#and then i write something

[evidently-endless]

i think we should remind musicians they can absolutely make up little stories for their songs btw. it doesn’t have to be about them at all. you can invent a guy and put him in situations to music. time honoured tradition in fact.

[frankierotwinkdeath]

Y’all want Taylor Swift to be gay so bad but you won’t even write femslash about her

[the-coffee-fandom]

Had to make a meme to describe me currently

[bruciemilf]

Need a teen! Bruce au where he’s exactly like Justice League! Batman and Battinson in one. That mf put the fear of every god in Ra’s Al Ghul.

Everytime he’s in a room with someone over 30 “Teenagers” by My Chemical Romance plays in the background.

Despite that, in his own way, he’s as gentle as can be with his league. Give me a young Diana who’s getting spat on and ripped apart by the media in a way not one of her male teammates get.

And she’s Wonder Woman. She shouldn’t be affected by it. And she is, anyway. Bruce relates to that in an uncomfortable degree.

“When I first became Batman, weak men tried standing in my way, too. “

“And what did you do?”

“I stepped over them.”

He has a tiny Robin he occasionally has to keep on a leash.

Give me somewhat teen mom Bruce who struggles to wrangle his unruly six year old who likes flipping from rooftop to rooftop and thinks fighting Bane is a piece of cake.

“If Tati can do it, so can I!”

“Dick,” he paused, before handing him a handfull of candy. “Wonderful emotional manipulation. Good job.”

“:D”

[maeamian]

If you saw me agreeing with being annoyed about wasted helium in a fictional context and were like "I bet she has some more helium based anger in her life" good news LAPD fucked up a raid on a medical facility they thought was a pot farm and flat out ruined thousands of gallons of the stuff.

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[writeouswriter]

[theoldaeroplane]

worried that thing you put in your art or writing or game or music is too self-indulgent, too self-referential, too niche for anyone but yourself? fear not! you can do whatever you want forever. and you should.

[demaparbat-hp]

The Perfect Prince

[lazylittledragon]

made a sticker for anyone to slap onto their work if they need to

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[rs-hawk]

Working on my novel and couldn’t figure out why it felt so empty. I didn’t have any filler. It was all 100% plot. The characters only interacted when necessary. I didn’t prattle on about the scenery or how the birds sounded. I had all my fuller stuff that I loved saved in another file because I “didn’t need it”.

Y’all, I knew this existed in TV shows but it didn’t hit me until this that everything is being whittled down. We are so starving for filler that we snap up anything. I unload all mine on Tumblr or keep it in a massive Google Docs. It SUCKS.

Honestly? Death to plot necessity. Revive filler. Revive unnecessary interactions. Revive just vibing with characters sometimes. I don’t want to just consume the plot and I don’t want to just create the plot either.

[selenekallanwriter]

Person: What's your book about?

Writers:

I'm both somehow 🙃

[littlelightfish]

This... this is a whole different kind of psychic damage here. When nightmares got Marcille, we get to knew that her's biggest fear is outliving her friends. This isn't even canon probably, but look at this. This isn't a "I don't want my friends to die" kind of dream. This is a "I'm terrified of loosing my daughters, of something killing them, and being incapable of stopping it" kind of dream. It's so simple yet it explains perfectly the whole of chilchucks character. He loves, he cares, deeply. But he, or doesn't acknowledges, or doesn't know what to do with that knowledge.

Besides that. Someone had to wake him up after this. Imagine the devastation in this man after he wakes up. He just saw his three little babys murdered corpses (or maybe he saw them die, wich isn't better). He would possibly not talk about it, and that would worry the hell out of the party, because we'll, they see him all down and only one of them knows what he saw. Imagine being the one to pull him from that nightmare. Seeing this man, usually so composed, fuking staring with tears and terror in his eyes to the composes of what you can only assume are his daughters. It would be heartwrenching.

Idk, I love this man so much...

[lgbtlunaverse]

Nothing will dispell the "the curtains were just blue" myth faster than writing something yourself, because the amount of pretentious symbolism i am putting in my silly little fanfics is ridiculous. I mean SO much with these words, literally every single one of them. This fic has twenty five typos and zero correct uses of punctuation but if there's curtains you bet your ass I put thought into what colour they were.

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?