#and that's harder to deal with

[chloesimaginationthings]

Vanessa's first impression on Mike in the FNAF movie

[aromanticduck]

Sorry if you're already over 50, I ran out of room (you're welcome to leave your thoughts in the tags or replies!)

If you're younger than 10, get the fuck off Tumblr. People are saying swears on here!

[EDIT: It's OK to vent a bit about negative feelings in the comments/tags, but if you're gonna talk about killing yourself, do me a favour and fucking don't]

[talaricula]

we went to a flea market in our neighbourhood today and at some point we come across a little stand that has a bunch of stuff we rly like (not even baby stuff, but clothes and accessories for us). the girl selling looks to be about twenty and next to her is sitting an older butch woman, perhaps pushing fifty. after a few minutes, a second older butch comes to stand in the doorway of their house, chatting with us as well. my gay senses are tingling, of course, and so are baby smurf's apparently, since he choses that stand to wake up from his nap. so Lilou and I are talking to him as I'm trying on a sweater, and after obtaining Lilou's stamp of approval for the sweater, I strategically tell the women, "my wife approves, so I'll take it!"

the 20yo immediately turns to the older women and goes "oh! did you hear! two mums!!"

and so the ladies (her two mums, as is blatantly obvious by now) start talking to us about their two children (the 20yo girl and a teenage boy), say they're donor kids, ask how it went for us, how baby smurf is, tell us their first was also an angel but their second gave them a run for their money, generally chat with us for a while

it was so fun and touching bc everyone was so enthusiastic and happy - we were, the older mums were, the daughter was, everyone was all "yes! two mums!"

and then later that afternoon we walked past their stand again, and they'd been joined by a late teenage boy standing in the doorway. we wished them a good rest of the afternoon and good luck with the sales, and when they heard our voices they went "look! this our second one!" while aggressively pointing at the boy

it was generally a super fun and touching experience but I was particularly so touched by the fact that it was the adult daughter (we were closer in age to her than to her mums) who'd been so enthusiastic about seeing another kid with two mums that she couldn't hold back from yelling at her own mums about it

[thebrainrotsreal]

I demand an AU where Laios' leg gets fucking crunched during the Red Dragon Battle (re-attachment impossible), and Marcille practices the whole necro-magic first by givin' him a new leg! With Red Dragon Blood/Flesh, he also gets put under the same command as Falin, except since it's only a leg, the curse slowly becomes more and more powerful until the eventual transformation above!!! :D AKA Ah Fuck, Took Too Long Overthrowing the Dungeon Lord, Get Monster'd. Lion + Red Dragon, because I like it. Laios would think it's cool, too, so there. The trade of Cool Monster is Sense of Self / Consciousness eroding into nothing (monster body, monster brain), though, so he's basically on an extra timer to stop/overthrow the Dungeon Lord, or experience a kind of death of sorts. Random idea I had to get outta my head, y'know?

[fisherrprince]

by far though the lupin crossover movie is my favorite. come by more often, papa jigen…

[pixiemage]

The fact that there was only one eye of ender missing on the End Portal when Gem went to open it.

The fact that, on her new skin, it looks like there's still an eye of ender hanging at her hip.

The fact that Gem's left eye and arm look like they've been warped by the void.

The face that someone asked what happened to her eye, and Gem said something to the effect of "I lost it. I lost it to the portal."

The fact that the portal only needed one eye to open and the ender eye is still hanging unused from Gem's hip.

[feyreswaterybowels]

⭒The Silent One⭒

#2 Azriel x Fem!OC

⭒Part 1⭒Part 2⭒Part 3⭒Part 4⭒

Word Count: 3.8k

Summary: Cassandra decides to join the IC for dinner. Things feel weird and wrong but also…safe and comfortable. She opens up to them about her past traumas and gets to know more about them.

Warnings/Tags: mentions physical and visual sexual abuse in the recent past. describes physical violence. trauma. mute character. slow burn. protective!azriel. protective!IC.

Authors Note: All reblogs, likes and comments are welcome, appreciated and encouraged! Let me know if you’d like to be added to the tag list for the next part! Regular italics are inter thoughts while bold italics are her communicating with other people mentally.

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“Relax,” Nuala cooed as she helped Cassandra ease into the large bath, warm and floral scented.

Cassandra had never been in a bath like this. Only one suited for regular fae without wings. They had been cramped and uncomfortable and nearly impossible to bathe everywhere without hurting a wing. But this bath? It was huge and could easily fit multiple people with and without wings. It stretched all the way to one of those glassless windows where the water spilled over in a soothing stream.

She leaned back when Nuala prompted, letting her wings float in the water. It was so nice the way they felt so weightless. Nuala tilted her head back and their eyes met as she cupped her hands with water and poured it over Cassandra’s white hair. She lathered it with a nice smelling soap, massaging at her scalp.

It was difficult to lay there and relax while someone else washed her hair. It reminded her of the mistress, how when she bathed her and washed her hair it was rushed and rough and…and when she washed her hair like this she would sometimes push her head under the water and hold her there—

Cassandra bolted up with a gasp, hands coming up to wipe away the water that fell down from her hair and over her face, chest heaving as she tried to catch her breath. She whirled around, wide eyes catching Nuala’s, trying to desperately apologize for what she had done. The female just shook her head gently.

“It’s okay,” She said, “would you like to be left alone for a moment?”

Cassandra considered this, she both wanted to be alone and have someone else around. But she nods her head. Cerridwen walked in then, a stack of something in her hand.

“Clothes for you,” she said, sitting the stack on a shelf across the room. “We will be back but if you finish with your bath and wish to dress before we return the clothes will be here.”

Cassandra nods. She doesn’t know what else to do, but the females seem to understand, offering her small nods in return before leaving the room—the heavy door closing as they leave the bedroom the bedroom.

She sinks down in the water once she’s sure she’s alone. So much has changed in such a short time and she’s still not sure if this is all real. These people…they could change any moment. Drag her from this huge room and throw her into a prison cell and use her for whatever they pleased.

Turning in the water she pushed herself towards the other end of the tub, the one that waterfalls over the edge. What she sees there takes her breath away, an audible gasp leaving her lips.

The first thing she notices is all the lights, it looked exactly like the painting she saw with Morrigan. There was so much to look at. But what she really wanted to see was the beautiful sight above that. The night sky. The thousands of stars twinkling above, surrounding a bright moon.

She could have cried looking at the sight. But not because she felt sad, she felt safe. Comfortable. Content. Like this was where she was meant to be.

Eventually she did get out of the bath, drying herself off with the fluffy white towel that was unnaturally warm. She stopped in front of the mirror, surprised at her own reflection. She looked so different from the last time she actually saw herself. Her skin that was once a golden caramel color was lighter and ashen, dark circles under her green eyes. Her white hair slicked back with water was thinner than when it used to fall in thick ringlets as a girl. Her rib cage and hip bones protruding in a way they always had but wished they hadn’t. She had wanted a thicker, fuller body like the girls she saw at the pleasure houses. A strong body like her mothers used to be. A body that could hold up her wings and maybe one day…fly.

She had gotten dressed before Nuala and Cerridwen returned. The clothes weren’t like anything she’d ever worn before. Cream colored pants that were lined with a fuzzy material that was softer than anything she’d ever worn before. The top was a matching cream, flowy top with sleeves that stopped at her elbows and buttoned up the back to accommodate her wings. The shoes were white, flat and slipped on her feet easily.

She chose not to attend dinner that night. She wasn’t sure she could stomach any food. The twins looked disappointed. Her decision had been made to gauge how she would be treated if she didn’t have dinner with this high lord male.

She didn’t leave her room the following day either.

Or the day after that.

No one bothered her. No one came to drag her from the room kicking and screaming. No one beat on the door or called her horrible names. No one held her down or forced the food into her mouth. In fact no one except Nuala and Cerridwen came to her room at all.

And when they came they would bring a small tray of food, she only ever drank the tea and ate the biscuit and left everything else. She didn’t want to take too much before knowing if she was expected to do something in return.

When she finally felt safe enough she agreed to dinner on her fourth night. Nuala bathed her again. She couldn’t help the panic that overcame her once again as the female washed her hair but she cooed at her, soothingly before getting up and leaving her to finish alone as she had the first night.

Cerridwen took on fixing her hair, drying and styling it into waves that fell over her shoulders. Once she was done and dressed Nuala put a cream on her face and spritzed her with something that smelled sweet.

When they were done she felt like a different person. She felt clean. Comfortable. Alive.

There wasn’t much time to dwell on her feelings of finally leaving the room before Nuala and Cerridwen pulled her up and escorted her down the maze of hallways.

“Just two doors down, you’ll find the dining room,” Cerridwen pointed down the hall with a small smile. Cassandra wanted to ask why they weren’t also joining but when she turned to face them they were just gone as if they disappeared into thin air.

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Walking into the dining room was a weird feeling. Cassandra didn’t feel like she belonged there. In the fancy room, with a huge table filled with foods…foods she had never seen before. The four people she had met three days ago—and another she hadn’t met, all sat around the table talking in hushed whispers.

Azriel was the first to look over. His eyes met hers and offered her a small smile. “Cassandra,” his deep voice greeted.

“I’m glad you decided to join us this evening, please come sit,” Rhysand said, standing and motioning to the empty seat next to him, where Azriel would be on her other side—Morrigan in front of her and Cassian next to her. The other female at the opposite end of the table from Rhysand.

Cassandra hesitated for only a moment before walking over and realizing that the chair was designed to accommodate wings. She wouldn’t have to sit at some weird angle to be comfortable. Her eyes meet Azriel’s, the gentle look on his face a comfort she needed. He stood from his spot, sliding the chair out and gesturing for her to sit.

She felt eyes on her as she scanned all of the food in front of her. She had never seen so much food.

“I trust everything went okay the last few days?” Rhysand asked as he took his own seat once again.

“I freaked out a little when Nuala was washing my hair…” Cassandra admitted, shoulders hunching in embarrassment.

“That’s okay, no need to be upset. You’ve been through a lot, it’s expected. Nuala and Cerridwen are understanding and won’t hold it against you. You have my word on that.”

She wanted to say thank you again but didn’t feel it was appropriate. She didn’t know what else to say so she nodded her head and looked towards that other female, freezing as she looked into glowing silver eyes. She had never seen anything so…beautiful and terrifying at the same time.

A snort to her side caught her attention and she looked at Rhysand.

“Sorry, I just heard that,” Rhysand said, Cassandra’s eyebrows pulled together before realization dawned on her. The comment about the other female… “Amren.” Rhys supply’s the name.

She looks back to the female, to those eyes that make her not want to look away.

“Hello, girl,” She greets, and it’s not a terrifying rumble, but a genuine greeting.

Cassandra offers a small smile, feeling a draw to the small female. No one else spoke so she reached for a plate but before her fingers could even graze it, it filled with food before her eyes. She blinked at it in shock, looking to Rhysand to see if he had done it.

There was a small smile on his lips as he shook his head.

“The house is enchanted, it does what it pleases. You wanted food so it filled your plate for you,” Azriel spoke, she looked over at him then back at the plate.

Oh, wow. She thought…the food had even been diced into smaller pieces as she had told Rhysand. Her eyes fell on the wine glass in front of her—she wouldn’t drink it, couldn’t, so she looked at Azriel again then around the room. Water. And just like that, a glass of water appeared in front of her.

Cassandra felt the corners of her mouth twitch up, eyes meeting Azriel’s again then Rhysands before she grabbed the glass of water.

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“It’s pretty awesome, right?” Cassian spoke, his long hair that had been pulled back earlier now fell to his shoulders.

Cassandra nodded in answer, sitting her glass back on the table. Rhys took his seat, grabbing his wine glass, silently observing the female as she reached for her fork.

“I’ve never had this much food before…”

Rhys isn’t surprised but he’s not expecting the words and they make his heart hurt.

“Eat as much as you’d like,” Rhys says warmly, watching as she scoops up some warm potatoes and brings them to her lips.

“Mm” she hums, eyes closing. “That’s so good!” Rhys doesn’t answer, he can tell she’s not speaking to him consciously, she’s just thinking, not a single mental shield to protect her fragile mind.

It’s the next bite that wipes the small mine from all the faces. No longer an exploratory bite but a ravenous one. One after another, eating quickly and without restraint. Eating in a way that meant she had been starving, had never had an adequate food supply, had never been allowed to eat more than what was given.

She didn’t speak and neither did they. None of them would tell her to stop or slow down, all having been there at some point in their lives. They had all known that hunger at one point or another. So they let her eat. And drink. And eat some more.

Potatoes. Greens. Fruit. Meat. Bread. A plate appeared next to her holding a slice of cake and she ate that too—she had never had cake before but no one else at the table knew that.

It’s only when her plate is empty that anyone speaks up. It’s Cassian that asks, “How do you feel you’re settling in?” It’s an attempt to bring about a conversation without making her uncomfortable.

Cassandra takes a slow sip of water, breathing deeply as she does before looking at Rhysand who nods in confirmation that he’ll give her answer.

“Honestly…I feel more comfortable here than I have ever felt anywhere else.”

“That’s wonderful! We want you to be as comfortable as possible,” Morrigan chimes in, excited as if she’d been waiting to talk to Cassandra for the past three days. “When we didn’t see you for three days we were worried—well I was. The boys wanted to give you some space.”

“I didn’t know what was expected of me,” she says, Rhysand repeats her and she’s met with confused frowns. “That’s why I stayed away, didn’t eat much. I didn’t know if anything would be…expected of me in return if I did.”

“You have no debt to us, Cassandra. Nothing is expected of you,” Rhysand speaks, his voice firm but gentle. “If you wish to come to dinner you eat your fill until you’re satisfied. If you need clothes you wear what you like and it’s yours to keep. Nothing will ever be taken or held against you as punishment of any kind.”

Cassandra blinks at him, feels the wetness in her eyes as she nods. There’s just one nagging question in her mind, one she needs an answer to before she gets too comfortable.

“Why am I here then?” She asks, setting her fork down on a freshly filled plate, half as full as before.

Rhysand lets out a sigh before telling the others what she’d asked.

“You are here because I received word from one of Azriel’s spies—I’ll give you a more in depth explanation on what that means at another time—that pleasure houses in my court were buying and selling females against their will,” Rhysand begins to explain. “See we have many pleasure houses in Velaris but it has always been law that consent is the main requirement for anyone involved. Those who work or visit have to be there because they want to be there.”

“So, when we got word this law had been broken, Rhys sent us out to patrol the pleasure houses,” Azriel said, drawing her attention to him, “he needed solid proof of the law being broken before he could step in. Cassian and I, we saw you there. Scared. Frightened. Clearly not there of your own free will and didn’t feel it was safe for you to stay there.”

Cassandra looked at him, taking in the shadows swirling around him. His kind hazel eyes, the blue siphons glowing on his scarred hands. Remembered how when her eyes first landed on him on the other side of those bars she had been absolutely terrified of him.

“What about the…Mistress?” She asked turning away from Azriel to look at Rhysand.

“You no longer have to call her mistress, her name is Kamari. She is still here in our cells, she’s not been harmed. We are working to gather some intel from her. Who her bosses are, where they are buying the females and any other information we can get from her. She’s been cooperative in giving us the information we need to stop this from happening to any other females,” Rhysand said, eying the female in front of him before looking to his second in command.

“Do you have any information that may help us, girl? Anything we could use against that female to get more information?” Amren asks, fixing her smoky eyes on the female.

Cassandra was quiet for a moment, thinking. Trying to piece together everything she could remember. She looks up and nods her head. Everyone seemed to sit a little straighter, their full attention on her alone.

“My father is the one who sold me to a male named Vale. Blue skin, a long deep scar across his face, black eyes…mean and very strong—”

Rhysand hold his hand up, relaying the information to Azriel and you watch curiously as one of his shadows darts away and out of a window.

“Cassandra, do you mind if I open up a channel for everyone to hear what you say to me? It will help us find these people,” Rhysand asks, she doesn’t need to think before she nodded. She wanted to help in any way she could. Help any girls going through what she did and stopping more from going through it.

“Please, continue,” Rhysand encouraged.

“The male, Vale, had bought other females. He kept me me in a dark room under his home with three other females. He—he raped one of the girls many time but not me or the other two girls. He said he would get more money for us if we stayed…untouched.” Cassandra’s stomach rolled at the memories. Nauseated, remembering the cries of that poor girl every time that man came down stairs and hurt her. She could see the anger in the eyes that surrounded her, could practically feel it radiating from them. Their fists and jaws clenched tightly, wings rigid and shoulders taunt. But she continued.

“I stayed there for a few months before he took me to that…pleasure house? I’m not sure what happened to the other girls. I think he may have kept the one he raped.”

“Do you know their names?” Cassian asks and she’s nods. How could she ever forget them?

“Seera, Juno and Neema. I believe Seera and Juno were sister but I’m not completely sure. We tried not to talk too much because it made the male very angry,” She took a deep breath, trying not to remember the time he had nearly crushed her throat for merely asking to use the bathroom.

Unbeknownst to her she had sent that mental image to them who were seething with anger at what this poor girl had gone through.

“Once I was at that place I was introduced to Miss—I was introduced to Kamari,” She continued, needing to get away from the memories of that male. “She was in charge of my training. She stripped me naked, told me I would never own a pair of clothes again. That I was to be naked and ready for any male to take me whenever they pleased. I was to learn things that would…please these males. Anytime I refused I was beaten. So, for months I watched other females pleasure males in many ways. But only watched. They said—she said I would be sold for a lot of money for being untouched. That whoever paid the most could do whatever they wanted to me. When I saw the two of you I thought—” She swallowed thickly eyes shooting between Azriel and Cassian. “I though you were going to—”

Her voice cracks and she looks away. Morrigan pushes out of her chair, walking around the table. “Can I hug you?” She asks.

All Cassandra can do is nod letting Morrigan wrap strong arms around her. Hugging her tightly. Holding her in a way that reminded her of her mother before she died. After a moment Morrigan pulls away offering a napkin to wipe her eyes.

“Cassandra, dear, we can be done for today if it’s too much to continue,” Rhysand offers gently.

She nods gently, feeling as if maybe she wasn’t much help at all. The rest of dinner is spent in silence, Cassandra hunched into herself while the other four fae think about killing everyone who hurt this innocent girl and many more.

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It’s later that evening when Cassandra slips from her room. The stone floor is cold under her feet and the satin nightgown doesn’t do much to keep the cold from her skin so she tucks her wings around her body.

She makes her way to the roof of the house, a training area the twins had told her was up here—they had also told her it was the best place to view the stars.

It’s a breathtaking sight. The wind whips her hair around as she walks to the edge. The lively city sparkling below while the endless sky shines above. Beautiful. She sighs gazing at the sight of the silver moon and tapestry of stars.

“I wasn’t expecting anyone else to be up here at this time,” Cassandra spins around, sighing in relief when she spotted Azriel, she hadn’t heard him come out at all.

“Sorry, I couldn’t sleep. I always loved looking at the stars,” She said, grateful Rhys had made it to where she could communicate—at least with the few people here.

Azriel gives her a lopsided smile that makes her heart stutter. “No need to apologize, that's why I’m out here too. The night sky has always been…soothing.”

She turns back to the ledge as he walks closer.

“You know, my father he was ashamed to have children with wings,” Cassandra said, as Azriel watched her from the side, her white hair shining in the moonlight—those green eyes glowing again. “He kept us locked away, and didn't want anyone to see us. My mother had her wings taken when she was a teenager. She said normally they just clipped them but her father was especially cruel and completely took hers away. Well, when my father was drunk enough or didn’t come home some evening my mother would bring us out and let us look at the stars, she taught us the constellations. And I got to see Starfall with her only one time before she died. It was…the most beautiful thing I had ever seen. After she died I never saw the stars again—not until the night you and Cassian took me away from that horrible place.”

Azriel did his best to simmer his anger, to clutch his shadows tightly that so badly wanted to reach out and comfort the female—to wipe away the glistening tears on her cheeks. She looks over at him then and he looks up at the sky so as not to reach out for her.

“Your mother seems like a lovely woman,” He says, hoping the opportunity to talk about her mother may make her feel better.

The smile that came over her face wasn’t what he was expecting. The way it lit up her face had his shadows singing in his ear. Beautiful. She’s beautiful.

She wiped her cheeks with one hand and nodded.

“She was amazing. She tried to protect us from him but she was just as afraid of him as we were. She didn’t know how to get out. But she took care of us. She was still young when she died—he says she died from taking some kind of herbs, that she took her own life. But I—I always believed he did it.” Azriel took in a shuttery breath.

“I’m sorry,” He said, struggling to find the words to comfort her.

“Me, too. I wish I could have protected her the way she protected me. But now she’s up there with the stars looking over us. Watching me, I think she would be happy I got out. I just hope I can help protect someone else the way I should have protected her.” She folded her arms across her chest and turned away from the ledge. “I think I’ll try to get some sleep. Goodnight, Azriel.”

Azriel watched her walk away. Night gown blowing in the wind, the beautiful broken girl disappearing into the shadows.

tag list: @aelinwya @starlightandsouls @fullmoon-94 @aetherl0l @caticorn61 @lilah-asteria @blackgirlmagicforever @div94

[terresdebrume]

Stumbled on this picture of the cat I was gifted for my 20th birthday

She was a lovely girl whom I left with my parents because she was an outdoor cats and I didn't know what my living situation would be once I reached Cambodia. She was six years old when I moved. I saw her again when she was 8, then again when she was 9. Then COVID hit and I didn't get to see her again before she died last year.

It feels weird to remember that she won't be there the next time I visit my mother.

She doesn’t like that the laptop/my knees move when I type stuff.

[dykesevika]

"guys ,, Sevika doesn't know Jinx killed S*lco !!! What will she do if she finds out?"

I feel pretty certain that she knows, and just doesn't really care??

Why else would she ask her “You here to finish me off?”

also jinx telling her she’s planning “to finish whats left of my family.”

I think Sevika only cares about who can further the cause she believes in, and if jinx is that person, I don't think she'd hold what jinx did against her.

[skunkes]

[popfizzles]

Goldie's got such a bright future, don'tcha think?

[whaliiwatching]

in a queer way, right??

—

sunny brown belongs of course to @brown-spider <3

[momett]

"autism can cause motor issues therefore i can call myself a cripple" what if i crippled you like. for real

[chirpsythismorning]

Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?

This will be a long post, so you might want to strap in or save it for later.

In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.

In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.

Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.

Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.

What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.

First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...

But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.

All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.

But then there's a shift.

Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--

Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?

But then suddenly this shift continues, going in a direction he probably didn't expect.

I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).

It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.

EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.

As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.

And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.

I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?

This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."

Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.

Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.

Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.

While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.

For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.

For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.

Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?

In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.

Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.

What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.

Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.

Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).

If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.

We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...

It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.

And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.

With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.

Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?

Yeah me and Jonathan are confused too.

Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!

And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.

Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.

Or who knows, maybe Mike could still be a little bit gay too...

But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.

But then Mike just has to surprise him one last time.

For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.

Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.

From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'

But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?

And then it hits him.

Mike is reminding him a little too much of another Wheeler right now...

Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.

And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.

And now it's like all those little moments are starting to add up to Jonathan.

Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.

I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.

As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.

This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.

Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.

Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.

Spoiler: They were not ready.

PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...

[gracemarkss]

this exchange goes crazy...dana "i worship the sea he sailed on" "i did it because i knew if he found out he would kill me" "part of me likes it, needs it, wants the approval" " along the way there are other fathers" "i thought you'd be pleased" "he was my instructor at the academy" "he must have been a wonderful teacher...yes, he's remarkable man" "your fear of failing him?" scully would know a thing or two about THAT...

[vaguely-concerned]

the idea this game posits that just as much as or even more so than lucanis is having a demon problem, spite is currently having a lucanis problem. is everything to me. spite voice bitch you live like this???