follows her mom’s rules of hiding her back and binding her wings even if it’s uncomfortable (something Boa wishes she didn’t have to make Dicentra do but does it out of necessity). Her favourite activity with her mom is having her mom brush her hair

Marigold: Dicentra loves her aunt Marigold but is sometimes a little bit intimidated by her. Granted she knows her aunt would never do anything bad but Marigold is sometimes too stoic for Dicentra to read which makes her nervous she’s doing something wrong. Unbeknownst to her Marigold very much loves her but gets worried of messing up and internally panics because she overestimated herself. Dicentra’s favourite memory with Marigold is when she taught her how to make flower crowns

Sandersonia: Dicentra loves hanging out with her Aunt Sandersonia. Unlike with Marigold Sandersonia is more in tune with her emotions so Dicentra is able to read her better and therefore know if she’s bothering her. If Sandersonia isn’t busy with something she’ll often tag along with Dicentra’s exploring of the Amazon lily and play games together. Dicentra’s favorite thing to do with Sandersonia is petting her aunts zoan tail

Nightshade (another oc): Nightshade is Dicentra’s sworn guard and protector assigned by Hancock herself. Dicentra sees Nighshade as her closest companion and as a big sister to her. Though Nightshade sometimes gets frustrated at Dicentra throwing caution to the wind and running off she knows that Nightshade doesn’t typically get legitimately mad unless something really bad happened. Nightshade beside the Boa sisters is the only one who knows of Dicentra’s wings and origins, something the bodyguard takes in the upmost seriousness. Dicentra knows Nightshade isn’t her original name but hasn’t pushed about the subject. Her favourite thing to do with Nightshade is playing hide and seek.

Rayleigh and Shakuyaku: dicentra knows very little about these two but does hold them in high regard hearing they helped her mom and aunts. The most funny thing about this though is that she has no idea Rayleigh is a male (boa taught her men were ugly evil creatures lol) . She’s never met them but she hopes to one day do so.

Gloriosa: dicentra sometimes sneaks out to see the former empress of the Amazon despite being a “traitor” to learn more about the outside world. Though she doesn’t like how her mom and Gloriosa don’t get along well Dicentra holds respect for Gloriosa.

Salome and Ouroboros: Dicentra adores Salome and all the snakes of the Amazon. Her fight or flight instinct of bite first ask questions later was somewhat developed due to watching Salome when she was younger. Dicentra has a snake of the same species as Salome named Ouroboros, aptly named for its penchant for…eating its tail all the time. No one has any idea why boros does this but Dicentra loves her beloved snake even if all it does is act as a necklace for her half the time. Half the time people don’t notice they’re alive if not for their occasional blinking. She loves petting the scales of Salome and Ouroboros, absolutely loves the texture

(Meme break before getting to serious stuff. Nightshade is also included here)

Backstory

Prologue: Josephine

Dicentra’s birth mother Josephine was a lunarian born on the red line and raised with her people. She lived atop the red line in peace for many years, she was particularly gifted in being a graceful flyer amongst others her age but lacked control of her flames. Despite the peace at a young age she could tell something was coming somehow, she had a sixth sense for that thing (observation Haki). Eventually when her people were massacred to build Mary Geoise atop her ancestral home she was taken by a celestial dragon who wanted one of her kind as “apart of his collection” even though that wasn’t technically allowed. This all happened when she was 15.

For Years Josephine was kept in a cell, wings broken and unable to conjure flames even if she tried due to being underfed and weak. She’d spent so long being toyed with and abused with no relief but an empty cell to return to when she was finished being “useful”. Eventually though she got cellmate in the form of the young Boa sisters. For the first time in years Josephine felt something as she stared at the young girls, mirror showing her how much of a shell of her former self she was. She used to be young and free, used to be afraid and now she had felt nothing in years. And staring into the fearful tear stained eyes of these girls she swore to herself they wouldn’t end up like her. Broken and empty.

In that cell in the span of months turned to years Josephine would do her best to protect the sisters. Though she could not always protect them she was able to lessen their suffering. She cared for them, began to see them as her own just as they began to see her as a mother in this hell. Through her wings were broken she’d use them as blankets for them in the damp cold of the cell. Josephine would share the little food she had with them. She’d also tell them stories of her people who once proudly flew the skies, sang in hushed tones the songs passed on from generation to generation. Hell had at least become bareable

Eventually much to her own fear and horror Josephine became pregnant. It at some point was bound to happen but all the same it horrified her for the fact she knew her child would be killed. A bastard to celestial dragon was purged for the fact of “tainting” their holy blood, and that was just for normal cases. She was a lunarian, the people they purged and were still actively being hunting down from how that devil gloated about “owning such a rare species”. She had to hid this and hope for the best, and that’s what she did with the help of the Boa sisters.

Somehow hiding her pregnancy was a task in of itself but it had been somehow done, but with that came the actual delivery. Weak and Malnourished as she already was without proper medical care in a dark cell wasn’t a good mix. She’s left at deaths doorstep clinging barely to life after the deed was said and done. The only upside to it all was she felt that sixth sense again, things were changing and her daughters would be free. Before letting herself rest she makes the girls promise to never tell her daughter of her heritage, to protect her and love her as she loved them. Tearfully the girls agree, Hancock vowing she’d raise Dicentra as her own. With how Josephine falls asleep the girls believe her to be dead, and in a way she is…but not fully yet

The mass escape of slaves happens and her daughters flee, through this all Josephine laid on deaths door in her cell. She was ok with dying, had for so long dreamt of such a thing, but anger had let her from not dying quite yet. Half dead and powered only by the knowledge she’d die Josephine gets up. Broken wings crack and move, the pain so blinding it became numb. She had to protect her daughters, had to erase all trace of them here lest a trail is somehow left. And despite never knowing to master her flames she ignites because she herself is the kindling. The already aflame Mary geoise is lit with newer more intense fire that burned to the fire. Josephine burns with mother’s rage and a single wish. Cleanse her homeland with flame just as it was meant to be oh so long ago.

Josephine kills her tormentor and bastard of a man who’s father to her daughter, watches the flames bath him in agony as she holds his face in burning hands. Scarlet eyes glaring down at him as everything burned, her once small flickering flame behind her neck so intense and big it hurt to look at and consumed the background. Flesh melts and blood sizzles in her palms. Josephine dies kneeling on the red earth of her home, staring up to the smouldering sky with broken wings and an outstretched hand to the heavens she so loved. Her scream echoes out among flickering flames and chaos, echoes and reverberates into the sky before turning to nothingness. She burns so intensely that nothing of herself and twenty feet surrounding her body is left besides ash, soot and a trail of bloody feathers littering the ground just outside the crater as her scream of agony faded.

Chapter 1: Childhood from the eyes of a mother

Dicentra grows up on a lie just as everyone else of the Amazon lily does. From the time she could walk and speak she’s told of how her mother and aunts slayed a fierce-some gorgon that had killed her birth mother which led to her being adopted. That gorgon cursed her mom, aunts and herself with a curse bared on their backs. For her mom and her aunts it’s an odd symbol and for Dicentra it’s her wings. But all the same Dicentra knows that her mom is her hero (and though that story is a lie it’s still true she’s her hero) and the young princess stared at her mother in awe and such innocence. It’s something that eats Hancock up inside, that she’s lying to her daughter about everything. Of her wings, her lineage and birth mother and yet she made that vow and she won’t go back in it.

All this leads to though is Hancock being fiercely protective of her daughter, not just for the fact of her blood but because she wants better for Dicentra. She wants her daughter to live happy not plagued by the burden and shame that she and her sisters suffers daily. The memories, the pain, the loss of it all. She wants Dicentra to live the life Hancock wished she had, of never being ripped away from a safe and loving home to be hurt over and over again. It’s why she keeps a close eye on her, especially in the early years where everything is still fresh in her mind of the escape. Perhaps she’s a tad overbearing at times but knowing her daughter is happy and safe within the walls of her nation is all that matters. But as time progresses she does become more lenient towards letting Dicentra do things on her own with the only condition being a bodyguard accompanying her.

At 6 Dicentra has Nightshade assigned as her personal bodyguard and protector. Before then it was randomly assigned guards or Salome who took over watching over the already curious and slightly mischievous young girl. Much to Hancock’s displeasure her daughter takes to running off into the jungles of the Amazon but at the same time she can’t help but be happy her daughter takes her freedom in such strive and not forgranted. Dicentra talks of all range of things she came across once she comes home, from rocks she found to bird feathers pressed in pages. Nightshade with now wild tangled hair standing beside Dicentra posed and proper even with a few leaves and sticks lodged in once straight black hair.

By 7 Hancock decides to have Dicentra be taught proper manners and help her find some hobbies that aren’t just running off into the brush. It’s there that Dicentra finds her talent in Dance and playing instruments, she specifically likes playing the Erhu traditionally played in the Amazon lily. It’s a hobby especially Hancock enjoys because it quickly becomes a source of calm when old memories plague her mind. Perhaps a lifetime ago she would’ve picked up the instrument as well, but now she resides herself to listening to old tunes that would play before that fateful day on a ship leaving home. Whilst she listens she holds her daughter, time seems to slip away and for once all is well for those minutes playing song.

At 9 Dicentra begins to do more things around the Amazon lily. Knowing the jungles area and documenting the plants she finds ends up being useful to apothecaries and doctors on the island. Along with this she starts to also help in delivering things and having a hand in public events. It’s here that she begins to realize what being a princess means even if it’s more a title than anything. To the Amazon lily her mom is cold and respected, the citizens of the island fear and love her and Hancock knows this. They don’t see her compassion behind closed doors but Dicentra does. If her mom is the cold and cool leader that in secret cared, then Dicentra would be a sliver in that door for others to see that kindness. She tells the truth, that her mom asked her to try and find ways to help the other kuja women. As princess the women of the island love her and she notices she means something to everyone there. For the women of the island Dicentra is their kind princess in contrast to their lovely but cruel empress, to Hancock Dicentra is what little hope is left in the world.

At 10 the young princess starts asking Hancock more about the outside world and it leaves the empress silently terrified. They aren’t bad questions, moreso just innocent ones of if places she’d been to were like home. But to Hancock they signify the end. She knew from the moment her bright eyed daughter began to run before learning to walk, began looking out to the sea on the horizon and climbed to the tops of the snake statues overlooking the entire tribe she’d one day be curious enough to leave. That this island would become too small to satisfy her need to see and experience the world. A selfish part of her wished that the luxuries she spoiled her with and the nights in which she’d hug her close whilst promising she’d always be safe here would disway her, but Hancock always knew because of the spark in her eyes that she’d one day leave. It terrifies her and yet she knows one day she’ll have to because she can’t take away Dicentra’s freedom just as hers had been taken. But for now she was safe, leaving was in the future but now she was safe in her arms.

By 11 Dicentra waits by the docks as Hancock sets off to yet another warlord meeting that would go nowhere. Hancock when her daughter was younger would leave her with Sandersonia as she and Marigold would set off into the ocean. But Hancock decides that this time her daughter was old enough to last a few days on her own (despite how terror still grips her heart). Nightshade swears she’ll look after the young girl and none of the Boa’s doubt that. Not when the ex-assassin turned bodyguard has the same look Hancock does when the young girl does something as simple as gifting a flower. It’s a look of wanting to protect something so desperately because it was one of the last pieces of kindness in their world. None of the Boa sisters trust easily, especially not Hancock, and especially if it came to her daughter. But Hancock trusted Nightshade, and that was a feat in of itself. And so Hancock sets off on her ship, trusting her beloved daughter to her bodyguard and ex-empress of the Amazon. Though it’s only for a few days Dicentra helps keep things afloat alongside Gloriosa.

Chapter 2: where the story begins

By 13 Dicentra knows the Amazon lily like the back of her hand. She knows every trail, bend of the river and cove there’s to find in the lush landscape populated by snaking vines and flowers. Pollen coats the air in sweet smells as the distinct smell of rain coming sets in for the young princess and her shadow. But the Rowling black clouds did little to dismay the young girl, if anything it only made her more excited as she quickened her pace and hopped over twisting roots. Having a storm in the calm belt was a rare occurrence, the lack of wind and still waters kept for a stagnant environment but once in awhile a storm would drift from the grand line and breeze briefly through the still water and die off. It made for decent rainfall and any occasional change in weather from the hot climate was always something welcome to the young girl. Nightshade would agree in that retrospect, from the few moments she talked of times past was she talked of a place described as an eternal flowering spring, not cold but not yet summer (though apparently a northern area had snow). So Dicentra raced to the many hidden beaches and coves of the Amazon lily.

its towering cliffs her beloved home had many secret coves beside the main waterway into the heart of the city. Many laid forgotten to time, old boats used generations ago laying still in soft sand that crunched beneath her feet. Typically there was no tide at these hidden beaches and coves, just stagnant water lifting at a certain level against the sand. No white foam decorating its edges like lace if not for the storm stirring the waves. She can’t help but giggle at the sensation, even if her stockings got wet in the ordeal. A few feet away nightshade stood as the wind blew past, still and silent yet eased by now dropping of rain on warm skin.

The rain is cool and refreshing, trailing down and leaving hair damp.

But calm only lasts a moment.

Typically when a storm blew through the calm belt it was mild at worst and calm rain at its least. It was almost always that way with nothing to keep feeding its trajectory as it fizzled out and died.

But sometimes depending on how large the storm was prior it could survive long enough to be just as powerful as it was in the grand line.

One second Dicentra is standing at the waters edge basking in the cool rain, the other second she’s dragged in by once cerulean blue waves that became crashing cold darkness. The void encompasses the entirety of her as she’s choked from air and the cold grasping at her bones. Instinct sets in immediately but the shock of near icey waves and pulling current tossing her like a rag doll make it impossible to do so. Helplessly she floats in near darkness as storm clouds blocked out sun and made the waters a chilling void. The image of complete utter darkness as she reaches blindly engraved itself in her mind. Never once has she felt such a fear of the dark. When she was younger she hadn’t feared it, rather was intrigued to explore it instead. But now it grips and drags her down down, down into is abyss.

But then a hand appears from the dark, Nightshade.

Twitchy and icey fingers grasp the stronger hand that then pulls.

She lands on the old rickety boat with a thud and immediately sea water streams out in pained coughs. Wind blows wildly tussling hair as waves crash against the edges of the boat. She can barely see over wet hair clinging to her face but she feels Nightshade hold her for dear life and above the yelling waves her protector screams to hold onto her with all she can.

Dicentra does as says and feels a colossal pain hit her before a once friendly darkness consumes her vision.

Chapter 3: turning point

Waking up is typically a calming routine for Dicentra. If mom wasn’t on a warlord meeting she’d brush sit down with her and her mom would brush her hair. It was a daily tradition, on in which her mother would hum quietly and gently comb through her hair. Sometimes she’d check to see if the pink dye of her hair was loosing its pigment, if so she’d ask if she wanted to leave it natural or dye it once more. Dicentra always opted to dye it again. Crushed up flowers mixed with imported hair products then used to stain once lily White hair again. That was their tradition together alongside at night having mom look at her wings and care for them. Apologizing as she helped her wings molt or placing a soothing cream on the sore hurting appendages. So waking up one morning with sunlight streaming on her face on linen instead of the familiar feeling of silk is odd. Not bad but it doesn’t make sense for a few moments as her sleep plagued brain thought through what had happened.

She remembered a storm, darkness gripping her, coughing up slat water that burned her lungs and then clutching Nightshade for dear life.

Nightshade!

Despite her body feeling like wet bricks Dicentra finds herself dragging herself from the small bed she was laid on. Blindly she reaches out expecting to find her closest companion besides her family. Instead though she meets something else instead.

Nightshade was a lithe person. beautifully strong despite her lack of visible muscles. She used to ask her shadow of a bodyguard how she was able to be so strong without being as muscular as aunty Marigold. The quiet woman would simply hum, saying something about she isn’t strong but has good instincts and reflexes. Point being in all of this the arm she grabbed wasn’t that of Nightshade, it was muscular

“Oh yoi? You’re awake finally.” The voice is weirdly deep and as her eyes adjust Dicentra is faced with someone crouching down to her level. Blue eyes stare at her from behind glasses….this was a weird looking woman.

This is where things would come into motion

I’ll leave it at this for now. But rest assured she has more story

[byemambo]

Monster Next Door EP. 9: The Power of Expression - A Double Edge Sword

So it's been awhile since I posted any content of my own for MND, but this episode genuinely got me in the feels. I am curious whether or not there are lots of people tuning into the series because I feel like its promotion leans very playful and I'm sure for some, leaving very little room for there to break the confines of stereotypes surrounding MBTI and introversion/extroversion. However, like how I personally feel about We Are, both series have more underlying themes for those who can recognize its significant beneath the surface.

Disclaimer: this analysis will lean into my own personal connection with the character Diew, and I'll be highlighting themes such as loss of a loved one, neurodivergence, and other underlying themes of mental health and trauma. If that's something that could possibly be triggering/sensitive for some, I would just like to preface before y'all begin reading and be bombarded with some deep topics. Alright, everything is under the cut (extremely lengthy read)!

Diew's Childhood: Reverting Back into His Shell

For those who have tuned into the series, we understand that Diew has a hyperfixation of turtles, and we're sent back to a flashback montage to reveal more about his upbringing and family dynamic during childhood. We're also revealed more about Diew's connection with his father before he passed away, which low and behold: me and Diew share very similar stories as I've also lost my dad during childhood, which caused a lot of strain between me and my own mother just the same as Diew (for similar and different reasons in comparison). I might have not caught it trying to go back to find out the exact age Diew's father passed away, but the flashback gives us a rough estimation between his preteen-teenage years where a proper social relationship is established between the two.

When someone experiences traumatic events during critical developing years such as childhood and adolescence, many will remain rooted in those existing emotions and outsiders may view them for the "mental age" as our emotional growth becomes stunted. Because Diew had a close relationship between him and his father for all sorts of reasons that many people can relate to: having someone be your cheerleader, someone to introduce you to the world around us, someone to understand your own individualism and cater to it accordingly. However, I believe one of the biggest reasons for such a strong connection between Diew and his father is fairly simple: existing as the closest form of unconditional love.

Although the series hasn't stated it like The Rebound has, I personally believe Diew to be autistic, if not autistic, definitely someone of the neurodivergent experience. Even though the series revolves around the concept of MBTI, specifically categorizing Diew as your average introverted person navigating the world around him, I wholeheartedly believe his character is deeper than such a superficial label (which I believe is the main reason for why many might stray away from giving this series a chance). Even though I haven't been formally diagnosed with autism, I am diagnosed with ADHD as an adult while relating to various characteristics that are innate in autism, but many of these traits and experiences fall under the neurodivergent umbrella. I also think that the usage of the turtle archetype is incredibly powerful for the characterization of Diew: turtles are known by social norms as "slow," physically or mentally, "in their shell" aka shy/kept to themselves, and can be irritating to others because they're unaware of most "normal" social cues and are considerably lacking "common sense", etc.

In the opening sequence of the episode: we see the dynamic between Diew and his father, which as the episode progressed, we witness a conversation between the father and son about how books become doors to our own worlds that as I summarize: books become portals to our own worlds that make our ordinary lives extraordinary. Since the theme of the series is about next door neighbors meeting and falling in love with one another, I believe the relevance of Diew's love for books to be more significant than that: neurodivergent people tend to live in our own worlds.

In my experience which has developed into my own artistic branding: many of us live in a neurotypical world where we feel like an alien walking amongst other human beings, but we weren't given the travel guide or manual in understanding how to interact with them. Despite knowing that we're also living out the same human experience: nuance comes into play and for many, can hijack our lives for the worst. In Diew's circumstance as well as the average child: we are clean slates that deal with the concept of nature vs. nurture early on, as well as our environments playing critical roles in our personal development and how that development will in turn, affect how we interpret the world and engage with it.

Because Diew is a child who's quieter (in this case, not shy to interacting with others), this becomes a disruption in societal norms (which of course vary between culture to culture and other underlying intersectionalities based in race, gender, sexual orientation, religion, etc). For many neurodivergents, our engagement with the world around us break the pattern and mold of what society expects from each and every individual to maintain order. During childhood, most of us are our authentic versions of ourselves but hand ourselves over to the norms of society and its binaries. For many who learn from observation that their own silence and solitude is weaponized by those who adhere to the social norms, many teach themselves learned helplessness: what difference does it make if I were to speak up? It's not like anything would change because they still won't accept me for who I am.

I tend to speak in metaphors, but specific to my art background: while neurotypical society tends to interpret the world in grayscale, we tend to interpret the world in full color, as majority of us excel in pattern recognition and memory, are detail oriented, hypervigilant, and so much more. However, this experience can be overwhelming for many, which contributes to one's baseline in areas such as faulty social communication/interaction, sensory overload, mental dissonance, etc. We see this with Diew having a single close friend, wearing noise cancelling headphones to cut through sensory overload, having social anxiety during moments of being the center of attention or being asked to do things against his will and being reprimanded for honesty over "politeness."

Due to Diew's socialization and innate personality traits, his support system can act in one of two ways: acceptance or rejection/denial. Unfortunately, this is where the crossroad between his central support system begins: the desire to appease the social hierarchy of life and to come out on top, the selfishness of living life thorough the self interest of yourself or your family. To be the most recognized, the most well off, the most luxurious, the most successful, etc. For many parents that navigate the world with emotional immaturity, their priority lies in conformity over authenticity, their acceptance in changing themselves for the sake of appeasing the group. For them, nothing is more detrimental than being singled out and ridiculed/mocked: this insecurity becomes generational, this insecurity evolves into life-changing consequences such as hereditary mental health disabilities or the nurturing of one in an "normal" family. The toss up between acceptance versus denial sets itself in stone the moment moral value is assigned to one's character, when someone becomes of value based on the origin's value system.

This exchange between Diew's mother and father highlighted the moment Diew adheres to this moral belief: Diew is not like other kids. Well, what about me makes me not like other kids? In comes comparison, in comes self doubt, in comes perfectionism, in comes abnormality, in comes conflict, in comes all sorts of insecurities that take over the vulnerable: children who simply don't know any better because if mom and dad said so, it must be true, right? My parents can't be right about anything if it has to do with me? I am their child after all, I'm their blood, I'm the whole of two existing halves.

We have not received this context in the series, I could only put two and two together through my own lenses and what I know and experienced: the various trauma responses and coping mechanisms from each affected family member. Diew and social communication, Diew's mother and obsession with control, Diew's grandfather and undermining his physical health to maintain peace within their household. What becomes a reality check for most of us growing up as neurodivergent people: the moment we step outside of what we have been taught to believe, and finding out that we might have been wrong for most of our lives, that we've been living for all the wrong reasons. That we were living for others and not ourselves. That we cannot survive without the "care" of our loved ones: the same people who expect appraisal and worship while oppressing and undermining others in the same breath.

Intention vs. Principle: The Flaws of a Mind Reader

Although there were other moments in the previous episodes to strengthen the themes of this episode, I felt like the Phrae trip highlighted these reality checks once Diew has difficulty adjusting to God's boyfriend treatment, which is primarily acts of service. This also becomes a game of mind reading and taking away Diew's autonomy, another version of his mother and her severe control issues. The trip is another home away from home, where this behavior evolves into babying and coddling, but because the intent is out of their best wishes for Diew: damned if you do, damned if you don't becomes Diew's life motto which he slowly breaking away from after being introduced to new people in his life that showed him different experiences outside of his family and his ex boyfriend. That there are people who exist and accept him for him, that there's no reason to hide anymore.

What I appreciate throughout the scenes leading up to Diew's confrontation with God is how well Park portrays these moments of frustration and questioning God's integrity when it comes to verbal communication (his microexpressions are everything to me, saying so much with such subtlety). This is something that I have issues with as someone who describes herself as "open book," and find myself irritated whenever people are not straight forward about their intentions, or set expectations in one moment and abandon them at the drop of the hat. For us, because we tend to navigate the world with so much nuance, direct and clear communication is nonnegotiable, and if you have various mental health disabilities (I've checked into the game), the mental race to make connections and recognize the established pattern based on the evidence of prior engagements and experiences becomes instantaneous but also exhausting. But P'God had always known how to respect my boundaries...why is it changing? What made it change?

The café scene also highlighted Diew's hypervigilance, isolating the conversation between God and his friends. Because all of them tend to joke and speak with humorous undertones, social cues become incredibly difficult to decipher at times, especially with people who you haven't established expectations for communication with. Because God know his own friends but Diew does not at the same level of depth and experience, statements like these only invite more intrusive thoughts that continue to spiral as more stimuli piles on: God's friends and their lack of indoor voice in a quiet establishment, social cues pointing towards God botching the group's plans for "Diew's sake," inconsideration towards those occupying the same space and carrying themselves with entitlement, this scene stressed me out and I would have done the same as Diew in that moment. Because I'm being catered towards and everyone else is miserable because of it: I'm probably the problem then...because I'm not like other people and I'm difficult to understand and accompany. Honestly: this is why I shouldn't have come with them. I'm just burdening them.

Power of Communication: It Takes Two

This exchange not only went in the direction I was expecting it to go, but the resolve was incredibly sweet and heartwarming to me. Going back to the "damned if you do, damned if you don't" motto: what I find so special about Diew despite his superficial characteristics appearing "ungrateful" or "undeserving" to some is that his growth completely transforms the motto. Damned if you do, damned if you don't, but I'd be damned if I let this misunderstanding separate me from the person I love. What I appreciate about God on the receiving end was the navigation of this conversation and how both parties confront their innate ideologies and understanding. Diew prefaces the difficult conversation with praising God, not starting off the exchange with immediate criticism that would drive most insecure people away and tune out any revealing information afterwards. However, God allows Diew to finish his entire though before proceeding with his response. which I anticipated as such: "I'm doing all of this for you and now you're saying you don't like any of it, so that makes me the bad guy then."

The beautiful moment that had me rooting for Diew was the confidence in standing his ground, something that we've seen develop in him as the story progresses during exchanges with people such as Jane and his mother. That he has autonomy, that he has a voice that is heard and accepted for what it is and not what it's "supposed" to be, that he can be understood because he may not be like other people, that was never the problem, which actually lies with everyone unwilling to become the person they need to be for him: that his boundaries may force you to reevaluate the way you carry yourself in this dynamic and no longer hold the power within your hands. The moment of recognizing that we become victims to the world by choice and the confinements of our own body and mind, and that the world may never truly reveal itself to those who deliberately choose ignorance over awareness: the choice of empowerment over oppression.

On the opposite side of this exchange, God goes through a revelation: the misstep in passive listening. Many people, especially those with faulty communication and emotionally perplexed, only engage in communication to hear what they want to hear. To identify within the confines of the binary: good vs. bad, like vs. dislike, yes vs. no. During the first half of the conversation of reassuring God with positive reinforcement, Diew softens the blow that will most likely arise: the potential of punishing someone else for doing a "good" thing. Insecurity feeds off of self identification, rooting itself as a core belief once someone turns that delusion into a false reality: the moment Diew says "I really don't like it" becomes that signal for confirmation bias to rush in. Win's prior qualms against him despite being in the same band, Jane antagonizing Diew while also putting God down in the process, and I'm sure so much more. If not properly dealt with and nipped at the bud: these intrusive thoughts become a breeding ground for toxicity to occur and cause a rift in the dynamic from an exchange of false words. But through his own personal development and growth: God was able to turn a not so pleasant moment into another piece of evidence that he is a safe space for Diew to unmask and keep the conversation true to himself. Rather than chasing Diew back inside his shell, he only invites Diew to continue remaining in his authentic self.

Emotional Dumping: The Arrival of Guilt and Shame

This part of the episode almost ran me over ten different times: it made me feel seen, it made me feel heard, it made me feel represented. All because I've literally had this exact same thing happen to me (and more) with my own mother, so this moment felt incredibly personal to me and understood Diew on a deeper level than most viewers might have not even considered when watching this series. When your family goes through a grief as difficult as the death of a parent, the drastic switch from a two parent household to a one parent household is absolutely devastating, especially when your children are young. Single parents if they choose to remain single stretch themselves thin, they are constantly overwhelmed with doing all they could and still unable to scratch the surface with many things, and unfortunately most of them trap themselves with egocentrism by comparing themselves to an alternative life unlived if their partner were still present. Most of them subscribe to a life filled with "debt" that requires repayment: this repayment is their kids believing in the narrative of being a burden, of being owed to repay back every little piece of ourselves to our parents, of being told that we cannot survive without their involvement (some even going as far as using the existence of their own children to support their entitlement for reparations), of simply existing to uplift their parent at the cost of their own autonomy and self worth.

"And I a bad son?" I don't think I could really describe the emotions I was experiencing when I witnessed this exchange of words, because I've had this conversation in my own life on multiple occasions verbatim. The headspace Diew occupies when it comes battling this internal struggle between being a "good" son while also expecting his mother to be a "good" mother, and the devastation that comes along with realizing that those two conditions may not actually exist. The progress Diew achieves from being someone who was intimidated by person to person interactions, someone who people benefited from his own silence and inability to confront others, someone who deep down deals with a battle of justifying his own value due to inconsistent value judgments from his core support system, brings me to tears because for many of us, myself included, deal with this level of trauma to the point where therapeutic intervention and personal accountability for debunking and redefining our core beliefs that have deeply planted themselves inside of us. That no matter what I do, I'll never be good enough, not even for my own mother.

God's response to this moment of being told such a personal matter (even if it was only the surface) honestly continues to heal parts of me little by little and living through Diew vicariously. The development of their relationship and taking the appropriate time to address various areas in their dynamic: some days will baby steps, other days will be strides, on occasion full speed, every now and then there will be rain checks. But the one thing that will remain a constant: I'm willing to embark on this journey with you by my side.

Honorable Mention: There's No Place Like Home

Ok time to ACTUALLY go to bed at a reasonable hour tonight: thank you for those who made it down here, I bring cookies! 🍪 But on a more serious note: my ears are always open to feedback or any thoughts others might have. I appreciate MND for having this level of characterization for these two and I can't wait to see what else they'll get thrown into even better if Pee gets socked in the face by Diew but of course on Diew's terms. Alright good night <3

[rubykgrant]

I finally figured out the new version for the design of my musical super hero! She's part of the group of hero and villain kids I've been playing around with for about 16 years (dang). I started the story with my best friend, and the characters have all gone through a LOT of changes, but because I've had them so long, I sort of know how to keep the core of who I wanted them to be~

(also, thanks to some of my friends for giving me some suggestions on her look in the past! @v-voeux and @bonkalore I appreciate it~)

As a regular kid, Min is 14 years old, a new student at school. She's a social butterfly, who is also very smart and creative (her main talents are music and fashion, but she also takes gymnastics and ballet). She's studied a lot of classical instruments, but she also has a passion for modern styles of music, so her personal taste is very broad. Min participates in a lot of talent shows. chorus groups, and plays. She makes her own fashion designs, for herself and people she knows well. Her signature outfit has a little bit of an 80s-vibe; loos short-sleeve shirt tied at the side (with a rainbow of sunset colors), over a seafoam colored jumper dress, dusty-blue leggings, and pink shoes (her favorite colors are pink and different shades of blue/turquoise). Her hair is black (with a rosie-brown shine), cut in a bouncy-bob, with two little pink hairclips. She has a pink bracelet on one wrist, and a pale-pink scrunchie on the other. Min is chubby, but also very athletic.

Her fun personality makes it easy for people to be drawn to her, but she's very aware of how fickle and fleeting popularity is when people become demanding... and then get upset when you aren't what they want you to be. Although she's sweet with a pretty face, Min is perfectly comfortable confronting people who try to boss her around, and isn't afraid of rejection (this also goes for teachers; she's a straight-A student, but pushes back when adults try to put pressure on her to succeed). At first glance, she's a bubbly and cute, and while that isn't UNtrue, Min is also subtly tenacious, capable of deep thoughts and emotional insight, and very self-assured. She truly values real friendship, and loves making the people she cares about happy with fun activities. She's also very good at being motivational and encouraging.

Her mother is Chinese, and her father is Japanese, both working with animals (for years, they've been doing wildlife studies and rehabilitation, meaning they've moved around often, visiting different places. recently, they've started working with a zoo and an emergency animal care facility). Her aunt (father's sister) is recently divorced and living with them, with her two sons (Min herself is an only child, but gets along well with her cousins). She can be flirty at times, but isn't interested in anything serious yet. She casually dates, but because she's always nice, nobody feels too upset when she kindly lets people down/ends a relationship (when she gets a little older, she figures out she's polyam, ace, and attracted to any gender identity; she uses the pan flag because she likes the color combo~).

When she begins to develop super powers, Min discovers she can literally create "musical energy"; turning sounds into something with a shape. She can do anything from snapping her fingers to send out a chock-wave, or creating vibrations in the air that take the form of a musical instrument (interacting with it, and using it for attacks or defense). Things around her that involve music/sound can also be influenced by her (such as radios, or loud bells in towers). She can manipulate sound to isolate a specific noise, use echolocation, imitate another person's voice voice, and translate any language she hears. Because music can have an emotional response, she also has powers that follow "musical rules"... that is, breaking into song, and having her friends join in, literally has an effect on reality (she often provides mood music when the hero group needs some motivation while fighting various bad guys).

She has an affinity for butterflies, so she creates little wings made of the pink musical energy, letting her fly like a fairy (they aren't connected to her, instead floating behind her back, and disappear when she isn't flying). Min designs her own outfit, as well as the ones the other hero kids wear. Hers is similar to a marching band uniform, a dark pink vest and shorts that are cuffed. Part of the vest is a pale-gray, with lines styled to look like a violin. Her leggings are also pale-gray, with two different patterns (one leg has vertical stripes that look like piano keys, the other leg has thin horizontal stripes that look like sheet music). She has dark pink boots with little butterfly designs on the toes/heels. Her shoulders have short butterfly sleeves, and the vest also has a pattern of musical notes with butterfly wings at the edge, Min's super her symbol. She has the same shape made out of the musical energy as a headphone/mic. Her mask is shaped like a butterfly as well. Min's hair is more curled, and pulled up in a side-ways ponytail, with one final butterfly clip.

In the past, I've had Min's hero design look like a simple "super hero swimsuit" with pink butterfly sleeves, and I've also had versions with a skirt so she has more of a classic magical girl look... but I wanted to really try for something more unique, make the music theme very clear, include her butterfly designs, and also make it a little more sporty~