#and the diner scene
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In October of 1967, Steve Harrington is born in Hawkins, Indiana.
He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.
In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.
She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.
In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.
They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.
In November of 1986, Richard and Samantha Harrington disown Steve.
They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.
In November of 1986, the Party's adults adopt Steve.
He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.
In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.
Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.
From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.
Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.
But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.
In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.
It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.
While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."
Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.
Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.
From then on, Veronica Harrington's life changes indefinitely.
Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.
Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.
In May of 1998, Veronica Harrington discovers the truth about her brother.
She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.
After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.
She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.
With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.
And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.
In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.
In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.
She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.
At the start of June, 1998, Veronica runs away.
She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.
She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.
At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."
The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."
Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.
She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.
"Anything I can get you today?" Max asks when Veronica's seated.
Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.
It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.
She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.
"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."
Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.
"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."
Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-
"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."
"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.
"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."
#the harrington parents: birthing awesome children yet doing dick all to raise them since 1967#wanna write this out into a full fic but i'd probably just be expanding these exact scenes and shoving a load of dialogue into them#anyway my shower thoughts went a little too hard the other day#who do yall think the old man is btw? i was gonna make him tommy h at first but i wanna know your thoughts#also yes context - steve and eddie's diner was just about to open around the time they first met veronica#stranger things au#stranger things#eddie munson#steve harrington#steddie#steve x eddie#original female character#technically i guess ????
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Underrated gag honestly.
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Best 4 AM read I've had...
something borrowed
bo sinclair x afab!reader
rating: explicit
word count: 5.1k
He motions you to your knees in the chapel. You have to be taught to pray, to worship. It doesn’t come naturally. You wouldn’t know how to do it yourself. You’re scarlet red, crafted from sin, bruises on your knees and hunger in your belly. A dirty, pretty thing, head bowed in prayer. How many kingdoms had fallen over creatures just like you?
He’s surprised you don’t burst into flames.
Bo POV. Companion piece to this fic.
⚠️ Please mind the tags on AO3! We’re in Bo’s head and it’s a hellscape! ⚠️
read it here
#my mother will be so disappointed in the type of man i fantasize about#but you write him so well and believable and unpredictable#as much as i love babygirlifying bo and making him a hilarious/relatable idiot this to me is the most idk canon-accurate version of him#so terrifying but so pathetic#every fiber of my being vibrates against its own wishes to try and fix him#also i didn't know there was such a thing as Madonna-whore complex and i am SCREAMING BLOODY MURDER THAT IS SO HIM#the religious trauma 🤌✨️ the mommy issues 💖💖💖#the whole wedding dress idea was wonderful#and the diner scene#he craves his own picket fence life but he is just so DAMN BROKEN#anyway hi venti luv u n luv ur work if you got emails saying u got kudos it was prolly me <3#bo sinclair#house of wax#ventiswampwater
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The O.C. 1.02 The Model Home
#theocedit#teendramaedit#smallscreensource#filmtvdaily#tvarchive#dailyflicks#adam brody#mischa barton#marissa cooper#seth cohen#seth x marissa#the oc#usercallie#safflowerseason#unlikely-alliance#addys-beth#tusermanon#season 1#1x02#*#'it's a show about two brothers' kiss my ass!#they wouldn't even HAVE a show were it not for her#they didn't even have the decency to add in the music chapter of the book that the car scene here came from an adam/mischa convo irl#because god forbid they cop to her being integral to its origins and also that they all hung out with a 17 y/o! some more than others!#anyway love my stoner loser musical besties#i read OTR because of them when i was in high school#also throwback to when i went to this diner irl and sat in this very booth
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Deck nine, making Max a photography professor at a prestigious art school is the MOST interesting thing you could done with her dnksksnfnf
#max caulfield#new diner dream scene pleeeease 🙏#life is strange#life is strange double exposure#lis de#art tag
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I can't believe I watched 327 episodes of supernatural only for my favorite character to be a guy who shows up in 5 of them.
#and not even actually 5 like he was fully dead the first time we hear of him#adam milligan#adam supernatural#michael supernatural#midam#midam spn#yeah this is a midam thing#BUT YOU SAW THAT DINER SCENE SAME AS ME NO DENYING IT
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Being a supernatural fan is wild bc wdym the healthiest (and best) ship is comprised of an anti evil archangel who stopped because he fell inlove with a human so unimportant the show forgets he exists, 1 episode of screen time, the same actor x2 who overall played in like 5 episodes (once as a ghoul pretending to be lil bro), 1000+ years in prison together, and love so powerful it undid years of blind devotion to an absent father and when one died (poofed away) the other betrayed everything he learned just for the hope to get the other back.
IM SO INSANE ABOUT THEM.
#midam#midam spn#supernatural#adam milligan#adam winchester#spn#archangel michael#michael spn#adam x michael#Supernatural#cw supernatural#Jake Abel the man you are#THE DINER SCENE??#OR WHEN THEY WERE “KIDNAPPED” BY THE WINCHESTERS#I love them.#other ships are cool too ig..
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Previous // Next
Sawyer: Hey Byrd, Wre-.. woah, you don’t look so good! Levi: She fainted again. Wren: I DIDN’T! Byrd: She did. Sawyer: Oh, what’s it like? Wren: I don’t know, shitty? Frankie: Hey guys-.. I haven’t seen you in a while! How’ve you been managing, Levi? Levi: Uh.. okay, I guess. Byrd: Robin? Frankie: Fancy some pancakes? [Robin and Levi nodded enthusiastically whilst Wren and Byrd exchanged a brief, pained look] Byrd: Robin! Robin: You can have extra syrup, simmer down. Byrd: It’s not that, I uh-.. I don’t think my wrist is fine, actually. Frankie: What happened? Byrd: I fell. [Frankie gasped as Byrd gingerly rolled up his sleeve, producing his lame, swollen wrist from beneath the table] Robin: Erh-.. okay, maybe it’s not fine. Frankie: Yeah, no-.. he needs to go to the hospital half an hour ago! Robin: Dad’s gonna flip… Frankie: I can call him, is he home-.. or what about your other friend’s dad, he lives closer, right?! Or your mom!! Levi: Frankie, chill! [Robin thrust his phone toward Frankie, not wanting to take the blame for this particular disaster just yet-.. though his father’s distant voice could barely be heard over her exclamation as Wren abruptly vomited all over the side of the booth] Frankie: Oh, gosh-… Sawyer: EWWWWW! Levi: Alright, I’m tapping out. Oscar: Hello? What the hell is going on?
#ts4#sims 4#simblr#ts4 story#sims story#forever in between#fib#robin finch#wren finch#byrd finch#levi sears#francesca holden#sawyer holden#the chaos intensifies#the poor kiddos 🙈#i fkin love this scene tho lmao#it's a top fave#idk i just love the mess#also.. robin doesn't think oscar's gonna flip abt byrd being hurt or anything#but going to the diner instead of calling first? hmmmmm#not the best idea#skjdskj
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fanart/sketches for @pennedinblood 's absolutely delightful radiostatic fic, Romantic Homicide. i couldn't resist the urge to draw something for it, it's simply so good, everyone go give it a read
#HI. I HOPE THIS ISNT OVERKILL LOL#this fic has bewitched me heart and soul . the story. the characterization. the humor. the banter. wouagh#i dont want to spoil it but this fic is so funny. please#anyway. ive never drawn these guys before lol#mine#my art#fanfic#radiostatic#alastor#vox#hazbin hotel#alastor hazbin hotel#hazbin hotel alastor#vox hazbin hotel#hazbin hotel vox#hazbin hotel fanart#other scenes i wanted to draw but didnt have the time: cannibalism diner; psychological warfare via pastries; and 'my dear friend vox'#maybe another time. bc man. this one has me hooked
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the writers said "here is a heterosexual explanation" and jake abel said "no thank you" and proceeded to be unhinged about it for years
#im looking at the words and im looking at the way they were delivered and its just so gay#jabel i am throwing rocks at your window#like yeah theoretically it could be straight but how could you get that#foaming at the mouth#i have watched the diner scene Too Many Times#its keeping me awake at night and unable to do anything during the day#midam#spn#supernatural#adam milligan#jake abel#michael spn
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diner scene based on a photo by Michelle Gerard + Jenna Belevender
#americana#my art#diner scene#food#pancakes#breakfast#eggs#painting#digital painting#coffee aesthetic#diners
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Shovel Talk(s) Part 2
Part One 🦇Part Two🦇Part Three🦇Part Four
Nobody in the history of the world has ever referred to Eddie as jubilant but that was certainly the best word for him currently. Eddie has survived the apocalypse (even if barely), been proven innocent for the murders (the Upside Down exploding into Hawkins helped), and he has a boyfriend. It makes Eddie feel like he's floating.
Steve drops him off, walks him up to the porch, and gives him the sweetest kiss goodbye. Eddie doesn't go inside right away because he wants to watch Steve as he leaves and maybe blow him an exaggerated kiss as he drives away.
"Glad that boy finally did something about how pathetic you were being," Wayne says in lieu of a greeting when Eddie finally slips in the front door and into the living room, plopping himself on the other end of the sofa, dragging one of the throw pillows that came with the couch into his lap to clutch onto. Ground him, because he's still floating.
"I was not being pathetic!" Eddie is scandalized.
Wayne lets out a wistful sigh and says, in a poor imitation of Eddie's voice, "when will Steve end my suffering and notice me."
Eddie lunges across the couch with the pillow in hand, whacking Wayne with every word he speaks, while also trying to dodge Wayne trying to grab the pillow from him, "I do not sound like that!"
Wayne tricks him into thinking the pillow is his only goal and before he realizes what's happening, Wayne has him in a headlock, dragging both of them off the couch as he stands, giving Eddie the gentlest noogie of his life. "I think I know how you sound, hearin' you bellyache for the last 13 years. I've had to hear your relentless sighing and bemoaning about Steve for at least six of 'em."
Eddie beats him with the pillow more until Wayne releases the headlock and then they wrestle until his uncle fakes hurt, so Eddie backs down quickly, and Wayne steals the pillow and beats him back onto the couch until Eddie yields.
"That was dirty fighting, old man," Eddie says when he finally stops laughing enough to catch his breath.
"What was it you used to tell me, when I said you were fightin' dirty?" Wayne asks, "Scrappy."
"Oh, is that what you think you are?" Eddie swings at Wayne's knee half-heartedly. Wayne flings himself across the room and into the recliner there like Eddie shoved him. "Oh, you big baby."
"You're awfully callus about bullying your old man," Wayne chuckles and settles into the recliner, popping the leg rest out. "Now, tell me about your boy. He was a gentleman to you?"
Eddie pouts, "Unfortunately, yes. One chaste kiss and then he was off."
"Smart boy."
Eddie narrows his eyes. "What's the supposed to mean?"
"Means I scare him."
"What."
"That a question or a statement, son?" Wayne looks awfully smug over in his chair.
"What do you mean you scare him?"
"Just gave him the good ole father shovel talk. Y'know? Hurt my boy and I'll make you disappear," Wayne says.
"You terrible old man!" Eddie throws his pillow at him but Wayne bats it out of the air. "I'm going to die a virgin and it'll be your fault!"
Wayne just shrugs. "Fine by me."
"You are the worst."
-
Eddie can't make his leg stop jiggling. He feels sorry for Nancy, who is sharing the bench seat with him because he's sure that it's shaking the whole bench. He's filled with energy and doesn't know what to do with it.
Robin sits across from them, finishing up the last of her milkshake as they wait for the to go order they're going to drop off for Steve, who is stuck at Family Video for another five hours. He was supposed to be here, too, but Keith called him asking him to cover and he'd said yes. Eddie wishes he hadn't. This was Lunch Date Day.
"Are you still upset Steve took an extra shift?" Nancy asks. "Even though you know he's just going to spend the extra money on you?"
Eddie's pouting, voice whiny as he says, "I'd rather he be heeeerrrrrrrre."
"It's disgusting how in love you are," Robin says, shoving the now completely empty milkshake glass away.
Eddie's leg stops shaking because he full on freezes. "Uh."
"Are you afraid of saying the L-word? You are not subtle in showing it," Nancy says, ever the traitor, "but luckily Steve's just as smitten."
"You don't know that," Eddie says, arguing for the sake of arguing. He doesn't believe he likes Steve more than Steve likes him. He's pretty sure they're on an even playing field.
"Yeah, I do. I threatened to shoot him if he hurt you and he didn't even flinch. He'd have taken the bullet for you."
"You did what!?" Robin yelps. She's looking at Nancy like she's grown a second head.
"I didn't even bring a gun with me! Besides, Steve knows I didn't mean it," Nancy says with a wave of her hand, "it was just an obligation thing. You have to threaten your best friend's significant other. The whole conversation was like, 30 seconds tops."
"I'm your best friend!?" Eddie gasps, faking surprise. They have become good friends. She'd taken it upon herself to make sure he did get to graduate with Robin and herself, and they did form a sort of friendship from that. Also, from being the collective third wheel to Steve&Robin, which is enough to make people come together. Neither of them truly thinks of the other as their best friend, but it's fun to joke about their own Capitol with a P Platonic Friendship around Steve and Robin, as they become rather bitchy and defensive about their own friendship.
It's hilarious every time.
"Well, it's you or Argyle, and I don't think Jonathan wants to share his best friend, so...."
"Cold, Wheeler. Cold."
Nancy rolls her eyes and looks over to Robin. "Are you telling me you haven't given Eddie the shovel talk?"
Robin frowns as she thinks before her eyes widen in shock and she gasps, "I think I accidentally gave Steve a shovel talk instead."
Eddie bursts out laughing, "Robin, how the fuck did you end up accidentally giving a shovel talk to your own best friend?"
"I just told him to, like, be careful with you."
"Careful with me?" Eddie asks, a little incredulously. "What the fuck does that mean?"
Robin is going on the defensive, now. Eddie can see that in the way she squares her shoulders before saying, "it was said after your first date! Steve's had a lot of those, and you hadn't. I just- I dunno, wanted him to see the importance of that."
"So, what, you told him you'd shoot him if he hurt me, like Wheeler here?"
"No! I never said I'd hurt him for hurting you. I just said that he should be careful with you because, as your first boyfriend, if, and I did mean if, you don't work out, it's like... he's setting the precedent for how boyfriends should treat you. What you'll put with with, y'know?"
"That's sweet-" Nancy starts but Eddie's speaking over her just a quickly.
"Robin, that's stupid. I'm a fucking adult. If I'm not being treated how I want to be treated, I'll tell Steve," Eddie huffs. "You can trust that I say what I mean."
"Can I?" Robin shoots back. "Just like when you promised to get the fuck outta dodge and instead went on a suicide mission that ended very, very badly for you?"
"That was different, Buckley," Eddie hisses at her, sitting up straight to lean more across the table, trying to get in her face, "there was a lot of shit happening, and no way out that I saw. It's called trauma!"
It seems that a defensive Robin goes straight for the jugular because she hisses back, "No, actually, I think it's called survivors guilt and suicidal ideation. You know what, I should be giving you a shovel talk! 'Cause I don't fully trust you to not hurt Steve, either by lying or running once things get rough. You don't-"
"OKAY!" Nancy shouts, startling both of them into silence with one word. "We are in an, admittedly very empty, diner but still a very public diner, so let's not. Robin, you're not Steve's mom, it's not on you to look out for who is going to hurt him or-"
"You do not get to speak to me about hurting him," Robin points an accusing finger at Nancy. For all the anger she seemed to have for Eddie just now, he can see that it's almost doubled for Nancy. "I wasn't Steve's friend when you hurt him, but don't think I don't know every detail."
He knows this story, too. Had gotten it out of Steve one night, weeks ago now, when they'd been passing a joint back and forth on Eddie's bed. Before Eddie can pipe up, not that he knows what he'd say anyway, the waitress returns with the to go box and the check.
"It's my turn to pay," Nancy says, snatching the check before it touches the table, following hot on the waitress's heels to the register.
"Ugh," Robin flings herself against the back of the bench, both hands coming up to hide her face. From beneath her hiding place, she says, "I'm sorry, Eddie. What I said was unfair, and uncalled for."
"We're cool, Robin," Eddie says, "I forget how much of a buffer for our anxieties Steve is until we all hang out without him. He's able to defuse an argument before it happens."
"Oh, don't word it like that," Robin drops her hands and slides out of the booth, scooping up the to go box in the process," it makes Steve sound like the emotionally mature one."
They all climb into Nancy's car and apologies are said but Eddie feels like the next time Steve can't make it, they'll all bail on the weekly lunch. They're just a bunch of traumatized young adults and Steve is the heart of them, the person that bonds them outside the shit they went through. And maybe they should figure out a better way to deal with this than just pretending it didn't happen but- well, the world just kept moving on and they had to either move with it or get left behind.
-
It's two weeks after Eddie and Steve accidentally told the Hellfire crew they were a couple, which is why Eddie is not expecting it when Erica and Lucas corner him. He was expecting to be cornered by someone last week.
They'd been taking longer to pack up than usual, and that should have tipped Eddie off that something was up.
"Munson," Erica says in her no-nonsense voice, hands on her hips, face unamused. For sharing no biology with Steve, Eddie finds the resemblance uncanny. "I need you to understand that you might be my Dungeon Master, but Scoops Troop will always trump that, so if you fuck this up with Steve, you will have to answer to me."
Eddie gives a soft grin in response, amused, "no worries, Lady Applejack. I have no plans to fuck this up."
Erica's eyes flick to Lucas, then back to Eddie. "I mean it, Munson. I have it on good authority that sometimes you hurt people and then you don't try to right it. You just move on-"
"Erica, stop it," Lucas says, voice a little panicked.
But Erica continues, because nothing ever seems to phase her, "and Steve and Lucas are alike in that way. So just know that if you hurt Steve like you hurt Lucas-"
"Erica!"
"I will end you. I will ruin your life, Munson-"
"Erica, STOP!" Lucas finally steps forward, yanking on Erica's arm to get her to stop talking. It makes her stumble a bit before rounding on Lucas. "Stop it."
"No!" Erica glares at her brother as she removes his hand from her arm. "Go outside if you don't want to hear it."
They stare each other down and Eddie's not sure what he should be doing. Should he step in? He grew up an only child, is this normal sibling behavior? But he doesn't have to step in because Lucas huffs and storms out of the house, front door clicking softly behind him even though Eddie expected him to slam the door.
"Now, you," Erica whirls around to Eddie, "do you understand what I'm saying?"
Eddie does not. He's fairly certain he's getting a shovel talk from a twelve-year-old and while amusing, he senses there's more to it than just his relationship with Steve. "You're threatening me on Steve's behalf?"
Erica scoffs and rolls her eyes like she thinks Eddie's an idiot. He's starting to think he might be. "Yes, I am but also more. Your relationship has been the hot topic these days, and my brother brought up a good point but he's too nice to say it, so I will. When school starts, if Steve wants to take you to a basketball game, even though they fall on Hellfire night, you postpone the damn game and you go. No matter how much you hate basketball or jocks or- or... other things." She loses steam at the end, eyes flicking to the door.
"What?" Eddie is even more confused, "I don't hate basketball. And if Steve asks, I'm not going to say no, okay? I care about Steve. A lot."
Erica frowns, which contradicts the words that leave her mouth. "Good. That's good. I'd hate to ruin you, Munson."
"Is there... more to it?"
It takes Erica maybe three seconds to decide what she's going to say. Just long enough for her to look at the door, then back to Eddie. "You owe my brother an apology."
"Uh, sure, I'll apologize but for what?"
"Remember the basketball championship and the last session of the Vecna campaign that you wouldn't postpone so Lucas could play? You never apologized," Erica crosses her arms, another move reminiscent of Steve, before continuing, "You didn't apologize, and Lucas thought that it was because he's a jock, and you hate jocks. But now you're dating Steve and he's a jock. So, if you don't hate jocks, Lucas thinks you just hate him."
"What, no, I don't hate Lucas!"
"Then tell him that!" Erica glares at him, "and let this be a little lesson for you. Going forward if you hurt either of my brothers, intentionally or not, you can kiss the tires on your van goodbye."
Eddie tucks his metaphorical tail between his legs and goes outside to apologize, because Lucas deserves to hear it.
Then, once the Sinclairs are gone and Eddie's back in his room, he runs through every conversation he can remember having with Steve. Has he dismissed things Steve liked too easily, too often? Has he said anything offhandedly that could be taken the wrong way without explanation?
Eddie's was an only child and didn't have to grow up worrying about anyone but himself. He made himself an outcast and shunned the 'norm' by choice. Doing so didn't exactly let him learn the social graces of patience and understanding.
It's eye opening, to learn that a decision he made months ago without a second thought has been hurting Lucas this whole time.
Has he ever done that to Steve, and not known it?
-
Steve's been distant these past few days and no matter how many times Eddie asks, Steve's answer doesn't change. I'm fine he says. I'm fine. Just fine. It's fine.
Except nothing feels fine. And Eddie doesn't understand the sharp change. They've got a date planned for tonight. Neither of them has specifically said it out loud, because it's sappy and stupid, but it marks three full months as official boyfriends. So, they've got a date planned, but Eddie's worried how it might end.
Eddie's been floating these last three months, but he suddenly feels grounded. He can't fix whatever happened if Steve won't tell him what it was! And in the absence of actual answers, Eddie's mind has invented his own.
Steve's realized that Eddie's not good enough for him. Steve's realized that he's actually straight, but thanks for the experimentation. Steve's found someone else and is working on how to break up with Eddie without blowing up their friend group in the process.
And Eddie hates himself for thinking these things. For projecting his own insecurities onto a version of Steve that doesn't exist. Eddie's gotten to know Steve.
Or he thought he had.
But now he's pulling away. And the only person he knows he can talk to about dating Steve is Nancy and he can't do that! He can't just go to Nancy's house and ask 'so when you were dating Steve and it was all going down the drain, was he distant or is that just a me thing?'
Fuck. Fuck!
He runs his hands through his hair and regrets it as his curls tangle around the rings on his hands. He should brush his hair, be getting ready, but he's procrastinating that because he can't decide if he's going all out, making himself look his best to see if it'll bring some life back into Steve's eyes when he looks at him, or if he shouldn't try at all and see if Steve even notices he's wearing the same thing he wore yesterday.
And it's bullshit that he's even thinking about testing Steve. Not two months ago he and Robin had argued in that diner about whether he's talk to Steve about these kind of things or not and now he was kind of proving her right. Except not, because he did try to talk! Steve just didn't answer when he questioned, and you can't really build a conversation from nothing.
Fuck! He should have known this would happen. That he would fall in love and Steve wouldn't love him back because that's always been his lot in life.
Oh.
Oh no.
He's been avoiding thinking it because once it's been thought, once it's solidified in his mind, it's true. And now he's thought it!
He's in love with Steve Harrington.
And isn't it just fuckin' peachy that this realization doesn't accompany happy feelings. He's in love and can't even be happy about it because he's so fucking sure his relationship is ending tonight.
#steddie#my fic#hmmm less happy about this part but its been a goddamn STRUGGLE#i didn't want people to give eddie a shovel talk but Erica does what she wants sooo....#also had to kinda force the scene with robin eddie and nancy in the diner because i wanted nancy to explain her side#considering how many of you were so mad at her and just over here like#oh no#cause the first part was just in steves pov and he cant read minds#anyway#have this and the third part will be out soon
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“It’s not like we can be friends. Angels and demons make lousy friends,” said Crowley. “There’s always an attraction there and then sex gets in the way.”
“I guess we can’t be friends, then.” Aziraphale rolled his eyes. “That’s too bad. I don’t know anyone in London.”
Welcome welcome one and all to the world of
When Aziraphale Met Crowley…
Created for @do-it-with-style-events 's Silver Screen Bang, this project is written by @the-bentley (AO3), arted by yours truly.
Pop some popcorn and snag a seat in the diner on AO3, Fall 2024
#do it with style events#silver screen bang#good omens#aziraphale#crowley#art post#my art#jam doodles#I have once again messed up my own name in the credits#damnit#one day I'll get it right#hmmm I wonder what I'm gonna do as my scene piece...#I wonder...#(ngl I decided I wanted to do the diner scene before I even started on the poster haha)#jam creates
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no but seriously why is there a long ahh cut scene from the movie of just. Ponyboy taking a shower? it’s so random 😭
#adds nothing to the plot except for like. realism ig#should’ve done a scene after where he’s greasing his hair silently with a completely straight face#they should’ve kept the scene where him and johnny and dally are blowing straw wrappers at the diner tho#the outsiders
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how i imagine camilla to look like :))
i loveeee characters like her so much. camilla the woman that you are !!!
edit: i need to draw her more jacked!!!
#this literally took forever#i was going to do an intro for soraya using the templates the devs posted but i needed to finish this first!!#also if u didn’t notice#new hair for soraya !!#i like revamping my ocs. something so wonderful about aspects of them changing as i develop them yea….#soraya with such voluminous and thick hair….. it’s full of wonder and whimsy#anywayssss…. i hope to see more of camilla and her boys. i had such a big smile on my face during the diner scene#felt like a really warm hug#if this has mistakes i’ll fix them in the morning. im sssooo tired rn.#keyframes vn#camilla keyframes#keyframes mc#keyframes oc#my art <3#my ocs <3#<< referring to soraya only#soraya ayala
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random thought but did anyone else find this such an interesting emotion to see from wade. how many times has he expressed emotions under the mask that just seemed casual or amused because we couldn't see his face but were actually annoyed or angry and vice versa
#user: gossippool 😝#yes i am talking about the diner scene AGAIN#the very first time i watched this movie my brain like laser focused on this part#like is that... Annoyance????#how many times do you see him annoyed quick#also off topic but the way he jumps and puts down that can is so cartoonish i'm obsessed#deadpool and wolverine#deadpool#wade wilson
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