#and then they go on to explain Why they dislike the thing and it's for a messed up reason and you're no longer 'oh okay' you're like

[taro-jpg]

Ok bet.

I dislike the second and fourth options and I will think more about why that is as I go about my day.

I know that the options you presented are not the only ones, though, because in my life i don't live only by those. I believe everything that exists is valuable by the fact of it's existence AND at the same time at the same time know that everything will be one day gone, and thats OK. Those two things don't have to exist separately, though. I think that's where I got confused with your post--which, if i am reading this right, is most against the fourth option.

---

So why are you... interrupting your usual value system and placing yourself in a far-off future where the suffering is already over and none of it matters anymore in the grand scheme of things?

From my understanding, mass extinction (of not just humans) IS in the far off future. Mass extinction events take forever. Extinctions on the other hand can be so fast. Especially if they are human-caused, like the wooly mammoth and the dodo bird.

I don't think my view of mass extinction interrupts my normal value system. I do want to do things to reduce suffering and climate collapse right now, but knowing extinction of humans or others will happen is just something I think about a lot.

maybe that makes me punchable and I prefer, if at all possible, to not get punched :( but I also believe my beliefs don't need to exist in a dichotomy.

Anyways, end my defensive reply. I wish I knew how to only argue the argument instead of feeling defensive about my person. you are not using ad hominem(?) but I see it in everything and i really need to quit lol.

Still. I can say that I will do my best to ensure my worldview never comes at the expense of the lives of others, and will do more to ensure people do not think that I devalue the earth or the life on earth just because it may not always be here.

I do genuinely thank you for taking the time to respond to me and explain further the point you were making in the first post in the context of my beliefs. That was kind of you and I appreciate it.

If anyone talks with any amount of approval about the potential mass dying of humanity during climate collapse, you can punch that person in the face.

If that person is white, you can punch them twice.

(Technically, unless you are interrupted, nothing is physically stopping you from punching people who trivialize the mass murder of billions of people of color many more times. The ones or twice are just suggestions of what you could do.)

[racoon3lizabeth]

Art critics at work: part two

part 1 | part 2

summary: remus dislikes a lot of things. not just the teachers lounge but the cafeteria as well. But what he didn’t know is that someone else is using his secret place to eat.

notes: this was sort of rushed and not as well written as the first part. I’ve been having a lot of writers block so that’s why. but next part will be longer and much more well written! buuuuuut I hope you like it either way!!

remus lupin x fem!reader

Eating lunch at school should be illegal if you ask Remus. At least as a teacher. Not only does he sneak into the art classroom to print papers, which he had completely forgotten to do when he stumbled upon the new teacher, he also tries to sneak away during lunch to eat in peace. Hence as to why he always brings his own lunch.

Sirius and him usually eat together. Sometimes outside on the benches or in Remus' classroom. But that’s why Wednesdays are the worst. Their lunch breaks are normally at the same time but unfortunately not in the middle of the week. So he’ll have to eat alone because there’s no chance he’s eating in the cafeteria.

With his salad in hand he walked out the front door, turning right to continue down the path which leads down to three couples of tables. The wooden tables are all rectangular with two bench seats. Lightened up by the yellow spring sun.

It’s still in that early phase of spring where the sun shines the brightest but offers the least of warmth. Not even his dark brown leather jacket and red scarf could save him from the chill air.

Remus is once again too caught up with his own thoughts. If he hadn’t been repeating the lessons he’ll be holding later today in his head he would’ve been able to stop before you saw him.

“Remus?”

The professor looks up from the ground at the sound of your voice, only a few metres from the benches, stopping in his pace when he sees you. “Hi,” his lips curled into a quizzical smile. “What are you doing here?” He questions. Even though it’s obvious due to the sandwich in your right hand.

You regard him with a nervous twinkle in your eye. You’ve only talked once, about a week ago and you’ve only seen him in the hallways since then and once during a meeting. Always sending each other subtle glances as you walk past each other.

But you haven’t truly spoken and the mere thought of sparking another conversation sends a chill down your spine.

“Eating lunch,” you explain, raising your shoulders in a half shrug. “I’m too nervous to talk to the other teachers.” You add, letting out an anxious chuckle. Taking a bite out of your sandwich.

Remus takes your words as an invitation to sit down with you, which it also was. It’s not like he’s any more confident than you, he’s just as nervous at the thought of having a conversation. But he hasn’t got anywhere else to sit. There’s two other tables but he obviously can’t just ignore you and choose to sit at another table.

That’s like experiencing the teenage drama that’s happening around them everyday.

He could also go back to his classroom and eat his lunch in peace. But he needs some fresh air. The stuffy air in his classroom can get a bit too much sometimes, even if he tries opening a window. There’s always someone who complains about the cold or noises from outside since a few of his students always stayed behind.

He settles down in front of you, placing his salad on top of the table. “Most of them are alright,” the cold wind blowing through his curls. “Sirius is nice.” he remarked. Observing her with a gentle gaze as he opens the plastic lid to his food.

Your eyes flick back and forth over his face, studying him as you raise one of your eyebrows. “Who’s Sirius?” You inquire, voice not over a whisper, embarrassed by the fact that you don’t know who he is.

Remus pauses in mid action, fork just above his lips. “Mr Black?” Tilting his head to the side. “Music teacher?” He questions, lowering his hand to rest on the table.

Your mouth forms a small O shape as the realisation dawns upon you. You had actually seen Sirius talk with Remus multiple times. Perhaps you had just been too busy peering at the handsome history teacher to notice Mr Black. “Right,” you snicker. “Yeah I know who that is.”

The history teacher starts to eat as you talk. Having a hard time concentrating when you’re just sitting there in front of him looking effortlessly radiant. “He’s one of my best friends,” he elaborates when he finishes chewing. “I’ve known him and two other blokes since we were eleven.”

“Really?” You raise a curious eyebrow. “How come?”

“We went to school together.” He explains simply. It actually wasn’t more complicated than that at all. They all met when they were eleven and very mischievous. Though he doesn’t have to tell you about the number of pranks he pulled through his youth. Maybe he’ll tell you one day, on the first date. Or maybe that’s more of a third date thing?

His heart rate goes from normal to abnormally fast at the thought. Immediately regretting his stupid daydreaming. He barely even knows you.

“That’s nice,” you responded, your beautiful voice causing him to snap back to reality. “Weird coincidence that your friend Sirius also works here.” You comment, lips twitching into a small smile. Taking another bite of your sandwich, the cold breeze makes its way into your thin jacket, leaving goosebumps in its wake.

Remus quickly finished his salad, placing his cutlery inside of the box before he closed the lid on top. Chewing on his lower lip as a grin spreads on his face. “Not really,” your eyes meeting for a few seconds before Remus peers down at the table. Crossing one leg over the other. “I worked here first and then my mate Sirius needed a job.” Remus recalled.

You manage to nod slowly as you observe him. His chocolate coloured eyes turn more hazel as the sun shines down on them. A small, almost unnoticeable scar stretching from his right eyebrow down the slope of his nose. He wasn’t wearing his glasses, not that you’re complaining, but you can see his pretty face much clearer.

“Are you going to that teacher parent meeting tomorrow night?” You questioned, changing the subject since the small dusting of freckles on his nose had made you completely forget what you talked about in the first place.

Remus drums his fingers against the edge of the table, your piercing although kind gaze making him restless. “Yeah,” he confirms. Running a hand through his hair. “Are you?” Not knowing if you’re aware that those meetings are pretty much mandatory since you just started working at the school.

“Yeah,” you echo, finally finished with your lunch. “So I’ll see you there?” You ask, eyes lightening up just by the thought of it.

Remus clears his throat, folding his hands in his lap. “Yes.” He replies, tugging at his scarf that suddenly felt extremely tight. The cold wind didn’t feel so cold anymore. His hands had even started to grow clammy due to how fast his heart thumped inside of his chest. “I’ll save you a seat.” He adds, chuckling nervously as he realises what he just uttered. Why on earth does he always tend to make a fool out of himself?

Your entire face reddens, turning crimson as a flush creeps up your neck. “Great.” You only mutter, not really trusting your voice at the moment.

“Great.” He repeats, voice cracking slightly.

Based on your reaction it wasn’t that out of place for him to say. Maybe just a little.

—————————————————————————————————

tags: @amatoanima @po3tbbygirl @lettertovera @allformoony @ladyaida

[yellowocaballero]

Continuing the JJK posting: Gojo is such a mystifying character.

Action show where swinging out the gate you introduce a character who is so incredibly powerful you then have to, before every fight, establish why Gojo can't just show up and fix the problem in seconds. His existence weakens the stakes of everything. The rest of the show you are backflipping ridding yourself of him. He jobs two major bad guys off the gate and every subsequent extensive fight with them feels like cleaning up his leftovers. Put him in a box, he's ruining the game balance. So absolutely broken. As a writer it makes your job so difficult, but it's also the entire point of him. "Hey I want to write the single most badass character of all time who can do the most insane shit but I will also engage with that", rock on king.

I think he's most interesting when understood as somebody who is fundamentally alien and removed from ordinary human thought processes. In his world there is absolutely nothing he cannot do, and the thought 'maybe I can't do something' just doesn't occur to him. He is capable of doing whatever he wants and of killing anybody who tries to stop him from doing what he wants. If he is not doing something, it is because he does not want to do it. If he wants to do something (kill all of his superiors) and he's not doing it, it's because he doesn't think it's the most effective route towards what he has decided to do. I think this informs the majority of his actions (and, importantly, what he doesn't do)(murder). I think he's reasoned out that you should have a general reason to do things, and it feels like sheer luck that he places value and meaning in human life, and as such you shouldn't kill them without a strong reason. Watching the flashback arc, if I hadn't seen a) JJK and b) Naruto and you asked me which shitty teen became a law abiding school teacher and which became a mass murderer I would have guessed the wrong ones.

Anyway, the way I like to think of him, he's a raging narcissist with a god complex to match. Horrifically, he's actually a good teacher, but he is also a teacher as an ego/'raising my child army' thing. He would be the kind of mother who is a good mother but lowkey had kids also as an ego/unconditional love/lots of attention/'surely my child will worship me' thing. Gets randomly into new hobbies, obsesses over them, gorges himself on the novelty factor, before dropping them in a week once he gets too good at them. Rinse and repeat. The only hobby that does not eventually grow boring is annoying people, so it's his only hobby. Geto told him age 15 that he'll never have any friends if he keeps on casually reminding people that they live on his sufferance, so he developed another back-up hobby more conducive for friendship of helping people forget that they live on his sufferance. This has convinced him that he's a god of subterfuge, intrigue, and trickery. Does eat women out, but is convinced that this makes him God's gift to women, and is actually pretty terrible in bed because his partner's desires never even occur to him. Is convinced he's as good at sex as he is everything else. Sex is actually the one thing he's bad at, but he's not ready to hear that.

In S1 he overall left me with the general impression that his entire idea of how high school worked was sourced from anime, and as such decided that being a teacher involved nothing but field trips, sports games, beach episodes, sports festivals, etc. Did not know how the classroom component worked so he skips it. Jossed, but also left me convinced that it would be very funny if he was an immortal 150-whatever years old and had founded the high school himself out of, you guessed it, an ego thing, and never once properly learned how high schools worked and just arbitrarily made his own aging students the new principals so he could continue engaging in training the kids who are too Misfit (TM) to get apprenticeships and living his fun slice of life anime life and raising a child army of kids who will worship him any day now. Annnyyyy day now. Any day now.

[autumnrory]

i rmr when all the initial meta around endgame was coming out people were talking about steve being depressed and whatnot and it's like well yeah but he's BEEN depressed, like he woke up alone in this century and he kept going, now i can understand it being worse this time after finding a family and getting bucky back and losing them all except of course that's not why endgame steve was on about so like......the people writing meta were trying to connect these things that of course weren't really there on screen because that simply wasn't our steve

but i think it really could've been SO interesting to see this is the thing that finally makes steve stay down like he's lost so much and he just CAN'T keep fighting like i get some people think that's what they were going for but considering the ending......it's really not. and so i'm just thinking about a version after iw, maybe he gets some of the thor treatment except not turning his depression into a dumb fatphobic joke lol and maybe nat and others are trying to get through to him and it just doesn't work and then we get some flashbacks (which you could have done for all the original avengers actually which would be particularly important for bruce and nat and clint who did not have their own trilogies) including his mom telling him "you always stand up" and THAT being the thing to finally get him moving like it would've been such a perfect way to finally show sarah rogers some respect and ACTUALLY show steve really struggling instead of whatever they tried to do with him in that movie

[ssaalexblake]

Let's be real, some things people say to explain their dislike of the timeless child plot are justifying the allegory the story is portraying 🤷

Some of y'all need to learn to stop at 'I didn't like it' and leave off the questionable opinions on refugees that you don't realise you're even making, bc Yikes 👀

[sskk-manifesto]

Ep 5!!!

[enbysiriusblack]

dorcas meadowes and sirius black are the anti hero marauder characters.

[amelikos]

Actually a bit surprised that Cap's allergy to the word "cute" has been brought up a few times after it was first revealed.. And that it was brought up once when Spinel was in the vicinity in HZ054..

I wonder if it'll be brought up again in the future.

[nonokoko13]

<<DNI if you shame people for having "cringe" interests>> *proceeds to shame or disrespect someone for having interest in fictional stuff they don't like instead of using the block button even though that person has done anything to anyone*

[lynxgirlpaws]

>dad gets home >immediately shits on me neat

[maketime4love]

i think of a lot of you guys are a little too obsessed with like . faithful adaptations in a show based off a media known for its ever changing continuity and various adaptations even within itself and the way it consistently retcons itself . like idk that sounds like a pretty faithful adaptation to me but maybe thats just me (most of the post is in the tags)

[sabertoothwalrus]

tips for getting people to like your ocs

*disclaimer: this is based on what’s worked for me, aka an artist that likes to make comics/storyboards. so this advice is directed at people who do that

you can do things like this:

Which is fun! Character sheets like this are great, especially for personal reference! But frankly, I don’t think most people engage with this (at least I personally don’t). You could have the coolest character in the world, but it will be harder for most people to feel invested when they’re presented so neutrally like this.

My main piece of advice is: get better at writing.

That might sound harsh when said like that, but let me explain what I mean! (Not trying to imply you’re bad at writing either!)

What I tend to do is just throw characters into situations with as little handholding as I can. Give enough context that readers can follow along, but don’t feel like they’re being explained to.

what can you learn about the characters through their designs alone? (age, personality, economic status, occupation, etc)

what can you learn about the characters’ relationship though their interactions alone? (are they close? familial? romantic? is there hostility? are they tense/relaxed?)

what are the characters currently doing? what were they doing previously (how long have they been talking)? what are they going to do next? can you convey this without dialogue?

how do they feel about what they are doing? are they content? focused? over/understimulated? would they rather be doing something else?

where are they? does it matter? would establishing a setting in at least one panel clarify the scene? is there anything in the enviroment that could tell some of the story?

what time of day is it? what time of year is it? what is the weather like?

Now, with all this in mind, I'm going to give you another example. I'm going to use completely brand new characters for the sake of the experiment, so you won't have any bias (aka I can’t use Protagonist from above, since you already know all about him).

Did this get more of an emotional response from you than the first example? Why do you think so? Who are these characters? How do they know each other? What else can you infer about them? What happened? Who is "she"?

Now, you don't have to actually answer all those questions. But think about them! You can tell people a whole lot about your characters without ever showing them a list of their likes and dislikes.

Obviously, comics aren't the only way to get people invested in your original characters! But regardless, easily digestible formats will grab people's attention faster than huge blocks of text, and comics are a lot less work than doing wholeass storyboards.

Now go and share your ocs with the world!!!

[cherrymoonvol6]

.

[dontmixpaintinyourcoffee]

This one goes out to all the bitches who love some good Safehouse Era Horror. It's me, I'm bitches. I want Jon and Martin to be fucked up and eldritch but I want them to be fucked up and eldritch and loved

(Notes under the cut because I can't help myself. Heads up, I do go into some detail of how Jon gets injured so I can explain my thought process for how I designed his scars. All canon-typical and fairly clinical in tone.)

Here's how I picture Safehouse Jon!

He doesn't need glasses anymore by this point, so he should just be wearing empty frames, but I drew this before I settled on my glasses headcanons. This drawing looks better with the reflection anyways.

He hasn't gotten a haircut since before his promotion to Head Archivist. He doesn't love the weight of it on his neck, but he also uses it to fidget, and he really doesn't want to go through the whole process of cutting it. He's disliked haircuts since he was a kid (People: Bad. Small talk: Bad. Touching: Bad. Loud sounds: Bad. People talking all at once: Bad) and since his time with the Circus he's only grown more reluctant to go and get it done.

At this length his hair is naturally pretty curly but he is. Not taking care of it. I actually put a lot of effort into trying to make it look brittle and tangled (I have a lot of experience lol, my hair is quite thick and I've always hated taking care of it. Yes I am also projecting my feelings about going to a hairdressers onto him why do you ask.)

The various scars were a bit of a strange task, but anyone who has seen my takes on The Bad Kids knows I'm not averse to selective realism in my fiction. Easiest one was the neck, I always pictured Daisy making a vertical cut based on "through the voice box". The larynx is longer than it is wide, so I think Daisy would go for the method that dealt damage across the largest total surface area. Yes I am aware that I'm speaking the same way Martin does when he explains his corkscrew.

The worm scars were easy because I barely drew any. There are a few marks on his cheek, but they're just surface bites. I picture most of his encounter with Prentiss showing on his legs, particularly on the right side, with enough damage there that he starts using a cane after the incident to keep weight off his right leg. More research to be done on this particular detail.

Finally the burn on his hand from Jude. This was the weirdest one to figure out just because of the nature of the injury. How do you quantify the damage done to an epidermis by a living manifestation of sometimes-boiling wax that can heat and cool at will? I settled on it being a second-degree burn that healed supernaturally fast, containing the damage to the space Jude had direct contact with. He'd probably have some mobility issues there as well. I know there are ways to help with mobility and pain after a severe burn, but I don't know how much of it Jon would actually. Do. Like I said, definitely further research to be done on these last two.

Hey so I'm gonna ask you to stop and consider the horror of the watcher. The helplessness. The guilt. The inherent terror of being a spectator, a participant by proximity but not by action. The horror of not being able to look away, of being a bystander. Jon forgets to blink sometimes. But wouldn't it be so much worse if there were no eyelids at all? That's how I interpret the description of The Archivist being "All Eyes" :D

I love a good Many-Eyed Jon, so I whipped up my own interpretation here. I think the more he Becomes the more he starts to resemble the thing from the dreams. He has a lot more control of it in S5, but it still creeps up on him and he has to consciously go back to a human shape.

[dotcie]

Writers Truth & Dare Ask Game

🎱 ⇢ post your AO3 total stats  🍓 ⇢ how did you get into writing fanfiction?  🌵 ⇢ share the link to a playlist you love 🕯️ ⇢ on a scale from 1 to 10, how much do you enjoy editing? why is that? 🛼 ⇢ describe your latest wip with five emojis 🥑 ⇢ you accidentally killed somebody, which mutual(s) do you text for help? 🥤 ⇢ recommend an author or fanfic you love 💌 ⇢ how many unread emails do you have right now?  🌻 ⇢ tag someone you appreciate but don't talk to on a regular basis 🐇 ⇢ do you prefer writing original characters, reader inserts, or a mix of both?  🧃 ⇢ share some personal lore you never posted about before 🎲 ⇢ what stops you from writing more in your free time?  🍄 ⇢ share a head canon for one of your favourite ships or pairings 🧸 ⇢ what's the fastest way to become your mutual? 🪐 ⇢ name three good things going on in your life right now 📚 ⇢ what's the last thing you wrote down in your notes app?  🍬 ⇢ post an unpopular opinion about a popular fandom character 🔪 ⇢ what's the weirdest topic you researched for a writing project? 🦷 ⇢ share some personal wisdom or a life hack you swear on ❄️ ⇢ what's your dream theme/plot for a fic, and who would write it best? 🌿 ⇢ give some advice on writer's block and low creativity 🥐 ⇢ name one internet reference that will always make you laugh  🏜️ ⇢ what's your favourite type of comment to receive on your work? 🍦 ⇢ name three good things about a character you hate 🥝 ⇢ do you lie a lot? what's the most recent lie you told? 🦋 ⇢ share something that has been on your heart and mind lately  🦴 ⇢ is there a piece of media that inspires your writing?  🍅 ⇢ give yourself some constructive criticism on your own writing 🐚 ⇢ do you like or dislike surprises? 🪲 ⇢ add 50 words to your current wip and share the paragraph here ☁️ ⇢ what made you choose your username? 🐝 ⇢ tag your biggest supporter(s) and say one nice thing about them 🌸 ⇢ do you have any pets? if you do, post some pictures of them 🎨 ⇢ link your favourite piece of fanart and explain why you like it 🧩 ⇢ what will make you click away from a fanfiction immediately?

[lunathewafflelord]

I’ve noticed a lot of people outside of a minority group are insisting that content that’s harmful to certain minority groups isn’t harmful, so here’s a post about it

if someone from a certain minority group tells you that something you did or said is harmful or offensive to people from that group and you’re not part of that group, maybe take a moment to consider WHY it might be offensive or harmful before getting defensive and making rude remarks

People make mistakes, and it’s inevitable for people to accidentally do or say something offensive to a certain group. It’s important to listen to people from that group when they point out how something harms them.

Ask why it’s offensive and try to learn more about that person’s perspective rather than immediately assume they’re wrong. Chances are that person knows more about what’s harmful to their group than someone who isn’t part of it.

If someone points out that a post you made is, let’s say, ableist for some reason, don’t immediately say they’re speaking nonsense. Take a moment to consider why, perhaps ask them why it is so you can avoid it in the future. Mistakes happen, and it’s important to learn from them and help things not be as toxic for people in that group. It’s a great way to learn more about that group by asking how something harms them.

Just because something doesn’t seem offensive or harmful or problematic for whatever reason to you doesn’t mean it isn’t harmful towards a group you’re not in. It’s important to listen to people from that group when they point out issues with things people do or say!

Please, listen to people from minority groups before claiming that something isn’t harmful towards them. Chances are they know more about it than you!

Please don’t see this post as being rude or anything like that! I just want to inform people about how important it is to listen to people, just because something isn’t offensive to you doesn’t mean it isn’t offensive to others - especially if you’re not part of the group that person is in! I want the world to be a better place for people in minority groups, and I think this is something very important for people to know which I don’t see mentioned a lot :)