#and the lack of action

[aerequets]

the mortifying ordeal of being known

--

I think with Yor being so perceptive, she picks up on little things often (like we saw in ch 103). i believe this would impact loid more so than the usual person, because he is a spy and fakes every part of himself, so to be seen is simultaneously desirable and horrifying. like, it makes him torn between wanting to accept and reciprocate the love, or distancing himself so that it doesn't happen again.

thats mostly what the last panel is about, that dichotomy between 'omg this person noticed this about me, is this love' and 'oh shit this person noticed this about me, is this Doom'

just some thoughts i had🤪

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[bikananjarrus]

can i just say it felt so fucking GOOD to have good, well-executed, fast-paced (!!) lightsaber fight choreography. the fights were exciting! each character had their own distinct style that matched their abilities and size! they were fast!!!!!! hands down the best saber fights we’ve seen in live-action sw in a long time.

[july-19th-club]

a while back i read jane eyre for the first time since high school in anticipation of watching the 2006 wilson/stephens miniseries. it's incredible to reread these classic novels as an adult, because while i got all the words and understood the *content* as a teenager, i didn't at all find the book interesting or fun to read. anyway i think one of the reasons that book stood the test of time isn't so much the gothic intrigue and how fucked up rochester and his wife are . he sucks so bad in so many ways . but he keeps needing rescued from stuff and only jane can do it . he fucking breaks an ankle falling off a horse early in her employment with him and she's the one who helps him back to the house . his attic wife sets his bedroom on fire and jane's the one who finds him and puts it out before he dies of smoke inhalation . then attic wife sets the house on fire after jane leaves and the whole place burns to the ground, grievous death and permanent injuries, etc, etc. jane comes back yippee everything's okay again! austen heroes don't get wounded like that because they're far too sedate and busy engaging in social seasons and heathcliff is like not wounded physically so much as destroyed emotionally . but this dude strikes the balance for readers who best enjoy when a man is collapsing of various problems and literally cant survive a day without some governess to pour water on his four-poster so he doesn't fry to a crisp

ALSO . i particularly was interested in the passages just after jane first meets him where she talks a lot about how if he was a normal polite person, or even just like a normal Lord with like, a sense of propriety and good manor house manners, she'd have been shy and awkward and uncomfortable and would have hated him. but i think where some interpretations get it wrong is that she doesn't think his rudeness is HOT. she thinks it's good for her own confidence, in that she knows her own self-esteem and social comfort levels are so low that all the scripts of peerage and society make her crawl into herself and disappear. she doesn't know how to follow the scripts convincingly, she's been emotionally abused her whole life so she has no sense of self-worth, but he doesn't follow the script. which means she doesn't have to worry about following it either. which does wonders for her confidence levels because when she can just act in ways that make sense to her rather than second-guessing whether she will be Approved Of, she can actually be a person. and that's what she first appreciates about him: his ability to (more or less without trying or even noticing) facilitate that for her.

"The incident had occurred and was gone for me: it was an incident of no moment, no romance, no interest in a sense; yet it marked with change one single hour of a monotonous life. My help had been needed and claimed; I had given it: I was pleased to have done something, trivial, transitory though the deed was, it was yet an active thing, and I was weary of an existence all passive."

[maranull]

anyway, Elden Ring is about love and hope

Marika burns everything she has build out of sorrow

Ranni banishes the Outer Gods and also fucks off the Lands, giving agency back to the normal beings of the Lands

Fortissax endlessly fights Death for his friend/lover

Melina burns herself and Erdtree in hopes of a better world in the hands of the Tarnished

Blaidd fights against the very reason he was created out of love for his sister

Ranni and Rykard always keep an eye on their mother, protecting her

Radahn evokes so much love from his troops that they organise a whole festival to give him a honorable death even in his madness

Radahn learns an entire new school of magic in order to still ride his favourite horse

Boc's love for his mother, his mother's love for him

How all but two endings are build on the hope that this new era (whatever it might be) will be good

Miquella attempting to create an whole new world-tree to host the forsaken and the damned

Miquella turning on the faith he was raised and even believed in to an extent, when it was unable to cure his sister's curse

The Cleanrot's loyalty to Malenia and their endurance of the Rot, only to stay in her service

Malenia marching through the entire continent in search of her brother

Finlay traveling all the way back on her own, carrying the incapacitated demigod on her back

Tanith's love for Rya

Dialos' entire questline

Edgar being driven mad after his daughter dies

Vyke embracing, to a point, the Frenzied Flame in order to save his finger maiden

or you know, that's just how I see it

[knifearo]

this year my challenge for everyone is to unlearn the association between love and morality. love is not something that is inherently morally good, and the absence of love is not something that is inherently bad. sex without love isn't morally bankrupt, it's just an action. people without love aren't less kind or less good, they're just people. when we can get past this false (and often unnoticed) dichotomy of good love/evil lovelessness then i think we are going to be able to take leaps and bounds in sex positivity, aro advocacy, certain discussions of mental health...

[orb-weaving]

Recognition

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[mittenslikescats]

You know what’s more scarier than ur typical slasher or horror film on Halloween?

A white skinny guy being casted to play Cole in the live action Ninjago movie.

Now that’s fucking terrifying.

[hwoaarang]

I'm running out of time...

[kelin-is-writing]

Peoples will drive you into a corner and then call you problematic and crazy for the consequence of their actions towards you 💔

[sysig]

The familiarity is not very comforting (Patreon)

[starry-bi-sky]

Thinking about the CFAU and marveling at how much Danny and Jason care for one another. Does anybody else figure out that Danny is going to kill the Joker, or is that knowledge Jason exclusive? I can't see Danny being close enough to any other Batfam member to disclose his plans, but I wonder if he drops hints. They're a family of paranoid detectives. I'd be surprised if they don't figure out Danny has a PURPOSE for being in Gotham at some point. Whether Danny's able to disguise it as wanting to be closer to Jason or not is another burning question.

Its def Red Hood exclusive! You're right in that Danny isn't close enough to disclose his revenge plot to any of the batfam members -- hell, not even Sam and Tucker know his true motives for returning to Gotham, and they're his best friends right after Jason! And Red Hood knows only because Danny accidentally slipped up ;].

I do also think that the Waynes kinda think something might be up with Danny -- at least Dick and/or Bruce might since they're the only ones who actually know him beyond brief mentions of him. Tim knows about him due to his stalking, but doesn't really know him -- and Danny plans to keep a healthy, friendly distance from the family so he can carry out his plans.

It's not that he holds any dislike towards them -- quite the opposite. He appreciates what they do for Gotham and recognizes the hard work that goes into keeping their Rogues Gallery at bay (even if he is bitter about Joker, but there's an obvious reason for that) -- but, well. He knows they're the vigilantes, he doesn't want to risk them sniffing out his murder plot before he can even go through with it.

Luckily for him he can excuse any distance he puts between them as just being busy with life and trying to settle in, and they're not close enough to him anymore to find it suspicious. I do think they figure out he's back in Gotham for a reason, Danny's not going to exactly hide the fact that he's back to find some kind of closure -- but what that closure is?

I think the only person who might suspect something sinister going on would be Bruce, who saw the sinking rage in Danny's eyes at the funeral -- it was part of the reason he didn't tell him who killed Jason (beyond secret identity reasons). But that depends on whether or not Danny reveals some of his hand, and the fact that he was still holding onto that rage (somewhat unwillingly) all this time.

[anghraine]

I know it's well-understood at this point that Kirk/Spock is much more of a nerd4nerd ship than a nerd/jock thing, but it's just been kind of percolating around my mind that both of them aren't just space nerds but space nerds who were personally bullied.

Like, 18-year-old Kirk was targeted by an older bully who combines "total asshole" with "the most grating man in existence":

MCCOY: Well, yeah, I'm beginning to feel a little bit picked-on, if that's what you mean. KIRK: I know the feeling very well. I had it at the Academy. An upperclassman there. One practical joke after another, and always on me. My own personal devil. A guy by the name of Finnegan. MCCOY: And you being the very serious young— KIRK: Serious? I'll make a confession, Bones. I was absolutely grim, which delighted Finnegan no end.

This was five years after Kirk survived a genocide, btw, and likely well before his stint as an Academy instructor known to be strict and demanding (which is the period the "stack of books with legs" description of him comes from). By the time he's 33, fifteen years after all this, it turns out one of his deepest fantasies is just beating the shit out of his bully, but only if he can do it According To The Rules (the replica of Finnegan sneers, "Always fight fair, don't you? True officer and gentleman, you").

Spock, meanwhile, is viciously targeted by his Vulcan peers for being biracial from at least age 5; he's described as being tormented by other boys by that age, and "at home nowhere except Starfleet." I think he'd have been 18 or 19 when he left for Starfleet and it's... the least bad of his options, but he seems to have spent his entire career among humans and being persistently subjected to raw racism and profound disrespect for his culture at every turn.

Like, their histories of being metaphorically shoved into lockers are not identical or anything, but I think it's interesting that they both have them.

[mionkings]

Making Heads Turn 🫨

Jason had become a father to a little baby boy, taking him in when he found the poor thing on the streets, in a cardboard box, wrapped in a space themed blanket.

While the obstacles a new parent goes through is tough. He knows it's worth it to have Danny, his baby, his son in his life. He doesn't regret adopting him.

Danny is now at the stage of his little life that he babbles and giggles, Jason always had fun having a conversation with his baby. Although Jason's sure that his hair is getting whiter with the chaos Danny brings now ever since Danny's baby brain realized that he can CRAWL to PLACES >:D

However this new development... is a little strange.

Whenever Jason puts Danny down in his crib to make dinner or any other important errand. Danny will begin to babble to the air, as if his little tyke is trying to talk to someone, making grabbing hands and scooching over to grab someone's attention.

It sent a slight shiver down his spine...

Ever since he made his introduction to Gotham as Red Hood, for the first time to those gang leaders with the bang of the AK-47. Taking over the Gotham underworld by storm with anger and precision.

He always felt a chill down his spine... When he was alone, yet... the Pit Madness flared everytime, making him feel enraged and paranoid. As if he was just waiting for a fight... for a confrontation...

Being alone in his apartment, having nightmares, more like repressed memories of what he had done... Lots of things, but for some reason—his mind... keeps going back to the moment he threw that duffel bag at the table infront of the gang leaders that night... the night he went after the lieutenants, taking their heads.

He doesn't know why.

But ever since the precious cargo that was his baby Danny, arrived in his life. That all went away as he took care, fed, and loved his baby boy.

Jason never had an episode with Danny; he couldn't bare the thought of hurting the child.

Jason was even having less episodes when he was with the Bats!

The chills; however, Jason still feels them occasionally... but they would always disappear the moment Danny would demand attention or to nap.

And instead he would feel something else hang over his baby everytime Danny slept peacefully...

———

Second ever DPxDC prompt that I've ALSO been getting brainrot over ❤️ I'm having fun 😄

Basically this prompt idea is Jason adopting a baby Danny, while seemingly unaware that he's being haunted/watched by the people's he's killed to become a crime lord. More specifically, being haunted by the heads/headless ghosts of the lieutenants Jason killed as Red Hood.

While Jason can't seem to see them, he can feel 'chills' from them. Danny, however, CAN see them mostly because I based this on that thing where babies/toddlers can see spirits in those typical YouTube videos that list ToP 5 ScArY gHOstZ VidEOz!1!1

Whatever happened though, this causes the ghosts to instead focus more on Danny than on Jason.

How much will Jason freak the fuck out when he finds out? Who knows ¯\_(ツ)_/¯ Although Danny is absolutely having fun here ^^

Anyways, I might add extra stuff soon to this!

[shakingparadigm]

VERY interesting how Q and V designed Till's R6 outfit with kpop boybands in mind, yet designed Ivan's R6 outfit like that of an actor. Something about how Till has finally succumbed and conformed to the pressure of the idol industry and how Ivan is putting on a final act before dropping his mask and throwing all of his feelings out in the open.