uhhh tim as a regresser? i know hes usually a cg in your fics but i kinda relate to him so much
while i see him mainly as a cg, thats mostly bc i want him to be my cg, but i absolutely see how he could be a regressor so rAMBLING TIIIIIIIME
Regressor Tim Stoker Headcanons!
so tim starts regressing actually kinda young, in his early teens, because he's always lived in his brother's shadow. always been the second, despite being the older child, and its. hard. he pretends everything's okay and he isnt jealous, but he wants. needs. attention too
he learns what regression is exactly in university, and he kinda just shrugs and says 'yep that tracks' and pushes it to the side. let's bury that problem and deal with it later! that's a problem for Future Tim!
future tim is very mad and small, now. he spends a lot of time crying into his pillow and hugging his childhood stuffie, a little doggy named spot, until he falls asleep
he tries to basically never let dating partners find out abt his regression that doesn't seem like a good thing
a few of them do, and a couple try their hands at being cgs. they give up because tim is "too much" for them to handle
then danny dies, and tim spirals
hes just really, really not okay. he spends so much of his time trying to research what happened, trying to learn about the circus, trying to find anything that explains why his little brother is dead, and he can't figure it out. and he just tears himself apart over it. he's on the verge of regressing pretty much all the time, he's crying his eyes out all the time, and everything is bad. by the time he starts working at the magnus institute, he's a shell of a man whose head always feels like its swimming
then he meets jon, and he can tell there's something familiar in the ways he acts. tim's almost certain jon is a regressor, and well...he's nothing if not a good big brother. and he's a big brother who really, really welcomes this distraction from the fact that his little brother is dead
he does his best to keep jon out of trouble and take care of him, but he's well aware of his own headspace encroaching on all of this. its not easy. little things that tim does for jon are things that make tim regress, so its. not going too well!
until they meet sasha :)
sasha notices these two are a lil different pretty quickly. its become even more evident when they're researching a case, end up at a park, and jon and tim are playing on the playground like little kids
tim is very excited about this, and he absolutely climbs on top of the monkey bars and shouts for sasha
"sasha! sasha! look at me!!! :D!!!" "i see you! you're up so high!!"
she pushes them both on the swings, she pushes them both on the merry-go-round, and it feels just so natural to them
(tim picks her some dandelions and clovers, too, and sasha adores it)
after that day, when tim's big again, he realizes that sasha was able to actually play with both of them and pay attention to tim even though he was bigger than jon...sasha actually wanted to take care of *tim* and jon at the same time...and he didn't feel neglected...
(he cried himself to sleep again that night, but he wasn't sure why it felt so painful) (its the neglect trauma)
at work, tim basically just starts feeling a pull toward sasha a lot of the time, and he's terrified of being too much for her, but he...he needs this...
if he finds a cool bug, he takes a picture to show her. cool rock, he takes it inside and gives it to her. he likes to draw little doodles on his sticky notes and give them to her, and it absolutely makes his heart soar every single time she sticks them to her monitor. he's just. thriving off the affection
jon is the first one to explain regression, and he expects both tim and sasha to just push him away. he is absolutely not expecting tim to say he's a regressor too (how jon didn't notice? well...poor baby's not very observant...) and they're both not expecting sasha to just say "oh i know, who wants a juice box?"
both just. malfunctioning
tim does regress older than jon, usually around 6-8, and he takes his job as big bubby VERY seriously. he holds jon's hand when they do anything, he is always imparting his wisdom (which has been "red crayons taste bad" and variations of that multiple times), and he tries to let jon get more attention from sasha
sasha does not take too well to that last one. she notices pretty quickly that tim sacrifices himself for jon, and that just won't fly. so, extra hugs. extra kisses. lots of one-on-one playtime. tim cries a lot over this
then they move down to the archives and yay!! martin!!! now tim and jon have a mama and a papa and its even easier for them to both get the attention they need (especially tim, who doesn't feel as guilty when there's two cgs he can go to whichever one isn't handling jon)
tim has a lot of games he likes to play, and he has quite a few stuffies, but a lot of the time he likes playing nintendo with martin (and jon watches and tells him how cool he is)
sasha and martin both learn pretty quickly that anything circus/clown themed is very much a no-no with tim. if he's already regressed, its the quickest way to a panic attack he can get. if he isn't regressed, he will be very shortly, and then the panic attack happens
at that point its just...hugs and comfort until he can stop crying
when it comes down to it, he's just glad to finally have this sort of support system. to have multiple people who care about him and actually try
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what do you think the mechs would be avatars of? my first thought was slaughter for the group as a whole bc,, duh. but now that im thinking about it, i think they'd be more eye/end aligned. because their whole thing is stories and the part they clearly deem most important is the end right? theres all the blood and gore in the middle but the important bit is everyone dies at the end
individually though, not as a whole group they're all sorts of stuff i think
ashes would be desolation for sure with all the fire and the likes, and hades makes me think web too? they're the one behind the scenes pulling the strings (granted, usually for their own entertainment but who can blame em really)
toy soldier would be stranger, once again for obvious reasons. im not really sure if theres much crossover on this one really.
jonny i reckon would be eye and slaughter, mans cares for two things and its violent crime and a good story (amen!)
brian is SO lonely coded like?? its in the backstory song man,, also vague end-ness probably, though tbf they probably all have that end cloud by virtue of being the mechanisms. maybe vast too
tim would be slaughter too, he loves a good murder spree but i feel like theres something else and ive just forgotten like half the fears lmao OUGH hunt maybe? tim goes crazy is very hunt coded
ivy is SO immensely eye. she's literally an archivist. she gathers and stores aaallll that information but her emotional connection to it is reset every night. thats so eye!!
nastya is definitely lonely, at least towards the end but probably the whole time (from what little i know of cyberian demons) and maybe dark? that ones 100% vibes i have no explanation
marius has very spiral vibes i think. hes just a silly guy ur honour i think he deserves it. i cant really think of any other one for him tbh
and raph is quite stranger coded i think, idk the detachment from humanity that comes with being a mad scientist just feels very stranger to me? more so than the average mechs detatchment from humanity
i dont know why i made this post but ive been rotating end/eye mechs in my brain for a couple days just because i think the idea of s5 jmart stumbling across a domain thats kind of an accumulation of the various album aettings and music that can be heard from anywhere in the domain and victims living/reliving the parts of the characters is very very cool and i needed to word vomit it somewhere
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Request idea:
Your darling, adoring, wonderful boyfriend Jason sits you down And solemnly confesses that he is red hood. He’s been dreading this day for months. If you want to leave, he’ll understand and wait—-
WHAT DO YOU MEAN, YOU KNEW THE WHOLE TIME?
Jason thinks he’s in an angst fic. The reader is in a rom com where her boyfriend has been a ridiculously obvious superhero, but she’ll let him tell her when he’s ready.
Maybe some shaningany flashbacks where you’ve helped to keep his identity secret (stalling so he can change, giving alibis) while he was oblivious.
- Batchilla
To Wait and To Love
Hi Batchilla! Hope you enjoy! ♡ ~1.5k words
Your boyfriend is a vigilante, Red Hood, to be exact. You know this. He's just not aware you know this.
It's obvious, really, and kind of cute the way he makes excuses to leave. Sure, before you put two and two together, it was starting to seem like he was just dragging you along. But it all made sense when you caught sight of the helmet poorly concealed under his bed.
It makes you wonder if he wants to get caught. Especially when he brings you flowers from the shop you just saw him save from Poison Ivy on TV. Or freezer-burnt cartons of ice cream from your favorite ice cream shop, which was buried under piles of snow courtesy of one Mr. Freeze only twenty minutes ago.
You offer him big smiles and kisses of thanks, and your heart melts a little at how relieved he looks, how baffled he is by your understanding. And you do understand. To tell someone you run around in spandex and leather every night is a big risk, especially for someone who used to run crime in Gotham.
You're no angel yourself, even if he does call you one, and it's endearing to watch him scramble for excuses. It's even more endearing that he tries so hard to make it up to you when he's late, when he has to leave early, when he comes back battered and bruised with flimsy half-thought out explanations.
You'll let him take all the time he needs to tell you, and it's almost funny how easily you've come to cover for him.
"Jason? Oh, he's changing his suit. Someone knocked into me and I spilled my drink all over his jacket. How embarrassing," You laugh out, answering the reporter's question over Jason's absence from the latest Wayne Gala. It's only half a lie, you might not have spilled your drink but he's definitely changing his suit. It's just not the suit anyone would expect.
Once whispers of a break-in at Gotham National Bank started circulating the Gala, it wasn't hard to miss the meaningful glances between your boyfriend and his family. Sometimes you wonder how no one's noticed it before.
You smile brightly at him once he comes back, smelling like gunpowder and leather, and you let him kiss your knuckles while he mumbles apologies over getting caught up with an old friend. You don't imagine Riddler is exactly an old friend, but you teasingly tell him how he owes you a dance for making you wait. He smiles back, his own grin even brighter than yours, as he leads you to the dance floor.
You're opening the door to your apartment, chatting lazily with your friend after a night out.
"Is your boyfriend here? I remember you saying you two were practically living together," they ask, eyes trailing around your living space.
You hum thoughtfully, "We pretty much are. I think he might be sleeping or out looking for the stray cat we saw the other day. It had a bad limp." It's not a hundred percent a lie either, there was a hurt stray. You just know that Catwomen already picked it up, after a text Jason sent to Bruce Wayne's current girlfriend, Miss. Selena Kyle. Which would have been more of a surprise if you didn't already know who Batman was.
But it definitely isn't the truth, because you did catch sight of a red helmet following you and your friend back from the club. (Gotham never felt safer, than when he was watching over you.)
Your friend coos and starts to respond, when a thump sounds from the fire escape. They jolt, "What was that?"
"The cat, probably," You say quickly, letting out a laugh, "it's, uh, pretty big. Has a limp. Hey, did I show you the flowers Jason got me?" You gesture towards the bouquet behind them, and you both focus on the pretty blossoms.
Within minutes, you hear your bedroom door open and close. "Hi, baby," Jason drawls, looping an arm around your waist to pull you to his side, "Sorry, I fell asleep, how was your night?"
You pretend not to notice the limp he's nursing, one you're certain he should be resting, and tilt your head up to kiss his jaw, "It was fun. Missed you."
"I missed you too," he echoes fondly, and the three of you fall into an easy conversation. You distract your friend when you all go to sit on the couch, and if you choose to avoid sitting on his left side, it's certainly not because Red Hood hurt his leg fighting Killer Croc earlier this week.
Jason has never said your name like that before. His eyebrows are knitted together. He's kneeling in front of you, his hands clasped over yours as you sit on the bed.
"I love you and I– I have something to tell you," he chokes out, strained, "please, just– just, hear me out."
It clicks. This is it. He's going to tell you.
You smile and nod, it'll be nice to finally air out this secret. And maybe he could help you work on your excuses? It'll be easier if you're working as a team. You reach out and brush his hair back, unfazed and delighted he's trusting you enough with this, "Of course, Jason. Anything you need to tell me."
Jason is going to throw up. He's finally gotten his act together enough that he's going to tell his partner he's Red Hood. His stomach is churning, it's agony, knowing he could lose them over this.
They're so good to him. So understanding and patient and kind. He has no idea how he got so lucky. And he loves them. It's scary sometimes, how much he loves them. He wants this to last so badly. So, he has to be honest. Has to tell them he isn't what the world says he is.
He's a vigilante. Was a crime lord. He hurts people to save people. He terrifies the trash that calls themselves human. He's not good for you, but he tries. He wants you to still love him.
He wants you to stay so much. Even if he's not good. He wants you. You deserve so much more than the excuses and lies he gives. Jason's wanted to tell you for weeks, but he chokes on his words every time. He's never been so afraid of doing something. Not when he was a kid on the streets. Not when he was Robin. Not as Red Hood.
You look so perfect, sitting at the edge of your bed and smiling at him. He almost flinches when he thinks this could be the last time you smile at him.
He's on his knees. He's prepared to beg. He would beg to keep you.
He says your name, he tells you he loves you. It might be the last time he gets to say that to you. The thought makes him even more nauseous. He tells you he has something to say.
You brush his hair back and keep smiling. He wants to sob. You don't know. You don't know what he is, what he's done.
"I'm Red Hood," he gasps out, voice ragged.
A beat. You're still smiling, you still look happy, and you're nodding at him.
He blinks at you, "I'm Red Hood," he repeats, "I know that- I know it's a lot. I understand if you never want to see me again, but, baby–"
You lean forward and kiss him. He's more than just a little dumbfounded. "Jason, I love you too. I'm not leaving you. I, um, kind of already knew you were Red Hood?" You say, a sheepish smile coming over your face.
"You�� what?" Jason stumbles out. You're still here. Still touching him. You kissed him. You look relaxed. Happy.
"I saw your helmet under the bed. Everything clicked after that," You tell him gently.
"And you're okay with that? You're okay with me?" He asks, tone betraying his desperation.
Concern flashes in your eyes, "Of course I'm okay– I'm more than okay with that, Jason. I love you, tights or not."
He lets out a laugh, and his stomach swoops, the tension dissipating throughout his body, "Yeah?"
You grin at him, cupping his face, "Yeah, but you're going to have to show me how you swing around rooftops."
He gets off his knees to kiss you again, he doesn't think this moment could get any better, "Is that all?"
You giggle, at the pure elation in his eyes, and he grins widely at your joy. Then, the moment does get better, "Well, I'm kinda interested in the car Batman drives around you."
"I could make that happen," he murmurs, and seals the promise with another kiss, "You wanna see the batplane too?"
Your eyes light up, and Jason thinks he might be addicted to the mischievous glint that flickers in your gaze.
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I was thinking about built in cameras for the Mechs and here’s what I came up with:
I think there’s only three Mechs that it makes sense to consider (not including Aurora because she is a ship); Brian, Ivy, and Tim.
Brian has mechanical eyes, which could function similarly to a camera, and he has a mechanical brain, so his brain can store the photos, like modern cameras and computers do.
Ivy has organic eyes and a mechanical brain. At first I thought this might pose an issue, but she already has functional interfacing between her eyes and brain that allow her to see in the first place, so I don’t think there would be one. She could take pictures and store them (she has plenty of memory!), her eyes are just like yours and mine, so she would be more limited in the quality of her photos. Although I think this means that if she has floaters or visual snow or the like, those would appear in her photos (when she’s experiencing them). If that were the case, she could take photos of hallucinations, which would be interesting. Also be way easier to tell if she needs glasses. And she wouldn’t have the issue you get when taking a photo at 1x zoom from your perspective, but it looks zoomed out a bit.
Tim has mechanical eyes and an organic brain, which does pose an issue. He also obviously has functional interfacing between the two, but he doesn’t have the storage like Ivy and Brian. His eyes could well function like cameras, and there’s no reason he shouldn’t be able to just take a photo by thought, since his brain already controls his eyes. So I propose that Tim has a slot for a memory card, to store his photos. But I don’t think he can look back at the photos without removing the card and looking through them on a computer, since his brain, while technically a computer, is made of meat and does not function like a mechanical computer. So it’s like taking photos with film; well except he can look at them on the computer, but the point is that in the moment he can’t look back and see if the photo is good or if he needs to try again.
Tl;dr: Brian could function like fancy a modern digital camera, Ivy like a digital camera with limited zoom and focus, and Tim like a fancy (as in has great zoom, focus, etc) film camera.
On a related note, I don’t like the idea of someone being able to take photos or video of me without my knowledge, especially blantently, right in front of me. Make each of them have a shutter noise and a small red light or something, just so others know.
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