bakugo scoffs, a slight ‘tsk’ as he rolls his eyes at the guy trying to hit on you at the bar. his gaze is dead-set on you across the room, watching in case the guy attempts anything funny. kirishima knows what’s going on, eyeing him from the side.
it’s that weird in-between of trying to find what you are to each other again—stuck in the middle of being friends and ex-lovers.
acting on it would be wrong.
he doesn’t have that right anymore.
he stews in his feelings, swallowing them with each sip of his drink. then he gets another glass, grumbling when kirishima elbows him to join in their conversation.
bakugo frowns all the way through.
he watches you smile at the guy (only politely, he hopes), the side of your cheek barely lifting and the corner of your eye untouched. it’s not the way you used to smile at him.
the conversation at his table goes on simultaneously with yours across the room, and he’s neither here nor there—part of both conversations, but not. it’s only when you shake your head, moving your hand in a gesture of ‘no, thanks’ that he abruptly looks away.
he focuses elsewhere: mina’s animated storytelling, the ice melting in his drink, your perfume the moment you’re slipping in the booth next to him. it’s unintentional, he knows—your thigh brushing against his, fingertips slightly touching as you set down your drink.
then you smile at him, a bit shy and apologetic, but friendly still. the corners of your eyes crease.
he downs his drink.
you’re better at this than he is—compartmentalizing feelings and seeing past his faults. always have been.
if he had only been more—
if he was only open to—
if he could only take it—
no. it wouldn’t be fair; he chose this for the both of you.
so why, why does he still look for the parts of you only he’d been privy to?
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Genuinely so curious who Mike thinks is gonna be buying The Cage or the new DCTL GN bc with the way he tweets as far as he's concerned, it's not gonna be:
The queer people he has actively admitted he will never show any representation of in the games.
2. The POC he has actively fought against representing in his franchise. [Who he also mocked for thinking they would be represented in his franchise]
3. The Bendy fandom which has always been concerned with topics of diversity esp in the sense of queer people since its creation. Who he has responded to really poorly esp in regards to the GN.
4. The fans who critique him. [He blocked me for doing so lol]
5. His fans in general who he tweets about like this currently. [He's being vague about why people were mad at him or sent him 'nasty messages' because if you actually looked into why you'd see he was in the wrong. Either way, a very hateful way to speak abt ur own fanbase.]
Reminder while Mike is trash talking his fans he has always treated them rather poorly. The fans who won the fanart contest for Chapter 5 never got their posters actually in game due to it being rushed. Not only was chapter 5 a big slap to the face story wise, but it was literally so rushed he couldn't be bothered to add in the art his fans gave him for his game FOR FREE. [Meatly blames this on a crazy timeline, reminder him and Mike are the literal ceos of this company. The proposal of future updates here is also pretty cruel considering Mike nowadays happily admits he corrupted Chapter 5's source code and therefore literally can't update it At All currently. Because he is a moron]
At least they got to be in Boris and the dark survival, and by that I mean that was the Only game they got to be in so far, isn't that just treating your fans like you love them? Shoving their hard work into a spin off game almost nobody has played or addresses much. [Hell, who knows if with the Lone Wolf rebrand they'll even stay there. In which case they'll be in None of the games, only in the credits of BATIM]
6. The Bendy fans who just generally disagree with him on stuff. Like the new ink demon design where there is literally a public poll showing people generally prefer the old one.
7. The Bendy fans who can see he is actively lying to them. To their fucking faces.
He says this has always been the case, but screenshots and links to tweets regarding the books being canon prove it was not. Does he really think bendy fans are stupid or something? [Unless he's admitting here he lied to Kress when he told her the books were canon which sounds worse!]
8. Anyone who doesn't like the idea of giving money to a guy who laid off tons of employees then afterwards thought it was a great idea to express his anti-union views! Also brag about how good of an employer he was, according to his employees, he was not!
So in summary; Mike is an awful person who has not learned anything from the awful things he did. I will not be purchasing The Cage because, combined with this and his absolute refusal to take any kind of critique or see any differing interpretation of his franchise, I have no reason to think my problems with the franchise will ever be addressed or fixed. I probably will pirate The Cage along with any future Bendy Products [Including the movie] and will do my best to avoid giving it any kind of monetary support. Unless this changes any time soon, I can't see myself making anymore positive Bendy posts soon.
Mike has just managed to make it so hard to speak positively or optimistically of this franchise when he's so willing to broadcast how little he cares about it or its fans. I'm at the point where I refuse to pull any of my punches with my problems with it. What's the point of trying to play nice with my critique when either way the people creating it don't care?
So with this post, I want to invite anyone who feels similarly about the franchise to tell me, make a post or send an ask talking about how all of this makes you feel. It may not change how things are, but genuinely seeing other people share my feelings of anger makes me feel better. It feels nice to see when other people share our same concerns and worries. I'd also love to know if anyone else thinks they'll be avoiding purchasing Bendy products over this.
I'm not forcing anyone to participate in it nor trying to say anyone who doesn't supports mike but genuinely maybe if we can collectively decide to boycott things like the movie, graphic novel and The Cage... It might at least make the bendy devs acknowledge how much they have destroyed their own fandom's faith and trust in them.
The way Mike tweets about his actions like he had no control over why people were mad at him at least proves to me he takes NONE of it back nor regrets it. If you didn't know about his actions and only went off his tweets, you would be led to believe Mike has been needlessly picked apart by fans over things he couldn't control [or in his own words, had his words twisted and taken out of context]. That is not how you speak about your actions if you have actually learned better from them.
anyway, that has been my bendy dev callout post. This is an open invitation to anyone feeling similarly upset about the way the franchise is going to talk about it. It's genuinely nice to see how people feel about this and the more we talk about the more it's likely the bendy devs are forced to address our concerns. I don't think they will but hey, that's why I'm not gonna support them with my money anymore nor am I gonna be nice to them in any content I make critiquing Bendy. I mean I'm also basically making this post just in case anyone asks me Why I feel this way towards to bendy devs/as a way to respond to anyone who thinks I am too harsh in my critique in the future.
As always, it seems the best part of Bendy isn't actually anything about canon but about what the fan's are creating with the ideas Bendy failed to do anything interesting with.
Also the books, the books slap.
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thinking abt how ocarina of time era hyrule is essentially a segregated society
the civil war, which happens before the events of the game, and is the reason link grows up on kokiri forest at all, has no canonical explanation of why it happened, only that one it was done, the non-hylian races of hyrule kept to themselves. link had to get permission from the royal family to contact the zora and goron. we know for a fact ganondorf gave the hylian royal family gerudo territory when he swore fealty to them, though its likely hylians had been encroaching upon their land for some time before. like, why else would a civil war break out if not for hyrule exploiting/stealing/suppressing other racial groups?? we don't see a diverse military force until botw.
it seems to be a theme, that the races of hyrule only come together (under the crown, specifically) when a threat arises that endangers EVERYONE. to assume ganondorf started the civil war is, in my opinion, the easy, “don’t think about it” answer. and even if that was the case, it was most likely a Hylians vs. Everyone Else situation, meaning ganondorf took advantage of frustrations that had already been mounting for some time.
in twilight princess, which takes place a few hundred or so years after ocarina, things have gotten better (we see hylians living closer to other racial groups, more collaboration), but there's still a significant degree of separation, ie, hylian-only military (the resistance is hylian only, too). we also see a complete lack of gerudo, their desert a barren wasteland and the only surviving proof they existed being their writing, most of which is found in arbiter's grounds, a... PRISON... if the losing sides of the civil war were forced to swear fealty (the gerudo seem to be the only group that gave up land, as hylians can't access death mountain/zora's domain without permission), the punishment for trying to overthrow the hylian royal family...! banishment at best, mass execution at worse. probably both!
like. there's so much interesting shit that is brought up in ocarina. i'm not even touching on the sheikah/shadow temple and the implications of THAT. its so incredibly interesting and, shocker, when a world/government/people/whatever are deeply flawed instead of of blandly benevolent and Good Because We Say So, it actually is Good Worldbuilding. do i think zelda writers did this on purpose? i dont fucking know because they never bring it up again. hyrule is just portrayed, over and over and over again, as this pure, holy kingdom that has never done anything wrong in its entire existence, despite IN GAME! IN TEXT! evidence to the contrary. like, the games we play feel like hylian propaganda. AND ISNT THAT INTERESTING???? imagine if we could unpack that? totk could've been a perfect opportunity. (but they dropped, the ball, as always, who is shocked)
its no accident. that our heroes are blonde with blue eyes. that our main villain is a caricature of Evil Brown Man. fans do not like to talk about it, they do not want to admit it. but there are clear themes staring us right in the face and it blows my mind that no one seems to want to do anything with it. the idea of hyrule being a deeply flawed land whos history is defined by conflict (stemming from its own citizens oftentimes) is extremely interesting and makes it unique. i want my stories to be gray. i want my characters to be conflicted. my GOD.
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brief untethered post re: in from the cold 'cause i'm thinking abt autonomy again and about how ilya separates from himself under extreme duress already - serious problem after the banquet in arr and throughout hw, but culminating in sb specifically re: why and how he's so capable of real extreme acts of violence without really... settling to acknowledge them until much, much later. like he knows, but that knowledge hasn't ever settled physically in his body so if/when he feels that trauma he tends to feel it kind of all at once. anyway, forced very literally to come to terms with All That because zenos, the embodiment of all he's refusing to acknowledge inside of himself, understands him in a way he's never understood himself is so, so much.
and there's no real relief in succeeding, right, because that wasn't really the point, and he's just like. stuck in his body, this thing that begets nothing but violence and blood and hurt, and he's kinda just got to. live with that, lmao. despite everything it's still you ass moment.
so he goes home, because instead of actually dealing with all that all he can think about is fray, and ishgard, and the baffling black heart of him all wrapped up the first place he felt all the blood was worth something.
and it was worth something at all because of aymeric. like, he struggles to admit it but every time he ends up back there, almost always so far out of his way it'needing someone else who sees past all of the blood he's spilled to remind him of what else his body is for.
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