#and then expecting people to “go against their nature” 100% perfectly?

[deservedgrace]

it's wild that for how much evangelical culture harps on humans being evil and horrible and depraved and wicked and sinful simply by nature of existing as a human, you're really not allowed to make mistakes, even (and possibly especially) as a child

and it's wild what they consider "a mistake" and "sin"

it's genuinely disturbing that i was told jesus never cried as a baby because "a baby's first sin is crying for attention". fellas is it sinful to have the instinct to want your caregivers to take care of you?

[howtofightwrite]

re: the question about stunning someone with head trauma (and how you Should Not unless you're okay with them dying) would knocking the wind out of a character be a better way to have that happen?

Yes, but no.

So, knocking the wind out of someone is a lot safer. I wouldn't say perfectly safe, this is how Harry Houdini died, after all. However, it's a lot safer that head wounds, and usually wouldn't result in any major injuries.

The downside is against a trained opponent, who's ready for the hit, it's not going to work. This isn't called a, “sucker punch,” without reason. If your abdominal muscles are tensed for the punch, they will absorb a lot of the blow. So this works better against the unaware or the untrained.

The other problem is, it's not going to take someone out for the duration of the scene. In a self defense situation, winding your attacker is great, because it lets you create an opening to start your escape. But, it's not going to stun someone for minutes. From personal experience, you can measure the time you gain from winding your opponent in seconds.

There are combos that start with winding someone and lead into more painful blows that can extend that opening. But, there is a continuity of force: Incapacitating someone for longer requires inflicting harm that is increasingly difficult (impossible) to moderate.

If the goal is to escape from someone who means you harm, then yeah, an elbow strike to their stomach, will give you the opportunity to get out of there.

If the goal is to have a prolonged conversation while standing over a defeated (but still living foe), that's not really something you can do intentionally. At the same time, intentional application of lethal force isn't as reliable as you might expect. For example, gunshot wounds to the head are only fatal ~98% of the time.

The issue with this train of thought is that the individual inflicting harm cannot moderate for the desired outcome. Knocking someone out, only for them to recover, is 100% possible. However, you can't do that intentionally. And having a character who does bounce another person's head off the pavement until they stop twitching, is an incredibly violent act, and it's not going to be a casual, “well they're just knocked out.” It's a, “Carl, that kills people,” moment.

If you want a character that is disproportionately violent, and probably scares everyone around them a bit, this will feed into that presentation. If you want a character who's a good person because they don't kill people, then attempting to inflict life altering injuries on someone is probably not the best way to demonstrate their ethics.

(Remember, Batman doesn't kill people, he just shatters their spines; leaving them at the mercy of the American health care system. So, the real moral lesson of Batman is that it's better to be psychologically unwell and wealthy, than economically disadvantaged. You can murder half of the city, and he'll gently deposit you in a padded cell that you can escape from whenever you get bored of the place, but if you so much as imply that you'll resort to less than legal means to put food on the table for your starving family, he will end your existence as a vertebrate.)

And, yes, I fully realize that, by the nature of his character, and comics, Batman (like most superhero comics) is poorly suited to discuss the complex factors involved in street level crime. This this is more of a critique on the treatment of “violence is okay, so long as no one ends up in the morgue,” more than a specific character critique.

There's another part to this that worth remembering, and I know I've said this before, but when you're writing, violence offers diminishing returns. Violence releases the tension you've been building. You can think of it like a rubber band gun. Until you pull the trigger, that rubber band is under tension, and the moment you release it, you hit your audience. Now, getting hit a rubber band is a sharp, and somewhat unpleasant experience, but the second time is going to annoy you less than the first, and if you're constantly bombarded with them, you'll quickly become numb to their impacts.

I'm not saying that you can't, or shouldn't, use violence, however as a writer, you are paying a very real cost whenever you use violence to resolve a scene. It's something that you do need to consider carefully. Part of my aversion to questions like this comes from this structural consideration. A lot of writers make the mistake of using non-lethal violence somewhat indiscriminately. This can absolutely harm the credibility of your characters, and your world.

There is absolutely a place for violence in stories, however, this is a tool that is most effective when used sparingly, or deliberately. (This doesn't mean the violence itself needs to be deliberate, just your use of it.)

A lot of the time when someone says, “I want to use violence to temporarily remove a character from the scene,” that's a scenario that will harm your story. There are a lot of ways to remove a character from a scene, and I don't mean, “alternatives to fighting,” like hiding from them or talking them down. The limit here is your creativity, and in a lot of ways, violence is the least interesting way to achieve your goals.

-Starke

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[fanfic-lover-girl]

Taking Gryffindors and Their Stans to Court

So I thought it would be fun to compile a list of crimes committed by various Gryffindor characters, especially the ones I have seen stans blatantly glorify or condone. This is also fueled by the narrative ignoring how horrific these actions are as well. For each, I will provide the definition of the crime as listed in British law (hyperlink provided in the crime category), cite the guilty parties and cite some of the flimsy defences provided by stans. The characters include, but are not limited to:

Hermione Granger

Weasley twins

Marauders (especially James Potter and Sirius Black)

Rubeus Hagrid

Professor McGonagall

This post will be a work in progress so I will add as I go along. Please feel free to add as well. Also, I am not a legal expert so do not expect these categories to be 100% accurate despite my doing my best. Here I go!

Crime: Sexual Harassment

The Equality Act 2010 says someone sexually harasses another person if they:

Engage in unwanted conduct of a sexual nature and

The conduct has the purpose or effect of either violating the other person’s dignity or creating an intimidating, hostile, degrading, humiliating or offensive environment for them.

Guilty parties: James Potter and other marauders as accomplices (Snape's Worst Memory, Book 5)

But too late; Snape had directed his wand straight at James; there was a flash of light and a gash appeared on the side of James’s face, spattering his robes with blood. James whirled about: a second flash of light later, Snape was hanging upside-down in the air, his robes falling over his head to reveal skinny, pallid legs and a pair of greying underpants. Many people in the small crowd cheered; Sirius, James and Wormtail roared with laughter.

There was another flash of light, and Snape was once again hanging upside-down in the air. ‘Who wants to see me take off Snivelly’s pants?’

Said by Marauder/James stans:

Snape was a future DE so he deserved it; ie. future criminals/bullies deserve to be bullied before they commit said crime. Someone had to bully Snape.

What James did was not sexual harassment

Snape is a guy so he can't be sexually harassed

I hate Snape so I love seeing him hurt and in pain (perfectly valid reason, we can hate who we want. still listing it though)

Boys will be boys. The marauders are just teenage boys joking around.

In that period, what James did was not illegal

Snape called Lily a mudblood so he deserved it

Snape attacked James so he deserved it

Crime: Kidnapping

The legal definition of kidnapping is to take someone unwillingly and then keep them illegally imprisoned without their valid consent. The latter is normally done with motive, such as financial gain in the form of a ransom.

Guilty parties: Hermione Granger (The Beginning, Book 4)

‘Oh, not electronic bugs,’ said Hermione. ‘No, you see … Rita Skeeter’ – Hermione’s voice trembled with quiet triumph – ‘is an unregistered Animagus. She can turn –’ Hermione pulled a small sealed glass jar out of her bag. ‘– into a beetle.’

Said by Hermione stans:

Rita deserved it for being a sleazy journalist and saying mean things about her and her friends

Rita deserved it by committing a crime first as an illegal animagus. So she has no leverage against Hermione.

Crime: Child Cruelty (Or Child Endangerment/Abuse)

The offence in section 1 of the 1933 Act is committed where a person over the age of 16, who has responsibility for a child under that age, wilfully assaults, illtreats, neglects, abandons, or exposes that child in a manner likely to cause ‘unnecessary suffering or injury to health including any mental derangement’.

Guilty parties: Prof Minerva McGonagall (Snape’s Grudge, Book 3)

Professor McGonagall was so furious with him she had banned him from all future Hogsmeade visits, given him a detention and forbidden anyone to give him the password into the Tower. Poor Neville was forced to wait outside the common room every night for somebody to let him in . . .

Context: An alleged mass murderer (Sirius Black) was on the loose 🫠

Said by McGonagall stans:

She's just strict

Crime: Assault

An assault is any act (and not mere omission to act) by which a person intentionally or recklessly causes another to suffer or apprehend immediate unlawful violence.

Guilty parties:

Rubeus Hagrid (The Keeper of the Keys, Book 1)

He brought the umbrella swishing down through the air to point at Dudley — there was a flash of violet light, a sound like a firecracker, a sharp squeal and next second, Dudley was dancing on the spot with his hands clasped over his fat bottom, howling in pain. When he turned his back on them, Harry saw a curly pig’s tail poking through a hole in his trousers. ... ‘Oh, well — I was at Hogwarts meself but I — er — got expelled, ter tell yeh the truth. In me third year. They snapped me wand in half an’ everything.’

Fred & George Weasley (Back to the Burrow, Book 4 & Snape's Worst Memory, Grawp;Book 5) - two for the price of one lol

Dudley was no longer standing behind his parents. He was kneeling beside the coffee table, and he was gagging and spluttering on a foot-long, purple, slimy thing that was protruding from his mouth. One bewildered second later, Harry realised that the foot-long thing was Dudley’s tongue — and that a brightly coloured toffee-wrapper lay on the floor before him.

‘Yeah, Montague tried to do us during break,’ said George. ‘What do you mean, “tried”?’ said Ron quickly. ‘He never managed to get all the words out,’ said Fred, ‘due to the fact that we forced him head-first into that Vanishing Cabinet on the first floor.’ ‘Not until Montague reappears, and that could take weeks, I dunno where we sent him,’ said Fred coolly. ‘Anyway … we’ve decided we don’t care about getting into trouble any more.’

To cap matters, Montague had still not recovered from his sojourn in the toilet; he remained confused and disorientated and his parents were to be observed one Tuesday morning striding up the front drive, looking extremely angry.

Hermione Granger (Felix Felicis, Book 6)

‘Oppugno!’ came a shriek from the doorway. Harry spun round to see Hermione pointing her wand at Ron, her expression wild: the little flock of birds was speeding like a hail of fat golden bullets towards Ron, who yelped and covered his face with his hands, but the birds attacked, pecking and clawing at every bit of flesh they could reach.

Said by Hagrid stans:

Like with Minerva, I don't see Hagrid stans or regular fans bringing this up. But crimes against the Dursleys are usually justified by the fandom due to their being abusive to Harry.

Said by Weasley twins stans:

The Dursleys were abusive to Harry so Dudley deserved it.

Dudley brought it on himself by eating it. The twins did not force him to eat it.

It was just a joke - harmless fun (for both crimes)

They did not know what the cabinet would do

They did not intend to almost kill Montague

Montague deserved it because HE WAS TAKING HOUSE POINTS (***INSERT RAGE!!!!***)

The twins are just mischievous. They are so funny!

Said by Hermione/Romione stans:

It was just a mistake

Hermione has anger issues. She's just a teenage girl.

Hermione was distraught. She didn't mean it.

Ron deserved it for hurting queen Hermione.

Ron doesn't care so why do you?

Romione is the best HP ship ever. All ships have rough patches.

No matter what Hermione does, I will always ship her with Ron. The other options are not good for her.

I will pause here because I can feel my blood pressure rising. I don't really have beef with anyone, I just don't like seeing these takes on my dash or these responses on my anti blog posts. I have no control over people's opinions and I doubt more than a handful of people care about mine.

Will continue next time on Taking Gryffindors and Their Stans to Court!

PS. All attempts to deflect by pointing the finger at other characters like Draco Malfoy, DEs, Severus Snape etc will be ignored. This is about JKR's darlings who apparently can do no wrong and the stans who shamelessly justify violence.

[dead-boys-club]

†  a day out : kawata twins.

❥ scenario: tagging along on a day out. ❥ no triggers; not rated. ❥ i don't have any beta readers - you get what you get. ❥ requested! for @ryuukeymir -- i am super sorry it took so long to get out. muse is a struggle.

❥ i am going to be 100% honest and say: i loathe this <333 but here ya go.

roaming the busy streets of shibuya, enjoying a rare day off, you were expecting to grab a few things and head home but that wasn't possible when you spotted two familiar faces in the crowd. the twins were pretty easy to recognize and of course, you couldn't just not say anything to them. you decided against sneaking up on them, recalling what happened last time you made such a silly mistake.

'hey!' you called, waving as you dodged people to get closer.

nahoya's smile widened, which you didn't know was possible, while souya's expression softened in the slightest. 'hey there, pretty boy. fancy running into you here,' nahoya greeted, instantly lifting your spirits, immediately pulling you in by the shoulders when you got close enough.

souya offered a small nod acknowledgement, head falling into a tilt. 'what brings you out here?' he asked, tone a lot friendlier than his expression would suggest.

'just.. wandering around, finally got a day off. you guys?' you questioned, sinking into the olders side. you generally didn't make too many affectionate gestures towards souya as he preferred those things to be done in private.

'we were thinking of grabbing some food, maybe hitting up a few arcades or something,' the pinkette shrugged, 'wanna tag along?'

'a day out with you two? am i going to say no?' you mused, eyebrow raising.

your response was met with an eyeroll and a headshake. as the three of you went about your adventure, chatting and joking, looking for somewhere new to eat, you at some point shifted from one side to the middle. between the light hearted jokes and dry humor, you found yourself stuck in the midst of a perfectly balanced exchange, highly amused with just listening to the back and forth. following a meal, you wandered through the shopping district, stopping at random stores to check out little trinkets and cool clothes.

of course, you stubbornly denied any gifts. and, as always, that was met with the same stubborn attitude when you ended up with said gifts anyway. you'd been prepared to blow your last paycheck but that apparently wasn't going to be an option. the only answer you got being 'you should have known better.'

the arcade was mostly nahoya's zone, challenging you and his brother to various games that didn't go in either of your favor. though, his competitive spirit was always contagious which lead to your defeat in a far too intense battle of air hockey. you left him to his own devices after another round, joining souya in his successful endeavor with the claw machines. you weren't sure when but he'd, at some point, grown a collection of winnings.

being dark and not very populated, you tested the waters by settling your chin on his shoulder, hugging him lightly from behind. 'whatcha trying to get?' you asked quietly but you didn't get a verbal response, just watched the claw drop down around a little blue bear. you didn't really need an answer at that point.

'you're a natural at this, huh?' you mumbled as the bear was dropped to the door, pulling back for him to collect him. you couldn't remember the last time you won something from a claw machine, let alone more than one something.

'it's just practice,' he answered with a faint blush and the ghost of a smile forming as he handed the bear off to you. you just beamed and hugged it close, glancing around before planting a kiss on his cheek.

the day went by in a blur, leaving the three of you on a bench, taking the moment to relax from all the walking and fooling around. the sun was beginning to set, vibrant colors painting the sky.

'today was pretty fun,' nahoya spoke up, leaning back on his palms with a sigh.

'yeah,' you nodded a little, glancing over to him. 'we should do this more often.. i'll try to get a better routine with my schedules.' you smiled sheepishly, knowing that most of your time spent together was at home thanks to being busy or tired.

souya nodded in agreement. 'i wouldn't mind that.'

the walk home was easy, swinging both of their hands. as much as you didn't want the evening to end, it had to and soon enough you were waving by as they headed off. you were already on your phone, trying to figure out when you'd have the time again.

[jahtrashh]

I saw your take on Zuko and like I agree so much. this fandom either idolises him or hates him and I always found that sooo weird. same goes with characters like Jet who are somehow treated like perfectly functioning adults by the fandom and held accountable of their actions as if they were grown men. and that’s so freaking weird. the point of Zuko’s redemption arc is that his arc isn’t linear, he makes mistakes, learns from it, makes up for it. as for Jet, although not a big fan of the way the writers handled his death, he’s literally being seen as an unredeemable monster, as if worse that characters like OZAI OR ZHAO by many fans and… just… how ?? why ?? they are both 16 ?? like yeah, they did so much bad stuff, they did really messed up stuff but they are also quite literally products of their environment and a freaking 100 years war. how is Zuko, fed with propaganda, on a ship since he’s 13, with a freaking general as his only paternal figure at that time, surrounded by men twice his age who are also either soldiers or at least army related, and still 16 at the time, suppose to be a “nice guy” archetype that does nothing wrong. like please be for real one second. and don’t get me started on Jet. whole village burned to the ground, orphan, had to raise so many kids, probably grew up in extreme poverty. ofc he’s messed up. ofc he’s violent, blinded by rage. but again, 16 !!! HE’S 16 !! it kills how people don’t realise that teenagers (especially teenage boys) are anything but mature, collected and emotionally rational. like bfr.

but in the atla fandom ig saying this would make me a zuko/jet apologist. whatever that means. as an adult i just see a bunch of messed up kids in the middle of the war, and that’s basically it. at best i feel bad for them, at worst i pity them.

Say it louder for the people in the back. I don’t know how to dumb it down enough for people to wrap their damn head around how these are in fact, also, teenagers involved in war. The world is in shambles during war, right and wrong are easily blurred during those times, and it takes a very special person to be able to differentiate between the sides without getting too caught up in what they believe is right or wrong.

Zuko could’ve stayed a racist, imperialist, dipshit. But by the end of the show, he turns into just a simple dipshit who accepted his life changing 180 with open arms. Yes he said some insensitive shit to aang about his beliefs and mocked his anti-violent views even when he joined them in season 3, but AGAIN, not only was he still learning how to be a decent human being, he was also blinded by his own hatred of his father, mixed with the very much pro-violent nature of the fire nation, PLUS the lack of education on Aang’s culture and philosophy which was AGAIN, taught around PRO-PA-GAN-DA the FN created. All of which, takes time to unlearn. On top of figuring himself and who he was, which is what most teenagers, more often than not will have a whole crisis about ALONE. I honestly don’t know how people expect a redemption arc to go, we’ve all had to learn how to be better about things, and the progress isn’t going to be liner nor will it always be easy. That is human nature. That is LIFE.

And on Jet’s case, why do people think it’s such a terrible thing to make some characters who were victims of war crimes, to be angry, to lust for revenge against the perpetrators, or be irrational and violent. THEY HAVE EVERY RIGHT TO. The FN took the last bit of Jet’s life that he barely even had and stripped all of that completely away from him like the savages that they are. Why is it a terrible thing to be angry at people who didn’t think twice about the families, the sense of community that his village had? I agree that Jet was going too far when he was trying to take it out on innocent people, but can you really blame him? He didn’t have an adult to help him out on the importance of emotional maturity and how to be angry at the ones who actually harmed you like Zuko did, and even if he did, teenagers won’t be emotionally matured TRULY until they develop into adults. He had to be the mock adult for the kids younger than him, he didn’t have time to decode himself and better his actions because he was too focused on protecting the freedom fighters and himself against the FN’s abuses.

People don’t realize that this is not babying them, or being so called “apologists” this is called understanding why these two are the way that they are. Why are they like this? And it’s so much to take in and talk about at once that you’d need an entire college level essay to completely break down and comprehend how deep war can affect not just adults, but teenagers and children. Those two groups don’t have true moral compasses, so the environment and circumstances can really impact and easily mold their minds to fit the standards in said situation in order to survive it. This is called self-preservation. A more than common trauma response.

I mean seriously, I heard someone say they can understand Zuko hate but not Iroh hate, when he has in fact, done much worse than Zuko has ever done in those 3 years at sea. I love Iroh, but he’s an adult, why are we choosing adults over traumatized and war-fed teenagers who mainly comply in that shit to seek approval from their actually psychotic, genocidal, narcissistic, and abusive father that would dispose of them if they didn’t fit his standards? Why are we quicker to blame the teenagedvictim of the FN’s attacks and cruelty, than the actual people, adults, who conducted the attacks?

Are we truly regressing as a fandom? The show wouldn’t give them their traumatic experiences and talk about their abusers if they wanted the viewer to antagonize the victims. Goes to show that the loudest voices screaming “irredeemable monster” and “they want people to feel sorry for him” never truly know who these characters are and how they operate, they need everything spoon fed to them which is very unfortunate. The real irredeemable monsters are right there in their face and they choose to look somewhere else.

It’s so obvious how people in this fandom pick and choose who to feel sympathy for, when they all needed it.

[retromotherfuckers]

OBX Rock Band AU (headcanon)

Characters:

jj maybank, john b routledge, pope hayward, kiara carrera, sarah cameron

Word Count:

~700

A/N:

i have no idea if this has been done before but the idea came to me the other night in the shower lol. i’m in a band so you can guess what i loosely based this on

JJ - Drums

is my opinion biased on this one? probably

my favorite band member and character

the one with the most problems

drinks a little too much,  stoner

personal life in shambles most of the time

once he found the drums as an outlet he dove into it, eventually becoming an intensely devoted musician 

that drum set has seen some things

jj lets his anger out on that poor, innocent drum set

all the different pieces have had to be replaced so many times because he beats the living shit out of them

the one that got john b into rock music and the rest was history

he's not one of the chill drummers who just shows up and does their thing, this man is a show-off

so many tricks

long solos whenever the chance arises for one

flirts with the entire band

music genres: rock, grunge, alt, metal

bands/artists: Sex Pistols, Led Zeppelin, AC/DC, Nirvana, Guns N’ Roses, Def Leppard

John B - Lead Vocals/Rhythm Guitar

a no-brainer. this is practically canon

no i will not be hearing opposing opinions at this time

he's the frontman

the one most people's eyes are drawn to right away

controls the vibe in the room

him and jj put on a show

stoner

is naturally a gifted singer, but had a vocal coach for a little while to get some pointers

rhythm guitar because most rock songs need at least two guitars and he's played guitar since he was a kid just for fun

music genres: country, rock, alt, pop when jj isn't around

bands/artists: The Rolling Stones, Paramore, Fall Out Boy, Aerosmith, Taylor Swift, Johnny Cash 

Pope - Lead Guitar/Band Manager

he's just there to vibe but also an incredibly skilled guitarist 

the one that tries extremely hard to keep everyone on track, but can't because no one listens to him

also the one that found kiara and Sarah

he's classically trained, but he only did classical as a kid because that's what he thought the smart kids were supposed to do

he plays like Slash: relatively controlled body language, but his fingers fly back and forth on the frets 

music nerd

everyone can tell he loves what he's doing

manager because who else would manage these fools?

music genres: rock, alt, indie rock

bands/artists: Falling in Reverse, Foo Fighters, Arctic Monkeys, Green Day, Hozier, The Killers, The 1975

Kiara - Bass

i will not be accepting arguments on this one

she 100% grew up on cello, but wanted to rebel against her parents as a teen and switched to rock but realized she fucked with it

this girl is hot as all hell and knows it, but has nothing to prove

she's one of the more responsible members of the group but also super laid-back

stoner

effortlessly keeps everyone in check 

she just wants to vibe and play some songs

flirts with the entire band

weird, hippie, earthy screams bass player

music genres: indie rock, r&b, pop punk, anything from the '60s and '70s

bands/artists: Janis Joplin, The Strokes, Young The Giant, Hozier, Paramore, Joan Jett, Whitney Houston

Sarah - Backup Vocals

she was definitely an attention seeker in her young years and would've hated backup, but now she's perfectly content chilling in the background with some killer harmonies 

she has a few songs she leads in the set when john b needs a rest

she absolutely KILLS them

but she loves playing with the melody and adding a harmony on something that you wouldn't expect

this girl has perfect pitch so harmonizing takes about 3% effort from her

if a song is too low for her or too high for john b, she transposes everything (perfect pitch and all)

she will. not. touch. an electric guitar with a 10-foot pole. 

don't ask, i have no explanation for that one

on the occasion a song needs keys, she's the go-to

music genres: she's a retired theatre kid so she listens to just about everything under the sun except country

bands/artists: Taylor Swift, The Beatles, Queen, Marvin Gaye, Stevie Knicks, Amy Winehouse

[reflections-in-a-critical-eye]

What do you think about people who use the Jikook tag to announce they no longer believe in Jikook as a ship? Or who post opinions such as no longer believing their friendship is special? I’m sort of torn because on one hand the tag isn’t technically a place for only pro-ship opinions, but on the other hand I thought it was general knowledge that most people use it to seek out positive content (and I don’t mean only pro-shipping, just positive content about whichever duo even in a platonic manner).

I just find it odd someone would feel the need to announce their personal, negative opinion about a ship publicly in a ship tag (especially if they go on to then complain in said ship tag about any negative response they receive). I also don’t understand why they thought their unprompted opinion was worth sharing in the first place when it seems like something only their friends and followers would really care about. It almost comes off a bit… self-important? Or maybe I’m just overly conscious of how I use tags and most people don’t think like this? I don’t think it helps that a lot of these posts carry an air of superiority where they paint themselves as more rational and objective than shippers… and it feels almost intentionally antagonistic to then purposefully post it in a place full of them.

Do you think my opinion is unfair or oversensitive? Am I wrong about how people use the tag and am I underestimating the demand for critical shipping content? Is it too controlling or unfair to criticize or judge a person for posting debunking/negative posts about a ship and their overall bond in their ship tag? Does this mentality negatively contribute to the toxicity of shippers and the overall hive-mind mentality of requiring each other to 100% believe said ship is real? Would it discourage or push away people who don’t believe in the ship but still enjoy and positively contribute to shipping spaces?

It’s obvious who I’m talking about if you go into the tag and I hate gossiping about other bloggers (and have absolutely nothing against them and hope people leave them alone if they don’t like their posts) so I don’t expect you to post this. But if you ever feel like writing about any of this, because it’s something I’ve seen multiple people do, I’d love to know your thoughts. I really like your stance on anti-shippers so I’d be curious to know your opinions on things like tag etiquette and the phenomenon of people needing to publicly announce when they no longer believe in a ship.

I know some people like to have an outlet to express their doubts on a ship being real or not and that’s valid, obviously there's a demand for spaces like that, and the tag doesn’t belong to just one group of people… but as someone who doesn’t even have a strong opinion on the nature of Jikook’s relationship, I still feel like it’s an odd way to spend your time when you could just have fun enjoying them without having to commit to thinking they’re romantic or not. And spamming a space people use to seek out positive content with your negative, cynical (and sometimes equally biased takes) just feels like such a douchey thing to do. But I still can’t tell if I’m being like… a bitch about it when obviously there’s a desire for content like that, people have a right to post whatever they want, and overly zealous shippers can be just as annoying.

Sorry to go off about this in your inbox! But if you have any thoughts to share on any of this one day, I’d love to hear them!

Thanks for sending me the follow up ask with the link. I'm not reading all that rant because I don't feel like getting angry in the morning and especially over a ship of all things. I have that person blocked since the beginning, I sort of clocked what their deal was. Not that difficult to figure it out.

I also understand why you have all these questions and it's perfectly valid. There is no single answer though. We do need to be careful to not transform online spaces in echo chambers, but the solution to that is not being antagonistic either. In some cases, that's clearly the purpose and you can see it in the username, usage of tags, how it's targeted and so on. We all end up knowing how things work on the platforms we mostly use.

Healthy conversations surrounding ships and shipping spaces should take place. But that space needs to be created in a way that feels inclusive and not exclusionary. It's one thing to want to talk about all aspects of a ship, what clicks to you or not while being open minded about it (phrasing and tone are an indication of that) and another is to purposefully want to spread an agenda. Not just this blogger you're referring to, but also others that I've seen throughout my time here. There is no conversation taking place, it's an invitation for like-minded people and thus creating their own echo chamber in which arguments in favor of the ship are dismissed. Ultimately, all what people want is to share their opinion and for others to approve it. There is no real conversation, just the illusion of it and somehow the lie is more prevalent in anti-shipping spaces in which so called rational, anti-delusional thinking is a sign of superiority, just like you pointed it out.

I don't think we can/should control what is being posted in a tag. Perhaps there's an established etiquette that I'm not aware of, but looking at it that way can perhaps be harmful in the long run. Nevertheless, I also don't believe that flooding a tag with mostly negative takes is the right way to go. Perhaps there should be a separate one for anti-shipping discourse or keeping it in-house.

It's also a personal choice at the end of the day. People can write whatever they want on their blog. I know that in my case, when I know that I write something that obviously has potential to upset/anger fans of a ship/person, I choose not to tag the name because I know nothing productive will come out of it and it will only lead to a confrontation. Which is ultimately a waste of time.

Having very strong opinions over a k-pop ship to the point of preaching it's realness or the opposite, its lack of romantic nature, is not something that can have moral superiority attached to it. Regardless of each side, I don't think most of the people actually know the private lives of these idols so perhaps being more chill about it should be the way to go.

I've said this numerous times, but as much as shipping is villainized as opposed to supporting or even anti-shipping, it is (or should be) ultimately a fandom practice that can be fun, without necessarily getting too deep into it or a reason for conflict. It's in our hands the way we behave and what we write.

And perhaps not being complete assholes about it helps.

[oraclekleo]

Gong Ji Chul (Korean Actor) Relationship Role Tarot Reading

Disclaimer:

All readings have purely entertainment nature

I don’t know any of the celebrities personally

Don’t base life decisions purely on tarot readings

I can never guarantee any of what’s said in the reading

Before requesting, read the pinned post and appropriate linked post

Tarot readings are my hobby - I’m not obligated to accept any of the requests nor to complete them, it’s my choice, not duty

Waiting time is long, even several months

If you can’t wait, please, seek other tarot reader

Reading Info:

Rating: 18+

Reading Type: Single - Couple

Requested: Yes - No

Requester: /

Deck: E. A. Poe

Spread: Relationship Role

Questions:

Friend

Boyfriend

Lover

Husband

One-Night-Stand

Celebrity Info:

Full Name: Gong Ji Chul

Stage Name: Gong Yoo

Group: Korean Actor

DOB: 10.07.1979

Sun Sign: Cancer

Chinese Sign: Earth Sheep

Life Path Number: 7

Masterpost: Solo Artists

Ko-fi - Voluntary Tip for Readings

Gong Ji Chul

Gong Yoo (Korean Actor)

Deck: E. A. Poe

Spread: Relationship Role

Friend - XIV Temperance, 7 of Pentacles

Yoo is a well-balanced and loyal friend to have. He’s not exactly the type to have 100 of friends, his close circle is small and focused more on quality than quantity. He’s both lighthearted and positive and diligent and can be serious when the situation calls for it. He’s not likely to argue about pesky things with his friends, he’s above that. His close friends mean a lot to him but he’s also capable of making decisions on his own. There are limits to how much Yoo can be influenced by other people.

Boyfriend - 2 of Wands, 5 of Wands

Yoo might slightly struggle when it comes to dating. Maybe the boyfriend/girlfriend concept feels a bit childish to him. He prefers his relationships to be on a serious note right from the start, to have perspective and potential. He expects his partner to be a strong individual and have their opinions. He’s not really into people who will instantly agree with him only to avoid conflict. Yoo is an artist and a grown up man, he believes that mutual understanding can be born from conflict and different opinions.

Lover - 3 of Wands, XX Judgement

As mentioned before, Yoo takes his relationships seriously. He’s a devoted and faithful lover but if he starts to get bored in a relationship, he will wander away. His lover should make sure he feels interested. To make it even harder, Yoo might become bored if the relationship is only physically satisfying but the discussions feel dull. He’s quite a wholesome man and will expect a sensible person by his side, someone who can ignite his passion but also discuss everyday life matters or deep topics with him.

Husband - 10 of Cups, Knight of Wands

Yoo would make a fantastic husband and father but the thing is he would need a specific type of spouse to live with. He’s caring and kind hearted but sometimes he craves freedom and mundane activities like chores could drive him crazy. It’s not like he doesn’t want to do them, only he might need some sort of variety and system of taking turns. Also if he has children, he might truly need to sometimes go for a vacation with his spouse only, leaving the kids in care of their grandparents or aunts or someone like that.

One-Night-Stand - XVII The Star, II The High Priestess

Yoo is not strongly against one-night-stands, only he’s got this respect towards people so he’s gonna be willing to go for a short-term love affair only if he has an absolute certainty that the other person is on the same page with him and won’t suffer any disillusion or heartbreak. The terms and conditions have to be perfectly clear for both Yoo and his random lover.

Thank you for reading!

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Comment! 💬

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Any Feedback is Welcomed ✅

[night-faye]

The special is cut into 4 episodes called: - a life time of mistakes - the plan man - rip and tear - better than we found it while s3's special was - this imperfect world - the corrupted king - time to be warriors - destiny fulfilled 17) "Yeah! Go, MK, go! Just try not to totally wreck up my stuff, would ya. Oh, right! The scroll!" He is SO cute and silly, and the way he remembers and turns back around perhaps I can squishing those round cheeks. Also "Lieutenant Monkey!" and the fist bump 🥺 that's his wittle monkey family do not separate he was so alone after being born. an endangered species. 18) "Oh, there's nothing mindless about me, friend. That's what you were pretending to be, right? To be my friend? To care about me? When really, you were just using me to get what you wanted! To turn me against my own mentor! Well, put your hand in the monkey cage and expect to get bit, son! Come on! Come on! Come on, Uncy Lion! You're the big hero, right?! Then prove it! Show me!" Macky....good on you for joining the Demon Bull Fam in giving up villainy quick because THIS is how savage MK can get. All of this could apply to you LOL. Gee, MK would get along perfectly with my OC. They snap the same way lmao. 19) Macky's smoke monster is probably like 100 feet smaller than Wukong's war form btw. We always joke about the size difference lol. And LOL at his face when Mei chomps him with her dragon he's all bug eyed. 20) Of course they had to kill Azure while smiling and of course they could only have Wukong be 😔 because he's witnessed so many of his friends die over the centuries. mourning has become second nature. at least they give us SOME kind of break. Wukong's face when Nezha hops in like yeah you got allies still left who care but LOL because he goes 🤨 when Nezha is "Yeah don't worry about it, Wukong. It's fine. I've got this." very sweet of you to care and reassure him, he doesn't got to do everything by himself, he's got people willing to hop in for him despite the history, BUT LMAO bc Wukong doesn't have time to be caught up in more feels, he's probably thinking "oh uh huh, sure you big immortal baby. press F for doubt."

21) I sped through this so much somewhere in these 4 seasons is Macky hiding scared behind Wukong and in this special, the screen slo-mo freezing on Wukong zipping by and Macky's shook expression like sure okay, stare at your super cool determined fierce friend heading into the fight with THAT look on your face. 22) Dwa when Macky steps in and everyone smiles that their domesticated emo villain monkey who probably watches anime is helping <3 <3 <3 AND WUKONGS SMILE WHEN MK IS OKAY. so sunshine and buttercups. 23) *Suspiciously eyes glowing blue flower and vines on the tree in Wukong's room and the weird thing that looks like a marked tomb.* and oh hey, role swap. Now Wukong is joining MK all by his lonesome. One of those moments that feels like the legend of the monkey king is taking back the narrative for things he's not even the main character for lol. just like in jttw. its so focused on him esp all the beginning chapters but Tripitaka is the MC XD 24) "Do you wish things would stay like this forever." "Pssh, where's the fun in that?" *looks at all the promises of forever you made to Macky.* uh huh. 25) BEACH EPISODE. of like 30 seconds for everyone else and 3 minutes of ShadowPeach. Macky and Wukong's clothes are taken from Goku and Vegeta bc they're based off the same legend lol. Wukong yelling about sunscreen to MK is so <3 <3 <3 they're Monkey Dad coding him LOL and its funny to see him talk about modern day products in general. 26) Lmao yes, it's your favorite shadow to block the sun 😉 "Ugh, it's you." "Cute, thanks for the invite by the way." "And thanks for showing up even though you were NOT invited." They always gotta talk like this, I UNDERSTAND the feeling of never being straight with it lol. But then they show what they mean through gestures like the peach popsicle! Like we're getting a redo of the squished peach from earlier ;) not fully perfect, a lil melted, but its a start. a peace offering and unlike last time its accepted also they are under the divorce tree! wonder who invited Macky or if he rlly just showed up LOL. I didn't take you for a beach kind of guy in hot pink but alright! I love his stressed tail flicking too 🥺 he is SO stressed he's not even looking at Wukong you can hear his *hmmm* in brooding thought. and asdfghjkl the way his brows furrow as he processes what Wukong just gave him 😭 "You know this is the calm before the storm...right?" So careful, cautious, it feels safer to ask now. It's like a redo of when he ignored you at the dinner. "Yeah, I know." love that trope of when everyone is goofy but you have the serious characters thinking about the future because they have special secret knowledge unknown to the rest but wanting to protect the joy of the present. "Wherever there's scheming, we can handle it." hello scheming reference but this time not applied to Macky and HELLO saying "we" and Macky being surprised over that. It was INTENTIONAL. 27) here are the storyboards! https://www.tumblr.com/chippedtoons/725767120520200192/faildads https://www.tumblr.com/chippedtoons/725766047465078784/nobody-fucking-tlak-to-me-right-now-pos

So consider me dead :)

(oh and I WILL be keeping your asks with all the links in my inbox so i can find them easilyz!! Bless you anon thank you very very much heheheheh)

[potted-dandelions]

When it came to COVID vaccines, we all used our gut instinct whether we took them or not. It didn't have to be rational to be the right decision, or the wrong one.

It is in human nature to assume that practicality and rationality go hand in hand, and it feels correct since we tend to do impractical things for irrational reasons. But sometimes it's rational to do impractical things—we call this rationalizing—and sometimes it's practical to do irrational things. We saw numerous examples during the pandemic, but it's useful to look just at vaccination rates because people used a broad mix of reasoning, both good and bad, to decide whether to take what turned out to be a mislabeled product, the mRNA COVID vaccines.

Notably, the definition of the word 'vaccine' was adjusted after Moderna and Pfizer wanted to sell their products with that designation attached to it. People generally trust vaccines so giving their products that name helped to win public trust for an entirely new class of drug. The trick has always been to associate mRNA drug technology with proven treatments that use altogether different chemistry.

We ought to be willing to admit that the old definition of the word 'vaccine' was just clever marketing wank because the fact is that no vaccine has ever prevented infection. They simply accelerate immune response so infections, when they do happen, never grow out of control. The new vaccine definition is just as clever, admitting that infections are not preventable so as to lower expectations without totally discouraging consumers.

So a drug which offers mere prevention against a severe viral infection, not necessarily one which reduces infection rates, is now called a vaccine. But what about herd immunity? We who took our chances with the vaccine hoped to prevent ourselves from transmitting the virus to others. But today it's widely known that mRNA COVID vaccines are insufficient to lower COVID's reproduction number below 1.0, meaning herd immunity is impossible to achieve with mRNA vaccines alone. This was always the case, it's just a question of when did our betters realize it.

Initially, mRNA vaccine makers had loads of confirmation bias to tell them their products would shorten the pandemic but the only way to know for sure was for everybody to take it, and somewhere in the back of their collective mind they understood this. Cue the vaccine mandates. A mandate exists to make people do something they wouldn't necessarily choose to do on their own. Modifying incentive structures is a time-tested and proven way to manipulate human behavior, and threatening to take away somebody's livelihood is a powerful incentive. It's also tyranny.

Pharmaceuticals marketed a fancy new drug by calling it a vaccine so we would want it, and when it turned out that only 2/3rds of us did, they lobbied the Biden administration to make the remaining 1/3rd take it just to prove something to themselves and the world at large. Sure, they were motivated by profit, but even profit motivated companies avoid doing evil if for no other reason than to protect their public image. Really, they needed to know if 100% vaccination was possible, practical, or effective because it had never been achieved before.

So, pharmaceuticals irrationally convinced themselves that forcing life-saving drugs upon the public would be appreciated. After all, the evil of depriving us of our agency was counterbalanced by the good of shortening the pandemic, and life trumps liberty, at least in their minds.

But at the end of the day, people will exercise their personal agency unabated by government mandate, and damn the consequences. That may have sounded irrational before the Supreme Court weighed in and struck down the broadest vaccine mandate a year ago, but its perfectly practical to go with your gut feeling regarding your health.

The gut is, after all, an important part of the human immune system. It must destroy harmful microorganisms while allowing helpful gut flora to flourish within limits. Its 'brain,' the enteric nervous system, isn't involved in cognition but it does inform your decision making. Without a prefrontal cortex, the gut's enteric nervous system is incapable of rationality but by the same token it is also incapable of irrationality. The gut only deals in hard facts and practicalities, what works and what doesn't, what makes you healthy and what makes you sick.

Operating on gut instinct isn't always rational, but the law of natural selection has improved its odds of success beyond what random chance allows, and your statistically unlikely existence is proof of that. You are the product of countless generations who threw the dice and won. Sometimes your gut is wrong, but it never lies to you. You can't always believe it, but you can always trust it. So if it tells you not to use mRNA drugs, take its advice with a grain of salt but take it seriously. Its wise admonitions are informed by millions of years of evolution.

Gut instinct is practical in ways our rational minds may never comprehend, but it exists for one specific purpose: to promote healthy consumption habits. (Incidentally, our senses of taste and smell and our eyes' color sensitivity all serve that same purpose by identifying poison.) So when you get vaccinated and then feel sick a few minutes or hours later, that's your gut telling you that you've ingested poison. Trust it. And then remind yourself that all medicines are poison depending on the dose, and all poisons are medicine depending on the illness.

mRNA drug technology is amazing. Trying to cure COVID with it was amazingly stupid. And mandating its use was simply evil, if for no other reason than it has turned the public against the most promising potential cure for cancer we've ever seen. And it's all down to patent law.

Although the forthcoming cancer cure will be patentable on its own, the mRNA/lipid nanoparticle suite of technologies it will employ has been undergoing research for decades now and patent protection only lasts up to 20 years. For practical reasons, the COVID vaccine was rushed to market. Pfizer-BioNTech and Moderna had to have known from the very start that curing coronavirus was a fool's errand. Scientists have tried for decades, especially after the SARS pandemic, but it mutates so rapidly that no vaccine maker can keep up, not even seasonal flu vaccine makers.

Nothing was rational about using mRNA to attempt a coronavirus vaccine but the pharmaceuticals were motivated by practicality, not rationality, so they did it anyway. Simple government corruption did the rest; nothing else kills rationality like having fuck you money in your pocket. Despite it all, I hope mRNA technology flourishes. I hope it does make cancer curable and I hope people learn to trust it. But if our trust is gone forever, the pharmaceuticals and our governments can only blame themselves. No force can overcome irrational practicality except irrational practicality itself.

[chaserainbows]

calem’s in-game development aka there’s a reason why it’s called giving 120% and not giving 100% and breaking expectations you silly goose

[sheislethal]

Hey, hope you're having a nice weekend

Could you write the girls with an s/o who is against violence of any kind but is also the "hurt my girlfriend and I'll kill you" type of person.

Thanks ✨

INCLUDES: {Minors encouraged to not read} SEVIKA, VI, JINX, and CAITLYN

WARNINGS: gn! Pronouns, violence, NSFW tones and mentions.

Notes: Your profile picture made me re-listen to all of Melanie's albums for the third time this month. She's my all-time favorite artist <3

SEVIKA:

Sevika was a little shocked when that side of you came to the surface.

But that very quickly turned to pride.

Sevika would watch smugly as you literally attacked the person that had messed with her. She would only pull you away if It looked like you were losing the fight.

No, she wouldn't stop you if you tried to kill someone. She would just make sure you were always the winning party.

"Against-any-kind-of-violence my ass." She would mutter with a smirk.

Knowing that you were not as against violence as you claimed made her all the more in love with you.

She liked the assurance that you could handle yourself if she was ever not around for some reason.

Knowing that she was the reason that made you break your "against violence" thing was a little exhilarating.

She kind of excitingly- anticipated a reaction from you now if someone ever threatened her.

I believe she would purposefully try to get on people's nerves so they'd do something to see if you'd do something.

VI:

She was extremely, yet delightfully, surprised when you started threatening the person that had threatened her.

To be blunt, it turned her on.

That night you guys definitely turned up, if you know what I mean.

Your non-violent nature was one of the things that ultimately attracted her to you.

She definitely likes this hidden side of you as well, though.

She would still think you were bluffing about actually killing someone until you almost did, though.

She had to legitimately throw you over her shoulder so you wouldn’t be able to stab them.

She would never admit it, but your violent side is kind of scary. Let's just say you didn't just intimidate the person you tried to kill.

Vi's going through what's called, "am I horny or just scared?"

"Cupcake- let's calm down, okay? Who knew a little threat could get you this riled up... I know it's gettin' me riled up."

JINX:

The first time you stood up for her in such a way she was very taken aback.

in a good way.

She geeks out and gushes over how you change so suddenly.

How you could go from a very non-violent person to someone ready to kill over someone like her.

She thinks it's hot, among other things.

She loves it when you threaten people, and has made it her mission to get you to continue doing it.

Like Sevika, she purposefully pushes people's limits so they'll do something to her, just to see if you'd actually kill them.

If it ever came to the point where you actually killed someone for her, you would be able to see the hearts form in her eyes.

Would absolutely cheer you on.

She definitely likes the whole “I’d kill for you” relationship dynamic, seeing as you are both those people.

She knows perfectly fine that she can handle and protect herself, but now that she knows you would kill for her too-

It’s just another form of reassurance, which she constantly seems to need in multiple ways.

She would NOT stop you from killing someone, by the way.

She would 100% encourage it.

“Shit, sugar. You really killed em’! Gotta say I didn’t expect that. You did it just for me, too…”

Yeah, if she wasn’t already in love, she sure as shit is now.

CAITLYN:

Caitlyn would not know how to react when you came to her defense so violently.

She would try to talk you down, but when that didn't work, she would have to drag you away.

Argue with the wall, this woman is buff as fuck, so you would be dragged.

I would say she would throw you over her shoulder, but she is much too refined for that.

She would tell you how you can't kill people just because they tried to mess with her.

but in her head, she was blushing at how you actually tried to hurt someone for her.

Her way of saying thank you was a day of pampering, along with not taking you to jail.

We've seen in the show that she can be somewhat of an impulse control, so she would obviously be yours when she needed to be.

"Were you really about to kill someone for me? I mean, of course, I'm grateful and flattered, but you can't do that, darling."

When she first saw your violent side, her eyes just widened as her mouth went to say something, but she just couldn't get anything out.

Picture the surprised Pikachu face.

[hexhomos]

hi! i love your jayce takes so much hes been one of my faves for years now so it always makes me happy to read ppl talk abt him! may i ask what reason do you think jayce had for not backing up viktor with the whole blitzcrank situation? ive always thought it was something like. shrugs. jayce vc 'not my problem' but i love hearing abt others peoples opinions abt this very specific bit lol

This feels like one of these questions w/ multiple answers tbh.

The easy answer:

The writing team wants to make sure you know there is an "escalation" of their conflict, so we go by rule of threes: the problem starts by omission (jayce fails to intervene), develops into friction (jayce intervenes with the diving suits, to stupid results), and then settles into rancor (viktor comes to collect a debt with the crystal, they do not see eye to eye, it all blows up even more catastrophically). Via this setup, you don't necessarily Need to dig into why a character has slipped down the rocks the first time- if they do it thrice, you're building a pattern. You are communicating to the audience that they are a person prone to Slipping Down The Rocks. The important part is that it fits, and even more so retroactively.

The "ok let's get in the headspace" answer:

Jayce’s reputation as an asshole feeds into him consciously or subconsciously reinforcing the image of "Being An Asshole" again and again. It's already how people refer to him and what people expect of him, he's grown used to it so far, so what would be the point of bursting golden-hearted pollyanna this late in the game and pledging faith in the one *other* guy everyone else is against? Would it even truly help? When he's accusing a professor? It might be worse.

Full disclosure: I don't think he knows why he did it either. He's definitely aware that it was a dickhead move, but he's also not the kind of guy who'll ever admit he got paralyzed in the face of fear (or at least not without pushing), so it's not like I'm giving him an easy way out for him here. If asked? He’d probably default to rationalizing it as ‘not my problem’ 100%. But… we know full well that he feels massively guilty about it. You really just have to look at these textbits from his runeterra expansion featuring Jayce + one of the forge workers currently working with him (Axel)

And you can basically taste the way he has been manhandling the conversation towards not letting the same mistake happen twice, even when their superiors want him to be the Head Genius. (IMHO this is also perfectly in line with how jayce talis refers to hextech as a shared dream; i like to think of them as made up of the same character putty but environmental development molded them differently. Nurture vs nature etc. He *wants* viktor to be there - but it seems like he’s the only one who does.)

It's a mixed bag. Jayce sucks at communicating and communicating publicly is even worse. But he could have tried; and that's the point of it being a tip-of-the-iceberg mistake.

[thefanbasewhore]

#38 with Bucky please?

Summary: prompt no. 35 "You want to have sex here? Right now?" Reader always finds a way to surprise Bucky.

Warning/Content: no actual smut but suggestive content

Paring: Bucky Barnes x female reader

This is apart of my 1k follower celebration! Hope you enjoyed it!

Bucky is... trying. Up to this point his life has been nothing but a series of unfortunate events. From being drafted, to brainwashed he never really had much of a choice when it came to anything... So naturally, you're working with it.

Small things from what he wants for dinner, what to watch, And even what kind of sheets he prefers. It's only right, giving him something he never experienced before. He can claim he hates it all he wants but secretly enjoys the attention, likes having someone who cares so much it's even a point to do so.

With that, Bucky has also missed out on so many things. While he had girlfriends before, never had they done further then a year.

It's hard moving in with another person, especially a mentally unstable 100 year old super solider who's hell-bent on cleansing his soul. It's a change for him as well, he's not used to being taken care of and well being around another person.

Someone who cleans his clothes, reminds him to shave, helps with dinner ideas and even helps him cook it.

It's the small things he mentions that makes your heart sink, like that fact he loves cats but would never, ever get one because of the fear of accidently hurting it. You best believe the next day you stopped at the shelter before going home, picking out a small, white kitten and presenting it with a big, radiating smile.

Or the fact he never had an ice cream sandwich before, you spent the whole afternoon making chocolate chip cookies, timing everything perfectly for the first bite he takes has the warm, gooey cookie in contrast to the sweet, cold, ice cream. He asks for them almost every day now.

He doesn't know it, but you made a bucket list for him. Everything he needs to try but also things he's been missing out on in one place. It's a goal to at least check one off a week.

Bucky has been fighting all his life, never had time to settle and find himself but he's one hundred percent sure the universe had a plan all along. You, his beautiful, caring angel.

After Steve, no one one there. Suddenly, life had no meaning until you. What used to be dark days and rain clouds are filled with sweet kisses and sunshine that comes in the form of your smile. It kisses away all the bad things, a kiss to his chest, to his collar bone and one to his lips for good measure, just for he understands just how loved he really is.

You're showing him how to live, have fun and understand that life isn't all war; it's sharing it with the people you loved most.

Before the war he never really understood why everyone was so set on getting married, the domestic life was never appealing but boy was he wrong. Now he lives for the moments that comprise of only you and him, from grocery shopping, picking out furniture that was no existent in his apartment and even now, at the mall aimlessly walking around while you try clothes.

"Buck?" The voice calls from over the stall, not a soul is around but his head pops up almost instantly.

"Yeah, baby?"

"Can you come in and zipper this for me? I can't reach it."

Of course he doesn't think much of it, opens the door but before he could even manage to look at you, you're pulling him into the stall. A strong little thing as he's pushed against the wall and lips are taken by your own.

Hands cup his face, rolling your tongue against his own, desperate for more. Bucky's hands find your hair, pulling you close and basking in the taste of you.

He doesn't think much of it until he feels hands slip under his shirt, feeling the hairs of his chest to the hard, promient line of his stomach. "What are you doing?"

"You look good is all..." Finger tips playing with the hem of his jeans, threatening to pull the fabric of his boxers forward.

"You want to have sex here? Right now?" He's breathless, whispering against your shoulder as he watches your face drop, soft hands which once felt his chest sliding from underneath his shirt.

"You don't want to?" Watching the way your cheeks turn red with slight embrassment, his throat dries instantly as wide eyes find your own, shaking his head as a hand comes down to squeeze your bicep affectionately.

"No, no, sweetheart." He pauses, "Wasn't expecting it is all."

Smooth lips with the drag of his scratchy scruff against your neck has your eyes snapping close, falling into the spell Bucky has managed to cast so many, different times. "Always want you."

"Never did this before." A hand on his belt has him shivering, smiling up at you with those dimples that make your knees week as a hand squeezes over your clothed breast.

"Really? Had no idea."

Of course you did, it's just another check off his list.

[telehxhtrash]

A masterpost on Togashi’s gay subtext and why it’s intentional.

Hi ! After seeing so many posts about Togashi dropping subtext about Killua's possible romantic feelings for Gon, I thought it'd be a good idea to make a sort of "masterpost" with all the subtext that Togashi has included into his work.

I usually see a lot of people trying to say that HxH isn't about romance and that Togashi isn't interested in writing romance into the manga, but when you analyze all the subtext that's been going on the further Gon and Killua's relationship progresses, I think it's incorrect to say that Togashi has never hinted at the possibility of romance in HxH.

This is going to be a long post, enjoy your read!

Also, please note that I will only base this analysis on the manga, so there can be no mistake that "maybe this is just something the anime made gayer" : i want to prove that the subtext is 100% intentional on Togashi's part.

I'd also like to mention, although I will analyze it further after listing the subtext, that Togashi is a VERY smart man. There are always little details in the story and/or foreshadowing that are easily missed at first but when you notice them, it truly makes you understand how much attention and care Togashi puts into his work. There are countless details and symbolism that are analyzed daily through wonderful meta posts, from the main 4′s birthdays and their link to their character or the religious symbolism in Kurapika’s story arc.... Togashi loves to foreshadow and plant little details into his work, so when Togashi plants subtext, I'm sure he 100% knows that he's writing it, and it can't be seen as unintentional.

I'll also link all my references for this post at the end of it, so feel free to read all the additional textposts and content if you want to know more.

Well, let's get into it!

EDIT : i can’t believe this post is still being used as a reference it makes me so happy... thank you so much !!! i edited this to tweak it a bit because i wrote this a while ago and the phrasing seemed off to me, so if you’re reading or re-reading this post, hi, welcome to masterpost on gay subtext 2.0 !

GREED ISLAND ARC

Greed Island is to me the arc that lays down the nature of Killua and Gon's relationship. It's during this arc that we get to see a bit more of what Killua thinks, how he's lucky to have met Gon and that he feels really grateful. Gon’s behavior in this arc is also very affectionate, with him always reassuring Killua about his place next to him. While the scene where Killua thinks "You've got it backwards, Gon, I'm the one that's glad I met you." can't be considered as subtext, I think it's something that lets the reader know a bit more about how Killua feels towards Gon. 

But other than this scene, which can clearly be dismissed as platonic, there are 2 more moments in the Greed Island arc that are layered in subtext.

• The Rainbow Diamond (chapter 151)

During their time in Dorias, Killua uses Risky Dice to gain cards from the slot machines. The first card that Killua gains is called "Rainbow Diamond", the description of the card being "A diamond that shines in a rainbow of colors. Propose with this diamond and she is guaranteed to say "yes"". 

There are 3 different things we can take from this panel. First, the card is a marriage proposal card, so it's obviously romantic in nature. Second, the object is a RAINBOW diamond. And third, Killua, wanting to keep the card safe, gifts it to Gon.

In short, Togashi sat down at his desk, decided to draw Killua winning a MARRIAGE PROPOSAL CARD (it could've been any card, but Togashi CHOSE to make Killua win a marriage proposal card) that has a RAINBOW diamond on it and made Killua gift it to Gon. 

While I personally don't think that subtext can be used to 100% ascert that Killua has romantic feelings for Gon, I think it's a funny little touch from Togashi, and I'm even gonna say a sort of hint towards how Killua's feelings for Gon are going to evolve in this arc and the next.

• “It has to be Killua” (chapter 166)

Now this is a scene that I've never seen anyone talk about, at least on Tumblr, but when I read a bit of analysis on it I was 100% convinced this was intentional subtext. I'm basically quoting here what this article explains, so if you want more detail, I recommend reading it.

As you probably recall, during their deadly dodgeball game against Razor, Killua decides to sacrifice his hands to ensure that Gon could use all his strength. When confronted about it, Killua insists that it's nothing, and Gon shocks him by saying that he knew all along that he was hurting himself for his sake. 

Gon then says that it can only be Killua holding the ball, and that it has to be Killua, resulting in Killua being absolutely awestruck and embarassed. I'm also going to talk about the anime adaptation for this one, because it's perfectly executed and translates extremely well the nuance that the second sentence bears. If you want to rewatch it, this scene happens in episode 70. It's worth noting that in the anime, we see Killua not reacting to Gon's first sentence, but losing his composure entirely when Gon says the second sentence. But why ?

The reason was lost in translation. His exact words are "Booru wa Killua ga motte-kurenai to. Killua ja nakya dame nan da.". Both sentences basically say the same thing : It has to be Killua holding the ball. That second sentence can be translated literally as "If it's not Killua, that won't do." However, the second sentence, in a different context, can also be used to say a totally different thing. 

While it's certain that Gon used this sentence in the context of the dodgeball match, the sentence "~ja nakya dame nan da" also serves as a confession of one's feelings in japanese. It's basically the equivalent to "you're the one for me". When you google the sentence, it turns up romantic songs, forum posts asking what it would translate to in English and posts on how to confess to someone. 

The sentence basically drowns in romantic subtext. As mentioned before, Killua has no reaction to the first sentence "Booru wa Killua ga motte-kurenai to.", but loses his composure at the second one, and I think that was a very deliberate thing Togashi wanted to convey : this sentence has an additional layer, and clearly Killua is taking it to heart.

I will come back to this specific subtext in a bit, because we can parallel it with another subtext-y situation, so please keep it in mind for now.

CHIMERA ANT ARC

Now onto the sad gay arc! This arc is so RIDDLED in subtext and parallels that it's making me lose my mind.

• Gon, you are light. (chapter 199)

This scene is just... So romantic in nature. I’m not too objective on this, but I really do believe that this moment is the exact moment Killua fell in love with Gon and started to realize he felt a bit more than friendship towards him. It’s Killua respecting Gon for who he is, realizing that he’s light and he’s always been, he’s the one who saved him and who’s always been so bright and optimistic and always makes the best out of any situation. In this scene, Killua lets himself drown in Gon’s light, allows himself to feel this “wow” moment of pure admiration and love, and it’s absolutely beautiful.

It's extremely important to take the context of this scene into account. What happened is that Killua, who has been struggling mentally for the entire series with the fact that he's always running away, ran away once more, leaving Kite to die with Pitou. This ENTIRE chapter is literally adults absolutely DESTROYING Killua, first Kite's troupe bashing him for leaving Kite behind, and then Netero, Morel and Knov coming in like icing on the cake telling Killua that "After all, he's just a kid", and that he should hurry up to his mommy. 

Killua is beating himself up for running away again, got destroyed by Kite's team and 3 extremely strong pro hunters. His morale is down in the drains right now. He expects Gon to be mad at him for betraying Kite, for running away once again, for leaving Kite to die alone and ripping Gon away from Kite : he expects that he'll lose Gon for his cowardice.

HOWEVER, the first thing that Gon says to Killua after having been passed out for god knows how many hours is "Thank you". 

Gon woke up and instantly eased up all of Killua's fears : he wasn't a loser for running away, and Gon was actually thankful for him. Gon, at this moment, was the only one that showed kindness, understanding and gratefulness towards Killua. Gon even goes so far as saying that he knows that Kite isn't dead, and that they have to help him. At this instant, Gon is truly Killua's saving grace. He's the one that trusts him with his entire heart, and believes in his choices when even he can't believe in himself. Gon is truly Killua's light at this precise moment, because he was the only one who supported him, trusted him and reassured him in this awful situation.

How can someone shine so bright in such a terrible situation ? How can someone be so positive that nothing bad will happen ? 

Gon asserting all of this makes Killua respect him a lot. Keep this word in mind, because it’s going to be important in the next piece of subtext I’m analyzing, because those two scenes canonically follow each other and are basically Togashi highlighting that something special happened when Killua called Gon his light, and that his feelings deepened.

• Introduction to Palm's character (chapter 200)

This piece of subtext is very very easy to miss but it's one of the most important subtext-y scene, because coupled with the “Gon, you are light” scene, it’s very clear that this dialogue is deliberately highlighting Killua’s feelings.

This chapter introduces Palm's character (which, imo, is a character introduced for the sole intent of being a catalyst to Killua's feelings towards Gon, but I'll talk about it in my post talking about the CAA parallels) - edit: i talked about this briefly here.

So, Killua having looked into Gon's eyes for like 10min straight and concluded that Gon was the light of his life a chapter ago, is now chilling with Gon as they meet Palm. 

Palm takes them to a café and STRAIGHT OFF THE BAT harasses them about how much she's in love with Knov. Like when I say harassing, it's literally a whole page of her explaining her feelings towards Knov. 

There are two interesting things that can be drawn from this interaction.

First, it's extremely easy to draw parallels between Palm's situation towards Knov and Killua's situation towards Gon. Palm starts by saying how amazing her master is, that she probably has special feelings for him but the most important thing is to respect the other person. Remember how I talked about how this last scene was Killua having a surge of deep, deep respect for Gon ? Palm makes sure to highlight that special word, that it’s important to respect someone when it comes to love.

She then goes on to say that she hasn't said anything to Knov, and never will. All of this adds nothing to the story, it's empty dialogue, Togashi could've introduced Palm in virtually any other way possible, but he chose to drag her and the gay duo to a café and make her have a monologue about love RIGHT after the extremely emotional panel of Killua declaring that Gon is his light just a chapter ago.

But there's more. Not only does Palm monologue for a while about love, but after finishing her monologue, this happens :

This panel features ONLY Palm and Killua, her looking at him like the psycho she is, and straight up telling him that "love can suddenly spark out of nowhere, don't you think so?". 

What's so interesting about this is the fact that Togashi made the deliberate choice to have Palm say this to Killua and Killua ONLY, which after the gay existential crisis he had last chapter, can very much be applied to his situation. Love DID spark out of nowhere, and Togashi wants you to notice. Togashi could've made Palm say this to herself, with no distinct listener like the last panel, but he made the conscious choice to draw this panel with Palm adressing herself to Killua SPECIFICALLY. 

Those two pieces of subtext, that fit perfectly together, make me believe 100% that Togashi knows what he's doing and he's not unintentionally planting gay subtext in his work. The fact that Togashi sat at his desk, drew Killua calling Gon his light, and then followed this scene with the introduction to a character who picks Killua apart to tell him that "love is something that just happens, don't you think?" is 100% proof that Togashi knows what he's doing.

• Date with Palm (chapters 217 and 218)

I think this situation has many layers, but many people still dismiss it as bro behavior so I'm gonna try my best to counter argue. First of all, and although that's not proof of anything, Killua looks EXTREMELY distressed by the prospect of Gon going on a date with Palm, but that can be counter-argued by saying that Killua is just worried because Palm is completely crazy. 

What I want to talk about is the scene that happens right after, when Gon and Killua go to the gym (because theyre DUDES YEAH WE WORK OUT NO HOMO), and the conversation casually drifts to Killua asking Gon if he's ever been on a date before, valid question considering what just happened previously. There are multiple things here :

1) Killua seems distressed that Gon has been on dates before. While it can be argued that it's a normal reaction because Gon has and he hasn't, I believe that Killua - who is in no way a normal person who would get flustered about "not having been on dates before a certain age" - would not feel uncomfortable that his friend is more experienced than him - especially when literal seconds later, he monologues about how he doesn’t care about dates and just wants to stick with Gon.

2) Gon then proceeds to ask Killua if he's ever been on a date, to which Killua responds :

What I want to highlight is the panel where Killua says "And the truth is, I want to stay by your side... Always...". Basically, what Killua is saying, is that he doesn't care about dates, all he wants to do is be with Gon.

I don't think this can be counter-argued as bro behavior, but with all the subtext I've explained before, this right here is pretty gay. Togashi put this panel deliberately to show that Killua doesn't give a crap about dates when he can stay with Gon, and with the "gon you are light" scene and everything in mind, this is another intentional subtext.

There's also the fact that Killua stalks the date like a jealous girlfriend - but I'm not gonna count that as subtext because it can be argued that he's just worried about Gon because Palm is insane.

• Gon is my best friend ! (chapter 219)

Remember how I told you to keep the "It has to be Killua" subtext in mind because I was gonna come back to it later ? Well.

During Palm's date with Gon, Killua runs into Rammot, who would definitely have ran into Palm and nenless Gon. Killua is forced to confront his worst fear : this is the moment where he knows that if he runs away again, Gon WILL die. Killua is literally overcoming his "programming", the physical representation of years of abuse out of love and care for Gon. He's ripping out the needle from his forehead out of pure, genuine care for Gon, because if he doesn't, then he'll lose him forever. 

Now, what I actually wanna talk about is this panel :

What we see is Killua thinking happy thoughts about all his adventures with Gon because he can't - won't - doesn't want to run away anymore, and all this for his sake. But what I wanna draw attention to is the dodgeball panel that's bigger than all the others, and the only one where you can actually clearly make out what's written : "Killua ja nakya dame nan da". 

Now, isn't that interesting that the panel that takes a bigger place in the whole panel is the one with this particular sentence? Remember what I talked about a bit earlier, about how "~ ja nakya dame nan da" is a sentence with a lot of romantic connotations (would pretty much equal to "you're the one for me" in English). Clearly this particular sentence stuck with Killua. 

I'm not completely objective on this matter since I firmly believe that at this point, Killua has romantic feelings for Gon, but I interpret this as another deliberate thing Togashi did : putting the panel bigger so we can see that it has a particularly significant importance to Killua, and Killua's state of mind right now (not wanting to lose Gon). 

In my opinion, two things happened here: One, Killua remembers this specific interaction because he knows how much Gon trusts him and he doesn't want to betray his trust. But I also firmly believe that Killua remembered this specific interaction because of the romantic connotation the sentence "Killua ja nakya dame nan da" has. Those words clearly shocked him, and I think he remembers them in this life-threatening situation, after the "gon you are light" scene, Palm talking about "love just happens", the "i want to stay with you, always" because he realizes that he wishes Gon would say that sentence in a romantic context, and not in the context of the dodgeball match, thus leading him to surpass himself to prove his love and perhaps live to see the day where Gon could say those words in that romantic context.

Now, of course, all of this is my interpretation, so it's really up to debate, but I really wanna highlight the fact that Togashi deliberately CHOSE to highlight this particular interaction between Gon and Killua, this sentence with romantic subtext, to lead Killua to finally break his chains and be able to be protect Gon fully. It’s also interesting to note that the 2011 anime adaptation also makes it a point to emphasize how deep these words stuck to Killua by making it the last flashback that makes Killua effectively rip out the needle out of his head. 

Also let's quickly mention the irony in the situation here : while Gon is on a romantic date, Killua fights to protect him, overcoming his weakness to prove his love. It’s not Palm who deserves that date, it’s Killua.

• A lovers’ suicide (chapter 286)

Now, onto the most important piece of subtext, that can not be counterargued as platonic in any way, shape or form. During the palace invasion, Killua leaves Gon's side, proceeds to go kick Youpi's butt only to have to fall back because he used up all his electricity nen. When Killua is charging up, he meets with Meleoron, and tells him that once he's done charging, he'll go back to Gon's side. 

They briefly exchange information about the battle, and then Meleoron proceeds to ask Killua what's the plan for him and Gon. That's when Killua explains that "Once Gon is like this, he won't budge an inch. Worst case scenario, it'll be a double suicide.". At worst they both die, cool. They “go down in flames together”. It’s actually much, much more meaningful than that.

The specific word that Killua uses for double suicide is "心中" (shinjuu), which is a heavily romantically connotated word in japanese. Shinjuu, also translated as "lovers’ suicide", is when two people die out of love, by the same method, because there's a belief that this'll allow those two people to spend eternity together. Shinjuu is a major theme of Japanese literature, and it is always used romantically. It's a very uncommon word to use to refer to two people dying together, because of its heavy romantic connotation, and because it always refers to double suicide committed by people bound by love. In literature, it always refers to two lovers, in love. If you want to read more on shinjuu, i suggest this and this, those articles explain its historic roots and the definition, also emphasizing the feeling of "oneness" that characterizes shinjuu. If you’re interested, I also suggest reading the japanese article that defines shinjuu, and hitting the google translate button, it has some pretty interesting sentences like “Shinjuu is traditionally committed by men and women out of mutual love, in the hope that they will be connected in the afterlife because they can't be together in this world.”

So basically, what Killua is saying is that he wants to go back to Gon's side to die with him, committing a "lovers’ suicide" because he doesn't want to leave Gon to die alone, and wants to die with him.

I also want to emphasize how special this word is to Killua, and that he and everyone around him know the special meaning of this word - In chapter 300, Ikalgo literally says "We were... No, KILLUA was ready to commit shinjuu with Gon". Ikalgo is really highlighting the fact that this word holds special meaning, especially to Killua, and that it was HIM who was willing to commit shinjuu by staying with Gon. Ikalgo and company dying with Gon wouldn't be shinjuu, but Killua dying with Gon would be, and Togashi emphasizes this through Ikalgo's thoughts.

This is pretty much the gist of it, but I suggest reading the wonderful post I linked in the references below if you want to know more about this specific subtext.

(edit : i actually wrote a post going a bit more into detail on Killua’s shinjuu wish if you want to read it here ! :3)

• “The one that Gon needs the most is you” (chapter 294)

I will go into this subtext more in details when I write the post about parallels in CAA, but I still want to talk about it briefly here.

Like I said before, to me, Palm was introduced as a catalyst for Killua's feelings towards Gon. Togashi purposefully wrote Palm as having romantic feelings for Gon to foil Killua's feelings for Gon and make him show jealousy towards Palm. 

To Killua, Palm is someone who stole Gon from him, he sees her as a threat because maybe she'll make Gon happier than he does ? (ofc we all know thats not true but Killua is baby) - Basically, Killua thinks Palm might be more important to Gon than Killua is, because he believes they are romantically involved. That's why when he sees her again later on, after Gon rejected his help, leaving Killua helpess as to how to save his dear friend, Killua sees Palm as a saving grace. 

He knows that if Gon sees Palm as a chimera ant, he will spiral down even more, so he tries to reason with her to get her to be gentle to Gon, because if not her, then who could? Palm would clearly be able to comfort Gon, with whom Killua believes is romantically involved with, better than him, right ? If Gon rejected Killua, then clearly Palm could help, since she seems closer to Gon (BECAUSE HE BELIEVES THEYRE DATING), right? 

This confrontation between Palm and Killua closely ressembles a situation like an ex confronting a new girlfriend - and I think this is exactly why Togashi wrote Palm this way. He wanted Killua to confront who he thought was a threat to their relationship, making him believe that this person who's """"dating"""” Gon is more important to him than himself, only to have her openly admit that she means nothing to Gon. The only one Gon needs is Killua.

And that, my friends, coming from someone you believe is romantically involved with your best friend (who you probably have a crush on), someone you're jealous of, the one you thought was the person most important to him, that's a pretty meaningful statement. 

Basically, what's happening, is that Palm reaffirms that Gon holds Killua closer than a potential romantic partner. And that's why Killua is so, so happy to hear that. He was questioning his entire relationship, questioning if Gon even cared about him, because he rejected him a few minutes before, but then his "rival" comes in and reaffirms that even she knows that no one comes close to Killua to Gon.

I also want to mention that this act of pure love (Killua only thinking of saving Gon when in a life threatening situation) is what made Palm come back to her human senses. d'awwwwww

• Illumi and Hisoka’s parallel on lovers who die of Alluka’s requests. (chapter 323)

Now onto the final significant subtext - while I don't particularly think of it as subtext-y, I know a lot of people have so I still want to include it here.

When Illumi explains Alluka's powers to Hisoka, he explains that there are two different types of linked deaths when a request is failed : 1) the person who failed + the person they love the most 2) the person who failed + the people they spent most of their time with. 

When applied to Killua, Hisoka naturally comes to the conclusion that no matter the outcome, Gon would always be the one dying with Killua, because he's spent so much time with him, and because he's the one that Killua loves the most. In the panel where Illumi explains this, we see a romantic, heterosexual couple  demonstrating the effects of not completing one of Alluka's requests, and thus the "most important person dying". 

While not making any true parallels, the fact that Hisoka, and the readers, are drawn to compare a heterosexual, romantic pairing to Killua dying with Gon because he's his "most important person" is an interesting piece of subtext.

_______

I want to finish by talking about Killua's birthday and how significant it is in my opinion. All the main 4 characters have birthdays that fall on specific dates, related to Japanese tradition, and often with events that can be associated to their character. Gon's is 5/5, which is Children's Day. Kurapika's is 4/4, the number 4 being considered an unlucky number, and this being an unlucky day to have a child. Leorio's is 3/3, Hinamatsuri (not really any main parallels here but still). But Killua's birthday is 7/7, and is the Japanese day to celebrate Tanabata. 

If you are not familiar with Tanabata, the story is as follows : Orihime is a princess who works for her father, working hard and well, but she laments the fact that because of her hard work she can't meet someone and fall in love. Her father arranges for her to meet Hikoboshi, allowing Orihime to leave because he expects her to come back to work for him, but the two immediately fall in love and get married, and she never returns. I won't get into the rest of the story as it's this part that interests me the most, but if you want to read more about Killua and Tanabata I suggest reading the post I referenced below.

Does the story of Orihime remind you of anyone ? Killua also works for his father, but laments the fact that he can't go outside and meet someone. His father then lets him go, saying, and i quote: "he will come back, because he's my son". Doesn't this remind you of the tale of Tanabata ? Killua's story references the tale of Orihime perfectly, and I believe this is intentional : Killua's birthday isn't of any importance to the plot, so why make it Tanabata, a day that celebrates a love story that closely ressembles Killua's story ? The answer is simple : subtext.

With all this in mind, I think it's pretty clear that Togashi is writing intentional subtext to hint at Killua's feelings being romantic in nature. Togashi is a master writer, he has years of experience, and I strongly believe he knows what he's doing and not planting unintentional subtext. He's a very smart man, and knows how all of this can be interpreted.

I will finish by saying that Togashi is NOT an author that would deliberately queerbait his readers. So many people dismiss the possibility of having gay subtext leading onto an actual canon gay relationship because "it's not like the author would ever have gay main characters". While this holds true for a lot of manga authors, especially shonen manga authors, it does NOT apply to Togashi. 

Togashi has always displayed interest in queer subjects and queer representation, putting trans characters in all of his major works (Miyuki in YYH, Mikihisa in Level E and Alluka in HxH). There were also canonically gay characters in his previous works : Itsuki in YYH, and a character named Kuramoto in Level E. 

Togashi also always had interest in mangas having BL elements, citing Maya Mineo's "Patalliro!" as a manga he was attracted to during High School. If you're unfamiliar with Patalliro, the story focuses on the main character's love life as a gay man.  He also admitted to basing Hiei's (YYH) design off a character from that manga. 

Last but not least, Togashi mentioned in a note included in volume 1 of YYH that he wanted to write a sports manga, called The Trouble Quartet, where basically all the characters are gay. Togashi said he based it off his own interests as a writer, and that while it was refused by Shonen Jump, he got deeply attached to the project and that he would love to explore this project in a different shape once he made a name for himself. I suggest reading this post because the parallels between The Trouble Quartet and HxH are HILARIOUSLY accurate.

In short, Togashi has always had interest in queer matters, and was always interested in putting queer representation in his work. After YYH, which was a terrible experience for Togashi as a writer, he managed to snatch a contract that basically allows him to do whatever he wants with HxH. Having always held dear BL matters but never being able to explore it to his full intent, I believe Togashi is exploring queer identity further with HxH, because Shonen Jump basically lets him do anything.

To conclude, with Togashi's past experience and skill, his interest in queer representation, and the amount of subtext surrounding Killua, I honestly believe that Togashi is trying to explore further queer representation, and I wouldn't be surprised if HxH ends with Gon and Killua becoming a canon pairing, whether it be delivered in an ambiguous manner or not. 

Edit : I actually wrote a post on why I believe it won’t be ambiguous, and that it’s truly never been ambiguous, just developing : here.

I hope you enjoyed the read, thank you for reading all of this, and feel free to show this to anyone who denies subtext in HxH !

REFERENCES

- "It has to be Killua" - Medium article, "Impossibilities in Translating Queerness : The Dodgeball Dilemma" 

- Palm's Date Scene - Reddit post, "Togashi's love of Ambiguity: Chapters 217 and 218" 

-A thematic analysis of Palm’s character : ”The Issue With Palm”

- Shinjuu - Tumblr post by hunterxhell, "A lovers' suicide, I guess." :  + the post that mentions Ikalgo talking about shinjuu 

- An analysis on different subtext-y situations

- Illumi and Hisoka’s parallel : here and here 

- Killua’s birthday : "Killua, July 7th, and the significance of his birthdate”

- Togashi's interview mentioning Mineo's Patalliro 

[yostresswritinggirl]

Abandoned By The Altar

Part 2; When you grow older.

Vibe Here

A timeline oriented story focused on your once perfect childhood relationship as Diluc’s bride to be, soon becoming estranged after the death of his father and his neglect. You only wish now that he looks at you the same way he did when you heard you were supposed to be together forever when you were young.

Pairings -> Diluc x Reader, Kaeya x Reader if you squint (All young at the first parts)

Word Count -> 8170

Themes -> Initial Fluff, Angst, Fluff again

Series -> #Bonafide Specials (100 followers event) Part 1 Part 3

Warnings -> Character Death, Slightly suggestive themes

Diluc's heart almost leaped to his throat when he had finally seen you, found you, now conversing with the new member of the family his father had adopted just yesterday. Kaeya, was his name. He looked peculiar, and older than him too.

Despite your spritely aura, he noticed his now brother still wary and even tensed at your presence, so the younger boy finally made his way over. The training sword bouncing against his hip with every step, he made his way next to you, offering a smile as he gestured to the blunette. "I see you've met Kaeya, he's my new brother, he entered the house yesterday."

Your lively eyes that was wide with happiness from finally seeing Diluc now held a hint of wonder as it landed on Kaeya, a toothy grin presenting itself on your face. The blunette can't help but blink, "Hello there, big bro Kaeya! I'm (Y/N), my mother and father are good friends with Master Crepus!"

You offered a handshake and he took it only a second late, handshake light yet tight. "Oh! I'm also Diluc's financee." Fiancée, Diluc corrected again as your hands part from each other. "Yeah, that."

Kaeya's only visible eye suddenly flew wide open as he chokes on air. Did he hear that right? These two children in front of him, years younger than him, already fated to marry in the future. What kind of customs does Mondstadt had, he warily thought in the back of his mind as he watches you two interact.

What a sad life it must be to be forced to something like that so early, he thought to himself before he saw you reach out to Diluc's hand. And the redhead, upon noticing this started to remove his used and dirtied glove, before catching your outstretched hand easily.

Kaeya only watched with an uneasy smile. He supposed this is something he needs to get used to if he wants to stay.

And oh boy, it's not something he's gonna get used to easily, the skeptic boy thought as he found himself getting dragged around by the Winery by you. You were touring him around and inside to places he had yet to see, entering rooms that normal people probably had no access to. You knew the Winery as if you had a map on you, and he supposed he expected this much if you were that close to his... brother.

"Were you," the innocence of your eyes as you whipped your head up to look at him hurt his heart over how in contrast it was with his, "forced to be together with Diluc?"

You let out a scandalous gasp on which Kaeya had to stop himself from snorting. "Why, no! I'm the one who even asked him about it," his snort turned into that weird sound again. "He's my bestest friend and I want nothing more than to be by his side always!"

F-Friend? God, Kaeya's head had been experiencing a numbing headache lately.

With his desire to be part of the Knights of Favonius, Diluc had more often than not, neglected giving you attention so often that it was a stark contrast to the closeness you two had before. And on days where he held his training sword, he'd realize just how he missed you and your imposing hugs.

But he wanted- no- needed to get stronger. He was blessed by the Gods with a Vision, and the weak are meant to be protected, and he can't let himself be the useless person he had been the day you were on the brink of death. Even if you hid it perfectly well and brushed aside the incident when you came to, he noticed how the veins in your hand were a more prominent shade of blue now.

How your fingertips get easily cold and how you always clung to the warmth his hand gives off as a result of his Vision.

When Kaeya asked about you, about his Vision, about his ambitions— he complied almost instantly, like a valve opened fully, all the answers Kaeya was seeking flowed out seamlessly like running water.

As the oldest out of you three, despite the fact that you'd all only knew each other for three days, Kaeya had already felt the urge to protect and be there whenever Diluc had busied himself with his justified training. He'd watch your lips turn into a pout as your redhead drag himself back outside with his sword and Kaeya would then distract you from your disappointment.

Crepus had been witness to this grand scheme for a while now, relieved that his new son had at least started coping with the new environment and interactions. But your presence had always astounded the people around you, and comforted those the same age as you. Despite being on the road and barely making lasting friendships, it was a mystery how you managed to entrance people like that.

"Diluc is just pursuing his dreams," the redhead, your uncle, started as he sat next to you by the benches. Boar Princess, he noted as you closed the book you were reading, opting to look up at him with those doe eyes again. "I know you must feel lonely, having to wait for him and everything. But he's doing it for you too, to protect you."

Your eyelids drooped in the implications and your lips pursed into a pout as you turned back to watch Diluc spar with his instructor. You sighed again before whispering under your breath, "But aren't we supposed to be together forever..."

You felt a big hand ruffle your hair, making you whine on how messy it was now. How old were you again? 11 years? Eh, should be enough. "Sweet (Y/N), being Diluc's fiancée doesn't mean you need to be around him everytime," he started talking about your promise and that had finally drawn your full attention. "You have your own life, Diluc has his path to be a knight. Sometimes what you want doesn't go the same was as he wants, and the same goes for him to you. But in the end you still are together, and still treasure each other."

The thought of having a daughter never really passed the man's mind in his whole life, he mused as he watched your beaded eyes fleet back to Diluc, before once again finding itself to Crepus with a firmer resolve. You wanted to learn more and it's time you finally understand the gravity of your promise.

Crepus placed down his cup of grape juice and turned to you on the bench. "You know your mother and father and how they're together, right?" A soft nod. "You two will be just like that, in the future together. Not always together but always end up coming back to each other, because your parents love each other always. Do you want to be with Diluc that way? Do you love and support him like that?"

Your button nose cutely scrunched up in contemplation and shortly gave him a vigorous nod with a wide grin. He grins back. "Good, thank you, I'm sure that Diluc too would support you in your dreams."

As if he had a sixth sense, the young master Diluc felt as if his name was being mentioned in important business as his eyes passes over the bench where you two reside. Sensing the distraction, his instructor finally allowed him a break, and the first thing he did was jog over to the two of you, "Father, (Y/N)." He watched you as you scrambled to climb down the bench, hurriedly taking off his dirtied glove to assist you down.

Crepus once again hid his smile behind his drink as he watched you bound over to him, the same fire in your eyes as you placed your hands on the child's shoulderd firmly. "Diluc, I love you!" You loudly declared before smashing your lips to his— Crepus spits his grape juice. "I'll support your dreams to the end-! Ahhhh, Diluc fainted! Uncle, HELP!"

The young master woke up a few hours later to you crying over and over, saying sorry for 'breaking him again.' Crepus and your parents were by the side, your mother's horrified face concealed by her hand after hearing what you've done.

Oh dear, the Ragnvindr thought to himself, my son is a sub.

Ever since that day, the people around you have started preparing you for your future of refinement and adulthood. You were no Vision-wielder unlike Diluc, and your handling swords were nothing to boast about. Your parents are businessmen and as their only child it would be you that will be inheriting and operating the work that they had built up, and so naturally that was the route you had to pick.

Your tutoring and Diluc's continuous training to get into Ordo Favonius made it hard for you both to spend more time with each other. Toys were replaced by books and swords, garden of Cecilias changed to libraries and training dummies.

Crepus, as a father and an uncle, alternates his time between you two. At times he'd be the one sparring with his child and grating the principles of knighthood to him, and on rare occasions that you were there, he walks you around as he talks about the wine industry and the operations of his business. Both of you started growing, separately, but there was a similar flame representing your spirit within both of your eyes.

Diluc entered the ranks of the Knights when he was 14, and Crepus was overwhelmed by the achievement his son finally reached, of the dream he once had when he was a child. In that same age range, you've also ended up making a name for yourself as the youngest business entrepreneur and economic scholar, your name and prodigy reached past Liyue...

And in your hands lay a perfectly white envelope enclosed with the insignia of Sumeru. The Academia invites you into a scholarship program once you turned 18.

Your whole family rejoiced at the recognition and the opportunity and you wept in tears of happiness. Finally, your young mind cried, you were finally something worthy to be next to Diluc instead of a normal person that can't be blessed by the Gods.

A party had been in order for both milestones, and more prestigious individuals from all over Teyvat were present. Something came up before the party that forced you to be late once again, and Diluc realized just how long you hadn't seen each other, more so spent time with each other. Kaeya stood next to him before nudging him with an elbow slightly, "What's got you so worried, brother? You shouldn't frown on your own party."

At the remark, Diluc stood straighter and fixed his frown. Why is it now that he was reminded of your promises and dwindled time? In the back of his mind, he realized just how much at fault he was for being neglectful. The spark you two had felt estranged and distant, feeling as tho things won't come back to the way they were.

The Court Marshal's booming voice suddenly announced your family name and the hall turned silent as everyone lifted their gaze to the grand entrance. Your bedazzled self stood there in your ombre dress, short sleeve matched with elbow gloves, and a resin Cecilia hairpiece holds itself on the crown of your head.

Diluc and Kaeya, and several other boys in the crowd gasped at your regal aura. Was this really YOU? The same girl that spit a grape on his hand/complimented a stranger's eyepatch? You stood with the poise of a refined woman and your face enlightened with a subtle artificial blush. Gone was your toothy grin and replaced with respectful smile as you made your way through the crowd.

Suddenly the nervousness came crashing back to the knight and he scrambled to pick himself up as the distance between you two shortened.

"Master Diluc," you curtsied and he inwardly doubled over at the formality, finding it almost detesting. "I'm glad to meet you again."

"(Y/N)," he bowed with a hand on his chest. "You don't need to be so formal."

The respectful smile on your face turned into a full-blown grin, the one he was used to, as you barreled towards him for a hug. Purely due to instincts and conditioning, Diluc was quick to catch you into his arms to reciprocate the hug. Disappointed gasps and whines echoed through the hall at the display, but they stood there in awe as they watched, for the rare sight of the young master's genuine smile was there for all to see.

As you two first danced the night away, it was finally brought onto everyone the fact that young master Diluc and young mistress (Y/N) were already fated together.

The ballroom parted to give way to you two as you chatted the missed times together, falling easily into steps while updating each other of the things you had done. It's true, you two may had gone your separate ways and lost time but in the end, you'll find yourself in each other's embrace.

The darkness of the knight embraces the winery as crystalflies dance by the vines and the surrounding grassland. The freshly signed contract made its way in between the pages of the personal journal before it was pushed into the luggage together with the packed clothes.

There was a thick silence in the room as Diluc continued watching with his lips tight, leaning against the doorframe. A tension was obvious, but it wasn't between you two, but it was also against you two.

Tomorrow at high noon marks your official departure to Sumeru now that you had finished your secondary education, at the prime age of 18. All things necessary had been prepared, a convoy of knights to guide you until you reach past the border of the continent, and in that security is Kaeya. Cavalry Captain Diluc had matters to work on in the capital, it was not his official job to officiate your leave. Even if he wanted to.

It was one of the instances, of the many, that being a knight had pulled him away from you.

"Something's on your mind, I can feel it," Diluc snapped out of his thoughts when he felt the ghost of your fingertips brush away the hair framing his face, cupping both of his cheeks like you've always done. He takes one into his hand, squeezing it lightly as he offers a small smile.

"So are you, your hands are trembling," and indeed they were. You huffed at being caught but recovered, pulling him into your room and on to your bed. There were numerous times when you'd sleep together on the same bed when you missed each other; you were both 8 that time, now you laid there as 18 years olds. The implications had him gulp while you seemed unbothered.

"Four years," you recounted as you flopped back on your mattress, the room you took for yourself in the winery ever since you arrived 10 years ago. "Maybe lesser, depending on how well I do."

"You'll do good," he assured as he kicked off his boots and climbed next to you, now laying on his side to face you. Your eyes fluttered shut with a sigh and he couldn't hell but blush at the way your eyebrows scrunched together with your pursed lips, "I believe in you."

"It's the longest we'll be separated, you can easily find another girl that would bother you enough to get you to marry her." You both snorted at the idea, before laughing in harmony at the joke.

"Mmm, I should be saying that to you. Scholars and prestigious men attend the Academia, they can easily sweep you away with their wits," he bit back and you laughed at the idea. How funny the predicament is, joking about getting stolen the same day you finally signed your arranged marriage contract.

Talks about anything and everything blew the night away easily. Diluc can see in your eyes that the nerves within you wouldn't let you sleep, and keeping him locked in constant conversation would prevent him from leaving. He entertained you this much, uncharacteristically chatty, as if repaying the four years that will go by without each other. And at the back of Diluc's mind, his worry of losing you in those four years started to manifest and cloud his thoughts into a fairly sensible doubt.

"Lulu!" He yelped as he felt a sudden bite on his cheek, reflexively pushing you down by the shoulders under him to suppress the assault. He was strong, you'd forgotten this new fact. As you laid sprawled under him as heavy breathing mixed in between.

You gripped the wrists of his hands that now stands next to your head to keep him there. His eyes were wide yet bashful. You called out to him again and it was almost a whine, asking him to tell you what's in his mind, what's worrying him and distracting him like this.

And he spilled all his insecurities, for every word that slipped past his lips, his heart relaxes while his eyes clenches. Somewhere in the middle of his rant, you had his cheeks captured in your palms again, to swipe at the tears that passes by. He worked his ass off to become a knight so he can protect you but you will be too far for his claymore to reach you, he wouldn't be there to hold your hand so you don't go off on your own and wonder to somewhere dangerous. And he wouldn't be there to bring you into his arms to remind that he exists, the one and only person meant to be for you.

Diluc doesn't know when he started falling in love, he doesn't know when he started wanting your company as a lover. But he knows there would be men that would look at you the way he does, easily captivated by your aura and your beauty. And if they were to take your hand, he wouldn't know. He wouldn't know when he had lost you, if he had lost you already.

Diluc was an honest man to you, and he was honest when he said he was scared to lose you.

"I belong to you," you started as your fingers softly pats his cute reddened cheeks. "And only you. I'll get a ring and don it on my hand to let the world know, I'll write letters to you as many times as I can so you'll know I'm still alive and yours." You pulled him closer, foreheads touching each other, as you stared at the red windows to his soul. He nods in agreement, slightly assured.

"I want to stay here tonight," somehow you urged the words out of him so easily everytime. The introverted boy you once knew stood on his own feet now, proudly, "Just so I don't forget you easily."

"I won't let you forget me at all," Diluc froze from taking off his vest when he saw you with a mischievous glint in your eyes, "Not after tonight." Oh boy.

It was the devil's hour when you twirled a strand of his untied hair, wild and curly, around your finger. Luscious and thick, silky yet unkempt. "Don't cut your hair," you mumbled as you leaned against his bare chest, sending a smile as you tilt your head up to see him chuckle, "It looks better long, I want it extra long when I come back!" He mumbles his agreement against the crown of your head.

When the sun rose high in the sky and the caravan was set to go, many of the servants of the Winery had expressed their congratulations and their good lucks to your new milestone. Your parents were more worried than not knowing their only child, nomad at heart, shall venture the world alone for four years away from them. You were crying angrily at how they made it so sentimental, forcing the waterworks out of you.

Crepus had already given his goodbyes and stood to the side with Diluc before the clock struck exactly 4 PM. The man's vigilant eyes however did not miss the fact that you and Diluc seem to lack the necessary sleep to power through the day, even tho half of it is already gone. How they grow up so fast.

When you found yourself bounding over to Diluc one last time, he took your hand ever so gently, still coming into terms of your departure. You only hum idly as he stares at your bare hands, before suddenly he presented two silver rings of infinity. You had to stop yourself from gasping aloud, "A promise ring, so that everyone in Sumeru knows there's someone waiting for you back home already." His red gaze averted to the side in fluster, gingerly sliding the band to your ring finger as he did the other to his own.

Home. Yes, Mond is now your home, and specifically next to him is where you belong. You shared your last kiss before Kaeya had finally called for the carriage to start ascending, on the dot. You peeked out of the carriage one last time as you waved your goodbyes to everyone, the silver band catching the light of the sun as it shines with promise.

Diluc wished goodbyes to you that day. And as he turns to his father to board their own horseback and carriage, he ends up losing two people on the same day.

Dearest Diluc,

I hope this letter finds you well. The Academia had been very accommodating ever since I arrived, there are a lot of people here from all over Teyvat, just like you had thought! I felt quite lonely and inferior when I entered but I've gained nice companions along the way and things became easy. With my exposure to our families' businesses, studies were actually easier than I expected them to be. There's been talks with the professors of me being accelerated half a year with my progress, it seems four years may not be accurate.

I've also gained myself a senior, a really kind and intelligent upperclassmen. His name is Cyno, a nice gentleman. He's been teaching me on weapon mastery since he's really good with a polearm. You use a Claymore, right? If I come back wielding a polearm, I want to spar! But don't worry about him, he knows of our betrothal and his boundaries.

How's being the captain there? I hope Uncle Crepus and Kaeya are doing well with you mostly in Mond's city now. It seems the Academia doesn't really receive letters for 'security reasons' hence why I haven't received any of your letters. But no matter, I'm sure you're doing far better than I am, you're much stronger and capable now afterall! Make sure to take care of yourself always, get some breaks and eat your meals! I don't want to see you so skinny and weak when I get back!

Forever Yours,

(Y/N)

There is bliss in ignorance. As you fold up the letter into the envelope, the door to your room echoes a knock before it softly opens to reveal your upperclassman. His gaze falls on the envelope on your hand in silent question to which you return with a smile and a nod, standing up from your study table as you followed Cyno out of the dormitories to the Academia's post office.

It had been a year since you left Mondstadt, a year since you've last seen Diluc, and a year since Crepus had died. Your parents, not wanting you to be distracted by the loss and dent your studies over such matters, opted to refrain from informing you of the grave news. It has also been a year since you started writing letters to Diluc and never received a reply.

"Time will go by quickly, and you'll be back before you know it," the Sumeru denizen beside you reassured you of your lack of correspondence and you offered a smile at his niceties. It doesn't worry you that Diluc wasn't able to contact you like so, you only wish that he was able to receive your little notes so he's reminded to take care of himself.

Yet as you pass the envelope to the postman, there was still an uneasy feeling on the back of your mind. You turn around with a curious hum, calmly and slowly scanning the grounds of the Academia before walking once again to catch up with your senior, clutching the silver ring close to your chest as you fell back into idle chatter.

Once you've disappeared behind the doors of your next class, a lone man stands straight on one of the tower's roof. The warm wind of Sumeru washes by him in a force enough to whisk away his hood, but he did not care. He did not care over the way his red hair spills all over his shoulders as it danced with the wind.

Diluc only heaved a sigh before leaping back into the shadows on his last day in the desert nation, finding no proper clue and heading to the next nation over. But not before stealing a freshly folded letter from the shelf of a certain post office.

Two years. Two years. Sumeru Academia sent you off on graduation with both striking awe and somber disappointment. After losing the prodigy Lisa, they were now losing you, the now renowned master practitioner of economics. You did so well, SO WELL in fact, that your four years stay ended in just two because of your numerous acceleration as a year in you're already conversing with the modern founders of the practice.

They wanted you to stay longer but you've had your fair share of knowledge and waiting. Everyone knew of your relationship predicament, understanding where you're coming from, yet to leave another prodigy to Mondstadt. It was unnerving for them, but your smile had been nothing but reassuring. You comforted those with the promise of correspondence and accommodation, if they so wish to find time and pass by Mondstadt in the future.

And hence you find yourself in Dawn Winery, your luggage and naginata as your only companion. You barged in like nobody's business and started looking around for anyone- Kaeya, Uncle Crepus, Diluc- yet no one showed up. Servants are scarce and almost non-existent, you were confused beyond comprehension.

A set of footsteps echoed behind you and you twisted around in excitement, only to see one of the higher attendants you still remember, Elzer. "M-Mistress (Y/N)! Y-You're ali- you're here!" You cocked your head to the side, unsure of how to take his slip up.

Ah, right, priorities. "Have you seen where anyone is? Kaeya, Master Crepus, Diluc? I passed by here first since it's on the way but I can't find anyone!" The gravity of the change gnawed at you from the pit of your stomach, and you nibbled at your bottom lip at the flash of emotions that passed his face.

"We're unsure where Master Diluc is currently, but Master Kaeya is in Mondstadt-" A lead! Diluc must be patrolling somewhere in the city anyways so you bolted out of the mansion, thanking the man before he can finish answering all your questions. As you left so loudly, in your wake the other servants were now aware of your presence, and the feeling of dread revives in the Winery.

Two years must have gone by longer than you expected it to be, this thought passed you as you went through the main gates of the City of Freedom. The knights that were usually on guard are those you've never seen before, and the people around you barely spared you a glance with no recognition. Even the ones stationed at the entrance of the Ordo Favonius HQ were completely new when you went over to ask.

"Have you seen- do you know where the uhm," you paused in remembrance, "The Cavalry Captain. Do you know where he is?" With how new they were, you figured Diluc would be known by his title instead.

One of them nods and pointed at the Cathedral, "Yes, Ma'am. He's just finished an expedition and are conversing with the healers in the church." Finally, an exact location! You thanked them and flew off once again.

And so you found yourself in front of the altar of the anemo archon, alone in the completely silent establishment. There were no whispers to guide you or people to tell you where he is, it was too quiet, and you were turning helpless. Offering your bow to the statue you turned to walk back down the aisle, only to see a familar figure staring at you as if you were a ghost haunting-

"(Y/N)?" You gasped and ran towards him.

"Kaeya! You're here!" You embraced him softly, careful of the confusing clothing and the hanging polearm on your back. He embraced you just the same, a hearty laugh masking the nervousness on the back of his throat.

"Aren't you supposed to come home two years later?" Kaeya inquired as he stepped back from the hug, suddenly smirking, "Or are you telling me you ran away from school?"

You smacked his arm with a whine at such a preposterous accusation, harder than you'd intended as you heard him wince. Oh goodness, your training with Cyno really made you strong. "Ahhh, no, no! I finished early because I was too good ahah, who would've thought!" The blunette let out a rare snort on that of which only spurred on your laughter.

The familiarity of another had eased the tension on your shoulders as you conversed freely about everything that had transpired for you, how things had been and- you've realized now just how tired you were from the long travel you'd gone through even tho you were used to such lifestyle when you were young.

After things had died down, you finally asked, "Where's Diluc?" And the twinkle of lax delight hardened at the question. He took a few seconds to start as his eye shifted left and right, and your knees were shaking from the implications-

And then he finally told you everything. The death of Crepus. Diluc giving up his Vision. Him disappearing for two year, without return. All the disaster that had happened the moment you left.

Your legs gave out as your knees hit the floor painfully, it will probably bruise later but you couldn't get yourself to care. If you hadn't left that day, would it have gone differently? Would you be able to make him stay? You should have been there to comfort him, to be by his side and yet-

Please tell me you're joking, you cried out so desperately to Kaeya who dropped down to gather you into his arms. But you knew better than that, he knew you knew better than that, so he didn't answer. And the altar behind you listened to the echoed screams and cries of a maiden abandoned by grief and love.

And Kaeya stayed for as long as you needed him to be. And in the back of his mind, a bitterness bit—

That should have been Diluc, holding you and comforting you.

That should be him, showing you where Crepus Ragnvindr's gravestone lies to pay your respects.

That should have been him who stayed.

It had been almost two years now since you've gone back to Mondstadt, almost four years since Diluc disappeared, together with him he took away your hopes and promises. The talk about your arranged marriage had become taboo to the people who still knows, but they don't comment on the ring that still lingered around your finger.

Besides finally taking over the business in Mondstadt (your parents had established one in Fontaine while you were away) and being pursued by scholars all over the world, you've been dealing with the pain silently and alone. Numbing soon. Every passing day with no news of him claws at the idea of him being alive even, and the thought sickens you to death.

It was one of those nights when you couldn't sleep and had decided to stroll around the city during the dead of the night to clear your head. Your parents had sent you a letter of recall to Fontaine, asking you to leave the business to the managers. They didn't exactly put it into words, but you knew your parents better than anyone: you should stop hoping he'd return, was what they wanted to say.

You rubbed your forearm as you continued your walk. It must have been your time with Sumeru that made you so vulnerable to the cold now, was your thought process as another chilly wind passed by you. And then you heard it—

An echoed cackle and a crackle of icicles.

The hairs on the back of your neck stood straight as you stumbled to the side, narrowly missing a flying icicle. Thank goodness Sumeru Academia required combats class, you thought as you darted straight through the alleys, the Abyss Mage hot on pursuit. This was the worst time to leave your freaking polearm at your house, you screamed at yourself as you vaulted over empty crates before coming out of another street.

“Look out!” A gruff voice shouted as a sudden wall of black? fire manifested behind you. You heard the icicle melting as it touched the wall and dissipated with it, revealing a figure cloaked in pure black. Back turned to you, the Abyss Mage continued its assault which was now focused on the intruder. And their clash started just like that.

You hopped back when another barrage of icicle rain was summoned. This guy had a Vision(?) but it was something you’ve never seen before, nor had encountered in your classes about the elements. You can’t leave him now, not like this, and so you picked up a slab of wood from a broken crate. Abyss mages have shields yes, you need to break that.

Without a moment’s hesitation, you leaped over the ledge that’s in level with the floating enemy (again, thanks for the acrobatic lessons) and brought down the hard wood over the mage’s head. It produced a sickening crunch as the shield broke under pressure as well as fall through and hit it square in the head! It dropped back to the floor momentarily, and it made you aware that you two were plummeting to the ground.

You pulled your limbs close and braced for impact- “Shit, I got you.” You felt something cold and thin wrap around your body before it guided you to the cloaked person’s awaiting arms, stumbling a bit at the weight. You grunted at the inertia before you met eyes with orbs of red within a shadow, it looked at you widely behind an owl mask(?) and you looked back with a squint. Who?

Your little moment was interrupted when the Abyss Mage started rising from the ground again, slightly swaying from the blow you hit it with earlier. In alarm, you quickly placed your feet down to stand, the chains around you easily slinking away back to the person’s cloak. The man then stands in front of you protectively, cursing under his breath, “You need to leave, it’s too dangerous.” There was a weird strain in his voice now.

This made you scoff, so loud and offended, that you felt the man be taken aback by your response. “You can’t even disable the shield in time,” you ignored the way he seemingly cringed back to this cloak as you stood next to him, slab of wood at the ready, “Don’t worry about me, I had lessons.” Now it was his turn to scoff but relented anyways, as if he knew well enough that you’re not falling back easily.

Batarangs flew from his cloak as it hit the Abyss on the arms and chest, screeching in pain at the unexpected attack. You rushed over and clubbed his hand that held the staff, kicking it far away when it was dropped. A chain then latches around its waist as it was pulled to the cloaked man, who delivered a quick kick to its stomach when it neared, sending it crashing to the wall.

That was so... exciting! You gasped at the thrill of the fight, slightly hopping and clapping at yourself as you smiled at the stranger with the widest grin you had mustered ever since you came back. His gait was tense when walked up to you, past you, in front of you as he looked around for any onlookers or dwellers of the night that had witnessed the commotion. “That was really cool, what kind of power was that? You look like you’ve done this multiple times before.”

You heard the most subtlest sigh when you were sure you whisked away his attention, slowly he turns to his side but not sparing you a direct view. From what you can tell, he wore a LOT of black under that black cloak. “You shouldn’t have stayed,” he started with a sigh as he finally turned to you fully, “Who knows what could have happened-”

“WATCH OUT!” You shoved him by the shoulder as you threw your slab with a force so mighty it broke the face of the mage, immediately disintegrating into ashes and dissipating with the wind. Under you your companion grunted from the pain of being thrown to the floor, and when he looked up, he was scrambling to catch you again.

The icicle impaled through your thigh coaxed out and coated with blood as dark spots danced on your vision from the pain and blood loss. The man pulled you up against his chest, hushed whispers of panic begging you to stay awake as he was wary of the shrapnel still in you.

But you were stubborn. And so you fainted.

The next day when you awoken in your bed, the night before would have easily been passed off as a fever dream if not for the bandaged injury on your leg that had you immobilized for days. When the citizens of Mond finally got a hold of you and asked about the incident, you gave them as much information as you could about your hero,

“He was an unknown hero that appeared at the dark of the night.”

Days passed by and you heard rumors in passing of the one named Darknight Hero. The name made you facepalm.

The faithful day happened three weeks after the encounter with the "Darknight Hero" when you finally recovered from your injury, able to walk around and do your daily rounds of work and deliver the paperwork of the margins of the sales and cost-effectiveness of your family's business in connection to Angel's Share. You had prepared so many documents all hailing from your numerous studies in the Academia, graphs and studies of the data Elzer had expertly combined for you lay in your arms in a bundle of folders.

The tower had to be carried by two hands, and you grunted as you bumped your bottom against the thick door of the tavern, using your hip to swing it open with mighty force. "Ugh, Charles, here's all the economic reports I finally finished after three week-" if not for the man himself, the floor of the tavern would have turned into a sea of papers as your fingers trembled and slackened at the sight.

His towering build, the thick main of red hair, it's all him. The moment the weight from your arms departed, you immediately stumbled over to him, eyes wide and mouth open to call out to him, "Diluc-!" But he flinched away from you instead of meeting you halfway through. And that slight movement halted you in your tracks, eyes wide with horror and pain from the rejection.

Diluc's eyes widened at the change, his gaze passing at Charles before back at you, reluctantly gesturing at your bandaged thigh he spoke, "You should be careful with that injury, don't want it to open up." His voice had a rough edge to it now, deeper yet still veiled with velvety smoothness.

"You're here," your disappointment from earlier was changed from the enlightenment of the situation. His jaw tightened at the sight of the tears that started falling from your eyes, "You're alive!"

Forced away by Charles with the promise of taking over the tavern for the day, you and Diluc took a stroll around the city. Enthusiastic of catching up, you talked endlessly about your years in the Academia and the last two years that you had stayed in Mondstadt before his arrival. Yet opposite of your upbeat chatter, Diluc stayed silent and forward-looking, offering only nods and grunts in between your pauses that asks him if he was still listening. Everytime your hand brushed his when you walked too close, he'd immediately pull his hand back and step away from your personal space.

It was a one-sided conversation. And it ended quickly as it had started.

You stood now at the stairs of the cathedral, overlooking the imposing statue of the Anemo archon. Your location made you remember something, and you opened up another topic, "Your brother, Kaeya told me about what happened four years ago." His apathetic gaze suddenly turned cold as his shoulders tensed. "Diluc, I'm sorry for what happened and-"

"He's not my brother, (Y/N)," you've never thought there would come a day when you'd hear such venom come from his sweet lips. Nor the cold glare that was now in full view, directed at you, "And you shouldn't go around trusting that guy, he's nothing but trouble."

The lump now stuck in your throat prevented you from responding, but you figured you didn't have the chance to do so anyways. As Diluc had ended his warning, he turned away and started walking back to the direction of the tavern, muttering something about work needed to be done.

You tried to reach for his hand before he could have gone too far, but you froze a few seconds away- and then he was gone, out of your grasp, leaving you alone at the steps of the cathedral without a look to spare.

Your cradled your hand to your chest as you felt your eyes water again, the overwhelming distance now opening the truth in your gaping heart as you wept in silence: The promise ring was missing from his hand.

Days had gone by after that where you sat in the background in idle wait, observing as subtle as you can be, hovering around him. The Diluc that you once knew was different from the Diluc who disappeared for four years, and the differences screamed at your face at every one you picked up:

His soft gaze now seems hardened and hooded, as cold as the cryo slimes and as deep as the ocean floor. Whenever you look at them, you always feel as tho he was years away, in a place unreachable. Even when they fall on you, there's a hidden emotion behind them, but they never once softened at the sight of you.

Around his hands were thick gloves of either pure red or another black-red variant. They were rough and never off, hot and grazed with years of use. It was different, so different from the white ones you had gifted him on his birthday. You placed a grape on his palm once and giggled at the memory, expecting him to look at you with recollection, but he only stared at the grape before shaking his head. And he turns away from you to get back at his work.

Diluc's hair was longer than you've ever seen before. It reached past the middle of his back when it had only grew by the shoulder when you've last seen it. It was fluffier and wilder, held up by a ponytail that you can't even see past the thickness. You loved running your hand through it before and Diluc had always felt at ease when you do that; you reached your hand out to touch the ends of his long hair, but he immediately turned to you before you could even feel it on the edge of your fingertips, caught by the cold squint of his eyes. No matter how many attempts, he always managed to stop you.

Another thing that had changed was his wardrobe. There were barely traces of the white knight aesthetic he had when you were still young, no, now he felt shrouded in the darkness of the knight. Made to blend with the shadows, he dons all black besides his undershirt. He resembles no trace of the knight he once was when you look at him.

The last detail you hated the most was the way he had been... secretive to you, and anyone in general. For this reason alone, you barely visited the Winery now, only coming there for business purposes or to converse with the servants that still remembered you. Whenever other matters were to be discussed, you're almost immediately ushered out by one of his men, no questions asked. This had became so commonplace that you started seeing yourself out the moment the air felt unwelcoming.

The more you notice, the more you felt farther away from the Diluc you knew. But this was the same man you loved, and still love. The grief had changed him, the disappearance had changed him, but nothing can change the fact that he was the same person that held your hand when it felt cold.

Speaking of, you clutched the hand you spoke of as you felt the breeze pass by you. The sea of Cecilias danced with an orchestrated flutter, as if singing to you in music of their petals grazing one another. Ah, you realized, this was the same exact place you first met Diluc.

"Is your hand cold again?" He spoke from the table under the gazebo where you delivered the perfectly arranged document. This time you dealt with the matter of tax revenue and compiled the business proposals of those that had attended the party he hosted with the seneschal.

You simply nodded and he sighed. The disappointment breaking your heart into a million pieces, "You should know by now to wear gloves or long sleeves whenever you're out. You must have gotten lackluster due to the climate of Sumeru, you should fix that."

You felt the tears bite at your eyes painfully again. As of recently, you've been crying a lot more than you had ever been in your life. And yet these ones flowed with ease, without a hiccup or a sob, almost liberating. "I'll be leaving for Fontaine tomorrow," the shuffling of the papers stopped behind you, "Flint will be handling the management of the franchise here, I've taught him the necessary computations so you can trust the reports he'll give to the Winery. Mother and father wants me to focus on the expansion of the business, after all."

There was a moment of silence before the shuffling began again and with that pushed the final sword into your heart. You bowed your head, smiling to the Cecilias that caught your tears in their petals, "Thank you for everything, make sure you take good care of yourself, okay?" You didn't know if you were talking to the Cecilias or Diluc.

But you felt lighter than ever, as if the last chain that pulled you down were finally broken.

And you took a small step, and then another, bigger one this time. For the first time since you're back to the city, you finally breathed in relief and without restraints.

Soon you were making distance and you were finally ready to go,

until a gloved hand pulled you back. Your gasp caught into your throat as your head whipped to stare at him, his eyes just as wide as yours. "What," he breathed out helplessly and you've noticed how short his breathing was, did he chase you? "What do you mean? You're not leaving forever, right?"

Forever. You felt the warmth of the gloved ones in your hand squeeze as you saw a faint light return in the depths of his glossy eyes, and you felt it—

The reassurance of your promise, as you squeezed back—

Underneath his thick gloves, red and black, you've finally noticed—

If he hadn't finally let his hand find yours, you wouldn't have felt the ring hidden underneath the cloth.

You beamed at him with eyes full of adoration and pure hope, of a grin pearly white that it almost shone as it caught the sun, he felt burned by it— but before he could escape, he was tackled to the ground with loud laughter.

@boxofteenageideas @creation-magician @your-local-venti-simp @indigodreamtime47