#and that's a bit annoying

[tenrose]

I gave up, the website is too shitty, literally nothing functions. Idk if the payment really failed or if those suckers are just not able to properly write 'it's sold out'

Now that I'm slightly annoyed...

I'm gonna rant.

First of all theaters can go fuck themselves if they are not able to provide proper services. The cinema I'm talking about in particular is not indie by the way, it's one of the biggest chains here (fuck you UGC) so the bare minimum they could do is provide with actual functional website so people can actually use it and make reservations. Don't even get me started on the price. 11,60€ for me to fucking go out and see people???? And we know seats aren't as good as they used to be in the past. Don't know about the snack prices, I bet it costs two kidneys.

That being said...

FUCK STREAMING PLATFORMS TOO OR EVEN ESPECIALLY

obviously I ain't paying for any. I won't pay for 10 different platforms, and especially not Amazon they can literally rot in hell. Don't even get me started on netflix. I used to pay sometimes back then. Honestly they had something. They used to do an actual effort and trying to show different stuff. They let creative direction to their writers. We wouldn't never have sense8 with today mentality tbh. Everything is just a reboot, a book adaptation emptied from its substance, a reboot, and book adaptation a reboot, a book a- you see the thing. I mean I shouldn't be bitching as pretty much never watch anything new for years so what do I know? I mean I would like to, but every time I watch a trailer, I'm tired just by watching it. Latest exemple I'm thinking about is the three body problem... Like having read the book just watching the trailer you could see the Americanism all over it... For a chinese book. And it's the problem with everything. I mean American TV shows have always be like this, maybe being younger I wasn't aware back then idk. But it feels so empty, so soulless? They can give me all the diversity they want, that doesn't change that it's still empty. And for TV shows (actually I'm talking more specifically about TV shows cause I'm not a big cinephile so I don't have the legitimacy to criticise) I know it's because of that stupid ass 8 episodes format. I've already talked about it. But it's literally draining the whole industry imo. Also writers clearly having little creative freedom since they have to make stuff that sells. But yeah, TV shows lasted physically and in memories because we were watching them slowly instead of this boulimie stuff we have now. Everything is like consume, forget, consume forget and pay shit ton of money.

And I'm thinking I am actually not built for this shit. I felt so burn out not being able to enjoy anything. So now I don't even try. I don't try new shows cause it's not worth it even when there's an actual good one. Because it's gonna be cancelled anyway. Who wants to emotionally invest in shows that get cancelled (I did so many time).

But when I do.

Be sure I will pirate the shit out of it. None of these industries deserve our money.

To finish on a positive note, if there's one thing I'm really happy for in the end. It's books. Sure the book industry is oversaturated too and there's ton of shit to criticise too (but I won't here). But it's so vast there are books everywhere for everyone, and even if tomorrow not a single book would be published (which I don't believe in), there are enough books for my entire life anyway. But yes books, even if formatted too (looking at us french snobs with our novel format), are like the only place writers can still let go of their creativity. Plus you can have cheap books (I'm starting to get there) and obviously free books thanks to libraries, and also you can pirate books too. Yes I pirate books too but tbh it doesn't even compensate how much I spend buying books so I'm not feeling guilty and I either pirate popular books or old books (if they are really old it's free anyway). But yes if you go out unlike me go buy books if you have money, to your local bookstore, or if you can't library is your way.

Reading is my anchor ⚓

[lavendorii]

[theshadowrealmitself]

I like to think that Vulcans who come to understand that Humans just can’t try to process emotions the same way as them, it’s just healthiest to let it out in harmless ways, decide that venting and stuff should be taken just as seriously as Vulcan’s meditation time, and will encourage the Humans around them to complain about what’s upsetting them

People who are used to aloof Vulcans who avoid Humans at all cost running into one comforting a Human

“-and then they said my cheesecake was subpar, and they didn’t even bring a dish!!!”

“The purpose of this event was that every participant brings a food item of sorts, correct?”

“Yeah!!”

“And they did not follow this rule while insulting dishes that were brought?”

“Mostly just my dish but yeah >:(“

“How illogical”

“That’s what I’m saying!!!”

[inkskinned]

what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

[lynxgriffin]

I had to do a quick little art of one of the sprites from the winter newsletter! I thought that Toriel catching snow on her tongue was just very sweet and atmospheric!

And a bonus: (dog twiddling realistic human thumbs)

[chloesimaginationthings]

Michael knows how to deal with FNAF Lolbit

[egophiliac]

Wait, the tsun event has a whole bit dedicated to Malleus bragging about what kitchen appliances he knows how to use? Twst EN just got the milk culinary crucible, which means at the same time Malleus is showing off, the entirety of the EN players are learning Leona doesn't know how to use a microwave. The timing really just makes it feel like Malleus is flexing on Leona XD

it's in Mal's card story rather than in the event proper, but yep! after teaching his tsum proper microwave usage, he takes it on a tour and very proudly shows off his extensive knowledge of household appliances. (except when he thinks his tsum fell into the washing machine and doesn't know how to unlock the lid, so he just. explodes it instead. hashtag just diasomnia things. 🤷)

I do think he and Leona should get into a fight about who has done a better job of learning how to use kitchen tools! Leona has the advantage of having grown up in the modern world, but Malleus has the motivation to actually do literally anything. who will win

[persephoneggsy]

the dreaded age gap

[sidsinning]

Surprising thing about Dandadan is Okarun randomly pulls different girls throughout the manga, but all of their feelings for him are not very deep (you could argue Aira, but I think her feelings were kinda insta-love which is then used as mostly a gag- kinda unsrs to watch)

-Aira is already obsessed with him the next time they meet

-Vamola is obsessed with him after a random kiss (then ends up being explained it was for plot and not real romantic feelings)

-Rin- what foundation, and her whole vampire attraction moment was literally a joke 😭🖐

But Momo's relationship with Jiji then later Unji are taken much more seriously with strong foundations for why they have feelings/might be growing feelings for her, while also feeling realistic and subtle

Like I'm sorry but this was cute and we have never gotten a such a significantly intimate moment like this from Okarun with any of Momo's love rivals 🖐

Zuma got a whole arc with her to himself like??? Insane you can tell when Yukinobu locks in for the love rival plots LOL

In exchange for Momo's outward very obvious bursts of hilarious jealousy we get more complex love rivals for Okarun to battle lmao, least that's how I see it

(By "more complex" I mean in regards to them as love rivals, all the characters are equally complex as just characters)

Okarun got game but Momo got GAME GAME like they sense her baddie wife energy

Momo is a total catch like she's literally MVP for almost all the fights in Dandadan, and the only times she isn't is when she literally isn't present- so I don't blame them 😌💅✨️✨️✨️

And ofc in the end all these people's feelings for our MCs are only there to develop their romance, bc they obviously only want each other

Sidenote ppl who are like "wow a pretty girl has to be paired with a nerdy loser guy again"

Bitch listen

First of all he has his ultra baddie form

Second of all he is devoted to the nth degree to Momo and only Momo, all his thoughts are consumed by her, and everything he does is for her happiness and safety

Like the way he got so fucking mad a dude was degrading her right in front of him??? The way Okarun was used to being pushed around and bullied for most of his school life but he threw hands with a rando immediately with no hesitation for her sake??? She wasn't even in the room to hear it??? A MAN

No Okarun slander shall be tolerated here ✋️

[technically-human]

Welcome to the reverse verse! This is part 1 of 2 of a commission for @i-am-as-normal-as-you-are and I can't wait to tell you all about it, because I'm incapable of being normal and chill about these concepts, so I ran with it.

Charles Rowland was born in 1900, his mum was from India and moved to the UK after marrying Charles' dad, a soldier who was not... very loving. Charles' heritage gave him some problems, but none as bad as that one time in 1916 when he was sacrificed to a demon and spent the next 7 decades in Hell. He doesn't like to talk about it, except when it can get him what he wants. He was always an angry boy, or so he thought, but after his time spent in Hell, it became so much worse. He's explosive and unpredictable, and so he mostly avoids conflict. He doesn't need to fight anyone, as his charming personality and sweet smile (plus a few smart calculations) always seem to be enough to convince people to give him what he asks for. And when the fight is inevitable... well, he has Edwin for that!

Edwin Payne grew up very sheltered, in a deeply religious home, and he is proud of that. Don't try to argue with him, because he surely has a Bible verse that will help him win (and if not, he is not above using his croquet mallet now that he has someone to keep safe). Unfortunately for him, he realized at a quite young age that he felt attraction towards other boys. Even worse, somehow other people could tell as well, including those peers that ended up killing him for it (the rumour spread throughout school was that he had died due to AIDS, and most people just accepted it). He never acted on those unnatural urges of his, but when he met this ghost who had just escaped Hell... he decided not to risk eternal damnation, and to stay here with Charles, instead. Edwin has no interest in the supernatural or in magic, and sort of looks down on them, but luckily his friend's got that covered.

[snarkspawn]

advocatus diaboli

[wolfythewitch]

wolfy this might be a stupid question but what's the difference between an animatic and an animation

Animation is like. Smoother? I guess. Animatic is the rougher version of it, like a draft. It usually has mostly the key poses and maybe some breakdown poses, but when you start inbetweening (poses in between frames to smoothen the action) it starts getting into the realm of animation

What's funny is a lot of animatics on YouTube aren't really the industry definition of an animatic, they're so much more defined and polished that animatics you see in pre production. Mostly because those on yt are already the final works, while pre prod animatics are like preliminaries for before the animation

[vulpixelates]

i know it will never happen but i so desperately desire an origins-type playable backstory thing in all games but especially veilguard. i feel like it added so much depth to origins and made you feel instantly connected to your character in a way that gets lost in games like inquisition where you fill in the blanks as you go except for the bare basics. like, i do enjoy the freedom to willy nilly decide where a character was before the events of the story from a creative perspective, but the playable origins were just so good! especially when you go back to where your warden is from and can engage differently with the arcs there

[cogneartive]

im mr edgeworth’s favourite little inmate

[heartorbit]

find another role, carry on the show

[huginsmemory]

Been thinking about how Bill legitimately had a horrifying reason (the literal progressive disintegration of the nightmare realm that erases whatever it disintegrates from existence completely) to move himself and his crew into a new dimension. Like that's terrifying. And yet he never utilizes this to his favour. He could have been honest about this with Ford, and you KNOW as long as Bill didn't mention plans of overtaking the earth, Ford would've made the portal for him, both out of Ford's own interest and because Ford when faced with these big moral questions will pull through. But this is a card Bill NEVER plays because although he needs to leave the dimension, he cannot lose face. He can't put aside his pride and admit to the humility that he needs to flee from his dimension, that he's not actually all powerful. And so instead he pretends to be a muse and when Ford figures out something else is going on, instead of being open and humble and saying that his dimension is unravelling, Bill focuses on that he's going to over take earth, that he's actually been a monster all along, surprise Ford!

And part of it is definitely because Bill's built himself up on power and violence and to grovel and earnestly ask for help, to admit that he cannot stop the unraveling of his dimension completely invalidates that; showing vulnerability? Can't do that, even under the guise of lying to get his way. And part of it makes you wonder if it's also a form of self-sabotage, because underneath his deep denial Bill is guilty over what he occurred; he sees himself as a monster and so he'll be that monster, and having people recognize that feels good in the same way that pressing a bruise feels good. But it makes you wonder what would've happened if Bill even just was open about his dimension unravelling and had lied about overtaking the earth.

It's also interesting because although Bill has SOME charisma and can manipulate people decently well (as evidenced by his cult, and pandering to people's desires with Ford, Mabel and Blendin), he refuses to be vulnerable, refuses to not be true to his off-putting self, even when if he was just vulnerable of pretended to not be himself, to put aside the (false) pride he has in himself he would've gotten a portal by now. and part of me wonders if it's because it's this false pride that built on insecurity and denial on who he is he cannot drop that mask.

Further thoughts on this!