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lucrezianoin · 3 days ago

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Rating all the romances in Veilguard

For no reason that I watched them (here)/played them all. (I played Taash, Emmrich both paths, Davrin, and all the romances up till the commitment scene)

All the romances (with few exceptions) seem to follow the same pattern of: about three or four flirting moments, a missed kiss scene where you non-commit to the romance, a commitment to the romance scene and a dinner/date. All these scenes are also friendship ones and the romance extends them (with various levels of extension). Then the romance has three unique scenes: a pre-Ghilan'nain chat, the post-Fade sex scene, a final chat before the end and that is it.

I am gonna put some of these scenes in preference order! What I look for in a scene is:

If it is a friendship scene: how much the romance scene adds;

The scene tells me something new about the characters;

How well the scene sets up the tone of the romance (especially starting scenes);

Just how much I liked the scene! the tone, the movements, other added things

Every link is the scene from the same youtube channel I linked before, at the correct timestamp.

EDIT: changed the rating for Neve, she is now my second fav (I am replaying it and realized I missed something from her commitment scene)

TL TR: My favorite romances in order:

Davrin: his romance ties very well with his character development and quest. Weisshaupt and his relationship with death being confronted with losing his home, trying to stay casual and then getting attached against his own will, and then choosing a new path (a road less travelled, as he says) which also ties with the relationship with him and his Dalish clan. It is also the only romance that allows the player to decide what comes after for Rook.

Neve: I felt like her romance had its own sub-plot that I did not feel was 100% reflected in her quests (given she shows attachment to other characters and things), but there is a lot of content and like for Emmrich it all fits well in the tone of Neve's character and quests at least: it really makes you feel like you are in a detective story, romancing that one character who has a tons of protective walls around her heart. The banter and flirting was my favorite, with a lot of small back-and-forth, that I think do the heavy lifting.

Emmrich: this romance is a bit less involved with the main plot, but I thought it felt very cohesive. It is a more classical romance which sees Emmrich surprised to be the subject of Rook's flirting, to then taking them both in a very classic path of dating and breakfasts in bed. It also has a lot more content given it has technically two paths, and fits well with the whimsical sometimes humorous tone of Emmrich but also his relationship with death (fear).

Taash: Their romance is probably the easiest and fastest to get. I think the content is a bit less compared to other romances, but their inability to fully express their attachment (especially in the context of their mom's death) was a nice touch. I wish the story had integrated their personal quest (what happened to their mother) a bit more at the end, given we have a parallel of Taash not being able to save her vs being able to get Rook back.

Harding: I think her romance actually makes her character much more compelling to me. We see her dealing with her powers a bit more, and in the final scene it is all pulled together with this dialogue about how she wished the world could stay simple, but closing your eyes against the change does not mean the change is not happening. Still, I feel like she has the least amount of scenes (but my favorite romance commitment scene) especially if she dies then her romance feels absolutely incomplete. In the case of Davrin, his death makes his previous scenes much more tragic instead.

Bellara: I actually really like Bellara's romance, I just feel like if I try to look at it objectively it seems a bit all over the place. It starts very sweet and awkward, but it mainly relegates Rook in the role of someone who needs to reassure Bellara a lot, especially about not being liked. I am also very annoyed by the two mentions of "Rook makes Bellara calmer". As far as I know Bellara is supposed to have adhd, and as someone who has adhd... no, love does not "cure" you. Or make you feel calmer.

Lucanis: I am so sorry for all the Lucanis fans. I have no idea what happened here. I loved the final scene, but the rest of his romance feels strangely directionless. I admit I did not believe it could be so much short in content compared to the other romances but after playing half of it and watching the rest - it kind does. It has some nice extra banter and comments (ex. a lot of supporting Lucanis in battle), but I am also unsure what this romance is even about. His personal quest is about starting to live again and accepting Spite, but his romance seems a mix of guilt for his failure and deflections. The only thing I can come up with is that the writers were trying to convey a Lucanis who was not ready for a romance but still wanted it nonetheless?

The almost kiss:

Bellara: This one has no almost kiss, but I loved the scene nonetheless. The friendship scene is adorable (I love characters who write stories!), and the romance part is quite extended with Bellara giving us new information about her: she never really has been in a long relationship, about her ex from the Veil Jumper, and we also see her trying to act all suave and smooth and almost falling from the desk, which was adorable and sets up the awkwardness and inexperience of the romance.

Davrin: The almost kiss is interrupted by Assan, which makes perfect sense giving the previous interruptions. It also reinfornces the fact that Davrin is direct, and it tell us that there is a correlation with him chasing his romance/being direct and how close to death Grey Wardens are. It sets up an almost casual/overly-flirting and seducing tone to the romance instead of the more romantic one found in others. The scene also makes the friendship version 100% better and make it much more sense.

Neve: The friendship scene is quite cute, but after seeing the romance one I feel like the whole scene is a setup for the romance. Most of it is in the romance version, with a lot of characters moving through the room (checking the wisp, sitting on the desk, almost kissing). It also tells us a bit about Neve: she is attracted to Rook, but very hesitant to start a relationship, almost scared, and that the theme of the romance is this almost magnetic attraction that she cannot resist to. Hilarious also because of Rook looking at the ceiling in frustration when the kiss doesn't happen.

Taash: I am not a fan of the growls, but the movement, the hilarity of Taash standing up saying "yes so..." and pushing Rook against the mirror - perfect. The friendship scene also tells us something on its own and the two takes a different paths. We also find out that Taash is extremely direct, they are very open about sex, and take initiative very quickly when needed. Plus their sense of smell is very developed and connected with the breathing-fire thing. The interruption is probably my favorite here, with Taash and Rook sharing an amused glance, it builds comraderie!

Harding: The scene sets up Harding's main plot (her new powers) in the romance, which will then continue in the actual commitment scene. The scene overall tells us that Harding sometimes loses control of her lyrium while touching people, and that she is a bit awkward but also not too easily embarassed (like Bellara is). In general it is quite sweet.

Emmrich: I usually love Emmrich scenes and this is probably my list favorite in his romance. The dialogue is beautiful and elegant as always, and we find out that Emmrich romance will follow more traditional and romantic paths. We do not learn much about Emmrich himself, a part from the fact that he is interested in the romance. I also am a bit confused by the show of magic, I suppose it is seduction but what does it mean... it escapes me. I guess, another thing we learn is that Emmrich likes to take the seduction into his hands, which sets the tone for the romance.

Lucanis: the first part of this scene is Spite trying to run away. Then the scene feels like it goes from zero to one hundred very quickly, with Lucanis and Rook almost kissing, then bam, Lucanis needs to clear his head - I know it is Spite but it felt a bit strange. I am unsure what the scene is trying to tell me, we already knew Spite is a problem and often takes over/stops Lucanis from doing things (ex. starting scene by the fireplace).

Romance confirmation/commitment:

Harding: the scene expands a lot on the friendship version, so much that I almost forgot I even played the friendship version of it. We also have the continuation of Harding's touching problem, and not only it is hilarious (Harding backing away and being shocked Rook would still kiss her), but also tells us something about Rook themselves (that they are a bit of a reckless fool). The scene happening in public with all the other npcs being like "wtf", hilarious.

Davrin: The scene adds a little bit from the friendship one, with the most schoolgirl kiss in the game (which is adorable), the return of the "hunting" metaphor, and Davrin looking at Rook when he talks about Assan having "the heart of a halla". It all ties in the fact that the scene is a way to draw a parallel between Davrin and Assan - it works well given it is a romance scene and one of the parallels is about both of them finding a new path and having "the heart of a Halla". There is also a small additional banter when you go back to Eldrin, where Rook can tell Davrin "you have me too now".

Neve: So I love this scene (skipping rocks, thinking about her case), it feels very detective-like in a dark foggy city, chasing leads. EDIT: I previously put this down at n5 but I am replaying Neve romance and realized there is so much more. Not only Neve throws herself at you (for a kiss), plus a fumbled kiss, but you also get a very cute banter about "kissing a girl/kissing neve gallus" while you chase for leads. Overall, while the majority of the scene is the friendship version, the romance version changes it quite a bit.

Taash: the scene was great before the romance one, I loved seeing Taash getting to the realization and decision about using they/them. But it also felt a bit like zero to one hundred, with only a few flirtings before (pretty sure only two? or three?). But the kiss? that was the best kiss in the game for me, with Taash being like "okay bye". It follows the general theme of Taash being a bit uncomfortable to face their own feelings, and very direct.

Emmrich: one of my favorite scenes in the friendship version. To see an older than usual character remembering their parents, talking with them and introducing them their new partner is pretty rare. The rest of the scene was quite classical seduction from Emmrich, he really feels like the character who is doing the courting and the scene in general looks quite beautiful. Beautiful kiss too. The addition from the friendship version is the extra seduction with magic.

Lucanis: Zero points for payeya. The rest of the scene is very sweet, I loved that Lucanis remembers Rook's drink and that a previous choice returns in play, but the scene is so short and it seems to mainly revolve around Lucanis apologizing. It tells us that Lucanis remembers, and that probably his romantic side is more acts of service than words, but it also feels a bit like Rook is romancing themselves and jumping to conclusions because Lucanis is giving very little.

Bellara: the commitment scene was so small, and so Cyrian focused I should probably not even put it here.

Dates/dinners:

Emmrich: This is a full on date that follows the Emmrich's path of "classically romancing Rook". We have the dinner, special Mourn Watcher dialogue about the skeletons raised to cook, a kiss, and you can also exchange questions - you can tell Emmrich you are a virgin too haha - plus, Emmrich expresses worry for Rook and how much work he is taking on, which is always nice to see given sometimes Rook feels excluded in the game. The dialogue also remembers previous choices, with different options if you expressed distaste for necromancy.

Neve (scene 1) (scene 2): She has technically two, one where you can meet with Rana or Elek, and then the initial one where she takes you to eat fried fish, so before the start of the romance. Both scenes? Amazing. I absolutely love them, especially the tour of Dock Town and eating fried fish with her while looking at the sea. They felt perfectly in tone of a noir-detective romance. In the first scene we get Neve's main romance theme (the tables always turn) and feels (banter, back and forth) and in the playing cards scene we return to the back and forth banter that is characteristic of the Neve romance.

Davrin: This was mainly about Davrin being asked to take a break and him worrying about Rook working too much, which is always nice to hear! I was a bit disappointed that so much of the date ended up being about Assan and Rook not being able to do mushrooms without tripping, but the small bits of Davrin being disappointed he could not take Rook's mind off work for an afternoon felt strangely in line with Davrin's more seduction-like romance (which seems to be mainly on the casual side of things) and his attempt to make this work.

Taash: I loved Taash's mother immediately zeroing in on Rook being their partner, but sadly there is not really a romance scene. The scene is very similar to the friendship one, and it doesn't tell us anything more about the romance itself or Taash.

Lucanis: I am confused by this scene. It seems much more about Lucanis and Spite than Lucanis and Rook and Lucanis. The part taht is about Rook and Lucanis is very very short, and mainly a lovingly gazing Lucanis and Rook with not a lot of dialogue.

Bellara and Harding seems to have no date/dinner scene. Harding has a longer post Ghilan'nain scene, and Bellara has a lot of small scenes around here and there.

The fight before the fight

Davrin: similar to Taash but softer. This is also when you find out a lot about Davrin here - mainly how he made sure to never get attached - and more about his relationship with death that turns into him wanting to finally think about a future without death. I thought this scene added a lot to his character, and pulled together his whole plot arc too (the non romance one, so his attachment to Assan, his relationship with death, Weisshaupt and his new home). It also felt realistic and hopeful bre-battle, and it is even more devastating in the light of the Harding vs Davrin death choice.

Neve: the voice acting in this one is just stellar. It is also very detective-feels like a noir old movie with forbbiden romance. It shows how important it is for Neve to keep everything under control. Her voice breaking out at the end - amazing, one of my favorite lines by Neve. This does not fully connect with her arc, like Davrin's did, but it is the breaking of her walls scene.

Emmrich (Lich) (link to my twitter): As much as I love saving Manfred, I prefer this scene with Lich Emmrich and how much you can play a Rook that is absolutely extra in love and refuses to listen to what Emmrich is saying. And it is nice to have a scene where a companion actually suggests for the protagonist to not go into battle. It ties with Emmrich's fear of death, and accepting that people around him will always die now that he is a Lich. I was just a bit sad that he clearly did not fully make peace with that before his transformation, given that was one of the requirements.

Taash: classic angst and tsundere, loved that Taash refuses to admit their feelings to avoid getting hurt. This is similar to Neve and Davrin's scene, but I think it tells us less about Taash than Davrin's, and the scene is much shorter than Neve's. It feels also a bit more in line with Taash's character here given what happened to Taash's mother, but I wonder if you can still get this scene if you do not complete Taash's quests... I suspect you might, which makes the scene in that case a bit out of place in my opinion.

Emmrich (non Lich): Look, I LOVE this scene, and I love seeing Emmrich talk about their age difference, but I thought it felt a bit random placed as a pre-battle fight. I know this is about Emmrich confronting his own mortality again, and this is the main theme, Emmrich realizing he is fully in love and not ready at the idea of leaving Rook alone. I love Rook's answers, but I would have loved to expand on this way before (especially given that one of the option is Emmrich implying that Rook does not know what they want because they are too young "I know what I am getting into" / "at your age?").

Lucanis: I really enjoyed this more than I thought I would, but mainly the first part. Lucanis feeling the responsibility of the strike to protect Rook after he failed once. It ties well into his arc, being responsible of this big job, and Rook tried to show him that they are in this together. Except that then the scene kind of derailed, in my opinion with extra Lucanis' deflection. Maybe I do not fully understand Lucanis' romance and character, but the scene goes from: Lucanis' guilt and fear, "I only know death", I am not alone I have Spite, I will kill to protect you, don't promise you will survive. I am unusure what is Lucanis romance here trying to tell me, I wish they had focused on his guilt/weight of protecting Rook more.

Bellara: too sweet for my taste. The scene does not have a fight, but we get Bellara being honest with her feelings, and saying she feels calmer with Rook (which I hate, given she is supposed to have adhd if I understand correctly, and as someone with adhd no amount of romance is gonna make me feel calmer, medicate me). It also re-iterates that Bellara feels bad about who she is, and Rook makes her feel better. The scene does not seem to tell me anything new about Bellara or the romance itself.

Harding: This feels very generic. It is a "what if things go wrong", which makes sense for a scene before the big fight. It is so short, and a missed opportunity to give us a bit more given that Harding can literally die in the next mission. The point of the scene is "I am worried", Rook "It's okay we have us", Harding: "Alright".

Final romance scene:

Davrin: Look, the start makes me a bit embarassed, the shirts vanishing? the fact that Rook in the fade is barely mentioned, how Rook's size does not seem to matter at all, the Rook's breathless moaning - some of the dialogue is a bit strange, if you don't play the joke-y Rook/direct Rook. But it is also the only scene where the characters talk about their future and that to me feels like a conclusion to the romance. I was actually surprised when I got to all the other romances and I did not see the final choice of "what will you do with your LI" like in Davrin's scene. We have a Davrin who is finally living without thinking of death, we have a new choice that is then reflected in the final chat later, Rook and Davrin organize their future together (the road less travelled being one of them, which Davrin says "it is how I found you" and really summarizes Davrin's whole story with the team, Rook and Assan, but also his past with his Dalish clan).

Lucanis: I really liked this scene, both the start of it with Lucanis feeling relieved and the whole "are you falling asleep", and Lucanis asking for Rook to talk to him. It was very sweet without being too mushy, even if it felt pretty short. The scene pulls together Lucanis' attachment, showing how much he learnt to care for Rook. I am still unsure how this pulls together his whole romance (or his fight scene pre battle) more than "Lucanis trusts Rook and now Rook is part of his new life", but it is still worth it for the tenderness. And the whole kneeling part was nice, giving the whole "Dellamorte never kneel".

Taash: picking up Rook is an A+, I admit I was not a fan of the growls, but the whole discussion of their romance? lovely, even if it was pretty short. This is mainly about Taash and Rook defining their relationship, after Taash's fear of losing Rook. They are ready to be honest about their feelings, which is a nice conclusion, but I wish it had tied a bit more into what happened with Taash's quest (their mother's death mainly, especially given that their fight scene was about the risk of losing someone they love).

Neve: this is another direct continuation of the pre-Ghilan'nain scene, where Neve actually cries and we see how relieved she is. Her pushing Rook on the couch and closing the door with magic? Great, stellar. The rest of the scene is mainly about Neve finding the courage to say I love you and living day by day. It is the conclusion of her arc within the romance (tearing down her walls until she can finally admit she fell for Rook). Neve "I won't life like we are not getting one (an after)" is very sweet.

Emmrich: Lich and non-Lich are pretty similar, they are both mainly focused on Emmrich making sure there is no enchantment on Rook, then a kiss and a very humorous cute scene after they bang in a coffin. It did not add any new information to the romance, but it was still sweet, and different (given they are not in Rook's room). I just wished it had tied a bit more into their pre battle fight, or had talked a bit about their future.

Harding: I think she might have the longer scene, mainly because she does not have a lot of scenes before? I found it pretty interesting because she actually suspects for a bit that Rook is a spirit and she remembers Cole. The rest of the scene was a bit too mushy and sweet for me, and more about Harding herself than the romance. It helps define her character as someone who has gone through some really world-shattering revelations, which I think makes her a bit more compelling vs her without the romance.

Blighted Bellara coming back: I think this works a bit better than Neve's version, because Bellara and Rook generally have a more open romance. They already kind of accepted each other's feelings before, even if Bellara never said "i love you". In this scene she is trying to finally say it. It also adds a bit more about Bellara's ordeal with the blight ("you found me and saved me").

Bellara: I feel so bad for putting most of Bellara scenes at the end of each list. The final scene was very cute, very humorous for the first part. Unfortunately it felt a bit repetitive. It was clear Bellara wanted to say "I love you", through a lot of moments in the scenes and she could not say it. The whole scene seems to be about Bellara being open with her feelings and wanting to take a moment for her and Rook vs worrying about everything, unfortunately I cannot help but be annoyed at the whole "Rook makes Bellara calmer" feels I got from it. On the other hand, she is the only one who wonders if she was a regret in the fade regret prison, which I really enjoyed.

Blighted Neve coming back: The scene is the shorter version of Neve's scene, and the reverse of it (Rook is the one worried and waiting for Neve to come back). It feels a bit empty given the ordeal, and given that this happens after the game actually ends. I did not play this, but from what I see it has no "I love you" after and it ends with neve closing the door and it 100% (at least for me) makes Neve's romance feels strangely unfinished because so much of the previous scenes in it were about Neve not being able to not feel fear about losing Rook.

#lucanis dellamorte #davrin #emmrich volkarin #bellara lutare #neve gallus #lace harding #lucanis #emmrich #taash #veilguard #dragon age #meta #veilguard spoilers

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felassan · 1 day ago

Text

David Gaider on Flemeth, under a cut for length:

"I have a type. I admit it. There are certain wells I can return to repeatedly and always find something new to explore. One of them is older female characters. Mike used to rib me about it. Consider Wynne. Meredith. Genevieve. And, of course, the biggie: Flemeth. Why are they a type? I... don't know, honestly. I guess I have a feeling that older men fade, they strive to regain their youth or establish a legacy and we've seen that story a thousand times, but older women? They become free to become something new. I guess I see so many possibilities in that. I had a conception of who Flemeth was, and why, right from the very start. Her creation went hand in hand with Morrigan, as a being whose thirst for retribution hundreds of years ago attracted an entity (slight confession: I didn't know Mythal specifically, at the time, "an elven god" was enough). I also knew where Morrigan was right and very wrong about her. Misconceptions of the truth are built into DA's foundation, and they were fundamental to this mother-daughter relationship I was building. Like many seeds I'd put in the world, however, I had no idea whether I'd ever get to explore it. Knowing that she was a character of possible future importance, if not a major player in DAO, I wasn't much surprised when she was one of the first cuts the art team made in terms of getting a unique appearance. Thus the "batty old woman" players met in DAO. Not as hard a cut as the Qunari, though."

"Going into DA2, I wanted both Morrigan and Flemeth, but we could only have one. So I picked Flemeth. This was the game where she really got to come into her own. I remember the art team coming and asking if it was OK if she got a new model, as it'd be a retcon of sorts. I didn't care. I wanted it. I honestly don't remember whether Kate Mulgrew was cast before or after Claudia. After, I think? All I recall is that Cab came into my office one day and asked if Kate might be a good fit. Asked me, the dyed-in-the-wool Trekkie who had stuck with Voyager even through the admittedly lean years? The squeal I made was un-manly. Cab took that as a "yes". 😅 I didn't get to talk to Kate until DA2, however. Schedules being what they were, we had a tight window to record Flemeth... so I had to write all her scenes before almost anything else in DA2 was written, before I even had a team! Ack! It was OK, though, for the most part. I knew where I wanted to take her, and a big part of it was going to explain her transition - to set her up for the future. So I whipped up a script in, like, two days and off we went. Kate was a marvel in the booth. She adored Flemeth and you could really tell. I didn't get to meet Kate in person, however, until DAI. This came pretty late in its development, compared to when we recorded her for DA2, and we flew down to Virginia (to accommodate her schedule - she was writing her memoir at the time, I think) for a single session. It was going to be *tight*."

"I was a mess. I was finally going to meet Captain Janeway... and yes yes, I know she's also more than that. But come ON. When we sat down, I figured I'd have to talk her through the character all over again. It'd been years since that one session at the start of DA2, right? And even more since DAO. But, no. Kate remembered Flemeth perfectly. I remember sitting there as she told me how much she loved the character, how rare it was to get one with so much texture and possibility. She called out my writing - my writing! - and waxed poetic about how she viewed Flemeth's arc. I... I was floored. 🫠 Then we began recording. One issue that quickly reared its head was how Caroline had to speed through the lines if we hoped to finish. Kate was a trooper, and most takes she'd get it in one (which is rare), but I was alarmed because we weren't giving Kate time to read the VO comments on each line. I brought it up, as there were some lines (so much sarcasm) that required nuance - Kate was getting them, oddly, but I was worried. "Oh, it's fine," Kate said. "I read the comments as we go." "How could you? We're going so fast!" "I'm a speed reader." Oh. OK, then. That certainly explained it. 😁 We got to the confrontation scene with Morrigan and she nailed it. Over and over. More than once, Caroline would make a call and, before I could even interject and say "no, Kate had it right, actually" Kate would explain exactly why she did it that way and why it worked for Flemeth. I was in love. She did the "I will see her avenged!" section all in one go. I got chills. Then we got to the final scene. You know the one. With Solas. It was this beautiful moment. She took it somewhere quiet and sad... and when she got to that last line, we all felt it: Flemeth was dead. Everyone was in tears. I suppose I could talk more about the process. How she started off aligned with Morrigan's original Delirium inspiration, but I didn't pull back her loopy way of talking as much (bet you wondered). I still don't know why it was so easy to slip into her voice, but I'm grateful I got the chance. ❤️"

[source thread]

#dragon age #bioware #morrigan #queen of my heart #video games #long post #longpost

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marmotsomsierost · 2 days ago

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O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?

Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.

O: It’s a rather ghettoized genre.

P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.

O: It’s certainly regarded as less than serious fiction.

P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.

Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.

(Pauses) That was a bloody good answer, though I say it myself."

(Terry Pratchett in an interview with the Onion)

J. R. R. Tolkien, undisputedly a most fluent speaker of this language, was criticized in his day for indulging his juvenile whim of writing fantasy, which was then considered—as it still is in many quarters— an inferior form of literature and disdained as mere “escapism.” “Of course it is escapist,” he cried. “That is its glory! When a soldier is a prisoner of war it is his duty to escape—and take as many with him as he can.” He went on to explain, “The moneylenders, the knownothings, the authoritarians have us all in prison; if we value the freedom of the mind and soul, if we’re partisans of liberty, then it’s our plain duty to escape, and to take as many people with us as possible."

Stephen R. Lawhead

#also pterry's i had a good day today and that's why you're still alive bit about fantasy #eh hang on it's worth finding

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akutasoda · 3 days ago

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hii! aventurine, blade, jing yuan and moze with a very clingy teen!reader?

[character] was kind/helped them once and the neglected and lonely reader became attached to him in no time

like they follow char around like a toddler, always want to be near him, buys them presents, runs to them for comfort etc.

dont stray too far

synopsis -

includes - blade, jing yuan, aventurine, moze

warnings - gn!teen!reader, fluff, slight angst, slight crack, wc - 754

blade ★↷

↪it was assumed a lot that blade was a closed off and rather blunt person, not someone who was kind and polite. which was somewhat correct but maybe blade was less emotionally competent than most and so struggled to express some emotions.

↪and that kinder side of himself was much more expressed around you. while the difference was very visibly noticeable, it definitely was in his words and actions.

↪for example, how he let you cling to him and follow him around - although if things were going to get rather violent, he would always shoo you away. or how he would indulge you and go out of his way to do what you wanted to do.

↪or even in the way that he listened. whenever you ran to him for comfort he would always sit and listen to you, giving you that undivided attention that had been absent in your life for so long.

jing yuan ★↷

↪the general may not exactly always show it, especially when faced with his enemies, but he could be extremely kind and gentle. and it was probably less known that he had a softer spot, reserved for those he cared about and actually liked.

↪jing yuan found it absolutely endearing how you always wanted to be near him, practically clinging to him and running to him when he strayed too far. some would say he was worse with how he panicked when you weren't in his line of sight.

↪most of the generals free time had devolved into him spending time with you, indulging you by taking you out into the busy streets of the luofu or simply sitting at home with you - either lazing the day away or him teaching you all sorts of things.

↪and whenever you brought him a gift, he would make such a big deal out of it. thanking you and then getting you a gift of your own - maybe even matching accessories if he so wished.

aventurine ★↷

↪it would have been a passing act of kindness from him, something subconsciously triggered by those faint recollections of a younger version of him who was never helped with pure intentions.

↪so he understood why you latched onto him so quickly, shocked yes and a bit of pity that it was him of all people, but he understood why. and even though he would've seen you better off with someone else, you didn't see that and so he'd still try his hardest for you.

↪he would absolutely cherish any and all gifts you gave him. they would always be kept in pristine condition to ensure they remained the original quality for as long as possible - no matter what the gift was, it became one of favorite things he owned purely because it was a gift from you.

↪it still greatly shocked him when you turned to him for comfort. he never saw himself as the comforting type but you clearly did and he knew it probably would do more harm if he pushed you away. so he tried his hardest to find ways to help you.

moze ★↷

↪most people probably wouldn't assume that moze was the “kind” type. his more closed off and often intimidating demeanor definitely made him come off in such ways. but those that knew him would've known differently.

↪at first, he found it somewhat inconvenient that you liked to follow him around and being near to him. moze loved lurking in the shadows and you innocently staring at where he just disappeared did not help. although eventually he would teach you how to hide efficiently alongside him.

↪but another side with that is that you developed the uncanny ability to locate him at all times. which you mostly used to run to him for comfort, something that shocked him at first but eventually he got used to - still awkward for him occasionally but that was due to his emotional awkwardness.

↪it became a very well known point to never ask moze about the little trinkets and gifts he had on him - the ones that certainly did not fit his usual style. because most knew very well that they were gifts from you.

taglist - @little-miss-chaoss, @frankiesteinn

#—stellaronhvnters.#x reader #x gender neutral reader #hsr x reader #honkai star rail x reader #hsr x gender neutral reader #honkai star rail x gender neutral reader #hsr blade #blade x reader #hsr jing yuan #jing yuan x reader #hsr aventurine #aventurine x reader #hsr moze #moze x reader

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seraphinitegames · 13 hours ago

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The Wayhaven Chronicles— Update 22/Nov/2024

My focus was on Chapter 6 this week. There’s a big opening scene that is a variant depending on who your BFF is, and there’s some real deeper information in these scenes about the BFF that they discuss with the MC.

I’ve been keen to write this for sooo long!

I put in the BFF routes for Wayhaven, and I do like them, but it feels like the MC hasn’t really had a chance to develop that friendship with their BFF except kind of ‘off screen’. I want more times so that true connection between the MC and their BFF can happen with the actual reader.

There’s also coming up a choice set for the reader to decide how their character is feeling about certain things, so I want to make sure there’s enough choices without being overwhelming!

Next week, I will be pushing on with Chapter 6, as it’s a bigger one to write with all the variations! But also I’ll be starting the Winter Scenario Specials and work out how I want those to look and go, because I was supposed to start that this week but was on such a roll with this chapter that I just kept writing, hehe! :D

Hope you all have a wonderful weekend! It’s supposed to be pretty stormy in the UK, so the perfect weather to have a cuppa and get some serious writing done—particularly as it suits the setting for it right now…! <3

#the wayhaven chronicles #interactive fiction #unit bravo #twc detective #romance #vampires #update #choice of games #hosted games #choicescript #choose your own adventure #the wayhaven chronicles book 4 #twc book 4

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tenitchyfingers · 1 day ago

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Well, AO3’s whole deal is allowing people to post their art without forcing them to censor themselves. Like afaik as long as you aren’t posting CSEM of genuinely harmful content like that and trying to make money off of fanwork (which is a legal issue wrt copyright laws) then you can post whatever you want. All you have to do is tag your work appropriately and make sure to put your tws/cws in there including content related to major character deaths, strong violence and sexual assault. And then yeah every now and then there’ll be the usual puritan trying to start a crusade, but AO3 is the last place where you would get it.

Now I know it can still be intimidating, but if you want an ulterior layer of protection you can turn on the option to only let registered people leave comments, you can delete comments and you can also shut all comments off by default. So actually AO3 offers so much control wrt how people interact with you and your work.

And then again, you may also decide to write a story only for yourself, or only for a closed off group of people. You can just share a text file with a group of friends. That’s how fanfic communities started, actually. But if your reason for using AI is fear you might get attacked, you’re gonna get attacked anyway. If someone wants to be a dickhead like I was just a couple of comments ago, they will. If you want to share your ideas, that’s part of the deal - people will have opinions about it. And once more, if you don’t feel safe sharing a story you can just write it for yourself. For your own joy and entertainment. I mean I don’t know ass about game development, but I assume you also have to work with problems, assets that won’t work the way you want them to, things that you notice could be better, angles to your narration you didn’t even think of at first, right? And then maybe you started out with an idea, you worked on it and then realized the game you were making ended up being very different from what you had in mind. Maybe more engaging. Maybe something you enjoy more. And writing works like that too. If a computer writes a story for you, you won’t get to see your brain child grow to become something completely different from what you’d envisioned at first, entirely because of the processes your mind engaged in while working on it; on your taste, on the themes you care about and enjoy. And that’s such a satisfying part of the process in any medium: surprising yourself. Saying “huh I didn’t think I’d end up doing this with this story but it seems to work” and getting your hands dirty again.

And if people have a problem with your fun, you can just tell them to fuck off, block them and keep on writing your thing. Do not let their pearl clutching affect the way you tell stories.

just saw a fanfic on ao3 have a dedication for chatgpt... that section is meant for your horny perverted mutual who proofread your work, you violated sacred law and you will be torn apart and laid bare btw

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giveamadeuschohisownmovie · 3 days ago

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I’ll just come out and say it. Okarun’s development from weirdo nerd to unhinged badass actually makes sense. It’s actually refreshing to read a story where a nerd becomes a badass and have it not feel forced or feel like the author’s self-insert.

I think what made the story work for me is that the story doesn’t really change who Okarun is as a person. He’s not a cool social person, he’s a fucking weirdo nerd who gets on people’s nerves. And he’s still that way several chapters into the story. What makes his journey feel natural is that even though he doesn’t turn into this cool, social butterfly who everyone likes, it’s clear he doesn’t need to be:

1) Momo falls for him, which makes sense because, like Okarun, she’s a complete weirdo who gets on people’s nerves

2) Aira, the popular girl, falls for him. This would be forced in any other story, but it makes sense in DanDaDan because Aira is also a complete weirdo. The difference with Momo and Okarun is that Aira is weird because she has main character syndrome.

3) Okarun becoming more aggressive and unhinged makes sense when you consider that he wants to protect/impress Momo. Not only is she the first friend he’s ever made, they’re practically soulmates. The manga’s overall story is about how even though Okarun and Momo are weirdos who don’t fit in, they fit each other perfectly. So what happens when someone meets their soulmate? They’re gonna do whatever it takes to protect them, hence why Okarun’s development into a badass makes sense.

4) The story really puts Okarun to the test. For example, in the most recent chapter I read, Turbo Granny actually had to tell him to stop whining and go back to focusing on the fight that was happening. Okarun didn’t even get a chance to do the typical shonen hero “I’m weak, I want to get stronger, I wish I was better” speech. Most other shonen series would let their hero have their “I’m weak” moment. DanDaDan, on the other hand, said fuck that, Okarun needs to step up or he’s going to die. And I do think that’s intentional on the author’s part since the manga feels like it’s mocking all the familiar tropes in the genre.

5) So far, the series doesn’t rely on surprise power-ups. This really works for the development of the entire cast since it forces the characters to use their wits to resolve their problems. Since this post is about Okarun, I do think that part of the reason why Okarun’s journey into becoming a badass feels natural is that he has to use his wits. I mean, he’s already a nerd, so having a nerdy character outsmart their opponents makes sense. I’m mainly referring to the chapter where Okarun defeats Evil Eye by using reverse psychology.

#dandadan #dan da dan #dandadan manga #dandadan anime #okarun #anime spoilers #manga spoilers #ken takakura #takakura ken #dandadan okarun #momo ayase #aira shiratori #turbo granny #evil eye #jin enjoji #anime #manga #anime and manga

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louisferrignojr · 16 hours ago

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i keep saying i'm not going to pay this show any more attention and I keep coming back with more thoughts and i decided to inflict them on all of y'all so here goes

hot take: the brad/hotshots storyline isn't inherently bad. it was entertaining. it was fun and campy, classic 911. i love it when shows get a bit meta. we stay sillay.

however it all falls completely flat, and here's why:

they butchered the main storylines they had set up at the end of s7 — Hen and Karen vs Ortiz (and Gerrard), the 118 vs Gerrard vs Tommy (don't play, they wrote it out with big block letters), Bobby's suicidal ideation, abrupt resignation and relationship conflict with Athena, not to mention NDE. the only storyline they seem to have spent any time on is Eddie and Chris — thank fucking fuck, some good food for Eddie.

they have disregarded previously established side characters in favour of developing Brad Torrence. where the fuck is Ravi? where's Sue, where's Linda? why is Josh only there as a mouthpiece to deliver a cringeworthy self-congratulatory speech praising Ryan Murphy's previous — and still DEEPLY biphobic — work?

the hotshots storyline of 8x07 and 8x08 should have taken place WAY later in the season: only after spending time giving their existing characters and relationships the focus they so sorely need.

Hen and Karen and their struggles with Mara being with Chimney and Maddie — where was the conflict between Hen and Chimney? blink and you miss it in 8x01. why was everything wrapped up so fucking quickly in 8x04? the pacing of that episode was INSANE. they could have drawn it out until the mid-season finale, and ended it on a positive note of Mara coming home.

Maddie and Chimney have had almost nothing all of 8a — what looked like a conversation about family planning, addressing their past issues, deciding to stick together and make it work this time, it was building up to something so good — and it crumbled before my eyes with the accidental pregnancy reveal. because we're dealing with teenagers who don't know how birth control works, not two grown adults in their 40s with a history of PPD. be so for fucking real.

and then: why bring back a homophobic, racist, sexist character, have him act EXACTLY like his old self — including throwing a subtle slur at his old subordinate who's just come out of the closet — and then reduce him to a cartoonish villain — did they perhaps realise that bringing back Gerrard was a big mistake? that no one wants to see this type of villain anymore? that his return undercut the justice of him getting fired by the LAFD for his bigoted behaviour? much to ponder.

Athena and Bobby nearly died, they lost their house in a fire (hello? ptsd flashbacks? no? okay.), then Athena nearly died AGAIN, but we don't need to linger on any of this. back to work, you two. Bobby, you get your firehouse back. Athena, back to doing bad cop shit, i guess. (they had a nice relationship moment with the house hunting and deciding to build etc in 8x04, and that's about it).

Buck had a consistent storyline between 8x01 - 8x04: struggling being under Gerrard, getting to work with Bobby again, and finally getting his captain back on a permanent basis. then we got 8x05 with Tommy — an episode dedicated on the intimacy and depth of their relationship — which they then completely fucked it up in 8x06. yes, the "past connection" reveal was a terribly done messy retcon of the entirety of s1 if you ask me, and a disservice to all three characters: Buck, Tommy, and Abby. the backlash from the GA following the breakup speaks for itself. but they then went to make a big joke of Buck coping with the breakup in 8x07 and 8x08. because we can't be serious about anything, ever. and again — I get it. it's the weewoo show. but don't tell me they haven't previously done well thought-out, touching storytelling. anyway, this got a little derailed because i'm still so fucking salty — the bottom line is, however they butchered Buck's storyline, at least he's had something meaningful.

the only other main that has had a meaningful storyline in 8a is Eddie. they've shown him struggling with being away from Christopher in almost every episode. i can't say i'm a big fan of the way 8x06 went for him (literally. enough with the movie references. tim minear have a fucking original thought for once). but I'm loving where his storyline is headed. that was a good 'cliffhanger' if you will. go back to your roots baby! go reconcile with your son — own up to your mistakes! talk to him about his mother! go to father-son therapy together! -> so much wishful thinking, y'all. we'd be lucky to get 1/10th of this on the show, but whatever.

tldr: no one gives a flying fuck about hotshots or brad because while we love the silly weewoo show, we need something to chew on before you toss us a half-baked dessert. to quote lou ferrigno jr, i am not satisfied.

#send post #911 abc #911 meta #911 discourse #whatever. back to fanfiction.

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lady-ephemeral · 2 days ago

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Do y’all ever think about the Gortash and Raphael parallels?

I am still SO salty that BG3 didn’t dive deeper into Raphael, Mephistopheles, and Gortash, because I feel like it could’ve been a phenomenal addition to the game since one of the main themes is the cycle of abuse, and whether or not you choose to continue it.

We can infer that Raphael and Mephisto don’t have a stellar relationship. In fact it was likely very abusive, and probably the driving force behind Raphael’s narcissistic behavior (If no one at all cares for me, then I will be all I care about).

And even though he is technically the heir the archduke, and that certainly gives him an advantage, Raphael is still a cambion, not a full devil. Cambions are looked down upon for their mortal half, and most end up just working for another archdevil. And since they are immortal, being an heir I feel would function more as just an additional title, rather than something with great weight. Raphael is a special case because he seems to be rather independent compared to someone like Mizora, who heavily relies on staying in Zariel’s good favor. Whether or not there was nepotism at play, Raphael still most likely had to do a tremendous amount of work to get where he is.

And then we have Gortash, who starts from practically nothing. Before even entering the House of Hope, he was already at a disadvantage. He was abused by the Flymms, and then he lived in literal hell with Raphael as the only adult figure that even slightly resembles a parent before getting out and once again having to start with nothing. He had to literally claw and fight to get where he is.

Raphael and Gortash are very similar characters with very similar goals, both tenacious, ambitious and heavily rely on their wits. Gortash wants to conquer Baldur’s Gate and then beyond, Raphael wants to conquer the nine hells. Even their styles are somewhat reminiscent of each other, with Enver’s ostentatious clothes seemingly being influenced by Raphael’s taste. This is especially clear if you look at the concept art for the characters.

Like you can see the resemblance. (Also Larian PLEASE give Gortash back his thigh-high boots)

The setup is already there, WHY didn’t they lean more into it? Both Raphael and Enver would have that feeling of “I fucking despise you. I absolutely loathe you, but I want you to see me. I want you to look upon what I’ve achieved and give me the respect I’m owed”.

Like there is no doubt in my mind that the way Raphael sees Gortash is similar to the way Mephisto sees him.

Even if it had been through diary entries and letters, it would've been nice to see more of this, and it would’ve developed both Raphael and Gortash more. Mephistopheles wouldn’t even need to make an appearance (although he would’ve been cool to see. the worse the father the hotter he is as a dilf, I don’t make the rules)

#baldur's gate 3 #bg3 raphael #raphael the cambion #bg3 enver gortash #lord enver gortash #bg3 #enver flymm #enver gortash #baldur's gate 3 raphael

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karkashan · 10 hours ago

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As someone who got the Platinum for the game I'd say it failed at 1 and 2 as well. The combat isn't that visually interesting and is barely passably entertaining for five hours of its sixty hour run time. The romance is less filled out than an outline of one, and the friendships you forge with most of the characters feel shallow because most of the characters don't have complete arcs.

As to the third point you can tell that some of the writers had a vague notion of how to maybe continue things set up by previous games but they just lacked the oversight and management to make anything worthwhile out of it.

I was already thinking of skipping Mass Effect 5 when it was announced to not be a sequel to Andromeda and instead be a sequel to 3 (you know, the game that had a definitive, if divisive, ending). I gave Veilguard a shot because of a variety of reasons, one of which being I thought I'd give Bioware one last shot to win me over. But they failed on that front and they're no longer a studio I can trust to have any level of competence in their development process at all.

I'm realizing there are 3 types of Dragon Age fans.

1) Gamers who play latest big flashy action game

2) UwU kissy dating and besties simulator

3) Interested in the sociopolitical and theological themes and thesis statements the series is historically known for

Veilguard is not made for fan #3. It is a very pretty game that has absolutely nothing it wants to say--to the point that what it says by saying nothing is often times pretty offensive.

#dragon age #veilguard critical

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angelwishess · 3 days ago

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୨୧ The Little Mermaid; Floyra AU!!

Floyd takes the role of Ariel, and Kyra takes the role of Prince Eric!

Tagging: @taruruchi @scint1llat3 since you guys seemed interested!!:3 and @screamintoad @gimmeurmoneyagh for being the #1 Floyra supporters ever HEHE <3

Rambling under the cut ~

Notes:

All of the characters in this AU are over 20 !!!

I’ll try to seperate this in different parts according to major plot points n’ stuff teehee (cw: mentions of alcohol)

In this AU, merfolk have not been seen in over a hundered years. Kyra is a princess and heir to the throne of a flourishing kingdom by the sea, and one day decides to run away for a little bcs she was bored HAHAHA

She hitches a ride onboard a ship of pirates, their captain being Jamil. While they were celebrating their new “crewmate”, a loud crash was heard coming from the nets.

Caught in the nets was Floyd, who the pirates planned to sell to make a fortune. But, Kyra couldn’t let that happen. And so she freed him in the middle of the night and helped him get back into the sea. (He actually bit her while she was cutting the ropes, and it left a scar.)

All the while, a terrible storm was brewing, and it eventually sinked the ship— causing Kyra to fall overboard alongside the rest of the pirates.

Floyd saved her, swimming her back to safety on the shores of her kingdom. That she tried to run away from.

As a week passes, Floyd began to not show up to help Jade lure in customers for Azul more often. Choosing to instead swim up to the surface, and around the shores he last saw Kyra.

One day, there was a parade. But in the middle of it all he saw Kyra sitting there on a grand parade float, surrounded by beautiful flowers. And he realized he had to see her again.

He swam back down, going to find Azul hoping that he’d give him a potion that could turn him into a human, even just for a little bit. Although reluctant, Azul makes a deal with Floyd.

Azul would turn Floyd into a human for a month, but he takes his voice in return. But if Floyd doesn’t get a kiss by the end of the month, he’d turn back into a merman.

Azul wasn’t too worried, the contract was made just to ensure he wouldn’t spend too long up in the human world. But, he was sure Floyd would eventually get bored and return back to them.

..Right??

Once on land, Floyd made his way to the palace where he was sure to find Kyra.

He managed to get rather far into the palace, slipping in undetected. It was a good run, until the guards discovered him, and began to escort him out.

Of course, they were stopped by Kyra, who was curious as to what was happening. And after seeing him, she immediately ordered them to release him.

Not having much of a choice, the guards let him go and Floyd pretty much runs to Kyra. 😭

Kyra, however, does not remember Floyd. She does not remember much of the day of the shipwreck other than tiny bits and pieces. But if its one thing for sure, she could never forget his eyes. One look into them, and Kyra knew there was something special about him.

Ever since this day, the two became inseperable. Much to everyone else’s dismay.

Floyd was nicknamed as the princess’ “jester”, as he didn’t do anything around the palace other than follow Kyra around and make her laugh 😭, but he still was allowed to do anything and everything he wanted to without any concequence, as Kyra would always be quick to make an excuse for him.

Kyra did teach Floyd sign language, but Kyra developed a strange skill to know exactly what Floyd was trying to say even without it. Talking with facial expressions to the max fr 😭

Ever since meeting, Floyd would get Kyra to sneak out of the palace more often. And the two had the most exhilerating of escapades. In less than a month, they had made a wonderful array of unforgetable memories. The most fun they’ve ever had!

While they were out, Kyra and Floyd ran into Jamil, who had also survived the shipwreck. Despite not remembering much, Kyra does, in fact, remember Jamil trying to kill her at some point.

So!! She immediately turns around and makes a run for it, dragging Floyd with her.

Jamil notices them, though. And while he doesnt exactly try to chase them, he does recognize them. Especially Floyd.

Meanwhile, with Azul, Jade and Elena… They have come to the realization that Floyd was probably not coming back anytime soon.

With only three days left, they had to come up with something to get him back. So, they send up Elena to the surface to try and get Floyd back.

While Floyd was happy to see his dear sister, he stubbornly refused to go back with her. Leaving Elena to wander around the kingdom, trying to find what Floyd seems to like so much about the human world.

Wandering into a bar called the “Mermaid’s Tail”, she sits at the counter beside an obviously intoxicated man.

She was about to leave, until she heard him grumble something that caught her attention.

“..If it wasn’t for that stupid sea beast, and that girl…”

Realizing Jamil must know something, Elena began to buy him drinks to get him to talk. Dragging out infromation and more from him, taking advantage of his intoxicated state.

“I see… Well, I just happen to know someone who can help you. Come by the shore near the cliffs, tomorrow at noon.”

Well, he had nothing much to lose anymore. So Jamil ended up waiting by the shore just as she said.

Suddenly, a tall figure emerged from the water. A teal skinned eelmer, that looked strikingly similar to the one that was caught in the nets of his ship that fateful day.

He found himself being led by the mer to a cavern near the cliffs, there he saw two others. A larger octopusmer, and a mermaid that looked eerily similar to the lady he met at the bar… Wait a minute.

Azul began to speak, trying to strike a deal with Jamil. Stating that they both wanted something, and they could help eachother.

If he married the princess, he would become royalty. And Azul could help him do just that. In return, Jamil would bring back Floyd to them.

(This is actually a ref to the fact Kyra was originally shipped with Jamil … Yeah I can’t believe this is how I admit this on this blog 😭😭)

Jamil eventually does agree to the deal. And Azul gives him a necklace that allows him to hypnotize whoever he pleases. (Basically just Snake Whisper in jewelry form LMAOO)

With two days left before the month ends, neither Floyd nor Kyra knew what was about to happen.

Jamil successfully got into the palace, hypnotizing Kyra into marrying him.

Aand this is the part where ive gotten stuck LMAO. Im not sure what happens next, but Floyd does manage to snap Kyra out of it, and Azul, Jade and Elena do accept that he has the right to make his own decisions and do their best to respect it.

Jamil and Elena … Something’s probably happening with them after everything actually HAHAH

Kyra and Floyd do get engaged!! They run away together, travelling the world together and seeing everything there is to see. And spreading their chaos everywhere they go. And so !! Even more silly fantasy shennanigans HEHEHE

HEHEHE OKAY I THINK THATS IT !! YAP SESH OVER 🤭

#🎀🕊️! kyra #🎀🦈! floyra #TLM!Floyra #twst #twisted wonderland #twst oc #twst wonderland #disney twst #oc x canon #twst au #chat this counts as a fairytale AU right #giggles and kicks feet

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