#and still gets to come back to work at 3

[silly-lil-khaos-god]

Life is a simulation and only what you say matters actually means anything.

[a-scary-lack-of-common-sense]

ANTAGONIST FIDDLEFORD❗️⁉️❗️❗️💥💥💥 FUCK SHIT UP BABYGIRL, I BELIEVE WOMEN'S RIGHTS AND WRONGS <33

30 years ago, during Ford and Bill's fallout; instead of threatening to steal Ford's eyeballs, Bill just goes ahead and steals Fiddleford's! Which then further leads to Fiddleford parting ways with Ford as his research assistant.

In my perfect world, where my AU is a 40-episode fully animated show; this episode would reveal the seemingly unsuspecting Old Man Mcgucket as the leader of a powerful secret cult of memory erasure. Mcgucket, believing Ford to still be under the influence of "the demon that stares," kidnaps him and attempts to "exorcise"/erase the so-called demon out of Ford's brain.

However, with the metal plate bolted into Ford's skull not only keeping out demons such as Bill, but also keeping them in; Bill is forced to instead take over Ford's body with nowhere else to go. Together with the twins who've come to rescue their Grunkle Ford, they frantically run from a hoard of cultists and their terrifying leader.

The twins discover that their Grunkle Ford's past goes much deeper than they had originally anticipated, and that their Uncle Bill isn't who they think he is....

[dandelion-roots]

[ID: a digital drawing of riz gukgak from fantasy high. in the front is a relatively small drawing of riz juggling books that are falling out of his hand and a phonecall, and he has a huge backpack on. he looks a bit overwhelmed, hair flying in all directions, and has a nervous smile on. in the background is a large shadow of riz, only one glowing eye and a shining gun visible. the background is red, giving an eerie feel. End ID]

Kill your best friend

Cheat your way to your rogue teacher

Announce your presidential campaign

Don't let them know how angry you are

LEARN TO RECOGNIZE A MONSTER

[oh-no-its-bird]

Hear me out: warring states era Hatake who went on a mission somewhere in the land of waves and fell off the fucking map— where they then witnessed the Unspeakable Timeless Horrors Of The Sea And Spiral, then washed up on shore a solid years later, irreversible changed and tangibly Other.

Their wolf contract no longer works because there is something so deeply Wrong with them that animals (especially contract beats and spirits) can feel it. There is something tangibly, legitimately Other(tm) about them, and while they've been wholeheartedly accepted back into the clan, everyone knows this is not the same person who they lost a year ago

They gazed into the abyss and the abyss gazed back type shit fr

[deoidesign]

Time and Time Again comes back tonight!

Thank you all for being so patient with me, I know it was a long hiatus.

My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!

So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.

[glassofoj-twitter]

More post part 3 concept stuff (read tags for more info)

[a2zillustration]

We lived.

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[triglycercule]

can the mtt commit more crimes that just murder please i know theyre the MURDER time trio but ppppleasse,,,, please,,,,,,

they'd be terrible to be next to on the highway. horror's going 160 mph amd has long past gone over the speed limit. dust's out for BLOOD and by blood i mean your tires. he's somehow sniping those round rubber wheels from the high moving vehicle with the precision of a master fruit ninja player. if your car explodes or flips over in the process that's not his fault. and then to make matters worse for everyone on the highway killer's in the backseat scratching up the doors and windows of your car with a knife everytime horror gets close to another car and oops he accidentally just disfigured your face also did i mention theyre all drunk during this

ok so theyve all got the classic face WHY DONT THEY ABUSE IT!!!! horror gets to do a little paper mache to cover up his head hole and then wearing glasses. killer i dont know what the FUCK he can do to get rid of his perpetual tears but let's just pretend that theyre conveniently gone for now. and then all dust has to do is put down his hood! anyways identity theft is cool. imagine how much they could totally fuck up classic's reputation with this. set up fake tinder profiles and then scam people for their credit card info/free dates (while ordering every expensive thing) and stealing wallets. walking into various grillby's's around the multiverse and telling terrible jokes. like ACTUALLY bad jokes. and then of course just being a huge piece of shit at the bar. god theres so many things they could do pretending to be classic. which one of us is hikaru looking ahh except the only difference between the three is the color of the stains on their clothes (either gray (dust) black (killer) or red. well faded red (horror))

ROBBERY!!!! ROBBERIES PLURAL!!!??? train robbery gas station robbery bank robbery GOVERNMENT robbery (what would you rob the government for?? documents??? idk) anyways. mtt robbing a train except its just a really shitty plan and they dont know jackshit about what theyre doing. killer's taken over the conductor's cabin and now he is booking it. how fast are trains allowed to go idk but the maximum. anyways meanwhile horror's on the tracks fucking up the rails with his strength or whatever (listen i know he's weak but picking and choosing what hcs i believe in is my art) and dust is there to teleport him away before the train crashes into him and turns him into a trolley problem victim. and then of course that shit doesnt fucking work and the train just ends up flipping over and catching on fire or something (killer survives because of course he does he's killer). and then in the end dust just has to flip the entire train over and they just stroll into the part that actually HAS the money

and then they go out and get ice cream. sometimes the murderers need to take a break from murdering and just do NORMAL crime yk???

[shepscapades]

shep I was talking to my brother about dbhc xisuma as one does and mentioned that ask about not being able to puzzle xisuma's face together mentally and my brother joked that the reason you put the spoiler bars and such on his face is cause you cant draw his whole face yet 😂

anyway I might have talked his ear off about dbhc idk tho lmao

LMAOO NOOOO!!! MY SECRET FINALLY IS OUT!!! /silly

[cator99]

out of curiosity, would you consider yourself butch?

used to be a blonde underweight twink and now I'm a based jock still got the chanel bag and the sick albeit matured mind of a suckpig to prove it so I'm gonna let you decide whether you wanna call me that word just cuz I got a pussy and short hair. I promise you that there have been enough advancements made in the art of lesbian sexual dynamics in the past 50 years to broaden the vocabulary used to describe the plethora of types of masculine females.

[sluckythewizard]

these are A BIT OLD but uhhh here check out these aggio doodles i did forever ago. still VERY happy w my colors :3

[ancha-aus]

RealAgeAU Drabble - Mud

Hello! I am back with the baby-AU! Lmao! @spotaus

I am excited about this one :3

First Drabble Prev Drabble Next Drabble

Lets just get right into it shall we? :3

*-------------------*

Nightmare should probably be paying attention.

But the truth is it has already been a long day and he just doesn't feel like it.

Instead he just keeps holding Cross's hand as he eats his chocolate bar.

Nightmare is actually standing on the ground today, which is nice for a chance. It is mostly because he just spend the last two hours or so sitting still for some doctors and healers. For his monthly check up.

Which is new to him! Since when does he have a monthly check up?!

Nightmare huffs as he keeps eating his candy bar. It is sweet and he likes that. much like the light rain that is around them. He also likes the rain.

Cross shoots him an apologetic look "I know Nightmare. We will go home soon."

Nightmare hums and leans against Cross's side. He wants to go home already. The town is nice but busy today. Something to do with it being near halloween Crop had explained.

Nightmare looks up and sees that Killer is also very done with the conversation, even if he still has a smile on his face. Cross is better with acting interested. Gerson is talking to them so Nightmare can understand why they are still humouring this whole thing.

Nightmare finishes his snack and looks aorund, searching for a garbage can. He easily spots one and goes to let go of the hand.

Cross tightens his hold and looks down at him anxious "NIghtmare? Are you okay?" he gives Gerson an apologetic smile.

Nightmare rolls his eye lights and shows the obvious wrapper "Going to throw it away." duh.

Cross looks around and spots the same garbage can "I mean... okay... fast..." he slowly lets go of the hand as Gerson pulls him back to the conversation. Social guidelines nad rules keeping him captured.

Nightmare grins and walks over to the garbage can. He is careful to not slip on the wet and muddy ground. He is getting close when he spots a large mud pool and frowns at it. Annoying as he already starts to feel his spine acting up.

Seems like being carried and letting his spine relax a bit mad ehim less used to the pain... or is it because he is small now? Nightmare really doesn't know...

Still go carefully makes his way around the mud, he is wearing his new favourite sweater, the one Dust got him when they first got here, and he doesn't want to risk it getting dirty. He is already unhappy wiht it getting wet.

He gets to the garbage can and throws away the wrapper. Mission accomplished. Now to go back to Cross and Killer.

He turns around and bums into someone. Nightmare quickly takes a few steps back and slips only slightly before regaining his balance. He looks up and sees two boys.

Nightmare mutters "sorry..." he glances around and sees that Killer is already side eyeing him and his situation and he feels a bit calmer. He is fine. Killer is here.

One of the two boys huffs "How dare you! You dirtied my shoe!"

Nightmare blinks and feels confused. What does he mean? Nightmare bummed into him yeah but he didn't hit his shoe right? He looks down and sees that the shoes are covered with mud.

Nightmare frowns and rubs his arm "Sorry?" he isn't sure but also does not want trouble "Maybe it can be washed off?" he isn't sure. Some stuff is still hard to remember.

The boy huffs "Well that doesnt make it better!"

The other boy laughs "You know what would make it better?"

Nightmare realises soemthing is wrong right away and looks for an escape but one of them grabs his arm and the next thing he knows gravity pulls him down right into the mud he had been avoiding.

It hurts so bad.

His eye sockets sting both with tears and the mud. he looks down at himself and is absolutely covered. The other two laugh but it is already becoming a background noise.

His sweater is dirty...

He had tried to be careful with it and... and...

Two arms grab him and he is suddenly held close in a hug. "nightmare?! Are you okay? Is your spine okay? Are you hurt?" Cross speaks gently as he carefully removes some of the mud from Nightmare's face.

Nightmare can't explain. it is already hard to keep in the tears and now he is also ruining Cross's clothes and his body hurts and-

He sobs. He can't keep it in. He ruined his sweater. he ruined Cross's stuff. everything hurts. it is cold. he wants to go home.

Cross just pulls him closer and rubs his shoulders gently "Oh it is okay. Don't worry okay? We will get home and get all cleaned up and we will check your injuries."

Cross's voice helps him focus. Helps him breath and get passed the sobs and tears. his face is still all wet and muddy and he is dirty and his sweater. it had been a gift! He should know better than think he is allowed to have nice things.

Someone screeches "What do you think you are doing to my dareling boys?!"

Nightmare flinches and pushes closer to Cross. he dares to glance up and sees Killer growling and glaring at the two boys. He is holding one arm of one of the boys, the one Ngihtmare run into, behind his back and Nightmare knows that angle is painful.

Killer glances at the lady before looking back at the boy near tears "Teaching your child manners about how he shouldn't bully or harm a young child." Killer's voice is compeltely calm. Giving nothing away. Nightmare knows it means he is beyond furious.

The lady glares "It are just boys! Boys will be boys!" she huffs "What did they even do?" she notices him and huffs again "It is just mud! It is harmless!"

Killer looks at her before grinning. He lets go of the child and steps back. He moves quickly and Nightmare isn't even sure how he does it but next thing there is a wave of mud which covers all three.

Killer crosses his arms and waits.

The lady screeches again "How dare you?! This is real fur!"

Killer raies a brow "What? I thought you just told me. It. Is. Just. Mud." he stares her down "All you will have to do? Clean it. Which is much easier for you. As you have one of those handie bodies to keep it out of your system. Unlike wiht us skeletons that can cause quite a bit of different injuries. All caused by dirt getting stuck in joints. You know, like mud. And between joints, that this babybones has."

The lady shakes slightly as she looks around before looking back at Killer.

Killer stares at her "I will make this clear. YOu are going to walk away with those two brats of yours. You are not going to cause us anymore issues. understood?"

The lady nods and grabs her two boys and leaves.

Killer huffs before looking back at him. cold and emotionless look gone as he looks at him "tiny boss?"

Nightmare knows he is still crying as he pulls on his sweater a tiny bit. it sticks to his body, it rubs and hurts everything... but his sweater. He looks at Killer and isnt sure how to explain "my sweater..." he knows he is still crying "Dusty got this for me...." it was so expensive and special and Nightmare tried to be careful with it but he wanted the warm hug of the sweater at his appointment because it was Dust's relax day but now it is dirty and ruined and and and.

He can't explain adn just sobs.

Cross seems to understand as he pulls him closer "oh baby it is okay. We are going home. get you all cleaned up and clean up your sweater too. You will be wearing it again before you know it!"

Nightmare just sobs again.

Cross nuzzles him gently and that makes him feel a bit better.

"Hey tiny boss! Look!"

Nightmar eblinks and looks over at Killer. Killer sees him look and he grins widely. Before kicking his own feet out from under him and faceplanting right into the mud that Nightmare fell into.

Cross gasps "Killer!"

Killer pulls his face out and grins widely. The mud and tears mix and it is messy and he is covered in mud but it falls in almost slowmotion and-

Nightmare can't stop the giggle leaving him.

Killer grins and gets up. Each step makes a weird slurp and slosh. Nightmare snorts and laughs more.

Killer gets to them and grins at him.

Cross looks amused himself "You are a mess." he still nuzzles nightmare.

Killer grins and winks at Nightmare "Just means tiny boss and I will both need a bath." He then stands straight and shows his outfit "And look! More clothes that need washing! We will just wash our stuff together!"

Nightmare giggles and nods before starting to reach for Killer. He still pulls his hand back again. It feels... needy...

Killer grins as he sloshes over and nuzzles his face all over.

Cross sighs "Killer you are getting your goop all over him."

Killer grins at Cross "It is fine crossy! When we get home it is bathtime anyway!"

Nightmare feels himself relax a bit more as Killer rubs the tears away and Nightmare leans back against Cross. They are going home and wash up together.

He really hopes the sweater will turn out to be okay but the others probably know how to wash it out carefully.

*-------------------*

First Drabble Prev Drabble Next Drabble

[just-a-simpel-narrator]

Ok..lets do this.

Finally responding to @akirapolarbear !!

I couldn't get the thoughts and ideas out of my head.

(Au and the Designs of Donald&Webby belong to the amazing @diogxnxs !)

Everything based on This Post!

Trust me this went very out of Hand haha

Also Raider got Tail Feathers if anybody cares

[tinartss]

on moving out

[deoidesign]

My comic is so pretty...

The hiatus is letting me take a little extra time on these episodes, and I'm definitely putting it to good use!!!

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.