#and then they proceeded to sit

[chromxena]

it's probably for the better that i lent my copy of p5r to my sister - otherwise i'd be playing tycoon all day everyday,,

(this is based on a tycoon game i once had hehe <3)

[bbbbbbbbatman]

Bruce decides it's finally time to reveal his identity to Clark but he does not want to make this into a whole Thing™. He does not want this to be a big emotional moment, he just wants it to be done--he would tell Clark over text if he could but he knows Clark would never let him live it down. So one day when they're completely alone in the watchtower discussing a mission, Bruce just reaches up and takes off the cowl while Clark is talking, and Clark freaks out bc literally what the fuck?

Bruce realizes he may have underestimated the reaction he would get and maybe there should have been some build up, bc now Clark is freaking out twice over. One, because his best friend just revealed his identity which is a Big Deal™, and two, bc it's Bruce fucking Wayne. If Bruce had said something first, Clark would've at least been prepared for some shocking information, but no, and now Bruce has to awkwardly sit there while Clark goes through the seven stages of grief.

[shadystranger]

throughout dean's death scene he tries to hide his pain from the rebar stabbing right through him. he keeps smiling and tries to joke as much as he can to lessen sam's sadness because sam keeps looking at him all panicked and crying

like dean plays his own death off to be as sweetly as possible to sam he tries to assure him, coddle him as if when they were kids and he'd try to make sam laugh to take his mind off everything terrible in their life

[s7ven-art]

IN THE LIGHT I SWEAR I WILL DENY IT ALL

[arealtrashact]

hey i was curious if you ever have seen The Dark Crystal? It seems like something you'd enjoy haha, since I know you make Labyrinth fanart a while ago as well!

Indeed I have ! I greatly enjoyed Age of Resistance too ( still mourning its cancellation . . . )

My favorite character was Deethra ✿

[dragon-spaghetti]

I have art 🤭 shall be posted tomorrow ✨

[awallflowerdraws]

one new hyperfixation coming right up!

[cat-of-starlight]

Played the To The Moon Beach Episode and I'll have you know I only cried for an hour

However, I'm never going to emotionally recover from what this game has done to me

100/10 game though, would recommend

[hiraethwrote]

it should be illegal to try and hit on someone while they’re at work. like sir, it is flattering but i cannot escape the premises — i am paid to be polite to you my guy

[spilledmilkfkdies]

Filthy INSTIGATOR

[justanotherwriter140]

Kung Fu Panda 2 Scene Analysis + Discussion Post

Hey, all! Here's a KFP2 scene analysis because I felt like it. 🤷‍♀️

I have an itch to scratch and I'm going to make all of you read about it. I've been revisiting KFP2's remarkable storytelling methods—namely for conveying strong emotions without relying on dialogue and putting more faith in the narrative—and when I got to the harbor scene, I couldn't help but write something up on it. In general, writing short essays on scenes/sequences is a great writing exercise that I would recommend for fellow writers because it's a big help when you're trying to emulate a certain style or feel in your work. KFP2 is a great movie and I love it, so I often refer back to it when I'm struggling.

In short, this is me gushing. I know as a fandom we've talked this part of the movie to death a hundred times over, but it's a scene that deserves it. I'm going to be focusing on the aspects of it that interest me most, but the final battle following this scene is just as worthy of being fawned over. I am a KFP fan through-and-through and every scene (in this film especially) deserves its own discussion post. Unfortunately, I'm employed.

I've never done a dedicated sequence analysis before, but I've been delving back into studying animation and that paired with my long-time love for storytelling is more than enough to make me want to do a Tumblr deep dive on this 20~ second master-class in storytelling.

To begin, let's take a look at what's happening here:

Po swims to Tigress to make sure that she's okay. He holds her hand and gets close to her, which is something we can assume he would never do otherwise. I'll cite the attack-hug; we witnessed his (albeit completely understandable) reaction to Tigress initiating physical contact, and his instinct was to freeze in place. It tells us that physical contact is uncommon and maybe even a little awkward for them, and yet, he grabs her hand without hesitation.

My heart...ugh. I was little when this came out and I was STUPEFIED. I also realized I wanted to make movies, though, so I guess it worked out. 🤷‍♀️

Plus the little thumb-hold from Tigress. I'm nauseous. Kill me.

It's also worth mentioning that despite the fact that Po audibly says her name, she doesn't respond to hearing him. She responds to feeling him. She doesn't start to lift her head until he touches her.

Earlier in the film, it had been made a point that she "feels nothing," which was intended to refer to both her hands and her emotions. She physically and mentally beat herself up for 20 years until she couldn't feel the hurt anymore.

Even so, it only takes Po to unravel that. This is the movie further cementing the franchise-long theme of Po bringing inner peace to the valley. On a more personal note, it's also the movie telling us that Tigress's jadedness only goes as far as she lets it. She is capable of recovery, capable of feeling—it only matters that she allows herself to have those moments.

She looks up. She's relieved. She couldn't save China, but she saved Po. She didn't fail in protecting him this time. She did her job. There's a beautiful contrast between what she's feeling and what he's feeling but they share a point—kind of like a venn diagram. Both feel some kind of relief, however brief. As for their differences, Tigress's defiance is weakened and Po's is ignited. He takes on that weight for her.

The way her head slowly falls back down makes me think she's too exhausted to keep her head up any longer. She had used all of her strength to hold onto Po and look fully at him, face to face, to be sure he was alright. Tigress is the most capable member of the group, but where her most important strength lies is revealed here as well as in the rest of KFP2: in her compassion and care for others.

Po looks at Shen with scathing, genuine contempt. He's taken away too many people Po loves, and Po won't let him take away another. He's thinking about the valley, about his friends, Mr. Ping, and his duty to defend China and bring evil-doers to justice. We see the resolve in his eyes. He'll do what he has to.

The angle of the image is also worth mentioning. With the way the "camera" is tilted—now at a direct eye-level as opposed to a few shots before when Po was almost slouching below mid-frame—Po looks bigger in this shot. He's being framed as a protector. Defender of China. The Dragon Warrior. He's really, truly stepping into this role.

Tigress bows her head and Po takes on the weight, which is a huge contrast to the rest of the film. Before this scene, Tigress is the one being strong, being smart, taking charge, and leading the group. Throughout the mission, Po was consistently reckless, stubborn, and distracted. We know why. This bit is his amendment. This is him saying and meaning, "I've got this."

And then he pushes Tigress away. The little look I caught in this screenshot lingers for only two~ seconds, but what I love about animation is that everything is intentional. He watches her float away for an extra few seconds because it meant something to someone that he did.

AND THEN SHE REACHES FOR HIM. Whose idea was this? We need to have some words. You guys were evil and I love it.

She's exhausted, hurt, and is likely carrying the crushing weight of China's defeat on her shoulders, and yet, she reaches for him. It wouldn't even be for her own comfort, either, but because she still has the urge to save him. Even in her state of being borderline unconscious, she still has that instinct—that care. She can't watch her friend be killed.

I pause on this whenever I watch this scene over. To me, this frame perfectly encapsulates Po as a character. We see him facing impending doom in the form of a massive ship with a monstrous-looking cannon strapped to the front, harboring a psychotic peacock fully intending to kill him—just like he killed Po's mother—when he gets the shot.

Despite this, Po only pushes Tigress—a loved one, and while it's far more impactful to the story that it was her, it could have been anyone and the point still stands—out of the way. He moves her out of the line of fire and lures the danger away. That simple action of pushing her away is the epitome of "show, don't tell" used correctly and tells the audience everything we need to know.

And then he goes and stands on a floating chunk of fallen ship (not even solid ground!) and fights solo against an entire fleet of weaponized ships. And then he wins in what's arguably the coolest, most badass way possible.

This—this frame, not the fight itself—is easily his most heroic and selfless moment and it's my favorite frame in the KFP trilogy.

Thanks to all who read this through for indulging my intense love for this specific sequence! This analysis isn't objective, obviously, so if there are any disagreements, I'd really like to talk about them! I'm always looking for different perspectives and ideas, and I'm sure there's a fan somewhere who interpreted this scene wildly differently. I'd also just really love to hear any additional thoughts if there's something I missed. And if another scene gets you super excited like this one does for me, tell me all about it!

An update for my readers: Chapter 6 of The Days is well on its way and I can't wait to share it with you—there's some fun stuff in there and I'm really excited to post it. Thanks for reading, guys! :)

[dickpuncher420]

i am so good at doing absolutely fuck all

[sandu-zidian]

Blorbo in situations that surely do not affect the rest of the story. Of course not!

[milkweedman]

Needed something to do last night bc I couldn't sleep, and spinning takes about a million times less brain power than knitting or crochet, so now I'm working on this.

Its from a 2.8 ounce batt that I had labeled southdown Romney blend, and I'm 99% sure that what I was told it was when I bought it (I remember thinking how much I love a good southdown blend), but when I finally unrolled the batt last night it had a label that said Suffolk hampshire blend. I think that's what this is--it feels 100% down breed rather than a down and strong wool blend. Honestly I probably still would have bought it as a hampshire blend, so I don't mind that much.

No clue what to do with it. It's not soft but the prep wouldn't do for socks, which is my usual idea for coarse down wool. It's also got a much darker section that I've been trying to decide how to feature (if it's worth doing at all).

[prismit]

terraria 1.4.5 is the new silksong. to me. here's some quick doodles i made to cope about it lmao

[elliewilliamsisactuallymygf]

i watched this show like a year ago and i am still no where near over it, genuinely one of the best pieces of media i’ve ever seen