#and the worst thing is when you TRY to tell them

[pochaccoups]

hhu’s love languages (nsfw)

seungcheol —; biting

oh, how he loves to sink his teeth into your precious skin.

he’ll admit it—it’s a little bit (read: a lot) of a possessive thing. it’s not enough for him to have you face down, ass up, writhing underneath him as he pounds you into tomorrow. he just can’t resist from leaning over you, pressing his broad, sweat-slicked chest to your back, and clamping down on the curve of your neck with his teeth.

it doesn’t help that you say his name so pretty when he does; a breathy, high-pitched moan of two syllables—“cheollie,”—that drives him to insanity.

and it’s not just your neck that falls victim to his bite. it’s his favourite, yes—it’s easily accessible in all of your favourite positions, after all. but no part of you is safe.

when his head is between your legs, he kisses up along your calf, mouths at the fat of your thigh before you feel the soft sting of his teeth sinking into it. only then is he satisfied. only then does he give you what you want: his mouth on your pussy as he eats you out so good it leaves your entire body shaking.

when you’re sat in his lap, bouncing on his cock like a bitch in heat despite the way your thighs burn, his mouth finds your tits like a moth to a flame. they’re sensitive, he knows that, so he’s considerate enough to go a little easier on them, nibbling at the soft skin. he’ll still leave his mark on them, of course, only instead of bite marks he litters your chest with dark little love bites.

he loves nothing more than seeing your reaction to his dirty little habit. when you waddle off to the bathroom and leave him laying there in post-orgasm bliss, a yelp of his name has him grinning and jumping to his feet.

he finds you glaring at the mirror, with your hair a mess and your features flustered from the sight of the perfect teeth indentation on your right shoulder.

“i look like a shark attack survivor! how am i supposed to cover this?” you ask, exasperated.

and the worst thing about choi seungcheol is how hard it is to be mad at him. when he presses himself against you, snakes his arms around your waist, and drops his head to dot kisses all over the mark in question, you find yourself melting into him with an ease like it’s ingrained in you.

eventually, he speaks up, muttering his words into your skin: “don’t cover it.”

wonwoo —; hand holding

wonwoo, your sweet wonwoo. so shy that he gets flustered when you hold his hand in public.

in the dim lighting of your bedroom, though, he’s not so shy. in fact it’s you who’s flustered, your body searing hot, your head spinning from the weight of your boyfriend on top of you.

he’s got you manhandled onto your stomach, kneeling between your spread legs, fucking you like he’s trying to carve the shape of his cock into your very womb. what’s worse is the way his hands, lithe and pretty, take yours, pinning you to the mattress so he can drive his hips harder into you.

“w-wonwoo,” you sob, squeezing and grasping at the fingers that are laced with yours.

“hmm? what’s wrong, pretty girl?” he asks, practically cooing into your ear. “can’t take it?”

“i can,” you whimper, clenching around him, pressing your hips up into his thrusts. to show him.

“yeah, there you go. fuck, take my cock so good, don’t you?”

if you were to try and tell anyone that jeon wonwoo was capable of speaking like this, you’re sure they wouldn’t believe you. the wonwoo who can barely hold your hand in front of others, let alone kiss you? that wonwoo?

it’s the same wonwoo who fucks your face without remorse, who fingers you until you squirt, who eats you out until you can’t feel your legs—that wonwoo. and the best thing about him is that he’ll hold your hand through all of them, even as he abuses your poor cunt, like it’s reassurance. a touch of mercy to remind you he’s still your boyfriend who loves you so much even if he fucks you like an ex.

after all, he is a romantic. what’s more romantic than your pretty boyfriend holding your hands when he’s fucking your brains out?

mingyu —; choking

it may or may not be his habit of playfully grabbing his members by their neck that floods your mind with the idea of being in their place.

you’ve always had a thing for mingyu’s hands, even before you’d started dating him. the sheer size of them, the thickness of his fingers—all of it would have you squeezing your thighs together at just the thought of what he could use them for. (to make you see heaven and above, as you came to find out).

but mingyu is a gentleman in the most literal sense of the word. he’s big, he’s strong, and he compensates for that by treating you like glass. not that he doesn’t fuck you hard when you ask, but putting his hands around your neck is not something that even enters his mind. he’d let himself be struck dead before he’d use his strength to harm you.

fortunately, you’re good at getting your way with him—especially when he’s got his dick buried inside you. every last shred of his rationality goes straight out the window the moment he feels the hot, wet embrace of your pussy around him.

he grabs at your hips, your thighs, your tits; his fingers cling to every inch of your skin to keep himself from falling over the edge of insanity because you’re so fucking tight around him that it’s dizzying.

“gyu,” you moan, and he’s alert in an instant, like a dog called on by its owner, ready for his next command. “choke me?”

his thrusts falter and his features are questioning, yet you don’t miss the way his cock throbs against your walls at your words.

“baby, i don’t know if i should-”

“please, gyu?” you plead, gazing up at him, tightening your thighs where they’re wrapped around your waist. “for me?”

and kim mingyu is many things, but tenacious is not one of them.

when it comes to you he’s hopeless, nothing but a weak fool in love. it’s why he doesn’t stop you when you take him by his wrist and guide his giant hand to sit just above your clavicle. you don’t make him squeeze or anything, you leave that up to him. you just want him to see it, to feel it. to get a glimpse into the fantasy you’ve been keeping from him.

his hips slow, his eyes darkening as he gazes down at you with an affection you’ve never seen from him. gently, his fingers, which almost wrap around the entire circumference of your neck, start to press. it’s barely enough pressure to tickle, but fuck, it’s so hot it sends your eyes rolling back.

suddenly mingyu gets it. adrenaline flushes through his body and goes straight to his cock—it’s a sight he wants etched into his brain forever. your eyes hazy, a tiny, content smile on your kiss-swollen lips, his massive hand gripping your neck as he fucks you with a new kind of fervour. he gets it, and he can’t believe he didn’t get it sooner.

you can see it clearly—how, in just a matter of time, he’ll have his forehead pressed to yours, his cock grazing the spot that has you seeing stars over and over while his hand cuts off your airflow, choking you hard, the way you’ve always wanted.

vernon —; spitting

is it cliche and predictable to assign him this? maybe. but what if he’s not the one doing the spitting?

he’s a little bit obsessed with letting you do what you want with him. it’s not a dom or sub thing—vernon’s an easygoing guy in all aspects of life, and if you feel like sitting in his lap and making out with him until you’re both gasping for air, the last thing he’ll do is complain.

his favourite thing of all is when you ride him. fuck, everything about you is mesmerising; the way you grind your hips over his cock so expertly, the way you brace your hands against his chest, letting your nails rake into his skin ever so often, the way your head tips backwards and your moans spill out in the sweetest song.

vernon gazes up at you like you put the stars in the sky, like you brought about life itself, like he can’t believe he’s the one who gets to see you like this. his eyes, dark, round, and glimmering, are a picture of how enamoured he is with you. he has no idea how crazy it drives you.

it’s natural the way your hand reaches for his cheek, the way your thumb moves to glide over his lips, soft and puffy. vernon falls in love for the millionth time when you dip it inside his mouth, push it gently against his tongue, gathering up his spit on the tip of your finger. it makes his dick jump to be at your mercy like this. his hips buck up into yours, desperate to drive himself even deeper into the addictive heat of your cunt.

you press his mouth open, just slightly, just enough, and lean forward. a pearl of your saliva, of you, lands in the centre of his tongue, and he doesn’t have time to swallow it before your mouth finds his, kissing him with greed. it’s messy—lips smacking, your moans mingling with his, but the thing about vernon is that you cannot get enough of him. even though he’s inside you and you’re skin to skin with and your mouths are connected.

you pull away, your grin cat-like, your attention shifting back to the stretch of his cock as you bounce up and down him with a newfound desperation.

“god, you’re hot,” he whispers, his own lips quirking into a fucked-out smile.

“yeah? you like it when i spit in your mouth, hansollie? so dirty,” you reply.

he doesn’t last much longer after that.

[coco-loco-nut]

007 - part two

pairing: oscar x reader

summary: maybe a soulmate isn’t the worst thing to happen to you

masterlist part one part three requests open

——————

Oscar sent you a text that night. He was a little disappointed when it took you a couple days to reply, but that was quickly made up when you sent a time and location. The mystery around you is thrilling to him.

You wait in the corner of a cafe for Oscar, sipping a flat white. Your eyes immediately find him when he walks in, locked in on him. He quickly orders and makes his way to you. Oscar barely gets in a hello before you get down to business.

“I need you to know something before anything happens. I live a very dangerous life and I don’t plan on stepping away any time soon,” you leave certain things unsaid, like the very real chances of you dying. “It’s hard for the soulmates of those in my line of work. Suddenly the danger meter means more to them, and it can disrupt their lives,” you lean forward a little, subtly emphasizing how important it is.

“I’m a Formula One driver, I am familiar with the risk of dying. I know the risks associated with being your soulmate,” Oscar says and you bite back a remark about his job still being safer than yours. You need to try and be less standoffish.

“Right. Well, I can’t say that I know how to proceed with this. I’m a bit new to the whole thing,” you are a little embarrassed.

“I am too. We can handle it together,” Oscar smiles. He wants to reach across the table to hold your hand, but he doesn’t want to push it so he sips his coffee. “Tell me more about you, all I know is that you do a really dangerous job,” Oscar prompts you.

“Bold statement coming from someone who also has a really dangerous job. I really enjoy traveling, dislike paperwork. When I’m not working, I like reading or taking small trips. Um, I have a cat who is the light of my life,” you pause as Oscar lets out a laugh. “Tell me more about you, more than what your background check tells me,” Oscar sees the playful glimmer in your eye.

“Well, I’ve been getting into cricket and basketball. When I was a kid, I went through this phase where I thought I was a car,” Oscar admits.

“I would always sneak around as a kid, acting like a spy. I guess both of our childhood fantasies worked out,” you hide your bittersweet feelings. Oscar notices but doesn’t push it.

“So I guess you would be the Holly Shiftwell to my Lightning McQueen,” Oscar tries to bring up your mood but you give him confused look.

“But they were never romantic partners?” you say, a little confused with how happy Oscar looks. He’s just happy you have seen the movies and seem to like them enough.

“Semantics. What are you doing now that you aren’t chasing down criminals in the paddock?”

“You mean your soulmate? I’m being forced to take a break from missions right now. Apparently I’ve been hogging all the action and need to help in HQ for a few months,” your distaste for the orders is clear on your face.

“You can join me at a race. If you want to,”

“Really? I don’t want to be a distraction and I don’t know anything about Formula One,” you hesitate, not wanting to impose.

“I want you there. Who better to teach you the sport than me?” Oscar reassures you.

“Well, I guess I will have to take you up on it,” you take the little leap of faith. It’s not something you would normally do. But your soulmate is worth it… right?

You and Oscar agree to a race that is around a month later, giving you time to get to know each other and for him to teach you different aspects of the sport. The month still doesn’t seem to be enough as you arrive at your first race as his soulmate.

“Hey,” Oscar pulls you into a hug as you stand at his hotel room door. He presses a kiss to your forehead before taking your bag as you walk in.

“How was media?” you ask, making yourself comfortable on the bed beside him. It’s clear that he hastily straightened up the room when he got back from free practice.

“Boring, I was counting down the minutes until you got here,” he wraps his arms around you, holding you close as you hum in response. You relax into his warmth, taking in the familiar scent that you’ve found comfort in.

“I couldn’t wait to get out of the office too,” you admit a few moments later. You left a little early to catch a flight here for the weekend.

“Still stuck on paperwork? I must admit, it’s nice not having your danger meter spike,” Oscar murmurs, a little sleepy.

“What’s on your mind?” Oscar observes your distant look when you don’t immediately reply, having learned how to read you more.

“What would you say if I left my job?” you say quietly, almost a whisper. Oscar sits up, needing to properly look at you.

“I’d be a little confused because you love it, but ultimately it’s your choice,” Oscar says, silently asking you to elaborate.

“Well, as soon as someone finds out who I am my cover is blown, putting both of us at risk. It’s a lonely life, and when it was only Boots and me that was okay, but I don’t want to be alone anymore,” you admit, not expecting to feel emotional about it.

“I’ll support you either way, but I don’t want you to quit just for me. What would you do if you left?” he asks, feeling a little guilty.

“The longer I stay in action, the more dangerous my missions will be. Most of mine before didn’t interact with targets, but things will get more dangerous from here. It’s what I’ve worked for my whole life. As for what I would do if I left…” you pause for a second, letting Oscar absorb everything. “Well, your security is seriously lacking, and as your soulmate I think I should do something about that. I was also offered a higher up position that would take me out of action for good,”

“Having my own personal security guard who is also my soulmate? That could be dangerous,” somehow you don’t think Oscar means the kind of danger that would raise your meters.

“Oscar!” Your cheeks flush as you bite back a laugh, acting scandalized. “Alright, I’m going to shower before bed,” you slide out of his arms, looking back at him, knowing what he is about to suggest. “No, you can’t join,” you laugh as he pouts. You two aren’t there yet, but he is proud at how comfortable you are around him.

Oscar leaves early in the morning for free practice, promising to meet you at the gates when you arrive for qualifying. You happily take the extra time to sleep.

Qualifying is your test run. You get a feel for the team and race environment while keeping a low profile. Arriving for the race is a different thing.

“Ready?” Oscar asks as he parks at the circuit. He looks so cozy in his hoodie, and to be fair, you woke him up half an hour before having to leave.

“Yeah, let’s go,” you nervously smile. You are never nervous, but this is different. You are dressed fashionably, but nothing that makes you stand out too much. Your dark sunglasses help hide some of your features as you walk in on Oscars arm. You both look happy as you walk in, and the media notices.

“Oscar!” Logan calls him over, you recognize the American from your initial background check.

“Hey. This is my soulmate, Y/n. Y/n, this is my best friend, Logan,” Oscar introduces both of you.

“Hi, it’s nice to actually meet you,” you hug Logan, taking him by surprise.

“Aww, you talk about me?” Logan coos at Oscar.

“You came up in her background check on me,” Oscar says causing Logan to let go of your hug.

“Weird, but I like it. We are going to be great friends, Leiter and Bond,” Logan rolls with it. He remembers the first time Oscar mentioned you and that’s enough for him.

“You are a sexier James Bond, license to kill and all,” Oscar chimes in, trying to flirt and joke at the same time.

“Oh baby, no. That is nothing like what we do,” you accidentally slip up, and Logan’s eyes widen.

“I thought you were joking. I will keep this to myself though. That’s so cool. Can we watch those movies together?” Logan quickly says, not wanting you to worry. Your initial coolness that Oscar described to him over the past month makes more sense to him now.

“We should get going, I don’t want Zak and Andrea to get mad,” Oscar says, leading both of you away.

“This is the McLaren motorhome, you are welcome to sit in the drivers lounge or in my room while I am in the meeting. Afterwards, I can introduce you to Charles and his girlfriend,” Oscar offers as you look around.

“They should have better security here,” you tut, looking at all the different ways you could easily get in.

“Don’t worry, other teams aren’t coming in and stealing our secrets,” Oscar kisses the side of your head as he leads you upstairs to his drivers room.

“I could always do some recon,” you slyly smile, anything to help him win.

“That’s okay, I don’t need that to win. I have you motivating me,” he smiles, one which falters as a man with brown curly hair comes barreling towards you.

“OSCAR! Is this her? Hi, I’m Lando,” the man, Lando, says, extending his hand.

“Y/n,” you coolly reply, defenses going up as he pulls you into a hug once you take his hand. Oscar can tell you are uncomfortable, Lando springing himself on you.

“Let me help her get settled and I will be down,” Oscar says, cueing Lando to go to the meeting without him. “You are going to look Lando up, aren’t you?” he asks with an amused smile once you are in the safety of his room.

“Yeah, get ready for all his dirty laundry to be aired,” you lightly laugh.

“I look forward to it. I need more blackmail on him. I’ll see you soon, this meeting won’t take long,” Oscar promises, leaving you alone. You spend the half hour he is away looking up his teammate and some other drivers.

“Did I do something wrong?” Lando asks Oscar on their way back to the drivers rooms.

“No, she just wasn’t expecting you. Y/n is pretty guarded around new people, it stems from her job. She will warm up to you,” Oscar replies, not wanting his teammate and soulmate to hate each other.

“Does she work for the government or something?” Lando jokes, a little too accurate.

“Or something, don’t worry about it,” Oscar says, excited to see you again. You wait at the door for Oscar.

“For a professional driver, you have a lot of traffic violations,” you tell Lando, who notices the amused glimmer in your eye and relaxes. Whatever you did during the meeting seems to have worked.

“I have the need for speed,” Lando smiles, happy that you’ve warmed up a little. “Wait, how did you-“

“Don’t worry about it, we will see you later,” Oscar cuts him off, taking you to Ferrari.

“So, Charles is your fake adoptive dad? He has a fairly clean record, I couldn’t find much on him,” you comb over what you learned in your mind.

“Oh, Max is going to love you. You both have cats and you could prep him for whoever he is meeting with,” Oscar laughs, glad that you are taking the time to know his coworkers even if it isn’t the traditional route.

“Max Verstappen? I don’t usually do hits, but I will take out his father for free if he wants,” the way you say it so casually causes Oscar to almost choke.

“I will let him know,” he says, a little unsure how one replies to that.

You are quick to befriend Charles and Alexandra, the latter offers for you to join her while watching the race. You politely decline, but promise to join another race. Oscar takes you around to some other drivers, including Max, before introducing you to more people at McLaren.

You settle into the garage as the race starts, nervous as you watch Oscar on a small screen. You are aware of cameras that are pointed at you, but you ignore them. They don’t know you, all they can do is speculate.

The race is going smoothly until lap 37. Oscar is fighting for position when you fell the sickening twinge of the meter on your arm increasing. Your eyes are glued to the screen as you listen to the team radio, feeling a pit in your stomach.

Carlos and Oscar made contact which at minimum punctured Oscar’s tires. You hear his frustration, but you are just glad that’s all it was.

“Check the front wing too,” you hear him say after confirming he’s okay. He makes it back to the garage safely due to the incident being close to pit lane, but they retire his car due to other damage. Oscar seems too calm to you as he exits the car. Even you would show more emotion in that scenario.

Oscar’s eyes meet yours and before you know it, you are on your feet walking to him. He wraps you in a hug and you gently rub his back. You hold each other for a minute, taking a moment ground each other.

“You okay?” you practically yell over the noise and he just nods, guiding you out of the garage.

“That’s not the win I wanted to give you,” Oscar sighs as you walk back to his room after he gets weighed.

“I hope I’m not bad luck,”

“Never. You are good luck, that should’ve been worse than it was,” Oscar reassures you. A small part of him is happy to be spending time with you.

“I’m sorry your race ended like that, you were driving so well,” you frown, as Oscar squeezes your hand.

“Nothing I can do now, next race is a new opportunity. I have to go do media, do you want to watch the rest in McLaren?” Oscar asks, wanting to know where to find you later.

“I’ll go to Ferrari and watch with Alexandra,” you decide, needing to have friends around here. Oscar nods, leading you to your new friend. He kisses you goodbye before you walk in.

“Hey, are you okay? Those are scary, no matter how minor,” Alexandra greets you when she notices you.

“Yeah. Osc is fine, I’m just upset for him,” you shrug. You’ve seen your partners in danger on missions, but this is a whole different ballgame.

“Grab a seat, want a coffee?” she asks, making sure you are comfortable.

“No, but maybe you can teach me better than Oscar,” you watch her face light up as she immediately dives into sharing her knowledge, explaining everything to you as it happens.

“Come and meet some of the others. Oscar will be pulled into meetings,” Alexandra says, pulling you away from Ferrari.

“Shouldn’t you be with Charles? He must be looking for you,”

“He can wait,” Alexandra waves your concern off as you galavant around the paddock.

Your great experience with the WAGs further conflicted you if you wanted to stay or leave your job. And it all came to a head when you were brought in on an emergency mission once you returned from your weekend away.

This might be your most dangerous recon mission yet. Your part is simple on paper, get in, copy the digital files, get out. It wasn’t simple in execution.

You just skimmed the files, getting crucial information that will stop the operation. Now for the hard part - getting out and getting away.

You slip out of the room, when you hear footsteps getting closer and closer. Just like the stereotype, you slide around a corner and hold your breath, praying they don’t turn your way. They are so close you can feel their body heat beside you. You focus on remaining calm, but this is the most on edge you’ve ever been. You close your eyes as you feel your stomach drop.

This is it. You can see Oscar’s face as he opens his driver room door, two agents standing outside. The agents are solemn as they deliver the news - you were captured and killed on a mission. Every word, every moment is played perfectly in your mind. And your cat, Oscar will have to take care of Boots, a constant reminder of you.

Oscar sits in his post FP2 meeting when it happens, feeling the sickening feeling of your danger meter telling him you were in danger. After it being normal for the past few days, his stomach drops at how high it is.

“I need five,” Oscar runs out like he’s about to puke. You promised in your hastily written letter that you’d try to be safe, but all you really said that you had to leave, couldn’t take your phone, and it was an emergency. He naively thought that you wouldn’t be in the field, that you were just needed on the sidelines. He wasn’t completely wrong, you helped from the side for everything but your part in the operation.

“Oscar? Hey, are you okay?” Lando asks, walking into the room where Oscar disappeared to.

“I- I don’t know,” Oscar looks at his arm, silently pleading for the meter to go down. Lando sees it and just sits beside Oscar.

“Wanna talk about it?” Lando says after a few seconds of silence.

“She left a few days ago with only a note and her cell phone behind. Got an emergency call while I was out. Poor Boots, he must miss his mom. And I know she’s not abandoning me, but I think I finally know how my mom feels about my career,” Oscar says after a minute.

“I assume she’s in the military, or like, a detective to be in danger, and that’s pretty badass of her. I know she came off as cold initially to a lot of us, except when she’s with you and some of the girls, but I can tell that she really likes you. And she seems like she holds her own,” Lando starts listing everything he likes about you from the couple interactions you had during the race day. It helps distract Oscar, calming him little by little.

You step around the corner as soon as the voices fade and come face to face with a security guard. You quickly land a few punches, knocking him out. In the moment you are grateful for your disguise and the cameras that are currently disabled thanks to your team. As you quickly exit the building, you notice another guard tailing you. You quickly get into your getaway car, turning it on and pressing the throttle. It lurches under you, making a hasty exit as they chase you.

Glances in the rear view mirror tell you that you aren’t out of the woods yet. You send a small prayer that Oscar’s talent will be enough as you speed down the street. The car just isn’t fast enough, you are being hunted and the hunter keeps creeping closer and closer. Once again you hope your luck hasn’t run out as you will the car to go just a little faster.

Lando stays seated beside Oscar, trying not to stare at the meter on his teammates arm. He watches the tears run down Oscar’s face as the meter creeps higher, higher, then drops.

[itneverendshere]

ex!reader who loves the game and wants to support her team but hockey captain!rafe is on the ice. he thinks she’s there for him but when she comes in with a date? and when they get put on the kiss cam? rafe slams into the glass to scare them? hate sex????

someone who lets you break them twice - hockey!toxic!rafe x ex!reader (+18)

warnings: veryyy long and 99% smut🙂‍↕️ the things i do for you...

The cold air inside the rink always made your skin tingle. Your breath curled in front of you like smoke as you moved uncomfortably on the bleachers, pulling your jacket tighter around you. This is why you hated fall. It was too cold to be outside, too early to be winter. But tonight wasn’t about the weather—it was about hockey.

Hockey and, well, the fact that you hadn’t missed a game since… well, since Rafe and you broke up.

“Everything okay?” The voice beside you pulled you back to reality.

Elijah, the guy you’d been seeing for the past couple of weeks, smiled at you, oblivious to the bullshit taking over your mind, and you gave him your best smile back.

“Yeah, just cold,” you said, trying to focus. You weren’t here for Rafe, not anymore. You loved hockey. You loved watching the boys skate across the ice, their power and grace.

Or at least that was what you kept telling yourself.

Elijah wrapped an arm around you, pulling you closer to him, and you leaned in, feeling his warmth. The game was just about to start, and the arena lights dimmed slightly, casting shadows over the rink. The roar of the crowd drowned your thoughts for a moment as the players took the ice.

And then, as if the universe was personally trying to screw with you, you saw him.

Rafe.

Of course, he looked good.

God, why did he always have to look so fucking good? His broad shoulders filling out his number 17 jersey, that stupid confident smirk as he skated out with the rest of the team. His dark blonde hair peeked out from under his helmet He was captain this year, and it made sense—he’d been working his ass off since…ever. You couldn’t think of anyone more deserving than him. 

He always had to be in charge, on and off the ice.

He still had that same cocky swagger that made you wanna scream… for entirely different reasons now.

You knew better than to be here, yet somehow you ended up courtside anyway. Probably because you’d never let him run you out of your favorite game. Not even if he was captain now. This was your team, the one you’d been coming to see since before Rafe even knew what a slapshot was.

You sank further into Elijah’s side, forcing your eyes away from your ex. But it wasn’t until you caught the dark blue of the jersey you were wearing in the corner of your eye that you realized… You’d put on Rafe’s jersey. 

His number. The one you’d always worn to support him when you were together. Out of all the team merch you owned, of course you had to wear his.

“You really like hockey a lot, huh?” Elijah asked, glancing down at your jersey.

“Yeah,” You mumbled, feeling your cheeks heat up. “I’ve been following the team for a while.”

Lies. You loved hockey, sure. But you loved Rafe a little more. Or, you used to. Or, well, maybe that was still complicated.

The puck dropped, and the game started. For a while, you tried to focus on the action. Rafe was all over the ice, playing like the goddamn superstar he thought he was. You couldn’t help but notice how his gaze kept darting up toward the stands, like he knew you were there. And maybe he did

Halfway through the second period, he slammed into an opposing player, sending him crashing into the boards. The sound echoed through the arena, and the crowd went wild, but you could feel your stomach knotting up. That had always been Rafe—intense, aggressive, unable to hold back. On the ice or off.

You tried to focus on Elijah, laughing at something he was saying, but your heart wasn’t in it. And then, just when you thought you’d survived the worst of it, the kiss cam flashed up on the big screen. Your laughter died in your throat as you realized what was happening, your face heating up instantly. You weren’t exactly embarrassed, but this was... awkward. 

“Aw, how cute,” He said, grinning as he pointed to the screen.

You followed his gaze, heart dropping. They were zooming in on the two of you. You could feel the crowd around you start to cheer and whistle as Elijah leaned in closer, clearly getting ready to kiss you.

You could see him coming toward you, could see his lips getting closer, but all you could think about was—

Bang!

In the span of a second, a body slammed into the boards right in front you, the sound so loud it made you jump. The entire section gasped, and you turned your head just in time to see Rafe standing there, glaring up at you from behind the glass. His eyes were locked on you, jaw clenched.

He looked like he was ready to tear Elijah apart, or you, or both of you. His chest was heaving, eyes blazing, standing mere inches away from where you sat. He had skated right into the glass.

Your heart was practically in your throat, and it wasn't from Elijah being close. The look on Rafe’s face as he stood on the other side of the glass?

That was what had your pulse racing. You could barely focus on Elijah anymore. The way he laughed, oblivious, made your stomach churn because Rafe—Rafe—was staring like he owned you. He always had this way of making you feel like no matter what, no matter who else was around, you were his. 

And you hated that you still kind of liked it.

Then, still staring at you, he mouthed the words, "I dare you."

Why couldn’t he just leave you alone?

Those stupid words. Silently mouthed, but somehow loud enough to hit you like a punch through the glass. I dare you. God, what was wrong with him? He knew exactly how to push your buttons. And of course, it was working. He wasn’t just playing hockey—he was playing with you.

You could feel Elijah shifting next to you, still oblivious to the whole freaking drama unfolding right in front of him.

He was so sweet, too sweet, and it was almost infuriating right now because Rafe was standing there, with his stupid intense eyes, all but daring you to move on. Why did he have to look at you like that—like he knew you were still his.

The breakup had been brutal, the kind of messy, loud explosion where neither of you were willing to be the first to walk away. You were both too stubborn, too prideful. And now here you were, months later, still dealing with the fallout. 

Elijah finally leaned in, lips brushing yours, and you kissed him, but your heart wasn’t in it. All you could feel was Rafe’s stare burning into you. The kiss cam lingered for a few seconds, and the crowd cheered, but all you felt was... empty.

When the kiss ended, you forced a smile at Elijah, but your mind was a mess. Rafe’s eyes were still on you, and you could practically feel anger radiating off him, even through the thick glass.

You glanced down, avoiding his gaze, and tugged at the hem of his old jersey, suddenly feeling like you didn’t belong in it anymore. You leaned into Elijah, mostly out of spite at this point. You could practically hear Rafe’s teeth grinding from across the glass. Good. If he thought he could just walk around, acting like he owned the place—and you—then he deserved to stew in it a little.

But, of course, he wasn’t the kind of guy to just let something like that go. You watched as he skated back into play, but his eyes kept flicking up to where you sat, like he couldn’t stop checking to make sure you were still there. Still with Elijah. His shoulders were tense, movements a little too aggressive, like he was about to snap.

You tried to focus on the game again, but your mind kept drifting back to him. You hated this. You hated that he could still make you feel this way, even now, after everything.

After the fights, after the breakup, after swearing you were over him. Why was it so hard to let him go?

The third period started, and Rafe was everywhere, throwing his weight around like he had something to prove. And maybe he did. Every hit was harder, every pass sharper. It was like he was playing angry. And you couldn’t help but feel a little satisfied, knowing you’d gotten under his skin.

But then, with less than five minutes left in the game, things escalated. He slammed into one of the opposing players so hard that the guy went down, and the whistle blew immediately. The crowd was roaring, but Rafe didn’t back off. He stood over the guy, glaring down at him like he was ready to throw a punch.

"Jesus," Elijah muttered beside you. "What the hell’s his problem?"

You didn’t answer. You knew exactly what his problem was.

The ref skated over, shouting something at Rafe, but his eyes weren’t on the ref. They were still on you, even as the other guy on the ice slowly got back to his feet. The arena was buzzing, the crowd getting rowdy, and for a second, you thought Rafe was going to lose it right there. His fists clenched, jaw set—he looked like he was ready to drop gloves and start swinging.

And then he smirked.

It was that same cocky smirk you knew so well, the one he always flashed right before doing something reckless. The ref sent him to the penalty box, and he skated off, still with that fucking look plastered on his face. Your heart was racing, your body tense. Elijah had leaned back in his seat, totally unaware about everything.

“Man, that guy’s intense,” Elijah said, shaking his head, eyes still on the ice.

You didn’t answer. Intense didn’t even begin to cover it.

Rafe was sitting in the penalty box now, helmet off, running a hand through his hair like he didn’t just about murder a guy on the ice. You could feel his eyes on you, even from all the way across the rink. You hated it. You hated that he could still get to you like this.

The last few minutes of the game passed in an instant. You weren’t really paying attention anymore, not to the score, not to the plays. You were too busy trying not to think about Rafe, about the way he had looked at you. About the way it had made you feel.

When the final buzzer sounded, the crowd erupted in cheers. Elijah stood up, stretching, turning to you with a smile.

“Ready to head out?” he asked.

You nodded, forcing a smile. “Yeah, let’s go.”

As you made your way toward the exit, weaving through the crowd, you could feel the tension building in your chest. It wasn’t over. It never really was with Rafe.

And you knew—somehow—you weren’t getting out of here without seeing him again.

You reached the bottom of the stands, where a crowd had gathered near the exit. Elijah was still chatting about the game, still clueless. But you were distracted, scanning the crowd without even realizing it.

And then you saw him. Of course, you did.

Rafe was leaning against the wall, still in his gear, helmet tucked under his arm. His eyes locked on yours the second you stepped into his line of sight. He didn’t even pretend to care about the people around him—his gaze was dark, intense, like a predator waiting for its moment.

You hated how your heart skipped.

Elijah noticed you freeze and followed your gaze, his smile faltering when he saw Rafe standing there.

"Isn’t that the captain guy?" he asked, glancing between you and Rafe, confused.

You swallowed hard, forcing your feet to keep moving. “Yeah. That’s him.”

As you passed by, Rafe pushed off the wall, stepping right into your path. Elijah, sweet, unsuspecting Elijah, paused beside you.

"Leaving already?" Rafe’s voice was low, casual, but his eyes were locked on yours, ignoring Elijah completely. "Didn’t even stick around to congratulate the team?"

You clenched your jaw, fighting to keep your cool. "It’s late, Rafe. We’re heading out."

But he wasn’t letting you off that easy. He took a step closer, his towering frame making Elijah shift uncomfortably. "You didn’t used to leave so soon," he said, voice dripping with that familiar cockiness. "Used to be the last one out."

Because you’d always let him fuck you in the locker room.

Elijah cleared his throat, trying to stand his ground. "Uh, yeah, we’ve got plans after this."

Rafe’s eyes flicked to him for the briefest second, before landing back on you.

"Plans, huh?"

Your pulse was hammering, and you could feel the heat rising in your cheeks. Why did he always have to do this—why couldn’t he just let you go?

“Rafe, we’re done,” you said through gritted teeth, trying to hold on to the last shred of your composure. “You don’t get to pull this shit anymore.”

He glanced at Elijah briefly, his gaze cold and dismissive, then back at you. “You sure about that?” he asked, “Because it doesn’t look like it.”

You clenched your fists, nails biting into your palms as you tried to calm yourself. You didn’t need this right now. Not with Elijah here. Not after everything.

“Let’s go Elijah,” you said, tugging at Elijah’s arm, desperate to get out of there before things escalated. But Rafe wasn’t having it.

He stepped in front of you again, blocking your path like he had some kind of claim on you. And God, the worst part was—you weren’t sure he was wrong.

You glanced at Elijah, who was staring at the two of you like he had walked into the middle of a conversation he couldn’t quite follow. “Look, dude,” he started, awkwardly laughing, “I don’t know what this is, but—”

“It’s nothing,” you cut him off quickly, your voice tight. “Let’s just go.”

But Rafe wasn’t about to let it go. 

“Yeah, Elijah,” His voice dripped with sarcasm. “It’s nothing.” His eyes flicked to you, dark and daring, and before you could stop yourself, you met his gaze with the same fire.

Elijah’s phone buzzed, and he pulled it out, frowning.

“Shit,” he muttered, distracted. “I’ve gotta take this call real quick. Give me a sec?” He stepped away, leaving you and Rafe standing there in the middle of the hallway, your body practically vibrating.

He was on you in an instant, grabbing your wrist and pulling you toward the locker room door. 

“Rafe, what the fuck—” you hissed, but he wasn’t letting go.

You tried to resist, but something inside you broke down—the anger, the unresolved pull between you two. And maybe it was the way he still had that stupid hold on you, the way your body responded when you shouldn’t want it to.

Or maybe it was the fact that you’d never fully closed the door on Rafe.

He shoved the door open, pulling you inside the dimly lit hallway that led to the locker room. The second the door closed, you spun around, shoving him in the chest hard. 

“You’re such a fucking asshole, you know that?”

Rafe barely flinched, his gaze smoldering as he crowded you against the wall. 

“Yeah? You didn’t seem to think so when you were wearing my jersey tonight.”

“That was an accident.”

“Bullshit,” he growled, leaning in closer, so close you could feel the heat radiating off his body. “You knew exactly what you were doing. Bringing a date with you. Do you want me to kill someone?"

Your heart was pounding, and not just because Rafe had you pinned against the wall like he always fucking did— God, why did he have to be so damn close? The scent of his cologne mixed with the sweat from the game, sending your mind spiraling. He was overwhelming, and you hated it. You hated him for still making you feel like this.

“Get off me,” you snapped, but it came out weaker than you intended. The way his blue eyes were boring into yours, like he could see through all your bullshit, wasn’t helping.

Rafe’s smirk didn’t falter. If anything, it grew.

“C’mon, baby, don’t act like this wasn’t what you wanted. You show up, wearin’ my number, sitting there with some random guy like I don’t still own you.” 

He stepped closer, caging you in completely. You pressed your hands against his chest, but it wasn’t like you were really pushing him away. And he knew it.

“You don’t own shit,” you spat, glaring up at him. But even as the words left your mouth, you knew you didn’t believe them. The truth was, part of you had always been his.

Rafe’s lips curved into a smug grin as if he could read every thought running through your head.

“Really? ’Cause from where I’m standin’, you’ve been thinkin’ about me all night.” His breath was hot on your skin, and you hated how much you wanted to close the distance between you.

Your jaw clenched as you tried to muster the strength to tell him to fuck off, to leave you alone, but he was right. As much as you tried to convince yourself otherwise, he was still in your head, under your skin. The way his body hovered over yours—it was like nothing had changed. Like you hadn’t spent the last few months trying to forget him.

His hand found your hip, fingers pressing into your skin through your jeans, and you felt your body betray you. You cursed yourself silently as heat pooled low in your stomach. You didn’t want to give him the satisfaction, didn’t want him to know how much power he still had. But damn it, he knew. He always fucking knew.

“I hate you,” you muttered. It was a weak defense, and you both knew it.

Rafe leaned in, lips brushing against your ear. “Yeah?” His voice was a low rasp that made your knees weak. “Funny, you never sound like you hate me when you’re under me.”

Your breath hitched, and you swallowed hard, trying to ignore the way your pulse quickened.

“Don’t—”

But he was already kissing you, hard and rough like he owned you, like you were his and his alone.

And the worst part? You kissed him back. His hands were on you, grabbing at your waist, pulling you closer until your bodies were pressed together. You wanted to shove him away, to slap that stupid look off his face—but your body had other plans. 

This was so wrong, on so many levels. 

You broke the kiss, gasping for air, but Rafe didn’t back off. He was staring down at you like you were his next meal, like he’d been starving without you.

“This doesn’t mean anything,” you bit out, trying to cling to some sense of control.

Rafe’s grin widened, wicked and knowing. He leaned in again, lips ghosting over yours. “We both know that's a lie.”

You clenched your fists, frustrated beyond belief. Frustrated at him, at yourself, at how easy it was for him to pull you right back in.

“Fuck you,” you hissed, but the breathless tone in your voice told a different story.

Rafe’s eyes darkened, the corner of his mouth lifting in that infuriatingly sexy way he always did.

“Oh, you will.”

And God help you—you knew he was right. That fucking arrogance. It crawled under your skin, set your blood on fire in ways it shouldn’t.

You wanted to punch him, shove him, do something to wipe that smug expression off his face. But instead, you grabbed his shirt, pulling him back toward you, kissing him with all the fury you felt.

His lips crushed against yours, and it wasn’t gentle—there was nothing soft or sweet about this. It was all heat and frustration, months of unresolved anger bursting out in one chaotic, messy kiss.

His tongue slipped past your lips, and you bit down, hard, just to remind him you weren’t going to make this easy. He groaned, low and rough, pulling back just enough to look at you, his gaze dark. "You always did like it rough."

Your fingers tangled in his hair, and you yanked him down, kissing him like you needed to get all of this out of your system. His hands roamed your body, possessive, rough, and you hated how much you craved him, like you were still his.

You weren’t his. You couldn’t be.

But every heated breath you took, every desperate movement your body made, was telling you otherwise.

When his lips moved down your neck, teeth grazing your skin, you gasped, tilting your head back as your resolve crumbled to pieces. He knew exactly what to do, how to make you fall apart, and it pissed you off that he still had that power.

His hands gripped your thighs, lifting you with ease, pressing you harder against the wall. Your breath hitched, the cold tile behind you making you gasp. His mouth was on you, hot and demanding, and for a moment, it was like nothing else mattered.

Not Elijah, not the fact that this was so damn wrong, not the months of hurt and anger you’d been holding onto.

There was only Rafe. The way he touched you, the way he kissed you like he was trying to stake his claim all over again. Like you hadn’t been apart at all.

"Tell me you don’t want this," Rafe muttered against your lips.

You bit down on your lip, trying to stop the words from spilling out. You did want this. You hated that you did, but fuck, you couldn’t lie—not to him, not to yourself.

“I—” You choked on the words, eyes meeting his, and for a split second, you thought maybe you’d find some kind of resolve, some way to pull yourself back from him.

But he wasn’t having it. His grip tightened, his mouth capturing yours again in a kiss so raw, it was borderline filthy. And that was it. Your last piece of control vanished, and you were lost in him all over again.

“Fuck,” you gasped, head spinning as his hands explored your body like he had every right to. Like you hadn’t spent months trying to break free of him.

Rafe pulled back just enough to smirk down at you, breathless and flushed. “Yeah, baby. That's what I thought."

His hands gripped your ass hard enough to leave bruises, you let out a frustrated, muffled groan, your fingers still tangled in his hair. It was a lot longer than the last time you’d seen him.

You could feel every inch of his muscle through the thin fabric of your shirt. It was suffocating in the best way, and you hated yourself for how much you wanted it.

How much you wanted him.

“You’re such an ass,” you gasped between kisses, your breath hitching when his mouth moved down to your neck. You felt him grin against your skin, the bastard.

“You say that like it’s supposed to stop you.” His voice was rough, low in your ear, and it sent a shiver down your spine. “But I don’t think it is.”

You were about to fire back, but his hands slid under your shirt, fingers grazing your skin, and whatever you were going to say was swallowed by the heat rushing through you. You hated that he still knew exactly how to get to you—how to pull you apart and leave you helpless against him.

“Rafe, this—” Your words were cut off when he bit down gently on your collarbone, sending a shockwave through your body. You clutched at his shirt.

“This what?” he taunted, pulling back just enough to look at you, his blue eyes intense. “This a mistake? Because I don’t think that’s what your body’s saying.”

You just glared up at him, trying to catch your breath. You hated that he was right. Again.

Always.

“I told you,” you managed to say, though your voice was shaky, “this doesn’t mean anything.”

Rafe’s grip on you tightened, and he leaned in, his lips brushing yours as he whispered, “You’re still here, aren’t you?”

Your heart was racing, and you could feel the heat of his breath on your skin. There was no denying it—you were here, and you weren’t leaving. Not yet.

Maybe not for a while.

And Rafe knew it.

His hands moved lower, fingers grazing the waistband of your jeans, and your breath hitched. This was dangerous territory. You knew that. 

“Last chance,” he murmured, his lips ghosting over yours. “You want me to stop?”

You should’ve said yes. You should’ve shoved him away and walked out of there with what little dignity you had left. But instead, you kissed him again—harder this time, angrier, like you needed to prove something to yourself. And maybe you did.

He yanked your shirt over your head in one rough motion, and you weren’t gentle either, tugging at his jersey until it was off and tossed aside. His hands were everywhere—on your back, in your hair, slipping under the waistband of your jeans, pulling them down with the same reckless urgency you’d been feeling since you laid eyes on him tonight.

“I hate you,” you whispered as your nails dragged down his chest, leaving angry red lines in their wake.

Rafe just laughed, “No, you don’t,” he growled, his hands grabbing your hips as he settled you onto one of the locker room benches. “But keep telling yourself that.”

Your jeans hit the floor, and he wasted no time, his hands gripping your thighs as he positioned himself between your legs, pressing you down on the bench, his body heavy against yours.

Everything was messy, and rushed, like neither of you could get enough. Like you were trying to erase the months of distance, of frustration, in the way you kissed him back, bit his lip, tugged at his hair.

 You hated how much you needed this. 

“Still think this doesn’t mean anything?” Rafe rasped, his voice hoarse as he pressed his forehead against yours, breathless and wild.

You could barely think, let alone speak, but somehow, you managed to gasp out, “Positive.”

Rafe’s mouth moved down your neck, biting and sucking, leaving marks you knew would still be there tomorrow. “You’re such a fucking liar.”

It was wrong, it was toxic, but fuck—there was something about the way he touched you. And body, traitorous and weak, responded like it always had.

You were furious with yourself, with him, with everything, but the anger only made it all hotter, more intense.

His fingers brushed against the seam of your panties, teasing, barely touching you, but doing enough to have you drenched. 

“You’re soaked,” he murmured, almost amused, slipping one finger under the fabric to run along your folds, barely dipping inside before pulling back out, "Was this all for Elijah?"

Sonofabitch.

“Stop talking,” you spat, but your voice was shaky, showing him the way you were falling apart under his touch. Rafe chuckled low in his throat, his finger moving back, this time slipping inside you, deep and slow.

You gasped, your head falling back as he began moving his finger, curling it inside you in just the right way. Your body responded immediately, hips jerking against him, desperate for more, but he took his time. He added another finger, stretching you out as his thumb rubbed slow circles over your clit, making your legs tremble beneath him.

He sped up, his fingers thrusting deeper, faster, hitting that spot inside you that made your mind go blank. “You’ve been wanting this, haven’t you? All those nights pretending you don’t think about me, but look at you now.”

Your nails dug into his shoulders, legs shaking as you felt yourself teetering on the edge, his fingers driving you closer and closer to the orgasm you so desperately needed.

His thumb pressed harder against your clit, sending shocks of pleasure through you. “Tell me how bad you need this.”

“Rafe—” you gasped, your hips bucking wildly against his hand. The tension inside you was coiled so tightly, so close to snapping. You hated him, hated yourself, but the words slipped out anyway. “I need it.”

He groaned, pleased, and that was all it took. He thrust his fingers harder, faster, until your body gave in completely. You hadn’t had a proper orgasm in months. Nothing could get you off properly. Your walls clenched around his fingers the pleasure tore through you. You cried out, your nails leaving half-moon marks in his skin as you trembled beneath him, lost in the sensation.

But he didn’t stop. He slowed down just enough to draw out every last bit of pleasure, his fingers still moving inside you as you rode out the aftershocks. When you finally caught your breath, he pulled his fingers out, his hand moving to cup your jaw, forcing you to look at him.

He shoved his pants down, not bothering to take them off completely, just enough to free himself. Your breath hitched when you felt him against you—hard, hot, and ready—and every rational thought you had left disappeared in that moment. He lined himself up, teasing you just enough to drive you crazy.

Before you could respond, he pushed into you in one hard, deliberate thrust. Your gasp turned into a low, breathless moan as your back arched, your hands gripping his shoulders for something to hold on to. The sensation of him stretching you, filling you, was overwhelming, almost too much, but exactly what you needed.

Rafe didn’t give you time to adjust. He pulled back and slammed into you again, setting a punishing rhythm that left you breathless, gasping for air. 

There was nothing gentle about it, nothing tender.

His hands gripped your hips, fingers digging into your skin as he fucked you like he was trying to remind you who you belonged to.

And you hated how good it felt.

“You’re mine,” Rafe growled, his voice rough as he thrust into you, each movement deep and brutal.“Doesn’t matter who you’re with, doesn’t matter how much you try to deny it—you’ll always come back to me.”

“Shut up,” you hissed, but your body was betraying you as you wrapped your legs around his waist, pulling him deeper. 

He leaned down, his breath hot against your ear as he whispered, “Tell me you haven’t been thinking about this every night since we ended.”

You couldn’t.

The words were right there, on the tip of your tongue, but instead, a moan escaped your lips as he hit that perfect spot inside you. Your body arched against his, and you cursed yourself for being so weak.

“Fuck,” you gasped, eyes squeezed shut as the pleasure built, every nerve in your body on fire.

“That’s what I thought,” Rafe growled, his pace quickening, the force of his thrusts making the bench creak beneath you.

The sound of the bench, the way his body pressed into yours so perfectly, the heat of his breath against your neck—it all made it impossible to think straight. You should have been disgusted with yourself for letting it get this far, for letting him have this kind of control over you. 

“I fucking hate you,” you managed to gasp out between breaths.

Rafe chuckled, “Yeah? Then why do you sound like that, huh?” His voice was taunting, filled with the arrogance you hated, “This pussy still mine, huh?”

You loved the way he grabbed you like you were his, even though you’d sworn, sworn, you were done with him.

You were still in love, weren’t you? Even after all the shit, all the screaming matches, the nights spent crying because of him. That was the part that pissed you off the most.

Before you knew, his hands were flipping you over so fast your knees hit the bench before you could react.

“Rafe—mmh,” you gasped, but your words died in your throat when he shoved you forward, pressing your chest flat against the cold wood of the bench. You barely had a second to brace yourself before his hands were gripping your ass, spreading you open for him.

He didn’t give you time to catch your breath. He was already dragging the head of his cock through your wetness, teasing, knowing how much you wanted it, even if you wouldn’t say it.

You squirmed, hating how desperate you felt, hating how your body responded to him like this. “Fuck, Rafe, stop teasing—”

“You want more?” he cut you off, voice dark and dripping with arrogance. He slapped your ass, just enough to sting, and you yelped, your back arching instinctively. “You’re gonna have to beg for it.”

"Like hell," you spat back.

He leaned forward, his chest pressing against your back, his mouth right by your ear.

 “You can act tough all you want, but I know how much you want this,” he gritted out, his cock sliding against your folds again, torturously slow. “I know how much you need it.”

Before you could snap back, he thrust into you hard, filling you completely in one brutal stroke. You cried out, hands gripping the edges of the bench, and Rafe didn’t even give you a second to adjust. He pulled out almost all the way before slamming back in, faster this time, deeper.

The angle had you seeing stars. The bench was narrow, forcing your legs closer together, making everything tighter, more intense. You couldn’t stop the way your body responded to him, hips moving back to meet his thrusts even though your mind was screaming at you to get a grip.

His hands gripped the fat of your ass, pulling you back onto his cock with every thrust, and the sound of skin slapping against skin filled the small room, mixing with your moans and his ragged breathing.

“God, you feel so fucking good,” Rafe groaned, his voice low and rough as he thrust into you, each movement hitting that perfect spot inside you, making your legs tremble. “So fucking tight for me.”

He pressed his thumb against your clit, rubbing in slow, deliberate circles that had you on the edge in seconds. You couldn’t stop the moan that ripped from your throat, your hips bucking wildly against him as the pleasure built, higher and higher until you felt like you might break apart.

“You’re close, aren’t you?” He rasped, his voice thick with lust. “I can feel it. Fuck.”

You tried to hold on, tried to keep some control, but it was useless. He knew exactly how to break you.

“I’m gonna come,” you gasped, your voice barely more than a whimper as you felt the pleasure rising fast, threatening to consume you.

“Do it,” Rafe growled, his fingers rubbing harder, faster. “Come for me, baby.”

And you did.

Your orgasm crashed over you so hard your vision blurred, your body shaking as the pleasure tore through you. You cried out, your walls clenching around him, and Rafe groaned, his grip on you tightening as he fucked you through it, relentless, brutal, until your entire body was trembling.

But he wasn’t done.

He pulled out suddenly, and before you could catch your breath, he yanked you up, turning you around. You barely had time to register what was happening before he lifted you up, your legs wrapping around his waist as he pressed you against the cold locker. His cock was back inside you in seconds, filling you again, and you moaned, the new angle sending jolts of pleasure through your already overstimulated pussy.

He pounded into you, his grip on your ass bruising, and you clung to him, nails digging into his broad shoulders as he fucked you against the lockers. The sound of metal creaking under the force of his thrusts only made it hotter, more desperate. You could feel another orgasm building, and you hated him for it—hated how easily he could pull them from you. 

“You’re mine,” he growled, his voice rough as he buried his face in your neck, his teeth scraping against your skin. “You’ll always be mine.”

And you hated that some twisted part of you wanted it to be true.

Your legs tightened around him, pulling him impossibly closer, deeper, as if you couldn’t get enough of him.

And God, you couldn’t.

His grip on your ass was rough, bruising, but it only made you moan louder. You were on the verge again—your body still tingling from the last orgasm, but the way he moved inside you, the way his teeth grazed your neck, it had you spiraling toward another one, faster than you thought possible.

“Look at you,” Rafe groaned, lifting his head just enough to lock eyes with you. His pupils were blown wide with lust, a wild look on his face that sent a thrill down your spine. “Fuck, you love this, don’t you?”

You did. Because no matter how much you hated him, how much you wanted to hate him—there was a part of you that still belonged to him. A part of you that couldn’t walk away.

His lips were everywhere—on your neck, your collarbone, your jaw—and you couldn’t stop the sounds escaping your throat as he kept driving into you.

“Say it,” he growled, “Say you’re mine.”

You bit down on your lip, trying to hold it in, trying to fight back, but every nerve in your body was betraying you. The way his body fit against yours, the way he moved inside you, it was all too much. You were coming again, and you hated it.

He pulled back just enough to look at you, his eyes dark and wild. “Say it.”

You wanted to spit in his face. But your body was telling a different story, hips bucking against him, legs tightening around his waist again.

“R-Rafe,” you whimpered, hating how weak you sounded, how desperate.

His smirk was infuriating, but fuck, it was hot.

“That’s what I thought,” he murmured, his pace quickening, each thrust deeper than the last. “You’re mine. Always have been.”

And then he slammed into you one last time, hitting that perfect spot inside you, and the orgasm tore through you, leaving you gasping and trembling in his arms. You cried out, head thrown back against the lockers as your body shook with the force of it, your nails raking down his back.

Rafe groaned, his grip on you tightening as he rode out your orgasm, his movements growing sloppier, more erratic. His forehead pressed against yours, his breath coming in short, ragged gasps.

“Fuck, baby,” he moaned, his hips jerking against yours as he finally let go, his release hitting hard. You felt the warmth of him spill inside you, as he held you against him, buried deep.

The second his breathing slowed and his grip on you loosened, reality came crashing back in. 

What the fuck had you done?

You pushed at his chest, trying to put some space between you, but he wasn’t letting go that easily. His arms stayed wrapped around you, his body pressed against yours like he still had something to prove.

“Get off,” you muttered, your voice weak, but sharper than before.

He chuckled, that low, arrogant sound that drove you crazy. “That’s not what you were saying five minutes ago.”

You shot him a glare, shoving at his chest again, harder this time. “I’m serious, Rafe. Move.”

Reluctantly, he let go, stepping back just enough for you to slide off the locker and onto shaky legs. You stumbled a bit, and Rafe’s hand shot out to steady you, but you jerked away from him, pulling your jeans back up with shaky hands.

He leaned against the locker, smirking like he hadn’t just torn your world apart all over again. “You’re welcome, by the way.”

You wanted to scream at him, to throw something at his face. But instead, you grabbed your shirt off the floor, yanking it over your head as you tried to steady your breath.

“Good luck finding your date.”

Elijah. You’d come to the game with Elijah.

You shook your head as you zipped up your jeans and ran your fingers through your hair, trying to look somewhat presentable. You avoided looking at him, knowing that if you did, you’d see the smug satisfaction on his face that would only make you feel worse.

He pushed himself off the locker and took a step closer to you. You flinched, stepping back instinctively. “This can’t happen again.”

His smirk slipped for a moment as he looked at you. H e closed the distance between you in two strides, his hand reaching out to grab your wrist, pulling you toward him before you could react, “You’re choosing him?”

You yanked your wrist out of his grip, your heart racing as you forced yourself to take a step back, putting distance between the two of you, “You’re the one who chose yourself.”

His eyes darkened, searching your face, like he couldn’t believe what you’d just said. Maybe he thought he still had you wrapped around his finger.

“You’re the one who walked away,” you added, hating how your voice trembled, “So don’t act like I owe you anything.”

Rafe’s hand hovered like he was about to reach for you again, but he didn’t. “That’s not how I remember it.” 

Your stomach twisted, “I’m not doing this anymore. I can’t—” You glanced at the door, feeling the weight of Elijah waiting for you. The one person who was good for you, who actually wanted to be with you.

But the worst part? You were still thinking about Rafe. Even after everything, you were still here, breathless, a mess because of him.

He took a step closer, his eyes locked on yours, and for a second, you thought he might apologize. Maybe say something real. But Rafe Cameron didn’t do apologies. 

He raised an eyebrow, “Really?” His hand lifted, brushing a strand of hair out of your face in a gesture that was far too intimate, given everything that had just happened. “Then why are you still standing here?”

You flinched, stepping back. Why were you still standing there? You had no good answer, at least not one you were ready to admit.

“Go back to your date,” Rafe continued, his voice mocking now, “Pretend like he’s enough for you.”

You bit the inside of your cheek, trying to keep the tears at bay. You couldn’t give him that satisfaction, not again. “You’re wrong.”

Rafe let out a low chuckle, shaking his head. “I don’t think I am.”

You squeezed your eyes shut, throat tight, trying to push back the tears. This was all wrong. It was always wrong with Rafe, “Stop.”

It sounded like a plea—a plea for him to stop talking, stop looking at you like that, stop making you feel so small and yet so overwhelmed all at once.

Rafe sighed, stepping back just a fraction, and for a second, his gaze lifted. But it wasn’t enough. It never was. “I’m not trying to hurt you,” he said, his voice softer now, like that made a difference.

“You always do,” you shot back, finally meeting his eyes. The truth slipped out before you could stop it, and there it was.

His jaw clenched, "I don’t mean to," he muttered, his voice low. "You know that."

"Does it even matter?" You felt the bitterness rise in your throat, along with something else—something fragile and painful. "You still do it. Whether you mean to or not."

Rafe stayed quiet, and you hated that silence. He didn’t have an answer. He never did, not for this. Your fingers fumbled with the zipper of your jacket, something to keep your hands busy so you wouldn’t look at him, wouldn’t say something you’d regret. But regret was already everywhere, suffocating you both.

“I thought we were past this,” you said finally, barely more than a whisper. “I thought I was past this.” But clearly, you weren’t. Clearly, some part of you was still here, with him, in the wreckage you’d both created.

He ran a hand through his hair, looking frustrated, torn. “It’s not that simple.”

"It should be." Your voice cracked. You hated how much this hurt. How much he could still hurt you.

It wasn’t fair. You weren’t supposed to still care this much. You weren’t supposed to still feel this.

Rafe sighed, taking another step back, giving you space. But it wasn’t the kind of space you wanted. It wasn’t the kind that would make things easier. “I don’t know what you want from me,” he admitted quietly, his eyes searching yours for something he couldn’t find.

You swallowed, the lump in your throat making it hard to breathe. "I don’t want anything from you." 

That was the truth, or at least it was supposed to be. You didn’t want anything he had to offer, not anymore. Not when every time you reached for it, it slipped through your fingers like water, leaving you emptier than before.

But there was still that ache, that feeling between you two, the one that dragged you back here even when you knew better. You wished you could kill it, cut it out of you like some infected part, but it was tangled too deep. And maybe a small part of you didn’t want to.

“You keep saying that,” he murmured, his voice almost tender, like he was seeing right through you. “But you’re still here.”

“I don’t know why,” you whispered, blinking back tears. Fuck, you hated this. Hated how vulnerable you felt, how easily he could unravel you, even now. “I shouldn’t be.”

He didn’t say anything, just stood there, watching you, like he was waiting for you to make the next move. Like he wanted you to figure it out on your own.

But you didn’t know how. You never did when it came to him.

"I’m sorry," he said, and this time, it felt real. There was no arrogance. Just Rafe, standing there, as broken as you felt. "I don’t know how to fix this."

You let out a bitter laugh, wiping at your eyes with the back of your hand. “There’s nothing left to fix, Rafe. We’ve already destroyed it.”

His face twisted, like he didn’t want to believe it. Like he was still holding onto some small piece of hope. "We could—"

"No," you cut him off, shaking your head. "We can’t."

You couldn’t keep doing this. The push and pull, the endless cycle of hurt and apologies that never really fixed anything. You couldn’t keep pretending that something would change, that he would change.

Because you both knew he wouldn’t.

He took a breath, exhaling slowly, and you could see it—the realization sinking in. 

He knew it too. "I never wanted to lose you," he admitted quietly.

You swallowed hard, your chest tight. "You already did."

[yunwangja]

undercurrents | signal no. 17

masterlist

"i’m alisa. i was kuroo’s partner for his project."

you freeze. this is her. the girl from the date. your heart sinks as you picture them together, imagining all the worst possibilities.

did he leave his phone? why was she the one who picked up the call? is he still there? your mind begins to spiral, creating scenarios you can't control, each more painful than the last.

"oh," you manage to say, struggling to keep your voice steady. your throat feels tight, and your words come out slower than usual. "can i ask for kuroo?"

"uh, actually, kuroo left his phone here with me," she replies, "it’s a good thing you called - i couldn't open his phone on my own because it's password protected. i was thinking how to get it back to him. im at my place right now."

her place. your thoughts race, filling in the blanks with every worst-case scenario.

what does this mean? what the hell is happening? and what happened before this? and how could kuroo possibly accidentally leave his phone with her? the more you think about it, the harder it becomes to breathe.

"i can let his friends know," you force out, the words feeling heavy on your tongue. "they can come get it from you."

alisa agrees without hesitation, without ending the call, you quickly message the others, your fingers trembling slightly as you type.

after alisa says yes to the arrangement, you both settle to the conclusion that she'll call you back when she's arrived at the campus lobby where bo would be meeting her.

you sit in silence after the call ends, staring at your phone, thoughts swirling in your head. the quiet of your room seems louder now, every second stretching longer than it should.

where is kuroo right now? since she picked up the call at her place, was kuroo there before he left his phone? if they did, what did they do? does this mean he was that interested in her?

you try to shake off the uneasy thoughts, but they linger. you tell yourself not to jump to conclusions, but that’s easier said than done. your mind can’t help but imagine things of what might’ve happened after their date. it’s a battle between rationality and your emotions, and right now, the latter is winning.

then, your phone vibrates, pulling you out of your spiraling thoughts. kuroo's name appear on the caller id, and you assume it's alisa calling back, just as she promised.

“hello?” you answer, your voice a bit shaky but still composed.

“hey, i’m in the campus lobby,” alisa says. “bokuto isn’t here yet, but i’m sure he’ll be along soon.”

“thanks for letting me know.”

the silence stretches for a moment. it feels awkward, hanging between the two of you, and you can’t help but feel like you should say something - anything - to fill the void.

you fidget with your fingers, unsure of what to talk about. after all, you barely know this girl, and under any other circumstances, you wouldn’t be having this conversation at all.

alisa breaks the silence first. “so... are you and kuroo close?”

her question catches you off guard. “uh, yeah, i guess you could say that. we’ve known each other for a while.”

“that’s nice!" alisa replies, her tone friendly. “he’s been super focused on this project. it’s kept him really busy, huh?”

you nod again, though the weight of her words makes your chest feel tight. “yeah, he’s been juggling a lot.”

the conversation stalls again, leaving you with your thoughts. you’ve known kuroo’s been busy, but hearing it from her, someone who's been spending that time with him, feels like a punch in the gut. you hesitate before asking, “where is he, by the way?”

“oh, he didn’t say,” alisa responds casually. “he just told me he had to go and left. i noticed his phone when he was gone already, and i was going to chase after him but it was too late...”

you thought nothing suspicious about her answer, but nothing that assured you that nothing happened between them. the quiet between you both stretches again, heavy and uncomfortable, and you find yourself scrambling for something else - anything - to fill the silence.

“how’s the project been for you guys?” you ask, trying to make small talk.

“oh, it went really well!” she says brightly. “we worked hard, but it all paid off. i think kuroo was really happy with how it turned out.”

you try to smile at her words, but your curiosity is eating away at you. you feel the urge to ask more, even though a part of you is scared of what the answers might be.

your thoughts drift back to earlier, to the idea of them spending time together after their date, and your stomach knots with unease. but you have to know, even if the answer hurts.

desperate to distract yourself from the silence and your spiraling thoughts, you finally blurt out, “so... did you guys have a good time?”

it feels like a casual question, but the weight behind it is unmistakable to you.

alisa chuckles softly, "oh, it was nice. he’s really sweet, isn’t he?"

you force a smile, even though she can’t see it. the words feel like a punch to the gut, as if someone else is confirming how amazing kuroo is. "yeah, he is."

there’s a brief pause, and the silence returns uncomfortably. your mind is racing as you struggle to keep the conversation going.

"i’m glad you were with him while he was so busy. as i said earlier, he seems to take on a lot by himself." you say, trying to fill the void, but the words come out weaker than you intended.

"he really does," alisa agrees, her voice light, as if she’s completely unaware of the storm raging inside you. "we ended up spending a lot of time together because of it. it’s been fun. and he really knows how to make you feel at ease, doesn’t he?"

the words twist in your gut, and you have to bite your lip to keep from letting out a sound of distress. you know exactly what she means. you’ve felt it too; the way kuroo can make you feel seen and heard.

and now, to hear someone else describe it, to know that she experienced it too, feels like a betrayal, even though you know it’s not.

"yeah," you manage to say. "he’s always been good at that."

the conversation drags on, each passing moment feeling like a slow unraveling of everything you thought you knew. your heart sinks deeper, weighed down by the uncertainty, the fear that maybe you’re too late. the realization that someone else has shared in those moments with him, that she knows things about him you might never know, is almost too much to bear.

"i’m happy you guys enjoyed your date," you say, trying to sound normal, but there’s a slight tremor in your voice.

alisa laughs again, this time with more amusement. "he told you it was a date too, huh?"

you blink, caught off guard by her response. "wasn’t it?"

"no, not really," alisa explains, her tone light as if it’s no big deal. "i just asked him out to coffee because of the success of our project, nothing more. he thought it was a date until he thanked me and mentioned it. so i cleared things up."

you don’t know what to say, the relief washing over you in waves, but mingling with confusion. before you can ask what happened after, alisa interrupts.

"oh, bokuto’s here," she says, her tone signaling the end of the conversation. "i’ll give him the phone. thanks a lot,"

"okay," you reply, still dazed, your mind racing with all the things you didn’t get to say or ask. bo takes the phone and tells you everything’s good, but his words barely register. you nod, barely listening, too caught up in your own thoughts.

you’re left with a thousand questions, but no answers. you want to know more, to ask her what happened next, but you guess you won’t get to know anymore.

did they talk about you? was kuroo relieved when she clarified it wasn’t a date, or was he disappointed? the uncertainty gnaws at you, leaving you with nothing but doubts.

all of a sudden, there’s a knock on your bedroom door. your heart jumps into your throat. you hesitate, then get up to answer it. you bid bo goodbye on the other line and end the call as you approach closer.

maybe it was one of your roommates checking up on your or asking for an update about what has happened. you wondered who it might be as you opened the door.

and there he was.

kuroo, breathless and panting, his hair slightly disheveled as if he ran the whole way. his eyes lock onto yours, wide with urgency.

"kuroo," you begin, confused. "what are you doing-"

"i want you, y/n."

notes

YEEEEEEEEEEEEEEEEEEEESSSSSSSSSSSSSSSS

next signal will be LOADED also bc we will see kuroo's pov !!

idk if this was a long update or not (than usual) but yeah

i had to edit this a lot of times bc i had to make sure that everything would be laid out well

taglist: @lvtilzs @rarararararq @iamfontenlos @kurooswifeyy @secretsunsetsociety @kagsnumnine @yumiecheesecrackers @tojirin @jaynawayna @noxva08 @zahrawr-writes-fanfics @mawenskiblue @smellysluna @cccccccccccleo @winniethepooh-lover @akirqx @cupidsblonde @kukkurookkoo@emotiandon @urslytherin

[cosmerelists]

Bridge 4 Discuss Terrible Pickup Lines

As (sort of) requested by @dewypeach and @imtheseventh

So back when @cam-ulu29 asked for a Kaladin flirting list, I ran a poll about whether it should be a sincere, sweet list or a list full of terrible, out-of-character pickup lines. The former won by a MILE, but some people were interested in the latter. Dewypeach & imtheseventh in particular suggested doing something with Bridge 4 either suggesting terrible pickup lines or having Kaladin try them out. So here's something like that!

Skar: Worst pickup lines you can come up with. Go.

Lopen: I suggested one for Kaladin, but it wasn't terrible--it was really good. He acted like it was terrible, though--does that count?

Kaladin: It WAS terrible.

Kaladin: And...weird.

Kaladin: I'm not going to flirt with Dalinar. He is my boss. And married. And old.

Lopen: So what I said, right, was that Kal should look Dalinar right in the eye, all serious-like, and say, "My relationship with my father is terrible. Will you be my new Daddy?"

Moash: [spits out drink]

Skar: No!

Lopen: Listen, it would work! I can read a man, and I KNOW that would work on Dalinar!

Kaladin: I DON'T WANT TO FLIRT WITH DALINAR, MY MARRIED ELDERLY BOSS

Lopen: Okay, okay! If you prefer to flirt with Navani, you just gotta roll up with something like, "So I heard you like long, thick towers. It just so happens that I..."

Kaladin: NO

Moash: See, the thing is, Kal, you're attractive enough that you could probably get away with a really bad pickup line.

Moash: I bet you could tell someone that you want to "Plunge straight into their their Honor Chasm" and I bet it would work.

Kaladin: That would absolutely not work.

Moash: You say that, and yet...

Rock: Moash has point, though! We are all well-known now, yes? All good-looking (except maybe for Lopen, who is unfortunately very short). I think men like us get away with some pretty bad lines, yeah?

Letyen: "You did a bridge run straight into my heart."

Moash: "I wanna explore YOUR chasms."

Kaladin: (What's you and the chasms, man?)

Lyn: "Let's...bridge this distance between us."

Teft: "I'm from Bridge 4. Do you want to get a drink?"

Skar: "Let me show you how good I am with my spear."

Sigzil: "You prefilled the forms in my heart."

[They all look at him]

Sigzil: What? In Azir, that's a very effective line.

Moash: Is that true, though, or are you making up Azir stories to trick us stupid Alethi?

Sigzil: [sips drink enigmatically]

Kaladin: Fine, fine, okay!

Kaladin: If I wanted to "pick someone up" with my Bridge 4 cred, I guess I'd try something like...

Kaladin: ...

Kaladin: Uh... How about: "My days in the bridge crews were horrible and dark. I barely survived. I lost a lot of friends. Good friends. It haunts me still. But now that I'm out, I've decided to live. And that means doing things that make me WANT to live."

Kaladin: "Like going out with you!"

Kaladin: [Looks at them expectantly]

Moash: Oh, Kal...

Lopen: Even your pretty face can't save that one, gon...

Skar: The thick tower line is looking better and better...

Kaladin: WELL YOU GUYS ARE THE ONES WHO BROUGHT IT UP

[bigification]

Handlebars

Day 1:

My first day of college was a lot more stressful than I thought it would be. I finally made it to residence last night, which only gave me one night to get settled before classes started. I was nervous to meet my roommate because of all of the horror stories I had heard about them in the past, but it ended up being so much worse than I expected. In my mind, the worst outcome was some lazy douche who never cleaned up after himself. So you can imagine my shock when I knock on the door and a full grown 30 something year old man answers the door.

"Hey, buddy. The names Mike, come on in."

He looked and sounded like a jock in a college movie, but when the actor is actually 30. His voice was deep and buttery, it almost gave me butterflies. I just smiled awkwardly and walked past him through the door.

"I'm Oscar by the way." I introduced myself.

"Cool, I'll just call you Handlebars." He said, without a care in the world.

He sat down on his bed, and that was the extent of our interactions for the day.

Day 7:

It's been a week and all my other worries about roommates came true. Not only is he 15 years older than me, he's a slob. He gets home from the gym drenched in sweat and throws his gym clothes wherever without cleaning them. He doesn't do his dishes, or any chore for that matter. In fact it seems like he intentionally keeps the place dirty after I try to clean it. And whatever musky cologne he wears attacks my nose every time I open the door, it feels like the smell seeps into everything, including my clothes.

The few times that he actually wants a chore to be done, he just asks me to do it, or rather he just tells me to do it. Normally I would be happy to tell him to go fuck himself, but I always find myself doing whatever he asks. I hate it.

"Yo Handlebars, be a doll and clean the dishes for me."

"Yo Handlebars, I ran out of clean gym clothes, mind running em down to the laundry for me."

It's like he's casting a spell whenever he talks.

Day 15:

I've started to settle into routine. The things that used to bother me about Mike seem a bit more trivial now. We've even started to become pretty close. I get enthralled by his conversations about business. He goes on and on about his father's enterprises, and how they'll be his soon.

I even started going to the gym with him lately. He lent me some of his gym clothes, even if they're way too big. It just made me appreciate him more. I never really clocked how jacked he was, sometimes he goes to the gym shirtless and it shows off his massive pecs and thick biceps.

Since joining him, I've noticed my body has improved quite significantly. I used to be skinny and lanky, but there is definition starting to show throughout my body.

Day 30:

Just a month into school and I was already on my way to failing out. I just don't care about it anymore, but Mike gave me a solution. He said I could just switch programs and do business with him, and his dad would even pay for it. How could I pass that up.

Now that I've switched, it's like all stress in my life has disappeared. Business is so easy, and now I have more time with Mike. We usually have a routine of going to the gym after our last class of the day.

"Yo Handlebars, you're lookin strong man. I'd kill to grow as fast as you."

He shouted at me from across the gym, when he caught me staring at myself in the mirror. Butterflies flew through my stomach when he said that. And he wasn't wrong, I've been noticing a lot of changes in my body. My face has matured, my eyebrows are thicker, my nose is bigger, and my jawline is more square. I even have to shave now, when I never had to before college. A five o'clock shadow engulfs my face by the end of the day, especially above my lip. The rest of my body has gotten hairier too, especially around my pecs, arms, and legs. And that's not even mentioning my progress at the gym. I actually look like I belong there, my biceps have a nice roundness to them and my chest actually sticks out from my body. Those gym clothes that Mike gave me look smaller and smaller every day.

Life in the dorms has also been a dream. I've been wearing that cologne that Mike loves, and it's like I unlocked a whole new level of confidence. People seem to love listening to me talk, and people seem to respect me more.

Day 60:

This past month has been the best month of my life. Now that I'm in my mid twenties, I can drink whenever I want. Mike and I go out raves and frat parties basically every night, my body is basically used to every drug at this point. And with Mike's dad paying for college, I literally don't need to show up to lectures and I get straight A's.

"Fuck, bro. I think you're bigger than me Handlebars."

Mike said with a shocked face when we were snapping pics at the gym. We flexed beside each other, and it was obvious. My biceps dwarfed his, and his gym clothes had become really tight on me lately. The shirt was skin tight against my upper body, showing off my juicy pecs and my growing six pack. And the shorts looked like they were about to burst under the pressure of my ass cheeks and thighs, to the point that the outline of my dick was constantly visible.

"Here bro, take this."

Mike handed me a package. It was filled with gym clothes and jocks.

"Just for you Handlebars."

I yanked him in for a bro hug, I could feel myself blushing.

"You got this all for me bro?"

"Fuck yeah, man. You've been grinding it out in the gym, don't think I haven't noticed my clothes straining against those muscles. And you need something to contain that snake in your pants before we get campus security called on us."

Mike chuckled, his laugh was infectious.

Day 100:

I started in the mirror. Sometimes I barely recognize myself. The confident and cocky mask goes away when I'm alone, just leaving the caring gym bro that's on the true inside.

Damn, I think to myself, Mike is making me too sappy. I give myself a cocky smile after shaving my face, leaving me with a thick moustache. I flex, admiring my guns and bouncing my pecs. Man I look good for a man pushing his thirties.

"Fuck, handlebars. Since when were you so hairy?" Mike asked me when I left the bathroom.

"What? Are you jealous I'm manlier than you bro?" I taunted him by opening my button up wider, revealing the thick pelt of hair that covered my body.

"Nah, it's got me feelin something tho." He smirked at me.

"Hah, I fuckin knew it. You want a piece of this." I bounced my pecs.

"Don't make it gay bro, it's not like that. Just a dude admiring another dude." He blushed.

The tension between us had been building for weeks. He would stand too close when spotting me at the gym, and I'd catch him staring at me in the mirror. Not like I haven't been doin it too. We also wear less clothes around the dorm. I still got that jock strap Mike gave me a while back, I'd be lying to myself if I said it fit but I don't care, and it seems like Mike doesn't mind either. And sometimes I wear an open button up just cuz it makes my pecs pop.

Day 120:

"You have no idea how long I've waited for this." Mike whispered in my ear. His breath was heavy as he threw me against the wall. His dick was bouncing with excitement against my ass.

For context, a few hours ago we were at the gym like normal. At this point, we didn't even go to class, it was just gym and parties now. The tension had been growing at the gym forever, sometimes we'd release by foolin around in the showers, but it never went further a quick handjob when no one was lookin. It was different this time, he couldn't keep his hands off me. Broad daylight in a busy gym, his hands would be far down my shorts, teasing.

At first I was dismissive. We already got caught multiple times by campus security, so close to getting kicked out of school. If it wasn't for Mike's dad being a rich alumni, I think both of us would be long gone by now. But he knew how to push my buttons, he always has. I gave in, but had the decency to drag him by the collar to the showers. At least there we could be naked.

Ok, back to the point. I grunted as his thick arms held me in place. Mike had been working extra hard to catch up to me, and it was showin. It turned me on, feelin his muscled forearms against my shoulders. But I wasn't gonna let him win that easily. What Mike seemed to forget was the near decade I spent in the Navy before comin to college.

I whipped around, using the hot water against our skin to slip out from his pin. I pushed his shoulder, sending him tripping over my foot, which I had conveniently placed behind his. I caught him like a damsel in distress, so there was no doubt in his mind who was on top.

Within seconds, it's like my training kicked in and I had him pinned down on his stomach. The bristles of my thick mustache rubbed against the back of his ear as I whispered, "You really thought you could top me?" I asked with a chuckle.

He moaned like a twink when I stuck my cock up his ass. It took a moment for his ass to adjust to takin a beatin rather than dishin one out, but he'll get used to it. The wet fur on my forearm slid across his back as I rode him like a bull. I could almost feel his organs rearrangin to fit my 10 inch rod.

I groaned as I felt months of sexual tension release in seconds, shooting my seed all through Mike's body. He was mine. And by the looks of it, he enjoyed the ride too. A trail of his cum ran from under his pinned body, to the drain in the middle of the showers.

"You're mine."

I whispered in his ear with a shit eatin grin.

"Now clean this mess up before you dare come back to my dorm."

I pushed off his back to get to my feet. I continued rubbing my cock as I walked away, making ropes of cum cover the showers. I walked right out of the showers and into the locker room, making sure to wink at campus security on the way out. Someone always calls them, and we always get away with it Scott free, so I think they gave up. It just feels good to make people know they're beneath you, and to do it while rubbin one out.

I cleaned up and walked alone to my dorm, sat on my couch, and waited for Mike to come back. After a few minutes, he walked in without a word. He walked over to me and laid in my lap as I turned on football. I smelled his hair, making sure he actually cleaned up like I ordered.

"Good boy." I reassured him while massaging his pecs.

Day 150:

I finally moved our stuff out of my shitty dorm. Mikey's father just decided to pay for our diplomas outright, instead of trying to turn all of our F's into A's.

We moved to L.A. and I fuckin love it here. I just walk around in nothin but a jock, and people love me for it. And there are so many entrepreneurs like me, so much money to be made.

Everyone just calls me handlebars, I can't remember the last time anyone called me my name. Now that I think about it, I don't even remember what it was, but who the fuck cares. I'm handlebars, the life of the party and the best fuck in this city.

[iamtired10]

jealous jealous

— fluffy (slight angst) headcanons

pairing - newjeans members x female reader

synopsis - how they would react when they get jealous.

warning - jealousy and kisses (same warnings as before..)

a/n - im not totally sure if this is accurate or fun, but here it is. enjoy reading and bye—

requested by — @somedaydream

kim minji

minji is always the steady, reliable one.

but when jealousy hits her, that calm exterior fades into something much softer, more vulnerable.

it’s almost cute how she thinks she can hide it, but you know her better than that.

when she sees someone else getting just a little too close to you, her lips press into a thin line, her eyes narrowing ever so slightly.

she doesn’t make a scene—not minji—but the way she sidles up to you, slipping her arm around your waist, says everything she won’t.

suddenly, she’s attached to you like glue, her hand never leaving yours.

and if you thought she was clingy before?

it’s nothing compared to how she holds onto you now, as if letting go would mean you’d slip away.

minji isn’t loud about her jealousy, but the intensity is unmistakable.

she’ll rest her head on your shoulder, her breath warm against your neck as she murmurs, “you’re mine, you know that, right?”

her grip tightens ever so slightly, like she needs the reassurance that you’re not going anywhere.

you’d tease her about it, call her out for being so possessive, but her response is just to snuggle closer, burying her face against you with a soft,

“shut up, you love it.” and yeah, you do.

pham hanni

when hanni gets jealous, it’s like watching a storm roll in—fast, loud, and impossible to miss.

she’ll try to act indifferent at first, throwing in a casual, “i don’t care,” as her eyes narrow at whoever’s hogging your attention.

but the pout that forms on her lips is unmistakable, her foot tapping impatiently as she waits for them to leave.

the second they’re out of sight, though, she’s right there, tugging at your sleeve with a mix of frustration and vulnerability.

she’ll fold her arms, puffing out her cheeks in the most adorable way, and mutter, “you’re not allowed to let anyone else make you laugh like that.”

you try to calm her down, but she’s already climbing onto your lap, wrapping her arms around your neck with a stubborn grin. “i’m the only one who gets to do that. got it?”

but the best part?

when she tries to act all tough but fails miserably.

she’ll poke at your cheek, trying to act mad, but the second you kiss her nose or ruffle her hair, she’s all giggles and soft smiles again, her walls crumbling in an instant.

hanni can’t stay mad for long—especially not when you pull her close and tell her she’s your favorite.

danielle marsh

danielle is usually the most carefree, bubbly person you know. jealousy?

it doesn’t even seem like it’s in her vocabulary.

but when it sneaks up on her, it’s a quiet, almost shy thing.

she won’t say anything at first, but you’ll notice how she pulls back ever so slightly, her usual easy smiles faltering. danielle is all sunshine, but when she’s feeling insecure, the clouds start to roll in.

she won’t ask outright, won’t accuse you of anything, but you can see the way her gaze lingers on you, uncertainty flickering in her eyes.

the laughter isn’t as bright, her touches not as bold.

instead, she becomes quiet, distant, like she’s afraid she might lose you without even realizing it.

and the worst part?

she’ll try to hide it, not wanting to burden you with her feelings.

but once you notice, once you pull her aside and ask her what’s wrong, she’ll melt.

her arms will wrap around you in the tightest hug, her face buried in your chest as she mumbles, “i just... don’t want to lose you.”

you’ll reassure her, over and over, until that bright smile returns, her whole body leaning into yours like she can finally breathe again.

danielle doesn’t get jealous often, but when she does, she needs to know you’re hers, and only hers.

kang haerin

haerin is the silent type, always observing, always thinking.

when she gets jealous, you almost wouldn’t know—almost.

she doesn’t make a scene, doesn’t throw tantrums or pout.

instead, she just watches, her eyes sharp as she quietly takes in every interaction you have with someone else.

her expression remains neutral, but there’s a tension in the way she moves, like a panther ready to pounce.

she’ll slip closer to you, her fingers brushing against yours in a way that’s so subtle, yet so possessive.

haerin doesn’t need words to show you how she’s feeling—her presence is enough.

she stands just a little too close, her gaze never leaving you, as if she’s reminding you, without saying a word, that you belong to her.

later, when you’re alone, she’ll sit beside you, her hand resting lightly on your leg, her voice low as she finally speaks. “you’re not interested in anyone else, right?”

it’s not even a real question—she knows the answer.

but hearing you say it makes something soften in her eyes, the tension melting away as she leans into you, her head resting on your shoulder.

haerin doesn’t need to make a big fuss, but when she’s jealous, she’ll make sure you never forget where your heart belongs.

lee hyein

hyein is the youngest, but when she gets jealous, she acts like she’s years older, her voice sharp and demanding as she pulls you aside.

“who was that?” she’ll ask, her eyebrows raised, trying to act all serious and mature.

but you can see right through her.

she’s still the playful, dramatic baby you know and love, even when she’s pretending to be tough.

she’ll follow you around, refusing to let anyone else get too close, her hand firmly in yours as she shoots glares at anyone who dares even glance in your direction.

“you’re mine, no sharing,” she’ll declare, her voice full of mock authority, but the way she clings to you like a kid with their favorite toy betrays her real feelings.

and when you finally laugh and call her out for being so possessive, she’ll just huff, crossing her arms as she pouts.

“i don’t care, you’re not allowed to make anyone else smile like that.”

but underneath all her dramatics, she’s still soft, still the sweet hyein you know.

she’ll eventually lean her head on your shoulder, her voice a little quieter, a little softer.

“i just like you too much, okay?”

a/n - working overtime for y'all :(

[icarusredwings]

This post may not be suitable for littles or people who get uncomfy with mentions of baby making stuff. IT'S NOT WHAT YOU THINK THO I SWEAR!!!!

Wade:

Thinking about how much Wade loves babies when he's small.

He's holding Logan's hand down the street as they're running errands, and he's being so good, like SUPER good. Not running away, litsening to instructions, using his words in a way Kitty can understand.

He doesn't even have Fluffy with him either, so he's doing all of this with minimal emotional support, just his chewy star necklace and one of Logans big hoodies. He's in some colorful leggings, though, and in his pocket is nothing but a snack. Not even his cup.

Bro is raw dogging the adult outdoors as his small self with practically nothing. He's still wearing his dog tags, though, just in case he gets lost, they're used as a source of identification.

Ealier, when Wade wanted to pet a stray cat instead of just running off, he gasped and pointed to it. "Kitty!" Which is obviously code for "Look! A cool thing!" So when Logan looked, he saw how polite Wade was behaving.

"Be gentle, okay? Sometimes, they don't like humans." He tells him, carefully walking him over in which Wade just squats down to pet the cat very nicely. You would think 'yeah no duh he wouldn't hurt it,' and you would be correct, though sometimes he pets them too rough or moves too quickly so they get scared and scratch him.

Right now, he's bored, leaning on his shoulder and starting to get fussy because paying bills is boring, and he wants to go home. Chewing on his star, he stops, and his eyes light up, seeing a stoller.

Wade loves strollers. Because where there is a pram- Theres a babe. And babies were great. (Unless they were screaming, and then they were not)

He tugs a bit on Logan, but he's ignored because he's trying to ask the internet service people why they charged them 15 extra this month when nothing changed. "Kitty!" He points, looking at him for consent to go see the baby. Frustrated, confused, and not looking, Logan assumes that he sees another cat and waves a hand. "Yeah, sure. Be gentle."

So, being given the okay, Wade practically skips over to the stroller and crouches down to see a chunky cheeked baby boy. His mum is busy on the phone, so she doesn't even notice a grown man cooing over the child.

Giggling to the baby, he lets him grab his finger and nibble on it. Tickling his cheeks and stuff, you know. Baby stuff. So when he takes off his hood to let the baby play with his necklace, the baby gets upset and starts to cry.

I think we would all cry if we saw a glowy yellow eyed man smiling at us like that with such unfarmiliar skin. You have to remember, babies only know what they're shown, and I doubt it's ever seen anything like this before.

Of course, it cries. And the crying alerts the mom. "Ooh shh, Steven, you're al- Ahh!! Who are you! Get away from my baby, you freak!"

Getting shooed away, he whines, unsure of what he did wrong. Was it bad to play with babies? His head said No.

"What is wrong with you!?"

"I-i... but.." he dosn't know what to say, tries to explain that he didn't do anything bad and that he was sorry but she dosn't seem to care about his words. This is New York afterall. Kids are stolen all the time here.

The yelling, of course, makes Logan think "Great some idiot made the baby cry," only to pause and wonder where Wade went. "OH SHIT that's MY idiot." He thinks and instantly becomes protective, growling as he gives in and throws the extra money at the tiller. Coming outside, he steps in front of Wade. Sure, Wade is a weirdo, but he wouldn't do anything to the baby. Right??

"What's your deal lady!?"

"He tried to take my son!!" She says, assuming the worst.

Logan gives a glance to Wade, who's already crying and shakes his head, unable to get any words out, but "I'm good!" Seeing as various times today, Logan has praised him for behaving. "You're being so good today, kid."

"No he didn't! Now take your ugly pup and get!"

A bit more of arguing, and she finally goes on her way, complaining about New York Weirdos.

After that, he starts asking Wade why he was touching a random baby and honestly just running his mouth that he knows better and shouldn't do that, etc.

Almost instantly, it stops, though, because he's already crying. He lets out this huge sigh. "Fine... Im sorry.. I know you like babies. How about I give you a baby. Would you like that?"

Logan doesn't mean it in the way Wade thinks, obviously, as his eyes widden, sniffling. "You're gonna give me a baby!?"

"Yeah, sure-"

"We're gonna have a baby!!!??"

"WAIT- No! Not like that!"

He squeals and excitedly flaps his hands, continuing to go on about how 'Mommy tried to give him a baby, but it didn't work'

Slapping his hand over his face, he's so embarrassed, blushing all the way down his neck and up his ears. He shakes his head and growls. "SHHH!!! That's not what I meant!! We can't even have a baby moron!" I mean, who wouldn't be embarrassed about their partner OPENLY talking about their past relations in public?

So- He does what every person does when their partner is obsessed with babies by can't have any.

He takes him to the thrift store to pick one out.

[talenlee]

Game Pile: Kentucky Route 0, One of Three Games About America

Script and Thumbnail below the fold!

Kentucky Route Zero is a magical realist point and click game of what I’d normally call Narrative Adventure, which came to kickstarter in 2011, then came out in 2013, 2014, 2016, and 2020, because you can’t have nothing for free, even things you pay for. The game is a text-driven game without any of the trappings of your typical point-and-clicker where you jam a ladder in your pants and try to work out why you want to put green dye in the water fountain. Instead it follows the haunted mind of Conway, a trucky driver and his interactions with small handful of people on a part of the Kentucky Interstate, while he to find the place he needs to do his delivery, despite being utterly lost.

I enjoyed what of Kentucky Route Zero I played, but the thing that stands out to me in hindsight is its sound design. It’s a beautifully defined game, audio-wise, with all sorts of thoughtful foley for its environments, and the way that even the pieces of the interface that Conway interacts with have their own sort of specific authentic sounds, chonks and thunks and ch-zzzzses.

It’s also visually splendid, beautiful in what it tries to represent in the heightened reality of its setting but also the format of a videogame. These places look good from the angle that’s chosen, creating lines of artwork and bars of cages, depending on what you’re focusing on, and by being a fixed-camera story of its type, Kentucky Route Zero takes on traits of theatre, with blocking and careful positioning and timing all making up part of how the story unfolds.

A story I haven’t finished.

See, I don’t feel like playing Kentucky Route Zero Act V.

Sit down, traveller. Let me tell you a story.

There’s a chance you’ve heard this story before. I’ve anonymised it here, not because I think you shouldn’t be able to work out who it is, but because the idea of focusing on the who runs the risk of ignoring the what. Plus, I don’t want to direct anyone to a person who said something stupid and encourage fights. That’s not the important issue.

This is the story of when someone perfectly represented something, and probably never realised it.

You will sometimes hear me talk about the take that ‘there are three games about America,’ with a tone of utter revulsion and derision. This is from an incident back in 2020, when a game developer and advocate for inclusive games, had an opinion, on the internet. This advocate is well-established and has a big audience, but also, he’s crucially, not a white guy, not a Christian guy, and not an American guy. These are factors that play into what he said, which was, in summary, that while Kentucky Route 0 was no doubt phenomenal, he wasn’t interested in playing it right now.

To this, an actual adult responded with:

This is legitimately the worst take you’ve ever had. There are only about three games that are actually American, and this is one of them. Everything else is designed for export. Kr0 is a precious and valuable thing. It is of immense and intense personal importance.

Now, resisting the urge to argue with a tweet, which is just generally a bad practice that leads to doing things like wanting to be on twitter, and setting aside this tweet conflating ‘this is of personal importance to me’ and ‘this should be of importance to you,’ this position describes the idea that there are only three games that are ‘actually American.’

What does it mean to be ‘actually American?’

America is a pretty pervasive presence, if you’re not aware of it. Most people in the world have to know about what’s going on in America. We know about your Presidents and your Senators and your Constitution, to the point where people can be more aware of how your country’s laws work than their own country’s laws. I’ve often seen it held up as an example of how poorly educated people in say, Canada and Australia are that we believe we have, say, a ‘first amendment right,’ but the thing is you have to ask why there is that.

We watch so much American TV.

We listen to American music.

We try to make our news broadcasts look like yours, because that’s what real and legitimate news looks like. We try to retell your stories in our local languages because that’s what real media looks like. Our children sing songs in your accents because that’s the culture that a multi-trillion dollar economy has pumped into the whole world.

America demands we attend their wars and surrender our living to become their dead and when we are done America sells the survivors a cheeseburger.

This is not a remarkable or controversial statement. You must know, this is not even vaguely challenging to know about. Everywhere in the world is replicating parts of the American empire, because America exports and enforces the vision of the American empire. McDonalds may sell curry in India, but it’s very important that the curry being sold is McDonalds curry because that is how you know it’s an American style curry.

What this means is when someone tries to assert there are only really three games about America, that’s a kind of specialised brain rot that requires you to consider games that are very much about America as not being really about America. And thus we see the other thing about America, which is it’s not enough for America to be the most important place in the world that everyone else in the world needs to recognise, but also, most of America is inadequately America for this vision of America. You saw this in the wake of 9/11, and the election of Barack Obama: huge amounts of American media resurged in extolling the values of ‘real’ America, as opposed to the parts of America where the vast majority of Americans lived, which just so happened to paint a lot of marginalised people living in the cities as ‘fake Americans.’

I am not bringing you unique information. This is just obviously true things if you don’t live within the boundaries of an environment that flatters you as the most normal thing in the world. The vast majority of the world is not America. There are eight billion people in the world, more or less, meaning that America is about 4% of the world, and yet, it is catastrophically, overwhelmingly, deleritously the common touchstone for how things are ‘supposed’ to work. This is through media imperialism, which is mostly supported by American companies exporting all their media to foreign markets extremely cheaply.

‘about three games that are actually American.’

This fascinating piece of doofusry still, even now leaves me agog. ‘Actually American.’ Kentucky Route 0 is actually American, you see, as opposed to… what? Is America’s Army one of them? You know, the game financed by the American Army? What about Call of Duty, a franchise that is in part subsidised by American military complex manufacturers? What about Grand Theft Auto, a videogame that tells the rags-to-riches story of American excess in criminality, setting aside the way it’s made by a Scottish company. Actually American, because American doesn’t mean America, it means one tiny little pool of ‘America’ where the speaker can imagine there’s a realness and an authenticity to the America-ness that doesn’t involve all the messy realities of what it is to be America. It’s the towns of hard-working people, that suffer under your particular description of oppression, whether that’s cities full of nonwhite people or corporations bleeding the country dry, always eliding the social cruelties and terribleness of these places, as if giving people money stops them from being bigoted (for example).

This is then used to recruit these poor, superior Americans, the you know, America Americans, whose sufferings are noble and whose authenticity cannot be impeached and they are then used as a defense against criticism of, you know, America. It’s the same speech Charlie Daniels gave about how foreigners may think they could push around Barack Obama (a dude who bombed a lot of shepherds with the most elaborate and brutal military ordinance in the world) but they were going to have a harder time taking on Americans who wrestled alligators, who at this point have exactly zero recorded drone strike kills.

This is because America America isn’t real.

‘Real’ America is a nebulous nothing that you can project whatever you want onto, and which is also not responsible for anything terrible that America does. It’s not the American Empire, it’s not the exporter of culture, it’s somehow purer, better, a sort of individualised folk who are to be protected and extolled, shriven of all the things about America that make it anything but its perfect idealised form of America.

I could go on.

I really could.

This is something that defines the world I have to live in. I speak English. I’m white. I’m from a coloniser state. I should be able to integrate easily and smoothly into the white supremacist capitalist hierarchy of American culture, but we are told, that no, we are not acceptable. We are only valid as long as our differences are invisible. We, a real people, do not get to have opinions on America, because we do not know True America. When you spell colour wrong in a chat message, when your accent isn’t quite right, when you don’t know the difference between junior and sophomore year of high school, then you are shown, you are evinced, and you are made very aware that you are other, you are outside, you are wrong.

And really, there’s no good reason for it. We send our soldiers to America’s wars, we buy America’s submarines, and we sing your songs. Our currency mimics America’s, our culture permeats with America’s, we even have such a crushing inferiority complex about the empire that there’s an academic term for what we feel about our own media compared to the media of the truer, proper empire to which we are vassal.

The term is ‘cultural cringe,’ and it was coined by Henry Lawson, who you, odds on, have never heard of. In 1894, he wrote:

The Australian writer, until he gets a “London hearing,” is only accepted as an imitator of some recognized English or American author; and, as soon as he shows signs of coming to the front, he is labelled “The Australian Southey,” “The Australian Burns,” or “The Australian Bret Harte,” and lately, “The Australian Kipling.” Thus no matter how original he may be, he is branded, at the very start, as a plagiarist, and by his own country, which thinks, no doubt, that it is paying him a compliment and encouraging him, while it is really doing him a cruel and an almost irreparable injury. But mark! As soon as the Southern writer goes “home” and gets some recognition in England, he is “So-and-So, the well-known Australian author whose work has attracted so much attention in London lately”; and we first hear of him by cable, even though he might have been writing at his best for ten years in Australia.

This is imperialism. This is a way in which we have been induced and brought by the empires around us to accept their ways as correct, as the normal, as default. And that is the mindset you must have if you want to look at the breadth of videogames, with their American ideas like health insurance, readily available guns, the importance of freedom, the ubiquity of air travel, the branding and iconography of types of food and the sports metaphors and then say ‘yeah, this doesn’t have anything to do with America, not really.’

Anyway, this thread, this incident, was a big deal at the time, in that there were a lot of people from within the community of game developers and journalists who seemed very happy to line up and get mad at a brown foreigner for being inadequately enthusiastic about the possibility of playing a videogame. But don’t worry, after a day or two, an apology was forthcoming for all of this fracas, by which I mean, the original developer apologised for being so thoughtless as to, again, express honest lack of enthusiasm in a videogame.

For me, this was a kind of break point, where I started just blocking indie devs on sight. I don’t want to know what they’re involved in, I don’t want to promote their work, and I will hold tiny grudges against them that I do not seek to transfer or encourage in others. This was one silly incident in which a lot of people said something silly because they don’t know better, or they’re arseholes.

None of this is fair to Kentucky Route 0. It’s a game with its own intentions and its own perspective. It’s not trying to make this conversation happen. Kentucky Route 0 has been choked and gripped by this position around it, where to talk about an American game, someone put a cross on it that made it the avatar for All Things America. The wild thing to me is that I had, prior to this point, played two episodes of Kentucky Route 0. I thought it was pretty good, and I liked what it did with the negative space of dialogue options – when a character you’re controlling makes excuses, the excuses you choose show you other things you could be making excuses about that you, the player, didn’t know beforehand. That’s some good Narrative Storytelling Design, I like that a lot. But now I can’t really engage with Kentucky Route Zero because the main thing it makes me think about is how this final chapter, meant to round out the game’s story and present a conclusion and a point, became this flashpoint for a lot of people to be very casually racist.

Which kinda poisons the whole thing for me. It’s an authentic thing, I’m sure, it’s a thoughtful thing, too, but the people stepping up to say I should care about it did so in a way that made me hate them.

Any time you see me say ‘three games about America’ I’m talking about this, and the attitude of a particular kind of American that America is, as always, exceptional. It’s real easy to not realise when you’re just voicing your self-centeredness and how easy that is to ignore the opinions of people around you and what they’re saying. This is what I’m talking about when I mention ‘the three games about America.’

[fade for credit text]

By the way, the three games about America are Crash Bandicoot, Sam & Max Hit The Road, and Bust A Move.

[half-oz-eddie]

I do not want to do discourse but I am quite tired so feel free to scroll past this or ignore it idc

First and foremost I do not care if other positivity projects exist. They can exist in unique ways for unique reasons. It's a beautiful thing. I'm sure people love what they do and they're doing it for fun. Personally? I love what I do. A normal amount. And I do it my own way. Kinley Café is my heartbeat and it's always been a project that I deeply enjoy and that I am passionate about. I ask for nothing in return except the chance to touch other people's lives and make them smile by sending out your orders.

I am so comforted by the amount of love and support I receive. It's motivating and has helped me through difficult times. I have been so distracted spreading joy that I've basically breezed through what is usually the most difficult month of my life.

And yet. And yet!! I have been reported as spam so the café does not come up in searches (it's limited/partially shadowbanned I guess you can say. I constantly worry that this affects people getting notified when they receive treats because I want them to know someone is thinking of them. But I have been communicating with Tumblr about it, so don't worry too much). I have received phishing links in DMs and on the order form. And more recently, a password protected blog that hasn't had any activity in 40 days receives nearly a dozen notifications out of the blue because of a months old post circulating as some sort of gotcha, and I find out someone is telling people that I copied an idea (from myself btw) and sent out anons trying to encourage people to call me out over...stealing my own idea?

And I don't wanna hear "they didn't know it was me" because nobody asked me shit! I didn't show anybody any disrespect. In fact, I was being supportive! I showed love! I took the time out to make something because I wanted to continue to encourage the spread the positivity.

And yet, people made accusations even though I was being kind? Do you want a trampoline since you like fucking jumping to conclusions?

KC has been open for FIVE weeks. And I've dealt with all this in a short period of time for absolutely no reason. I've been nothing but kind and supportive of others. I genuinely and sincerely try my best.

I don't wanna let this taint something beautiful or let anything discourage me from doing this again. But I swear to god.....this shit is getting really annoying and bringing out the worst in me. lmao why am I fighting for my life during this little hiatus? I'm dedicating my free time to creating things, and collaborating with others just to spread love and kindness. I don't want anything but peace and quiet.

What's next? Do I have to keep dealing with dumbassery? Or can I go back to sending out treats and going on about my fucking business? Because I do not have time for this. I do not want all this static!!!

I've turned off reblogs. If you want to talk to me privately that's fine but this has been a little overwhelming and I just wanted to get this off my chest.

[saphfix]

THE ART OF WINNING

01. WINNER’S MENTALITY

“WHEN YOU HEAR THE PHRASE WINNER’S MENTALITY, WHAT IS THE FIRST THING THAT COMES TO MIND?”

“Uh…” Anastasia nervously laughs, her mind shooting to one specific moment in her life. “Pretty much being told at sixteen years old that I wasn’t good enough, and never would be good enough.”

The interviewer nods, signaling for Anastasia to continue on. She shifts uncomfortably before clearing her throat to continue.

“Getting invited to USA Basketball was my dream come true. For a young basketball player—even for older basketball players—it feels like a rite of passage, a message to yourself that you’ve made it.”

Anastasia fiddles with her hands, the memory flooding back to her. “And that was the case for me, except, it didn’t take very long at all for it to end up becoming my worst nightmare instead.”

MAY 25TH, 2017

OLYMPIC TRAINING CENTER

COLORADO SPRINGS, COLORADO

The first day jitters were not wearing off. All day long they’ve seemed to have only gotten worse. It amazed Anastasia how people could connect with one another so easily.

One person in specific, Paige Bueckers, had everyone’s attention. The girl was already a well-known name, and was as close as a 15 year old could be to a professional.

But what really intrigued Anastasia about her was her charisma. How she managed to form friendships with some of the other girls who were also trying out in just a span of hours.

It took Anastasia years to connect with her highschool teammates back home, and she still isn’t nearly as close to any of them as they are with each other.

She watched on alone in the corner of the cafeteria, sliding her food around her plate in circles. Paige on the other hand, somehow had a full table of girls surrounding her, every single one of them laughing and reacting to whatever show she was currently putting on.

It was never that easy for Anastasia, and she fears it never will be.

When practice resumed, she instantly felt much better. That’s the beauty of a basketball court, when you’re on it everyone is the same, at least to a certain extent. It’s safe to say there are levels to it all, just like everything else in this world. Some people turn into an entirely different person when they step onto the laminated wood, but Anastasia doesn’t have that switch. It’s the thing that sets her apart from everyone else.

She’s static, always the same.

After returning to the bench for a group rotation, Anastasia was quick to notice the body language of the girl seated next to her. As soon as she sat down, the girl slightly turned away, as if Anastasia disgusted her or something.

Anastasia ignored it, wondering if she was thinking too much of it. That is until she realizes the girl seemed to be itching to tell her something.

“Do you have something to say—”

Almost immediately the girl cuts her off. “You’re too tense.” She says.

“Too tense?” Anastasia responds, taken aback. She screws the lid to her water bottle closed before setting it down. “What’s that supposed to mean?”

The girl never once looks in Anastasia’s direction, her eyes glued to the court. “When you’re bringing the ball up, you’re too tense, that’s why your shots not falling. You’re also not releasing them quick enough given your power is unbalanced throughout your whole body.”

Anastasia stares in disbelief. Her audacity is mind blowing.

“It should be effortless, a more fluid motion.” She continues on. “You should use more of the strength in your legs because right now, you look like you have a stick up your ass.”

“Excuse me?” Anastasia finally asks. It was almost scary how she was saying all of this with a straight face. She really meant every word leaving her lips, leaving Anastasia feeling more insecure than ever.

The whistle blows, meaning the next group was being rotated in. The girl stands to her feet, finally looking in Anastasia’s direction. “Just watch.”

And though Anastasia is still fuming with all the words she was ready to say looming around her mind, she watches. She watches as the large 223 painted across the brunettes practice jersey fades further away onto the court.

As soon as she gets ahold of the ball, she handles it like it’s not even there in her hands. She’s careless, almost too careless. You can tell by her stance, her gait, that confidence radiates off of her when she’s on the court.

She has the switch.

It almost feels like a slap in the face when she effortlessly pulls left and chucks up a 3 pointer at least five feet behind the arc, leaving her defender diving in an attempt to block. However, she comes up short, leaving Anastasia to watch in both awe and despair as it rattles in. The whistle blows faster than ever before, leaving some of the girls on the court and even some of the coaches jaw dropped.

She just ended a play in seconds without the ball ever entering anyone else’s hands.

Later that night, Anastasia found herself FaceTiming her parents, telling them about what she had seen earlier today. I mean, it was unforgettable.

In all honesty, it made her a little scared. These girls were all so good. She was starting to feel like maybe she was in over her head. That maybe making the team was just an unachievable and unrealistic dream.

“Honey, if you didn’t deserve to be there, you wouldn’t be.” Her dad comforts, the empathetic smile evident on his face.

He was always so understanding, so supportive. A far different approach from her mother, who always manages to crash the moment.

“You can’t just always live in fear.” Her mom routinely chirps up. Right on time. She always has something to counter what her father says. "Comparison kills." Her mother adds on.

“I don’t—" Anastasia begins, but sighs. As much as she hated to admit it to herself, she knew her mom was right. She wasn't going to admit it out loud though. "It’s not living in fear or comparison to acknowledge the fact that some of these girls are better than me."

“And who says they’re better?” Her mom asks.

Anastasia chews on the inside of her cheek, staying silent. She has a point.

Her dad sighs before deciding to weigh in again. “You made it to next round with the rest of them meaning you’re just as good as they are, don’t forget that.”

Anastasia nods, her mind going back to the memory of what happened earlier. The way the girl’s eyes locked onto hers as she walked off the court, leaving Anastasia unsure if she was taunting her, or simply making sure she saw what she wanted her to see.

“Well, we love you Stas, You should get some rest." Her dad says.

“Yeah, I probably should. Love you guys too.” She says before hanging up.

MAY 26TH, 2017

58. Out of the 133 girls here yesterday, 58 remain. More than half of them were cut, leaving Anastasia feeling a little better about being invited back for day two.

Caitlin. Caitlin Clark was her name. Anastasia had finally figured it out after hearing it what felt like a million times today.

They’d been playing 5x5 all morning long, having gone through at least hundreds of different group combinations. During their break, Coach had conjured up a list of 12 assigned groups, each having what she felt was the best fit for all position combinations together.

Paige was assigned the PG for group one, Caitlin for group two, Anastasia for group three, and so on and so forth. Given there were 58 of them, each team needing five players, they were just barely short.

“We’re two short.” Coach informs everyone. “Groups 11 and 12 both need a shooting guard, any volunteers want to make this decision easy on your poor coach here?”

At first, no one says anything, everyone looking around at one another. The bystander effect was in full action.

“Don’t all jump at the opportunity at once.” Coach mumbles jokingly.

Anastasia studies both groups left, wondering if she should do it. Her mom’s words began echoing around her head. You can’t just always live in fear.

“I’ll do it.” Caitlin volunteers. Everyone now looks at Caitlin, some whispering picking up around the room.

“Shooting guard.” Coach reiterates. Caitlin shrugs, her face stoic as if she doesn’t care one bit about the minor difference in position. “Well alright.” Coach says, impressed.

“I’ll do it too.” Paige and Anastasia say at the same time. Anastasia looks over at her before stepping forward further. “I’ll do it.” She says again.

Paige throws her hands up concedingly. “Ight, you got it.”

Coach claps, satisfied at the resolved issue. “Perfect. Groups one and two are going first. Winners and losers bracket, you all should know the ropes.”

The groups dismantle, groups one and two staying on the court, the rest heading to the bleachers. Anastasia begins on her way after everyone else, before she notices footsteps following behind her.

“Why did you do that?” Caitlin asks.

“Why did I do what?” Anastasia asks continuing to walk towards the bleachers.

Caitlin grabs onto her arm, pulling her to face her. “Why did you volunteer?”

Anastasia looks down at Caitlin’s hand before snatching her arm away. “Someone had to.”

“Paige tried, you should’ve let her.”

“And why’s that?” Anastasia asks, crossing her arms over her chest.

“I don’t know what you think you’re doing, but just stay out of my way.” Caitlin threatens.

“Or what?” Anastasia asks without hesitation. Caitlin almost looks taken aback by the response. Almost. “Or what?” Anastasia repeats.

“Caitlin, come on!” Coach calls from the court.

Caitlin stares her down, before slowly turning away, lightly jogging back to the court.

What the fuck was her problem?

Anastasia finds a lone seat on the bleachers, making it her own personal mission to study every inch of Caitlin’s gameplay possible. More specifically, what she was best at, and what she was worst at.

It didn't take much time for Anastasia to pinpoint her fatal flaw. Defense. The girl couldn't play defense if her life depended on it. Actually, it wasn't that she couldn't, it was like she just didn't want to. She looked miserable whenever she didn't have the ball and it showed. Bingo.

Anastasia notes that to herself, while also making sure to study her shooting and passing patterns, which seems to be her strong suit. She will make sure she goes against Caitlin in the final match, whether it be in the winners bracket or the losers bracket. Hell, maybe even both.

Caitlin's group manages the win over Paige's group thanks to some lucky out of this world pass Caitlin managed to just barely get inside to her post player.

"Alright groups three and four next!" Coach yells out from the whiteboard while writing group one into the losers bracket and group two into the winners.

Anastasia stands up, walking her way down the bleachers. She comes into earshot of Caitlin and Paige's conversation as she walks by.

"Damn." Paige curses once they're off the court, Caitlin giving her a gentle pat to the shoulder.

"Better luck next time." Caitlin laughs. "I bet you'll kill 'em over in the losers bracket though."

Anastasia wonders what magic Paige is really working with to get into Caitlin's good graces.

Maybe Anastasia was the problem.

Anastasia meets up with her group, and they quickly go over a few potential game plans. She can still hear Caitlin and Paige's conversation continuing on behind her, their laughter and banter a little more distracting than she'd wish it to be.

Once her team decides that they've got down few good plays, they head towards the court.

"Hey, you!" Paige calls out. Anastasia contemplates turning around but doesn't, figuring there's no chance she was talking to her. "Number 120!" Paige yells out again, Anastasia freezing in her tracks. She double checks her jersey number before slowly turning around.

"You better win so you can avenge me." Paige smiles.

Caitlin shoves Paige halfheartedly, letting out a laugh. She doesn't say it very loud, but Anastasia is fairly good at reading lips, and she swears Caitlin says, "No chance."

"I got you." Anastasia yells back to Paige, Caitlin's smile immediately wiping off her face.

She was going to destroy Caitlin Clark.

“HUMILITY, CAITLIN, IT’S SOMETHING YOU FOUND HARD TO LEARN EARLY ON IN YOUR LIFE. WHAT IMPORTANCE DOES IT HOLD NOW, AND LOOKING BACK, DO YOU WISH YOU HAD MORE OF IT THEN?”

“I’ve always had humility.” Caitlin defends. “I was young, yeah. Naive, sure. A nuisance, possibly…but I was never not humble.”

“What about USA basketball, were you an asshole then?” The reporter asks.

Caitlin furrows her eyebrows, sitting up even straighter in her chair. “Asshole? What makes you ask that?”

“No reason at all, that’s just a very important staple to your story.” The reporter half lies. “Tell us about your experience there.”

“It was great.” Caitlin lies.

The reporter shakes her head, not satisfied with the answer. “The truth.”

Caitlin sighs. “It’s one of my most regretted experiences in my life, is that what you want to hear?”

MAY 26TH, 2017

Caitlin Clark felt murderous. Anastasia’s team had won, moving them further in the bracket as well. She couldn’t believe Anastasia thinks she can beat her. It was all Caitlin could think about as she watches Anastasia sit at the bottom of the bleachers all alone.

Why wasn’t she attempting to connect with anyone around her?

Paige smacks Caitlin’s shoulder. “Yo, stop staring.”

“I’m not staring.” Caitlin lies. She turns around to face Paige, who was sitting awfully close to another player, Azzi. “Do you think she’s good?” Caitlin asks.

“Well she’s here, isn’t she?” Azzi answers sarcastically.

Caitlin rolls her eyes. “You know what I meant.”

“Come on, ask what you really wanna ask.” Paige says.

“What?” Caitlin asks.

“You wanna know if we think she’s better than you.” Paige laughs.

“No.” Caitlin scoffs. “I know she’s not better than me.”

“Geez, cocky much?” Azzi asks.

“Whatever.” Caitlin’s eyes find Anastasia again, who was now stretching her arms over her head. “Why do you think she’s not talking to anyone?”

“If you wanna talk to her just say that.” Paige teases, kneeing Caitlin in the back. “Want me to call her over?”

“No—”

“What’s her name?” Paige asks Azzi, ignoring Caitlin’s pleads.

“Stop don’t—” Caitlin interjects, just to be ignored again.

Azzi smirks before cupping her hands over her mouth. “Anastasia!”

Anastasia turns around and Caitlin glares at Azzi. “Why the fuck would you do that?” Caitlin asks.

Azzi waves her over and Anastasia stands, slowly making her way over. “Because now you can talk to her!” Azzi smiles.

“I hate you.” Caitlin mutters.

“I hate you more.” Azzi replies.

“Yes?” Anastasia questions slowly once she finally reaches the three of them, a confused looks on her face.

“Sit with us!” Azzi pats the spot in front of her with her foot.

Anastasia looks at the spot, then looks at Caitlin who’s in the spot right next to it. Caitlin avoids her gaze, looking back at the court.

“Okay, I guess.” Anastasia agrees, brushing past Caitlin.

“Where you from?” Paige asks, sitting up to start the conversation.

“Michigan.”

“Oh shit no way!” Paige gawks. “Michigan is sick.”

“Have you ever even been to Michigan?” Azzi laughs.

“Man!” Paige sucks her teeth. “Now you know I live right next door to Michigan, of course I’ve been!”

“What about you guys?” Anastasia asks.

“Virginia.” Azzi answers.

“Minnesota.” Paige says with a fake midwestern accent.

Anastasia nods, letting out a small laugh. “Cool.” She glances over at Caitlin, who once again pretends she doesn’t notice. “What about you?”

“Iowa.” Caitlin deadpans.

“Iowa…that’s a first.” Anastasia says, getting a laugh out of Paige and Azzi.

“Yeah, I’m one of a kind.” Caitlin says.

“Cocky.” Azzi mutters under her breath.

“Corny.” Paige whispers at the same time. The whistle blows, and the four of them look back to the court simultaneously. “Damn group nine won?” Paige asks.

“That’s a shocker.” Azzi says.

“Not really.” Caitlin counters. “Great offense trumps anything.”

“Of course you think that.” Anastasia criticizes, standing to her feet.

“Damn Caitlin, you gon take that?” Paige instigates, receiving a smack to the shoulder from Azzi.

“Stop trying to start shit!”

Caitlin stands to her feet, sizing up Anastasia. “Nah, I’m not gonna take that, I’m just gonna let my work on the court do the talking.”

“Famous last words.” Anastasia says, pushing past Caitlin. “You’ve never come across good D like this.”

“Yo pause!” Paige laughs, receiving another smack from Azzi.

“Stop being a freak!”

“If you think you’re taking both of your teams past quarterfinals, you’re delusional.” Caitlin says from behind Anastasia.

“Do you always speak before you think?” Anastasia asks continuing on her way down the bleachers.

“I speak and think at the same time, it’s called multitasking.”

“Right.” Anastasia laughs. Once she reaches the bottom of the bleachers she turns to face Caitlin, who was still coming down. She blocks her from exiting the last step, offering her a smile. “No matter what happens out there, I want you to remember that you’re a great player.”

“What is this, reverse psychology?” Caitlin laughs, attempting to get around Anastasia.

Anastasia steps infront of her again, keeping her position. “No, it’s good sportsmanship, ever heard of it?”

“Move.” Caitlin demands.

“Good luck out there.” Anastasia says, offering Caitlin a hand. Caitlin looks down at it before pushing past her, continuing onto the court. “Hey!” Anastasia shouts up to Paige who looks down. “This is for you.”

‘THE ART OF WINNING’ MASTERLIST

[thecoolerliauditore]

Pls tell me about Scott's views on women in general pls I'm begging you

o7 and I'm sorry

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

fyi, the post itself isn't NSFW, but I'll be getting all gender theory in this bitch so I'll be referencing a lot of things and putting in pictures of naked ppl sometimes. maybe skip this one if you don't like that

(long post)

Disclaimers

An explanation for the tweet up there

I usually don't write these because I assume the people on my blog have enough sense to realise when I'm talking about the characters vs the CCs or are comfortable enough being a little confused, but I feel the need to extra-clarify here and expand on how I specifically view C vs CC because I think it differs a little from the average person.

To me, C and CC are two separate entities but not entirely disconnected. What differs (e.g. the exclusion of irl relationships -- their wives, kids, etc.) is poignant enough to severely detach them from the people they originated from, at least in my eyes, but there's also the fact that these are not scripted characters, just creators being themselves with a hint of behind the scenes drama-adding and improv thrown in.

For example, CC Pearl is a car nerd. So I assume her character is too.

This is where I state very clearly that yes, a lot of these thoughts come from things I've seen on Scott's twitter, which is undoubtedly the CC and not the C. However I, to me, am still talking about the C because any observations/judgments I could make on actual irl youtuber CC guy Scott Major would be tabloid at best and slightly invasive at worst. I'm seeing these statements within the context of "the death game guy would say this too and I'm writing this based on that", not "this is the inner psychological workings of the youtuber because I, as a fan, can totally tell".

TLDR I don't consider this post RPF but you might. This is a little more RPF-y than my usual stuff. If you don't rock with it we cool.

Everyone is weird about women, and that's okay

One short-hand I've used in the past to talk about Scott and women is just by saying that he's "weird about women" which I'm sure isn't exclusive to him.

(shitpost I made awhile back)

I see a lot of people now who love "villains" and "evil" but when it comes to any traits resembling real life evil (e.g. misogyny in this case) they suddenly become insecure. Just a couple of days back a saw a post on twitter essentially asking for permission to continue liking CC Scott in spite of the "bad things" he did.

And I think, in order to present an analysis like this, I must address that mindset first.

This is not a judgment on Scott's morality, nor is it trying to dissuade you from liking him. This is not saying that he is any more misogynistic than any other player in the series. This is just me pointing out Scott's attitude towards women and what I read it as, nothing less or more.

The feelings that me pointing these things out - be they apathy, disgust, anger or, what I would hope to see most, interest - are your own. I'm not here to tell anyone how to feel and never will try to police that on my blog.

Scott's Relationships with Women

aka. oh yeah this is about minecraft.

Scott and Cleo || "Yeah, you can kill me."

Scott and Cleo's alliance is arguably the strongest in the entire series, spanning through all five seasons and remaining unbroken with no (serious) drama attached. You'd expect from this that they two have a very settled and stable understanding of eachother, yet this isn't a case.

Their power dynamic shifts dramatically from one season to the next.

3L's initial Widows Alliance began on fairly equal footing, built on the mutual agreement that they were waiting for their respective partners to die. Both understood they were eachothers' "plan B" and felt comfortable in that arrangement.

Come LL, Cleo does what she couldn't in 3L, and initiates that plan, going to Scott after her last alliance, the fairy fort, fell apart. Scott requests nothing from her in return.

DL is the longest the two spent as eachothers main ally. Cleo is the one who initially proposes teaming up to spite their "cheating" soulmates and Scott agrees. Cleo admits to Martyn in private that she's aware she's taking advantage of Scott (which I've always interpreted as her talking about all seasons, not just DL). Due to the time they spend together, it's here where it becomes apparent that their initial assumptions during 3L were not entirely accurate, as Scott shows a level of gameplay competency much higher than Cleo's (e.g. teaching her how to axe-crit) but despite this Scott never berates her or thinks any less of her value as his ally.

LimL is probably this pairing at their most unhinged, as Scott, despite once again asking for nothing (or very little -- I'll be honest I'm a bit fuzzy on this) in return from Cleo, allows them and their allies to butcher him repeatedly for time. He gives more time to the Clockers than he does to Martyn, his closest ally that season. Despite this, Scott is never ever considered as a "family member" by the Clockers, despite them giving that title to even temporary allies (like the Bad Boys being their cousins) -- even Martyn gets a title with Scott completely unattached.

SL is relatively more chill, but shows that the two inevitably end up teaming together even despite their oath to avoid eachother that season.

The point being -- again and again, we see Scott literally and metaphorically making sacrifices for Cleo, with the only real transaction he requires from her being that she continues having his back when times get rough. This is despite that he's aware she isn't any more capable than he is and the fact that so far it has only been Cleo in rough times (LL, LimL and SL) and never Scott.

Speaking from a purely transactional perspective, Scott is not getting a bargain here -- and even Cleo seems acutely aware of it, judging by her comment during DL as well as the way she tends to speak of her survival capabilities very lowly in general ("rubbish pvp skills and spiffy one-liners"). I'm speaking in this sense because I've seen discussions in the past about the transactional way Scott views relationships but rarely does Cleo get brought up.

This is at stark contrast to how he treats Jimmy, whose predicted death was what spurred on Scott and Cleo's alliance in the first place.

Scott assumes Jimmy is "incompetent", where he assumes Cleo is capable. When Jimmy messes up, he reprimands him, when Cleo struggles to crit him, he patiently teaches her. When LL begins, Scott's first instinct was to look at Jimmy's lives and note that he was "useless to (him)", but holds no objections to Cleo joining his alliance despite her already having enemies being a potential liability. In SL, he jokes about how Cleo and him being allied is a given and pretty much expected of them, whereas in LimL he explicitly requests from Jimmy a recognition that he still cares ("say love you back!") before he will help him.

Scott and Gem || "You HAVE TO kill me, Gem,"

In SL, Gem settles in very easily in a leadership position within Gem and the Scotts due to her trying to live up to her reputation but also due to Scott and Impulse's more laid back, passive playstyles.

Both Scott and Impulse let Gem kill them for extra health this season, although Scott is arguably much more subservient than Impulse is, with him not only insisting that she kill him in the final episode but also not fighting back (and only yelling for her to stop) when she starts hitting him with a sword during the episode where her task was to literally kill everyone on the server.

Once again comparing her to Jimmy, Scott in 3L had a tendency to brush aside Jimmy's concerns over alliances (e.g. Jimmy questioning if they could trust Cleo) while in SL Scott runs his plans by Gem (and Pearl and Impulse) in terms of who he wanted to team up with (specifically excluding Joel from the potential mounders alliance) implying he held her opinion in some form of regard.

Before this becomes less of an analysis of Scott's treatment of men vs women and more of Scott's treatment of Jimmy vs everyone else, I think it's notable enough to mention that he and Martyn also lacked this sort of communication in LimL. He would inform Martyn of his plans, but rarely was it ever framed as a request.

SL almost feels as if Scott has slid Gem into the slot he had previously designated for Cleo in 3L (his girlboss ally) as he provides her and pretty much forces onto her by the end the acts of service he'd become accustomed to performing for Cleo.

Scott and Lizzie || "You killed her! I don't.. I don't know what to even say!"

Relatively shorter section because this is the one woman he hasn't teamed with, but there's still some interesting stuff I wanted to touch on.

In LL, one of the first thing Scott does is yell at Pearl to revenge-kill Joel for boogey-killing him. Pearl does as she's told and Joel's wet miserable pathetic LL life gets worse from there.

Several episodes later, the roles are reversed -- Lizzie lies to both of them and manages to isolate and boogey-kill Pearl. Scott, instead of reacting with the anger he had for Joel, is almost in a state of shock as he asks Lizzie to let him down so he could collect Pearl's belongings. He doesn't act aggressively towards Lizzie at all, with his most antagonizing act against her being to lie about his intentions when giving her a wither skull.

In SL, he's the only one aware of her early permadeath, but keeps quiet about it almost as if he's in a state of shock akin to when he saw Lizzie kill Pearl in LL. It's not until the others have noticed when he finally brings it up.

Scott and Pearl || "Tilly death do us 'part"

I wrote a whole post just for their relationship alone so for the sake of my sanity I'll be leaving this here.

So now I get to dedicate this section to the meat of this post -- how the way Scott treats women in general impacts his relationship with Pearl and how I view his heel-turn on her as seeping with relevance to Pearl's perceived gender.

In all three of the previous sections, the running theme is that Scott is 1. kinder and more patient with women, regardless of their competency and 2. someone who likes to be in a supporting role to women, occasionally aiding them more than he aids himself and his closer male allies (e.g. Jimmy and Martyn). As shown with Cleo, he assumes that girls have it together, but even if they don't it's not a big deal. When a girl's actions are truly disastrous, such as with Lizzie's, he goes into a state of shock and doesn't really react, preferring to swallow it down and not acknowledge it.

With the amount of times he sacrifices himself, I don't think it's a reach to say that Scott values his own life less than he values the lives of his (female) allies. This specific point actually does extend to his male allies too, shown when he's happy when Martyn literally backstabs him in LimL, but just as with the Martyn post where I point out his victim status-ing doesn't end at only women but includes all the women, Scott has pedastal-ed all the women he's teamed with.

Lizzie is, once again, the exception here due to his limited interactions with her. However that's actually somewhat patched over if you look at adjacent series (such as x-life) where he definitely shows her a level of admiration and respect.

Back to Scott and Pearl.

Their relationship during LL is very standard of how Scott treats women. While the power dynamic between them is obviously more caused by the initial life trade agreement, I don't think it's a far reach to say that Scott is somewhat comfortable in the arrangement.

However, this is also the first thing that sets their relationship apart from Scott with Cleo or Gem -- Pearl is the one making sacrifices, not Scott. She is the one "sacrificing" her lives to him, just in a more non-violent way as allowed by the season's mechanics.

When viewed through this lens, Scott trying to make it up to her and wanting his effort acknowledged makes even more sense. This is suddenly uncharted waters for him. His assuming that Pearl doesn't value him as a person goes hand in hand with him valuing himself less than her.

What Scott has with Cleo or Gem, situations where the other party is clearly uncomfortable with how he treats himself (Gem) or actively aware they are taking advantage of him (Cleo), is equalized to him because he is inherently worth less. What he has with Pearl, on the other hand, looks more equal to most people (lives vs labour) but is wildly imbalanced to him.

It's one of the many factors I see going into Scott's weird decision to abandon her in DL.

An Interlude, Before We Get to DL

La Pieta, Michelangelo

So this has been a lot of words so far and some of you might be wondering at this point: why say Scott is "weird" about women when so far this has been describing how he values women more, is kinder to them, is more patient with them, etc.? How is any of this behaviour remotely misogynistic?

And I would feel horrible if I forced you to read through all of my DL thoughts before I clarified this -- Scott is not your classic wifebeater "women are lesser" misogynist, Scott is someone who subscribes to misogynistic schools of thought and probably considers himself an ally to women, when in reality his beliefs are still rooted in dehumanizing them and these beliefs end up harming the women around him as well as himself.

After all, seeing women are your superiors is still not seeing them as your equals.

I know it's a bit of a meme on this blog at this point. But. Sigmund Freud identified what we know refer to as the "madonna/whore complex", which he described as a pattern of behaviour in men who separated women into being madonnas (pure, holy and admirable) and whores (debased, sexual, deviant). We'll be focusing on the former, the madonna, as it is more relevant to Scott's character.

Freud proposed that the madonna figure was something men projected onto women as a replacement for maternal love. These women are sacred and untouchable, literally as the projection of the maternal role onto them also makes it so that the sufferer cannot feel any sexual attraction towards her (keep this in mind for later).

Scott projects the madonna figure onto his female compatriots -- they are to be protected, served and supported. They are goddesses, queens, but they are never human. The madonna role in of itself is not inherently harmful to the woman, as seen with Cleo who takes control and advantage of it. However, it is enforced, as seen with Gem who at first revels in the superiority but almost breaks down when Scott offers him up as her sacrificial lamb one last time.

I linked this Utena AMV awhile back when vaguely talking about Scott and women, and this was the point I was alluding to.

Girls are beautiful and pure. They don't spit on the street, they don't piss on the street, they don't build hierarchies -- they subvert all the expectations of masculinity that I hate having to deal with. They are my escape.

But what about the girls who do spit on the street? The girls who piss on seats? Who build social hierarchies, who size up their competition?

The girls Scott interacts with are all painfully human. Cleo weaponizes his beliefs and take advantage of him. Scott is smart enough to know and accept this. Gem's playing into a role she has been assigned into by not only Scott but everyone around her. Scott supports the character she plays. Lizzie reflects traits he hates in Joel and Jimmy, but for her, he looks the other way.

Are they "demons", as the song says, or are they no longer girls at all?

(demons, gods, but never humans)

Weaponized Femininity and Women In Total Control of Themselves ;)

Hylas and the Nymphs, John William Waterhouse

Historically, weaponized femininity I'd argue is one of the oldest tropes in storytelling. Whether it's nymphs or sirens or witches or succubi or even more roundabout cases like Helen of Troy, there's countless stories of men's sexual attraction to women leading them to disaster.

One way to view these stories is to see them as warnings, don't let womens allure be the end of you.

There's a lot of good writing done on the femme fatale trope both in the context of weaponizing femininity and as a sexist way to argue against victims of sexual assault, as these stories often say that men who experience attraction to these "evil" women no longer have agency over their own actions.

Look at the painting above, for example - is it the nymphs who are responsible for drowning Hylas, or is Hylas climbing into the lake of his own accord?

Despite the fact we all know sirens, nymphs and succubi aren't real, the belief that men will simply lose control of themselves when encountering a particularly alluring woman persists to the modern consciousness. That there's something inherently dangerous about women and attraction to them.

(this is not 100% applicable to Ninja saying he won't stream with women, but it's the real life example I felt most comfortable putting in here)

Now, let's combine this with what's been said so far -- let's say you don't hate women. You love women, in fact, and you hate the way men treat women. You hate men, in fact.

Yet, you still believe in this inherent power women hold by being female and the loss of agency that men experience when attracted to them -- how disgusting.

It quickly becomes easily to not only demonize men for sullying the holiness of women, but also men, masculinity and attraction to women as a whole.

(apologies for using twt discourse in the meta post but this flew by my TL and i had to grab the irl example of mens non-violent attraction to women being used to frame them as misogynistic before the stupid app refreshed and i lose everything forever)

"To Venner" is a student film exploring a world set within this belief, where all the women have vanished and the men have become monstrous figures as a result of their pent up sexual frustration. fyi this is one of my favourite student films (and ive watched a bunch), but I do think its messaging is worth breaking down (especially its juxtaposition of dirty horrible monstrous sexuality vs pure and beautiful romantic love)

NOTE: this film is super graphic, lots of violence and nudity. have fun. or not

I admit this section is a bit hard to gauge as everyone in the series is gay as fuck. The closest in-series example I can think of is Scott reacting to Martyn's antics in DL with a sort of indigence but otherwise I can't really think of an example of a man expressing attraction to a woman at all, let alone one Scott reacted to. However, I do think it's still worth talking about because it opens up some interesting trains of thought in regard to Scott and Pearl.

For Scott, he himself has never been part of the picture. He's gay, after all, which gives him an edge over the bad straight men who objectify and assault women. Likewise, there's little evidence to suggest he finds the expectations of masculinity frustrating, but I don't think it's too far a reach considering how common of an experience that is for gay men and his adapting of more feminine mannerisms.

Double Life and Corruption

As mentioned in my previously linked post about Scott and Pearl's relationship, I do think Scott experiences what he would name as attraction towards Pearl, so my writing will reflect that.

Pearl is. ahem. not like other girls.

Not actually. But to Scott, she probably isn't like other girls.

She remains unaware of his different standards for her (how could she when she had nothing to compare them to), she acts out, sometimes violently, against Scott's urging (such as when she stole from Scar's wagon). She maintains their already irregular dynamic, and while she appreciates his care for her, she never quite falls into seeing him as a source of subservience the way Cleo or Gem do.

At the end of LL, right before the 1v1v1v1, she monologues to herself that she no longer has to feel bad for killing Scott. Which, in turn, implies she expected Scott to give it his all against her as well.

She entirely fails to embody the madonna with her immature naivete and her questionable morals. She is unpredictable, she doesn't take what she is owed, she is a monster in a lot of ways.

Scott, too, is a monster, to himself, for how he feels about her.

The very foundations of your understanding of yourself being ripped apart aside, let's rewind to the madonna/whore complex. To sexualise the madonna is to corrupt her and make a monster of yourself. Suddenly, you are no better than the men around you, the ones you've grown to hate. Suddenly, you are the grotesque figures in films like To Venner. You are Hylas and she is the nymph. And you are so stupid. Your worldview crumbles around its flawed foundations.

Scott is, however, immune to this corruption. This is a theme that appears in Empires as well, but throughout the traffic series he's prided himself on being loyal and kind and good. His monologue leading up to LL's 1v1v1v1 summarizes it quite well.

He can't let himself or anyone else see this side of him, but the energy needs to go somewhere. To defy fate, abandon your soulmate, is to admit you had a fate in the first place, is to acknowledge that she was your soulmate in the first place.

I've previously talked about how fate and romance are very ingrained in Scott's belief system, if it was anyone else it would've been amazing. He could've been like Bdubs and Impulse or Ren and Bigb, diving into domestic life and performative romance with a stranger. Or the world could've made his happy ending from 3L real, as he got to be Jimmy's husband all over again. I think it says something that he accepts Cleo as a "soulmate" before Pearl.

So what do you do with all that energy and tension, clearly apparent to yourself and everyone else, when you can't let them observe your feelings?

You project them.

Shout-outs to @/legally-allowed-to-slime for pointing out Pearl's comment early on in DL that she "feels like (she's) been broken up with" confirms she never saw Scott in a romantic sense. The "crazy ex-girlfriend" and "this is why I'm gay" comments really did come out of thin air, or perhaps insecurity.

Pearl is the crazy one. She's insane, because she wants me. She wants to be with me, so she does all this crazy stuff. She's lost control of herself because she wants me. She's disgusting.

I mentioned before that Scott is not your classic misogynist, but this is where the gears start turning. Scott's views of Pearl echo that of other players, most prominently Ren and Martyn, that Pearl has been overcome with some sort of corruption. She has become the witch, the demoness, the whore, in their eyes. Scott does not want to be the same as these men and I think his overcorrecting his behaviour in SL makes sense when you view it from this angle, but for now he has to rely on more traditional misogyny in order to navigate this new obstacle.

"Corruption" also implies that she had to have been pure (or at least pure-er) beforehand, something Scott personally knows is not true, but it falls in line with defaulting women to being "madonnas".

This is a Scott post but. shout outs to Ren for being all of this about Pearl but without the complexity of Scott like he literally accuses Pearl of seducing Bigb what the fuck man.

Pearl is, of course, none of that. But she plays into the role of being the witch much better than she fared playing into the role of the madonna.

Sidenote: I know I'm looking at this from a Scott/Pearl POV but I do feel like you can omit Scott's attraction if you look at it from a purely "pearl not performing to standards of femininity I expect and she makes me realise I don't view women as a whole as human which makes me feel weird so now we have to do this" POV. Like idk I think the exact reason he abandoned Pearl is going to be lost on everyone forever so any analysis I could perform is going to suffer at least a little bit of making-shit-up-itis.

I do also think there's something to be said about Pearl being pushed until she performed a role, any role and generally failing at Being A Girl tm but that's another post i think. yknow shes um. a bit. 🏳️‍⚧️ (but also very much not at the same time idk that's gonna need its own post)

anyway yeah uh the minecraft movie looks crazy huh

[jacarandaaaas]

What you hate about each Encanto character and what you love about each Encanto character?

oh this is such a fun ask! a hard question as I love all the madrigals and the fact they’re so flawed makes them more fun to follow!

alma: i love her commitment, how she vowed to protect all these people even sacrificing her own needs to provide for others, how she promised these people a place of refudge and was always there to provide.

dislike: An obvious one here but I dislike how controlling alma can be, how her need for perfection can blind her and lead her to disregarding her own families feelings as well as her own! Her generally dismissing a lot of the problems of her family like telling pepa to control her emotions or not realizing how hurtful her comments are to mirabel.

pepa: i love how emotional she is! when pepa loves she loves with her entire heart she pours her all into every interaction and she wears her heart on her sleeve! she’s so compassionate! pepa truly is an open book and I love her for it!

dislike: i would probably say how she can get irrational very quickly and cause situations to elevate fast! Although I really can’t blame her for this based on the circumstances!

julieta: i always describe julieta as warm and i feel like no other word can capture her comforting nature and gentleness. I just love her warmth and her soothing energy!

dislike: I would say how she tends to coddle mirabel a lot. I know it comes from a place of love but you can see it doesn’t help mirabel and only makes her feel more insecure because julieta doesn’t understand her.

bruno: for bruno I would say I love how selfless he is. It’s a big thing to sacrifice your own sanity like that for someone else and it’s touching how much he truly cares about mirabel to want to protect her like that.

dislike: i would have to say how he’s timid a lot of the time. It’s sad to see him become so resigned and almost accept his fate and stay in the walls possibly forever. He had no fight left in him.

felix: I adore how felix is just the epitome of life of the party! he’s so uplifting and I love how he never gives out to pepa for her emotions. He’s the best at cheering people up and a sunshine in everyone’s lives!

dislike: about felix? that’s hard to say I feel like we don’t see enough of him for me to really base my answer on anything so I’m just gonna say how he told pepa about the vision at dinner😭 dude that was the worst idea!!

agustín: i love how supportive he is! He continuously supports julieta he runs after luisa when she’s upset and he promises mirabel he would hide the vision to protect her! the fact both he and julieta tried to go after her when she ran for the candle too! He also fiercely stands up for mirabel in such an iconic way and he doesn’t back down!

dislike: I would have to say how he can often hammer in the fact he is also unexceptional to try relate to mirabel but it makes the situation worse.

isabela: I love how loyal isa is. She was doing everything for the sake of the family and was willing to sign her entire life away just to keep them happy. Her loyalty knows no limits and I just feel it’s such a defining trait for her.

dislike: probably how smug she can be at times a key example being the apologize scene! it is funny but it’s also infuriating how smug she was making mirabel apologize for something she didn’t even do. Also how she tells mirabel to shut up and her general rude remarks to her!

dolores: for dolores I would say I love how attentive she is! small scene but how she immediately notices alma needs help and goes to offer her support! She notices the small details even without her super hearing! Like how she points out how mariano talks loud even though she hears everyone’s voice his always stuck out to her <3

dislike: probably how she blurts stuff out without thinking it through! like we know she was trying to be helpful when she told the kids mirabel doesn’t have a gift but she didn’t consider how mirabel would feel about that.

luisa: I love how kind luisa is! she was always willing to lend a hand to the people who need her even when they absolutely could deal with a lot of issues themselves! She’s also very sensitive and soft and I love when she allows herself to be vulnerable!

dislike: this might be unexpected but for dislike i would have to say how she kept ignoring mirabel when she wanted to talk. I understand she was stressed and mirabels being irritating but she could atleast look at her, mirabels already ignored a lot already and all she wanted was to talk to her sister about an issue.

camilo: like how mirabel says in the opening song I love how camilo won’t stop until he makes people smile! whether it be through his humor or his compassion I get the impression he would always be there for people. the scene where he comforts pepa is such a key example of this!

dislike: he can be a bit too blunt at times where it’s definitely not called for! he also has a tendency to exaggerate the truth for dramatic effect!

mirabel: have always said this and always will mirabels core trait is her empathy! Her ability to see others perspectives and empathize with them is so important! I always think of the “I need you” scene as a key example of this. She put aside her own feelings and focused on supporting antonio making sure he’s ok! how when she learns of the other madrigals struggles she tries her best to help them or comfort them! empathy is such a strong defining trait for her!

dislike: when it comes to mirabels negative traits I would have to say her stubbornness is the most prominent. the entire scene in isabelas room is proof of this she would have rathered let that house collapse than apologize or even listen to isabelas struggles the fact she was supportive and empathic to everyone’s issues but isas (at first) she was too stubborn to put aside her issues with isa! but also her recklessness and impulsiveness tie into this as well.

antonio: I love everything about him he’s so sweet and caring and I love how he returns the support mirabel gave to him! he always believed in her and was her biggest supporter and best friend! also how offered his plushie to comfort bruno when he was nervous! antonio is just such a caring kid!

dislike: nothing literally nothing how can u dislike this baby?

[olympeline]

Been thinking about why I found Arthur in the Dark so impressive and it made me realise something kinda significant. Something significant that I’m going to put under a read more because it revolves around a heavy subject. So I wouldn’t advise looking beyond the cut if you’re sensitive to that kind of thing.

Less important, but everything below is a big spoiler and, guys seriously. If you like USUK and can handle darker fiction - no pun intended - give AitD a try. Don’t spoil yourself here. Go try it first and then come back if you’re interested. Try it if you’re neutral on USUK. Or, heck, even if USUK is a ship you dislike but isn’t an outright NOTP. I’d still recommend checking out this comic. Arthur in the Dark is still worth a read in my opinion. It’s that good. But enough gushing. Read on for the meat of this post.

Ready? Here we go: Arthur in the Dark has one of the best depictions of rape I’ve ever seen in a piece of media. “Best” as in most skillfully crafted for narrative purposes. Honestly and truly. Not even kidding. Which is kind of amazing considering it’s a depiction that came from a fan comic based on a jokey, anime gag series. Why do I feel this way? A couple of reasons:

Firstly, the rape in AitD is frighteningly, tragically realistic. Something the majority of fictional rapes are not. We tend to think of rape as taking place in a dark alley in the inner city. Stereotyping up a scene of a bottom feeder, criminal man dragging a (young, attractive) woman away to violate her. They’re usually total strangers and it’s always violent. These kind of rapes do happen, but statistics tell us they’re the minority. The majority of rapes happen like the one in AitD did: between two people who know each other well. Friends, romantic couples, even family members, make up the bulk of rapists and their victims.

Most narratives prefer the less common type of rape. Usually because the creator doesn’t want to tell a story about rape. Not really. What they want is a gut-punch to add easy drama and darkness to their creation. The sliding scale of “irredeemable bad guy” roughly goes: murderer → cold blooded torturer → rapist → child rapist. Making a villain a rapist is one of the worst things he - because 99% of the time it’s a he - can be. Conversely having a character be raped gains them instant sympathy because people are moral and empathetic creatures at heart. Most creators know this and throw in a rape for the shorthand: “Look how evil our villain is!” Which often makes the rape and its aftermath feel artificial. In no small part because the rapist characters, by virtue of being written to be the worst of the worst, don’t come off as very human. They can’t be when their main purpose is to be loathed by the audience. I could go on because there’s tons more to unpack about rape in fiction, but you get the point.

The rape in AitD isn’t like that. America and England know and love each other. Their relationship is complicated (oh boy, is it ever!) but that part of it is never in doubt. They’re each other’s most treasured person and have been for centuries. They’re not a duo made up of a flat, hate bait, villain on a collision course with their victim. Who’s doomed to suffer and be pitied until the creator decides the audience has had enough of their trauma and shuts it away so the story can move on. America and England are two people living together, going through a period of immense change and stress, trying to manage as best they can, and sometimes getting it very wrong. From a narrative point of view, this makes what happens between them so much better and so much more upsetting at the same time.

Which brings me nicely to reason number two of why this particular rape works: the build up. Like everything else in AitD, America raping England is carefully planned out and set up. The chocolate bar scene, man. Brilliant, I have to say. Alarming, uncomfortable, and brilliant. The scene in the garden is not just sprung on the reader for a jarring “Oh no! Oh shit-!” moment. If your typical under written rape is a cheap jump scare, the rape in AitD is a carefully crafted slowburn dread. Early on we start to become aware we’re building to something bad. From the foreshadowing, the art, the atmosphere, etc. We just know a storm is coming. It’s done without America acting OOC too, which is very important. It’s how he can come back from what he did. Something that would be impossible if the author didn’t handle this setup well. America’s actions aren’t right, but they are understandable. That’s the crucial distinction. The psychology of the whole thing is so very well done. America was in love with England and had been for a long time. The guilt he felt tormented him because of what their relationship was in the past. Caught between his human side and his immortal one. The guilt helped keep America in check because he didn’t want England seeing the lustful way he’d begun to look at him. Then they started living together and England was suddenly vulnerable. Vulnerable in more ways than America was aware. Which is another vital detail of how the creator keeps America sympathetic, but more on that in a moment. England willingly went blind so he wouldn’t have to see when America - the man grown from the child he raised - looked at him with lust. The guilt America felt peaked, only to clash with the realisation that he could freely indulge in his fantasies. Indulge and push (again, chocolate bar scene) now the usual moral restraint - England seeing his desire - was removed.

Meanwhile, England himself felt that same guilt but his was also laced with panic and despair. He didn’t want to lose or strain his relationship with the most important person of his centuries long life. Pulled between human standards of morality and the very inhuman existence of nation-people. Incidentally the clash between their existence as humans, while also being something more than human, is brilliantly done in AitD. It’s something that’s hard to get right - especially involving such taboo topics - but Hotama nails it. USUK usually handwaves the implications around England raising America, but here it’s made part of the narrative. Part of the tragedy, part of the resolution. Good stuff. Anyway, England begged Arthur to take his sight away so he wouldn’t have to see the way America looked at him. Then banished Arthur back into the dark in an attempt to run away from his problems. But without Arthur - without his strength - England couldn’t stand up to America when he needed to. Not that America was aware of any of this because he never knew about Arthur. Which brings me to point three: nuance of blame.

“Blame” is a very loaded word in this context, so I’ll do my best to talk about this carefully. Rape in the media is almost always black and white. Absolutely evil, irredeemable rapist. Absolutely blameless, sympathetic victim. But real life isn’t always that simple. Obviously the rapist is always the perpetrator and the one most in the wrong. I need to make that very clear. But the scene in AitD illustrates that sometimes a victim could have done more to help themselves. Not always, but sometimes. This is a delicate subject so I hope you understand I’m not trying to victim blame. Just saying that rape, like all crimes, doesn’t always deal in absolutes. Unlike media, real life is often complicated and tragic. Good people can give in to temptation. Be weak, do bad things, or allow those bad things to happen. England told America to stop, but failed to follow it up when needed. When America pushed for more and used England’s own words to argue he’d already been given consent, that was when England needed to push back. Interpretation comes in here but, personally, I think if England had told America to stop when prompted, America would have. But England didn’t and he gave in instead. Something America took as a tacit “yes.” Again, not right, but understandable in how it could happen. Their power imbalance had grown extreme, stress and feelings were running high, they were struggling to connect as they used to, England’s prior cowardice and separation from Arthur prevented him from being strong when he needed to be, America was ignorant of his problem, and it all came together in a horrible, tragic mistake. All throughout, the rape continued to be brilliantly, awfully realistic. America not noticing - either genuinely or from denial - that England was not enjoying what was happening. England quickly becoming too distracted by the pain to do anything other than focus on enduring it. Then the aftermath where America didn’t realise what he’d just done due to coming down from a post-sex, post-stress euphoria. Awful, miserable, horrifying, tragic, perfectly crafted scene.

Which brings me to my final reason why this comic impressed me in its depiction of rape: where the story goes from there. Where it goes and how the narrative builds from the rape instead of trying to move on because the “shocking” part is over and now we’re in diminishing returns. Going back to my first point, too many stories see rape as something that happens in an isolated part of the narrative. It happened, it was shocking and brutal, now it’s done and we can move on because we didn’t plan to interweve the rape with the rest of the story. So we won’t give it the weight it needs. At best the victim might get a few scenes expressing their trauma later on - maybe a callback or two - but that’s it. It’s shallow. Plenty of fictional rapes could be replaced with a savage beating and nothing would change. In the worst cases you could remove the rape, not replace it with anything, then run the story with minimal problems. Not so in AitD. There, the rape isn’t just another semi-important plot point. It’s a crucial one which couldn’t be replaced with anything else. The whole first part of the story, the engine of the narrative, is built around America and England failing to deal with their changing relationship. A relationship between a pair of humans who also happen to be strange, immortal beings that ordinary humans can’t understand. Changing from platonic/familial to romantic over hundreds of years. With romance comes lust. Lust can be perfectly healthy just like any other bodily appetite. In this case it became twisted by circumstance, and the only “suitable” narrative payoff was rape. Nothing else would have had the necessary impact.

Then there’s how the rape compares to the final sex scene in some classic narrative juxtaposition. The final sex scene which happens to be the only one in the comic that’s fully consensual on both sides. The one that goes beyond sex and becomes real, honest to goodness lovemaking. It’s a perfect contrast. The rape scene had all the trappings of a classic romance. Right down to it being their first time and taking place in a rose garden. But it’s tragic, horrifying, and deeply unsexy. Then, near the end of their story, America and Arthur get lost on their road trip and have sex in their car. Their crappy, cramped car, where they’re surrounded by ordinary luggage, both of them sweaty and a little cranky with each other after a long day. It’s awkward, ordinary, imperfect and gorgeous. If we didn’t have the rape before to show us the nadir of this relationship, the healing and the dawn that came after wouldn’t be half so meaningful. A very strange thing to say without context, but it was a perfectly done rape that gave the audience the payoff of perfectly done lovemaking. It’s no small feat to get a reader to cheer for a romantic resolution after all of the above. Kind of in awe of Hotama’s skills, I tell you what.

Up to this point and I don’t know what else there is to say other than, geez. This comic, man. Blew me away. I’m so happy I rediscovered my interest in Hetalia if for no other reason than I got to read Arthur in the Dark. I’m a bit of a bookworm in my spare time and I’ve read quite a lot of classic literature over the years. Classic literature with rape scenes not crafted half so well as AitD did. Really think about that. An amateur fan comic based on a jokey gag series about national personifications being silly with each other. Did better at something than the books we hold up as the best of the best. Can’t really say anything else than that is genuinely bloody amazing

[brotherwtf]

i can't sleep so have this thought for the age gap au - gale running into his dad after he starts living with john and things get nasty (physically or verbally). gale manages to get away but he's quite badly shaken up, and when john comes home later he finds gale trembling and kinda out of it. lots of comfort ensues (+ maybe a side of daddy kink)

thoughts indeed... several thoughts

they still unfortunately live in the same town as Gale's father so it's not completely foreign for Gale to see him in town, either drunk or begging for some money to gamble away, it's always rough even when Gale just sees his father in public

but this time, this time was one of the worst experiences of Gale's life, second to actually living with the man

he sees him at the grocery store, walking aimlessly through the aisles, probably drunk or hungover, and Gale's heart immediately stops

he's taken back to being a kid, smelling the tangy smell of whiskey on his father's lips before he feels the sting of his hand, and he just wants to get out of there and back to John

of course, Gale's father sees him and immediately beelines to him, asking him for some money, telling him he should get it because he's his old man, to which Gale politely says he needs to go

anyway his father eventually asks him where he went, and Gale just says he's living with a friend for school, but wait maybe he's with John and he comes up behind him and asks if he's found everything and sees Gale's father with him, glaring at him and moving to turn Gale away

Gale's father doesn't take this very well, of course, immediately deduces that Gale is a queer, starts yelling profanities at him in public all while John is trying to get him out of the grocery store

"you're not my son you fucking queer whore!" is the last thing Gale hears from his father

John of course is furious, drives them home almost dangerously, Gale trembling and trying his best not to cry as John does so, gripping the edge of his sweatshirt and avoiding John's gaze

when they get back home John immediately brings Gale in for an embrace, tucking his head into his neck and just lets him cry, lets him shake and whimper against him as he lets all of his emotions out

John guides them to the couch and makes Gale rest his head in his lap, running his hand up and down his side and through his hair, whispering so many comforting things, telling him he's so strong, telling him he's done nothing wrong, Gales perfect, he's just perfect

and Gale cries his heart out, it's all coming back to him in such a bad way and he doesn't want to be anywhere but in John's arms

he cries that he wishes he had someone to love him like their own, wishes he had an actual father figure in his life, and John said he would never treat Gale like that, and through his haze Gale calls him daddy, asks him to hold him again, which John of course obliges

oh these boys :(( hurt comfort is THE trope for my age gap au

[underfaller]

in his house of mind, dead cipher waits dreaming

Chapter 1: On Your Mind Rating: T Synopsis:

You really think you won that day/You packed your bags and sailed away/You think you left your past behind/But trust me/I'm still on your mind

A year has passed since Weirdmaggedon and the Pines family, victorious in the end, are happier than ever. Stan and Ford are adventuring at sea, making up for lost time. Dipper and Mabel are now freshmen and are ready to take on high school-- geometry, bullies, (student eating?) clubs, and all! However, things take a turn for the worst when Dipper and Mabel receive of horrific message from Ford:

Bill is back.

You wrote a page about me in my own book so allow me to make this tiny addendum over your dull ramblings. 

Stanley Pines,

I've been on your mind. 

Are you surprised to see me? You must be confused so allow me to explain, slowly, in small words: 

If memories could return so easily, why couldn’t I? 

You really thought you won that day, huh? It’s painfully pathetic how naive you are. 

Aw, don’t look so distraught! You can’t have your cake and eat it too, Stanley. You may have lied and cheated to get your way for your whole life, but you can’t elude simple logic-- no matter how desperately you try! 

Still there? Of course you are! There’s not much else for me to say and I’ve got a very busy schedule ahead of me so I suppose I’ll end things here. However, before I leave you to the endless void and your growing insanity, I’ll let you in on a little secret-- Don’t ever say I’m not a generous guy!

Here it is: 

I see myself in you.  And that’s not because I’m literally possessing your worthless skin puppet. You and I are quite similar-- always scheming, constantly caught in our own web of lies, conning the world until we can’t tell what’s real and what’s fake anymore. A spectacular guy like myself should be thrilled at our similarities! I mean, the more “me” in the universe, the better, right? 

We should be getting along better than bleach and ammonia! 

…But I’m not thrilled. Far from it. Am I upset? Upset would be an understatement. No, your dimension’s vernacular can’t even begin to describe my resentment of you. 

I hate you, Stanley. I detest you. I despise you.

I can still see through the eyes of everyone I’ve ever possessed. I’ve seen your past, your present, and your very near end. You’ve spent your whole life screwing up and you will die no differently. You’re a loser. A blight on this already tedious world. A waste of space. You shouldn’t exist. 

So how? 

So how could you have beaten me? How could a lowlife, fat-headed, braindead, absolute failure of an existence possibly beat me? 

…And how do you have everything that I don’t have? 

Your dimension is safe, drifting peacefully in chaotic, infinite chaos while mine has been obliterated, erased from existence as we know it. Even the last atoms of my universe are gone-- decimated by your brother during our little Weirdmageddon spat. 

You’ve done nothing to contribute to your world and yet, when I only wanted them to see the stars, I was met with ultimate destruction. 

How is that fair? 

Your brother adores you. Your brother once adored me too. Has he ever looked upon you with pure, unadulterated hatred? We both ruined his life but only one of us is forgiven.  

And your mother. Your mother still thinks of you. She keeps your photo on her bedside table. She looks at them every night. She misses you. 

My mother is dead. 

How is that fair? 

Now I am you and you are me but why do only you are rewarded. Why is it that I get nothing? What makes you so special? 

I am the only one who sees you for what you are and I hate you. I hate every molecule of your being. I hate everything you have that I don’t. I hate, hate, HATE you, Stanley Pines. 

You don’t deserve what you were given. You aren’t worth even a sliver of it. 

So I’m going to take it all away-- Take what’s rightfully mine. There’s nothing you can do. No more cheap tricks, no more cons, no more last minute plans-- your luck has run out. Your time in the spotlight is over-- Time to show you how a real star performs. 

Better luck next time, bootleg Sixer.

When you awake, you will find yourself in utter, pitch black darkness. You will soon realize that your arms and legs paralyzed, unable to even struggle. You’ll be suspended in a limbo where you are neither awake nor asleep. 

Can you fathom my pain after you erased me? Can you imagine the torture? Your smooth brain would implode on itself if you even tried to grasp it-- And now you will experience it yourself. 

How do you like that, huh? 

HOW DO YOU LIKE THAT? 

You enjoyed your little victory but in the end, it’s me who won. 

Ha! Ha! Ha! 

Goodbye, Stanley Pines, and good riddance. Your pitiful existence will not be missed. 

Don’t worry too much, I’ll take good care of your family. 

It seems like an eternity since we've returned to sea but the Stan-o-War II is back. We left Portland at 21:00 and headed to Point Nemo. My research has led me to believe that the pole of inaccessibility is a magnet for weirdness, much like Gravity Falls-- There may even be ruins of a long lost civilization in its underwater bowels. I would like to test my hypothesis. Stan is fine with our expedition as long as there are “hot Atlantis chicks” to flirt with. I will keep his sentiment in mind. 

We’ve grown closer this year than we have in three decades. It’s… nice to be back with him. 

Despite my excitement for our adventures, I enjoyed our short break in Gravity Falls. It's always a delight when the children come to visit. Everytime I see Mabel, I swear she's grown at least an inch taller. At this rate, she'll be towering over me! Dipper is growing into a bright, young man-- it is impossible for me not to notice our similarities when I was his age. He recently mentioned that he plans to take honors geometry next year. I replied that if he ever needs tutoring then his ol’ Grunkle Ford is more than happy to help. 

It's been almost a full year since Weirdmageddon yet I still occasionally think of Bill. I am prone to anxiety and occasionally find myself irrationally fearing his return. That's impossible, though. I remind myself of that more times than I care to admit. Bill is gone and the moss covered statue in the forest proves it. We erased him. He can't hurt me anymore-- and he certainly cannot hurt my family. 

Stanford closes his journal, before blowing out a flickering candle and standing up, yawning. He looks at his watch. 3:33 AM. Old habits die hard and Ford still finds himself procrastinating on sleep, slightly fearing what will happen when he loses consciousness. He sighs, pushing past memories from his weary mind.. He'll need at least two cups of black coffee tomorrow morning if he has any hope of getting up on time. 

As Ford lays in his rickety cot, the Stan-o-War II shudders and creaks as it rocks against rolling waves. Usually, the familiar sounds of the boat lull Ford to sleep, but tonight, they keep him up, tossing and turning, each noise seeming to echo ten times over. 

It is one of those nights. 

Ford looks up at the ceiling, frowning. He used to have fantastic, imaginative dreams. After Weirdmageddon, however, his resting mind is always empty, dark like the ocean during a new moon. He misses dreaming. 

Though, Ford should be grateful-- there are much worse alternatives to a dreamless sleep. 

In the distance, Ford hears the rumblings of thunder. A summer storm isn't uncommon and it certainly isn't the ship's first experience with unsavory weather but for some reason, Ford feels uneasy. Perhaps he should sleep in the bridge tonight, just in case something goes awry. 

Ford’s thoughts are interrupted when his cabin door creaks open slightly. Ford grins, aware of his twin’s antics. 

“Very funny Stan. Aren’t you a little too old to be afraid of thunderstorms?” 

Familiar, cackling laughter rings across the room. 

“Oh Sixer, I’m not the one scared right now!” 

It can't be. 

Time stops. Stanford violently sits up, scanning the seemingly empty room. 

Click. 

Lightning cracks. Stan is sitting atop his brother, shotgun pressed against Ford's chin. Ford looks up in horror seeing Stan’s eyes bright yellow and glowing in the darkness. 

“Not so fast, unless you want your pretty brains all over the headboard,” Bill teases. He examines the shotgun in his hands. “Can you believe the old guy sleeps with this thing? Talk about a safety hazard!”

Ford freezes, his blood turning to ice. He can hear his heartbeat racing in his ears. His usually rapid firing mind has slowed to a complete standstill in his terror. His mouth is dry as he struggles to speak. 

He must have fallen asleep. He’s sleeping, he’s sleeping, he’s sleeping-

“This is a dream,” Ford stammers. “You’re not real; you’re dead-” 

Stanford Pines does not dream.

Bill howls with laughter. As he does, Stan's mouth contorts into an unnaturally large grin. 

“Oh Sixer! You can’t kill an idea or a god and certainly not both!” Bill replies. He giggles. “Did you miss me?”

Ford tries to answer but Bill cuts him off. 

“Oh, I already know your answer-- of course you missed me!” Bill chatters on. “And now that your inferior twin is outta the way we can head back to Gravity Falls and finish what we started!”

“Why did you come back?” Ford says through grit teeth. “Your henchmen are gone, the rift is sealed-- there’s nothing left for you here, Bill.” 

“Nothing left for me, hahaha!” Bill shakes his head, smirking. “Man, that idiot's stupidity is rubbing off on you! Have you forgotten?” 

Ford doesn’t answer. Bill leans closer, lowering his voice to a drawl. 

“We made a deal, you and I. You’re my partner from now till the end of time.”

Ford looks into his brother’s yellow eyes and is filled with fury. Seeing Bill using his twin like this while having the audacity to expect him to continue their partnership-- it’s laughably, outrageously, enraging. Ford can’t help but give a low chuckle before glaring at the demon. 

“Go fuck yourself, Bill.” 

Lightning flashes once more, illuminating the two adversaries. Bill sighs, clicking his tongue. 

“For some reason, I knew you’d say that.” 

Bill grips the shotgun and shoves the barrel down Ford's throat. Ford’s eyes widen, threatening to pop out of his skull, and he gags, tasting metal and sulfur. Bill grins, obviously amused by Ford’s discomfort. 

“Well, if you’re not going to be of use then you can join the rest of your family in the afterlife.” 

The kids. He’s going to come for the kids. 

Bill pulls the trigger. 

Click. 

Silence.

“Seriously? Who keeps an unloaded gun by their side!” Bill shouts. 

It seems his luck hasn’t completely run out. Now, it’s Ford’s turn to slightly grin. He looks up at Bill.

“Alright, my turn.” 

Sorry Bro. 

Stanford lifts his right leg up and kicks Bill in the balls. Hard. Bill cries out in pain and keels over, clutching between his legs. 

“Goddamnit! Curse human body weaknesses!” He yells.

Ford roughly pushes Bill off him and races out of the room, making a break for the bridge. The storm is much closer than he initially thought, violently rocking the tiny vessel against angry waters. 

I have to warn Dipper and Mabel before it’s too late. 

Ford whips around the corner, jumping into the bridge. He quickly locks the metal latch behind him and barricades the door with a piece of wood lying to the side. That’ll stall Bill just enough. He rips open drawer after drawer until he finds a small handgun. This one is certainly loaded-- Stanford always made sure his weapons were. He hesitates at the thought of potentially wounding his brother. 

Anything to stop Bill. 

Stanford checks the ship’s communication radio, flipping switches and dialing to station 618. 

“Transmitting from S-O-W- 0-2. S-O-W- 0-2. This is Stanford Pines.” 

Before they’d left, Stanford gifted the twins a radio and scanner to communicate with them while they were out at sea. With a few tweaks and some borrowed alien tech, Ford had made sure that its frequency range would reach wherever they were in the world. He imagined it would be used to regale the children of their fantastical adventures. Never would Ford have thought he’d use it for this. 

But even if they were near the radio, the kids are likely fast asleep at this hour. Still, he speaks into the mic. 

“Bill is-” 

There’s a thunderous boom and the ship suddenly lurches to the left. Stanford stumbles, gripping onto the edge of the table to keep himself from falling. The light bulb above him swings violently above him, threatening to fly right off its wire. Stanford steadies himself.

“Bill is back. Do not engage. Do not answer.” Ford hesitates before adding, “We love you two. Please keep safe-” 

Ford is knocked to the ground. His gun skitters across the slippery floor. For a moment, he can only see stars. He groans, his face radiating red hot pain and ears ringing from the blow to the side of his face. Bill holds the empty shotgun like a bat, grinning like a madman. 

“Who were you talking to?” 

Bill looks at the radio, slapping his forehead and cackling. 

“Aww… Don’t tell me you were talking to ol’ Pine Tree and Shooting Star! You’re so impatient-- I’ll get to them soon!” 

“No, don’t you dare. Don’t you fucking dare-” 

Bill strikes him again with the butt of the shotgun. Ford tries to crawl towards his gun but Bill steps on it, kicking it even further before kicking Ford in the stomach. The air is instantly extinguished from his lungs and Ford gasps in pain. Bill looks down at him in disgust. 

“Shut the fuck up, IQ. You’re in no position to tell me what to do. I’ve given you chances over and over but since you’ve obviously got a death wish, you’re gonna die like a dog just like your brother,” Bill narrows his eyes, pursing his lips. “I used to think you were different, Stanford. Special . But now I see. You’re trash just like every other member of your damned family. You’re pathetic. ” 

Suddenly, Bill starts laughing as he kicks him again. Over and over. 

“C’mon, Fordsy!” Bill spits. “Aren’t you gonna play the hero? Where’s all that fight in you gone? Or are you too scared to hurt me in this body?” 

Bile rises in Ford’s throat as he is repeatedly assaulted. Pain numbs his mind and his body curls up, mind desperately trying not to black out. Bill’s foot strikes his face and Ford hears his nose crack, blood filling his nostrils. 

Then Bill abruptly stops, bored that his attacks aren’t getting a rise from his former partner. He clicks his tongue, standing over Ford, watching him writhe, gasping for air. Bill shrugs. 

“Well, if you’ve already spoiled the surprise, allow me to say a few choice words.” 

The demon bounds for the radio, grabbing the microphone, twirling the cord in his fingers as he speaks. 

“Hey Shooting Star! Hey Pine Tree! This is your Grunkle Stan! I’m about to paint these walls red with my brother’s guts and turn this shitty tin can around back to the mainland! Don’t be too upset though guys! You’ll be joining him VERY soon! OVER!”

Bill rips the microphone from its wires, throwing it across the floor. 

“As I was saying-” 

Ford grabs Bill’s leg and violently pulls him down. Bill yelps in surprise and falls to the ground. The two wrestle, punching, kicking, scratching at each other like mad men, vying for dominance. Ford spies his handgun, dangerously close, and lunges at it, grabbing the weapon. 

The gun goes off. Bill jumps away like a rabid animal before straightening up. He gently touches his cheek, looking at the blood smeared against his fingers. He chuckles.  

“Wow Sixer, real gutsy pointing that thing at me but we all know you love this meat puppet way too much to actually kill me.”

Ford narrows his eyes, once again pointing the gun at Bill. His hands are trembling. 

Stanley wouldn’t want to be used like this. He wouldn’t want to hurt me. He wouldn’t want to hurt the kids. It’s because of that, that I- “You’re wrong Bill,” Ford says, quietly. “It’s because I love him that I will.” 

Bill’s body shudders. He convulses, gagging before he shakes and closes his eyes. When he reopens them, they aren’t yellow. Stanford lowers his gun slightly. 

“Stanley?” 

Stanley stands in front of him, wide-eyed and terrified. 

“Stanford?” 

His body spasms once more. The yellow eyes return and Bill lunches at Stanford. There is one last crack of lightning. 

The gun goes off.