#and the subject obviously

[jessieren]

Can you imagine waking up to this on a lazy Sunday morning…

Come back to bed babe you can get dressed later.

Actually forget that you don’t need to get dressed…

[meirimerens]

curious and curiouser

[couchcouchcouchcouch]

HEART. LUNGS. LIVER. NERVES. HEART. LUNGS. LIVER. NERVES. HEART. LUNGS. LIVER. NERVES. HEART. LUNGS. LIVER. NERVES.

[funkyplantguy]

guys. guys. listen. listen. cub and mumbo as a ship have the most perfect setup and you all are sleeping on it but never fear!! as i am here to spread the Good News of cumbo. number one. they're both fucking insane in the head. they both have the capacity to become completely and totally and exquisitely obsessed with each other in a really weird and probably really fucked up way. number two. they're the Best Friends (trademark pending) of scar and grian respectively. they're both victims witnesses of Whatever The Fuck those two have going on at all times. they can complain to each other about it. they can complain together about how scar and grian dance around each other all the fucking time and how insufferable they both are because of it. they can unknowingly start their own dance, orbiting each other at a distance until one of them goes fucking crazy and veers off course and they make out sloppy style. it's perfect. it's perfect.

[necroixe]

@ younger creepypasta fans, don't be worried about sharing what you make for the fear of people finding issue with it for existing. We like your art for what it is, and encourage you to keep making it, because that's what the core of being an artist is. The ability to write, draw, create, whatever it is that drives you, and literally nobody ever can take that away from you. Those kids with the shitty stories and self inserts built a fandom from the ground up, wrote and drew their characters just because they wanted to. If you don't care for it, make your own art, or move elsewhere.

The quote in anton's original post is incomplete, so here’s a better one— "find what you love, and let it kill you."

[oifaaa]

honestly everything about Tim Drake makes so much more sense when you realise he's the peaked in high-school guy who choose to drop out of high school

[lilybug-02]

“Ugly” Rough Comic Concept.

—————

I’m hoping to be able to finish this comic this next October or November. I know the idea and concept are conveyed quite clearly just with the rough draft, but I would like to finish it with line art. I want to show this to a broader audience :)

For the first time in a long time, with the CT comic on hiatus, I feel like I can start on some of my other comic concepts. And I feel like I’ve learned a lot from my Hollow Knight comic, with how short I want my ideas to be. I don’t feel too comfortable creating a long comic (or at least one that goes over a year). Being constrained isn’t my style.

[awesomethingsandsuch]

When the performance slips (pt 1)

[taffywabbit]

idk if i'm way off the mark on this, but the way some people are responding to that Guillermo del Toro interview about the decline of studio animation is a bit frustrating to me. specifically the bit where he talks about "emoji animation" and how everything is over-animated and pushed too far and things are rarely allowed to not be ultra-cartoony (y'know, because animation always needs to be marketable to children who are never trusted to have attention spans, right?). like, i think he's generally correct about it! but some folks are taking the wrong message away from that.

i've seen people going off about how "soulless" and "corporate" various recent examples are, and talking about these pieces of media as though they're the result of some kind of personal failing or lack of skill/range on the part of the animators, and it's just like. do people realize that's the only animation you're usually allowed to DO in the industry, unless you get incredibly lucky and land yourself on a project/studio that's unusually cool?

when i was in college for animation it was literally drilled into us nonstop that everything had to be pushed more, that exaggeration was not a guideline or a sometimes-treat but a hard rule that always had to be applied regardless of what was going on, because the viewer couldn't be trusted to pick up on subtlety and we sure as hell couldn't be trusted to convey it. you ever wonder why there's such a specific vibe to a lot of self-directed student films, particularly ones that are focused on character acting/interaction or deep emotions and introspection (especially when there's minimal/no dialogue)? it's because for a lot of young animators, they haven't had the freedom to experiment with realism and subtlety up to that point and they're likely not going to have it again for a while (or at all, unless their career path leads to higher positions where they might have more creative direction over the things they work on. which also becomes a lot less likely if they're anything other than a cishet white dude, for what it's worth).

i would LOVE to see more nuanced, realistic, understated motion and acting in animation. i WANT more characters to be able to express what they're feeling through natural body language and facial cues and for scenes to allow me to breathe instead of spelling everything out in giant bold flashing text all the time. what del Toro wants to see changed in the animation industry sounds great, and i hope others join him in seeking to revamp what modern animation is allowed to be.

but as things currently stand, and as they've stood for a long while now, most artists doing the grunt work on the shows and movies you see are completely at the mercy of corporations and networks who have a vested interest in producing a very specific kind of marketable and cost-efficient media all the time. (and by extension that style is ALSO what's taught in most animation schools, because their job more than anything is to grind you down into a perfect little sweatshop worker who will bend over backwards to meet quotas and get your work approved and not question the higher-ups, even if you have little to no personal investment in the projects you're working on, so that the studios who employ you can maintain their good reputations or whatever)

anyways idk what my point was here, this really just sorta became a rant and my views have undoubtedly been coloured by my own personal experiences (this kinda shit is largely why i dropped out before my last year of animation school, for the record).

i guess just be kind to folks in the animation industry? they've had it fucking rough nonstop for well over a century (the majority of them are still not unionized and there's HUGE pushback against doing so in many places). i assure you they are doing their best to infuse the latest uninspired illumination flick or weird spinoff kids' show with literally any amount of soul they can. you don't have to like the stuff that gets produced by any means! be a hater! i'm certainly not gonna stop you. just remember where these creative decisions come from and why these conditions exist, and consider that when YOU watched something and thought "hmm that could've been done better", you can bet your ass someone actually working on it probably thought the same thing but couldn't do anything about it. these things WILL change as the industry itself improves, but in the meantime folks have to pay their rent, and that usually means doing what they're told and working in a way that will minimize revisions and meet quotas so they can keep their jobs. it sucks, but it is what it is.

[klapollo]

truly i think part of why fatphobia is so tempting to a lot of not fat people no matter how 'progressive' they are is simply because it gives one a way to feel better. when society tells you you're inherently more virtuous because you're slim, you perceive any social gains (with or without regards to body image/beauty/etc) made by the "ugly" people as a slight on you, an attack on your heightened position. it's (part of) why some skinny women get so completely bent out of shape seeing someone like lizzo be widely loved and praised. that's not allowed! she's fat! I'M supposed to be better! a lot of these people are utterly miserable and self hating and they hate having their one little trophy taken away so they hold it over their head and hit people with it

[mollyjames]

To decide whether or not something is "good" representation, I like to imagine like I've been invited to a party. If I'm going only so the other guests can make fun of me, that's bad. But if I'm only invited so you can show off to your friends that you know a trans person, I'm also not super jazzed. Ideally, I'd like to have a good time at your party. Offer me a drink. Introduce me to some of your friends. Let me mingle. I dont mind answering some questions, but dont ask me to give a lecture. And maybe, if it goes well, I'd like to get invited back. Doesn't that sound nice?

[haunted-xander]

Do you think Saix' emotional co-dependence started as a Nobody or did it start as human Isa and just grew to an unhealthy degree?

[fluxydrawings]

skidaddling!

(original image under the cut)

[brawlmetaknight]

to be honest meta knight has been portrayed in so many different ways over the various games, manga, novels, anime, smash etc that you can basically Build A Meta Knight and end up with something completely different than somebody else but all the traits are still somehow official lol.

[lena-in-a-red-dress]

I wanna talk about Agatha All Along for a minute-- no spoilers. It's been my new fave these days, to the point I'm ravenous for new episodes as soon as I finish one. I've been examining why I enjoy it so much, and I've come up with a couple of things.

It's female led. So often in any media, but marvel specifically in this case, the women are overlooked in terms of screentime and character development. But here we have a roster of strong female characters with distinct personalities and motivations and backstories that are compelling and engaging. I actively want to learn more about them, and when I'm watching them I am wholly engrossing in who they are.

It's largely a standalone. Sure, it spawned from Wandavision, but honestly I don't remember much of it and don't find myself needing to in order to follow what's happening and understanding the plot. Marvel has largely gone stale for me in the sense that I recently haven't seen anything that hasn't needed 10 movies worth of previous story in order to understand. Having something this self-contained is a breath of fresh air.

It's queer. I think we have Disney's official first queer character on screen, and we also have whatever is going on with Agatha and Rio. Love love love it. It feels natural, unforced, and genuine. Less a performance of queerness and instead a simple act of just being queer and loving who you love. Even beyond marvel, that feels rare in and of itself.

Honestly, I can't recommend it enough. If you've been on the fence thus far, or have been holding off because it's yet another Marvel property.... it's worth it, trust me. I was hesitant, but the risk in watching it paid off a hundred fold. I am so into this show guys.

[i-eat-mold]

Opinions on 22 skk ever deciding to date?

ok guys you know i don’t often talk about canon/postcanon timeline skk but honestly its because i know if i begin i will get sucked into an endless rabbit hole. How can i possibly talk about this without foaming at the mouth? imagine how they feel about each other.

chuuya about dazai. dazai was the only “friend” he had in the mafia that had been with him since he joined. dazai helped him avenge all the other friends chuuya had that were murdered, both the flags and in the dragons head conflict, and as much as he might’ve hated the bastard, he made sure the sheep weren’t harmed and he always made battle plans that would give chuuya the choice to use corruption or not. they were together for so long, longer than any other friendship either of them had. Chuuya knew dazai was an extremely strange boy. despite his clown facade he could see glimpses of the sheer sadness and emptyness behind his eyes. Chuuya had gone through plenty of painful things himself, but he fought through it, the pain growing with him into his strength. and he wondered about what happened inside dazais head for him to be so utterly detached, so hollow, so sad. dazai saw chuuya suffer endlessly as a human, yet all it took to abandon him and his life in the mafia was odas death. just as in beast, he leaves with no word, no explanation, no goodbye, a relationship built on trust and unspoken respect. Chuuya, for as long as he could remember, was betrayed and abandoned and betrayed and abandoned and betrayed and abandoned over and over again. he knows damn well you can rely on no one but yourself, everybody leaves, everybody lies, and eventually dazai did too. he shouldn’t have been surprised but that doesn’t make it hurt any less. chuuya was left with a feeling of rage, pain, disappointment and hurt, yet again. yet again, the feeling buried behind his chest through the years, eventually becoming one more bitter experience that came back to the back of his mouth every once in a while when he thought about it.

dazai about chuuya. dazai was a child alienated from every adult in his life, always considered nothing but a monster and someone who you must never come near to. he made a friend, for one. he met a kid his age who he could play video games with and play prank wars against. he could mess with him and although they often found each other annoying, they were kids together. chuuya inspired him to keep living, at least to see what else could be out there, and while obviously oda was the nail in the coffin that made dazai turn sides, chuuya was the one who over the years shaped him into a better person and taught him about ethics (not in the most ethical ways but whatever). still dazai was born alone, he lived alone, and he would always be alone. on his hands there was a black sticky liquid that rotted everything he touched. he figured if he used gloves or was very careful of his every move he could go on about like a normal person but eventually everything and everyone around him stained, and the only way to prevent it was to not touch anything and stay away from everything he could slightly care about. chuuya was the complete opposite of him, his facade was of rage and annoyance but he had a heart so human and so big it couldn’t fit inside his chest, and personally i feel like dazai was deep inside at least a little jealous and grossed out by it. when oda, the only person who didn’t seem to rot away by the black stains died and he left the mafia he obviously couldn’t just delete chuuya from his mind, all those years of mutual respect and shared late childishness. he knew what chuuya had gone through, he knew he was an absolute piece of shit of a person for becoming just one more betrayal in chuuyas book, and he did it anyways. it became something that didn’t sit right with him for years.

years pass and their feelings, complex and painful, settle down in strange ways and aftertastes. you meet someone again, and they are a different person, and you are a different person, but the two children inside you are still best friends, soulmates, and you still know their worst fear and their deepest wishes, but you don’t know who will they hang out with on friday night, or how their job is going. you have to get to know each other again, you already know everything about each other, you know nothing about each other. theres a thousand things you want to explain, to cry on their shoulder about, to yell at them, so many healed scars to show them and so many open wounds to shove in their face, to forgive them, to tell them how much you resent them and forever will, to not say a word at all and yet have them understand all of it.

i personally think their relationship in their adulthood has so much to talk out and come to terms with, but they were partners for so long and so much love doesnt just disappear. if they acknowledged all the things between them that have gone unspoken since they were children they would make a great true couple.

1. because of how deeply they know and understand each other and how they always cared for each other wether theyd admit it or not and

2. because they are so utterly terrible and unbearable that them being together would be a disaster, but having them be with anyone else separately would be even worse bc the only people that can tolerate them are each other