#and sucked cause it was a good episode otherwise

[women-in-writing]

Really wasn't expecting a transmisogyny jumpscare in Gokaiger.

Also wasn't expecting the wiki page for that episode just, straight up dropping the t slur (it's in the Plot section, starting with "Doc and Joe deal with -).

[phagodyke]

woke up feeling ruffff but took my meds and went back to bed for a while n I feel a bit better

[spxllcxstxr]

Fair Winds and Following Seas • R.R

(Gif not mine)

Request: That Roman soulmate fic was sooo good 😭😭😭 argfhh biting my pillow rn. May I request a scene rewrite of your choice of them already in an established relationship? They’d have cute bickering and lots of casual physical contact all the time. Maybe theyre on a yacht together like that one episode and theyre just so intertwined all the time that its hard to tell where roman ends and reader starts 😣-- anon

Summary: Roman seems to like casual intimacy, even in front of his family

Warnings: fem!reader (she/her pronouns used), based on 2x10 “this is not for tears,” established relationship, alcohol, ken suicide joke (one line, nbd), roman jokingly calls something 'domestic abuse' it certainly is NOT that, normal Roman shenanigans

Word Count: 1.1k

A.N: guys, I usually write fantasy so this dialogue may just suck ass im SORRY LMAO, lemme know what you think!!! Hope you guys enjoy! Roman is so bbg

•

The Mediterranean sun warms your exposed skin while the sea breeze keeps you from getting uncomfortably hot. The Roy's certainly knew how to take a vacation.

Roman lazily drapes his arm over your shoulders, the small act of casual intimacy in front of his siblings something you still can't really get used to just yet. The family, you learned pretty quickly, was not a clingy one, so Roman's constant need to be touching you in some way in front of them was unexpected.

You sigh happily at his side, ignoring the boring work talk the siblings had already immersed themselves in.

The weather was just too divine for you to focus on anything other than the free vacation and your boyfriend.

Shiv's piercing blue eyes peer curiously over her dark sunglasses. Her gaze causes you to straighten your back and shift ever so slightly away from Roman. You've noticed that her and Tom were never exactly touchy, but then again her and Tom were barely a loving couple.

The harsh scrutiny of her stare doesn't go unnoticed by Roman, who immediately pulls you back closer to him. Your cheeks flush at his blatant display of affection.

"Something the matter, Siobhan?" Roman asks, his voice slightly higher than usual with a British twang to it. His fingers absentmindedly trace odd shapes across your back. He sips at his cocktail, eyebrows raised waiting for her retort.

Shiv’s intense gaze slowly slides over to Kendall. Their older brother offers your group a half-assed shrug.

"Nothing at all, Roman." She offers you both a tight-lipped smile, swirling her white wine in front of her.

Awkwardly you lean back into him as he sarcastically grumbles something under his breath, unconvinced. Roman’s body in tense beside you, but stays firmly pressed next to your own.

Sounds of waves crashing against the yacht and distant conversations almost lure you to sleep though the three sibling’s chatter keeps you just conscious enough that you don’t completely drift off.

You hear Kendall get up from his seat, his joints popping.

"I'm gunna go check on dad," He says, voice low though he knows you're not actually asleep. "I'll catch you guys later."

"Just don't jump off the boat, Ken. We're not turning the ship around just for your old-ass." Roman jokes before yelping at Shiv's slap to the shoulder.

You hide your tiny grin with a fake yawn.

"Very funny, Rome," Ken mutters before leaving the three of you.

It's awkward, just the three of you alone; the tension is so thick it could be cut with a knife. Shiv clears her throat and you can only imagine the patronizing look she has on her face. Roman shifts, and most likely flips her off, but otherwise he's silent.

Moments later you hear the thud of expensive yet tacky yachting shoes against the floorboards, which could only mean Tom.

"Shiv, uh," The man stutters, obviously distracted by something. Slowly you open an eye, peering over at the man. "Why don't we go and uh, discuss that thing from before, huh?"

Tom's eyes can barely settle on one thing, he looks between you and Roman before only briefly settling on his wife. His cheeks are a little red, but with a man that pasty, it's sure to be a light sunburn.

"Oh yeah?" She asks, almost seductively, blue eyes twinkling with some hidden secret.

Tom's lips tilt down into a frown, now no longer even looking in your direction. He's jealous, you figure, you've never seen him and Shiv cuddled up like this, at least not comfortably so. Someone is always tense and irritated.

After sparing her husband a glance, you see her eyes narrow and her lips drawing into a tight line.

You offer them a smile while Roman once again gives a rude gesture.

Swiftly, Shiv rises from her seat, empty wine glass in hand. She barely gestures a simple goodbye before walking away with Tom. You watch as she says something to him, which makes him recoil from her.

You could only imagine what that was about, but you figure it was you and Roman.

You press your cheek even harder against Roman's chest, almost like you're trying to burrow your way under his skin. The fresh white linen shirt he's wearing is soft underneath you. His uncalloused fingertips continue to dance across your exposed arm.

He's no longer tense, you notice; his muscles are more relaxed now that his siblings are nowhere to be seen. Logan wasn't around either, which eased the thick and looming tension that usually hung around the family.

Roman chuckles, tangling his feet around yours.

"What's got you all giggly today?" You ask, closing your eyes as you soak in more of the warmth.

"I'm not giggly, thank you very much. Giggling is for school girls and wine drunk single moms."

"Yeah, ok," You snort, smiling.

"You're just all over me like a fucking uh--"

"Koala?"

"Nah, more like one of those bigass fucking boa constrictors, y'know the ones I'm talking about?"

"A boa constrictor?" You gasp, jokingly offended at his words. Shifting from your position you eye your boyfriend. "You asshole!" Grabbing a small pillow from beside you, you hit him square in the chest repeatedly.

You're hovering over him, knees on either side of his hips, pinning him to the couch below him.

"Hey, hey!" He laughs, attempting to grab your wrists. "This is domestic abuse! ABUSE! ABUSE! Greg call the cops, she's beating me!"

Somewhere in the distance you can only faintly hear Greg stutter something, but your laughter is too loud to actually make it out.

Roman finally grabs the decorative pillow out of your hands and flings it somewhere.

His brown hair is messy, strands dangle in front of his eyes, no longer slicked back and proper. The laughter dies down but his bright smile remains, melting your heart.

"You're an absolute prick, Roman Roy, y'know that?" You whisper, lips lingering right over his.

"Oh I know," He smirks, irritatingly handsome like usual, eyes flicking between your own and your lips. "And you fucking love it."

Surging up, his lips connect with yours, traces of coconut and pineapple left on his tongue. The sweetness of rum mingles with the fruity aftertaste.

Humming in satisfaction, you close your eyes and place your hands on either side of his face, leaning into the kiss. Roman's light scruff rubs against your palms.

Eventually you pull back in order to breathe in the salty Mediterranean air. Roman's lips chase after your own, hoping to continue and subsequently never stop again.

"Yeah, I do." You sigh, gazing at his eyes as they turn into a molten shimmering gold hue in the afternoon sun.

•

[amarayys]

DRDT episode 13 theory. So.

so i was meant to be making a general episode 13 analysis video. but um. i dont have the energy for that. so what am i gonna do instead? TALK ABOUT TERUKO try find out wtf david is doing in this scene

SO. time to find out what possibly the FRUITIEST look ever from david means!!! disclaimer:

I suck at theories. And formatting. Yipee.

I'm painfully unfunny so excuse any dumbass jokes i make.

I'm going to find any and all excuses to rant abt teruko. be prepared...............

4. I may repeat myself a lot. Forgive me if it sounds really repetative... :( 5. Any points surrounded by - these things - are just things that are unlikely, but I think should still be adressed.

So, the context of these images is Teruko revealing "her secret"; You're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them.

(pls excuse the shitty quality.) She has to be either lying or MAYBE unsure about her secret. Here's why: 1. She had a conversation with Whit (and technically charles, but he was just listening in) about her family. She reveals that she's never known her parents and grew up in an orphanage. She did grow up with her biological brother, but he was adopted by another family when Teruko was five, and she says she doesn't remember him much.

2. The wording of the secret is quite specific - You're constantly blaming yourself for the death of your parents and siblings. Like I've mentioned, she's never known her parents. Even if she *somehow* knew they were dead, why would she blame herself for it? I could see it maybe working in some way, but the next bit disproves it - SIBLINGS. Teruko has only mentioned having one sibling, and this wording is plural. This secret cannot be hers, she only has one brother. - To add on to this

2.5. Maybe one could argue that siblings and parents could be her friends/people she considered family in the orphanage she grew up in. However, the specific wording of parents and siblings, instead of just using the word "family", makes me think otherwise. - Okay, so let's dissect what this means. - I think if maybe she was unaware/TRULY thought that this was her secret, the only point that would support it is 2.5. Maybe she considered people she grew up with in the orphanage her "parents" or siblings", but its just not very likely. While I wouldn't be surprised if Teruko blew up an orphanage or something (/hj) , I think it's a stretch to say this secret is referring to that. - With that out the way, we come to one conclusion - Teruko is lying about secret. "Amari, we know that already, can we move on??????????" yeah yeah whatever i may have just wanted to rant about teruko. MOVING ON. So, what is Teruko's secret? It's pretty wildly agreed upon that Teruko's secret is the one regarding the killing game, which David recieved - "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault."

We think that this is Teruko's secret because: 1. She's the only one that fits it smh. /hj 2. The guy at the start of the prologue (who is probably xander but that is a WHOLE other theory you can find here ) mentions having to kill Teruko Tawaki (how DARE they) after talking about ending the killing game.

My interpretation of this is that Teruko is the reason the killing game is actually happening, though I doubt she's aware of this/the mastermind (or she could be, idk??). A really good theory that I feel explains what I mean by Teruko causing the KG but not being the mastermind is the time loop theory which is linked here. (accirax i love you for this theory /p) Obviously, this lines up with "The killing game is your fault." 3. David gives her THE LOOK right after she "admits" her secret, which sort of maybe kind of implies that he knows she's lying, which he does, since he has the secret. - As for the remaining secret: Xander's secret (which we assume min recieved) is the one Teruko claimed to have:

"You're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them." Why do I think this? 1. In Xander's bonus video, it is VERY heavily implied that he has survivor's guilt as well as outright confirmed his family is dead. Go check it out for the full context.

2. Xander's secret message on the DRDT tumblr is the definition of survivors guilt. Really self explanatory, huh?

3. XANDER ACTUALLY HAS MORE THAN 1 FUCKING SIBLING. anyway. okay, this is getting a little confusing to remember, so here: Killing game: Teruko's secret, recieved by David. Survivor's guilt: Xander's secret, recieved by Min. (all remaining secrets remain the same.) MOTIVE

So, why would Teruko lie about her secret? I mean, shouldn't she just point it out? And why didn't David point it out? - 1. Teruko is aware that her secret is the killing game one and is lying because she's the mastermind or something. We see her thoughts, so I really doubt it. To further disprove this theory: Teruko has stated like 15 times (/ex) that she doesn't know which secret is hers, due to her having too many secrets. So, yeah, pretty unlikely she knows which secret's hers. Discard this theory. -

2. a) Teruko doesn't know her secret, but knows it's probably bad, and therefore doesn't want to share it, so she lied. Pretty straightforward, really. Now, for the theory that I think is most likely: 3. Teruko doesn't know which secret is hers, but she knows neither of her secrets are the ones left unrevealed. She knows somebody is lying about a secret - but she's come to the conclusion that secrets are irrelevant to the trial and murder, so she's lying about her secret to avoid everyone getting off track once again.

We know that's she's accidentally led the trial in the wrong direction twice now (motive secrets, time of murder) Also, this is the most in character.

As for David: A. David knows her secret, but keeps it hidden in order to cause distrust and just generally fuck Teruko over. He plans to reveal it either post trial or in a future daily life. B. David knows her secret, but earlier, he and Teruko made a pact to keep it hidden. However, since he's a little bitch boy (/j), he's going to reveal it anyway, either post trial or in a future daily life. - Just to add on to this point ^ - I know Teruko's protag and we see her thoughts and all, but Kaede happened, so I don't think this is out of the question. - I think the most likely combination is point 3. and point A. : Teruko's lying about her secret to avoid the trial heading off topic. David isn't calling her out because he wants to use it in the future to throw suspicion onto Teruko and cause havoc.

SO. Let's recap! Secrets: Teruko: "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." Received by David. Xander: "You're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them." Received by Min. Rest remain the same as canon. Why can't Teruko's secret be about her family? 1. Teruko never knew her parents, and never mentions them being dead. 2. Teruko hasn't seen her brother since she was 5, and she never mentions him being dead, just adopted. 3. The wording of the secret refers to siblingS, which is plural. Teruko has only one sibling. 4. The secret fits Xander much better - His secret quote is the defintion of survivors guilt, and his bonus episode heavily implies he has survivors guilt, and it is confirmed his family died in the same bonus episode. Why is Teruko's secret about the killing game?

• The guy at the start of the prologue mentions having to kill Teruko Tawaki after talking about ending the killing game. This implies Teruko is the cause of the killing game, whether on purpose or not. Motive for lying: Teruko doesn't know which secret is hers, but she knows neither of her secrets are the ones left unrevealed. She knows somebody is lying about a secret - but she's come to the conclusion that secrets are irrelevant to the trial and murder, so she's lying about her secret to avoid everyone getting off track once again. David knows her secret, but keeps it hidden in order to use it in the future to turn everyone against Teruko and just generally cause distrust in the group. He plans to reveal it either post trial or in a future daily life. **btw, just a fun afterthought - i think either whit or charles will eventually point out the conversation regarding teruko's unbringing and how it contradicts her secret - and david will use that opportunity to reveal teruko's secret. ANDDDD that's it! feel free to correct/add on any points you'd like. this took AGES but i had so much fun!!! i love you drdt. (ESPECIALLY TERUKO.)

[oneatlatime]

The Painted Lady

Air Bison, Sea Bison, and now Sludge Bison.

I have no idea how Aang is swimming through a solid. Must be an Avatar thing.

I bet there would be time for more potty breaks if Sokka hadn't spent 100+ hours of their time drawing up the schedule. A very Sokka thing to do though.

Because hills often have horns. Great disguise.

You can't tell me that a factory that close to their town wouldn't also become the town's primary employer.

That is a lot of town.

I sense a return of preachy Katara. This episode is going to suck.

I'm with Sokka on this one. Buy fish, move on, defeat Firelord, return to help with environmental remediation if time permits.

I like Doc. And Shu. Nice people.

Writers: if you have to make one of your characters an entirely different person to set up the episode's lesson of the week, maybe the lesson doesn't fit your chosen characters. This is the Warriors of Kyoshi all over again. Funny how that's happened to Sokka twice.

We are all Sokka.

And where exactly did this mysterious painted lady get the food to deliver to the village, if the reason the Gaang stopped in the village in the first place was because they needed food?

Let the record show: I lost the last of my patience with this episode 8 minutes and 9 seconds in.

Waterbending healing has never thrown off that much light before. Even the spirit oasis water wasn't that bright.

Also where is the water she's healing with? Usually she has a big bubble of it.

Impersonating a religious figure. That won't end badly.

"Well I hope she returns every night otherwise this place would go right back to the way it was." YES!!!!!! THAT'S THE POINT!!!!!

What was Katara's plan? Forget about the eclipse, forget about fighting the Fire Lord, we're going to stay here for the rest of our lives so that the painted lady can put in a nightly appearance. THIS IS WHY SOKKA DOES THE PLANNING.

Spirit magic is more doing the worm than doing the wave. Good to know.

Bold of a kids' show to advocate for ecoterrorism.

Aang's like "Hey spirit lady! Here's my resume! Here's my connections on LinkedIn!" Why did Katara think that faking being a spirit within two feet of the bridge to the spirit world would be consequence free? Actually that presupposes that Katara thought. Which she didn't. Sokka does her thinking.

"I don't get to meet many spirits. But the ones I do meet, not very attractive." I am OFFENDED on Yue's behalf. And Sokka's. I guess Aang doesn't like Water Tribe girls after all.

"I guess I just became her." No. That's an excuse and a deflection. I don't want to hear it.

What was I saying about Aang and Katara enabling each others' bad tendencies?

Sokka is horribly out of character this episode, but Aang is as well. In what universe would Aang be so unbothered by Appa being sick, and then so unbothered by the reveal that Katara had been faking Appa being sick? Like, this is Appa. He nearly skinned a bunch of sandbenders over the guy. And he finds out Katara's been messing with him and calls her 'great' and 'a secret hero.'

So this factory, despite being operational 24/7, has no night staff, not even a night guard? Because if it does (which it absolutely does - automation is a problem for factories in our world, not the ATLA one), Katara and Aang just killed A LOT of people.

And so she follows up one short term solution with another short term solution, which causes a third problem she will no doubt solve with a short term solution. You think there won't be reprisals for the only obvious suspects to this industrial sabotage? You think they won't rebuild the factory?

Sokka was kidding when he said that the Spirit Lady had better blow up the factory, but not in the way Katara thought he was kidding. Katara thought he wasn't being serious. But Sokka was serious, in that blowing up the factory is as short term a solution as appearing every night. He thought the joke - exchanging one bad solution for another - was obvious.

Somebody's enjoying himself a little too much.

Unfortunately, serving as Exhibit A is the most Toph has had to do all episode.

It is cathartic to see someone finally call Katara on her nonsense. But I'll bet everything I own that the narrative is going to side with her anyway.

Welp. I won that bet.

"You need me." Correct! Katara unsupervised needs bailing out after five minutes. "And I will never turn my back on you." A much more realistic goal than never turning your back on anyone who needs you, and also Sokka summarised in one sentence. Impressive for an episode where they had to Flanderise him beyond recognition to make Katara somehow the good guy.

Oh for fuck's sake. It's not about having a heart. This late in the game it's pure damage control.

So that's where the Painted Lady's food came from. I guess Fire Nation factories count as pirates?

I like the jetskis. The seem far more stable than actual jetskis.

It never occurred to Katara to obscure the evidence even a little bit? At least rub some dirt on the emblem. Look at me assuming Katara has thoughts.

Actual reprisals for once. About time.

This kid is annoying.

Toph gets to be a haunted house sound effects machine.

That's awfully waterbendery for a Fire Nation spirit.

I don't buy for a minute that anyone would be able to stay perfectly upright and balanced after an air blast from below without extensive trampoline training.

This won't work. His superiors, or the next shift change, or the first recruit wanting to climb the ranks quickly, will rise to the challenge presented here by the "painted lady." And as soon as one FN attack goes unchallenged by the "painted lady," the village is toast. I give them a week, tops.

Kudos to some clever in-universe bending special effects. Doesn't save the episode though.

Katara's preachy speech here makes absolutely no sense in light of the rest of the episode. Scolding them for not saving themselves, when waiting around for someone to save them appears to have worked perfectly? And having little miss I-must-save-the-whole-world-on-a-weekly-basis-otherwise-my-sense-of-self-implodes deliver that scold?

Who are these people wearing the Gaang's skin?

Yeah, nothing screams undercover in enemy territory like an entire village knowing that you're a waterbender. Good thing the only competent tracker in the Fire Nation is Zuko, otherwise these kids will absolutely be dead long before the eclipse.

Hi Bushi! You're about the only part of this episode that doesn't drive me nuts!

At least the animators had fun with this one.

Is this guy mopping the river?

Exactly how many days did they take out of Sokka's schedule to restore the ecosystem? I don't care how overlevelled these kids are at bending, you cannot mechanically separate an entire river's worth of dirt from water in an afternoon.

Well that's just he piss icing on the shit cake, isn't it? It wasn't enough for Sokka to lose all reason and come around to Katara's very flawed way of thinking, it wasn't enough for Aang to call her a hero, it wasn't enough to have a village worshipping at her feet, Katara needs affirmations of how right and special and correct and perfect and morally justified she is from the spirit world itself. This is Mary Sue stuff.

Final Thoughts

This is the first time an episode of Avatar has felt like a waste of my time.

It's also the first time I've felt like an episode has gone out of its way to insult the audience.

Katara talking about how she knows what she's doing is wrong is worth absolutely nothing when a) she goes right back to doing it; and b) literally every other part of this episode trips over itself to assure Katara that she's in the right.

Katara is downright punchable this episode. Sokka is Flanderised; Toph is non-existent; Aang is just there; poor Appa is an unwitting accessory to crime; and Momo has as much impact as a housefly.

So the execs forgot about the existence of The Spirit World Part One and demanded a save the environment special episode. The writers responded by forgetting that they'd already established that Katara was ride or die for literally anyone with a pulse in Imprisoned, and gave us this to remind us of that fact. They also forgot that they'd already established that Katara has no moral code whatsoever the minute her personal interest is involved in The Waterbending Scroll, so they decided to recycle the "narrative sides with Katara endangering them all over Sokka being reasonable" plot from that episode and hope we wouldn't notice. We did.

At least with Imprisoned, Katara kind of sort of caused the problem that she fixed. She was super tangentially involved in that kid's arrest. Here, she causes problems by trying to fix problems that she didn't really have any business getting involved in.

The more of this I watched, the more I wanted someone to slap Katara. What I wouldn't give for an episode where she is wrong (has happened a lot) and the episode doesn't pretend otherwise (has never happened). For god's sake, LET HER BE WRONG AND FEEL IT. How else is she going to progress past being self-righteously fourteen? Why is she being so consistently insulated from consequences? Aang chooses power over family at the end of season two and gets actually murdered for it. Katara steals, lies, skirts dangerously close to being a false prophet and does a nifty little ecoterrorism (with Aang's help), and she gets villagers being a bit shouty before big brother comes in and fixes it. Then she gets divine sanction for her actions so even the shouty bit is negated.

There's an interesting contrast in Katara's "I will never turn my back on people who need me" and Sokka's "I will never turn my back on you." It shows which of the two doesn't have their head in the clouds, and has actually formulated realistic expectations of how much a single person can do. It also speaks to the fundamental difference in how they operate. Katara acts; Sokka mitigates. Sokka does Katara's thinking for her; Katara outsources her thinking and then gets pissed when rational thoughts don't conform to her emotions' view of the world.

Why haven't the villagers moved away? If the water was poisoning them this much, why are they still here? Was the early 2000s too early to have a theme of climate refugees? Or the pollution equivalent? That would have been more interesting than this.

I hated this. Why isn't this the episode that gets hated on like the Great Divide? Its sins are nothing compared to this.

Doc, Shu, and Bushi were the only good thing in this episode, but they weren't enough to make this one remotely rewatchable.

One out of Three so far on season three episode quality. No other season has had this bad a ratio this early. This does not bode well for the rest of this season.

[calliethetrekkie]

Star Trek TOS S01E19: Arena

Original Thoughts

"Well now I know which episode those screenshots of Kirk fighting lizard men that are clearly guys in uper cheap costumes come from. So Kirk is forced into a battle to the death more or less against a vicious alien species by another alien species of greater power. Man, they’ve had bad luck with the latter thus far. Despite the cheapness making it hard to take seriously, it was cool to see Kirk get to fight full-on against something since episode 3. Shatner kinda overacted a bit with the dialogue, but was fine otherwise in a more action-oriented episode that had Kirk completely on his own with no help available to him. Kirk’s proven to be quick-witted in the past, such as in the previous episode, but he had nothing but wits and a communicator here, and he was awesome! The Gorn are also dangerous but also display intelligence and cunning like how the one came pretty close to killing Kirk and devising a way to trap him. The Enterprise’s helplessness in this situation is also very strong with even Spock unable to do anything but wait it out. A cheap episode for sure, but a good episode regardless."

Rewatch Thoughts

Wow Callie, way to not even pay attention to the moral of the episode, you dummy!

When going back to rewatch this one, I only remembered two things about it: the Gorn and the scene where McCoy tries to hold Spock's hand while they're watching Kirk struggle. The former cause of that legendary costume, the latter cause... well, me taking in every Spones moment that I can. Otherwise? I remembered virtually nothing else. It sucks that I forgot about most of it, but it's also kind of nice cause I got to experience it again, and DEAR GOD this is so much better than I had remembered!

The first part of the episode is great, from Kirk and McCoy being all giggly and cute in the transport room to them finding the base they were going to utterly obliterate. Only one guy was still alive and it was an active blast zone as well that only our three mains, the dying guy, and one Blue shirt survived. We're left wondering WTF happened and Kirk... well, he doesn't take the incident well. He declares it an invasion and goes after the ship of those responsible, fully intending to return the favor.

It was a little scary TBH to see Kirk so... I guess the word that works best is vengeful. I don't think I've ever seen him this willing to kill an enemy before, even in Conscience of the King he kept his cool overall. I guess given the amount of life lost, even compared to say Balance of Terror, it makes sense. It's not OOC either, we've seen Kirk flare up whenever any of his men are killed/threatened (The Man Trap, Balance of Terror, The Corbomite Maneuver to some extent) so what looks like a calculated attack on this level? And when he's the only one in a position to give pursuit? Yeah, Kirk ain't gonna let that go. He's going to find whoever/whatever did this and stop it before such a thing happens again.

This presents a problem, however, that being how irrational Kirk is being. I don't mean that in a bad way either, it's interesting to see this side of Kirk. He's so determined to pursue this enemy, to take them down, that he doesn't care about any possible explanations about why the Gorn did what they did. Spock tries to express that very concern, but it falls on deaf ears and he pretty timidly falls back into place. Spock's very much been willing to question Kirk before, we saw it in Conscience of the King, but in that instance, he had time to go over everything before choosing to confront Kirk and also discuss it with McCoy, who noticeably stays in Sickbay until Jim gets whisked away. Given McCoy's the one who would most likely speak back and try to talk Jim out of it/appeal to him emotionally, keeping him in Sickbay with the traumatized, nearly dead officer and thus unable to be Kirk's soundboard to vent his emotions to had to have been on purpose. That's not to say that Spock is a mindless follower, he isn't by any means. But at least at this stage of ST, I don't think he has the nerve to argue or defy Kirk without being prepared for it or without McCoy or someone else in his corner to back him up. Plus logically, what can he argue against Kirk when he's not gonna listen? He can't. This is why in cases like Conscience of the King and later in Obsession, you need Spock and McCoy both standing up to Kirk: alone they probably couldn't do much, but together? Jim doesn't stand a chance haha.

Even the crew is pretty mortified by Kirk's recklessness and... for lack of a better word, murderousness. Uhura gives him some mega side-eye when he and Spock are talking, and everyone looks mortified when Kirk keeps making them go up to more and more dangerous Warp levels. They don't go against the orders, but it's very clear that they're unsettled. Kirk is very much presented as in the wrong and dangerously reckless for everyone. He doesn't even really give a damn when Uhura tells him that they're being scanned nor questions why the Gorn are coming to a dead stop when entering the mysterious galaxy, only caring that they have the chance to shoot them down. He is laser-focused on shooting down the enemy, and this bites him in the ass hard as the Metrons, unhappy to have this quarrel brought to their end of the universe, forces Kirk and the Gorn Captian to settle the matter... one-on-one.

Kirk is in a bad position, but it's kind of cool to see him under conditions like this. He has no weapons, no way to communicate with he Enterprise, he has nothing but his own wits. He's against a Gorn, who is much stronger and as Kirk finds out, very much intelligent. That's one thing I enjoy about the Gorn, they are brutish and violent, but the Gorn Captian at least isn't stupid. Kirk mistakes the alien translator that the Metrons outright told him that they were giving him to talk directly to the Gorn. In other words, because Kirk didn't pay close enough attention to the Metrons words, he gave away EVERYTHING that he was thinking and doing to the Gorn, who took all of that, and countered. He even set up his own trap and Kirk survived by the skin of his teeth. Ironically the guy in the cheap lizard costume was the one being smart and calculative, while Kirk... well sorry honey, but you're kind of an idiot during most of this. But it's okay, I know it's cause your two brain cells aren't with you.

Speaking of said brain cells, the Spock and McCoy moments during all of this are so good! I mentioned the hand-chasing bit, which is still fantastic and I'll never get over the fact that De Kelley decided that was perfectly IC to do. But even disregarding that, this is a really good one to watch if you wanna see a good example of their relationship when they aren't bickering. You can REALLY tell that McCoy wants to when he gets to the Bridge and presses Spock for answers, but he actually holds it in. Likely due to the time-pressing circumstances, but still. I mean he even turns the Captain chair so Spock can sit in it properly (my hilarious theory is Nimoy somehow missed it when filming so they had to have De holding it so Nimoy wouldn't hurt himself), how anyone can look at them here and think they hate each other I'll never know. I also love how it's when McCoy appeals to the Metrons to let them see Jim that the Metrons decide to show some compassion and comply. It's an early sign to them that humans aren't just savage killers, and it's Leonard 'The Heart' McCoyt hat starts it.

Spock also doesn't even attempt to hide his emotions here, his uncertainly over what to do and how he doesn't know where Jim is, his fear and worry when seeing Kirk near death, his relief when Kirk starts piecing together what to do with the resources around him, and let's not forget earlier where he decided that going after Kirk in an active blast zone was a perfectly logical thing to do. Seriously, this is also a great episode to point to whenever Spock claims he has no emotions cause... yeah sorry Spock, all you've proven is how Vulcans are giant ass liars.

Honestly, this is such a good episode showing how devoted the Enterprise crew is to Kirk. When Kirk instructs Sulu to abandon the landing party if necessary and to protect his ship, Sulu very clearly does NOT want to do it. He knows he has to comply, but if he has the chance to save Kirk and the others, I don't doubt at all that he would do it. Despite the visible shock regarding Kirk's orders and actions, all of the Bridge are horrified and worried when he disappears and when they see how badly he's doing. Poor Uhura looks like she's about to cry I swear. Kirk has his bad moments, but ultimately he's a respected Captain for a reason and Uhura, Scotty, and Sulu especially know that (and Chekov but he ain't around yet). No one wants anything to happen to him and if anyone on that ship could do something to save him, they would. They're so devoted to Kirk, even when they disagree with him, and I love it.

All that said, in the final stretch the Gorn finally speaks and we find out why they obliterated the Base and everyone on it: because Starfleet were the invaders. The space was the Gorn's and Starfleet suddenly setting up a base there scared them and they concludedconclusion that it was an enemy attack waiting to happen. While they certainly jumped the gun... I don't blame the Gorn too much, to be honest. You see these people that look virtually alien to them settling in without any explanation about where they're form or what they intend, what other conclusion is there to make? I don't believe Starfleet was attempting to do anything malicious, at least in this case, but the fact that they just assumed the space was free for the taking... yeah, not one of your better moves guys. Did that justify the Gorn's actions? It's hard to say since they certainly had an understandable reason, but it still caused massive casualties that I think could have been avoided had the two sides just... talked and mediated things. Still, as McCoy points out, Starfleet was the one in the wrong first, and Kirk just about nearly caused even more unnecessary bloodshed because he didn't at all consider why this happened to begin with.

Given that, it makes sense why the Metrons would see us humans as primitive savages (poor Spock getting lumped in there too haha), especially with Kirk's behavior up to that point. It makes his decision to NOT kill the Gorn Captain, despite having blasted him to near death and having the perfect opportunity, all the more impactful. Throughout the episode, it's all he'd wanted to do, to the point of endangering the Enterprise and everyone on it to get the chance. But having now heard the Gorn's reasonings and being able to look at his own actions, he realizes how wrong he was. The Gorn aren't mindless monsters, they were afraid and were trying to protect themselves from what they saw as invaders, and it was a matter that Starfleet provoked first. He even refuses the Metrons offer to kill the Gorn and instead wants to properly mediate things over. It convinces the Metrons that there's hope for humanity before returning Kirk back to the ship safe and sound.

Given recent times, the moral honestly this a lot harder. The Gorn were motivated by fear, Kirk was motivated by vengeance, and had it kept going I could easily see things escalating into full-blown war. Ultimately though, Kirk decides to be the better man and not continue it. He's seen the destruction that the Gornc caused and likely people he knew got killed, he fought the Gorn Captian face-to-face and both of them were fighting to the death, and acted irrationally all throughout the episode. But Kirk learned and chose the diplomatic route instead. I wish that it were that simple, to realize all sides feelings and decide that there's been enough hatred, fear, and vengeance by everyone. I wish that more leaders chose to communicate and mediate things out, which si certainly more difficult than it sounds but it's still a better option than war and death. TOS is outdated in so many ways, but is also still incredibly relevant in others and I think that this is very much one of those kinds of episodes. It certainly hit me a LOT harder this time around than it did the first time.

This episode is so freakin' good. A great plot with a very well-handled message, great character moments for both our main trio and the Bridge crew, and very well-executed tension. I knew full well how this whole thing ended and I was still worried about if Kirk would make it out, that's how well this episode does in immersing you in it. Even Shatner's over-acting, which tbh wasn't even as over the top as I made it sound in the first viewing, didn't phase me. Also that Gorn suit is perfection and it needs to stay the Gorn's default look, I don't make the rules! I thoroughly enjoyed this one... and hopefully, the memory of it helps me survive the next episode, The Alternative Factor, cause if it's like I remember... yeah I'm not gonna be feeling much joy after it. But that's for then, for now? Arena is great~!

Original Rating: 4/5 Rewarch Rating: 9/10

[My TOS Reviews]

[TOS S1 Reviews]

[immaturityofthomasastruc]

IOTA Reviews: Transmission and Deflagration (The Kwamis' Choice)

Well, it only took until almost halfway through the fifth season, but we're finally getting a two-part episode that isn't a season finale. There have been a few episodes I think could have benefited from having an extra part, like “Cat Blanc”. So obviously, after all this time, there has to be a reason for putting a two-parter here. The story told here has to be big. It has to be huge. It has to be something that will alter the very way we see the plot and these characters, and—it's more Love Square stuff. God dammit...

Let's get into the tenth and eleventh episodes of Miraculous Ladybug's fifth season: Transmission and Deflagration

“Transmission” starts with Marinette having another depressive episode, which seems to be worse than usual, with her offering her Miraculous to Tikki so she can choose someone else. While Tikki tries to remind her of all the good she's done as Ladybug as footage from earlier episodes plays, Marinette points out how she's a terrible Ladybug, once again referencing how she lost the Miraculous because of her feelings for Adrien.

Tikki: You’re overreacting, Marinette!

Marinette: Really? Then, how come I lost the Miraculous I was entrusted with all because of love? Love only ever causes problems. I’ll never fall in love again! Love is weak! And I can’t be sad about it; otherwise, I might get akumatized!

Okay, this is just getting ridiculous. We're ten episodes into the season, and whenever Marinette brings up her failure at the end of the last season, it's the same song and dance: She feels guilty about it, she needs someone to try and make her feel better, and she doesn't change anything about the way she and Cat Noir operate. If it isn't that, it's a complete strawman or character who we know already hates Ladybug like Chloe or Lila calling out Marinette for her failure specifically so any negative feedback she gets can be easily brushed aside. The whole point of a hero having to comprehend a major failure is to see how they deal with the consequences to their actions and find a way to improve to make sure nothing like that ever happens again. If Marinette came up with new ways to strategize with Cat Noir, or seriously reevaluate the way she sees Adrien that isn't just brushed aside, I'd get it. Instead, all she does is whine about how much her life sucks over and over, which is the same problem I've had with Adrien for the past few seasons.

And once again, for a show with the lyrics “The power of love always so strong” in its opening, it seems like the writers want to make a bigger point in favor of showing how love can only ruin things. Yes, getting emotional can cause someone to make more impulsive decisions, but at the same time, feelings of love and kindness can get good results, like Ellen Ripley's maternal instincts motivating her to save Newt in Aliens. The problem is that we never get a lot of arguments as to how love can benefit the heroes, not only when we see how much it screws up Ladybug and Cat Noir's partnership, but once again, how Marinette's romantic feelings for someone led to her greatest failure. The closest we get to an argument in favor of love is whenever Marinette and Adrien's friends try to make their OTP come together without considering if it would actually make things better or not.

Speaking of which, after the episode's obligatory pointless Chloe line that's only there so Selah Victor can pay her rent that week, Ms. Bustier asks Alya to deliver Marinette's homework to her, only for Nino to convince her to have Adrien do it instead. Somehow, she thinks this minor favor will help Marinette and Adrien realize their true feelings for each other. Because it's not like Alya learned that she shouldn't choose who she thinks Marinette would be best with last episode, right?

Marinette and Adrien talk and it seems like they're starting to grow a little closer, but Tikki and Plagg panic, trying to intervene so they don't know each other's identities. The attempt fails, but Marinette kicks Adrien out anyway. It's a pretty somber scene, so let's cut to something stupid instead, like Marinette and Adrien's classmates throwing a party under the assumption that Adrien simply delivering something to Marinette means they'll get together now.

All of you are really gunning for the Biggest Idiot Award today, aren't you?

Of course, even though she went along with one of these weird “force Marinette to do something she doesn't want to” schemes before in “Crocoduel”, Zoe seems to be the only one with a smidgen of common sense.

Zoe: Alya, did you hear Marinette’s voicemail message?

Alya: Yeah, but that was before, Zoe.

Zoe: “Before”? Before what?

Alya: Before when Marinette was a complete wreck.

Nino: But Alya sends her the perfect mechanic.

Alya: Adrien!

Nino: He’s fixing her up as we speak.

Rose: Wow! When they come back to school, they’ll finally be an item!

Marc: A perfect plan!

Zoe: But... you guys don’t actually know for sure.

Alya: Trust me. This is it this time!

I'm starting to think that maybe Marinette should reconsider who she chooses to be temp heroes once she gets the Miraculous back.

Adrien starts crying as he leaves Marinette's place, which attracts the attention of Monarch... who then immediately backs out as soon as he senses him, transforming back into Gabriel. Meanwhile, Tikki and Plagg discuss Marinette and Adrien's situation.

Plagg: Sugarcube! Having to force them to choose between love and their mission is just awful! Maybe Master Fu was wrong to choose them.

Tikki: No, they’re made for each other. Love is what gives them their strength.

Plagg: But the impossible part of that love is destroying them, and I know a thing or two about destruction.

Tikki: (sighs heavily) What can we do?

Plagg: We must free them of that impossible choice. We must... free them of us.

Yep. This is the titular Kwamis' choice. They seriously think that Marinette and Adrien's romantic problems are more important than them being superheroes, so their best option is to just take away their Miraculous even though Monarch still has fifteen more of them. I'd be more forgiving if this was towards the beginning of Marinette and Adrien's superhero careers, but this is Season 5, where the stakes have never been higher thanks to Monarch's arsenal. Oh yeah, I also forgot to mention that MARINETTE IS STILL THE FUCKING GUARDIAN, AND TAKING AWAY HER MIRACULOUS DOESN'T CHANGE A THING! IT'S NEVER EVEN MENTIONED IN EITHER EPISODE, SO HOW THE HELL DO YOU FORGET SOMETING THAT IMPORTANT?!?!

It doesn't even make sense that only now are Tikki and Plagg against Marinette and Adrien actually getting together when they were never shown to have any problems with it in earlier seasons, and just last episode, Plagg encouraged Adrien to go after Marinette after doing so as Cat Noir didn't work out. It comes across as the writers struggling to come up with new ways to have opposition to the Love Square, even if this idea somehow leads to a minuscule amount of progress in that department. Yeah, you figure that out...

Also, it's pretty weird how after four and a half seasons of Marinette suffering from the burden of being Ladybug, only now does Tikki decide to relieve her of that responsibility, but only because of how it affects her love life.

We get another scene showing how stupid Marinette and Adrien's friends are as they talk about how happy Marinette and Adrien must be now, interspersed with scenes of Marinette and Adrien crying their eyes out. Just like that one scene in “Evolution”, I don't get the setup. Is this meant to be a joke, or a serious moment? After Nathalie takes a call for Adrien telling Nino that he can't be bothered at the moment, Gabriel comes into the room to comfort him, giving him an Alliance ring in the process.

Tikki and Plagg talk to their respective holders and tell them how they feel that the burden of being heroes is crushing them. Marinette and Adrien obviously bring up the situation with Monarch, but as soon as their Kwamis mention that not being superheroes means that they can pursue their love lives with no stress, they immediately take off their Miraculous and give them back. After five seasons that this episode confirmed happened just under a year, and this is what causes them to give up their Miraculous: a bad case of heartache. We're supposed to see this as the breaking point that causes the two to not want to be superheroes ever again? They don't consider the innocent lives that could be in danger, or the fact that this heavy burden will most likely be forced on two new and inexperienced schmucks who will struggle even more than they did thanks to Monarch possessing powers of the other fifteen Miraculous.

I'm sorry, but I don't see this as an emotional scene. All I see is what I saw with Adrien in “Kuro Neko”: these characters simply giving up because of how much they're prioritizing their personal feelings over the lives of others. If this was something Marinette and Adrien came up with and made an agreement to quit at the same time (even choosing their own replacements), I'd sort of get it, as they'd at least be on the same terms, but neither of them ever learn the other quit until later on in the episode.

After Adrien breaks down even more, we learn that the whole reason Gabriel hesitated to akumatize Adrien the last time was because he didn't have an Alliance ring on, so now that he does, he's taking a mulligan. However, the Akuma is stopped at the last minute when Adrien sees the homework he was supposed to give Marinette, so he runs off as his negative emotions fade. Instead, Monarch chooses to akumatize someone else with five different Alliance rings.

Monarch: Rejoice, dear Kwamis! Five Alliances enables as many Miraculous powers to transfer at the same time! This villain promises to be exceptional! (laughs manically)

Pretty sure you hyped up Style Queen the same way three seasons ago, yet you still didn't get the Miraculous then, so I wouldn't gloat too soon.

The next scene with Marinette and Adrien is actually a really nice one. Marinette starts stuttering as usual when she tries to talk, but Adrien comes up with another idea: He'll ask a series of yes or no questions, and Marinette can raise her right or left hand to answer them. Adrien asks Marinette about her feelings for him, and Marinette accidentally answers no before changing her mind. Before Adrien leaves, he asks Marinette if she wants to spend more time with him in the future, to which she accepts. This scene was handled really well, and nothing really felt forced here.

Back with Alya, she and the others are once again coming up with a plan to get Marinette and Adrien together (because none of them have lives outside of the Love Square, I guess), when Nora suddenly calls.

Nora: Geez, sis! You never pick up the phone when I like, actually need your advice!

Alya: I couldn’t pick up. I’m at school!

Nora: Yeah, right. So, you see, I had no choice but to deal with it myself.

Alya: Oh, no... Nora. I told you before, you gotta talk before you act!

Nora: Yeah, but I did talk, like, I said stuff in front of Kouki's bros.

Alya: Nora! Not “talk” like that!

Yeah, outside of a few references to Nora trying to call Alya earlier in the episode, I didn't skip anything here. We're just thrown into this plot with little to no explanation as to what's going. What Nora and this Kouki guy were arguing about, much less what Nora said to his friends is never explained. I don't even known if they're supposed to be in a relationship or not. It's not like in “Sandboy” or “Oblivio” where the motivation for how the person got akumatized was only explained near the end of the episode. The episode acts like we're supposed to know who Kouki is and why he and Nora are fighting when this is the first time Kouki has ever appeared on this show.

As the conversation goes on, Tikki chooses Alya to be the new wielder of the Ladybug Miraculous and Plagg chooses Zoe to be the new wielder of the Cat Miraculous. Okay, outside of Zoe being the only one in this episode who isn't a complete idiot, I can see why Plagg would choose her, since she has experience as a superhero, and her identity wasn't exposed. As for Tikki choosing Alya? Yeah, Alya did a good job as Scarabella in “Hack-San”, but she doesn't mention that A) She and Cat Noir still needed Marinette's help to stop Robustus, and B) Alya's already had her identity exposed twice, to the point where she was the one to suggest she not be trusted with one before Marinette lost the other fifteen Miraculous at the end of the last season. Alya's not a bad hero, but these factors don't exactly make her an ideal successor to Ladybug. Also, it's pretty dumb how the whole reason Marinette and Adrien quit was for romantic reasons, yet the whole reason Alya blew her cover last season was for romantic reasons (Rocketear).

Back with Adrien and Marinette, the former plans to leave, but is interrupted by the akumatized form of Kouki, named Kikou.

Kikou's design is... I mean, it's not terrible, I guess? Putting aside the fact that this is the second Akuma in the series to go with the “black boxer” stereotype (who is also a dumb brute like Anansi was), the gold jewelry is a decent touch, and it makes sense that he has the five Alliance rings to show off his wealth. As for his powers, because he has five rings, he has five different powers, the Tiger Miraculous' Clout to power his Gum-Gum Pistol-esque punches, the Turtle Miraculous' Shelter to protect his head where the Akuma is obviously hiding, the Horse Miraculous' Voyage to move around quickly and make up for his size hindering his speed, the Ox Miraculous' Resistance to protect the aforementioned Shelter, and the Mouse Miraculous' Multitude to clone himself with. This is the Akuma that really made me realize that the gimmick of every Akuma this season having the powers of whatever Miraculous Monarch gives them is just an excuse to half-ass writing any new Akuma powers in favor of the same fifteen abilities the other Miraculous have.

Kikou attacks the city, but Alya transforms into Scarabella, soon being joined by Zoe, AKA, Kitty Noire.

Kitty Noire's design is... pretty weird, all things considered. The green lipsick just doesn't look that good, I don't get the green hair extensions, and why are they eyes like that when even Lady Noire's eyes stayed green? At the very least, the hair looks marginally better than Catwalker's, and I like the detailing on the suit itself.

While Scarabella and Kitty Noire quickly get to know each other, Marinette and Adrien get used to being civilians again pretty quickly as they watch them fight off Kikou, the two new heroes struggling to keep up with Kikou's five Miraculous powers. Of course, Marinette and Adrien only look mildly concerned, not even regretting their choices in the slightest.

Our heroes, ladies and gentlemen.

Scarabella uses her Lucky Charm, getting a parachute, which is totally different from the kind used in the final episode of the first episode. Scarabella and Kitty Noire taunt Kikou, Scarabella drawing Kikou's fire while Kitty Noire recruits a bunch of firefighters, who then get some paint from the art store Socqueline runs. The firefighters then load the paint into their truck's hose, which is then used to fill up the parachute. Kitty Noire cuts the rope, and the paint blinds Kikou, and as soon as he deactivates his shield, Scarabella breaks his headgear, freeing the Akuma.

Scarabella de-evilizes the Akuma, sort of helps Kouki and Nora make up, uses Miraculous Scarabella to fix all the damage, while Marinette and Adrien compliment the new heroes from afar before promising to meet up at school tomorrow.

The first episode ends with Gabriel's Alliance recording the unusual data in two Alliances, meaning that Scarabella and Kitty Noire's identities have already been exposed... even though Tikki should have known this since “Jubiliation”. Yeah, you all know where this is going.

THE BIGGEST IDIOT OF THE EPISODE IS... TIKKI

While the competition was tough, Tikki was able to get the win for going along with this asinine plan in the first place that prioritized the personal feelings of two people over the fact that Monarch was at his most dangerous. Not only that, she forgot Marinette was still the Guardian, she forgot that Alya's identity was already exposed twice, and that even if she didn't know the Alliance rings were a front for Monarch's plan, forgot that these hi-tech rings track the everyday movements of its users, not even telling Plagg this before he chose Zoe.

The second part, “Deflagration”, immediately starts off with Kitty Noire saying that Ladybug and Cat Noir have nothing to feel guilty about even though they essentially abandoned Paris when Ladybug was shown to be getting backlash for her failure, but of course, that isn't mentioned here.

Kitty Noire: We’ll accomplish our mission just like they did, because the goal we all share is to defeat Monarch, isn't it?

News Reporter: Or perhaps Ladybug and Cat Noir renounced their mission so they could finally live their love story?

Scarabella: They were never in love or in a relationship, and neither are we.

Kitty Noire: (in a flirtatious tone) So far anyway!

I'd make a “The Ambiguously Gay Duo” joke here, but we all know Alya is already in a relationship.

Alya and Marinette meet up, the former congratulating her successor on another great job. The two talk about Adrien, and Alya once again encourages Marinette to focus more on pursuing a relationship with him, no doubt planning another stupid party in her mind.

We then get a scene that actually reminds the audience that Chloe and Zoe are supposed to be sisters. I understand if you might have forgotten, but don't worry. I'm pretty sure the writers did too. Of course, I think the writers might be running out of new ways to make Chloe mean to someone, because this time, she just yells at Zoe for being near her and not being in the “half-of-a-sister zone”. In order to appease her sister and make sure she doesn't call their mom, Zoe offers to wash all of Chloe's shoes. Plagg talks to Zoe about possibly standing up to her sister.

Plagg: How about I Catacylsm that sister of yours instead?

Zoe: It’s pointless, Plagg.

Plagg: Zoe, you can't let them treat you that way; no one speaks to me like that! Just ask the T-rexes... That is, if you can find one! Because they're not so smug anymore now, are they?

Zoe: It’s best to stay out of trouble in this family if I'm going to protect my secret identity.

Plagg: You start by giving up cheese, and then you end up giving up on dignity, freedom, and justice!

Zoe: I feel like you like to blow things out of proportion, don't you?

Plagg: Yes... especially when I’m starving.

Talking about standing up to your mean sister, contemplating murder while casually discussing genocide. Same thing, right?

We cut to Gabriel, who's over the moon about the recent revelation regarding Scarabella and Kitty Noire, even dancing a little. He tells Nathalie and heads to his lair to plan his next scheme, but not before chatting with Emilie's body once again. Gabriel transforms into Monarch and gives himself the powers of the Bee, Mouse, Rooster, Ox, and Horse Miraculous, traveling to the school himself.

Meanwhile, we cut to the Resistance, where we see Max has set up a system where, through the use of the Alliance rings and their phones, the members can alert the school to whenever there's an active Akuma... even though one of the features included in the Alliance includes an Akuma alert (Multiplication), and there's also been an Akuma alarm since Season 2 (Riposte). So once again, this brave and totally important Resistance has contributed absolutely nothing. Okay, there are some other parts, like some of the members planning to fight off the Akuma with paintball guns if there's no other option. You know, this is proof that this show takes place in France, because if this was America, they would most likely have actual guns.

At lunch, Marinette and Adrien get closer, to which Lila uses as an opportunity to manipulate Chloe into trying to break up the moment, but not before we get a joke where Chloe needs Alliance to define the word “generous”. Okay, I'm not sure if the joke was that Chloe is so selfish, she doesn't know the meaning of the word, or if the writers are now resorting to using “dumb blonde” jokes for Chloe now, which totally isn't a cliche that was overused twenty years ago to the point where there was an entire movie starring Reese Witherspoon made to subvert it. Either way, NOT FUNNY, DIDN'T LAUGH.

Chloe tries to ruin the moment by telling Adrien Marinette is in love with him, but he's not having any of that. She tries telling jokes that are supposed to be unfunny, they're funny, but it lacks the charm of something like Hank Hill attempting to tell “yo mama” jokes. Zoe stands up to Chloe, which pisses her off so much, she willingly accepts an Akuma from Monarch (currently invisible thanks to the Rooster Miraculous), turning into Sole Destroyer.

Sole Destroyer is... wow... Just... WOW... they didn't even try with this one. At least Miracle Queen made sense as an upgrade to Queen Wasp, but this? They literally just took Sole Crusher, whose design resembling Chloe made sense thematically in that episode, gave her a new pair of sunglasses, some more gemstones and spikes, and made her eyes glow as if she was a character in an episode of The Nostalgia Critic. Why go to this effort to make a new Akuma when so little is done with the new design? Wouldn't it make sense to bring back Antibug, given Chloe has been against Ladybug since the end of Season 3? As for Sole Destroyer's powers, it's just Sole Crusher's magic kicks, only instead of growing bigger in size after absorbing each victim and making her more of a threat, they transform into singing shoes. You know, guys, it just dawned on me how... how weird this show is. Kinda goofy...

Alya and Zoe attempt to transform, but Monarch, using a combination of the Mouse, Bee, and Rooster Miraculous' powers, stuns the two and steals the Ladybug and Cat Miraculous from them. Plagg attempts to Cataclysm Monarch, but Monarch uses Resistance to block it, immediately going to unify. Before the process can be completed, both Tikki and Plagg use Lucky Charm and Cataclysm respectively, Tikki summoning a trash can with the side effect of creating a new Eiffel Tower, and Plagg destroying the Cat Miraculous. Doing so ends up creating an endless cycle of things being created and destroyed, and unlike in “Dearest Family”, they don't reuse footage from “Style Queen”.

Marinette gets the trash can, and realizes what's happening, and while Adrien and Nino plan to have the Resistance try and stop Sole Destroyer, Marinette works on making her own Ladybug costume. Monarch orders Tikki to tell him what the hell's going on, Tikki explains that since Plagg destroyed the Cat Miraculous, he lost his only method of communicating with the physical plane, and all Monarch needs to do to get what he needs is to take back the Lucky Charm Tikki created. Just then, Marinette arrives, dressed up as Ladybug, and seemingly having the Lucky Charm in her hands, only for Monarch to steal it, unifying into Monarbug.

Given how stupid he looked as Shadow Noir last season, it's not exactly surprising to learn that Gabriel looks just as stupid unified with the Ladybug. The red and black polka dots just don't go with the black and purple. The one thing I'll give them credit for is that the eyes look kind of cool.

The Lucky Charm turns out to be a fake, and Nino jumps in to save Marinette from being hit with Venom. The rest of the Resistance also arrives, somehow having beaten up Sole Destroyer off-screen and turning her into a battering ram. Monarbug undoes the Akumatization, but Rose, Ivan, and Kim dogpile Monarbug, leaving Adrien to steal back the Ladybug Miraculous for Marinette.

Marinette transforms back into Ladybug, and uses Miraculous Ladybug to fix the damage and fix the Cat Miraculous. While Ladybug fights Monarch, she learns that he reforged the Miraculous before Monarch uses Multitude and Voyage to make his escape, swearing that he'll beat Ladybug someday, “We'll meet again, Spider-Man”, yadda yadda yadda.

Tikki and Marinette talk about finding new holders, only for Marinette to choose to take back the Miraculous, figuring that since Monarch doesn't know their identities (once again forgetting what the Alliance rings can do), that's the best option. Plagg takes back the Cat Miraculous and goes to say goodbye to Zoe, reassuring her that she was still brave enough to stand up to Chloe, because I guess to hell with the people who somehow managed to restrain Chloe while she was Sole Destroyer. And so this episode, and by extension, this two-parter, ends with Ladybug and Cat Noir talking about how their Kwamis saved the day... even though they were the reason Monarch almost won in the first place.

THE BIGGEST IDIOT OF THE EPISODE IS... CHLOE

In addition to somehow not knowing the definition of the word “generous”, she failed to come up with a good comeback against Marinette, chose to get akumatized to get revenge, failed at that, betrayed Sabrina and Lila, her only allies, for no good reason, and somehow got defeated off-screen by a bunch of civilians with no superpowers, not even getting to fight either of the new heroes, including her sister.

But yeah, in case you can't tell, these episodes were pretty bad. The entire premise of Tikki and Plagg deciding that Marinette and Adrien's love lives were more important than stopping Monarch was a hard pill to swallow, especially since their replacements didn't get to do anything outside of a single Akuma fight. You'd think that with the buildup Zoe got standing up to Chloe, she'd at least play a role in stopping Sole Destroyer, but instead, she and Alya are benched for almost the entirety of “Deflagration”. It's also really dumb that the ending tried to make them out to be the MVP's of the fight, when their idea was what caused Monarch to almost get the Miraculous.

Even Marinette and Adrien didn't really make a lot of progress here. All they did was talk a little, but even after “Deflagration”, not much else happened. Yeah, Adrien stood up for Marinette, but they still haven't officially started dating yet, even when they had every reason to after giving up their Miraculous. It's still better than nothing, but after four and a half seasons, I think we're allowed to want a little more development with the Love Square Wouldn't it have been interesting to see Marinette and Adrien try to start a relationship during their brief retirement, only to struggle to maintain it after becoming superheroes again? We're almost halfway through the season, and the Love Square is still progressing at a snail's pace. Then again, I guess it's better than nothing at this point.

“Transmission” was pretty boring, all things considered. Other than the first act, nothing really happened. The Akuma fight was like the others, just with two new heroes, and Marinette and Adrien got to bond for a few minutes. Nora and Kouki's drama wasn't interesting, and it wasn't even properly explained like the motivations of other Akumas.

I will say that “Deflagration” was the better of the two, if only because Marinette, Adrien, and Gabriel made some smart choices here. Unlike in “Evolution” and “Destruction”, there's no gloating or wasting time. Monarch cuts straight to the chase, and Marinette comes up with a quick plan to trick him with. Also, while I still don't really care about the Resistance, I like the idea of the civilians standing up to Monarch, and think it was executed better than it was in “Heroes' Day”. Even Sole Destroyer got a few reactions out of me for how exaggerated her facial expressions were. I don't know why they decided to give her One Piece levels of weird faces, but kudos to the animators on that front. Of course, Sole Destroyer was still one of the most pointless Akumas in the show's history, as you could take her out of the episode and nothing would have changed.

Overall, while I appreciate the effort to try and tell bigger stories, this was a really weird choice of an episode to make a two-parter.

[polaris-stuff]

Okay, this is the fourth time of me rewriting this comment.

And i am gonna try and keep it short ( I failed I am so sorry) . As this is about the Heart to Heart with earth.

Feel free to ignore this if you don't wanna talk about it anymore. If you said something about , I've been trying to put my feelings on this out for a while and it's just not working. (it's also now 4 am, )

I came away from the episode feeling like it was a good episode. Where the characters talked about why they were deciding not to help moon for different reasons.

I thought for most of them it was in character, even if I don't fully agree. I could see what the show was trying to do.

And then i see a lot of people agreeing and being really hurt by the episode. Because they feel like everyone is aboning moon. And leaving him in this vulnerable space.

I feel like i missed something. As to me. the celestial family isn't fully aware as to truly how bad Moon's mental state has gotten.

I have a feeling that (Sun and Lunar, more so then earth) Are taking moon's last words as face value ( wanting to bring solar back for ego/selfish reasons, and not because he truly breaking down)

(I also think monty still hasn't fully filled them in either that moon seems to be thinking he isn't real but I could be wrong!)

I think they'd be behaving otherwise if they know the true depts. they wouldn't wich is why this sucks so much. Moon is driving people away, actively sabotaging his own help.

I sit here wishing i would understand that hurt. I honestly truly do. Maybe because i have the feeling that they will help even if they say now they won't

maybe because i really hope sun isn't gonna make the same mistake as moon.

Maybe i am i giving sun, lunar and earth to much credit, and to many excuses.

I think...in the end. I don't think them refusing to help moon. Is them trying to hurt moon (even if that is the outcome) . But is taking care of themselves as they are all also still not in a good place?

And maybe because i genuinely can't see what they can do for moon to help him. As they offered him help but he refused or actively lied on how he was doing. So I don't get what help people want them to provide for moon at this moment. ( besides not leaving, but can you be there for someone that doesn't want you there?)

I dunno if i am making sense. trying to talk my feelings out is always hard. And I think for the first time I am on the other side of most of the people I usually agree with and respect a lot ( you being one of them ) . So I feel a bit lost and weird about it as to why my view is so different.

( I am honestly hoping Sun will see Moon having hallucinations, and at least will set something up so moon is never alone in that cell like he was. I feel like he thinks, he first needs to stop moon. And then when that is done. He can actively think on what to do next cause offering help first ain't gonna do it)

I am sorry for leaving this long ass comment in your inbox. I truly hope It didn't come off as attacking. AS it wasn't meant to be. Just a fellow TSAMS fan. who was in their own way very confused and hurt i guess and feels a bit alone in their reading of the story?

And trying to understand why people see this a an attack from the celestial family on moon. Or a active decision...instead of .. a series of what is gonna be a slew of bad decisions from everyone involved.

-Noffy.

Alright, I understand your point of view, don't worry about it, and actually, this is a YT series on VRchat so I shouldn't be so mad about this either yk JAJA

Ok, the thing is, the family doesn't know what's happening to Moon, that's right, they have no way of knowing what's happening to him because Moon pushed them all away and lied to them, now, the thing is that Earth knows. Monty told Earth that Moon had a psychosis episode and found him hitting the ground, that Moon could no longer tell what was real from what wasn't, so Earth knows that Moon is in a HORRIBLE mental state. And idk, but if you know that a person is in a state where they can no longer perceive reality correctly, I don't think the best response is not to help them.

Also, I'll highlight Lunar going from "I really don't care" (although he should care, we're talking about Moon, one of his brothers) to "fuck him" which is just weird?? The whole family was with Lunar and supported him when the thing with Eclipse happened but Lunar just does not care when something happens to another family member ??

I'm 100% sure that Sun will help Moon, it's more than obvious that Moon will get out of this situation, but the way the family is handling it is so strange to me. Lunar, Earth and Sun have every right to not want to continue dealing with problems but this is also partly their fault.

Since Solar died no one was with Moon because "Moon was busy", so Moon was alone in P&S with Ruin whispering in his ear and only Lunar went to see him a couple of times. Sun began to hang out more with Earth and Lunar, and Moon was left completely alone. "Oh, but Moon never said he wanted them to come with him! They can't read minds!" Yes, and that's true, but If everyone was aware that Moon and Solar were basically running around together every day, and everyone was aware that Moon was the one who had the worst reaction to Solar's death, the logical thing to do is to spend at least a couple of hours with him, right?

And yes, Moon lied about how he felt so this is also partly his fault for wanting to hide what was happening to him. But Monty is also to blame because he also hide it.

We are at a point where we have been shown that all the hallucinations that Moon has had are created by her consciousness out of guilt (in the same way as Sun when the BM thing happened), Moon regrets the things he said to Earth, Moon wants to stop, Moon wants to go home and apologize, but he can't. He thinks his whole family hates him, that no one wants him in daycare.

Also, I understand that Earth is hurt but she also isn't trying to understand Moon's feelings now that she knows everything Moon has been going through. Now she knows that Moon is going through the worst time of her life and she just decides not to do anything about it because "Moon said a couple of hurtful things to her." (things Sun warned Moon would say to push her away and things that worked).

I feel like of all the people, the only one who has a little more reason here is Sun, and, interestingly, Jack and the computer, who have done more than Earth and Lunar.

I think that now that he is locked up and unable to teleport it is a good opportunity for everyone to talk to him, a really serious and good intervention.

Sorry for the long text! And thanks for the ask and support! It really helped me let off some steam, hehe

[utilitycaster]

but you do have to admit that you write your 2k meta's mostly because you want (negative) attention? otherwise I don't understand why you are not writing more of your faves instead?

Sure! I can explain why I wrote this piece, which I assume is the reason you're asking this now.

I wrote it because I naturally had thoughts about the group dynamics of Bells Hells after the episode and started thinking about why this group is so disconnected this far into the campaign when, for example, the Mighty Nein, who had far more friction and conflict early on in the campaign, were positively ride or die by this point. I also really did genuinely find the degree of pressure that Imogen and Laudna have been putting on Fearne to be excessive and had been quietly thinking about it since episode 75 - they were the ones to initially make a big deal about "Emperor and Empress" (the fact that Ashton mentioned the party's positive reinforcement of the shard's retrieval being a factor in their choice is relevant here), I was reminded by someone else regarding Laudna's immediate shutdown of Fearne's attempt to tell the truth in episode 77, and then they called her out in front of everyone after she had expressed that she didn't want it to Morri. It made a clear pattern that I felt was interesting to explore, and in doing so I started asking myself if there were other patterns of behavior. I linked to someone else's post as well in there that talked about how Imogen and Laudna pretty much always act together in group discussions in my post because that was also an inspiration, and I've also talked a lot in the past about how Imogen and Laudna rarely bring up their own sources of conflict with each other, so the fact that their accusations towards Fearne are in the same scene where Imogen expresses disgust about Delilah's presence also is very relevant to their general group dynamics, since their own relationship with each other is very central to how they interact with the group.

I do write about my favorite characters as well. I wrote pretty extensively about Ashton after episode 78, as well as a bit about their conversation with Orym, but Ashton just had their big moment of explosion and I need to let that simmer or something else to happen before I have any longer posts. I've also, if not written anything myself, reblogged a lot of great posts about Chetney's fantastic reveal which I think tied up that whole exercise beautifully with a truth that was not a passive-aggressive accusation of others nor a self-flagellation but a realization of his own behaviors as well as an explanation to the group without expecting anything in return. In talking about the shard I did touch on my main feelings about Fearne in this situation but again I think I need to see how she actually reacts to the information she received here to actually have meta of substance, rather than "oh, interesting." And you can go through my archives if you'd like to see more; I'm usually pretty good about tagging by character.

But also: I like writing criticism, specifically. It is fun for me. I find that writing helps me arrange my ideas and understand them better, and sometimes I even change my opinion when I revisit the text or find my argument doesn't hold together on an intellectual level, even if I feel something emotionally. I've changed my mind about characters before through writing meta! Sometimes more positively, sometimes more negatively, but it happens, because the act of writing meta, if you do so well, is an act of interrogating your own pre-existing opinions and making sure they make sense to people who aren't you.

I also think there's value in writing things that aren't universally positive. Again, it forces you to actually think through what isn't working for you or what you dislike or what traits characters have that you think are causing problems for people around them rather than just saying UGH THIS SUCKS. But also, writing up how you'd fix a plot you don't like or how you'd resolve a conflict requires you have empathy for the creators or for the characters. Sometimes, even if a piece isn't, in your opinion, good, writing criticism of it helps you understand why a creator may have made that choice you didn't like. You can disagree or dislike something while still respecting it, and making yourself explain it to other people is a really good way to process your own feelings rather than stewing in them. I find people who never express any negativity openly are often deeply resentful and unpleasant and passive-aggressive. Indeed, that's arguably the whole point of that honesty exercise! This party keeps trying to smooth things over and so a lot of valid concerns or complaints they have about each other have since metastasized into something far more hurtful.

I can't speak for everyone, but a lot of meta writers write meta because it's genuinely a fun hobby for them. When I was writing my piece about Dimension 20's genre experiments I stayed up later than I should have several times because it was interesting and I wanted to make sure I didn't forget how I was planning out the piece. I like writing a lot, and I've always preferred to write essays and criticism to fiction - I like to think I have a knack for the former that doesn't come as naturally for the latter. My brain jumps to analysis more easily than the invention of plot.

If you don't like the things I chose to write about, that's completely valid. But I'm not doing it for negative attention. I'm doing it because it's enjoyable for me. How you respond to it and how it makes you, specifically, feel, doesn't enter into my consideration. It's 2k words because that's how long it took me to say what I was thinking and it's about Imogen and Laudna's effect on the group dynamic as I understand it because that's what I was thinking about since it was very present in this episode, and I wrote it because I like writing.

Hopefully that explains it!

[animebw]

Something I’ve noticed about RWDE and the asshole side of RWBY criticism is just how bad they are at reading anything into the things they don’t like beyond their initial dislike of them. They never say “I think X was done poorly, the writers were probably trying to accomplish Y but they fell short because Z and it hurts the show because ABC.” It’s always “X SUCKS AND THE WRITERS ARE AWFUL PEOPLE WHO HATE WRITING.”

Like, perfect example: I’ve seen a lot of people complaining about the pacing in the most recent RWBY episode, and I agree with a lot of their complaints. We weren’t given any time to see WBY’s reactions to Ruby’s choice in episode 8, how it affected them and what they thought about it before finding her at the tree. Hell, the way the start of the episode is written it basically feels like everyone forgets they exist so they can deal with Jaune’s trauma; nobody even really acts like Ruby just, you know, Did That. I get that WBY knows by now ascension isn’t death and Ruby’s probably not gone for good, but it’s still a hell of a sight to witness. And there needed to be, like, two more minutes dealing with that fallout before connecting it to Jaune’s catharsis and their mutual understanding that the people they care for aren’t gone forever. I know RWBY doesn’t have unlimited money to throw around, but it really feels like a critical scene was just cut out wholesome.

But there is a stark difference between how regular fans and RWDE voice these complaints. On one side, you’ve got normal people saying “Yeah, that was rushed, it needed a scene of WBY processing what just happened and it feels kind of callous for them to seemingly get over it so fast.” And on the other side, you’ve got the usual asshats going “OMG YANG HATES HER SISTER AND MILES AND KERRY ARE JERKING OFF JAUNE CAUSE HE’S MILES’ SELF-INSERT AND THEY HATE RUBY AND THEY HATE WOMEN ARGLABARLG.” No, you insufferable nimrods, it’s a very simple writing error, nothing more, nothing less. And you really don’t have to expend much brainpower to take that failure in context and move on. It doesn’t ruin the episode, it doesn’t take away from Yang’s scene with Ruby’s tree form, and unless you’re either stupid or deliberately arguing in bad faith, it’s not hard to take it on its own terms without blowing it out of proportion.

Despite what RWDE would have you believe, RWBY fans are fine with criticism. The reasonable, measured complaints I’ve seen from fans about this episode are proof of that. We have no problem discussing the issues with this show. But the bad-faith, poorly-researched, bias-driven, self-serving drivel that spills from these so-called critics’ mouths has no business sharing the same space as actual analysis. And we’re not going to insult our own intelligence pretending otherwise.

In short: RWBY fans have no problem with reasonable critiques. Maybe all these “critics” should try actually, you know, making some one of these days.

[cometrose]

Queen of Tears is so interesting cause i've never dealt with two really complex leads like this in romcom (i mean it is funny)

i've said it before but Haein and Hyunwoo know each other very well but don't know each other at all (i don't know if i've ever seen communication issues this bad).

Losing the baby clearly drove them apart. She blamed herself and put up high walls. He wears his heart on his sleeve and cried over it. We can argue that he should've comforted her in that moment but at the same time she clearly knew he was upset so why didn't she go to him? Haein thought she had no right to grieve and consequently Hyunwoo thought she didn't grieve at all. The moment where they needed each other more than ever- the moment they should've been together they both fucked up.

The core of the issue is that they can't read each other's mind, this is literally said at the beginning of 6- they love each other dearly but also tripping over each in the process.

Outside of Hyunwoo jumping up and down at her diagnosis and faking his way into her will (which was painfully cruel and soooo funny) It's very clear that this is a two person game. Although I always interpreted Hyunwoo's joy as the same as the mistress of a wealthy man who is just waiting for him to die so she can get the money, (it's mean but most times the master either sucks or he's naive as hell and she has no reason to mourn) and at that point Hyunwoo's in the same situation.

Why didn't Haein defend him in front of her relatives? Why scold him publicly in front of the employees? She does a lot of things behind the scenes but good intentions can only go so far if object of those affections is ignorant of the full story. The same thing happens in episode 6, she is trying to protect Hyunwoo from her family but without telling him so he is ignorant of the big picture. Why wasn't Hyunwoo honest with his feelings? Why is he always assuming the worst when she never explicitly says something? We see he tries to talk to her (it fails) but his fear of upsetting her leads him to do otherwise cruel things to keep her happy.

Which is also why the divorce paper is so interesting. That paper was one of the best things he’s done. He was completely justified in writing that. It breaks Haein's heart but severing ties like that was way healthier than him forcing himself to stay in this marriage and pamper her with fake love.

One thing I will admire this piece for is the role reversal, like i'm seeing so many typical fl tropes on Hyunwoo and ml tropes on Haein. You ever read one those isekai or time reverse manwha's were the fl goes back in time to get a divorce but falls in love with her partner again? yeah this is the same exact thing.

[fictionkinfessions]

Ugh. Okay I did what I thought was necessary for the sake of my happiness and my enjoyment. Yes that meant starting the end of the world. I kind of wish I could go back to feeling little to *no* empathy cause this blows. Fearing my episode of mania has ended now The Guilt™ has shown its ugly mug around again.

Look! I am sorry for what I did, sorry for wanting to kill your niece and nephew and brother, sorry for the torture that I put you through. I don’t know what else I could ever possibly do to make that okay cause it never will be. I feel like I’m going insane.

Some days I’m not sorry, not at all. I hate you and your stupid little family and I wished every day I would’ve seen through your trick and ended your brother’s miserable life. Other times like now I know everything I did was terrible and I know *I’m* terrible and this dumb body starts feeling nauseous and light headed, and I’m sorry for messing up one of the only good things I had. And then the words I’m sorry for hurting you come out of my mouth and I feel like puking again.

I hate you and I wish I finished the job. I hate what I did, I hate what you did. I adored you and always wanted you to be by my side. I wanted things to be okay. And I know that when this is over and next time I’m around I probably won’t be sorry again, and I’ll just have to suffer through another spiral of hating and wanting you.

Ford for what it’s worth; I’m sorry I’m an idiot and I’m sorry to your family too. Nothing I do will ever make the things I did in our universe okay and maybe it another universe I figured out my dumb issues before I met you.

This is what you guys call spiraling right? This sucks. I needed to get this out of my head before I started bashing it against a wall. Ugh! Stupid human brain get me out of this thing.

- Bill Cipher (⚠️🎩 Is this allowed? Can I tag things with a sign off???)

party note. you can sign things with a signature / sign off. if you want it to be a custom tag it needs a hashtag symbol # at the start of the tag. Otherwise it's considered a signature, not tag.

The tone of this post is completely neutral, please do not assign emotions or read that deeply into it.

[benis-chillin]

Thoughts and theories on Sonic Prime

So, Sonic Prime has ended, good fellers, and since it's a Sonic thing, I shall simply say…

My feelings are mixed.

So, let's start off with just saying that the animation and voice acting? All good. If the English game cast blew up in a mysterious gas leak, these guys would make for fine replacements. The fight scenes are fluid, though do get a bit repetitive in the final few episodes(cause I think they were running low on budget), and everyone moves better than they have in the games…Maybe ever? Music is passable, but outside of the main theme, it's fairly forgettable. I think they used some game music in those sprites scenes that suck ass, so I don't see why they couldn't use a tune or two. At least use "All Hail Shadow" once, dude.

However, I feel that the writing and premise lets it all down. The premise feels like it would be better for a game or IDW arc instead of the rare animated series, especially since this show doesn't establish what Sonic's world is SUPPOSED to be like for new audiences. Sure, the games are at a decent level of popularity recently, and the movies have boosted the brand considerably in the public consciousness, but at least one episode before we start hopping around the multiverse would've made the stakes feel a bit tighter. Just because this is the game world doesn't mean you can skip basic shit like that. A status quo needs to be established for it to be shaken up.

And yes, I did say this is the game world. Prime is, by standards I will explain in a bit, canon. Sonic fans have been arguing against this because of little details, like Green Hill being used interchangeably with Sonic's world(even though they never outright state that they're the same thing, leading me to believe this is simply a weird writing quirk), Sonic not noting other Metal Sonics exist when Chaos Sonic is introduced(even though he never says, "I have never seen a Metal Sonic before in my life!" Or anything like that), and Sonic having particularly shaky characterization(bad writing doesn't dictate canonicity, as otherwise the 2010's games wouldn't be canon either).

All of this is not good writing, to be sure, and Sega should've cracked down a bit harder on that stuff while making this show, but nothing here outright contradicts canon, if you know what a contradiction ACTUALLY is. It's an ongoing problem in the Sonic community that they don't know how to lore at all, and Prime is a good example of this. You don't have to like Prime, but if you count Colors or Lost World as canon, then you have no reason to not include Prime. Otherwise, you're just basing canon on what you do or don't like, which is an AWFUL approach to canonicity.

Personally, I slot it between Lost World and Forces for the moment, but this could change at a later date. Now, let's sit down and speculate on some things.

What are the Shatterspaces?

Long explanation short, I don’t believe the Shatterspaces to be a traditional multiverse setup. They aren’t variants of Sonic’s universe in the traditional sense, but rather partial worlds built on “fragments” of Sonic and company’s collective psyche, and this concept can explain a few things.

(Note: This is purely fan speculation, and not Objective Canon Zone. We’ve gotten past that point)

Let’s break down each Shatterspace.

New Yoke is a dimension entirely overrun by the Chaos Counsel. Nature has been weeded out, and people live by the “mercy” of the Eggmen.

However, this Space is the only one with any Eggman variants, and this is very deliberate, because New Yoke is Eggman’s dream made manifest by the Prism. Remember, his robot was holding it when Sonic shattered it, so it’s logical that at least SOME of that energy came into his control. Hey, if anyone besides Sonic could control it, it would probably be Eggman, right? And when they make a giant construct at the end of Season 2, it looks like regular Eggman, so maybe there’s something to that?

But of course, that begs the question: Why 5 Eggmen?

Well, 5 Shatterspaces.

New Yoke-Mr. Doctor Eggman

The most similar to mainline Eggman, it feels best that he represent this Shatterspace.

Boscage Maze-Dr. Deep

The more zen of the 5, who may have more of a connection to nature than the others. For the crime of possibly having touched grass, I give this Shatterspace to him. The closest to a nature side that Eggman has.

No Zone-Dr. Don’t

This one is a stretch, but bear with me.

This version of Eggman is still a youth, likely to have wanted adventure and freedom before reality set in and he chose instead to zone out to his video games and other electronic forms of entertainment as a substitute for the action he craved. Eggman’s a playful sort when he’s not trying to rule the world, so it’s JUST possible enough.

The Grim-Dr. Babble

(Where the hell did he get a doctorate as an infant?)

A Shatterspace fairly undeveloped, its potential not yet fully tapped, much like dear Babble himself. Also a representation of Eggman’s childishness, though perhaps it more links to his feelings of being neglected as a child, as hinted at in the Frontiers audio logs? Who knows?

Ghost Hill-Dr. Done-it.

A shadow of the past, barely hanging on, just waiting to die out so the new hotness can take over completely.

Also looks oddly like Eggman Nega? Idk.

However, these are merely reflections of what the Shatterspaces already represent, which are aspects of Sonic's Personality…Save for New Yoke and Ghost Hill. The former is mostly Eggman’s domain, and the latter is just what was left after the Shattering.

Also, I believe the Shattering to be an event localized to Green Hill, and not encompassing all of Sonic’s world, which would explain why they use the terms interchangeably. I can’t fully explain WHY I feel that way, just have a gut feeling this is how it works. My main basis for this is the flashback in New Yoke where Rouge and Knuckles are just in Green Hill when the Eggmen take over, suggesting that perhaps they were “localized” when the Shattering redistributed them.

Oh yeah, let’s explain that. It seems that Sonic’s friends, along with ALL of Green Hill’s residents, didn’t have much control over how they were split among the Shatterspaces, but aspects of them clearly adapted to the worlds they were placed in. For example, Rouge and Knuckles both took charge of the Resistance in New Yoke, which fits them well enough. Knuckles commanded the Resistance in Forces, and Rouge is literally a government spy in the main universe, after all.  Amy likely defended nature in this world, and paid the price for it when the Eggmen turned her into a cyborg. Tails seems to have withdrawn into himself completely, becoming Nine. This universe was made by a villain, so these versions are the darkest ones we could get. The bad ending.

Anyway, back to the other ones.

Boscage Maze represents Sonic’s love of nature, and is thus dominated by it. The people who live in this Space are thus devoted to their natural world, which adapts to be a primitive society led by more primitive urges driven by the need for survival. Rouge naturally leads again, and her more devious nature shines through as a part of her survival instincts, but she’s still doing better than her New Yoke version. Knuckles leans so far into his naivete from growing up on Angel Island alone that it gets remixed into paranoia, Big is Big, Tails seems to have still been isolated to the point of going somewhat feral, but is accepted nowadays by his peers(and has a knack for technology when he finds himself somewhere that it exists), and Amy vehemently defends nature to the point of absurdity. Much like how New Yoke is an example of technology being too dominant,  Boscage leans towards going too far in the other direction. The people don’t suffer as much, but they still DO suffer in the end if they don’t work together for a better tomorrow.

No Zone is Sonic’s love of adventure, and everyone in this space represents that. Tails is at his best, being very sociable and accepted by his peers with no hesitancies, clearly. Knuckles' desire for “me beauty” might be a memory of the Master Emerald, but I wouldn’t put too much money in that. Another theory is that it ties into his role as a treasure hunter, without any echidna honor to reel in any greed. This is overall the most positive Space here, tbh. 

The Grim is simple possibility. The future, what lies ahead for Sonic. He rarely looks to it, never plans it out, instead choosing to just live in the moment, but it’s always there waiting for him.

And yeah, that’s it. The only remaining question is where are these Shatterspaces now that the Prism is restored, and the main universe returned to normal? Well, Sonic gave the energy back that the Prism needed and it didn’t kill anyone, so it’s likely that they exist permanently now, stable outside of the main “multiverse.” Different from a dimension like Blaze’s, and the split timeline caused by Generations. But that’s just speculation. Who knows if these concepts will ever appear again?

Idk, could make for a good fanfic.

[confusedkittensposts]

4x20 The Rapture

Making a separate post because I need to gush over Misha

Holy shit, his voice is do different! I mean I felt it so strongly, when Jimmy started speaking

Jimmy is cute, isn't he?

I am sure if I should be happy prime doesn't let me take screenshots or not, Its good otherwise I probably would have filled my gallery with screenshots from 4x16 and this episode but as the same time, I really want some of those frames

Why do people write Dean to a light sleeper? I mean Sam sneaking out I get, he is a hunter, but Jimmy too?

Is it compulsory to lick or suck demon blood? Does drinking it directly not work?

Misha Collins is ethereal

Yes Jimmy put your hand in boiling water cause a voice on radio told you to; what I am curious about is, why did Cas do it?

Did he have a bet with someone? Is it standard angel protocol? Was he just having some fun? (Unlikely but 🤷‍♀️)

Here's a think about faith, it's strong and powerful and dangerous. Sometimes it's the only thing that keeps me floting. One should be very careful what they believe in.

What the hell is wrong with Sam?

They put that man in a trenchcoat for 12 years, it should be considered the biggest SPN crime. He's just soo fine

There are people much more talented than me, in both writing and acting, who have praised Misha for the episode and there is nothing more I can write

But the difference Cas and Jimmy, they way they carry themselves, it's just soo

Jimmy has soft edges, he is in ease with his body while Cas is a hardened soldier who is not completely sure what to do with his vessel

Castiel never tricked Jimmy, he didn't manipulate him with lies, Cas beloved everything he told Jimmy, he had faith just as strong as the man. And they both lost it, Cas went through a crisis of faith of identity too

Shit, they locked Sam in the panic room

[that-ari-blogger]

Here We Go! (Agony Of A Witch)

While it isn't wrong to say that Agony Of A Witch is the episode in which The Owl House picks up speed, it is possibly the understatement of the century. This episode switches vehicles from a golf cart to a drag racer and puts a rock on the accelerator.

But, pacing isn't everything. The true test of a story is how well it handles the turns, how efficient it is with its maneuvers, and how much this metaphor falls apart.

I actually think this episode is phenomenal and is a demonstration of the character writing muscles that were previously glimpsed in Understanding Willow being put to full use.

Let me explain.

SPOILERS AHEAD: (The Owl House, One Piece - Whiskey Peak, Who Framed Roger Rabbit, The Lion the Witch and the Wardrobe)

My thesis for this post is that it explores motivation to create a compelling conflict that draws on entirely well-meaning intentions that contradict each other. As in, there is an antagonist in this episode, that being Lilith, but she isn't entirely villainous, I don't think.

Let me define some terms. A villain is defined by the Cambridge Dictionary as the following:

"A character in a book, play, film, etc. who harms other people."

This definition sucks. That's right, this little Tumblr blog about The Owl House is going toe to toe with Cambridge. Fight me, nerds (please don't actually fight me).

In my opinion, this definition manages to be both reductive and unhelpful. While "harm" is a fairly open term, that is a problem, because it encompasses characters who don't constitute as villains. For example, Deadpool is a villain by this structure, but so is James Bond, and Obi Wan Kenobi has removed enough people's arms that it has become a meme.

Hooty causes harm in this story. Is he a villain? Don't answer that.

On the other hand, what about villains who don't succeed in causing harm. Mr 5 is unquestionably villainous in One Piece, but he gets his arse handed to him in Whiskey Peak, and doesn't really succeed at anything other than looking like a chump.

So, there is some intentionality there. Allow me to propose my own definition of the term, that I will be working from:

"A villain is a character who willingly does bad things, as described in the story, even when given an option to do otherwise."

In this case, "bad" is defined as whatever the story's themes advocate against. In the Owl House, this is willful ignorance, bigotry, and denial of another's freedom. It is the latter of these that characterises Lillith as villainous and has characterised her as villainous for the series up to this point.

But this is where the intentionality comes into play, because for the majority of season one, Lilith has been the main villain, trying repeatedly to restrict Eda into joining a coven, and she still fills that role here, but this episode makes that more complicated.

I cannot gush enough over how incredible this opening scene is, it feels like what would happen if Wes Anderson did more than just look pretty (apologies to any Wes Anderson fans out there, I just don't like his movies).

The imagery here is clear, a massive castle made by an architect who clearly had a thing for the Eye Of Sauron. There is a cage being walked across the bridge, and shadows everywhere. This is where the villains hang out.

Good sound design often goes unnoticed, except for when it is meant to be overwhelming, but I genuinely think that this scene is carried by its subtlety in that regard. There is nothing here, just the wind, and the sound of marching. In a story about freedom and expression, this is a place where there is absolutely zero of that.

This is Belos' first appearance, and he is steeped in religious imagery. He is in a place of worship, plated with gold, on a massive stained glass window.

You can tell a lot about a person by how they talk about themselves, even more than how they physically appear. For example, someone who appears unkempt might be less tidy and refined than someone in a suit, or they might be the most eloquent person you could ever meet. In short, actions speak louder than appearances.

So, lets look at how Belos has chosen to present himself. First up, he is huge, and towers over those looking at the window. But he also towers over the others in the frame. Those others happen to be kneeling to him in subservience, worshiping him. Belos presents himself as powerful and worthy of praise.

He is also leaning into the idea of freedom expression in his villainy here. Because there is colour in this room, but only on his window. Only when looking upon him, can you be free.

The room, however, is gold, the same colour as his mask and cloak, so he definitely has a hand in the limiting of power

Then there is the fact that this is a window. To see the outside world, Lilith needs to look through Belos. Even when she isn't trying to see him, he dictates what she sees anyway. Belos revels in control.

I also want to talk about the religious imagery here, because it plays into his personality. It shows a character who thinks of himself as deific, who has placed himself in the centre of the room. When people pray, they pray to him. This is a narcissist.

Back to Lilith, the start of this episode goes out of its way to hammer home Lilith's goals, and hints at why they might be.

"I haven't forgotten what you've promised me. I will bring you my sister, Emperor Belos."

I think that Lilith manages to walk the line between villain and antagonist in this episode, fully exiting the former in the finale of the season. She doesn't appear to be doing things of her own volition, but that isn't clear enough yet to say.

I also want to stress this, forcing someone to do something doesn't have to be physically bending their arm behind their back and making them do it. In this case, Lilith has been handed two choices, one of which is objectively worse, so the choice is self-evident.

Luz and Eda on the other hand, get their motivations laid out as the episode opens after the credits. They want to protect each other.

Eda is struggling with the owl beast curse, and that has been getting worse. But to protect the naivety of her student, she has been hiding this fact from her, until it is too late. Remember how I said the story emphasises willful ignorance as bad? Well, that is explicitly how Eda's actions to obscure the truth from Luz are framed.

Eda repeatedly does this over the series. She hides elements of her life from others to make their lives better in her eyes, but it always backfires. People find out, and the result is always worse.

Then there is Luz, who is idealistic and determined. She wants to help out Eda, and when the opportunity to do so falls out of the sky in front of her in the form of a road trip.

Both of these characters want to protect each other, but that means they can be used as bait for each other. Contradicting goals from compelling intentions.

Ok, one more thing about Belos.

"The Relic Room. These items are reminders of our great Emperor's overwhelming power."

Kikimora is saying the quiet part out loud here. Look, everyone! This guy is powerful. Worship him.

Anyway, this conversation is so revelatory about Lilith. Belos issues demands, and though they aren't spoken with any real menace, the threat is obvious.

That threat is why I keep bringing Belos up when talking about Lillith, because in the same way that Amity was a key part of Understanding Willow, Belos is a key part of understanding Lilith. Because that threat colours everything she does.

The audience doesn't even get told what happens to wild witches and why Lilith fears it so much, but we get the malice in him from his tone, and from how the scene frames him.

Take, for example, the first thing we actually see Belos do:

You know that scene in Who Framed Roger Rabbit where Christopher Lloyd's character murks a shoe? (It makes more sense in context). Well, that is what is happening here. Belos kills a small creature and drinks from its life force. If you take that with the imagery surrounding him, it is valid to say that the Emperor of the boiling isles is a vampire.

If Belos is willing to do this, what might happen to Lilith?

Once again, however, that sound design carries this scene, because there is no way this moment would be nearly as intense if it wasn't for that heartbeat that Belos breathes in time with. The man controls the scene, right down to the beating of the heart in your ears. This man is terrifying.

Now, I have been saying this name for so long that it is starting to become white noise, so before that fully sets in, why is Lilith called Lilith?

Contrary to the general public opinion, I love stupidly edgy names in fiction. I think there is a place for cheese, and antagonists definitely fit that mould. Don't get me wrong, I think if a character's name is "Skullcrusher" or "Shadow" or "Tazerface" and that doesn't immediately get picked up on as needlessly over the top, that is a disruption of my immersion, but names that have that edge attached to them are writing gold to me. Lilith is one of these names.

Lilith isn't directly in the Bible, but she is referred to in folklore as Adam's first wife before Eve. According to Britannica, she is credited as a mother of demons, specifically succubae and incubi.

In terms of pop culture, however, the name Lilith has spiraled into being synonymous with "evil lady who might be demonic," the White Witch in the Chronicles of Narnia series is a descendant of her and characters in Devil May Cry, Supernatural, and Doctor Who bear her name.

So, this is a name that is traditionally associated with evil, mostly. Wherever you find stories with people who are "inherrently evil", you run into people who explore what that means, and so there are a few stories out there that either take Lilith's side, or suggest that the name should not be used to make a judgement about a person's character, a fact that I agree with.

Lilith Clawthorn doesn't really engage with this directly. Instead, she bears a name that has moral implications, and makes that person morally complex. The traditional betrayer angle is brought in through her relationship with Eda that I will get to in a moment, but the misunderstood aspect is important here as well.

I love the fact that Gus and Willow are fully prepared to help Luz out here. Someone is in danger, so they offer their advice, and this scene also jumps in on that theme of honesty. Once again, the truth outs itself, and I don't think Luz would have lived through this episode if it hadn't.

Eda, meanwhile, spends the entire episode filling that maternal role for Luz. She knits for her, she has photos, she discusses the human "growing up", so its not exactly subtle.

So, naturally, the moment Luz is in trouble, Mamma Owl Beast doesn't hesitate to try and save her.

I think that Witch's Wool cloak is a cool little metaphor for the two's relationship. This is an item that can protect one of them, and Eda is willing to give it away to Luz, even after admitting she needs it for herself. But, Eda still can't tell Luz about it, because she still refuses to actually tell Luz how much she means to her.

On the other hand, we open this episode still without knowing who cursed Eda, and the dream serves to remind the audience of that, without having to do a "previously on..." segment.

I do have a love for when The Owl House messes with aesthetics, and this weird, amorphous blob is a really neat way of obscuring the assailant's form. Character design in cartoons is often focused on silhouettes, you can tell almost any two characters in this series by their shadow, for example. So, it's a neat bit of direction to hide that.

But, Ok. I know what y'all came for. The fight.

The first thing to point out is that the Clawthorns have a signature spell, that being this teleportation thing. The only characters in the entire series who do this burst of light and then warp are Clawthorns. There's some foreshadowing going on there.

"Renounce your wild ways and join the Emperor's Coven. He can help heal your curse!" "Don't believe everything that bone head tells you. He doesn't want to heal me, he wants to control me."

So, we have the two sides and their goals and ideologies. Freedom vs Safety, and we will get back to the nuance of this next week, when all the reveals happen. But for now, this is what both sides think they are playing for.

One of the most prevalent pieces of advice on the internet for combat in TTRPGs such as Pathfinder and D&D is "roleplay doesn't stop when initiative is rolled", in essence, characters are still characters when they are fighting. This scene is an example of what that means.

Eda is direct and to the point, she comes out of the gate looking for blood and clearly has the upper hand throughout this fight.

Lilith, however, is clever. Not to say that Eda isn't, but Lilith fights more tactically. She uses Luz as a shield, and is constantly talking and trying to get under her sister's skin.

"It's sad to see you slowing down, Sister. Tell me, is it the curse?" "Maybe it is the curse. But then how pathetic are you that you can't best me at my worst."

Eda is a ticking time bomb, and Lilith knows that she just has to outlast that. She is buying herself time.

There's also something really cool about how Eda and Lilith's magic is coloured. Eda leans into the fiery orange of wild magic and Lillith takes on a bright blue, and both of those kinda relate to Belos a bit.

Belos' gold is similar, but not exactly the same as the wild magic, he is offering freedom, but not exactly. Meanwhile his eyes are the only things in the entire series besides the magic that have that bright blue tint (Camilla's uniform comes close, but it isn't as bright).

"You always thought you were better than me. That I could never beat you at anything." "I am better than you." "Then why were you so easy to curse?"

Tick, tick, boom.

So, let's talk about redemptions for a moment.

There is a general atmosphere on social media that Lilith's redemption arc wasn't handled well, and I would like to peacefully say that I think this idea is bogus.

The argument comes from two points, the first being that Lilith wasn't built up as enough of a threat, and the second that she skipped the redemption part of her arc and moved straight to being redeemed. The latter of those arguments is a discussion for a later date, but the former I would like to discuss here.

This episode shows Lilith at both her most villainous and her least at the same time. It gives you a hint at her true motivation, and hints at her being manipulated, but it doesn't spell it out, yet. It's a set up for what will come later.

But in terms of being a true threat, let me just lay out what Lilith has done so far. Curse Eda. Capture Luz. Throw two children into a wall. Throw another child off a bridge. Try to push said child into a bed of spikes out of sheer spite. This is all in this episode, by the way.

I think Lilith needed to spiral like this so that she had further to climb from in her redemption arc in later seasons. You can't redeem someone who ain't done nothing wrong.

Thank you, nameless strawman opponent, you were very helpful in proving my point. Anyway...

"Luz, thank you for being in my life."

Wendy Malick needs more praise. This line is incredibly well performed, and that tiny hesitation is golden.

But, the meaning of this is also important, because this is the first time Eda has actually expressed any affection for Luz directly to her face. Otherwise she has been the distant, cranky mentour.

The Owl House plays with tropes a lot, but the mentour sacrifice is one it plays almost straight, and it hits incredibly hard. These are what Eda thinks are her last words to Luz, and its a thank you.

"I am richer for having known you, friend."

(If you get that reference, you can have a cookie.)

FINAL THOUGHTS

It's important to the pacing here that the heroes lose this episode well and truely. It sets up the finale well, and it gives an air of malice to both Belos and Lilith that is imperative for the next episode to have any weight to it.

This episode has garnered a ton of affection from the fan base, and I think it might be more popular than Young Blood Old Souls, and possibly on par with King's Tide and Hollow Mind, but that is just my observations and not backed up by any statistics. Let me know in the replies if you agree or disagree, I'm keen to know what you think.

Next week, I am tackling the finale, Young Blood Old Souls. So stick around if that interests you.

Previous - Next

[genericpuff]

Hey guys, this really sucks to type out but - I came home from the first day of the tattoo expo yesterday night with the intent to export my PNG's and get them uploaded for tonight's release, only to find one of my Rekindled pages corrupted. IDK what caused this, I've had this happen in the past but it's been a LONG time since it happened so it kinda blindsided me, to put it lightly.

The good news is it wasn't a very complicated page, it had about 4 panels, so getting it redrawn from scratch won't be too much of a headache. But the bad news is that I, well, have to draw it from scratch LMAO Normally I'd just buckle down and get it done but I'm currently occupied buckling down on the tattoo expo this weekend (which is a whole other thing I'm hyped to tell y'all about, it's been wild but a great experience overall) so unfortunately this means no upload tonight, in addition to no stream as I will be tattooing until 10 PM tonight.

HOWEVER! It's, again, not a complicated page. So I'm hoping to get it done tomorrow after the expo is wrapped up (it only runs until 6 PM). And the next two days after that I'm taking off from the shop to chill so I'll be using that time to get next week's episode finished.

I'm genuinely so sorry for all the interruptions and hiccups this month, it's been a mess 🫠 Granted, a lot of it's been a good mess as I've been getting to do shows and other fun opportunities, but there's been a lot of stress mixed into that too and it's throwing wrenches into things that should otherwise be rather simple to do.

Thank you all so much for your patience and support, I'll be posting tonight's episode on Sunday night/Monday morning.