#and the second time being aziraphale questioning

[aziraphales-library]

Hey, yall do super cool work, thank you for everything yall do <3

I was wondering if you could find any BPD Crowley fics? It isn’t have to be specifically centric, but just written with that headcanon in mind/referenced/mentioned, just about anything that mentions it 😅😅😅 Original universe if possible

tysm again for everything you do, I've been using your blog for fic recs for a WHILE now, super super useful and wonderful :]

Hello! While compiling this list I realised that a couple of these fics are yours, but I've added them for completeness and so others can enjoy them. Here are some fics in which Crowley has (or at least is implied to have) borderline personality disorder...

In This Twilight, How Dare You Speak Of Grace by cosmickaiju (T)

They can't bear to hear his pity. Can't bear the thought of Aziraphale thinking they're just like any other demon.

My World Can't Turn Without You by LvndrLemonade (M)

Crowley is convinced he's been abandoned for good, and doesn't see the point in going on. Upstairs in Heaven, Aziraphale's plans to stop the Second Coming are hastily interrupted by a sudden feeling of terrible dread.

Delicate by midnightdragons (T)

Aziraphale tries to comfort Crowley after waking him from a nightmare.

i was born sick (but i love it) by sonderrrr (T)

After he regains his breath, he falters three words. Three words that Crowley had prayed he would never have to hear again. Because it meant he was wrong. “I forgive you.” What was he being forgiven for? Initiating a kiss that was unwarranted? Not going with his Angel? Being a demon? Being unlovable? Sighing, Crowley shakes his head and starts for the door. “Don’t bother.”

The Great (not) Gatsby by luckythirt33n, LvndrLemonade (G)

Can't repeat the past? ...of course you can! Ever since being assigned to the states, Crowley has been, admittedly, lonely. He hosts grand, sinful, parties under an alter ego, so he can get Hell of his back, and simply bides his time to get back home. That changes when Aziraphale joins him in the United States, sent on a vague mission from Heaven to 'check in on things.' Though, their newfound time together isn't as simple as it should be; Crowley has gotten into some political hot-water with activity in his overwhelming free time, and the sudden appearance of a mystery man may be what can solidify a rather scandalous article that's bound to hit the front covers of every newspaper in the nation. Aziraphale and Crowley will have to balance want with need, thousands of years of pining finally bubbling to the surface. Will they be able to get their happy ending *and* keep each other safe?

Many waters cannot quench love, neither can floods drown it by mr_clairdycat (T)

"That said, this angel and this demon love each other in the way someone who loves God does, that much is objective. Their love is patient and kind, it doesn't insist in its own way, it is not irritable or resentful, nor does it rejoice at wrongdoing, but rejoices with the truth. That’s how it truly is; their love bears all things, believes all things, hopes all things, endures all things. Most importantly, however, it will never end. Does not matter whether everyone in the universe isagainst it, they will persevere till the end of their never-ending life. That considered, who could’ve known if God was truly against it in the first place, if this was a test, if this was their plan. But maybe, just maybe it is useless to ponder at such question. Cause that’s what these two are: indescribable, unimaginable, forbidden, wonderful. They are just ineffable."

- Mod D

[ritz-writes]

i have listened to this so many time and just keep imagining crowley falling and aziraphale questioning and for the love of someone i need an animatic with this

[hikarry]

I'm not really on the team that swears to Jesus and beyond that Crowley lost his memories after the Fall. Yes, of course, he forgot some stuff because, ya know, he has been alive for more than 6000 years and if I don't remember what I ate for lunch yesterday, Satan knows he won't remember every single second of his life, but he remembers the important things

"Ah, but what about him not remembering fighting alongside FurFur or building the thingy with Saraqael?"

Love, I give you two options:

Those are either some of the stuff he didn't consider important enough to remember OR he is just straight up fucking with them. He does remember, but why reveal it if playing dumb sometimes is good in the long run? Might be useful

Alas, I don't know, but I will die on the hill that he does remember

Which means he most probably remembers meeting Aziraphale. Not because Aziraphale was "important" at the time per se, or because it was love at first sight (because it wasnt, not for him. Bro was so focused on the nebula he didnt even introduce himself when Aziraphale did. He threw him a "Right. Nice to meet ya. Anyway, nebula time!"), but because he was there when Crowley created the nebula and, as he said, he had been waiting for that moment since "well, always". It's an important moment for him, so he remembers. Aziraphale just so happened to be present

I don't know if that was the only interaction they had in Heaven or not (and that's not the point I'm trying to get to so I will ignore that problem for a later post, maybe), but when the now Demon Crawley was sent up to the Garden, he did remember Aziraphale. That's why he approached him

Cmon, Crowley isn't stupid. Of course he wouldn't approach an angel on the wall just willy nilly and make conversation. He didn't know Aziraphale had given away the flaming sword yet. Just approaching an angel from behind and morph into a demon next to him out of nowhere could be a death sentence. Or at least an A Line for a good smitting

Yet, he did it. He had at least 3 other angels to choose from but he approached the angel that he remembered from back in the beginning that was kind enough to help him with the engine of the nebula. Hell! I even bet this was not the first time they saw each other in the Garden!

Bet they've seen and observed each other from afar a few times while they interacted with the humans (yes, cause I believe Crawley, before tempting Eve, tried to gain her trust. It's easier to listen to a friend than a random snake) or just around the Garden really.

That's why Aziraphale didn't get surprised when Crawley showed up at the wall, because he knew the demon snake had been around the Garden for a while. He probably even recognized him as the former Star Maker and hoped he was still a little bit of his old self so he allowed himself to engage in conversation

Anyhow, another clue? This:

He remembers how Heaven works. He remembers he was a high ranking angel. Satan, he remembers the bloody passwords!

Do you know what else he remembers?

Cause they didn't throw that line in there for nothing. No, gents. Cmon. Nothing is random in Good Omens

He knows who he was. He remembers being the Star Maker that hung the stars in the sky

He remembers why he fell, for goodness sake

And the fact that he remembers everything makes all of it so much more tragic, doesn't it? He remembers his life before the Fall, his supposed friends that dragged him into the pit with them, what Her love felt like, the "mistakes" he made that led to his Fall

And it must have hurt. It must have hurt so much when he found himself in a pit of boiling sulfur with his wings completely burned and without Her love because he remembered it all. He must have been so bloody confused for so long

He might have regretted it. All the questions and the company he kept that made him Fall. But he doesn't anymore.

He knows he doesn't need Heaven, he doesn't need Hell. They are toxic. All he needs is his pacific fragile existence on Earth with Aziraphale and yet...well, that's something else he won't forget now, is it?

*clears throat*

I rest my case

[ineffable-romantics]

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

___________________________________

Bonus feature: the very silly notes I made to myself that inspired this post

[amuseoffyre]

Rewatching bits of S1 is a revelation for the stuff in S2.

In the ark sequence, we see Aziraphale standing by and watching the preparation for the Great Flood, clearly in some state of anxiety about it. When Crawley questions him about it and says “not the kids, you can’t kill kids”, Aziraphale straight-up tells him “you can’t judge the Almighty, Crawley.”

Fast-forward to 2500BC, the first time they see each other after the flood and, once again, the lives of children are on the line. This time, Aziraphale is immediately horrified when he finds out.

This time, he doesn’t just stand there and watch. He goes and actively puts himself between Crawley and the children. When Crawley turns up, Aziraphale is still wary of him and almost falls for him saying “I want to destroy the blameless children of blameless Job”. But the second he realises the goat-kids were saved, he knows Crawley still believes “you can’t kill kids”.

That’s why he’s so convinced that Crawley absolutely won’t kill Job’s children, even when Crawley miracles up a flaming inferno to engulf the house. “Are you sure, angel?” Crawley taunts him and Aziraphale - unafraid and absolutely certain that this demon will thwart Heaven’s will - says yes.

And when those very children are in danger of being killed off by Heaven directly, to fulfil God’s will for Job to lose all his old possessions, Aziraphale lies to protect them. He’s terrified after, afraid he’s destined to fall, but he did it anyway because he wanted to protect them, just as he gave away his weapon to protect Adam and Eve outside the garden.

And I feel like this is the big turning point for him. Giving his sword away wasn’t necessarily defying orders, but because of Crawley and the Job situation, Aziraphale makes the active choice to make a stand against Heaven’s plans. He’s terrified, but he does it, and then he keeps on doing it.

Every single action he takes against Heaven is in the name of protecting people: giving Adam & Eve the sword, shielding Job’s children, trying to teach the Antichrist to be good, swan-diving out of heaven to protect earth, hiding Gabriel to keep him safe, shouting at the Archangels and Demons like naughty children when they threaten to bring a war on and now, walking back into Heaven in the hopes of beginning a revolution for the whole system.

[twilightcitysky]

Everything Is Meant (long S2 analysis, part 3)

Part one

Part two

There's SO MUCH excellent meta out there right now, and I'm going to try not to reinvent the wheel too much, but I want to keep going with tying the episodes/ elements up together because on first watch it wasn't entirely clear how everything fit. I also strongly recommend a rewatch, no matter what you felt about the ending... if you need to stop it 10 minutes early, do that, but you pick up so much more the second time around.

So: Maggie and Nina. I spent most of my first watch wondering why we were bothering with them, honestly. Later in the season Nina, and then Maggie and Nina, gave Crowley some insightful advice, but their actual relationship didn't progress despite all the meddling, and the amount of emotional investment BOTH Aziraphale and Crowley had in making them get together was frankly strange.

I started thinking in terms of mirror couples, since that was such a big deal in S1 and that's clearly what they were set up to be, but I made the mistake that all of us made on first watch: that Nina was Crowley and Maggie was Aziraphale. It still wasn't really coming together.

Then I put the psych hat back on and started to think about displacement. Displacement is a defense mechanism, and it consists of satisfying an impulse (usually an unconscious one) with a substitute object. At the beginning of the season, Aziraphale and Crowley aren't really in a good place, and I think on some level they know that. Aziraphale is trying to SHOW Crowley that he wants to take the next step through all the casual touches and phone calls and inviting him in, and feeling frustrated because Crowley doesn't seem to be taking the bait. (I absolutely think that Aziraphale tried to get Crowley to stay with him at the bookshop instead of living in his CAR, and Crowley said no. That's a whole other meta.) Meanwhile, Crowley, I think, is waiting for a Grand Gesture. Where did he go, as soon as Aziraphale brought up trying to get two humans to fall in love? Romantic tropes. Getting caught in the rain under an awning. A dramatic kiss that opens someone's eyes. That's the sort of thing he's always done, right? Big rescues, impassioned pleas on the street, fancy dinners, "give you a lift anywhere you want to go". He's defensive and guarded and unlikely to let someone in unless he's CERTAIN he won't be rejected, and Aziraphale's approaches are just too... quiet. No one's fault, they just don't speak the same language.

Then, they're handed the opportunity to make two humans fall in love, and they're both All In immediately. Look at Crowley's face when he summons the rainstorm. This is HUGE for him. Why? Because of displacement. Look at Aziraphale arranging the ball and being borderline deranged about it. They're both desperate to demonstrate what they think it takes for two people to move past their misunderstandings and fall in love. They can't do it for each other because the stakes are too high, and if either of them shows their cards unequivocally the vulnerability feels life-shattering. They're codependent and terrified of rejection and also, importantly, have no idea what they're doing when it comes to love. "Saw it in a film", Crowley says. Aziraphale's read about it in books. But they have zero practical experience.

Instead of learning to communicate, they try to say what they want to say through the medium of Maggie and Nina, up to and including the questionable moral decision to exert control over people's actions and thoughts during the ball. If I can just make this come out right, they both think, then things between us will be alright too. It HAS to come out right. They're attempting to gain some control over their own lives, over something that feels so overwhelming and shattering they can't look directly at it.

It doesn't come out right. Nina's relationship falls apart, but that doesn't mean she's in love with Maggie. While Crowley's stress-cleaning the bookshop to the music that played when Aziraphale got his books back in 1941 (just fuck me up David Arnold), they come in and tell him so. "I don't understand", says Crowley. Because it should have worked. Why didn't it work?

They tell him, of course. "You need to talk to each other. Say what you're really thinking." But here's the thing about communication: you have to learn it. You need to get the hang of expressing your feelings without blaming your partner, and separating intent from impact, and staying away from getting defensive and lashing out. No one has ever taught Aziraphale and Crowley how to do this. It's like Maggie and Nina put Crowley in front of a loom and asked him to recreate the Bayeux Tapestry. He doesn't have the skills; he's always going to get it wrong, even if he tries his hardest.

And he does try. But that's where Maggie and Nina the mirror couple, rather than Maggie and Nina the displacement relationship or Maggie and Nina the Greek chorus, come in. Aziraphale, as Nina, has just ended an incredibly toxic, invasive relationship with Heaven. A relationship that invaded every facet of his life, isolated him, and prevented him from being close to anyone else. "Rebound mess," Nina says. Aziraphale is a rebound mess. He's transferred the responsibility for his emotional wellness to Crowley. Crowley is the person he calls when he's in trouble, or (and this is key) when he wants to report a clever/ good thing he's done, or when he's bored. (At no point did Crowley reference Aziraphale calling him for a solicitous reason-- another problem.) Crowley is meant to take care of him. He forgets, I think, that Crowley is a person with his own wants and needs, just like Maggie and Nina are people with their own wants and needs who don't appreciate being messed with. (I think things would have been much different had Aziraphale BEEN THERE for Maggie and Nina's talk with Crowley, but he wasn't.)

And Maggie-as-Crowley? Lonely. Behind on rent, at risk of being evicted (it's important to note that Aziraphale saves Maggie from losing her record shop, as he couldn't save Crowley from losing his flat). Pining. Awkward. Revolving around Nina like a planet, to the extent that we don't get much of an impression of her otherwise. They realize, there at the end, that they both need to round themselves out before jumping into a relationship. Aziraphale and Crowley need that too. They need to take time apart and learn to be healthy on their own. Unfortunately they don't have the skills to get to that conclusion in a healthy way, so it all explodes in their faces and everything falls apart.

Aziraphale tries to teach Nina and Maggie to dance as a substitute for communication. Nina and Maggie try to teach Crowley communication as a substitute for the dance they've been doing around each other. That's the reason they're a part of the plot: they exist to demonstrate the way Aziraphale and Crowley might have succeeded in forging a better dynamic. Sadly, the boys' dance is too practiced and they got sucked right back into it.

It's okay, I think, that Nina and Maggie's storyline never really went anywhere. It wasn't supposed to. It's an allegory, not something that needs to stand alone.

[ineffable-suffering]

The meaning of "I forgive you"

Alright, hello again, I involuntarily dipped for a bit because real life outside of this lovely Tumblr Good Omens bubble got a little bit stressful, but! I'm back for a quick little post to say that I'm currently reading the script book for Season 1 and seeing this line again, spelled out on paper, just shone some more light on the whole „I forgive you“-scene of Season 2 for me again.

Because really, this first time Az says it to Crowley in front of the bookshop tells us exactly what the second time during the Final Fifteen means.

Aziraphale is not forgiving Crowley for kissing him. Or for using this moment to confess and make things explicit between them.

No, Aziraphale is forgiving Crowley for not trusting and believing (in) him.

Let's shove the Final Fifteen to the side for a second and look at this scene from Season 1 under the cut.

The situation at hand: The World is ending, with utmost certainty. In addition, Crowley is absolutely f*cked and Hell is out to get him. He tries to apologise for their Bandstand fallout and explain the other two things to Az (poorly, but he tries). Because to Crowley, Armageddon is a done deal already. Wherever the actual Antichrist is, he's gonna come into his power and the World will be wiped out for Heaven and Hell to wage their war on. Also, Hastur is coming to kick his demon ass. Time to dip!

And yet, Aziraphale doesn't want to come with him. He is adamant that he will be able to reach the Almighty, talk to Her and turn this around. Because if Aziraphale, Guardian of the Eastern Gate, thinks there's even the slightest, tiniest morsel of a chance that he can turn things around the right way, he will do it. Even if it sounds ridiculous. Even if it's a lost cause to everyone else. Even if all the other angels gang up on him and (literally) beat him up.

Even if Crowley calls him stupid.

Aziraphale decides not to be offended by this.

Because this is what he does. This is what a Guardian does. He stays and protects to ward off the intrusion, until the very last second.

Now listen, I'm the last person to blame Crowley for intrinsically wanting to choose Flight over Fight in this very situation, because Lord knows (literally) what happened to him back when he chose Fight and lost.

But at the same time we have to keep in mind that despite his last name, Aziraphale never Fell. He never made the horrible experience of being chucked away by the one who made you to love Her because you chose to question her ways. And yes, in so many ways this choice of his, to still believe that he can change something by questioning and suggesting (both here and in S2), is utterly maddening and hurtful to Crowley. Because it's a mirror of what Crowley himself did and a reminder of just how big the price he had to pay was. Aziraphale seemingly not realizing or understanding this stings. It does.

And yet.

Yet Aziraphale's choice to not take no for an answer, to not let a punch to the gut derail him from his plan, to not let even the most definitive thing such as Armageddon keep him from fighting back, is the one thing that ends up saving the World.

Because even when it all seems impossible and completely hopeless and bloody Satan himself is erupting from the pits of Hell, ...

... Aziraphale picks up his sword and fights back.

And he wins.

Not without help, of course. But might I remind you of what got Crowley to cooperate and not simply surrender like he'd almost done that second?

You might not see it at first, but tucked in between all the posh hedonism, hidden away underneath that tightly buttoned waistcoat of his, Aziraphale is a fighter. And a good one at that. I mean, for Someone's sake, he got discorporated, beamed himself down back to Earth, found Crowley somehow, possessed a psychic prostitute (love you, Madame Tracy), rode a scooter all the way to Taddfield and fought off Lucifer with sheer willpower (and a bit of emotional coercion).

Aziraphale can fight. Smart and hard. And not only that: He can win, too. And he knows it. Because he believes, truly, firmly and wholly, that he can make things right. It's the only thing he will settle for. This, ladies and gents, this is how he ends up saving the World, together with Crowley, Adam and the rest.

Because he didn't accept no as an answer. He didn't look at the impossible and accept it as such. Even when Crowley thought him to be an idiot for trying and even after his initial attempt at talking to God had failed, Aziraphale still found a way to stop The Big Bad Thing from happening.

Which is exactly what his plan is when he ends up being forced to come back to Heaven by the Metatron. (If you still believe this was a voluntary choice, read here). And which is exactly why he is so hurt and still ends up forgiving Crowley for the fact that Crowley doesn't end up coming with him. Doesn't end up understanding, trusting and believing (in) him, just like all the way back at the end of the World in Season 1.

Aziraphale decides not to be offended by this.

[actual-changeling]

This post is going to show you the EXACT moment that tear forms with indisputable evidence that consists of several screencaps, detail shots, and slowed down video proof, which will be at the very end.

The tear and I are getting married, her name is Trina and I love her.

Let's get right into it. Be prepared for uh. Very painful facial expressions! And tears (at the end).

We're going to look through the final fifteen chronologically with pit stops at important emotional points that I think would make sense to cause a tear.

As you can see, we go into this argument with mostly dry eyes, a little glistening here and there but those are NOT tears. Probably just the contacts plus the lack of blinking making his eyes a bit more moist than your usual pair. The tear will be obvious.

Obvious disbelief when Aziraphale tells him about the Metatron's bullshit, yes, but Crowley soldiers on through.

Now a scene that I personally thought would be most likely to cause tears - "tell me you said no". However - his eyes stay dry! Both before and after Aziraphale's non-answer. No tears.

The best spot to look at is his waterline, and as you can see it's free of any sad tears.

We have reached the "go off together" stage, Crowley is yelling, they're both emotionally perturbed, a very good foundation for tears. Yet when you look at his eyes during and right after, they're still dry!

We are now right before Crowley says "you can't leave this bookshop" and when he does BOOM the tear is suddenly there!

This is what our tear looks like, and we have a very narrow time frame during which it can appear. So it is time for the grand reveal because by now you're probably yelling at me "okay but WHEN does it show up??"

I will tell you. Or rather, I will show you first and then tell you what Aziraphale said right before that triggered it. Ready?

There it is. Left - no tear. Right - tear. (no i will not make the trivago joke again i want to but i wont.)

Come with me! To heaven! I'll run it, -> no tear yet. It appears after the next part.

you can be my second in command THAT is what causes the tear to finally show up. Right as Aziraphale finishes his sentence you can watch as it appears.

As promised, here is the video evidence, slowed down by half and zoomed in on Crowley's face at the end.

Alright, have you seen enough tears? Good! Let's look at the emotional reason. Because your question is probably what is so special about that sentence that it tips Crowley over the edge?

That one sentence, that one "promise" Aziraphale makes him, destroys everything. All of it in one go.

It is not just about Aziraphale choosing heaven over him, it's not about him saying no to running away (Crowley probably saw that coming anyway). What Aziraphale does is he takes them, their us and eliminates it.

Not just is he telling Crowley that he's an evil demon tm who needs to be an angel to be worthy of staying in Aziraphale's life, but "second in command" takes that even further.

Not "ruling together" or "ruling side by side" or any variation of those. No, Aziraphale is telling him that they are not equal and never have been. That Crowley has always been inferior to him and always WILL BE even if he stops being a demon and does what Aziraphale wants.

This is why Crowley no longer things of them as an us after all of that. Aziraphale took every single meaning it had and inverted it, crushed it up, and then threw it away.

Yeah.

Crowley is telling him he is gay and in gay love with him. Aziraphale takes that and says "you can be my employee at gay conversion therapy which i will run #straight besties".

Crowley hears "second in command" and it is the last puzzle piece falling into place. It's the final straw and that is when we get the tear. Before that he was saying we can be together, be an us, just the two of us, you and me. He was referring to them as free equals who don't need heaven or hell, who are happy with everything the way it is. An Aziraphale who loves Crowley no matter what his former occupation might have been.

We could have been us. (I wanted us to be an us)

And Aziraphale's answer to that is there has never been an us and we never will be. i don't love you the way you love me.

Anyway, see y'all on my next angst post or in the tags. Have another devastating screencap to wrap this all up nicely 💚

[beauspot]

Thoughts on my second watch of Good Omens 2

i heard the fly buzzing in my first watch but didn’t know why and now i know

Maggie my sweet darling angel baby i love you

Aziraphale turning their car yellow

crowleys “no more dying” in extreme scottish.

Disposable Demon i’ll save you from these awful people i promise 😭

Aziraphale’s little smile when he says “smitten” to Crowley

i wonder if crowley was especially hurt because aziraphale seemed to be able to forgive gabriel who tried to kill him but can’t seem to forgive him being a demon.(still seeing all of this as a metaphor for internalized homophobia, like aziraphale knows he’s not the perfect angel he wants to be and he’s projecting his feelings about that onto crowley)

I can’t believe we got an actual ball. like pride and prejudice, bridgerton ball.

the beautiful score that started playing when aziraphale brought the chandelier down

i didn’t even realize that when they walked in the outfits changed. mrs sandwich made me realize(also i love her)

Nina being the only one to question the weird magical shit Aziraphale and Crowley do sends me so bad.

Season 2 took everything i liked about the first season (aziracrow, queer subtext, gay people, archangels, and beelzebub) and expanded on it

The adorable smile on Aziraphales face when he asked Crowley to dance 😭 he’s so pure(i should have known something was up, everything was going too well)

Crowley saying i won’t leave you on your own and Aziraphale saying i know 🤒

why isn’t aziraphale able to miracle nina and maggie??

crowley and mrs sandwich flirting. too cute

crowley saying he’s neither nice nor a lad.

crowleys little run in heaven when he’s following muriel

maggie giving the middle finger to the demons and laughing in their face when they tried to belittle her. queen

defensive aziraphale is so badass. just because he’s soft doesn’t mean he can’t stand up for himself or the people he loves

the random guitar solo in the final episode theme is so bizarre to me. why is it there?

ahh the raining hearts symbolizing crowleys vavoom plan!

crowley’s heavenly outfit not being white but “light grey”

the relief in aziraphale’s voice when crowley came back 😀

also him mumbling about the halo like he did with the sword 😭 but he sure loves to boast about the things he’s done right to crowley

aziraphale and crowley doing magic together has the power to set off alarm bells in heaven and they barely tried, they’re just in sync

saraqael was such a good addition to the cast.

crowley smiling at aziraphale going off on the angels and demons

“where beelzebub is, is my Heaven.” 🥹

the little knowing look after crowley mentions alpha centauri

the way they just interrupted michael’s speech by leaving 😭

i think that aziraphale was about to ask crowley to move in but that’s my opinion

the look the metatron gave crowley is so strange. i don’t like that

“JUST US. NOT YOU.”

“You’re not helping, angel.”

the softness in aziraphale’s voice when he talked about making crowley an angel again? how can you hate him! he thought he was doing the right thing!

also the miscommunication these two have is completely out of hand because crowley asked aziraphale if he said no and aziraphale hadn’t given an answer AT ALL to the metatron. the metatron told him to take his time. he went back to tell crowley the news first.

crowleys confession makes my stomach hurt. the way his voice broke when he said “we’ve spent our existence pretending that we aren’t.”. the way he had to force himself past his anxiety to tell aziraphale he wanted to spend eternity with him? fuck.

the way aziraphale tells crowley to come with him. like and through all of this they are losing each other, oh my god.

“i need you!” god aziraphale punch me in the face next time why don’t you?

i feel like in all this anger towards aziraphale a lot of people are ignoring that he put himself out there too. he was telling crowley he needed him just like crowley was

“no nightingales.” FUCK YOU GAIMAN

the way aziraphale touched his lips after. dear GOD. someone get michael sheen an emmy

seeing aziraphale struggle against his wanting to kiss crowley back and his fear and wanting him to come back to heaven further supports my internalized homophobia analogy

also even knowing the kiss was going to happen because of the spoiler it still didn’t quell my shock. nor did it ruin the scene, i think it actually surprised me more because it did not happen how i thought it would.

side note i saw some people saying they thought the kiss was going to be a cop out in some way. like a body swap or as a joke and i don’t really know why?

it just occurred to me that both aziraphale and crowley thought the other one was just doing that thing they do where they say they won’t help, or they’re on their own but they eventually come back not knowing that the other was completely set on these plans they had. this wasn’t like armageddon or saving gabriel.

the second coming…of jesus…

crowley cutting off “a nightingale sang in berkeley square”...i’m gonna jump

this being the ending for the next 3-4 years. oh.

[nofomogirl]

We need to talk about body snatching

I'm not a massive fan of the 1827 minisode - if you're curious why it bothers me, I've explained it in my post about two GO canons - but there's no denying it does an amazing job at exploring the complexity of morality and moral choices. It starts with a very black-and-white two-dimensional image and gradually adds shading and perspective, making it harder and harder to judge as we go along.

I think it's worth digging into (pun not intended but I'll take it).

Layer 1: body snatching bad

We learn someone did something

It's those first few seconds where we see a person robbing a grave, and since we know that robbing graves is a crime and generally not a good thing to do, we can quickly form a tentative conclusion that this is wrong.

Okay, in this exact instance, we immediately get enough context clues to see that this kind of judgment would be oversimplistic and superficial. Only Aziraphale, who for some reason acts as if it was his first day on Earth after a thorough memory wipe, is ready to condemn Elspeth based on just that.

Nevertheless, this is the first layer - the deed itself with no context.

Layer 2: body snatching acceptable

We learn about the person who did the thing

That's the whole journey with the first dug-up body where we get to know Elspeth and become privy to her circumstances - she's desperately poor, she has another person depending on her, she robs graves to survive. Aziraphale's suggestions that she might earn her living by selling books, weaving or farming just serve to prove how inaccessible more honest and dignified professions are to her. In turn, her comment about how she's not hurting anybody who isn't already dead hints that from the realistically available options, Elspeth could have chosen something much worse.

Technically this layer is a significant step up from layer 1 but it still isn't really challenging. Things are spelt out really loud for us, and most importantly everything we learn about Elspeth is just attenuating circumstances. To top it off both she and Wee Morag are immediately endearing. The takeaway is that sometimes things that in theory are bad can be excused which is important but the verdict still comes without any second thoughts.

Layer 3: body snatching complicated

We learn the larger context around the thing

This mostly happens when Aziraphale and Crowley discuss body snatching with Mr Dalrymple. We learn that the stolen corpses are used for a medical study that can advance human knowledge and make it possible to save living people and that surgeons have no legal means to obtain enough of them for their research - hence their need to buy them from body snatchers.

At first glance it's just more of what we got in layer 2 - more agruments in favour of body snatching that aren't all that nuanced and don't really give us any pause - just from a larger perspective, beyond Elspeth's individual experience. But if you glance more than once you'll notice this is when things stop being straightforward and easy to judge.

The moment we enter a proper grey area is when Aziraphale asks why Mr Dalrymple doesn't acquire the bodies himself. This is a very valid question - while we might easily agree that studying the human body to further medical knowledge is a good thing, and with just the slightest hesitation admit that it's acceptable to resort to using stolen bodies if that is the only way the research may continue, it's not as easy to excuse taking advantage of the poor and the desperate to do the actual stealing that we know is very dangerous.

The moment we know without a doubt we are in a proper grey area is when Mr Dalrymple laughs at Aziraphale's concern.

Objectively, the surgeon is right that it's more effective if he doesn't risk his own life in the graveyard and uses his time on actual research, teaching students and saving lives. But it's also clear he doesn't exactly see people like Elspeth as actual human beings and feels he has every right to use them. On the one hand, he is paying, on the other, he happily benefits from the cruel class system and is not even one bit remorseful about it. On the one hand, he takes risks too, on the other he has a chance of rewards Elspeth will not benefit from. It's not the poorest whose lives will get bettered by the progress of medicine, even though they're the ones who pay with their lives for that progress. And if Mr Dalrymple gets lucky and is knighted for his work (we know he wasn't in the end but it was a possibility), the poor still won't be pardoned for stealing for him. Nevertheless, he has no issue with that.

As I said, things get nuanced.

Layer 4: it's different when it's someone you know

The thing actually happens in your life

I think you'll all agree that the turning point of the minisode is when Elspeth decides to sell Wee Morag's still warm body. This is what finally leaves us speechless.

That's because up until now we've been approaching the issue intellectually. It's not that we didn't care about the characters, but we were allowed to keep a safe distance. The whole thing was like a problem to be solved - "Is body snatching right or wrong? Discuss in 500-1000 words" - and everything we've learned so far was data for this assignment. I believe that one of the reasons why this detachment came naturally was that there was a very thick line between people involved in body snatching and the bodies that were being snatched. The former were, well, people, obviously. The latter were inanimate objects.

It isn't until Wee Morag is to be sold that we are forced to see a person in a dead body. This is also when real emotions enter the equation.

This shift forces us to question our judgment for the first time. It was easy to justify Elspeth when she was selling a nameless corpse. But the fact that she decided to sell her closest companion - and most likely lover - shocks us. Something inside us strongly objects to how quickly she makes the decision.

And then there's the transaction, and it is also different when it's someone we know. The fact that we knew Wee Morag fully exposes Mr Dalrymple for the heartless jerk that he is. The way he treats Elspeth is the absolute worst and if you haven't realized he was a hypocrite earlier, you should be disillusioned by now.

But at least Elspeth is not a hypocrite, right? It may seem cold that she sold Wee Morag but it just proves she simply believed it's all right to sell a dead body, doesn't it?

Well, about that...

Layer 5: it's different when it's you

You are forced to face the thing happening to you

This layer is reached when Elspeth plans her suicide and asks Aziraphale and Crowley to bury her "somewhere where no ghouls will ever dig her back up again".

It turns out Elspeth McKinnon really was a filthy liar.

Not long ago she was insisting that body snatching doesn't hurt anyone who isn't already dead, and asking why she should let Wee Morag rot in the ground when she starves. But she wants to make sure it doesn't happen to her own body. The idea that someone might dig her up terrifies her and she calls people who do it ghouls. So why was digging up other people okay again? Why should she rot in the ground while other people suffer? There were other people living in the street where she and Wee Morag hid. Why not ask Aziraphale to give the money to them? Or just anybody in need? Why not ask to sell her body as well and use the earnings the same way?

Also, if you look at it from a certain perspective, Elspeth betrayed Wee Morag in the worst possible way. Wee Morag believed that if someone's body gets cut, that person's soul cannot enter Heaven. Yet Elspeth sold her to Mr Dalrymple, claiming that Wee Morag would have wanted her to have the means to survive. Perhaps she was right. Perhaps Wee Morag would have made that sacrifice. But then Elspeth decided to kill herself and use the money she got for Wee Morag's body for her own funeral.

But does it make Elspeth wicked? Certainly not. She's simply torn by grief. I seriously doubt she's been planning to commit suicide when she was taking Wee Morag to Mr Dalrymple. She might have genuinely tried to carry on but the reality of what happened caught up to her. Mr Dalrymple's cruel words certainly didn't help her cope with a personal tragedy. I even suspect one of the reasons she sold her friend was that she had no idea what else to do with a dead body.

Does this excuse her actions? Kind of, but not really.

Elspeth was a tragic character, not an innocent lamb with a heart of gold.

The point is - can any of us really judge her?

Which, coincidentally, is a question that the original Good Omens book toyed with quite a lot.

If you've reached this far, thank you for reading!

[kimberleyjean]

Good Omens S1 Parallels - 1/?

Saturday Morning Funtime is a particularly interesting episode for me, because it suggests something about the structure of parallels Season One. Also, it's easier to start with a single episode than trying to cover the whole show at once. I'm going to show you six different scenes from Saturday Morning Funtime and how they link together.

Let's start with the pun pointed out by Danny Motta in his video (link here to relevant timestamp if you haven't seen it). Danny made the link between this scene near the start of E4, where Aziraphale gets exercise:

And this scene at the end, where Aziraphale was exorcised (according to Shadwell, at least):

Cool, seems like a funny pun. But there's no way to know it was intentional right? Well, I think I can argue it was. Let's look at another scene.

We have this scene where Hastur destroys 3 Erics on the plains of Megiddo. Since each demon has a corresponding animal, I'm going to go ahead and place bets on the Eric's being rabbits, and Hastur destroys 2/3 of them.

And then later we have this scene where Hastur again destroys 2/3 rabbits, but this time they're cartoon bunnies - the first one he beheads like a costume, the second he rips out it's throat.

Ok, but again, why am I linking these two scenes? No deep character insights, or thematic elements are being displayed here... Except that's a key reason I'm pointing them out - they're seemingly pretty pointless, so why bother to make them? Well, maybe the sum is bigger than the parts. One more example and then I'll show you how this comes together.

Here's a scene which I think is pretty good foreshadowing of something that will happen later in the episode - Hastur and Ligur talking about the dripping pipes down in Hell. Hastur has a little bucket he's collecting water in, which he uses in a toast:

And later, we have this particularly gruesome scene of Ligur becoming toast at the hands of a bucket full of (holy)water:

Ok, so six scenes, three sets of parallels... now's where the magic happens... I take E4 as a whole... loop it over on itself like a piece of trick rope from Goldstein's magic shop and....

Tada! Here's the episode laid out in 2 minute increments.

Some pretty interesting places to have parallels, no? That two minute block at the start is a lead in before the opening credits, so the Exercise and Exorcism scenes are coming directly before and directly after the open and close sequence (shown above in blue).

I'd be lying if I said it didn't remind me of the overall chiastic structure that some people have worked on, such as this one by @drconstellation, just on a smaller scale.

It's also interesting to note that each of these parallel pairs relates to someone getting discorporated - Eric, Ligur and then Aziraphale.

What's the point?

So, I promised that I would share a little on why this might be important. In my opinion? It appears like there is some detailed structure to Good Omens, at least in S1.

It should also be noted that these scenes were added only for the show in order to produce this effect - Aziraphale exercising with Gabriel, Hastur and Ligur talking about the pipes, the three cartoon rabbits in the theatre - they were all newly created for the show.

Why go to the bother of creating these little parallel moments at corresponding points along a mirrored structure? Especially when these don't necessarily have ramifications for characters or plot? Is it just good story telling or is it something more? These are all questions worth asking in my opinion. I think it relates to how this show treats words and language in a very Pratchetty fashion. The whole show is a dedication to Terry, after all.

Of course, if things were so simple, I think we would have figured it all out long ago. Parallels, puns, wordplay... they're all quite slippery things. There are things I would consider to be parallels which don't line up with this same structure. For example, the scene from earlier with Gabriel and Aziraphale exercising? The "lose the gut" gut-punch foreshadows this other gut punch scene in E4 too:

Despite examples to the contrary, the presence of parallels and wordplay that do line up along a mirrored structure makes me want to explore this further. If you're also interested in this and want to collaborate, please let me know.

This will be a continuing series, as and when time allows, because parallels seem to be absolutely everywhere. Future posts will look at parallels at different levels (within scenes, across episodes, and across seasons).

Let me know if you spot any others - I'd love to hear about them. They might be hidden in the visuals, wordplay, puns and more...

----------------------

With thanks to all the detectives for keeping me clue hunting @embracing-the-ineffable, @theastrophysicistnextdoor, @noneorother, @somehow-a-human, @komorezuki, @maufungi, @lookingatacupoftea, @havemyheartaziraphale, @251-dmr, @dunkthebiscuit, and @ghstptats <3

[kotias]

Ineffable Rockstars

Time to properly become creatively feral about the Ineffable Rockstars project with @vavoom-sorted-art, @searchingforakeythatdoesntexist , @daneecastle, @moonyinpisces and Stitcherydoo!

Summary of the story: human!AU, Crowley and Aziraphale are rockstars in their respective groups, Celestial Harmonies and Hell's Rebuke. Word is out that those two groups have bad history together, and therefore the two of them, while shamelessly talking to each other any festival they get to meet at, do have to be careful about being seen together by their own bands.

Summary of this excerpt: Aziraphale explains the story of the two bands to Crowley, who has arrived after everything went down and was kept in the dark by his mates.

Lyrics: written for the purpose of this fic.

Word count of the excerpt: 872 words

Excerpt:

Crowley sat down next to Aziraphale, whose eyes laid probably a second too long on those long fingers, on this chest showing so proudly from behind his open shirt- He coughed and drank a large gulp from the flute, clutching at the glass like a lifeline.

“It’s- it’s alright. Are you feeling comfortable? How was the concert?”

“Hah, acting like I didn’t see you in the audience, are ya?” Crowley asked with a smirk, and Aziraphale looked away, feeling the heat building up on his face.

“Well, we do need to keep it silent, don’t we?” he answered nonetheless with a coy smile, sipping on his drink.

“Why, though? It’s completely beyond me; Bee recruited me right after the split between Celestial Harmonies and Hell’s Rebuke, but there’s always been… you know, a feeling that it didn’t happen for no reason.”

“They haven’t explained it to you?” Crowley shook his head, and Aziraphale sighed. “No wonder you’re lost. Well, to put it simply… Hell’s Rebuke’s members were part of Celestial Harmonies, a few years ago.”

“Yes, I know that-”

“Let me talk, please; I would like to make sure we work with the same information.”

As he began explaining the official history of the two bands, he was cut by a thunder of clapping as the concert was coming to an end, and he and his counterpart felt compelled to stand up and join the applause.

When you reached Summer,

You lost sight of the star lights,

Questions died in your throat,

Cursing a future that is naught

And the night falling upon you

Left you laying awake with open eyes.

After two encore songs and enough clapping to make their hands and wrists sore, Crowley and Aziraphale walked towards another scene and stayed in relative distance, ensuring that they would hear each other. “So, you were saying, Hell’s Rebuke and Celestial Harmonies.”

“Ah! Yes; so, this is fairly public knowledge.” Crowley nodded impatiently. “At least, it is not something that we are actively hiding, neither of the two groups; somebody who knows how to Google us would be able to find this information.” Aziraphale frowned, crossing his arms. “Honestly, that is why it concerns me a little that you have not been informed of this; it is a fairly common question that people are trying out on us, asking about the other group to see how we react. Anyways-”

The vendors just a few metres from them had started cooking a few crepes, and Crowley did not miss the eyes darting towards them. “Want some? C’me on, it’s my treat,” he insisted as Aziraphale’s eyebrows raised -and it was obvious that he wasn’t going to refuse such an offer.

“Well, if you insist,” he answered, the corners of his lips curling up and his eyelashes fluttering; Crowley’s heart missed a beat, his fingers pressed against his flute, and he barely managed to keep a groan from reaching out of his mouth.

“You do have to tell me more, though; ‘specially if you think my ignorance could bite me in the ass.”

“Yes, of course.” Aziraphale’s voice dropped as they reached the line, keeping it to the level of a private conversation. “Bee and Gabriel were… an item.”

“Oh, excellent start. If that’s only the beginning, I might have to stock up on popcorn with that crepe of yours.”

“Heh, well, it might be one of the more interesting aspects of this entire story, so do not keep your expectations too high.”

“No, no, don't kill my hopes, now. Go on, tell me everything, I’m sure it will be full of riveting details, Bee’s never been good at keeping things tidy anyways.”

Aziraphale groaned. “Oh, you should see Gabriel when he gets involved… Ah- one crepe with sugar, thank you,” he said with a bright smile to the vendor. “Alright, so- long story short, the band was originally founded by the two of them; excellent musicians those two are, and the band did have quite the promising future before it. We started having a fairly good reputation.”

“Black coffee and a serving of fries. The name’s been around for a while now, that’s right- I remember seeing it ten years ago on some festival announcements in my city. Cash, thanks.”

“We have, yes. We were very local for a long while, but…”

“What changed?”

“Gabriel and the others were wishing to go professional; Bee and who are now Hell’s Rebuke were not willing to do that.”

“Ah, I see. Well, they didn't change much in that aspect,” Crowley mumbled sourly, extending his arms to grab the crepe and coffee. He gave the dessert over, then took his serving of fries, and they left the vendor’s stand. “Wait, where did you stand? You stayed with Celestial Harmonies, after all.”

“Hm, well…”

That did not sound like somebody who was fully happy to have stayed, Crowley thought, and he crept closer to Aziraphale, nudging him with his elbow. “Come on, spill the beans! Honestly, I’m looking to go in that direction, if there’s anything I should be aware of…”

“Being professional was, and still is, something that I hold dear,” Aziraphale explained, his slow speech feeling heavy, like he was choosing every word carefully.

[tanpopomugishu]

I'm trying my hands at Reverse Omen AU.

Even as an angel, Aziraphale's bratty attitude and penchant for indulging in worldly pleasure were pretty obvious. Imagine him as a demon. With the freedom to do and say anything he wants, I'm pretty sure he would be excellent at temptation. With his eloquent speech and ethereal looks, he leaves a trail of broken hearts everywhere he goes, as demons are supposed to do, I guess.

While Crowley, as an angel, will probably still have his rebellious and angry nature, he's, as always, repulsed by the absurdity of heaven, but at the same time, he still has to hide his contempt in fear of heaven making him fall. Watching his fellow brethren, especially Aziraphale, fall into hell in the great war still traumatises him. He somehow always finds a way to evade his duties to have fun with Aziraphale while being stationed on earth.

----

Aziraphale's animal inspiration and more details under the cut

Aziraphale's animal form is an albino screech owl, which means that even as a demon, his wings will stay white in colour. Albinism is quite a common condition that also afflicts humans, even with his red eyes, he could easily blend in between them. On a second thought, with his overall bright colouring and the way he dressed, probably not, but at least no one will question if he's a human or not. 

I gave Crowley bright amber eyes, a mesmerizingly rare eye colour that stood out, and long hair that he could style however he liked. With his taste for quality clothes, he's definitely attracting attention wherever he goes, which is not ideal when he's in the middle of a secret mission.

tl;dr They are fabulously gay..

----

🖌

I had a lot of fun creating their characters, what is not fun is drawing and rendering that bloody throne. 1 star would not recommend.

Also, I thought I was going to take a break from drawing, because I ran out of inspiration, but this idea struck me out of nowhere, and I had to draw it before I forgot the details. 😂

@goodomensafterdark

[ennas-aesthetic]

What the fuck is Jesus up to in Good Omens season 3?

This is a question I've been thinking long and hard these past couple of days and I have some THOUGHTS SO. Buckle up.

Aziraphale and Crowley watching the Crucifixion (Good Omens, 2019)

First off. The answer to the question posited is relatively simple. What is Jesus up to in GO3? With s2's ending in mind and with the hints we've gotten for 668: Neighbor of the Beast over the years, we know he's descending to Earth to initiate the Second Coming. And that Aziraphale would probably make that happen - or do everything that he can as Supreme Archangel to sabotage it.

But I wanted to examine on how Jesus might fit into Good Omens' overall narratives and established themes - about morality and humanism and free will, and. I'm just saying, there are A LOT of fascinating routes they could do for his character.

(Disclaimer as usual: this is a theory that I obsessed over when I was stuck at the cemetery during All Souls' Day and must be treated as such. In no way am I insisting this should be how canon events must happen. I am just doing this for the funsies.)

The THING about Jesus if you situate him in the world of Good Omens (with the assumption that most of the pop culture Christology mythos associated with him remain intact) is that in this context he very quickly becomes: 1. Adam Young's narrative foil; and 2. an Aziraphale parallel.

Now, the first one is obvious. Of COURSE he is Adam Young's foil, duh. Adam isn't called the ANTICHRIST for nothing. Brought into the world just for the sole purpose of ending it. However, when the time comes for him to fulfill the Will of his Satanic Father, Adam flat out REFUSES.

Both the book and the show attribute this to Adam's human upbringing. He was raised as a human, and because of that he has the trait that the book uses to DEFINE human beings: free will. At the end, Adam had the AGENCY to reject the destiny planned out for him.

'Adam stood smiling at the two of them, a small figure perfectly poised exactly between Heaven and Hell.

Crowley grabbed Aziraphale's arm. "You know what happened?" he hissed excitedly. "He was left alone! He grew up human! He's not Evil Incarnate or Good Incarnate, he's just… a human incarnate—"'

- (Good Omens, 1990)

That is NOT what happened to Jesus.

Adam Bond as Jesus in Good Omens (2019)

Like Adam, he was raised as a human -- being a human incarnate was his WHOLE DEAL in Christology. In the beginning was the Word, and the Word was made flesh and dwelt among us... yada yada yada.

UNLIKE, Adam, though, Jesus wasn't able to REJECT his Destiny of Dying Really Horribly and Painfully on the Cross. Narratives in the Bible also made it clear that the Crucifixion was NOT his Will, but that of God's. Like... him begging to be spared from torment but ultimately following God's Will is such an important event entire devotional practices are made out of it.

"39 And he went a little farther, and fell on his face, and prayed, saying, O my Father, if it be possible, let this cup pass from me: nevertheless not as I will, but as thou wilt."

- (Matthew 26: 39, KJV)

We get a glimpse of that in s1ep3 of Good Omens, too:

"JESUS

(muttering through the pain)

Father, please . . . you have to forgive them . . . they don’t know what they are doing . . .

Crowley, in black, comes up next to Aziraphale.

CROWLEY

You’ve come to smirk at the poor bugger, have you?

AZIRAPHALE

Smirk? Me?

CROWLEY

Well, your lot put him on there.

AZIRAPHALE

I am not consulted on policy decisions, Crawley."

- (The Quite Nice and Fairly Accurate Good Omens Script Book, 2018)

SO. Here we have the character of the Christ whose free will and agency had been STRIPPED from him in the guise of a "noble sacrifice." He comes back again on this Earth to fulfill another "inescapable destiny."

Aziraphale and Crowley need to stop him. The solution the Good Omens narrative offers to "inescapable destinies and systems" (both in s1 and s2) is for the character to realize they have the freedom to choose their own fates. It happened with Adam, and it happened with Gabriel, and perhaps it will happen to Jesus.

(At this point my sister frowned and said: "Are you telling me you think Aziraphale and Crowley are going to help Jesus realize he has agency and that him Dying on the Cross for the 'Great Plan' was kinda fucked up actually?" which sounds crazy when you put it like that BUT NEVER SAY NEVER BABIE.)

Because that brings me to my second point: if this all happens, Jesus becomes an AZIRAPHALE parallel.

In the same way Anathema is an Aziraphale parallel and Sergeant Shadwell is an Aziraphale parallel. Here is a character stuck in a suffocating status quo. To save the world, he needs to know he can escape that status quo and decide for himself. In the same way Anathema has to learn how to stop being a descendant or Shadwell to stop being a Witchfinder, or Gabriel to stop being an Archangel, and Adam to stop being an Antichrist, perhaps Jesus has to learn he can stop being... Well, the Christ, as well.

And this, of course, supplements Aziraphale's journey of letting go of the idea of being an idealized vessel of God, so he could finally enjoy the freedom of personhood and choice on Earth, with Crowley.

Or they could turn Jesus into a cackling villain who Aziraphale and Crowley need to kill in season 3, and I'd probably eat that up, too.

[aziraphales-library]

Hii mods

I was wondering if you had any fics where azi and Crowley are on tv shows?

Like I’ve seen ones about them on strictly, would I lie to you, antiques roadshow, bake off, the office, but it’s super hard to find fics like that because I’m not aware of there being a specific tag for stuff like that ? (Apart from human Au ig).

Thank you for everything you do on here btw lol :))

Hello! We have an #actors au tag you might be interested in (which includes Slow Show, so there's no need to add it in the notes!). Here are some TV show fics outside of the ones you've already listed...

First dates by Amyk89 (M)

Do you know that reality TV show called First dates? This is a human au, where Aziraphale goes on that and meets bartender Crowley there. If you haven’t seen the show, it’s just about 2 people going on a blind date, then at the end of their first date, the host asks if they want to go on a second date. It’s super awkward. But just imagine how awkward it’ll be when you’ve been flirting with the bartender the whole night?

666 Heartbeats by AppleSeeds (T)

Aziraphale is a contestant on his favourite game show, 666 Heartbeats, where the amount of time he will have to answer the questions is dictated by how fast his heart is beating. If he wants to win big, he'll just have to stay calm. Easier said than done when he has an enormous crush on the host, who won't stop reassuringly touching him.

A Narrow Escape to the Country by shaggydogstail (T)

Crowley and Aziraphale appear as house hunters on BBC daytime institution, Escape to the Country. They are incredibly annoying. Sympathies, please, for the unlucky producer who is not getting paid enough to put up with their nonsense.

How to Win a Lifetime Achievement Award for Services to Television (and how not to) by GaryOldman (T)

Crowley hosts a late night comedy talk show. Aziraphale hosts a feel good morning talk show. When Crowley is asked to present Aziraphale with a lifetime achievement award, everything goes a bit skew-whiff. ----- Normally when I don’t get something that everyone else seems to be mad on my first point of call is the wonderful world of the internet, but we’ve had a falling out you see, the internet and I. Despite my many years as late night show host meets investigative journalist meets comic genius meets veritable sex god (though Wikipedia only acknowledges the first of these accomplishments, despite my many attempts at editing the listing) they have turned on me. I’m a gif. And a meme.

Dating in the Dark by miraworos (E)

Anthony J. Crowley, owner of a failing joke-shop, and Aziraphale, bookshop proprietor with an overbearing family, meet as contestants on a blind dating show. They form an instant connection as roommates but soon find themselves at odds as they compete to win the top spot, and the favor of the same lady.

Married at First Sight by Aracloptia (T)

“Well, that was a thing,” Crowley said once they were out of earshot. Without talking about it, they were both heading down the field, towards the lake where the photographer (and likely a few more people from the TV crew) was waiting. “That was a wedding,” Aziraphale replied, surprised at his own annoyance that somebody called a wedding a ‘thing’. “Yeah, obviously, didn’t miss that part,” Crowley said with a shrug, and waved abruptly in Aziraphale’s general direction. “Neither did you, from the looks of it, since you’re dressed like a wedding bride and everything.” “Excuse me, I am a—“ Aziraphale stopped himself, and started over. In which Aziraphale ends up marrying a rude stranger who wears sunglasses.

- Mod D

[amuseoffyre]

I’ve seen a lot of posts about Az being controlled by the Metatron but I don’t buy it. 

I'm fully on board with Aziraphale making stupid decisions for what he believes is the greater good. We've had evidence time and again of him wanting to get Crowley back on the side of angels so he'll be safe. "they'll destroy you"/"they'll kill you" was his biggest fear all through S1 and that fear hasn't gone away, especially now the neutrality protection has gone from the bookshop and Heaven and Hell can both get in.

You'll notice he said "I don't want to go back to heaven" until the moment the Metatron tells him that it means he could guarantee Crowley's sanctuary and safety. And this is not ten minutes after the rest of heaven's archangels were planning on wiping Aziraphale completely from the book of life and leaving Crowley alone? The Metatron didn't have to threaten Crowley. The threat has always always been there. Aziraphale didn't choose death because he's predictable.

Trouble is that the Metatron knew Crowley wouldn't want it (he's always been an independent one, going his own way, asking questions) and is using this as something to drive a wedge between them. Because the Metatron fully admitted that "we've kept track of your history" and as Gabe said re. Armageddon "at least we know who's fault it was" that it stopped.

Together, Crowley and Aziraphale have stymied Heaven more than once. Together, they produced a miracle that exceeded the power of the Supreme Archangel and could raise the dead 25-fold. Together, their interference/cock-ups led to the failure of Armageddon and Heaven doesn’t want to risk that when they’re working up to the big one, The Second Coming.

They know Aziraphale and Crowley together would be a liability. They needed them separated by whatever means and they have it. They knew Aziraphale would want to do good - everyone knows Aziraphale is a good guy. Even Gabriel, when his memory was gone, went straight to Aziraphale because he instinctively knew this is someone who would protect him. And everyone knows that Crowley is the rogue angel. The Metatron clearly knew him and described him as someone “who always wants to go his own way”.

The Metatron played on both their fears. He also played on Aziraphale’s belief that Heaven can still be good: he came in just in time to save him from erasure from the book of life, he implied that he’s much more like Aziraphale by bringing him nice sweet things and encouraging him to imbibe them, he offered safety and protection for Crowley to keep him out of harms way. But simultaneously, he slammed Crowley’s big red horror button at the idea of being under Heaven’s thumb again. He knew exactly what he was doing.

TLDR: Aziraphale did what he always did. He's a guardian. He's doing what he feels he needs to in order to keep people safe. And Crowley did what he always did by rejecting Heaven. The Metatron used that and pressed his and Crowley's buttons to make sure he split up the dream team to make sure the next Armageddon isn't interrupted by their interference.