#and then the same thing happened to me (but less acutely)

[spacemancharisma]

taking a moment to just. weep and rend my garments for people who were experiencing psychosis while in an environment that encouraged religious delusions. that’s the scariest and most unfair thing to happen, especially to a child, and it’s actively made worse by the people that were supposed to protect you. it’s not right and it’s not fair and that shouldn’t have happened to you.

[leonstoenailunderhisbed]

I just got out of my psychology class and I kept having thoughts about Leon and how his mind works. Here’s a psychoanalysis on Leon bc I truly do like how his brain works:

TW: mentions of mental illnesses, substances, substance abuse, suicide. (Guys- I am not a medical psychologist or a medical psychiatrist. This is strictly based on my psychology class, take this with a grain of salt.)

Leon suffers from Combat and Violence Post Traumatic Stress Disorder (PTSD). This type of PTSD (because there’s subcategories) is most often common in veterans and in men.

More often than not, one can tell when someone’s suffering PTSD (flat voice, substance abuse, inability to sleep, change in personality, etc.)

Leon in RE2/RE2R didn’t necessarily show signs of PTSD until after the events took place. Leon was too busy trying to survive that his brain shut off the emotions he was feeling “in the heat of the moment.” He was scared but it was his survival instinct that allowed him (or the player) to move forward. Hence why I think he also suffered from Depression and Acute Stress Disorder (ASD).

ASD is commonly found in patients with PTSD, ASD is kind of like the first stage after a traumatic event took place. PTSD victims often find themselves having frequent panic attacks. I think it would be safe to assume that Leon in RE2/RE2R had several panic attacks during or after Raccoon City. I don’t think he’d go to therapy/psychiatrist/psychologist because in RE4R he stated that he immediately got called to the White House after he survived RC. And this is where I think it got worse.

RE4 and RE4R both portray very distinct Leon characters. One is more “fine” than the other in short words. Leon in RE4og doesn’t necessarily show signs of having mental issues but maybe he’s just good at masking them. Leon in RE4og often finds himself being very witty or very lean back. He’s less serious but I think it’s a coping mechanism. Up to that point in his life, he’s been in very serious situations that I think this is his way of gaining some of that control he lost when the virus first started. His brain is fighting battles of being in control or letting others control him. In this case- the situation is controlling him. He wants to have that sense of individuality and most of the time this is a coping mechanism. To gain back some of the things he’s lost in the process.

In RE4R, however (and I’m going to be very bold with this one), we don’t know much about how he feels. He is flat and his demeanor is distant to an extent. I’ve noticed a few changes to him from when he first started the game to where the player made it halfway. In the beginning of the game (when he’s with the two Spanish cops) he’s similar to RE4og- sarcastic and a little unserious. Which can be guessed as his normal personality. He doesn’t really show how much he’s actually been through with those two strangers. He’s got better things to worry about- he neglects his own issues. When he tries to find Ashley and he sees the zombies again- his PTSD gets triggered and it makes him be able to pull the trigger (aside from the player lol) There are few types of reactions when PTSD gets triggered and I think Leon’s reaction is a bit depressing.

When Leon sees these zombies again, his brain automatically jumps back to the memories of Raccoon City and almost immediately finds himself back in his former self’s shoes. But he doesn’t have time to linger, he forces those thoughts away and keeps going. I don’t think he wants to have time to think about what just happened because he’s often trying to keep his brain occupied “sorry, must’ve slipped” or any other phrase he says makes me believe that he’s just trying to make himself laugh (because believe it or not, laughter really does help with mental issues) or he’s trying to make the situation seem lighter. Or maybe he’s in denial, his brain hasn’t processed that the same thing that happened in RC is happening all over again. And when you’re in denial, you are repressed. Sigmund Freud said that repression is when someone turns something (trauma, thoughts, events, feelings) away. They deliberately choose to cast their thoughts and feelings aside. Leon bottles his emotions, it’s his defense mechanism. He doesn’t smoke (as mentioned in the game) nor does he drink (there’s a Reddit post that perfectly summed it up for me) He knows substances aren’t good for you and the fact that he’s against them makes me believe that he has other ways of dealing with PTSD such as exercise. I’m not saying this just because Leon looks very built, I want to think that maybe half the reason he works out isn’t just for his job. I think it also because it helps him mentally.

Mobility, sleep, and nutrition are the most important things to keep yourself mentally and physically healthy.

I’ll get on to RE6 because in that game, he pulled a 180 imo. RE6 Leon is more empathetic. He cares about the people that could’ve survived. He suffers from survivor’s guilt. After RE4/RE4R, Leon probably became more aware of his struggles and has tried to deal with them. He’s become more human, he’s allowed himself to feel human. He’s still the same serious guy with the flat effect but he’s becoming more open about his thoughts and feelings. I think the game is trying to hint at us that MAYBE he’s getting better. (Guys this is a stretch okay. RE6 is lowkey messy)

Now on to the films (I’ve done the liberty of researching a ‘order’ of when these may have taken place and not by the release date order so you guys won’t get confused):

ID Leon: He’s very compassionate in this one. He has a sense of self righteousness but I know why. He wants to make up for the losses of the people he’s seen die. He wants to fight against the corporation and wants to end the spread (submarine scene when he talks about RC) He wants to make up for what he couldn’t save. (Hence why he didn’t give Claire the chip- he wanted to protect her because he cares for her)

Degeneration Leon: Protection can only go a long way. Leon is more… assertive in his objectives, if you will. He’s back in his RE4 days in other words (any of the two games tbh, this Leon is complex) Leon wants to keep fighting for his cause. Not only is he forced to be a soldier for the government but he also has found a drive. All his pent up PTSD and trauma has shifted into something else. If no one could’ve been the hero then HE’LL be the hero himself, does that make sense?

Damnation Leon: Haha Russia go brr (sorry) Again, he’s become more chill. When he’s with JD, he’s funny but still cautious (bc let’s be honest, JD could’ve still shot his ass) nothing much to comment, I think he’s been consistent since Degeneration.

Vendetta Leon: NOW WE GETTING JUICY. This man- this Leon is the epitome of what a relapse does to you. Leon is seen drinking away his problems. He’s relapsed back into the mentality where his brain is finally processing everything. He’s even tried to attempt suicide- that’s how bad he got. His PTSD, his ASD, depression (bc you can’t tell me he didn’t have depression) it all came back to him and it made him feel shitty. He lost his power over himself, he no longer feels useful. He feels empty and broken. That’s sh he drowns himself in his own sorrows. Because he’s learned that if you drink until you pass out, you don’t dream. He doesn’t sleep- no. He’d rather black out because when you’re in an unconscious state, you don’t dream at all. You’re simply just lying there on the floor with your eyes closed. And that’s the feeling Leon wants to feel. He wants to forget everything for one minute and just calm down. And alcohol does that to you, that’s why people with PTSD become addicted to substances.

DI Leon: homeboy somehow got better (I’ve yet to watch DI lol) but from what I’ve seen, he’s definitely back to his “normal” self. He probably learned that maybe living life is the best thing. That if his attempt would’ve succeeded, then he wouldn’t have been able to live to his fullest. Regret makes people do a lot of things and I think Leon matured and learned.

[septimusmoonlight]

Anonymous: Idk if you've ever written anything abt this but I love the idea of some small foreign entity crawling inside my womb while I'm asleep and like. Fusing I guess? And just constantly fertilizing me to the point I'm always pumping out its kids. Makes me go straight to Niagara falls lol

I'm sure I have some permapreg like it somewhere around here, but it's always something I'm willing to explore <3

It's just an ordinary night for you, so you manage to get to sleep eventually. That's when your uninvited guest comes out to play. Maybe it was under your bed, or just outside your window, or somewhere else in your room that you don't check often enough. Whatever it is, the thing slinks out from its hiding spot on too many limbs and seeks out your available hole. It knows it has a good project on its hands - you can be turned into a good tool for it, something to pump out not-quite-humans infected with its genes.

Its body secretes sedatives that keep you fast asleep as it opens up your cunt with its tapered body, pulling itself deeper and deeper inside of you until it presses right up against your cervix. With a little extra force, it pops inside, sliding perfectly into place as it latches to the top of your womb. It quickly dissolves a portion of the inner lining so that its body can fuse to yours, and it even incorporates some of your DNA into itself so that your immune system doesn't recognize it as a threat. Within minutes, its skin and your womb flow into each other seamlessly, and it can begin its work.

It takes a little while to get your body up to speed on what the new plan is. The first round of hormones it secretes is meant to prepare its environment for its young in particular - they may be similar to humans in various superficial ways, but they are most certainly not the standard young a human should be bearing, and certainly at a rate far too fast for any human. Then, once your internal workings have been altered to its tastes, it starts releasing its seed into your womb - in fact, with bifurcated genitalia, it can simply insert a long probe directly into your fallopian tubes and bombard your unprotected ovaries with its sperm cells, fertilizing engorged eggs much faster than should be possible. In fact, new eggs are forming just for its purposes, which is normally an incredibly rare event - but, then again, this thing isn't producing humans, so human biology is mostly irrelevant.

The first cells start dividing late in the night while you're still peacefully sleeping, entirely unaware of how you've been changed. Permanently. Forever.

In the morning, you become acutely aware of the new developments when the first hints of labor pull you harshly into the waking world. You gasp and moan, clutching at your rounded, swollen belly. You're so large that you can't even adjust your position properly, and you're left to wonder, terrified, what must have happened last night for you to end up like this. You're not allowed to think much further about it, however, because the pain of a child pressing against your dilated cervix is a distraction from everything else, and you have to follow through on the urge to push before anything else can be done.

Labor is fast, in comparison to how long an active labor normally is, and it's agonizing as a result. Your body isn't used to being stretched open and pulled apart like this, much less from the inside out, so thoroughly claimed by something you can't identify - and yet, despite the pain, pleasure still washes over you, and you can't help but cum multiple times, delaying the birth as you clench hard around the inhuman child still sliding through your birth canal. Your cervix and cunt are stretched wide, wide open, torturous and euphoric at the same time, and you're tempted to linger at the crowning stage just to bask in the horrible, searing burn that comes from something just too big. Your body screams at you to bear down, though, so you do, your legs shaking as you cum again at the sensation of a newborn slipping wetly out of your newly-sloppy cunt.

As you lay back, fighting for breath, you can feel more weight gathering in your lower belly. Placing a hand on your midsection greets you with the sensation of your skin pulling tight under your fingers, an alien mass pushing out from within, filling up your womb with something you didn't ask for - and yet something that makes your skin burn with arousal, makes your eyes roll back in your head and your tongue loll out of your mouth when your cervix hugs another small body on its way out of you. The process seems to be speeding up - even as you're giving birth, another body stretches your insides.

These are just the growing pains as the organism that's taken you over makes sure its systems are in place properly. It's making sure that you can push out as many children as it commands, making sure that you're hyperfertile and loving it, making sure that the elevated pain response you're experiencing is simultaneously translated to pleasure so that it hurts and makes you cum at the same time. So far, everything is going well - but it wants to keep up the test run for a little while, pump out enough children to make up for its time outside of a human womb, when it couldn't produce young.

You're trapped in bed all day, screaming and sobbing through orgasm after orgasm as babies open you wide, an endless chain of children you can't identify, not at all human and yet with the appearances of oversized newborns. The way they can crawl immediately after birth - and climb up the walls, no less - tells you that you're not dealing with a weird human pregnancy; this is something entirely out of your wheelhouse, but you're finding it harder and harder to care as your brain learns more and more to enjoy your new position as a permanent baby factory, a sloppy hole for babies to come out of, an incubator. You're forgetting everything else you had planned for today, for next week, for the upcoming month, the rest of the year. Pleasure and pain, and this implacable urge to give birth over and over again, are quickly wiping out the desire to do anything else.

By the end of the day, things have slowed back down, but you're still giving birth at least once an hour. In between, you're rubbing your cunt, easily sliding a fist into your sloppy hole to keep yourself open for the next child that needs to come out of you. You're all too happy to stay like this, but when there's an extended pause, you take the opportunity to fall back asleep, exhausted without realizing it.

Then, you wake up, and your midsection is larger than it was yesterday morning. The morning sun says hello through your drawn blinds as you wail, squeezing out a batch of easily five or six newborns, apparently left gestating inside of you all night while the thing that took you over let you get some rest. It seems to have a good picture of the human limit, but you have no clue of any of this; all you know is that something happened to you, and it's the best time you've ever had in your life.

[whumpshaped]

Not to be insane about vampires (lol, on the insane about vampires website) but I have this massive brainrot abt people not being able to see the bite, as in, the vampire's face is on your neck and you can't get out but you don't know if they already have their fangs out, if the bite is gonna happen Just Now or if they're gonna tease you with kisses and aaagh. The anticipation, the fear, the low-key need to just do it and be done with it. The playful, slightly mocking headpats, or maybe hair being tugged behind your ear.

Same with being bitten on the wrist. In theory it's less intimate but you can see it and you still can't get out of the vampire's grip. So either you watch with horrible fascination or you look away. And the vampire laughs at you. Or maybe they force you to watch. Or maybe they tell you that it's alright, such sweet pets shouldn't be forced to see anything like that, and they make you look away.

tw vampire whumper, intimate whumper, dehumanisation, implied captivity

Whumpee swallowed nervously as the vampire neared them, cutting off all their possible exit routes and cornering them entirely. “Don’t do this,” they breathed. “Please.”

“Do what?” Whumper asked, amused.

“Don’t bite me.” They pressed their back against the wall as the creature continued to approach them, heart pounding in their chest. Right now, they were acutely aware of the blood it was pumping, rushing through veins and arteries like the most enticing selection of wines. “Please.”

“You won’t feel a thing.” The vampire stepped up to them, and Whumpee made a desperate attempt to push them away; Whumper grabbed their wrists in one hand and pinned them against the wall above their head, using their remaining free hand to gently caress their face like nothing had happened. “Unless you get unruly,” they added sweetly.

“Please, please, I don’t want this, I– I don’t care about the pain, I just don’t want to get bitten, I don’t care whether it hurts or not! I don’t want it!”

“Oh, you don’t care.” Their grip on Whumpee’s face tightened, and they wrenched their head to the side. “Then why should I? I wanted to make it a little more pleasant, but I suppose you can’t do good by some people.”

Whumpee sucked in a sharp breath when the vampire nuzzled against their neck, squeezing their eyes shut in anticipation. “Stop,” they whimpered. Sharp fangs scraped against their skin, almost teasing, and Whumpee had the distinct feeling Whumper was playing with them. “Stop it!”

“Stop squirming so much. You don’t want me to have to bite twice, do you?”

“I don’t want you biting once!”

“A shame.” Whumper kissed their neck, and for some reason it made them cry harder than the thought of being bitten. Somehow this felt way more violating. A stupid gesture of faux-intimacy, slow and gentle, not the type of thing an intruder like them should’ve had the time and the power to inflict on them. They couldn’t even put up enough of a fight to make them hurry. “I’d never bite without permission, of course. That’d be awfully rude of me.”

Whumpee gasped when the vampire sucked a hickey into their neck, and they just wanted it to be over, wanted the fucking monster to leave. “Okay! Okay! Bite, then! Bite, just get it over with,” they sobbed. “Just get away from me! Please!”

The vampire laughed and pressed a kiss on top of the new bruise. “I thought you’d never ask.”

-

“Don’t do this,” Whumpee pleaded, drawing shallow little breaths as they watched Whumper kiss a trail down their arm. “Please.”

“You never change, do you?” Whumper asked with a grin. “Always the demands. Always trying to tell me what to do.”

Whumpee shifted in their seat, almost wanting to pull their arm away — Whumper must’ve sensed it, because their grip tightened. “You keep stalling. Drawing it out. It makes me nervous.”

“No, it makes you impatient, pet.”

They shuddered when Whumper licked the sensitive skin, averting their eyes in embarrassment. “Just get it over with.”

“Mmm, but I like the way you squirm. And I like the way you try to get away from me. Makes it all the more delightful that you can’t.”

“There’s something very wrong with you,” Whumpee snapped. “You’re– you’re fucking disgusting.”

“Mhm. I won’t bite unless you look.” Whumper kissed them again, and Whumpee’s eyes snapped back to their wrist and their captor’s lips pressed against it. Maybe it’d never cease to make them nauseous. “Good pet. Just keep looking. Get used to it.”

[from-the-clouds]

texas sun - joel miller x f!reader - vol. iii

series masterlist | series playlist | writing masterlist | previous chapter | gif credit

chapter summary: Somehow, you realize you've accidentally ended up spending almost every weekend for the last month and a half with either one, or all of the Millers. pairing: pre-outbreak!joel miller x f!reader words: 8.7k chapter warnings: some angst, alcohol consumption, marijuana use, suggestive thoughts (but no smut), referenced parental neglect, implied age gap. reader has daddy issues (shocker!) & a fear of intimacy. a/n: this chapter is so disgustingly sweet it might give you a cavity. truly. but its also a little self-indulgent because joel is in my dream blunt rotation :/ please be patient with updates because i have a career/social life/apartment, and am a perfectionist! i promise i will always (try) to make the wait worth your while. Also, here's a link to the song Joel plays on guitar, since it's not on Spotify so I couldn't add it to the playlist.

-April 19, 2003- 

“Well, that was awkward.”

Obviously, Joel thinks to himself as Sarah turns to watch the retreating form of her teacher, while Joel stares straight ahead at the crowd in front of him. At first, he had thought she was just being polite. It was the right thing to do, to say hello to a parent and a student if you see them outside of class. But…they were seeing each other at a bar. And she’d asked him to dance. 

We just got here, maybe later? Joel can’t even remember what he had said, something along those lines. It wasn’t a flat-out refusal, but he had been acutely aware of Sarah’s eyes boring into the back of his head from where she sat beside him, and he sort of blacked out, couldn’t recall what had caused her to get the hint, to walk away. 

Joel grunts an affirmation to Sarah, and drums his fingers against the tabletop. There’s a dance floor full of people in front of him, all under various levels of intoxication, all of them dancing. 

“Do you believe me now?” Sarah asks. 

“I never said I didn’t believe you.”

How he had allowed Tommy and Sarah to talk him into coming here tonight, he’s not sure. Probably, it had something to do with how much he loved them both. How he would, ultimately, do whatever they asked if he knew it’d make that happy. But still, honky-tonking is the last thing he wants to be doing at the end of a long week. 

There was pretty much only one decent bar in town, so he wasn’t exactly shocked he had run into someone he knew. Everyone came here – to dance, to drink, to eat, or to drown their sorrows. To see their friends, or even to find someone to take home for the night. And over the years, as a frequent customer, Joel had used this place to do all those things.

Tonight was special though, a little more family friendly. It was swing night. It happened once a month, and Joel had always made a point to take Sarah a couple times a year. When he was young, his mother had taught him and Tommy to dance, and he felt it was only appropriate to pass the skill along, even if it was almost obsolete. He hoped Sarah would be able to do the same someday, if she ever had children of her own. 

“Will you dance with me, at least?” Sarah asks.

“Of course I will,” Joel answers.. “But let’s wait for Tommy, he’s ordering our drinks.”

“You mean your drinks.”

“No, you got a Shirley Temple.”

Sarah narrows her eyes. It’s the same expression that Joel has only seen her use recently, and he actually prefers it less to the eye roll. This time, he’s glad it hasn’t come with a question from her, because when it does, it’s always a little more frightening. “Come on, you know that’s not the same.”

Before Joel can respond, he’s cut off by Tommy’s voice. 

“Look who I found.”

This is what he and Sarah have been waiting on, and Joel turns to sees Tommy with all three of their drinks in hand. Over his shoulder, there’s a woman who looks vaguely familiar, wearing daisy dukes and a plaid shirt. After a second, he realizes it’s you.

Most of the time when Joel sees you – from across the street, of course – you’re in a power suit, a pencil skirt. Sometimes, it’s more casual – athletic clothes. There was also that black silk robe he can’t seem to shake from his memory. But this is so…different. It’s clear you’re trying to blend in with the crowd, but you don’t. Not because you’re not pulling it off – you definitely are, effortlessly – he’s just pretty sure if he walks into any room you’re in, his eyes will always be drawn in your direction. 

Joel doesn’t see, but rather feels – Sarah recognize that you’re in front of her, because when she does, she’s tapping him on the arm before he can utter a greeting. “Dad, can I get out and say hi?”

He’s standing to let her out just as you step closer to the table, and you come chest to chest. “Hey,” he says. 

“Hi, Joel,” you say, a soft smile on your face. Your eyes remain locked on his just a moment too long, before Sarah is wrapping you up in a hug, and you’re focused on her when she draws back. “How are you?” you ask. 

Joel doesn’t hear Sarah’s response, because his brother is pressing a drink into his hand - a Jack and Coke, same as what you and Tommy are drinking. 

“Sit down, please!” Tommy encourages.

“Are you sure?” you ask. “This looks like a family thing, I don’t want to-” 

“Please!” Sarah exclaims. 

“What she said,” Tommy seconds Sarah’s sentiments.

For a second, you seem to contemplate the offer, and then you accept the invitation, sliding into the booth across from where Sarah has settled back next to her father. Joel makes eye contact with his brother, sitting next to you. Tommy’s eyebrows are raised suggestively, and there’s a playful smirk on his face when he tilts his head in your direction. Joel gives him nothing, already irritated by his brother’s goading. 

“Is that a Shirley Temple?” you point to Sarah’s drink. When she nods, you continue. “I haven’t had one of those in forever,” you say. 

“Want a sip?”

“Sure,” Sarah slides the glass across to you, and you sip from the straw, pondering. “I should’ve gotten one of those instead. They were my favorite growing up.” 

“Can I have a sip of yours?”

“No,” you and Joel say at the same time. 

“You’re not gonna like it,” he adds.

“You always say that, but how can you know?”

Joel sighs. “Okay, fine. Try mine.”

Sarah seems pleased to get what she wants. When the bitterness of the whiskey registers, the triumphant expression leaves her face completely. 

“Told you,” he says. Sarah grimaces, accepting defeat, and returns to her beverage. 

Tommy leans forward, urging Joel to start making conversation as if this is a date and it’s his responsibility. But before he can think of anything, Sarah pipes up. 

“Guess what?” she asks you.

“What?”

“My teacher’s here.”

“Yeah?” you ask. Joel takes a long pull off his drink, hoping it’ll loosen him up a little. 

“Yeah, she tried to hit on my dad.”

Joel feels the cocktail of whiskey and soda get caught in his throat.

“Oh….” you sound intrigued, and you lean forward. He wonders if this is the dynamic between you and Sarah when he’s not around. Like you’re two friends, engaging in some harmless gossip. “Really?” Your gaze flickers between him and Sarah. 

Sarah bobs her head once. “She has a thing for him. I can tell.”

“What makes you think that?” his brother joins in, moving closer to Sarah, crowding you between himself and the wall and putting his elbows on the table. Joel feels a flash of envy when you shift your attention towards Tommy.

“She just asked him to dance.” Sarah looks over her shoulder, nods her head towards the woman in the corner of the bar who’s probably already focused on his table anyways. Joel already knows what you’re seeing. Miss Davis is pretty, bubbly, outgoing. Probably about your age, if he had to guess, though it’s hard to say how old you are. He imagines he has ten years on you, give or take a few. And for all intents and purposes, Sarah’s teacher is the type of woman he should be interested in. 

“She’s pretty,” you say it like you’re appeasing Sarah, but you’re looking directly at Joel. He’s not sure why you kind of frighten him a little. You’re sweet, he knows, even if you’ve tried to tell him otherwise. But there’s something else there, enigmatic and alluring, that continues to draw him in. 

Tommy chimes in. “So are you gonna dance with her, Joel?”

“Uncle Tommy,” Sarah says dramatically. Her face drops for a second, though, her shoulders slumping as she angles herself towards him, lowers her voice. “I mean, if you want to, that’s fine, I guess. But I….I don’t know.”

Joel is taken aback by how long this conversation has gone on with absolutely no input from himself. Not to mention how honest Sarah is being. She doesn’t usually have much to say about his choice in women – he can usually just tell what she thinks. For her to express something so directly makes him realize how serious she is. But at the moment, he can’t find words to assure her everything will be fine. 

It must be his lack of response that causes you to lean across the table and speak to Sarah. “You know, that’s valid,” there’s a tenderness to your tone. It dawns on him that you’re trying to comfort her. “It is kind of a conflict of interest.”

“Right?” Sarah perks up, just slightly, you’ve given her some support. “It’s one of those things you said you had going on at work the other day an….an ethical…” 

“An ethical dilemma?” you finish her thought.

“Ethical dilemma! That’s it.” Sarah turns back towards Joel. “I think it's an ethical dilemma.” 

For just a split second, he wonders why he’s been letting his already-precocious child hang out regularly with a lawyer. He’s accidentally creating a monster. But thankfully, Joel is finally able to find his voice. “There is no ethical dilemma, because I wouldn’t ever consider it.”

That seems to placate Sarah, and hopefully everyone will decide to drop it. Joel catches your eyes, and there’s something akin to wistfulness there, chin propped on your hand, before you blink once and focus back on Tommy, who's asking you a question. “So, are you here alone?”

“Is it that obvious?” 

“Not at all,” Tommy smirks, not dropping his eye contact with you. “...It’s just surprising, is all.”

Joel stiffens.

“Oh, well…” you smile a little. “I’m just trying to get to know the town a little better. Trying to engage in the community, I guess. But…I’m not sure if I am doing that great of a job fitting in.”

“You are,” Joel interjects, and maybe it’s a little forward, but he’d rather say it before Tommy does. “That’s a nice flannel.”

“Thanks,” You look down at your oversized plaid shirt – the sleeves rolled up to the elbows – that hangs open over a tight white tank top. Joel can see a sliver of the black lace bra you’re wearing that pokes out above the low neckline. He wonders what it might feel like to press his face there, to feel your fingers carding through his hair, but does not allow himself to entertain the idea for very long. Not the time. “I actually had to go and buy it because I didn’t own any plaid. And by the looks of it,” You gesture towards the dance floor. “I need to invest in some cowboy boots, too.”

“One thing at a time, right?” he asks, and you agree.

“So what are you all doing here? Family outing?”

“We actually had to drag this one kicking and screaming out the door,” Tommy points to Joel. 

“You did not,” Joel defends himself.

‘We kinda did,” Sarah says. “Do you know how to dance?”

You shake your head no, look at the people twirling and dipping and dancing in pairs. “Not like that.”

“It’s really easy! I can teach you. My dad taught me.”

“Cute.” Joel looks towards Sarah, and catches you staring instead. Your eyes flit back immediately to his daughters. “But I’m not sure I’ll be any good.”

“You’ll be fine,” Sarah says like it’s already settled. Joel knows he’s spoiled her, that she ultimately gets what she wants. He worries sometimes that others won’t find her quite as endearing. 

“Sarah,” he warns. “You’re making it sound like she doesn’t have a choice.”

You hide a smile behind the rim of your glass. “It’s okay. You can teach me. Might as well learn, if I’m trying to fit in.”

Sarah seems satisfied.

“Joel tells me you grew up in New York City.” Tommy says it, and Joel notices you raise your eyebrows at the implication. He’s talked to Tommy about you. And now you know. He’s pissed at himself for doing it, but at the time he’d been drunk, a little more chatty and vulnerable than usual, and had mentioned you more than once. Too much to be a coincidence. The issue was, Joel had never expected you would talk to Tommy again. If he’d known you would, he wouldn’t have said anything. He doesn’t want to imagine the damage he had done when it was just the two of you, alone at the bar. But even now, he’s completely at his brother’s mercy. 

“Yep,” you nod. 

“You don’t have much of an accent,” Tommy remarks. 

“Not everyone has them.” 

“That’s fair.”

“I did, uh, go to a boarding school in a different state, though, so I wasn’t around it too much.” 

“Boarding school?” Sarah turns to Joel.

“Basically you live at school,” you answer her question. ”Kind of like college, but earlier. I started going when I was nine.”

Sarah frowns. “Wouldn’t you miss your family?” 

“Yes, and I did.”

“So why would you go?”

“Well…” you trail off, shift your weight. “It wasn’t up to me. My dad worked a lot, so it made sense.”

“What’d he do for a living?” Asks Tommy. 

“He’s a criminal defense attorney....owns his own firm and it does pretty well, so…” you shrug. “He was very busy.”

“And that’s why you’re a lawyer? To work for your dad?”

“At one point, that was the plan, yes."

“What happened?”

The question appears to make you uncomfortable, you cross your legs and glance down at the table. “Uhm….pass.” Joel sees your face go blank for a split second before you look up with an easy smile. It’s like the desolate look you’d been wearing was never there, and you point to your drink. “I’ll need a few more of these if you want that story.”

“Might as well order another round,” Tommy flags down a waitress.

You have one more drink, but you don’t really touch it as the four of you continue to talk. Joel has two more, and Tommy has three, because he’s Tommy, and also not driving. Both you and Joel also have to vehemently refuse his request to do a round of tequila shots. 

After a while, Sarah gets bored, then insists on teaching you to dance. You agree, but seem awfully reluctant. Joel wants to pull you aside and let you know that you don’t have to entertain everything Sarah offers, but once you’ve stood up, and he watches her arm link through yours as you both walk to the dance floor, he can’t bring himself to intervene. 

He’s never seen Sarah be so taken with someone before, and he’s filled with a vague sense of regret. He always thought that she was content with just him and Tommy. Maybe she has always needed more. It’s partially his responsibility, Joel thinks –  what could he have done to stop her mother from leaving? Even if he could’ve stopped it, they would’ve been a miserable couple…which might have been more damaging to Sarah than her mother not being around at all.

Once you’re long gone, Joel can sense what Tommy is thinking before he even opens his mouth. 

“Shut it,” Joel says before he can even hear his brother's ribbing. 

“I wasn’t even gonna say anything about that!” Tommy raises his hands, but Joel knows he’s lying.

“We should go over there,” Joel says. He trusts you, but in a bar full of drunk people isn’t interested in being far away from Sarah for too long. Both he and Tommy abandon their booth to mosey their way towards the dance floor. 

Sarah has taken you into a back corner, far away from the band playing, where the crowd has thinned a little. There’s room for him and Tommy to lean up against the wall and watch you both. 

Both your hands are clasped with Sarah’s, and she’s teaching you the counts, the steps, while you study the way that your feet move.

Joel has a feeling that if it weren’t for his daughter, you wouldn’t have hung out with his family for so long. It’s just like the hike, and as usual, he feels more like a third wheel than anything else. You’re right that you do look a little out of place here. Maybe you don’t belong,  but he likes it. You’re wearing a pair of beat up hi-tops, which are a sharp contrast to Sarah’s baby blue cowboy boots that are covered in rhinestone butterflies. He’d gotten them for her for Christmas that past year, and she only wore them during special occasions like this.

Joel is doing the best he can not to think about the way your legs look in those fucking daisy dukes. All on display, and he wonders what it might feel like to drag his tongue up the soft skin of your inner thigh, feel you quiver and whimper as he works his mouth closer to– Enough. He’s disgusted with himself for thinking about you like that right now. 

“Dad, look!” Sarah says, and it seems you’re catching on all right, but none of it looks graceful. Sarah’s trying to lead – which she has never done – so she falters often, and also can’t quite reach all the way above your head when she tries to spin you around. “Oh no, look at his face!” Sarah points. You turn his direction, and Joel realizes he has to neutralize the grimace that has crept onto his visage. “We definitely aren’t doing good.”

“I’ll get the hang of it,” you turn back to Sarah, assure her. “You’re a good teacher.” You’re being nice. Too nice, humoring her and laughing it off, even if she’s making a fool of you both. But you don’t seem to mind, because it’s making her happy. 

All of the sudden, the toe of Sarah’s boot catches on the scuffed wood floor and she lurches forward. Joel immediately pushes himself off the wall as though he could close the space and catch her before she faceplants, but he can’t, and he can already see a vision of himself sitting in the emergency room at 2 a.m waiting, while Sarah holds an ice pack on her nose. But you reach out before the image is fully realized, arms wrapping around her shoulders. “Careful!” You warn. And even though you shuffle forward with the weight of her, you keep her from falling. Once she realizes she’s safe, Sarah giggles and throws her head back, her eyes catching your own. 

He’s not sure what makes him do it. It could be the liquor, the way you look, the unspoken pressure from Tommy. Or maybe he’s just been wanting an excuse to be closer to you. Most importantly, at this rate, he feels like Sarah is going to hurt herself and also you in the process. Regardless of what the reason is, Joel decides to step in. He walks onto the dance floor.

“Alright,” Joel says once he’s gotten closer, looking at Sarah. “I can’t watch this anymore.”

“What?”

He halts in front of his daughter, jerks his hand. “Move. I’m takin’ over.”

Sarah rolls her eyes, but smiles a little, and drops her hands from your shoulders. Joel offers you his hand. “You mind?” 

You look between Joel and Sarah, and she gives you an encouraging nod. “He taught me, he does know what he’s doing.”

“Well okay,” you take Joel’s hand. “You better not embarrass me,” and then you actually fucking wink at him. Already overwhelmed by the delicate weight of your hand in his palm, it almost sends him over the edge. He’s lucky he’s in public, with his family, because he doesn’t think he’d behave himself otherwise.

“Wouldn’t dream of it,” Joel answers. “Besides, I don’t think anything could be worse than what I was just watching.”

You giggle, and step forward when he tugs you just closer to dance, taking you fully in his arms. Out of the corner of his eye, he sees Sarah dragging Tommy onto the dance floor. Everyone is taken care of.

You’re smart. And because of it, you’re a fast learner. Even people who can’t really dance can usually figure this out, himself included. But in Joel’s opinion, it’s always been less about getting the steps right, and more about who’s keeping him company. 

And you’re great company. 

Eager, willing, gentle…soft. He’s embarrassed at how long it’s been since he’s been this close to an adult woman, and normally he might be a little nervous, but instead, he just feels…comfortable. 

But Joel is a selfish man. He always wants more. Wants the band to play a slower song, so then he’d have an excuse to pull you closer. Wind an arm around your waist, whisper things in your ear that no one else could hear, and feel your breath hitch when they register. But this isn’t really the dance for that, and the rest of his family is just steps away. He’ll have to compromise – which he doesn’t like. 

“I’m going to dip you,” Joel says, matter-of-factly.

“No you’re not.”

“I am,” he insists. “It’s essential.”

“I seriously doubt that.” 

“Look,” he tilts his head to Tommy and Sarah, and the latter is laughing as she pitches all her weight backwards into his arms. He nearly drops to one knee to catch her, she’s still so petit, but their form is actually pretty good. And they aren’t the only people in the room doing it. 

“Okay,” you say, and give him a warm smile for a split second before becoming stone-faced. “But if you drop me-”

“Don’t worry, I’ve got you,” Joel drawls.

He puts his arms around your waist, one of them catching the middle of your back, the other on a patch of exposed skin on your hip – your tank top has ridden up slightly with all the movement. You dig your fingers into his biceps, cling to him like he had hoped you would.

And even when he draws you back up, eyes locked with your own, your grip remains the same. You stay close. 

“My turn,” Tommy interjects, and Joel can’t help the dirty look he gives him over your shoulder. He’s playing the annoying little brother, doing everything he can to piss him off. His brother wants to see Joel break, but he’s not going to give him the satisfaction.

Plus, Joel is happy to dance with Sarah, which is the whole reason they came here in the first place. She’s so excited to be there, and he wonders if there will ever be a time when she’s too grown up for things like this. He hopes not. 

He ignores the sound of Tommy’s laugh mingled with your own. You were not laughing that much with him, and that causes a pang of jealousy. Joel doesn’t like acknowledging it, but he’s always resented Tommy for his ability to be the charismatic one, the charming one, the happy-go-lucky one. Even when they were kids. That’s what it’s like to be the oldest sibling. Never as fun, always more practical, more serious, the voice of reason. Always in service to their siblings, all in the name of love. 

Eventually, you and Sarah are back dancing together, and since you’ve had some practice separately, it’s not as sloppy as before. It allows Joel and Tommy to return to their post against the wall, just out of earshot.

Joel feels his brother’s eyes on him as he watches you and Sarah. “Dude,” he finally gives in, looks over at Tommy. “Just ask her out already.”

Joel rolls his eyes. “Tommy-”

“You’re into her.” 

“Maybe,” Joel says, because he knows it’s pointless to lie. “But she’s got a boyfriend.”

Tommy elbows him. “So what?”

“I know you’re alright bein’ a homewrecker but I-”

“It makes sense Joel. She’s fuckin’ smart, and funny, and pretty. And Sarah fucking loves her-”

In any other situation, he would’ve acted weeks ago. But he’s starting to understand why he’s dragging his feet. Tommy’s right. Sarah adores you. Joel will fuck something up, it’s inevitable. And when you decide you never want to speak to him again, Sarah will lose you too. He’s already let her down enough. 

“I should’ve never fuckin’ told you–”

“Take her to drinks, to the movies, dinner, show up at her house with a bottle of wine, hell, something. If you don’t ask her out already, then I will.”

Joel punches his brother on the shoulder. It’s not enough to incite an actual fight, but it’s definitely not playful. “Ow!” Tommy grips at his arm. “What?” When Joel doesn’t answer right away, he rolls his eyes. 

“Speaking from experience, I’m surprised you haven’t already,” he raises an eyebrow.

“Once, Joel. That was one time. Will I never hear the end of it?”

“No,” Joel says. “And I see what you were doing tonight, too. Don’t think you’re slick.” he hopes to change the subject, and it seems to be working. 

Tommy sets them back on track. “Well, I was just trying to get you to wake the fuck up and see what’s in front of you.”

“Uh-huh.”

“What happens when Sarah grows up? Goes to school, leaves the house? Then, what are you gonna do? You’re just gonna be alone?”

“You are treadin’ on some mighty thin ice, Tommy,'' Joel hisses. ““You barely know this woman-”

“I’d like a family, too, Joel. When that happens I won’t be able to keep you company anymore. You might want someone else. And maybe it’s not her, fine. But there should be someone.”

For as much as he hates to admit it, Joel knows Tommy is right. 

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

-April 25, 2003- 

It’s six at night. and you’re already in your pajamas. 

A couple years ago, you would’ve thought that was pretty sad. These days, it’s only a little sad. You prefer things this way. That’s the perk of being an adult living alone. If you want to put on pajamas before the sun sets on a Friday night, you can. If you want to get stoned on the back porch of the house you bought yourself, you can. If you want all those things to happen while you watch the sunset and listen to yacht rock, you can. And you’re going to. 

You’re toying with the new digital camera your brother bought for you. Vincent likes to argue with you, but he always feels guilty after a conversation gone wrong. Rather than use his words, however, he just buys you gifts. You had apologized over the phone a few days ago…this was his way of doing the same. The shutter clicks as you snap a photo of your backyard, and you look at it in the viewfinder before discarding the camera on your coffee table.

Martini is on the porch with you, doing that thing where he stands just out of reach but chirps at you until you pet him. When you reach out, he moves away. He’s not great at accepting what he wants. Maybe it’s why he’s sort of the perfect cat for you – you’re the same. 

You light your bowl, and you’re mid-inhale when you hear someone call your name. 

“Hey!” 

At this point, you’d recognize Joel Miller’s voice anywhere. You don’t want to admit it’s because you’ve tried to commit it to memory, daydreamed about how it might sound for his smooth lilt to read you a book until you fall asleep, or listen to him take a phone call in the other room. 

Realizing it’s him, you inhale sharply, forgetting what you’re in the middle of and taking a much bigger hit than you had intended. You begin choking violently on the smoke while simultaneously scrambling to hide your piece and the related paraphernalia sitting out, and manage to do so just in time for him to round the corner. 

You scramble to hide your bowl under the pillow of the outdoor couch you sit on, just in time for Joel to appear at the screen door. 

“Hey,” you say, covering your mouth. Your throat burns, and you cough again. Stay cool, stay calm. Everything is good. “What are you doing here?”

“Sorry, I tried your front door and you weren’t answering, so I thought I’d see if you were back here.” It’s hard to see him from here, through the door, and he’s backlit by the sun that’s shimmering behind his dark hair, catching it in a golden halo. 

You rise to open the door, and when you do, he continues. “I’m here to pick up Sarah’s soccer jersey.”

Right. Of course he was. She had left it a few days before, and you had assumed she’d come get it before her game on Saturday but it didn’t dawn on you until now that she ever had. 

“I would’ve sent her, but she’s at a sleepover tonight.”

“Oh yeah,” you nod, standing in place. You’re trying so desperately to act normal, words evade you.

Joel squints at you, a slight smirk on his face. “I didn’t catch you off guard or anything, did I?’

“No, no, not at all,” you lie. “Come on in.”

Joel steps over the tiny dish of cat food you’ve left on your back step for the stray you feed, and into the screened-in porch. Now that he’s under the dim light, you get a better look at him. A loose-fitting flannel hangs open over a worn green t-shirt that barely meets the top of his jeans. His hair is damp, like he’s just showered, and he smells clean. In any other situation, you’d want to climb him like a tree, and he’s not even trying. But right now, you’re just doing your best impression of a sober human that is definitely not doing anything illegal. The truth is, you should’ve made him wait outside.

“This is nice,” Joel says, looking around. And you really wish he wasn’t because you notice that you left the clear plastic baggie containing your weed out on the couch. It sort of blends in with the green floral pattern, so you hope for the best, because there’s no way for you to sneakily grab it without drawing his attention. “I didn't know this was back here.”

“The last owners added it on,” you say, because that was the type of thing the realtor had said to you about the features of this house. And you supposed a carpenter or contractor would probably be interested in it. It was a good distraction.

“I can tell. Looks new,” he looks up towards the wooden beams that span the ceiling. The top of the porch is still covered, so during the few times it’s rained, you always sit outside to listen.

“I’ve got her jersey in the kitchen,” you tell him. “Wait here.”

It doesn’t take long for you to pick out the bright blue athletic gear from your pile of dry cleaning. It stands out against all your neutral-colored pantsuits. Joel has his back to you when you return, one of his hands clenched into a fist. 

“Here,” you say, and he turns. 

“You had it dry cleaned? You didn’t have to do that.”

“I kind of wasn’t sure if it was safe to run through the machine,” you explain. “But now that I’m thinking about it….it wouldn’t make sense to give a bunch of 11-year-olds dry clean only jerseys.”

“It wouldn’t. But it’s probably more convenient than scrubbing the grass stains out yourself.”

“Speaking from experience?”

“Unfortunately. But again…thank you.”

“Of course.”

This is where Joel should leave, walk across the street, and go home. And he does, well, at least, he starts to. He steps away, reaches for the handle to your back door, and then pauses. “You know,” he says, glancing over his shoulder. “The Watsons were tellin’ me the other day you’ve been complaining about a family of skunks living under your house?”

You freeze, recalling the lie you’d come up with on a whim when your sixty-year-old neighbors had started asking too many questions. 

“Well, it does smell a little over here.”

“Uh-huh,” you give him nothing.

“Something like that….you should really call animal control. Get rid of the problem,” Joel’s facing you now, eyebrow raised. 

“If I call animal control…they’ll just kill them,” you answer. “And I don’t want that. So…I think I’ll just have to live with it.” 

“That’s fair,” Joel says. “But you know, Sarah’s over here all the time, and I’ve never heard her mention it.”

At this point you know he’s just fucking with you. But years of remaining stone-faced through business negotiations and family dinners has prepared you for this, so even if you’re a little stoned, you’re not going to let him win. 

“Yeah, it sounds like a coincidence. But they’re never around when she’s here,” you say, in your own defense. “Ever,” you add for emphasis. 

“I guess that’s good.”

You both stare at each other for a second, and your blood buzzes slightly because even though this is just a playful standoff, you’ve never made such intense eye contact with him. It feels electric. After what feels like an eternity, Joel lifts his hand from his hip, and you see what he’d been holding in his fist, now pinched between his thumb and forefinger. He raises an eyebrow.

When you see the plastic baggie dangling in front of your face, you purse your lips. “Alright, you got me,” you lift up your hands, but snatch the bag from him. 

“And here I thought you were such a good girl.”

You don’t even want to acknowledge the full body chill that runs down your spine at the sound of those two words, coming from him. Snatching the bag back from him, he gives you a cheeky smile. “If you give me a hit, I won’t tell anyone.”

Your jaw drops, and you look up at him. “Oh, you’re trouble.”

“I’m not the one lyin’ to my neighbors.”

“And I’m not the one snooping through my neighbors' things.”

“It was right out in the open.”

Joel doesn’t seem bothered at all. But it’s Texas, so you can never be sure. “Okay, fine,” you say. “If you want….I could roll us a joint. Unless you have other plans.”

“The alternative is a house to myself for the evening and some chores, so…yeah. Whatever you’d like.”

“Great.”

Joel follows you to sit on the couch. As you settle on opposite ends, he speaks up. “So you think you could explain to me why my daughter keeps tellin’ me she wants to be a lawyer?”

You snicker. “Believe me, Joel. I’ve tried to talk her out of it already.”

He chuckles. “It’s okay. Probably a more lucrative career than what I’m doing. She’s really taken a liking to you, you know that? I don’t think I’ve ever seen her warm up to anyone so quick.”

“Well, I’m the first adult she knows that’s not an authority figure.”

“I’m sure there’s more to it than that.”

“I remember being that age,” you look down at your work. “It’s nice to have someone older to relate to, who you can talk to without being afraid of getting a lecture.”

“She probably needs it,” Joel says. “She told me you talk about girl stuff. I’m not so great at that.”

“I don’t know,” Your tongue darts out to wet the edge of the paper and finish rolling the joint. You put it between your lips, and rummage through the drawer of the coffee table to find your lighter, gesture between the both of you. “This is about ninety percent of how I spent my time with my friends at her age…and so far you’re doing alright.”

“Now you’ve got me worried about what’s going on at that sleepover.”

“Okay, well, I was maybe a little older. And with her? You’ve got nothing to worry about,” you shake your head. 

He rubs the back of his neck, and his eyes glow with the reflection of your lighter as it’s flicked on. “I don’t know.”

“She’s fine, Joel,” you say, bringing the lighter closer and shielding the flame from the calm breeze of the evening. “She’s great. Really.”

“She is,” he agrees. You inhale, let the smoke settle in your lungs for a moment, before exhaling. You take your time, feeling warm from the weed and the feeling of Joel’s eyes on you, and he accepts the joint when you pass it over.

“I really didn’t really expect this from you,” he exhales, studying your handiwork before taking another puff. “You’re pretty buttoned up.”

“This is hardly rebellious.” Instinctually, you like the idea that he thinks you’re buttoned up. Deep down, however, you don’t actually want him to.

He looks so dreamy, the smoke curling though his eyelashes, tracing along his defined jaw, and then up, up, where it settles and shifts under the porch light, before disappearing completely.

Martini, who has been in hiding, hops up on the couch, and Joel reaches out, your cat nuzzling its face into his palm. “Didn’t know you had a cat,” he mumbles. And then, like some sort of magic, the cat plops down on Joel’s lap. 

“I do…but…” you say out loud, then trail off because you’re in such shock. You glance up at Joel, who looks confused. “I’m sorry, I’ve just never seen him do this.”

He passes the joint back to you. “Do what?”

You take a final puff, and then put it out in an ashtray. It’s only about half smoked, but you can get into it later if either of you wants to. Plus, you’re more interested in what’s unfolding in front of you. “I kinda want a picture of this.”

“What?”

“I’ve had him for five years and he’s never sat on my lap like that,” you say, and you can’t keep the resentment from dripping into your tone. “What makes you so special? I’m a little jealous.”

“Of me? Or the cat?”

Something honey-thick drips down your spine at his words. You can’t conjure a witty response, opting instead for: “Shut up.”

You snap a couple photos while Joel’s still laughing, one hand on his chest, the other on Martini’s back, and then put the camera down, and lean against the back of the couch, curling your feet underneath you. 

“You’ve got a nice view of the sunset,” Joel says softly.

There’s a distant fear you might never get to see him like this again, and you want to take him in fully before you drag your eyes to see what he’s looking at. Your backyard slopes down into a small patch of woods, the sky opening even wider to let in the aureate light. 

“I know,” you agree. “It’s why I spend so much time back here.” The high continues to settle over you, strokes your shoulders, tugs at the corners of your lips.

“Surprised you like things that are so peaceful…being from the city and all…”

“The city is peaceful,” you say, thinking of the leaves swirling from the trees in the fall, and the snowflakes falling onto your family's porch in the winter, melting on the tip of your nose as you lean over the balcony to see the glittering lights below, car horns and engines and sirens piercing the darkness, white noise. “In its own way.”

“You miss it?”

“Everyday,” you say. 

“What do you miss the most?”  

“Uhm…probably the bagels,” you lie. Well it’s true. But it’s not what you miss the most. You think of your brother, flopping onto your bed on a Saturday night – a rare weekend when you visit home – and you’re trying to read A Tree Grows In Brooklyn for school but he’s begging to take you around the corner to get a milkshake. It’s the image of him you’ve so desperately tried to cling to and the recollections you share with him have only gotten more and more unpleasant as time goes on. “The bagels here suck.”

“Really?” Joel seems amused by that. 

“And uh…I don’t know. It’s part of me. I have a lot of friends there, a lot of good memories,” you smile to yourself, lean forward towards him. “I had this apartment before I graduated, right? It had the best view of this little Italian restaurant, and I’d sit and watch people through the windows, eating and talking. I was supposed to be studying, but…it was great. I loved it.”

“What’re you doing here, then?” Joel asks, and you look back at the sunset. Here you are, waxing poetic and you’re sure he can hear it in your voice. “You runnin’ from something?” You look over to find he’s staring at you. Like he knows you aren’t being honest, and he’s asking you to stop lying.

So you do the only thing you can think of, which is to ask him a question in response. “What makes you think I am?”

Joel considers this for a moment. “I don’t know. I grew up in Austin. All my friends are here, my family. If I ever moved someplace else….it’d have to be for a good reason. And even if I did, I’d be lonely.”

You stare down at the floor. “Maybe I am.” Lonely? Or running from something? The answer is both, you know, but you’re not going to clarify. “My family. Things are pretty fucked. I thought distance would help, and it does, a little. But….that shit still follows you anyways. They’re always with you, no matter what.”

Joel nods. 

“But… I have a life here. When I lived downtown, I definitely did. I don’t mind the quiet, and….I have friends.”

Joel looks at you. “You got a boyfriend, don’t you?”

Why would he think that-oh. You had tried to forget it, the morning he’d caught you still wrapped up in your robe – not the fluffy fleece one you liked the most, but the one you specifically only wore when you had guys over, cause they loved that shit.

“Oh, right,” you say. “Bradley. Yeah, uh. He’s…he’s….not my boyfriend. But…” you shake your head. “It’s a little complicated.”

“I’m sure it ain’t that hard to explain.”

“I mean…” you avoid his eyes. “He’s kind of an asshole, but we’re not really commited to each other in a meaningful way. Plus, he’s not around that much which is kind of perfect…for me.”

“Really?”

“Less to worry about,” you answer, purse your lips. “But…I don’t know. I sorta wish he got my heart rate up a little more.”

“He’s not your type?”

“I don’t really have a type,” you shake your head. “I like what I like.”

Joel rasps. “I feel the same,” and he’s made sure your eyes are on him when he says it.

You swallow, nod, smooth your hair back. “Anyways. Why’re you asking me all this?”

Joel doesn’t seem to find an answer right away. You narrow your eyes at him, studying his face, looking for something that will give him away. It’s a trick you’ve learned…silence…a bit of skepticism. It makes people uncomfortable. And Joel shifts his weight, squirming beneath your gaze. Until something in his face shifts, and he smiles….just a little. 

“So that’s where Sarah learned that.”

“Learned what?”

“That look you’re giving me.”

“What look?” 

“Like you can see right through me.”

“Can I?” You narrow your eyes further.

“You’re tryin’ to.” 

He’d done a good enough job of avoiding your question, and you’re not gonna ask him again, and instead opt for a different one. “So what about you, then?” you poke his knee with your foot.

“Oh, I’m not answerin’’ that.”

“What? I just told you, that’s not fair.”

Joel runs a hand along his jaw, ponders. “Most women don’t want to be with a man who already has a kid so…things on that front are not always easy.” 

“I have a hard time believing that. I mean, don’t you have an upcoming date with Sarah’s teacher or something?” you tease.

“That’s not happening,” he assures you. “But….I work so much these days I don’t have the capacity for much. So I get what you mean, sometimes it’s easy to not get emotionally involved but…I’ve never really been great at that.”

“You’re a relationship guy?”

“I mean, Tommy has been pestering me about this lately. Says at this rate, once Sarah’s grown, I’ll end up old and alone. Annoys me to hell, but he’s right. I wouldn’t mind…some kind of companionship. Someone to tell you you’ve done alright at the end of the day.” 

“You sound awfully romantic,” you at him blink slowly.

“I can be, when I want to.” Joel rolls his eyes. “But right now…I think I’m just stoned.” 

That makes you giggle. So he’s just being honest. “I didn’t really see much great come from settling down when I grew up, so I’ve always been a bit of a pessimist when it comes to love. What you’re saying….it’s a nicer way to think of things.”

You rarely connected with the men you dated. You chose to date douchebags, to date cheaters. It was better that way, to know up front what you were getting yourself into. The best ones didn’t ask for much, just the odd fuck here and there for a couple months, and you’d step away when things were no longer fun, if they evewere to begin with. 

Actually getting married, settling down, didn’t feel like a real possibility for you. So you’d never allowed yourself to indulge in what seemed like a fantasy. Some women aren’t meant to be a part of a family. Your father had told you once – during one of few times he’d attempted to comfort you after your mother didn’t call on your birthday – as if it excused his own neglect. 

“Yeah, and it hasn’t all been bad. I mean, I’ve had a couple good girlfriends over the years. They were sweet, fun. I enjoyed the time I spent with them, they just…never made it through the real litmus test.”

“Sarah?”

He nods. 

“It would be hard, I imagine. For her. Accepting someone new into her life.”

“Yeah.”

“You really care about her,” you say. “About how she feels. It’s nice.”

“I’m doin’ my best.”

The way he talks about Sarah makes you nauseated. It’s something pure, and you can’t help but feel bitterly nostalgic. 

“I wish my dad would have been like you.”

It slips out, and you immediately regret it. It’s been too long since you’ve gotten stoned with someone else, and you’ve forgotten your filter. And even though you’ve already divulged more to him about you than you normally would, this feels like too much all of the sudden. 

This isn’t something you can backpedal, and before you know it, Joel is leaning towards you. There’s concern written in his features, he wants to comfort, and you thank God for what happens next, or it all would’ve been too much.

His shift in weight causes Martini to jump off his lap and sprint to the door of the porch. He stares at you and then meows. 

Even though Joel isn’t touching you, you have to tear yourself away from the hold he’s got you in. ““I gotta let him in, or he’ll get annoyed.”

You move to open the door, and the cat slips inside.

“Is that a guitar in there?” Joel asks, catching a sliver of the gleaming body in the dim light.

“Yeah.” 

“You play?”  He questions, and you come to sit back on the couch. 

“Not anymore. It’s more of a decoration. How about you?” 

“A little.”

“A little?”

“A lot.” Joel smiles, looks at the ground like not sure why he’s telling you this. “I actually uh, used to want to be a singer.”

“What?” you ask. “You’re kidding.”

“No,” Joel shakes his head. 

“Joel, what?” you put a hand on his arm and lean forward, then look at the guitar.

“Why not?”

“I was…young when I had Sarah. And I had to do something that could actually help us get by.”

“Okay well, you have to play me something, then,” you rise to step inside and retrieve it off the wall. 

“No, no-”

“Come on, please?” you ask. “Don’t be a tease.”

Joel just stares as you bring the guitar out to him. 

“Although this might be out of tune…” you strum once, and wince at the tinny sound it makes. “Definitely it is.”

“Here,” Joel takes it from you. “I can do it.”

It takes him a moment, but he’s plucking the strings in a way that feels so instinctual, purposeful, you can already tell he knows what he’s doing. Once he’s finished, he strums a few chords, and everything is magically in tune. 

“Alright,” you prompt, when he hesitates. “What are you gonna play me?”

“You know any Neil Young?”

“Of course,” you answer. 

Joel nods once, looks down at the guitar, and starts playing. You’d recognize the opening chords to anywhere, but he somehow makes them sound even moodier, and bittersweet. 

Come a little bit closer, hear what I have to say…

He can sing. You’re taken aback. You’re not sure what you expected, but it’s definitely better than that. Deeper, raspier, and now you have new information about him that’s going to bounce around your brain when you’re bored during meetings at work, while you’re lying in bed at night, trying to sleep. 

Because I’m still in love with you, I want to see you dance again…

You shift your weight, sling your arm over the back of the couch, and rest your chin on your hand. Suddenly, you’re feeling a little tired. He’s all-but putting you to sleep and, somehow, that feels like the highest compliment you can give. It could be because you’re stoned, but you feel warm all over. You close your eyes, just listen, until he’s finished.

Even after he’s finished, you keep your eyes closed, settling. Until you feel something graze against the back of your hand. Joel’s. He’s matching your own pose, facing you, but reaching out…

“That was nice,” you say, earnestly. You’re good.”

Joel smiles bashfully, tugs your hand from beneath your chin and pinches your index finger between two of his own. Your nails are painted a glittery purple, and Joel studies them. Sarah had painted them earlier this week when she’d hung out after school, and had picked out the color. 

“So are you,” he shifts closer. 

He’s not quite close enough to kiss you himself. But it’s enough…he’s just giving you the chance to lean in, to close the gap. The proximity makes you dizzy, and you’re a little overwhelmed. It’s too much. It’d be too much. You can’t. You’re afraid of what he might do to you.

“We should be good, then,” Gazing at him from under your lashes, you pull back just enough. It’s not a rejection, and you can tell he doesn’t see it that way either. There’s a mutual understanding, you’re on the same page, but you aren’t quite sure what it is. The warmth of Joel’s hand leaves yours, and a part of you is filled with regret.

And then, like it never happened, the two of you spend another hour talking. He’s engaged, intuitive, thoughtful, funny. By the time he excuses himself, long after the sun has fully dipped below the horizon, you feel like he’s an old friend. An old friend you want…badly, but, you know him on a level you hadn’t before.

“Gotta be up tomorrow for a soccer game, otherwise I’d stick around,” Joel says as you’re guiding him to the front door.

“It’s alright,” you say. “You’re welcome to do this anytime.”

“You sure?” he tilts his head, leaning against the doorframe on his way out. “You might regret offerin’ that….”

“I won’t.”

--

part iv

taglist: @yaskna@venomous-ko@lomljigg@yeehawbitchs@ay0nha @eldahae @lol-im-done@melancholicmelanin@reggies-floatie @omniscientqueer@superflymaterial@mikkorantanev@zbeez-outlet @nadja-antipaxos @strawberri-blonde @jabbajambler @ponyboys-sunsets @kyuupidwrites @r4efromvenus @loveatfirstsight-atlastsight @korianderbandit @nicoleoeoeoe @hotgirlsshareaccounts @madisonred88 @crustyrustydusty @sflame15-blog @issybee0611 @darkemeralddiamond @grandmana @totallynotastanacc @ay0nha

[luveline]

jade! I have a request for the hurt/comfort requests! maybe one where spencer (or hotch if you’d prefer) comes home from a stressful case and finds out that reader is sick? and they’re both like “please sit down and let me take care of you”?

hi! ty for ur request! spencer beloved

You force yourself to get out of bed at the sound of the door opening. 

The first thing Spencer does is call your name. "Are you here?" 

You don't trust your voice to keep it together if you shout. You wipe at your oily face with your long sleeves and make your way out into the hall from the bedroom. Spencer's already dropped his satchel by the door, though there's no sign of him besides that, so you make your way into the kitchen and cringe at the mess you haven't managed to clean yet. 

If he saw it he doesn't say anything, head already buried in the fridge. 

"Spence," you greet quietly. You don't sound too sick — you're thrilled to see him — but his shoulders tense up immediately, and he turns with pinched eyebrows. 

"Hey," he says, a bottle of water in hand.

The door closes behind him, and he crosses the short distance to gather you in a quick hug. You missed him, and he smells nice. When he pulls away you're practically heartbroken. 

He holds you at arms length, which is when you notice his bruise. 

"What happened?" you ask.

"You're sick," he says at the same time, your voices overlapping. 

Neither of you wants to go first, but Spencer's too nice for his own good. "Unsub with a penchant for bad decisions," he explains, offhanded. His hand climbs to your hot neck. He frowns. "How long have you been like this?" 

You can't stand being apart from him for at least another ten minutes. "Not long," you say, threading your arms around his neck again and forcing him to hug you. To be fair, he's your boyfriend, and he reciprocated despite his obvious apprehension. He always wants to fix everything as fast as he can. 

He sighs as he pulls you forward, arms crossing over your back in a hug as tight as you'd craved. The bottle cap of his water digs into your spine, and his hair tickles your cheek. "You should've called me," he murmurs. 

"It wouldn't have changed anything. You should have called me." 

"It wouldn't have changed anything," he repeats. 

You laugh and your laugh makes you cough, rushing to pull away so you can cover your mouth. "I'm sorry," you say croakily. 

"You realise I'm gonna take care of you?" he asks.

If you had the energy, you'd glare. "Me first." 

"No way." He passes over his water bottle. "You can start with that. When did you last eat? What are your symptoms? You're really hot, but your cough sounds pretty superficial. Shortness of breath?" 

"What did he hit you with?" you challenge in turn. "His fist? Or did you get pistol whipped?" You soften, eyes roving over his freshly shorn hair, his curls limp. "Are you okay?" 

"Don't baby me," he says, reaching out to give your upper arm a good squeeze. "C'mon. Bath time." 

You let him drag you into your too small bathroom with a smile on your face. It's nice to be looked after, and if he thinks he's gotten away with anything he's sorely mistaken. "You need an ice pack." 

"I need you to be less stubborn."

"I need you to let me take care of you."

There's a small silence. His thumb rubs over the back of your hand. "I can compromise," he says.

You let him sit you on the closed toilet lid and kiss your forehead, listening to him debate bath salts with an acute adoration. You'd really, really missed him.

He catches you staring at him.

"I know," he says softly. "It doesn't even hurt."

You kiss it better anyways.

[ihavemanyhusbands]

Vidas Pasadas (Past Lives)

PART THREE: THE HERO ALWAYS GETS THE GIRL

Also on AO3

Part One // Part Two // Mini-Series Masterlist

Pairing: Cooper Howard/The Ghoul x Latina!Reader (Spanish speaking)

WC: 5.9k words

Chapter Summary: It was always meant to end up this way, wasn't it? Some things never changed.

Warnings: Minors DNI this fic is 18+, canon typical violence, reader kidnapped by raiders, the ghoul being the ghoul, cursing, some injuries (very mild whump), mentions of death/loss, heavyyyy angst (happy ending tho!), only a little Spanish dialogue, love confession, smut, unprotected p in v, oral (fem receiving), irradiated creampie (with RadAway after lol), aaaaand that's all I can think of but please lmk if I missed anything!

---------------------

In the Past….

You had been restless all day, unable to explain why. Something just didn’t feel right, and not knowing what it was made you feel even worse.

Your house had felt large and empty as you paced around it, smoking. All those long hours, you were acutely aware of the clock’s ticking — Time relentlessly marching on, waiting for no one.

 Once you’d actually gone to bed, you’d tossed and turned long into the night. The moon shone faintly through a gap between the curtains, barely illuminating your bedroom. You could not face the yawning void of solitude you found at that hour, so you got up. 

Things had gotten much trickier in a short amount of time. There had been many more bomb drills, more fear and paranoia, and substantially fewer job opportunities.

Cooper was no longer acting. He simply wouldn’t get cast anymore, so he had to look in other directions. The loss was tremendous, for yourself and the industry. Moviemaking didn’t quite feel the same anymore, its luster having faded.

You saw him much less, but you still tried to keep in touch. You’d even helped him care for Janey a few times when he had to take an odd gig that would run late. Slowly, he was becoming a shell of the man he formerly was, and you felt helpless to stop it.

But that night, you couldn’t hold yourself back, leaving your house in just a coat and your night dress, like a ghostly apparition. The drive there was nebulous, like you were moving on autopilot. You drifted up the steps and pressed the buzzer to his apartment a few times.

When he came down to see who was at the door, he looked a little worse for wear, like he’d been having a hard time sleeping, too. He ushered you inside, not wanting you to be out in the cold.

“What happened?” Cooper said, worriedly searching you for any sign of injury. “It’s the middle of the night, why didn’t you telephone?”

“I’m so sorry, Coop,” you said, as if waking up from a trance. “Did I wake you up?”

He shook his head, leading you to the old, rickety elevator and pressing the button to his floor. 

“No, I was up. Lucky you didn’t wake Janey, though. She’s with me this weekend.”

You covered your face with your hands, ashamed. “Oh God, I’m a mess, aren’t I?”

He wrapped an arm around your shoulders, worrying even more at your clear distress. He guided you to his unit, which was smaller than you’d imagined. It’d been a while since Cooper and Barb’s sudden divorce, but he barely seemed to be settling in. The walls were mostly bare, and the sparse furniture seemed to have been included with the unit. There were only a few pictures, mostly of him and Janey, but a few of just his daughter. 

He had never really told you what happened, but the change had seemingly occurred overnight. He simply said he was done, that he couldn’t even look at her anymore. You were still pretty baffled about the whole thing, but it wasn’t your business to pry about. You simply supported him however you could.

Barb had not gone easy on him, having the best lawyers Vault-Tec could afford. He had Janey some weekends, but he didn’t get to see her nearly enough. It was a bad situation altogether, and you were sad for everyone involved.

“Cozy,” was all you could whisper after a moment of silence, to which he snorted derisively.

You went to sit on the couch, arms around yourself. The two of you kept your voices soft so as not to wake Janey, and you felt a pang in your chest knowing she was near. She was such a bright ray of sunshine, and you were glad that she and Cooper had each other despite everything.

And especially on a night like that one, when the world seemed to be holding its breath in anticipation of something.

“Drink?” He offered, already pouring himself a glass of scotch in the small kitchen.

You nodded, sniffling, trying to keep the tears that threatened to crawl up your throat at bay. He shuffled back over to you, a frown still on his face.

“Why don’t you tell me what’s going on?” He encouraged, handing you the glass and sitting next to you on the couch. 

How could you possibly explain the feeling of grief you had, when you hadn’t really lost anyone? 

Not yet, at least.

“I don’t know, I just… I had to see you,” you said, taking a sip of your drink. “I didn’t even think about it, I just got in the car and drove.”

“Well, ain’t that sweet,” he chuckled, the sound a little awkward. “But it couldn’t wait until morning?”

“No, Coop, I can’t even explain it. If I tried, I’m sure you’d think I’m crazy.”

“Try me,” he said. “You know you can trust me.”

You set your glass down and scanned his features for a moment, committing them to memory. Then, without a word, you leaned in and brought your lips to his chastely.

 You had kissed dozens of times in the past, but for the first time, it was as yourselves. Love was the only thing you could give him then. Years worth of it had accumulated inside of you, with nowhere to go… until that moment. 

But your heart was breaking at the same time. Instinctively, you realized this would be your only opportunity to do so. Tears swam in your vision, but you turned your face away before he could see the one that escaped.

Cooper blinked, too stunned to react. You sniffled, pulling back, hands wringing anxiously. He shook his head, snapping out of it.

“Why are you crying?” He asked, hands cupping your face. “I ain’t that bad of a kisser, am I?”

You let out a sad little chuckle, which sounded more like a sob.

I love you, you wanted to say. I love you, I love you, te amo con todo mi corazón*. Please find a way to live, whatever happens.

(*I love you with all my heart)

“Please, take care of yourself,” you pleaded softly instead. “Give little Janey a kiss from me.”

And with that, you got up from the couch and left him like a thief in the night. He’d called for you, but you’d been faster, running down the stairs and heading back to your car. You simply couldn’t handle it anymore. The waiting, the fretting, feeling so fucking helpless…  Wouldn’t it be better just to get it all over with?

The rest of the night blurred into a gouache rendition of melancholy and self pity. In the morning, as soon as you were able, you phoned Bud Askins — the Vault-Tec executive who had organized your admission into Vault thirty one — to ask for an expedited entry.

And just as he picked up the phone, you looked out the window and saw the enormous, fiery mushroom cloud rising as if from the depths of hell itself.

——————————————

The Present….

“There she is,” one of the raiders pointed at the old TV screen, where one of your movies was playing. “No wonder she looked so goddamn familiar. Got ourselves a movie star, boys.”

“Gotta be a clone or somethin’, no way she’s lived this long,” another one said.

“What does it matter? Whoever buys her won’t be able to tell the difference. Fresh meat’s hard to come by, and this is the luxury kind,” the first one gruffed, looking back at you over his shoulder. “Isn’t that right, baby?”

You could only glare at him from your spot against the wall. You were gagged, your ankles and wrists bound by old rope. Two days had passed, in which the raiders hadn’t done much other than tie you up and haul you around. You’d gotten a few scraps of food, but not nearly enough to even be considered a snack. Thirst and hunger clung to your very bones, but you were lucky that your survival instincts had kept you going so far. 

You might not have been a fighter before, but now you were determined to keep yourself alive at all costs. It hadn’t taken long for you to realize that things were truly ruthless in the wasteland, and it all basically narrowed down to kill or be killed. 

You weren’t sure yet if you’d be able to go through with something like that, but you had no other choice but to try if it came down to it.

You were still holding out hope that the ghoul would come find you, but you were well aware that you couldn’t just rely on that possibility. You were running low on time, unsure of how long exactly the potential transaction would take to complete. Or if they would grow tired of searching for buyers and try to possess you themselves. 

You would not let it get to that, though. You were just trying to devise the least recklessly foolish escape plan possible.

The raiders had holed up in an old supermarket, which seemed to be their usual base. Most of the empty, broken shelves had been pushed against the walls to make space for whatever furniture they had managed to find. A few shelves surrounded the space like a makeshift barrier, shielding the rest of the building from view.

Rations, old clothes and other miscellaneous objects were scattered about carelessly, but you didn’t notice many weapons, which was potentially a good sign. More valuable loot was stashed in empty freezers, and you were frankly surprised they hadn’t tried to shove you in one, too.

The raiders went back to watching the movie, your own voice sounding strange and faraway to your ears. And then… you heard Cooper’s voice, that southern drawl bringing your attention to the screen. It was the scene of his Feo, Fuerte y Formal speech, when his enemy was at his feet.

Though the screen was riddled with static, you could still see the determined look on his face. Hearing his voice again gave you strength, but it also gave you pause. Why did it feel like it hadn’t been that long since you’d last heard it?

You thought back to the day you’d been abducted, still unsure if you had hallucinated the ghoul screaming your name. Even his voice had sounded different there, but not unfamiliar – more like a dream that had slowly devolved into a nightmare.

 There was a nagging feeling at the back of your head that wouldn’t let you rest until you had some answers, but it would all have to wait for a later time. 

For the next hour or so, you slowly moved your wrists back and forth in an attempt to loosen the ropes. You went still whenever any of them looked at you – like a deer in headlights, sweat trickling down your spine – but luckily, none of them seemed aware of your actions.

At some point, you had to fully stop as most of them prepared to go out scavenging, leaving only one man behind to guard you.

“Shouldn’t give you much trouble, but you know what to do if she does,” the leader had said, looking right at you with a shit-eating grin. 

But the raider left in charge hadn’t seemed too worried about you being a threat, falling asleep on one of the couches soon after they had left. When your wrists were rubbed raw and bloody by the rope, you soldiered through the pain until adrenaline kicked in, and you managed to loosen the knots enough to free one of your hands.

You swallowed down the nausea that crawled up your throat at the sight of your mangled skin. Keeping one eye on the sleeping raider, you began to attempt untying your ankles, but then you heard a crash at the front of the building. The raider woke up with a start and you had a millisecond to hide your hands behind your back once more. 

“What the fuck was that?” he muttered, looking around frenziedly.

You shrugged helplessly, your heart nearly leaping out of your chest. He narrowed his eyes in suspicion as he stood, grabbing a weapon. You whimpered, momentarily fearing he might use it to prod you further, but he stayed put.

“You better not try any stupid shit, alright?” He said, pointing it at you in warning. 

You nodded quickly and he crept around a shelf, disappearing from view. It was eerily silent after that, except for your blood thundering in your ears. You waited for him to return, unmoving, for what seemed like an eternity. 

There were a few more sounds somewhere out front, but you couldn’t quite discern what they were. Still, you didn’t really want to wait around and find out. Who knew if you’d get another opportunity like this?

But just as you decided to push your luck and reached for your ankles, you heard footsteps. And with those footsteps, there was the familiar, faint clinking of spurs that you had come to know.

The ghoul suddenly rounded the corner, holding the raider’s bloodied machete, which matched the blood spattering his clothes. Talk about a guardian angel, you thought, somehow finding humor to keep yourself from absolute hysteria – even as your eyes welled with overwhelmed tears. A muffled sound escaped your throat, but there was still tape covering your mouth, so all you could do was widen your eyes.

“There y’are,” he said with what seemed to be a relieved grin, but it was short-lived. “Oughta kill you myself for makin’ me go through all that trouble to find you…”

He crouched in front of you to free you from your binds, tossing the weapon aside. You gasped as he ripped the tape from your face, momentarily glaring at him for his lack of gentleness. But your own relief outweighed any frustration you felt, and without thinking you threw yourself at him, your arms wrapping around his neck. 

He froze, feeling the jackrabbit pace of your heart against his chest. The breathed-out thank you in his ear almost gave him goosebumps, but he kept himself composed. You yourself couldn’t believe that you were so elated to see him, having been terrified of him only a week prior.

But now it didn’t seem to matter, because even if he groused about having to do the work, he had still come to find you. 

“Alright, alright, that’s enough of that,” he said, shoving you back. “Get up, we gotta get outta here before the rest of ‘em come back.”

He hauled you onto your feet, steadying you when you almost stumbled into him. You glanced at the TV, where the movie had been paused on a close-up shot of Cooper.

You hesitated, suddenly transfixed by an emotion that was getting close to realization. The ghoul followed your line of sight and grimaced, averting his gaze. 

“You feel it too, don’t you?” You said, the words spilling before you’d even thought them through. “How ironically familiar it all is, in a fucked up way.”

He shifted his weight from one foot to the other. When you looked over at him, something ill-concealed in his expression confirmed things without him having to say anything.

His eyes hadn’t changed… how did you not see it before?

You took a step closer and that seemed to snap him out of it.

“No idea what you’re goin on’ about,” he gruffed, turning away. “Now get movin’ or I’ll tie you to my belt and herd you like cattle. Andale!”

You pursed your lips at his stubbornness but trailed after him. You watched his back, hunting for more details to further reassure yourself you weren’t crazy — His posture, the way he walked, his strong shoulders squared proudly, as if in preparation for whatever came.

There was still so much to say, but first, you had to get as far away from this serpent’s nest as possible. 

On the way, he found an old tire iron, tested its heft, and then handed it to you. At least, it seemed less daunting than a knife or a machete, and arguably less bloody. The world might be a cruel place, but he would try to help minimize the blow as much as he could. In his own way, of course.

 He pushed out of the secret entrance at the side of the building, and you almost slammed into his back as he abruptly stopped. 

“Well, fancy seeing you here boys,” he said before you could even ask what was wrong, and a stone seemed to drop into your stomach. “Jus’ came to collect what’s rightfully mine. We’ll be on our way now.”

“Like hell you are,” came the barked reply.

You peered around him and saw only a handful of the raiders, the leader nowhere in sight. Somehow, that made you relax a little, the odds slightly more favorable. Not that you didn’t believe the ghoul could handle the whole group, but you just didn’t want to take your chances.

“Oh, yeah? And who’s gonna stop me? You?” The ghoul drew his revolver before anyone else could react, firing a shot directly at the raider’s head. “Whoops, I guess it ain’t gonna be him, after all.”

A stunned moment passed before the raiders were all launching themselves at him. You pressed back against the wall, watching how the ghoul moved with a swift, deadly grace. Two were down before they even knew what was happening. 

You moved from your spot to try to find some cover in case any stray bullets flew by you. Crouching by some rusted oil barrels, you kept your eyes on the action, listening to the ghoul laughing at a failed attack.

Then you noticed movement elsewhere. While he was facing off another three of them, a raider that had broken off from the rest was slowly inching closer behind the ghoul’s back.

Yelling out a warning would probably hinder more than help him, so you took a deep, fortifying breath and crept behind the raider. You tried to keep control of your breathing as you got closer, taking deliberate steps. You adjusted your grip on your weapon a few times, your palms sweating like never before.

But just as you closed the distance between you and raised the tire iron over your head, one of the other raiders yelled Watch out!

Still, you swung, striking him right across the temple with a sickening crack. He crumpled, knocked out cold, and everything moved quickly after that.

 In all the distraction, the ghoul dove forward and sank his knife into the nearest raider’s stomach. Then he turned them both around, using him as a shield before he shot the other two raiders.

Once they were all on the ground, he looked at you over his shoulder and grinned. 

“Well, well, look at you watchin’ my back for me,” he said, seemingly impressed. “Doesn’t make us quite even, but getting closer.”

You let out a breathy laugh, but your mouth suddenly filled with saliva, and you had to keep yourself from throwing up. All of the day’s events were starting to catch up to you, and adrenaline could only keep you on your feet for so long.

“Can we just uh… please?” You said, gesturing into the distance vaguely. “If I don’t eat something soon, I think I’m gonna pass out.”

He sighed, jerking his head to one side in a motion for you to follow. “Better hope there’s still rations in your pack, then, ‘cus I ain’t a free meal ticket.”

———————————————-

You slept for what felt like days, waking up disoriented to find the afternoon sun high in the sky. You rolled onto your back, wiping away the drool that had trickled out of the corner of your mouth. You were sure you looked just as terrible as you felt, but it was the least of your worries at that moment.

The abandoned parking structure you’d camped out at was cool and shaded, the wind blowing through it. It’d been dark by the time the two of you had found it, and you could only remember wolfing down some food before promptly passing out. 

Your wrists had been bandaged at some point, a small courtesy from the ghoul. Proof once again that he cared, despite his tough, biting exterior. The warmth you felt in your chest reminded you of what was still pending between you, and how it could wait no longer. 

You sat up and looked around, gathering your bearings. He wasn’t too far away, standing at the other end of the lot with his back to you. He was looking off into the distance, lost in thought. 

You watched him for a moment, wondering what was going through his mind. Wondering if maybe, just maybe, your thoughts were running parallel. 

Only one way to find out.

You got up, wincing at the deep ache in your muscles. You started to shamble over to him, but you only reached halfway before you were no longer brave enough to get any closer. 

“Cooper,” you called, voice tremulous. “… It is you, isn’t it?”

The ghoul turned around slowly, leaning back and crossing his arms over his chest. He was quiet for a moment, for once seemingly afraid to meet your gaze.

“Still stubborn as a mule, aren’t’cha?” he said, trying to mask the nostalgia in his voice with wry humor. 

You let out an amused huff. “Always drove the producers crazy.”

“Well, it wasn’t just them.”

Finally, he looked up at you, his gaze much softer than they’d been the past few days. At that moment – despite the ravages of time, radiation, and even misery – you could still see the Cooper you had always known. And while you were elated by the revelation, your heart also hurt to think he had undergone so much by himself, losing who he was in the process. 

“Why didn’t you tell me?” You asked, knowing it was likely a selfish question. “From the beginning?”

“I never… thought you would see me like this,” he said, swallowing hard. “After that night, when the bombs were dropped, I didn’t know what happened to you. I just assumed you were…”

“Dead,” you finished for him. “I thought the same about you.”

Silence hung heavily for a moment, and you weren’t sure if you should move or not. 

“What about your family?” You asked, bracing for the worst.

“Lost,” he said simply, a muscle ticking in his jaw. “I got Janey to one of the vault’s on time, but there was no space left for me.”

His pain was palpable, making your heart shatter anew. But how to take it away from him? It was impossible to just erase all that had happened, but you could at least help him shoulder the burden.

“Cooper…” you breathed, finally closing the remaining distance between you.

He shifted uncomfortably, angling his head away. You reached up to gently cup his face, making him look at you.

“A face not even a mother could love, ain’t it?” He murmured, braced for whatever reaction you’d have to him now. 

He expected disgust and rejection, but that was far from what you felt then – A yearning so deep you feared it would fully consume you. The world had fucking ended already, so why not confess how you felt? Nothing worse could happen if you did. 

“My feelings for you have remained intact for more than two hundred years, Cooper. You really think this is going to change my mind?”

He blinked in surprise, his eyes searching your face for any sign that you were lying. You merely smiled, open and earnest, letting him digest your words.

“That night, when you kissed me… My mind was all over the place. I didn’t know what to think, what to say, but you ran away before I could even try.” He chuckled weakly at the memory. “Somehow, I felt it was a long time comin’, but a part of me never thought it was possible.”

“I’m sorry it was all I could give you then,” you whispered, and he placed a hand over one of yours. “If only we had known…”

“Say the words for me, will you?” He rasped, face inching closer to yours. “I won’t believe it until you say it.”

You didn’t hesitate. “I love you, Cooper Howard. I loved you before, and I love you now, just as you are.” 

“You sure about that?” He said, but his resolve was crumbling.  “Not much room for love in places like this, especially with folks like me.”

“We’ll just have to make room for it then.”

He raised his hairless eyebrows, both pleased and amused at your conviction.“Just like that, hmm?” 

One of his arms snaked around your waist slowly, pressing you closer to him. Your eyes dropped to his mouth, desirous. The fire he saw in them ignited him as well — A long lost feeling that was returning to the surface with a vengeance.

“Bésame,” you sighed, mere seconds before his lips were melding against yours. 

You kissed with an almost frantic desperation, tightly clinging onto each other. It was the kind of kiss you had always dreamt of — devouring and insatiable, eager to fuse together.

His hands were curious but hesitant, roaming up to your ribcage and down to your hips, but no further. You grabbed one of his hands and placed it on your chest, not only as permission, but also so he could feel how your heart pounded for him. 

His own longing overflowed, clouding his senses. A part of him had still been unwilling to believe you could actually love — much less tolerate — what he had become. But when you moaned softly into his mouth, he knew he was a lost cause.

Unfortunately for him, he wasn’t very good with words that weren’t scripted. But fortunately for you, there were other ways he could demonstrate his devotion.

You arched into his touch as he palmed one of your breasts, a low sound in his throat. He moved to kiss your neck, lavishing your collarbone with his tongue. He wanted to kiss you all over, but he would need to get you bare first. 

You let him tug your blouse over your head, his gloves subsequently coming off. His hands were calloused as they returned to touch your skin. The tips of his fingers teased the waistband of your pants, and he smirked as you frowned up at him. 

“What? I wanna enjoy every moment of this,” he drawled, eyes dipping lower to watch your chest heave. “So many times I tried to imagine how I would do this. Sometimes I would unwrap you like a present… Others, well, let’s jus’ say I was like a coyote getting ahold of a chicken.”

You couldn’t help but laugh at the morbid description, strangely not put off by it. “How romantic. I’m still trying to decide how I’ll take yours off.”

He shifted, something like panic flashing in his eyes for the briefest second. “Hold your horses, sweetheart. I ain’t done with you yet.”

You understood his hesitance immediately, deciding not to push it for the time being. You had years of patience under your belt, and his trust was something you did not mind earning again. He removed only his duster, draping it on the floor. 

He undid your belt and knelt in front of you as you wiggled your hips to help him take your pants off. There was a puff of warm breath against your navel a second before he planted a kiss on it. You shuddered as his teeth snagged the hem of your panties, pulling them down.

There was a noticeable wet spot on the fabric, which made him groan. His cock was straining against his pants already, but he wanted to focus on you first. 

“Come here, you,” he rasped, grasping your hips and bringing you down with him. 

As soon as you were on your back, his mouth was on you again. He’d wanted to feast his eyes first, to take you in in your full glory, but he found he couldn’t keep himself detached from you for too long. 

He kept his promise, slowly working his way around. You surrendered to his adoration with ease, every caress and every kiss awakening every part of you. At some point, you reached a level of sensitivity that had you whimpering at the slightest touch. The light sting of his teeth on your nipples sent electricity straight to your core. 

He lost himself in your smell and your warmth and your softness – a supplicant finally worshiping at his sacred temple. When his mouth finally sealed over your clit, your back arched off the floor, taut as a bow. 

“Cooper,” you gasped, delirious with lust. “Please, I-I need… Let me touch you, something, please!”

He shushed you gently, arms wrapping around your legs. “Just lie back and let me take care of you, darlin’.”

You wished you could say you lasted some time under his ministrations, but you came with embarrassing ease. That first orgasm hit you like an avalanche, sweeping throughout your whole body. You clapped a hand over your mouth as you cried out, not wanting to be too loud and potentially attract unwanted attention. 

He let out a faint chuckle, lapping up your release with gusto and nearly making you come a second time. He found he especially liked teasing your clit with quick little flicks of his tongue, your moans higher pitched. You tried squirming away from him, nearing overstimulation.

“You’re killing me, Coop!” You couldn’t help but giggle hysterically, pushing at his head. “Por favor!”

He pulled back, grinning roguishly as he licked his glistening lips. “What can I say? Seems I can’t get enough of you.”

“Then take me already,” you pleaded. “I can’t wait any longer.”

He needed no further convincing. He unhooked his arms from your legs and his body slid upwards until your faces were level. He was quick to undo his pants and push them down, bending down to kiss you as he took his cock in one hand, stroking it. 

You brought your knees up to his sides as you tasted yourself on his tongue. Slowly, he pushed inside of you, leaning his forehead against yours so he could see your reactions. Brows furrowed, mouth slack, cheeks flushed – you were the prettiest picture, in his eyes. 

“That’s it,” he exhaled as he buried himself to the hilt. “Takin’ me so good, like you were made just for me.”

“You’ve a-already made it clear th-that I’m yours,”  you said with a teasing little smile that you could barely hold as he started to move. 

He remembered his words to the raiders, letting out a breathy chuckle. “I did say somethin’ like that, didn’t I? Guess it must be true, then.”

His strokes were long and slow at first, letting you feel every inch as he stretched you. His eyes were fixed on your face, drinking in your features and reassuring himself that it was not a dream. He knew he wouldn’t last too long either, for all he teased you about it.

He started going faster, the snap of his hips harsher, as you begged for it. Pleasure was overtaking him, wiping his mind clear of everything that wasn’t the present moment. Your name left his lips like a prayer, his eyes heavy lidded and glazed over with ecstasy. 

“Fuck, sweetheart,” he moaned. “I-I love you. Fuck, I love you.”

You clung to him, afraid that if your heart went any faster, it might stop altogether. Soon enough, he felt you tightly squeezing around him, and he knew you were close once again. He was right there with you, driven by your pleasure, and then you pulled him in for a kiss. 

He felt you tremble under him as you came, the intensity not letting you make more than a small, choked sound. With a long, rough groan and a deep thrust, he spilled inside of you. Lost in a feverish oblivion, having forgotten when the last time he’d experienced it was… if at all. No drop was wasted, in the end.

During the comedown, you lay there panting, his added weight on top of you comforting. You looked at each other and laughed, elated at the whole thing. It felt like no time had passed at all, somehow. 

“Tryin’ to steal my soul already,” he said, a fondness in his voice that made your stomach flutter. “Hold on, I need to get some RadAway in ya.”

Breathing heavily, he slowly pulled out of you and got to his knees. He tucked himself away and reached for his pack. He pulled out a yellow IV bag, which you recognized from Bud’s few lessons about the wasteland. You hadn’t even thought about it until then, but you were immensely grateful he had been prepared. 

He hooked you onto it delicately and slumped back down beside you, lying sideways. You grinned, snuggling closer to him. His fingers traced lazy circles on your belly as he looked down at you, adoring. 

The real world slowly crept into the edges of your mind, anxiety at being separated from him suddenly spiking. Now that you had him, there was no way you would just let him go. 

“I don’t know what I should do now,” you confessed, voice low. “I know I want you, and I want to be with you, but what about New Vegas? Do you think they’d send someone to look for me?”

He thought about it for a moment. “Maybe. It’s very possible, you never know. You’re more valuable than you realize, and I ain’t just sayin’ that ‘cus I’m biased.”

You snorted, shoving him playfully, but he continued. “But… I think I should still take you there. My sort of lifestyle in the wasteland ain’t for you, darlin’. I almost lost you once already, very stupidly.”

“That was my fault, though,” you said, pained at the guilt in his voice for not being able to protect you.

“Everybody makes mistakes. You could make a hundred more, but one of ‘em might just cost you everythin’. I ain’t takin’ those chances.”

“Well, you’re certainly more forgiving now…” you muttered, rolling your eyes. “But then what? You’re not just gonna drop me off at twenty one for safe keeping, are you? I would kill you.”

He laughed. “Oh, I don’t doubt it. But it won’t come to that, we ain’t stayin’ in the vault.”

“Oh? We aren’t?” 

“There’s a few settlements out there that are safe and, uh, friendly to my kind.” He cleared his throat, not wanting to bring much attention to his current state of being. You took his hand, squeezing his fingers, and he returned the gesture.

One day, you would make sure he would never doubt his worth ever again. You admired his strength and perseverance, soldiering through an unforgiving environment, continuing to live. He was certainly different from the hero that he always played in the movies, but he was a hero nonetheless. In your eyes, at least.

“Well, well… That’s all it took to bring you to your knees, huh?” You teased, raising an eyebrow. “You really thinking of settling down?”

“Oh, I ain’t retirin’, sweetheart,” he said with a huff. “But if you’re askin’ if I’m thinking of going steady with you, well…”

The two of you shared a knowing look, smiling at that echo from the past. At that moment, you felt that things might just be okay after all. You had been through worse things, jumped through bigger hurdles, and yet you had still arrived there. Who was to say you couldn’t handle more?

“Kiss me then, and let’s seal the deal.”

------------

[othernaut]

"Why Are They Like That?" Scavengers Reign edition:

Chris, Barry, and Terrence show distinct reactions to having all lived through trauma. I recognize my own reactions so keenly through every one of them.

Barry distracts himself. The world is surface-level and wonderful because it's all so incredibly temporary. I read him as being in a practically permanent level of dissociation; I wouldn't be surprised if he's older than he reads. He refuses to think about loss because one little prick in the balloon sends all the rage and pain screeching out. I also read him as autistic, but his childishness seems to me more as an urge to live in a world where the loss isn't, same way you'd hide from a violent home by putting on headphones and playing a video game.

Chris rationalizes the loss, tries to pick it apart, find an explanation. She holds a deep, abiding belief in rituals, mantras, and philosophy, as keeping loss at an intellectual level means the pain is far less acute. Her confidence is an incredibly thick shell, but it's still a shell, and it's grown to the level where she's able to maintain unity in her group but probably won't be able to stand up to a challenge of leadership. That's when she falls apart - when she's proven wrong not by circumstances, but by an argument she can't refute. And she needs that proof to grow - otherwise, well, she gives off very strong cult leader vibes.

Terrence is people- and community-focused. His drive is to acknowledge pain and make sure no one feels the same things he did. This leads to personal recklessness as, well, we've seen. He wants to find a way for everybody to be happy and he will give all of himself that there is in order to make that happen. His weak sense of self won't stand up to a bad call or challenge the status quo, but it will slip in through back doors and cracked windows and offer comfort wherever he can, regardless of deservedness.

It's questionable how much of the Healer Woman was still in there. Likely the same muteness/deafness happened to her husband and his death, given her eventual state, was unnecessary. She likely had the same drives and opinions she did before infection, as the parasite doesn't seem to want to interfere too much in who its hosts are, just what they do to serve it.

Which is why Sam's mania and renewed vigor read as weird. We haven't seen very much of his past, but there's something curiously military in how he interacts with others - specifically, I think his focus on his friends and comrades as well as his decision to work his very dangerous Space Captain job comes from not being able to adjust to civilian life. He's thought about dying; he expects it. What's intolerable to him is the long, slow, banal details of getting groceries and making small talk. It's everyone else's normal life that he finds offputting and unreal.

Which is why it's so precarious, how much Ursula needs him. We know even less of her past than we do of Sam's; she seems more a part of the planet than she is her own life. She, and the Healer Woman (y'now, before) were the only ones who interacted with Vesta like scientists, and I read Ursula's gratitude as much as a need to connect as what it is on the surface. She's also the only cast member I get straight-up depression vibes from. It's an ironic thing, that she'd be best suited to survive Vesta on her own but, also, least likely to be able to stand the solitude.

Azi is the toughest member of the cast, no question, but we see her exceptional adaptation to solitude even on the Demeter. She cares for people - very deeply, in fact - and seems to need to be loved, but is comfortable keeping that love at a far remove, as a fact to be considered in solitude rather than something that needs to be constantly reinforced. This speaks to me as a curiously sci-fi thing - the notion that knowing people are out there, knowing they love you, but being unable to touch them, unable to confirm it. Which is why she was so comfortable seeing Levi as an object; if Levi was a person, then that came with all the complications a person usually does. And why it was so comforting to see her do the right thing once she realized Levi's sentience.

Levi...

I still hold out hope for mold-Levi.

Finally, Kamen. He's a dick, absolutely - but I read his dickishness as stemming more out of pretty much constant panic rather than anything else. You can read it in his movements, in how he speaks, in how even in his few moments of happiness he seems ready to back away and redirect at even the slightest hint of doing the wrong thing. He is in constant, complete terror of losing everything, so much so that his fumbling, destructive actions bring about the loss he's so desperate to avoid. His non-action over the last... Four episodes? Complete shutdown.

I know he doesn't "deserve" it, but I'm honestly hoping for a redemption for Kamen. These kinds of panic disorders rarely get any kind of media play, and when they do, they're either fixed by a pat on the shoulder and a "there there, don't be cry", or just continue on, unsolvable. I want to see what the other side of this looks like. I don't think he should die for his sins - I want him to live with them, to spend many long days in the same room with them. I want him to try to make things right and, when he can't because it's not like pushing a "fix things" button, to keep at it for the rest of his life. This, to me, is punishment.

[just-a-little-cellist]

Lord Of The Rings Preferences: Their Kinks

(A/N: NSFW warning for this one obviously :P have fun and let me know if there's more scenarios you want

!!edited to add characters!!)

(Includes Sam, Pippin, Aragorn, Legolas, Boromir and Faramir x AFAB reader)

Sam:

Praise - Sam absolutely needs to know he's doing a good job when he's with you, and he loves hearing your breathy voice complimenting him so much that he's started to associate compliments from you in general with sex (this has led to some very interesting moments when you're out with friends).

Body worship - This goes both ways. He thinks you're the most perfect person he's ever seen and will spend hours showing you that given the chance. He sometimes struggles to accept when you do the same for him, but you make him feel so good about himself that he can hardly bring himself to refuse.

Blindfolding - The prospect of being blindfolded is a little too daunting for him, since Sam is relatively vanilla, but the couple of times he's blindfolded you have been incredible. He finds it makes him able to relax a little more since he isn't being watched and he can really lose himself in the moment.

Pippin:

Manhandling - Look at this hobbit and tell me this isn't the brattiest sub you've ever seen. When he's been bratting, being manhandled has a tendency to push him into a submissive headspace - he realizes how small he is and how that leaves him fully under your control.

Edging - He will never admit how much he actually enjoys this. He has no patience and will whine every time you deny him release, but he knows from experience that the more you edge him, the better it'll feel when you give him what he wants.

Exhibitionism - Pippin doesn't take huge risks with this kink since it's more a way to tease you instead of actually wanting people to see. It's never anything out in the open, but if you just so happen to be sat around a table at a meeting and Pippin just so happens to be hidden beneath your skirt with his tongue against your clit, that's no-one's business.

Aragorn:

Bondage - Aragorn enjoys taking a dominant role in bed, and part of that usually involves having you tied up in some way. On occasions where you have less time it may just be your wrists, but he likes the intricacy of shibari and thinks you look so beautiful fully at his mercy. (The slightly sadistic part of him also likes watching you struggle when he teases you.)

Roleplay - This isn't something he indulges in as frequently as bondage, but every so often, especially once he becomes king, Aragorn needs to mentally step away from real life with you. Briefly stepping away from those expectations also means he's more willing to experiment and it's when he's at his roughest with you - probably for the best that it's infrequent since on a night he truly lets go, you don't walk properly for the next few days.

Marking - Leaving visible love bites on your neck is less appropriate once he's king, but before then he likes the mark of possession and the rush it gives him whenever he sees them. Aragorn also likes being marked in return in whatever way you like, whether it's hickeys, bite marks, or scratches. He'll wear them proudly despite the teasing remarks from the Fellowship.

Legolas:

Overstimulation - Legolas enjoys this applied to either of you. He will happily pull orgasm after orgasm from you until there are tears running down your cheeks, but he will not even think about complaining if you decide to do the same to him. Overstimulating him does put him in a very submissive headspace though, so be prepared for plenty of aftercare.

Sensory deprivation - Elf senses being so acute can sometimes become overwhelming for him, so taking that away and just letting him feel is such a relief. Not being able to see and hear every little thing quiets his mind and heightens every touch you give him, on top of how sensitive he already is. You are the only person Legolas trusts enough to be this vulnerable with, and he will more than make up for you doing all the work the next time.

Choking - Legolas doesn't enjoy the feeling of not being able to breathe, but choking to restrict blood flow feels better than he ever could have imagined. The head rush makes everything you're doing feel ten times better and he can't get enough. He doesn't choke you in the same way but if he cums faster watching you choke on his cock? That's none of your business.

Boromir:

Authority - Boromir isn't really one for aggressive domination in the bedroom, but he does like to have a level of authority, and this mostly comes out through the use of honorifics. He likes being obeyed, but he's gentle about it - if you call him 'sir' or 'captain' he will melt on the spot and you're certain to get a reward.

Voyeurism - He loves nothing more than to admire you, and there is an element of power exchange about voyeurism that Boromir likes. He'll often make you lie bare on the bed in front of him and touch yourself, and just the trust required for you to be that vulnerable makes him feel a lot. He also just loves watching your cheeks flush when you make eye contact with him.

Breeding - This is a bit more of a low-key kink, but Boromir adores the intimacy of finishing inside you - you also haven't missed how fast he gets going again when he sees his seed spilling out from you. On a slightly more wholesome note, when he's holding you afterwards he can't help but think what a wonderful parent you would be if you did end up with child.

Faramir:

Hair pulling - I definitely think that Faramir is a switch and this is something he likes to be on the receiving end of when he's feeling more submissive. He doesn't like sex to be particularly rough, but lightly tugging his hair adds an extra spark - especially when he's eating you out, he just takes it as encouragement.

Pegging - He was incredibly hesitant about this when you first brought it up, concerned that you might look down on him if you thought he was too vulnerable (bullshit he is perfect), but once you tried it he was amazed by the feeling. He discovered that he likes you taking care of him sometimes, and as hard as he tries he's always a lot louder when you're the one fucking him.

Orgasm control - Faramir doesn't usually edge you very much when he feels dominant, but he enjoys having enough control over you that you start begging him to let you finish. Your begging is normally met with playful teasing comments or praise ("you're taking me so well, my love, just a little longer~"), and if he's fucking you then he makes you wait until both of you are on the edge before letting you cum together.

Bonus:

Facesitting - Ok I was trying to pick who this was best for and realized it's all of them. All of them will practically beg for you to sit on their face at some point. They all love giving oral so much especially from that angle, either because of their submission to you or to watch you struggle to hold yourself up while they pleasure you, and you will usually end up with light bruises the next morning from them gripping your thighs.

[nrdmssgs]

The dropouts (part 4)

Masterlist

Part 1 I Part 2 I Part 3 I you are here I Part 5 I Part 6

Genre: Angst, hurt/comfort, action, slow burn.

Pairing: Olga 'Zhar' Samoilova (OC) x Nikto

Summary: Some things you teach Chimeras, other things - they teach you.

TWs: This whole series will be revolving around a person living with an acute dissociative disorder. Swearing.

AN: I am very happy to welcome my dear Phayvanh "Nak" Sotsvahn She belongs to @vasyandii who helped me make this chapter happen.

This seemed like a good idea until Nikto actually turned it into reality. It was quiet in his head while he planned the class and arranged his visit to the Chimera base, the voices didn't awake even on his way there…

But now as he's sitting in a room gradually filling with Chimera soldiers, reading a list of names again and again, skipping a few crossed out ones, they come to life.

“What if she comes?”

“She's going to ruin everything.”

“If she dares, I will ruin her.”

“No, you won't. Too soft. Weak.”

“Let us get closer to her. Let us look. Touch. Break.”

“Vsye v poryadke?*” Nikto flinches, noticing a short figure beside his chair. He raises his eyes on a young woman. 

To Nikto she looks slight, almost delicate. But an air of determination, he can almost taste around her, seems at odds with her youthful appearance. He feels a pang of something akin to sorrow mixed with fury. She looks almost too young to be here, too young to have been thrust into the harsh realities of war.

Forcing himself to look away, he returns to the list in his hand and finds a name that might suit her.

“Ty Phay- Fai- Fai-vahn, da?*” He tries his best to not butcher the unfamiliar name.

The woman freezes for a moment, her body tenses, posture grows defensive. She reaches out, pulls the sheet of paper out of his hands and writes ‘П-А-Й-В-А-Н’ next to her name.

“Ne pytaisya po-anliyski chitat`. Vot tak nado.*” She hands the paper back.

Nikto thanks her awkwardly. Chimeras seem to know more about him, at least they all figured out what language is his native even before he opened his mouth.

“Think the mask will keep you from losing your face?”

“Her name is crossed out, but she will come just to laugh at us.”

“At least this way she might notice us.”

“Shut up,” he hisses, seemingly quiet, but all the noises die in the class in the very same moment. 

Soldiers look at him with the silent intensity, and the last bits of confidence leave Nikto. He knows how to command, how to force in the worst case scenario, but this is new. Here he has to tell his story, not missing a single detail, and make sure they remember him well. He might have started this all just to meet Zhar again, but Nikto is damn serious about this training. If it helps to make their lives longer, if it helps her in any way…

“I'm Nikto. I will teach you some major survival tactics in prolonged tortures. We will have this evening and tomorrow to get things done.” He decides to skip the embarrassing part where he explains, that the ‘shut up’ wasn't meant for the auditorium. 

Phayvanh opens a notebook with such a mundane expression, as if they hear such lectures on a daily basis. Next to her sits Krueger with his arms crossed on the chest. At the base, he abandons his tactical net, so nothing masks his crooked smirk, when he raises a hand and asks without waiting.

“What makes you the expert?”

Nikto stops roaming through his notes and looks up. His gaze seems to make even Krueger uncomfortable, so he clarifies the question.

“Each of us here has some experience in… interrogations. Some more, others - less. What gets you to be the guy before the white board.”

Nikto huffs. “My story is not that fun to hear.”

Or to tell.

“Come on, man. This is not a Sunday book club with little tea cups and cucumber sandwiches.”  Phayvanh punches Krueger under the desk, but he goes on. “Show off, brag, shine a little, friend. How much they held you? A week? Two?”

Niktos eyes harden. Something told him, this might end this way, yet, he hoped, it wouldn't. He tells himself, it's not about his vulnerability - it's about the stakes, he will be talking about, as his fingers reach the first strap of his mask. The stakes they will have to be ready to make after these classes. He takes the last look at the room and makes sure once again, she is nowhere around. 

With slow, deliberate movements, Nikto unfastens the mask. He hesitates for a moment, then pulls it away, revealing the full extent of his injuries.

There are no shocked gasps heard - only a lone whistle and someones muffled ‘fuck’ reaching his ears. Because what he shows them is not just a few scratches - it is a battlefield and a grave. His skin is heavily scarred and burnt, twisted in unnatural ways. Half of his left ear is missing, and his cheek bears deep, jagged lines. His face is enough to make some people run in fear. Not from him, but from the amount of pain one can survive. “The living will envy the dead” - that's what his face is about.

“Two thousand forty-one hour. Eighty-five days.” His tone is flat, calm even. It's not his place to share his pain - only his expertise. 

***

Their class goes surprisingly well. Chimera soldiers are catching every word leaving his mouth and ask smart questions, that sometimes leave Nikto himself wondering if there is a right answer to them. Although he hasn't that much of a theory teaching experience, his first try at it feels nice, kind of empowering even.

Nikto lets the feeling sink in after everybody else leave the room. Usually his guts would tell him otherwise, but right now sitting here in peace without half of his gear and completely unarmed feels ok. For some weird reason, nothing seems to be able to bother him. 

He fixes the straps of his mask, making sure it sits firmly again, and leaves to an already empty hall. Distant echoes of chatter and ambient noises barely reach this place. Without any thought behind it, Nikto just turns left and walks to see if this road leads him anywhere but an endless row of closed doors. He isn't trying to be nosey - just wants to give his legs a stretch.

To his relief, there is in fact one door open wide. It must their gymnasium - a dimly lit hall, the fading daylight casting long shadows across the room. The faint sound of punching and the rhythmic thuds of kicks echoes softly, punctuating the otherwise still air. In the far corner, illuminated by a solitary overhead light, Zhar is training with fierce determination.

Nikto doesn't know much about art, doesn't really care about all these museums, pictures, statues. He is as far from this world as it is possible. He thought, his knife collection is the nearest thing to art, he ever saw. But right now this changes forever deep in his mind. Because he sees art.

She moves with a fluid grace, each punch and kick precise and powerful. Despite not so young age, her form is impeccable, her movements a blend of strength and agility. The dummy in front of her bears the brunt of her relentless assault, swaying with each impact.

“How is this possible?”

“How is she possible?”

Nikto ignores awakening voices and watches, captivated by the raw power and beauty of her movements. He had seen many soldiers train, but there is something different about her - something that set her apart. And Nikto feels that just one more minutes needs to pass, and he will understand, what's the secret behind her movements.

“Stop ogling my lieutenant.” Nikto quickly turns back and meets Nikolais smirk. “Stop ogling my lieutenant and go talk to her.”

Before Nikto has time to react - Chimeras leader pushes him forward.

“I was looking for where you guys eat. Just the wrong door,” grumbles Nikto quietly. 

“Mhm, of course,” hisses Nikolai and giving him a final push adds louder “Olya, look who came to visit you!”

Dammit. So much for trying to not be a creep.

“Is it my little-” She turns back to them and a wide bright smile on her face weakens. “Oh. Hi.”

He still mentally disputes on turning back and leaving, but Olga steps away from the dummy and reaches out to him, so Nikto comes closer not wanting to make her wait awkwardly for a handshake.

“Nice having you here. Sorry for skipping your class, my last meeting ended way too late.” A touch of her fingers against his exposed skin echoes down his spine. Nikto tries to shake the feeling off with a joke.

“Nah, this won't be on the test anyways.”

She chuckles. Nikto saw her ‘work smile’ and he genuinely hated it. Too plastic, too fake for his tastes. But this is completely different - Olga somehow makes the whole room brighter and more safe. A subtle ornament or crinkles at the corners of her eyes, two soft dimples, the way she throws her head slightly back - this all feels precious, important. He drinks in the sight of her as she returns to the dummy.

“I want to work on one last thing here and then I'll go show you our common room, ok?”

She wants him to stay here? She will feel safe?

“No objections, lt.” Nikto leans against the wall watching her readjusting the dummy.

Zhar loosens a few fastenings around the dummies base and tries to move the main construction up, but it remains steady. She grunts and tries again, but nothing changes.

“Andrei, mat` tvoyu, ne nachinai!*” Nikto flinches at these words and looks at Olga.

Not entirely sure if he even got what she said, Zhar adds embarrassedly ‘I was talking to the dummy, we call him Andrei. This thing’s seen better days’.

“Then we happen to share a name.”

Nikto approaches and tries to help her readjust an old cranky construction, but the outcome is the same. "How about you train on me instead?" he suggests. "I'm taller, and I can take a hit."

“I don't enjoy the concept of treating a fellow soldier like a punching doll.” Olga frowns and shakes her head.

“Nah, you won't even notice the difference. Same name, same attitude. Besides, it's not like you can hurt me," he adds with a short chuckle. This last phrase may have been uncalled-for, because the lieutenant moves away from him a couple of steps and takes a fighting stance.

“My rear hook is getting worse lately. Need to work on it.” Zhar takes a deep breath, centering herself. “But I'm not beating a guy who doesn't defend himself. Thought, you remembered it after the first time we met.”

Ouch. So she does bite back when provoked. 

Nikto raises his hands slightly, ready to block if needed. “Whenever you’re ready,” he says, his tone seemingly flat despite the voices forming a good dozen of less neutral reactions.

Her eyes lock onto him, determination flaring anew. She begins with a series of high punches, aiming for his shoulder level. He blocks and parries, his movements fluid and controlled. She quickly adjusts her stance, her confidence growing as she finds her rhythm.

Her kicks come faster now, more precise. Yet Nikto notices the slightest pause in the middle of her rear hooks, just as she claimed. 

“You’ve got quite a punch,” he notices. “Keep going, don’t hold back. A bit faster so that I can't catch you in the middle of it.”

She pushes herself harder, her strikes becoming more aggressive, but there's still this little slowdown in the middle of her blow. And Nikto uses his reaction to demonstrate it. He meets her hand in the midflight and pulls her forward, causing Olga to lose her stance and improvise. She opts for another blow, Nikto feels that he's lacking time to keep pulling her and evade the punch at the same time, but still highers the other hand to defend himself.

It all happens so fast, he doesn't realize at first, what exactly he's done. His hand slides forward, and she hisses, when his wrist grazes against her head. He lowers his hand, but for some reason she follows it, falling on her knees before him. 

Nikto freezes in certainty for a moment and descends after her. Zhar reaches out to his hand and tries to pull it slowly away, and he finally sees it. The massive clasp on the sleeve of his suit got tangled in her hair, causing pain with every movement.

He curses and immediately starts untangling it.

“I'm sorry, I didn't think, fu-”

“The hell are you sorry about?” Olga cuts him off, and he notices that there is no fear or pain in her face expression - only calm satisfaction. “I came unprepared - I had it coming. Good fight, soldier.”

As he helps her to untangle the last strands of hair and stand up, it slowly gets to him: while he is here - she treats him as one of her own, and that includes celebrating his victories, even those that might feel undeserved. This is a strange feeling, but he likes it: to not just be here, but to belong, stay a part of something, she pours her heart into. 

***

It's not every day that Chimeras second in command walks in the common room with a sweet smile and without someone torturing her on the phone. Even on a more rare occasion does she stay in the dining area and not just grab whatever is left to eat and retreats back to her office. So while everybody tries to not be too obvious with their interest - they still can't hold back occasional long gazes. At some point, Krueger even suggest that he goes to join Zhar and their guest instructor, but Phayvanh grips his shoulder and pulls him back.

“You sit here and don't spoil anything.” Naks voice is cold and commanding.

***

After the dinner, Zhar leads Nikto through the living section of the base. Sometimes she excuses for the state of wall paint or an old door. ‘We are moving soon, so we didn't do any renovations here lately,’ she tells as if Nikto came here to inspect the state of their spaces.

“I figured, you would like a room with more privacy. No shared bathrooms, a more quiet part of the building, and so on. Due to the…” she draws a circle in the air in front of her face and Nikto guesses that she is talking about his mask. 

Usually this detail only causes annoying questions. But with her everything is different. No jokes, no unpleasant attention - just an attempt to help.

“Thank you,” he exhales as Olga unlocks the door.

At first glance, Nikto realizes that this is someone's room. Papers on the desk, a jacket hanging on the back of a chair, something large and shapeless lying in the far corner of the bed - it turns out to be a shark plushie, all this suggests that someone already lives here.

"Will the tenant mind?" He freezes on the threshold, looking at her with disbelief.

“This is my room,” she answers innocently.

“But what about...” Nikto points at the bed.

"Oh no, there was only one bed, what should they do!” Zhar sighs in an exaggerated, theatrical manner and cracks laughing. “Don't worry - I'm not going to sleep today anyway. I'm leaving in the night, need to pay a visit to our new base. Until then - I have a ton of work waiting for me in my office anyway.”

“But-”

“Nikto, enough ‘buts’. Our free rooms serve as storages now, I can't materialize an extra bed for you out of thin air, and I'm not letting our guest sleep on a floor.” She pats his shoulder and pushes him deeper in the room. “If you need anything - my office is three doors down the hall.”

She doesn't leave him any time to react, closing the door.

*Vsye v poryadke? - (here and further Russian) Everything's alright?

*Ty Phay- Fai- Fai-vahn, da? - Youre Phay- Fai- Fai-vahn, yes?

*Ne pytaisya po-anliyski chitat`. Vot tak nado. - Dont try to read it as if was in English. Heres the way to pronounce it

*Andrei, mat` tvoyu, ne nachinai! - Andrei, for fucks sake, don't start this now!

[actual-changeling]

Focusing a bit more on their ptsd lately because I want to and I can, this is set a few weeks after they got to Jackson so still pretty early on. Completely fluffy though, promise!

-

There is nothing worse than being alone in a crowd with no one to have your back.

Ellie's hypervigilance is in absolute overdrive after Silver Lake whenever she isn't too dissociated to perceive anything at all, and leaving the house becomes a choice between constantly looking around and driving herself half insane trying to look for something, anything dangerous and gritting her teeth and pushing through it while her brain screams at her that the worst things imaginable are seconds away from happening.

Both options are terrible, both leave her shaking and on edge, and any loud or unexpected noise makes her jump even when it is three streets down and completely unrelated to her. Going outside isn't safe, isn't fun, so she doesn't, and she is acutely aware that it's a problem she will need to solve one day, but for now her skin is stretched less tightly over her bones and the back of her neck only gives her the occasional jolt of paranoid electricity.

It doesn't even fully occur to ask someone for help when there is a movie at the theater she really wants to see that night, she thinks about it all day with a heaviness in her heart that almost has her put on her shoes and go anyway, but then the bell ringing for lunch has her almost falling out of her chair and she settles with the sour taste of defeat on her tongue. She would ask Joel to go with her, but they both know he is just as jumpy as she is, especially with her around in a closed space, and yeah it's a problem, but for now it is what it is, and she doesn't ask.

However, while she forgot about the obvious solution, Joel didn't.

That evening, Tommy comes over, which in by itself isn't surprising, that man is more at their house than at his sometimes, but he doesn't take off his shoes like he always does and waits for them in the hallway instead. She leans against his side in the greeting half-hug they tend to do, his arms around her shoulders, and the weight of it in her neck does the same thing Joel's hugs do - they absorb the panic and let it run through them into the ground, redirecting the lightning jumping across her skin. Ellie looks up at him and her face lights up before Tommy even gets the words out, putting two and two together and vibrating with excitement so bright she can't even feel stupid for not thinking about it herself.

"Ready for movie night?"

"Are you sure?"

Asking him that feels like she is stomping on a christmas present before even opening it, but her fingers are twisting in her shirt and joy is a warm, yellow sun in her chest, and she needs him to wants this as much as she does or she will feel bad for dragging him along. His hand settles on the back of her head and her gaze flicks between him and Joel, who is watching her and her only.

"Are you kidding me? Alien? Of course I'm gonna go see it, it's one of the best fucking movies ever."

There is a few seconds of silence and dizziness shoots straight into her head when she forgets to breathe, but then she falls forward and squeezes Tommy so tightly she can hear the air rushing out of him before letting go to put on her shoes. She is so focused on getting there before everyone else so they can get the best spots, planning out the quickest path to the building (although there really aren't that many options, more like three and a half possible routes), she only realizes Joel is shrugging on his jacket too when she turns to say her goodbye for the next few hours. There's a familiar tightness in his jaw, and she is pretty sure there's at least a knife somewhere on him, but his eyes are soft and she realizes that Tommy isn't just an additional anchor of security for her.

Paranoia grows all over her skin, a deep-seated itch she can never scratch enough, but Joel is right next to her and she can hear Tommy's footsteps behind her, and it is enough to keep it subdued enough for her to handle. They all silently come to the agreement to sit near the side rather than in the center, neither of them fully comfortable with being surrounded by people like that, and having space on one side, Joel on the other, and Tommy behind her makes it easy to forget about everyone else once the movie starts.

She jumps when someone accidentally kicks over a chair, and Joel gently squeezes her hand whenever she crushes his during the few times her brain tries to convince her everyone in the room is out to kill her, but they all make it through the next few hours without chewing on their panic the entire time. Tommy's quiet comments from behind her make up half the fun, and on the walk back, she paces circles around them while talking a mile a minute about a conflicting mess of a thoughts she cannot sort through in her excitement; Joel watches her just like he has been doing the entire night, and she doubts he heard a single line from the movie. The tension in his jaw has dissipated, though, and her lungs expand without resistance.

They stop right between their two homes, and for the first time since arriving in Jackson, Ellie feels almost sad to go back inside again. There's a moment of silence before she wraps herself around Tommy in another hug, her thank you a muffled whisper against his chest before she leans away, and it is hard to tell whether she is thanking him for having her back or for being family.

"Any time, sweetheart."

Both, she decides, and they all know without having to say a single word.

There is nothing worse than being alone in a crowd, but she is no longer just by herself, and although she forgets sometimes, there will always be someone to have her back now.

[bylerbigbang]

Teal Streaked Ribbons

Fic by @gardenfaerie | Art by @solisevart

Teen | 17k words

Everything should be perfect now. The Upside down was gone. Will was attending college. And he was in a happy relationship with Mike Wheeler, the boy he loved since forever.

But there was one glaring problem: Mike clearly wanted to take things further in their relationship. And despite Will wanting the same, he couldn't seem to shake this mental block that was putting a divide between him and Mike.

After all, how was he supposed to explain to his boyfriend that his body hasn't quite felt like his own since everything Henry did to him?

Warnings: Discussions about sexual assault, Implied/referenced sexual trauma, Implied Sexual content, Fade to black scene

Read on Ao3 | View Art

Read an excerpt below:

It was a dreary, rainy night when things got especially bad.

Will woke up gasping.

He’d never had one that bad— that graphic, and violent, and… vivid.

He sat up with a choked sound, tears streaming down his face.

As he tried to control his breathing, his trembling frame was suddenly brought into warm familiar arms. He hadn't even registered when Mike woke up.

Mike rubbed soothing circles into his back as he murmured, “Hey, it’s okay, you’re okay. You're safe, I’m right here.” He pulled back just slightly to wipe the tears from his cheeks before tucking him under his chin.

Will sighed and let his body go boneless and pliant against Mike’s chest. He knew he was being selfish for not telling Mike to just go back to bed. After all, he had early classes and Will was the one disturbing his sleep at 3am. Still, the soothing strokes of Mike’s palms against his shoulder and back felt too nice to give up so quickly, not when he’d been shaken up so badly. And so they stayed sitting like that a little longer, with Will’s head resting against Mike’s chest, and body curled up and tucked between his legs.

“So, what happened?” Mike was the one to break the silence.

“Just,” Will faltered slightly, “the usual you know.”

“Seemed a lot worse than the usual.”

Images from his dream flashed across his mind. Will closed his eyes, the rain pattering against the windows filling his head like white noise.

“C-can we just go back to bed? I don’t really want to talk about it.”

He leaned forward away from Mike, to look at him over his shoulders. His lips were pulled into a frown and his eyes scanned over Will uneasily. Mike clearly wanted to know more, but he only sighed and said, “Yeah sure, of course.”

When they laid back down, his hold on Will felt tighter than usual, and Will could acutely feel the rise and fall of his chest against his back. Will’s eyes fluttered shut, liking the added weight of Mike’s palms against his chest. It comforted him, and made his troubled thoughts recede just a little. He was still wide awake, but at least he felt safe.

A couple minutes passed in silence, when Mike suddenly whispered “Hey,” his lips brushing against his ear. Will flinched a little in his hold, caught off guard. He thought Mike had dozed off already.

Mike’s voice was scratchy as he spoke, clearly in the process of drifting off to dreamland. “I know you said you don’t want to talk about it, and that’s okay. But just remember, I’ll always be here if you ever want to talk okay? I’m not going anywhere. We’re a team, yeah?”

The last of Mike’s words drifted and faded out like a ripple stretching into a vast ocean. With a sleepy kiss placed onto the back of Will’s shoulders, Mike’s arms relaxed around him and he nuzzled into Will’s neck, before sleep at last seemed to overtake him entirely.

Will blinked in the dark a few more times, his boyfriend’s soft words ringing through his head.

“But what if telling you makes you love me less?” he whispered into the darkness.

Read more on Ao3 >>

[tenebrius-excellium]

I don’t know how this narrative principle is properly called in English but today I finished reading an academic paper on “backend vs. frontend motivation” in stories and I am nerding off big-time.

One of the most important elements of modern media to me, especially in film, is for it to be motivated from the ‘front’, that means from the beginning. You gotta have a starting conflict so well fleshed out that it justifies all which comes next in a domino chain of such bulletproof logical consequence that it cannot be questioned until it inevitably culminates in the grand, satisfying finish. Only then is an ending good and only then can it be truly enjoyable.

The best example of which that remains to this day is How To Train Your Dragon.

In my opinion this movie leaves no room for a different ending. Were it to be replayed thousands and thousands of times, it would always unfold the same way. It’s that solid. Solid in its core conflict, in its character designs, in its stakes. It would choose to happen the exact same way again every time. Everything is in-universe consistent and character-consistent to a T. I believe luck, or chance, played a role in the creation of this movie because humanity is just not able to think up something as perfect as this on purpose.

While the sequels are - generally speaking - good, the failure to recreate the artistic mastery of the first movie can be seen in them. Glimpses of the original magic do appear more often than I had feared, which pleasantly surprised me for both the second and the third movie. However, both sequels have obvious weak points. The first movie has none. None. It’s somehow flawless.

I attribute its success to strong frontend motivation. There is an age-old war yet it threatens the current generation’s survival as acutely as it did on the first day. The People are tired and it’s either the annihilation of the enemy or resigning themselves to poverty and death. Berk is backed into a strategic corner and while Stoick is far from giving up, he doesn’t know where to take fresh ideas from. The absurd third possibility of talking peace with the dragons comes from the innocence of a child human and a child dragon. The grown-ups couldn’t have done it, yet so unexpectedly balance is achieved. It’s brilliant.

Httyd1: Shitty war -> needs to end (peacefully if possible, because the vikings are not bad people...but Stoick doesn’t see hope). + DRAGONS.

Httyd2: Hiccup Will Be Chief, therefore let’s throw some growth at him and kill off Stoick so that the two won’t fight about how to run the village later (because that would be in their characters).

Httyd3: The Dragons Will Leave, therefore let’s create an artificial villain, and a convenient dragon girlfriend, and make Toothless ooc to achieve it.

See, Httyd gradually declines into using backend motivation and that’s why the third movie works even less than the second. At least Httyd2 had a strong middle, that is, from Flying With Mother til Hiccup starts talking to Drago. Don’t make the mistake of buying into the rest: Nowhere was the topic of Hiccup becoming Chief even a thing before Httyd2. Also, Hiccup behaved ooc with his sole focus on dragons (at the so-uncaring-that-it-must-be-intentional expense of humans) and the no-kill rule. And Stoick died not from a plasma blast, but for plot convenience.

The third movie, in turn, gave Hiccup his original character back and bestowed a glow-up onto him and Astrid and their relationship, but at the cost of Toothless’ personality and backstory... and the general in-universe logic, such as Grimmel’s hollow arc (stressing his intelligence when he’s clearly NOT). You see, both movies have their strengths, but it just doesn’t work when the creators think up the ending first and are willing to bend everything else, however painfully, to achieve exactly that desired ending.

The newest marvel of frontend motivation done right is of course Puss in Boots: The Last Wish. The reason why it’s just so good is because the arc of Puss eventually losing his lives was not a forced narrative, simply conjured up to Have Puss Do More Jiggling On Screen. It was an innate part of his self, already there in his character from the start, and was inevitably going to become a problem some day. The creators made the most of it by dealing with it not after 8 more daring adventures that were clearly fabricated to generate money in theaters (what a nightmare to think about), but by insinuating that Puss has already lived some of those lives, giving him depth. Because we have not seen all of them, yet our famed hero has been shaped by them.

One could argue that the quest for the Wishing Star was a little too cheap of a narrative. But Puss has been a serious character stuck in a world full of dumb magical creatures and artefacts before. That’s literally the universe he lives in. So it works. And ohh, how magnificently it works.

So anyway. Front-end motivation, people. Has usually better characters too because the plot is tied to their consistency. It makes the ending of their story depend on themselves, not on ex-universe tinkering or budgets. Use it more, please and thank you.

[cal-daisies-and-briars]

🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼

153 for BuddieShannon:

---

Buck feels a bit embarrassed. 

“Okay, yeah. That makes sense. Sorry.”

“Actually…” Eddie says. “I mean… How is she?”

Now it’s Buck’s turn to raise an eyebrow.

“Eddie.” 

“I just want to know!” Eddie protests. “She made it pretty clear that she only wants me around as the baby’s father and Christopher’s father, so I’m keeping the conversation to them. But I am worried about her, Buck.” 

Buck sighs. “She seems down. I mean, I don’t know her. But she seems lonely. She assumed I’d hate her.”

“Hate her?” Eddie frowns.

Buck nods. “Yeah. Maybe you should talk to her.”

“I don’t think she wants to talk to me, Buck. She asked for a divorce.”

Buck shrugs. “I think she needs a friend. I mean… Obviously that’s a lot to ask of you. I’m not saying… You just asked how she is.”

“I did.” Eddie nods. He sighs. “I’m seeing her soon. To tell Chris about the baby.”

The implication that Eddie will talk to her then goes unspoken. 

And for some strange reason, Buck finds himself really hoping it goes well for them. Strange, because he’s not just hoping for Eddie. He’s hoping for Shannon, too. 

iii.

Eddie drives Chris to Shannon’s apartment on the day she is officially in her second trimester.

Truth be told, he’s terrified of telling Christopher about the baby. Chris has already been asking why his mom has been around less and less lately. He knows it’s not just the baby they have to talk to him about. And the thing is, Eddie knows his kid. He knows that the same sweet, precious softness that affords Christopher such intense joy can also result in such acute hurt. He remembers the way he wept in those early days of Shannon being gone, when Eddie went from a curiosity he was getting to know, to more or less a stranger. How will Chris take the news that his mother isn’t going to be around as much, and that there will be a new baby? Eddie worries about breaking his little heart. 

They park the truck and ride the elevator up to Shannon’s floor.

“Is Mommy going to come back to our house tonight?” Chris asks as the elevator rises. 

“No, buddy,” Eddie says. “She’s not.”

“Why?” Chris whines. 

Eddie wonders if Shannon gets this line of questioning, when it’s just the two of them. Does he feel like he can ask her?

“We’re going to talk about that today, okay?” Eddie offers.

“Okay,” Christopher grumbles.

Shannon answers the door thirty seconds or so after Eddie knocks. Eddie notices the change in her immediately. She’s wearing a loose floral skirt and pink shirt made of a soft, ribbed fabric, tucked into it. It sits comfortably over what he is noticing for the first time; a rounded stomach that looks like more than just that she had a big dinner. It looks like a baby bump. Like the very beginnings of one. 

Eddie doesn’t know why it catches him so off guard. Of course he knew this would happen. He knows how it works. But… But by the time Eddie left, last time, she wasn’t really showing. By the time he came back, Christopher was overdue and she had to be induced. He never got to see anything in between, really. 

Which was his fault, of course.

“Hi, baby!” Shannon greets Chris, crouching to hug him. 

“Hi, Mom,” Chris replies, a little subdued. He hugs her back, but his usual spirit isn’t there.

Shannon notices.

“Everything okay, Chris?”

He nods. “Uh huh.”

He walks around her, off towards the Lego set he knows she keeps for him in her living room. Jeez. Where’d their kid’s manners go?

Shannon looks at Eddie. She opens her mouth to ask a question but catches him staring at her instead. At her abdomen. She follows his gaze with her eyes. 

“Uh, yeah,” she mutters. As if Eddie has spoken. “This just happened yesterday morning. It was hardly there, and then I woke up and it was there.”

“You look good,” Eddie says quickly. “I just… I’m sorry. I knew it was real, obviously, it’s just…”

“They’re right here?” She offers. She lifts a hand to the small bump.

“Yeah,” Eddie says. “That.”

Their baby. Right there. Real.

“Maybe we should tell him before he notices?” Shannon asks.

Eddie nods. How did he not notice when he hugged her? He supposes kids aren’t always observants of their parents in that way. Chris never notices when Eddie cuts his hair. Not that that’s the same.

Why is Eddie’s brain moving so fast?

Shannon walks towards the living room and Eddie follows after her, kicking off his shoes. Shannon sits in an armchair and Eddie takes the couch, right by where Chris is pulling out his Lego. His hands are sort of shaking, so he sits on them. 

“Hey, Chris,” Shannon says. “Can Dad and I talk to you for a sec?”

Chris looks up at them. 

“Do I have to stop playing?”

“Just for a little bit,” Eddie says. 

Chris sighs. 

Okay, attitude? 

He climbs to his feet and practically trudges towards the couch to sit beside Eddie. 

“Your Dad and I have good news,” Shannon says, smiling. “News I think you’ll be excited about.”

“What news?” Chris asks. 

“Well,” Shannon continues. “You are going to be a big brother.”

Chris blinks. He looks sort of like a buffering symbol on Netflix when the Wi-Fi is bad. 

“What do you mean a big brother?” He asks. 

“I mean, I’m going to have a baby,” Shannon says. “In December.”

“A baby?” Chris asks. He sounds skeptical.

“A baby,” Eddie confirms. “Isn’t that cool? A little brother or sister to play with?”

[narastories]

catching up about fandom stuff

Oh, hi! Do you mind if I ramble a bit?

I feel like I've been a little distant and antisocial in the past few months due to personal stuff (mainly because my trauma bucket got kicked over many, many times, but also I've been trying to get the ball rolling on a few things I've been meaning to do for a while). And I know I'm not the only one who has been having a hard time. But now it's spring here, and I'm feeling a little hopeful and a bit more inspired. Is it just me? Do we dare to be hopeful??

I'm reminding myself that both of my favorite urban fantasy series, and main fandoms nowadays are due a new book maybe this year, and that is exciting and very much things to look forward to! It also makes me want to quickly write fic ideas I have before the canon status quo changes lol (Not that it matters. I believe you can write whatever you want. But with both of these series, we love to theorize about what is going to happen, so it feels like things are just not going to be the same when we get new pieces of information, you know?)

I'm also acutely aware that I haven't posted a Harry/Nic fanfic since the OTP challenge in NOVEMBER 2022 wtf. And uh, yeah. If you needed any further proof of my poor mental health then it is probably proof enough that I haven't touched my favorite obscure little OTP.

The good news is, that I have actually been inspired to write lately. I'm doing a little re-read of the FPA books, and also Skin Game, and it's all putting me back in the mood for fanfic. And I have been typing away for the past few weeks, trying to get back into it.

The bad news is, that I don't feel like posting things yet. I just want to be kind to myself and create without having to worry about sharing it. I know this might sound hypocritical bc I just shared a post about connecting in fandom. At the same time, sometimes it does good for a story to just let it sit and simmer a bit.

There is this expression (that I don't think is actually very popular in the English language) "to write for the drawer" and I never thought that was a bad thing. Sure I write very niche stuff so you would think it doesn't matter either way, but a story is never the same after you release it out into the world. So it's okay to keep it to yourself for a while and tinker with it and enjoy the process.

I also discovered gif making for myself. (If you have seen the gifset I posted yesterday, no you didn't :P I put it on private bc I wasn't happy with it yet. Mainly bc of the subtitle thing. I either have to figure out a clever overlay or venture out into the foreign planes of the internet to forage a little bit more lmao) I think the popularity of gifsets on tumblr is so fascinating, bc it's a format that just isn't very popular elsewhere (or convenient lol). When I was younger in fandom I never had a good enough computer to do this kind of editing. So now it just made me so happy to realize that my computer can do it, and I found it a relaxing activity.

I already dipped my toe in it with that Hellraiser/DF quote gifset, but now I figured out a method to make it look a lot better. And with open source tools too! That made me especially happy lol But I also realized that if I want to post gifsets then I might have to break my "no sideblogs" rule... Anyway, this is just one more thing that I will probably experiment with privately, and then we'll see if I put it out there or not.

So I guess what I'm trying to say is: creative hobbies are important. And if you can bring yourself to do them even when you feel like shit, it usually helps to feel a little less shitty. And that I will incubate my little projects for a while longer and then maybe I will feel like sharing them.

[ivestas]

within the hornet’s nest

Part two: LINK

Summary: Fring calls you in the dead of night.

Word count: 1.0k

Warnings: Mentions of death and grief, (implied) mental breakdown, confessions, spoilers for BCS s6e3

Note: Damn its been a while since i wrote oneshots, much less for tumblr. apologies in advance for the rustiness

When you arrived at the chicken farm, you didn’t know what to expect. 

It was dark, way past midnight—you should be sleeping, and so should he, but what could you say? To postpone whatever had him call you at this hour for the next day? 

You didn’t care that much, anyway. Sleep wasn’t something you were able to indulge in easily. 

Walking through one of the gaps between the buildings, you spotted a door with light shining through. 

“Once you find the door, walk in. I’ll be there.” 

Your hands twist the polished knob, and walking in, you hear the eager clucks of chickens echo throughout. 

It was only a few steps in that you found Gustavo Fring, hunched over a group of fenced chickens and tossing what seemed to be seeds and bread alike. The chickens were quick to pluck at the food, and what looked like a ghost of a smile twisted Fring’s face. 

The look lit a feeling in your stomach—a palpable disgust you did well at hiding, alongside something else. Something that was warm and sluggish. 

“Mr. Fring?” 

He looked up, straightening his posture, dropping the rest of the feed that had been in his hand. 

Gustavo’s face was calm and neutral, no longer tainted by what you thought was a human expression. “You arrived quicker than I expected.”

“I thought an emergency occurred, sir.” 

“Ah,” he nodded. “That isn’t quite what’s happening.” 

I could see that… Neither of his trusted men where there—and you realized then, that, even Mike wasn’t there. 

You didn’t know what to thing, or to feel. What does he want?

“You see, it dawned on me the other day…” He picked up a white bucket and walked over to you. 

Inside the bucket was birdfeed. You looked at him, and he nodded. Take. 

You took a handful of that feed. “...you and I, we have been in very similar circumstances. Perhaps to some degree, we still are.” 

He took a handful of feed and tossed it to the neglected chickens. The cluck with newfound vigor. You do the same, completely and utterly lost, both at what’s happening right now and at Gustavo’s words. 

You don’t talk though. You watch Gustavo with what you hoped to be masked suspicion, glossed with confusion. 

“Your friend, Varga, he died because of me.” 

You froze. 

Why was he bringing that up now? 

“I had a friend—a brother—who was killed, too.” 

?

“I’m forced to work with the man that killed him, just the way you are,” a strange expression crossed his face in that moment, something that tore the visage of stony calmness before it flickered back to normal. 

You grab another handful of feed, bits of seed and dried bread digging deep into your skin before you tossed it to the chicken. 

“And strangely, that makes me a little… ah. Sentimental.” 

You breathe in sharply. Grabbing another handful, throwing it again at the chicken. (You would later realize that it had been only you feeding the chicken.) 

You were acutely aware of how Gustavo now stared at you, as if breaking down every piece of your being, carefully analyzing like a scientist would with a strange petri dish—and you hated it. Every second of his oddly soothing eyes scanning the nooks and crannies of your face was like torture. 

“Speak.” 

“We’re nothing alike!” You spat immediately. Possessed was what your tongue was now, controlled by the volatile nature of your heart. You didn’t care though. Not now. Not ever. “Just—fuck, no, you can’t say that, I don’t care if we’re the same, because we’ll never, ever, be the same!” Heaving, you tried to add coherence, but unspoken feelings seemed to push all logic away. 

“You left Nacho to die, and now you have me as—what? Some sort of prize?! God, fuck, you can’t just—just—” 

You stumbled back. Your mind, that had long since become a haze of gray, opened momentarily to reveal nothing but absolute dark and blood-stained wishes. 

When you look at Gustavo, he still has that contemplative expression, just observing, like you were, what? Some circus monkey? Some fool that still listens to the same person who killed her only friend? Like some—fuck, fuck, fuck—

“Fuck off, Fring! Just fucking die—or kill me! You can’t… you can’t just…” Raw feeling tinged your coherence, and now you were no longer sentient, just a bundle of ashen wishes and unspoken feelings of both old and new.

Gustavo took a step closer to you, however, bucket long since abandoned to the chickens. 

“Can’t what?” He echoed softly. 

“You can’t keep fucking with my head like this! It’s evil!” 

“And how am I doing that?” 

You shook. “I don’t know!—you, I’m supposed to hate you, and yet..!” 

His voice was strangely light. “Yet?” 

“I don’t have the heart to kill you!” A strange laugh ripped from your throat. “Can you believe it? You killed my own, and yet, what? I can’t do the same thing..!”

The strangest thing happened when you looked at him, hoping to find an answer, to find reason—

—he was smiling. Softly. Tenderly. Calmly. Soothingly. And, like a moth, the flame completely entranced you. 

For a moment, no one says anything. What fills the air is your broken gasps of air—trying in vain to soothe your frayed nerves—and the chickens’ cawing and cooing. 

And then, Gustavo was the one to break the odd silence, his smile growing the slightest bit.

“I’m glad.” He shook his head, still smiling, as if it were a silly thing—a peculiar novelty that could only be regarded with laughter. “Because I feel the same.” 

You feel the same?

You laughed. Absurd, absurd, absurd. 

You wanted to smile. You wanted to cry. You wanted to draw a knife to your throat. 

But you just stood there, and Gustavo remained smiling so fucking softly, grabbing the bucket once more and turning away, his focus now back at the chickens. 

And, after a few minutes, you had joined him.