#and starting to feel less 'pressure' (self given) to be 'perfect' when i post things

[waterfallofspace]

Allergic To Concepts

Is anyone else still into the M/agnus Archives? Maybe, maybe not, but I have had this fic sitting in my google docs for months, and I just finally managed to get myself to finish up the last bit, so here is part one of a possible two part fic, if I can ever manage to get myself to write the next part!

So, if anyone wants, please enjoy a little Allergic to concepts Jon. aka, Jon is so allergic to dogs that just the idea of them gets him a bit worked up~

I'll never be over this podcast, and I might start sharing small (tiny) drabbles of these guys if anyone would be interested <3 or even just to start coaxing myself back into writing~

Characters: Jon, Martin, Tim, and Sasha Word Count: 2.7k

“-so to conclude, we absolutely, most certainly, cannot do that,” Martin finishes, hands woven into his hair. Seems to happen more often nowadays; getting a job you’re not exactly qualified for tends to bring on a touch of added stress. What brings even more stress, however, are the faces staring back at him, twin smiles painted across worryingly calm canvases. Seems once a poet, always a poet, even in your own thoughts. 

Tim chuckles, mischief running through his eyes. “How do you even know that? You been stalking our new boss?” 

“W-well no, it’s just that…” Martin starts, beginning to study the floor as his rambling starts to take over. “Well there may have been an… incident, of- of sorts, with a uh… well it was, I was trying to open this door, but see I was holding files, and there was this dog, and they kinda just- well I was trying to stop it but it got in and- so I went to Jon’s office and he was just kinda… and then I-” 

“So what?” Tim interrupts, mercifully saving Martin from his own tongue. “Why should his issues stop us from havin’ a good time?” With a snap of his fingers, Tim casts Sasha a devious wink. The colour seems to drain from Martin’s face as he holds up a shaking finger, aiming somewhere behind Tim’s shoulders. 

“Ah, speak of the devil,” Sasha mutters, her smile never wavering. 

Spinning on his heel, Tim turns to greet the newest arrival to the hallway. “Fancy seeing you here, boss! Burning the midday oil?” 

Jon pauses, papers nearly spilling from his crowded arms as he fumbles with some keys. “That’s not an expression. And what are you all doing cramped in the hall? Don’t any of you have work to do?” 

Martin nearly keels over as Jon’s glare settles against him, seemingly deeming him responsible for this lapse in progress. As if! In fact, he’d been the one begging them to get back to work. Honestly, Jon should appreciate the fact that he talked them out of-

“Actually, we’re thinking of heading off for the day,” Tim cuts in, leaving Martin’s mouth nearly hanging open. Had they not just gone over why this was a horrible idea? As if to answer his unspoken question, Sasha joins in with support for Tim’s cause. Martin’s pretty sure there’s actually a gap between his lips. 

Jon, having opened the office by this point, merely stops and stares. Seconds pass, though it feels more like minutes. There appears to be some sort of staring match between the three of them. 

Finally Jon breaks the silence with a short… well, it’s hard to call it a laugh, more like a huff. His posture tightens as he attempts to pull himself to his full height, casting Tim a wary glance. “You can’t be serious.” 

“Quite serious in fact! See, me and Sasha have been thinking,” Tim pauses, gesturing to the aforementioned with a sickly sweet smile. Merely performance charm, which given the eye-roll she shoots back, Sasha’s well aware of. “All of us here need a chance to bond.” 

“Bond, you say,” Jon’s monotone voice offers no insight to how he’s taking this suggestion. As Martin’s mouth begins to dry, his hands start working their way back into his hair. 

“Indeed!” Tim continues, seemingly oblivious to Martin’s rapidly increasing heart rate. “We’ve all been stuck here together, figured we should become more of a team, you know? A team-building exercise you could call it. Something to get us more on the same page.” 

“And what is this ‘team-building exercise’ you have in mind?” 

Well, his heart may have been racing before, but it’s not anymore. In fact, he’s almost entirely convinced it’s just stopped completely. Jon’s eyes meet his own, and Martin drops his gaze fast enough to leave him dizzy. 

This time Sasha speaks up, her coy tone doing nothing to alleviate the heart attack symptoms Martin’s now convinced he’s feeling. “An animal rescue cafe. They rescue dogs and cats, the ones that need rehoming, and bring them there so you can get to know them before you adopt. One opened just down the street from here, and me and Tim have been looking into going. We figured, might as well drag you and Martin along with us.” 

Jon’s glare narrows further, a single hand coming up to rest between his eyes. The movement is completed by pushing up his glasses with a sigh. “And how exactly does drinking tea in a room full of animals qualify as team building?” 

“You can tell a lot about a person from the way they treat animals,” Tim offers. “Not to mention the fact that there’s a whole study about how psychopaths are more likely to hate cats, which is mostly due to the fact cats have willful behaviour.” 

Martin can almost taste his heartbeat at this point, a fact he’s finding quite alarming. Still rummaging through papers, Jon steps into his office. Much to Martin’s chagrin, they all seem to be following him. 

“Are you suggesting someone working in this office is a psychopath, Tim?” Jon continues, huffing out another sigh as he notices the entourage entering his office. Jon’s glare lands on Martin once more, something he’s almost gotten used to at this point. 

Laughter begins to flow from Tim, Sasha joining in with a mild chuckle. “Of course not, but hey, this job’s all about researching things that probably aren’t true. Better safe than sorry, right?” 

Seemingly the only one noticing Jon’s growing apprehension, or maybe just the only one that cares, Martin can’t peel his eyes off their boss. Unaware of the scrutiny, though perhaps expecting it nonetheless, Jon pushes up his glasses again. Martin doesn’t miss the way he lets a single finger brush against his nose during this action. Nor do his eyes skip over the light scrunch forming at the bridge of said nose. 

Oblivious as always, Tim’s still going on about the cafe. Something about which animals are available, what tea they serve, scones, and more useless information. Sasha’s typing something in her phone, apparently fact checking his current ramblings. Still, all of that fades into the background as Martin’s attention is drawn to Jon once more. 

At first, he can’t figure out why he’s watching. Jon didn’t speak, and from his posture he hasn’t made any significant gestures. There doesn’t seem to be anything specifically that should have caught his eye, and yet-  

And then it happens again. Jon’s brows tighten, his eyes begin to flutter shut, and his lips part just enough for his tongue to peek out between them. There’s a beat of silence, then a single breathy inhale, barely noticeable above Tim’s monologuing. 

“ihh-” 

Just as quickly as it began, Jon crushes it back once more, a hand roughing swiping against his nose. There’s a quiet feeling of– perverse excitement as Martin watches him. Why? No earthly idea. It’s not as if there’s anything specifically… exciting about the action. There’s no physical stimulation beginning, to phrase it politely. 

Still, there’s something… almost electrifying, about bearing witness to a moment so personal and private. As if the only person in the room is Jon, and he’s opened the door for Martin to join him in his world. Which, as you think about it, just becomes more and more– creepy as hell! Damn it! 

Pulling himself from his thoughts, Martin manages to peel his gaze away from Jon. Zoning back into Tim’s rambling, he just barely catches the tail end of a rant about different toppings on cinnamon buns. His silence was entirely unnoticed. Understandably, given only Tim had said anything in minutes. 

“Personally, I’m a fan of the regular cream cheese icing,” Martin offers, forcing himself to keep his eyes on Tim as another soft sniffle sounds behind him. The others don’t notice it, Sasha rolling her eyes as a light begins to dawn in Tim’s. 

“Well, interesting you say that Martin, they actually have those at the cafe down the street! Isn’t that such a wonderful coincidence?” Tim swirls his body towards Martin, casting a playful glance back at Jon as he continues. “Wouldn’t you like to stop by and get yourself one of those delicious buns?” 

Martin feels his face begin to pale again, and barely manages a meek, “W-well… I don’t need to… get one right now��� but if you want-” 

Thankfully he’s saved from himself as a gasp sounds out from the desk. Everyone in the room turns, Martin included, just in time to see Jon duck into his wrist with a tight, “ih’nGXt–uih!” 

“Bless you!” Sasha calls, Tim and Martin echoing the sentiment. A flush begins to spread over Jon’s cheeks, but it’s brushed off as he waves a hand, continuing to scribble on some papers. Casting a glance over to Tim, Martin sighs as the mischief floods the other man's face. He’s very clearly not letting this go. 

“Was that actually a sneeze?” Tim laughs, mimicking the sound as Sasha suppresses a giggle. 

Jon keeps his head down, pen still moving across the paper in disjointed movements. “It was in fact a sneeze, yes. Happens to everyone from time to time, no need to make a big deal out of it. Now, I believe you were going to a cat and do- hiHh! rescue cafe?” 

The hitch manages to escape from Jon’s tight grip, his posture shuddering slightly with the force of continuing the sentence. It doesn’t go unnoticed by Martin that just the word dog seems to leave him breathless. 

“A dog cafe, yeah! You’re coming too, right boss? Come see all the adorable little puppies?” Tim offers, gesturing towards the door. Apparently it didn’t go unnoticed by him either. 

An audible gasp sounds out, and all eyes turn back to the rapidly hitching boss. Jon manages to stifle the first one almost silently, only a rush of breath escaping at the end. 

“Bless you, boss.” 

Jon waves a hand, wiping away the water beginning to flood his eyes. “Was just sihh… sighing, Tim.” He finishes the statement with another stifle, this time his whole body jerks along with the rough exhale.  

“Really? Because that sounded like another sneeze,” Tim taunts, poking a finger towards Jon’s face. “And given the way your nose is twitching, you seem far from done.” 

Jon seems to consider debating, but another frantic hitch decides it for him. Giving up the ruse, he ducks into his shoulder with another, “eh’tNGxt–uh! ih’NTchhuh!”  

“Bless yo-” 

“eH’DGZSHhh –uu!”  The volume makes everyone jump, seeming to surprise even Jon. 

“Oh- mby apologies, I seeb to be… hiehh–” Jon trails off, one hand frantically searching for a tissue, nose visibly trembling behind the other. In a move of uncharacteristic pity, Tim pushes the box within reach. Jon mumbles out a thank you, before swinging his chair around for a touch of privacy. 

The silence is almost deafening, cut up only by the rustling of fabric as Jon attempts to subdue the onslaught. “eh’nGNt –oo!” And fails miserably. 

“Do- maybe do you want… well possibly we should, actually I think you might- I mean he might want–” Desperately trying to find a way to fill the space, Martin rambles on, gaze bouncing between all three of his coworkers.

“Martin,” Jon cuts him off, “just say it.” 

The annoyance Martin’s come to expect seems unaffected by the breathy quality of Jon’s words. Unless you notice the flushed nature of his ears, which… is kinda hard to miss when his nose is starting to match. 

“S-sorry! I just figured you may want a touch of uh… privacy..? You seem… itchy,” Martin offers, already beginning to back out of the room. 

Jon glares, lining up a retort before pausing as the first syllable comes out muffled with congestion. A sharp sniff and quick rub later, he continues in an easier tone. “I’m quite alright. No need for such concerns.” 

“I mean- If… if you’re sure…” 

Tim interrupts this time, draping an arm across Martin’s back. “You heard the boss, he’s fine. Now, onto that cafe?” 

Before Martin can get a word out, Jon stands from his chair, dropping the tissues in the wastebasket next to his desk. Sasha chuckles out her approval, sticking her phone into a pocket and beginning to exit the office. Tim follows suit, leaving Martin standing alone with Jon. 

There’s a beat of silence, Martin watching, horrified, as his body refuses to move an inch, silently waiting for Jon’s approval. 

“Well?” 

It’s not exactly an invitation, but it’s more than enough to send Martin scrambling for the door, muttering more sheepish apologies under his breath. If Jon heard them, he gave no indication, busy rustling through a desk drawer. A few more muffled stifles make their way through the noise, no indication given they were heard either. 

As Martin makes it into the hallway, he catches Tim waving from the door. He’s propping it open with one foot as Sasha waits outside, once again on her phone. Martin waves back his acknowledgement, before gesturing towards the kitchen. Tim simply shrugs, calling something about ‘not waiting around’, before joining Sasha in the crisp autumn air. 

Making his way back to the kitchen, Martin pauses at Jon’s door. He’s not eavesdropping, just… listening in, to see if Jon’s alright. It’s his boss after all, and he’s an assistant! He’s supposed to… assist! Perfectly natural thing to do, isn’t it? 

A harsh double pulls him from his spiralling, Jon’s voice coming through audibly in the groan that follows. Alright, enough listening in, this is starting to feel more creepy than curious. 

With what little confidence he can muster, Martin works his way through his plan. The mugs are where they always are, but the water in the kettle was a bit more cold than a proper cup of tea would allow. Flipping the switch, Martin began heating it, and hurried out of the kitchen to his desk. He picks out a fairly bland tea, Jon seems the bland type… right? 

Another few sneezes sound out from the boss’s office, and Martin almost starts to feel guilty for still being in the office. It’s obvious Jon assumes he’s alone, if not from the sneezes themselves, from the groans that come after them. Ever the stickler for a Professional Appearance, he’d never allow himself to be seen or heard in such a state willingly. 

The kettle sounding pulls Martin from his thoughts once more, and he pours the water over the tea bag. Moving carefully, as not to spill, he makes his way back to Jon’s office, knocking softly on the door. 

“Yes?” The reply is sharp, a frantic sounding shuffling occurring as Martin begins to slide open the door. 

“Hey, yeah sorry I just- you sounded like… I just thought that maybe you’d want… you might need some…” 

“Spit it out, Martin,” Jon sighs, giving his nose a subtle swipe. Unfortunately for him, this seems to have been the wrong choice. His nose twitches, eyes beginning to unfocus, and Martin finds himself pausing for the interruption. At least, until Jon gestures at him to continue. 

“Well, I just ma-” 

“ih’tNGT–uu!” 

“Bless you. I just made you some tea, it seemed you cou-” 

“hHUh’dNT–uh!” There’s a pause, Jon’s breath catching dramatically, before he swivels around in the chair and aims a harsh, “eH’dZSHH– eih’DSCHhhh–oo!” at the fistful of tissues he managed to grab. 

It wasn’t exactly quiet, and Martin finds himself flinching against the noise, but holds it together as he places the mug on Jon’s desk, hurrying through the rest of his sentence. 

“Seemed you could use some tea, bless you again by the way, anyways I’m gonna head off with Sasha and Tim, I’ll see you there I guess! Or, well- not just me, we’ll all see you there, as a group, if you choose to come that is! Which of course you don’t have to, though we’d lik-” 

“Martdin,” Jon, mercifully, cuts him off, congestion seeping through his words. With a deep sigh, he finishes his sentence. “Thagnk you. You mbay go ndow.” 

Taking the out, Martin gives one last nervous smile, sliding out into the hallway. Another desperate sneeze leaves him wincing, Jon’s vocal groan sounding out yet again. The poor guy sounds miserable, and Martin almost considers going back in and telling him not to come. If he’s this bad from just the thought… well… 

But he’s embarrassed himself enough for the day, and, albeit hesitantly, Martin heads off to meet Tim and Sasha at the cafe.

[sketch-guardian]

HELLO! I hope you've been doing well, I certainly missed reading your writing! I have come with another question after a while! What are the classmates' biggest insecurities? Thank you! - Isa

Hello to you too Isa!✨I'm sorry for not posting much in this period,but I was quite busy and a bit tired🙈still,I'm doing okay,thank you for asking☺I hope you're doing alright as well! Also thanks, that's very sweet of you to say😳💕regarding your ask, I think by writing about their insecurities, I'll end up including some of their biggest fears as well, so I apologize in advance if these insecurities don't seem to be valid enough or count as such, so if the answer isn't satisfaying enough, please feel free to send me another ask so that I can change/fix things🙈

WHAT ARE THE RAD CLASSMATES BIGGEST INSECURITIES?

DEMYA

Her low intelligence/loss of control

Demya started her education late compared to other demons and it was Azul who taught her to read and write after her return to civilization, however this doesn't mean that she doesn't still have troubles and although this doesn't normally bother her, she fears deep down not to be taken seriously or to be treated like an idiot or an animal due to her general culture. Another one of her insecurity concerns the self-control she has during her hunger, Demya fears that one day she will end up hurting her friends and MC without wanting to/noticing it and she would hardly be able to forgive herself if something like that happened.

DOMNRA(MOBIM)

His character/not counting anything

Domnra knows that he doesn't have a pleasant attitude and that he has anger issues and even if he doesn't show it, he fears that sooner or later his friends and MC will get tired of him and that they'll abandon him, leaving him alone and unable to confess really how he feels, because of his stupid pride. He has also always had self-esteem issues since his days as an angel, where he wasn't particularly considered, unlike other special angels, so he fears that even as a demon, his person won't have that much importance and he doubts that anyone would miss him.

To be destroyed/its height

Even though its bond with Domnra is rather strong,close and secure, Mobim is still afraid that one day Domnra will decide that he wants to get rid of it, because it's useless. Mobim knows it is a curse, that it shouldn't exist and that if Domnra had found a cure long ago, it would no longer be there, but having lived for so long…now Mobim has developed a fear of dying. It's also quite insecure of its size, because it knows that despite being a curse, it's not threatening at all.

AZUL

Being alone for too long,especially with his thoughts/not being able to protect his loved ones

Azul loves the company of people not only because he's a social butterfly by nature, but also because it helps him not to override his intrusive thoughts that have taken up residence in his head since his fall from the Celestial Realm, he tends to be scary when he loses control and is afraid that sooner or later this will make others leave him behind. Though he doesn't seem insecure given his power and behavior, Azul doesn't think he would be able to grieve,due to his mental instability,and fears that one day his arrogance will cost his friends and MC a heavy price.

ZURI

Not being good enough according to her perfectionistic standards

Zuri has always been under observation and pressure since her days as an angel, where her every move was judged and analyzed and although she is free now, as a demon she still has the habit of always aiming for perfection, not so much for the opinion of others, but for herself, not believing she could afford anything less. She's never confessed it to anyone, but she's afraid that if she acts or presents herself in a different, less refined way, people close to her won't recognize/care for her. She thinks many people want to get to know her only due to her status or beauty.

ODON

Not being accepted because of their past

Odon remembers the atrocious acts they committed centuries ago and a part of them doesn't regret their choices, because they knew they were acting according to their demon nature and therefore they don't feel particular remorse, however now they're trying to change,aware that many are still afraid of them. Odon fears that despite their best efforts, no one will be able to see beyond their monstrous eldritch horror nature.

[cookie-waffle]

As much as I love Legend of Zelda, I’ve always felt like the way the franchise doesn’t prioritize story takes away from so much of it’s potential.

Refusing to let Link ever be a fully multifaceted fleshed-out character is actually starting to work against the whole “blank slate” thing, because the addition of voice acting forced Nintendo to give an explanation for Link not speaking in cutscenes. But, by doing so, they wrote themselves into a corner. He (understandably) has an anxiety disorder, (which is super interesting but isn’t touched don much). And in Creating a Champion, it was mentioned that Link seems happier after forgetting his previous life as a knight, subtly implying he had a very difficult childhood.

But, when totk came out, they no longer had an excuse to keep Link silent and emotionless 100% of the time because they had already made it canon that he not only feels happier post-calamity, but even SPEAKS to Zelda. So, how did Nintendo address this? They didn’t. Because they prioritized player experience over writing that made sense. Which, ironically, made us feel LESS connected to Link’s character. And to make it even more frustrating, it’s so obvious that they WANT to make Link his own character, but just refuse to for some reason.

Another example are NPCs we helped in botw, that every player had to have interacted with at least once, not remembering Link at all in totk. I know it’s done for new players, but, why? What’s wrong with NPCs already knowing Link and being fond of him? It makes no sense why they would do that, ESPECIALLY given all the hints that Link has been living with Zelda in Hateno for a few years. I think character interactions would be so much more emotionally impactful if Link kept all the friends he made in botw.

And, probably my biggest gripe of all, is how often very interesting themes get introduced and then treated very superficially.

Ganon/Ganondorf has the potential to be a very multifaceted and tragic villain. A man who wants to do right by his people, but cannot fight the darkness he was born with no matter how hard he tries. But…. that’s not who Ganondorf is. Ganondorf is canonically about as deep as an 80s cartoon villain. Nintendo does not seem to care about the more nuanced details and bleak implications of Demise’s curse. Ganondorf would have never been tolerated by the gerudo if he was just always evil. Real evil rulers must grow a loyal following and gain the trust of their people before doing the actual evil stuff. And seeing how “no nonsense” gerudo soldiers seem to be, I have my doubts that they’d just let some manlet walk all over them without first proving himself worthy of their respect.

In fact, a lot of the whole light vs dark theme itself self seems to be delivered in a very superficial way. Like, for example, Demise had no real motive. The only reason he wanted to destroy the world because he's scary and bad. There's no complexity to it at all.

Another example is the themes of mental illness in botw. Zelda’s whole relationship with her father was very clearly intended to seem abusive, and Zelda has emotional issues as a result. Aditionally, Link has selective mutism, and Mipha even writes about how much less happy he seems as a teenager compared to how he was when he was little. Nintendo actually seems to have addressed what sort of effects this kinda trauma has on young minds. Not only that, but, it’s not exactly a secret that Japanese culture puts way too much pressure on their children to preform perfection, and the way Zelda’s relationship with her father is portrayed could very well be a reflection of that.

But then they redeemed King Rhoam in Age of Calamity, making some of the messages that botw was trying to convey completely irrelevant.

Also, not to mention, most players that discovered Zelda’s diary in botw probably want Link to feel safe enough to speak again, after knowing that it is possible. Or at the very least, we wanted to see him comfortable enough to express his personality more in cutscenes. Do we get that? No. Going back to my previous point, this is just another example of the whole “blank slate” thing with Link working against itself.

I think most of, if not all of these issues, can be solved. With Nintendo's budget, there is no excuse to not put just as much attention and detail into the story and lore as they do into the gameplay.

The issue with Link's character could be easily solved by taking a page out of Fallout 4's book. His personality could change based on how the player responds to npcs. The player could also be given the option to customize race, gender, hair color, etc (There's nothing that says Link has to be a hylian male every time). Another great idea would be romance options that have no real effect on the end of the story. That way, the devlopers can ship zelink like they cleraly want to, without players who don't ship them having to deal with it.

And please... PLEASE give Ganondorf a goddamn personality aside from "Sneaky and bad". Give him a backstory, a character arc, an ideology. ANYTHING. The main villain of such a massive franchise should be nuanced.

[sophia-the-green-witch]

Getting back into practice

I never stopped practicing, I sort of just fell out of doing it with any regularity.

I found myself too busy with life to even have the brain space to stop and think to give an offering or even appreciate the beauty of nature. The gods never left, they just got a bit quieter, noticing my lack of engagement, but not giving up on me by any means.

Then there was a small, unexpected catalyst. A spark the reignited a flame, that reminded me that I shouldn't neglect my practice because it does make me very happy and help me feel connected to others and the world around me.

Oddly enough that catalyst was the migration of the Wisdom of Odin discord server over to The Fellowship of Northern Traditions server.

I had been relatively inactive in the server for a few months (not that I had ever been too visibly active as a professional lurker lol) but I kept up with server announcements at a minimum because I cared about what was happening in the community. I saw the announcement that the WoO server was going to be deactivated with the hope/expectation that those who wanted to continue to support the community would move over to the FoNT server in order to bring funding to The Fellowship. I thought this was a great idea and as someone who had supported both Jacob and The Fellowship since the beginning (even when I didn't really have the money to be doing so), I didn't hesitate to move over. It was strange because the new server space felt like a new beginning. The energy felt clearer there and I felt far less intimidated by it and as a result, the new server encouraged me to re-engage with the community and, in turn, my practice.

Right as this all happened out of no where we got two months worth of rain in two days. It was storming like crazy with a constant thunderous downpour. Some areas flooded and some were hit by tornados, but my home and work place remained safe. During these storms I could feel Thor. He was jubilant! He was excited and thrilled with the fact that I had started to notice the gods more clearly again.

It was then that I decided that I needed to go back to my practice. I started physically journaling a bit more. writing down my thoughts on the gods and spirits. I started diving back into witch/pagan content that needed to be caught up on (this meant bulk watching/listening to a lot of Jacob Toddson's stuff lol). I also decided I wanted to revisit the Havamal. Studying it a few stanza at a time and seeing how it applies to my life as well as reflecting on Odin's wisdom and applying it where I can. It's a more mindful practice than simply reading the words on the page.

I started to make goals for my self: I want to bring small things that have to do with my practice to work. I want to start working (or resume I guess given my history that I'll explain in a full post about it) with house spirits. I want to get back into gardening. I want to interact with the gods more. I want to spend more time outside, appreciating nature. I wan to start learning more about Celtic Paganism. I want to journal more. I want to return to my practice... and I want to do it with my sister and my friend if I can. And lastly I wanted to try to use this blog a bit more

I created this blog to sort of supplement my grimoire. To be an online source for some of the stuff I did. And I never really did that. It was almost as if I was afraid to use this space for what I had intended it for I felt a weird pressure to make everything pretty and perfect, to only share spells that looked good on camera, but I hate that I hate aesthetic witchcraft. While I do like to make pretty spells and alters, not all witchcraft has to be pretty and perfect and ceremonial. Not all of it has to be this big thing and planned out. The "showy" witchcraft that you often see on tumblr and instagram and tiktok is the type I hate because it's not real and it's not realistic. I have to remind myself that there are people like Scott Cunningham, who work I love and respect so much, who see the simple witchcraft in making a sandwich and scattering leaves to the wind. As long as there is intention, that is witchcraft, however it looks. And knowing that is so validating. Sometimes I would doubt myself and my craft, but as I started updating my about page and my new page on the gods I realized how comfortable and knowledgeable I actually am in my craft.

So, I want to try to use this blog more. I want to post more of my spells. I want to document my work and my practice. But most of all I want to do it for me and if someone choses to come along for the ride then they can feel free! And I hope that maybe posting my practice here might help someone else~

that being said,

Skål!

[kiingocreative]

The Structure of Story is now available! Check it out on Amazon, via the link in our bio, or at https://kiingo.co/book

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There are some buzz words everywhere and, in the writing world, and it feels to me like ‘journaling’ is one of them. It’s something everyone seems to be doing.

It took me a while to build a journaling habit, and I wouldn’t say I’m quite there yet with my Journaling discipline, but whatever experience I’ve had with it has been incredibly beneficial.

What’s Journaling?

Back to the old trusted dictionary! Journaling is defined as:

To write in a journal or diary.

Simple, right?

For those of you with a penchant for etymology and random fun facts, the word ‘journal’ comes from the Latin ‘diurnalis’, or ‘diurnus’, meaning ‘daily’. In late Middle English, a journal originally referred to a book containing the appointed times of daily prayers. (If you use this as an ice-breaker at your next dinner party, please let me know!)

Nowadays, journaling is a lot more about keeping track of one’s praying schedule, and much more about recording one’s thoughts in an informal, free-flowing, stream-of-consciousness manner.

It’ll take different forms for different people, and the great thing about it is that (in my view) there isn’t a right or wrong way to journal. The only right way to do it is the way that feels right to you. As with any form of writing, craft or art in general, it’s all about individual preference, and highly subjective. And because Journaling is generally something that remains personal and private, you can do whatever the heck you want with it.

Pretty great, isn’t it?

Why Journaling is Good For You.

Based on my own experience, I’ve found a few benefits to journaling:

Pressure-free writing.

I’ve found that Journaling, because it follows no set rule and isn’t meant to be shared, is a great chance to write without any pressure. To write just because you want to write, with no other agenda than indulging in your love of putting words together on a page.

To me, writing without an outcome in mind is always liberating. It’s a chance to reconnect with your craft in way you might not if there was a clear purpose to it, like writing a book due to be published or a blog article meant to be posted online.

Experiment with your writing.

Journaling is also the perfect format to experiment with your writing, and try your hand at something new. Maybe you normally write fiction, and Journaling is a chance to give poetry a go. Maybe you generally blog, and your journal can start hosting plots and ideas for a novel, regardless of what you make of it later. Maybe you’ll want to try writing exercises—like jotting down ideas from a prompt or in a specific style. Or you could start recording dreams and memories you can remember.

Discomfort is where we grow, so putting yourself in those situations regularly is a great opportunity to expand your writing abilities and hone your skills. Who knows, there may be writing gold in there somewhere!

Never forget an idea.

I don’t know about you, but I often get ideas for my writing and beyond at the most inconvenient moments—in the shower, whilst cooking, doing the dishes, or picking up dog poop (I know, oh the glamour of a writer’s life!). I always think that I’ll remember these, but the truth is, most of them get forgotten, never to be retrieved again from the confines of my mind.

Journaling is a great way never to lose sight of an idea. My Journaling involves a lot of notes about random ideas I have for a plot, a story, a post, or life activities in general. They serve as inspiration for the future. Writing them down helps me rest assured that I can go back to that list and explore it later, whenever convenient.

Free your mind &notice trends.

One of the most important things I’ve notice happen when I journal, is that it helps me empty my mind fro ma lot of the never-ending thinking loops I tend to fall victim to. By putting thoughts down on paper, I’m able to see them more clearly, and my brain finally feels like it no longer needs to hold onto them. Jotting things down is a great way to break your pattern of thinking (or, if you’re like me, obsessing) and to allow yourself time to take a step back and look at the big picture.

Whether it’s something you’re stuck on in your writing, or in your life in general, journaling on it is powerful, especially if you do it regularly. Not only will you create more space in your mind for better and brighter things—say, your next brilliant writing idea!—but it’ll also give you a chance to notice trends and recurring themes. And that’s a great way to build awareness about your own patterns of behaviour, and start eradicating your most negative or toxic thinking habits.

Keep a record.

Performance coach Tony Robbins (yes, him again! What can I say, I’m a huge fan) says that ‘if your life is worth living it’s worth recording’. I couldn’t agree more. Journaling gives you a chance to be your own life historian. To keep track of where you’ve been and how far you’ve gone. To look back on those day-to-day accomplishments that may look minute at the time but all add up to something big and wonderful in the end.

Looking at your own existence and experience as something that’s worth keeping a record of also sends your subconscious mind a clear message: that’s you’re worthy. You’re enough. Every moment of your life has an impact, the good and the bad, and helps mould who you become.

I’d say there are few more powerful truths to embrace in your lifetime!

Getting Started with Journaling.

That’s all well and good, you might say, but where do I start?

Fear not, my friend, here are some suggestions to get you started.

1. Set a schedule — If you don’t make time for it, chances are it won’t happen, because life has a habit of getting in the way. Identify a time that works best for you—whether that’s morning, midday, evening etc.—and schedule it in your calendar, setting a reminder so you don’t forget about it. If finding time daily feels daunting or unrealistic, why not start with once a week, or a couple of times a week?

2. Make it a habit — Stick to it! Whether it comes naturally or not, be disciplined about it. Embrace whatever comes, both the joys and the discomfort of it. Set yourself a goal—every day for a week, every other day for a month etc.—and sit with it for the entire duration you committed to.

3. Set a timer — Journaling doesn’t have to take a lot of time. I tend to journal for about ten minutes at a time on average, sometimes less and sometimes more. If you’re unsure what duration to start with, set a timer for ten minutes and see what comes up.

4. Let it flow — As I mentioned above, Journaling may or may not feel natural at first. It may feel great or it may feel uncomfortable. Whatever comes up for you, let it flow. Why not journal about the sensations and feelings the experience of journaling brings up? It may end up being one thing one day and something altogether different the next. Whatever it is for you at any given time is what’s right. Be open-minded, remember this is unique and personal, and no one—not even you—should ever judge it.

The Power of Rituals.

If you’re still unsure about the value of journaling, or about getting started with it, let me say this one final thing: the most important piece of the puzzle, as with anything else you do, is defining your ‘why’—i.e. the reasons behind your decision to start (or continue) journaling. Ask yourself:

Why do you want to start journaling?

Why is it important to you?

How do you think it’ll make you feel? How do you want it to make you feel?

What difference do you think it’ll make to you, to your life, to your writing?

Clearly defining your ‘why’ and your intentions will help you maintain the habit. More importantly, understanding the value this holds to you will take journaling from a mere habit—which can feel like a chore—to a ritual of self-care. That’s the difference between doing it because you think it’s cool, or because everyone is doing it, or because you think you should do it, and doing it because you know for a fact, in your core, that this will make you and your writing better and stronger.

This will go a long way in making it more enjoyable. It’ll help you build rituals around it that are nurturing and caring. Get yourself to acknowledge why it’s good for you and why it’s pleasurable, and then set up the environment to make your journaling time feel like an absolute treat. Maybe that’s setting the scene in the room where you journal with a candle or some background music. Maybe that’s selecting a nice notebook if you’re doing this by hand, or picking your favourite writing spot, at home or beyond.

Eventually, these will all act as triggers to get you into the right journaling mindset whenever you’re sitting down for it.

And if you’re not quite sure what that all looks like for you… Well. Isn’t that a great topic to start journaling about?

[cosmicjoke]

Alright, onto chapter 59 and 60 of AoT!

Chapter 59 of course has the big scene between Levi, Armin and Jean, and once again, we see Levi’s immense kindness on display, underneath the blunt honesty he also lays on his squad.

I feel like this scene really ties into my last post, and what I discussed about the 104th’s judgmentalism towards Levi, and how quick they were to condemn him for the actions he took.  What strikes me during this scene from chapter 59 is how polar opposite Levi is in his own behavior from what the 104th’s was through chapter’s 57 and 58.  That is to say, Levi’s utter LACK of judgmentalism towards his squad.  This is one of the most remarkable things about Levi, and one of the traits that most highlights the actual goodness of his heart.  

We see both Armin and Jean struggling immensely here with what happened in the wagon with that MP, Armin with the terrible guilt and fear that he killed a good person, and Jean with the awful guilt that his own hesitation and lack of commitment endangered everyone’s lives, and put the responsibility of taking a life on Armin.  

What I find really interesting and telling about this scene is how Armin starts to voice his fear that the only reason he was able to kill the MP first was because she hesitated to kill Armin, but he can’t bring himself to ask the question to Jean, only imply it.  And Jean, for his part, isn’t able to confess that that’s EXACTLY what happened.  None of them want or are able in that moment to give life to their sense of guilt by admitting the truth of what happened.

And then... Levi steps in and does it for them.

He just flat out says the truth, where no one else was in that moment willing or able.  That Armin was able to get his shot off first because the MP hesitated, and by saying so, he essentially forces Armin and Jean to confront the reality of what’s happened, and what they’ve done, and to come to terms with it.  Levi then just flat out tells Armin that his hands are already dirty, and that there’s no going back to who he used to be, so he might as well just accept that this is who he is now.  We see Mikasa start to make a protest, again, but Levi cuts her off and keeps going, to tell Armin that, if he hadn’t acted as he did, WHEN he did, Jean would likely be dead, and he tells Armin that he saved them all by getting his hands dirty, telling him that he’s grateful to him for that.  Once again, we see Levi be the first and really only person there to express his gratitude and go out of his way to say thank you to one of his comrades for doing what needed to be done.  He knows that Armin’s actions came at a great cost to himself, and he acknowledges that by expressing his gratitude for Armin’s sacrifice, for helping all of them, and giving a part of himself up in the process.  This is exactly what Levi was trying to explain to them during the confrontation with Historia.  That even if it means taking on the burden of guilt, or self-hatred, or being made to look like villains, none of that matters in the face of the greater good .  Levi does the exact same thing with Jean, then, when Jean apologizes for judging Levi and his methods, and promising to not hesitate next time.  Levi, once more, is brutally honest with Jean, telling him that, yes, because he hesitated, he put all of them in danger.  Jean says he’s sorry, but then Levi tells him that what happened was “then and there” and “that’s it.”, before proceeding to tell him that he himself doesn’t know what’s right or wrong, and he wouldn’t try to tell Jean what is, that Jean may very well be right.  Jean shows shock at this, and Levi’s willingness to consider Jean’s side and his thinking, despite how it put them all into a precarious position.  

What gets me about this scene is how sharply it contrasts with the scene from chapter 57.  Levi is totally upfront with his squad, telling them what he thinks and feels to their faces, being completely honest, and forcing them to be honest too, even though the truth is painful and sometimes ugly.  He is, in turn, completely uncritical and non-judgmental towards Jean and Armin.  Rather then condemning them, or belittling them, he tries his very best to comfort them and encourage them, and make them understand that they have nothing to feel guilty over, nothing to beat themselves up for.  How, in fact, their actions were critical in aiding in all of their escapes.  All of this is in such sharp contrast to how all of them acted in chapter 57, where Jean, Connie, Mikasa and Sasha were all highly critical and judgmental toward Levi, and how they only voiced those critics among themselves, not having the guts to say any of it to Levi’s face, the way Levi tells them without hesitation exactly what he’s thinking.  This whole thing, I think, serves as a harsh lesson for the members of the 104th about the foolishness of being quick to judge and condemn without having a full grasp or understanding of the circumstances, the situation, or the person.  Jean expresses remorse at having so quickly dismissed Levi’s methods as wrong, and says he’s sorry.  But Levi doesn’t hold Jean’s own judgment of him against him, or tell him “apology accepted”, but rather tells Jean that he isn’t wrong to feel the way he did, basically telling Jean that it’s alright for him to think of killing as wrong, even still.  When he tells Jean that what happened was “then and there.  That’s it.”, he’s telling Jean that not all situations are the same, and that just because he made the wrong call in that particular circumstance, it doesn’t mean that a hesitation to kill in the future will be wrong.  Levi is showing such a deep level of understanding and consideration for Jean’s feelings in this scene, and it’s just truly remarkable to watch unfold, again, especially, in light of how quick his squad was to judge him not that long before.  We see Levi’s compassion for Jean’s feelings, and his consideration of his feelings here have an impact later on, between Jean and Marlowe, when Jean gives Marlowe a chance to prove his sincerity by not immediately killing him, even when he had the chance.  We see Jean finally having listened to Levi, having heard his words and understood what he meant.  That this situation was different from the one with the female MP in the wagon, that here, he WAS right to hesitate, here, he made the right choice.  Levi is always impressing onto those around him that they can only ever try and make the right choice in any, given situation, and that they can’t expect those choices to always be the same across the board.  That different circumstances call for different decisions, and there’s no point in beating yourself up or regretting those decisions that are made in the moment.  Levi never puts unrealistic expectations or pressure on anyone around him to be perfect.  He always tells them they’ve done a good job, just for trying.  And that is just so incredibly sweet, and kind, and once again, really exemplifies just who Levi really is.  Just that lack of judgment, that lack of condemnation, and the respect he shows to everyone by being HONEST with them, is amazing.

It’s interesting too, going through the rest of the chapter, and then chapter 60, when we see that Levi isn’t just some needlessly violent person that kills all the time.  He doesn’t kill a single MP when they ambush them at their base, nor does he kill Marlow and Hitch, or the commander they take from the Interior Squads HQ.  Once again, Levi’s squad gets another lesson in who Levi really is.  That he’ll kill when it’s necessary, when it’s the lives of him and his comrades on the line.  But when it’s a less dire situation, he doesn’t resort to it at all.  He isn’t like Kenny, for example, who kills even when he doesn’t need to.  

Another scene that really stood out to me in chapter 60, that I don’t think was animated, was when the commander they took from HQ tries to manipulate Levi into giving himself and the rest of his squad up, and tries to use Levi’s compassion against him, by telling him to save the lives of Erwin and his other comrades that have been arrested by giving up their own.  This reminded me heavily of when Zeke tries to escape from the forest by turning Levi’s comrades into Titans, believing Levi won’t be able to kill them and thus leading to his own death.  This kind of psychological deviousness, and attempts to use Levi’s compassion against him are particularly ugly, I think, particularly cruel and cynical.  Especially in contrast to Levi’s own honesty and bluntness.  Again, it only throws Levi’s own idealism and hopefulness into relief, seeing it clash up against the kind of psychologically manipulative games people like this MP and Zeke play at.

The way this commander of the interior MP’s tries to play head games with Levi by guilt tripping him, by claiming some of the people in HQ that they took down were only servants, and then implying that Levi doesn’t care about his comrades because he isn’t willing to turn himself and the other squad members in to save them is such an unkind thing to imply, because we know, and I think the MP knows, exactly just HOW much Levi cares about his comrades, and that’s why he tried this particular ploy.  There isn’t anything much worse than the type of person who would use another person’s kindness and compassion against them this way, and again, the same way we see Zeke use it against Levi in that forest.  And the same way we saw Levi’s pain and anguish in the forest when he realized what had happened, and what he would have to do, we see it too in the following panel here.  Levi has, once again , an anguished look on his face as he readily admits that some SC members lives are worth more than others, meaning of course Eren and Historia’s lives are more vital than any of their own in overthrowing the corrupt government, and he understands in that way that even if it means Erwin and the others dying, it’s a sacrifice they have to be willing to make.  You can see how these choices weigh down on Levi, how much it hurts him to have to make those choices, but tying back in to his earlier conversation with Armin and Jean, he has to be willing to make them in order to help the most people, and he never deludes himself about it.   Levi is about as straightforward as you can get, he doesn’t mince words or try to play games, and he doesn’t lie to himself about any of it.  

We get more of that honestly when he breaks the commanders arm and tells him straight that that was for refusing to answer his question.  

That kind of honestly, both about himself and others, is part of what makes Levi not only the most heroic character in SnK, but also, in many ways, the bravest.  

[kindahoping4forever]

Watch Me Bloom: A Few Hours Ago // Ashton Irwin

Here we are at the final installment! This section was honestly the driving force behind me deciding to write this whole thing - the night of the album release I was so inspired I told a handful of people about both this section and the fic as a whole, without knowing if I would ever follow through on it. I ended up writing it just to see if I could, unsure if I would even end up posting it. I’m glad I did and I hope you are too!

Thank you to everyone who has read and/or given feedback on the first two chapters - it really does mean a lot. Thank you to @ashtonangst for the real time reaction messages that are as equally entertaining as they are helpful. And like basically all of my work, this entire 10k+ monster of self-indulgence wouldn’t have been possible without the guidance, cheerleading and wisdom of @cal-puddies

Warnings: Boyfriend!Ash in fluffy, contemplative (and obviously smutty) situations. Weed smoking, oral sex performed on both a male and a female (perhaps simultaneously oop), unprotected sex within an established relationship

Word Count: 3534

Watch Me Bloom Masterlist

Masterlist // Taglist // Ko-Fi

Let  me  know  what  you  think!

You knew Ashton had been wanting to do something to commemorate the album release but you were still shocked to wake up to the sound of him hauling your suitcase out of the closet.

“Oh good, you’re up!” He giggles. “Think you can be ready to take off for a few days by the time I’m done with my interviews?”

You stare blankly at him for a moment or two and he offers another round of giggles before quickly explaining the arrangements he’d made for a desert retreat to thank everyone who helped him put his album together; he’s talking a mile a minute, describing the Airbnb he’d booked, the safety precautions he’d asked everyone to take, the plans he had for activities once everyone got there.

It’d be a lot to take in even if you hadn’t just woken up but you love when he’s excited like this, so animated and bright, you can practically feel the joy radiating from him. You promise to be ready after lunch and with a quick kiss, he’s rushing downstairs for a Zoom appointment.

The drive to Joshua Tree flies by, the two of you singing, chatting and generally thrilled to get out of town for the first time since lockdown started. Once you arrive at the rental, he practically yanks you out of the car to enthusiastically show you around the expansive property.

After briefly teasing him that of course he chose a getaway destination that offers a ‘hammock circle’ as an amenity, you wrap your arms around his waist and squeeze him tight. “It’s perfect, babe. I’m glad you’re gonna get a chance to unwind after all this, you deserve it.” You tilt up and he pecks your lips. “When do the others get here?” You ask, starting to pull him back towards the house.

Ash grins and pulls on your arm, bringing you back into him. “Friday.” For the second time today, you look at him in utter bafflement. He kisses your knuckles and earnestly explains, “I know I haven’t been very present for you and this whole thing couldn’t have been easy for you to deal with so I thought we could use a couple days together to kind of reset and reconnect.”

“Ash,” you pout, unsure of what to say. You’re overwhelmingly touched and all you can think to do is to throw your arms around his neck and hold him tight. He chuckles and wraps around you as well, the two of you swaying together for a moment.

The next couple hours are spent exploring the grounds, arranging for grocery delivery and unpacking your bags. After a quiet dinner, you follow him out to the patio to relax and enjoy the idyllic desert landscape. He pulls his long hair back into a bun as he settles in on a couch.

You get comfortable, sitting cross-legged next to him, while he unzips his backpack at the foot of the couch and retrieves a glass stash jar, a small grinder and a pack of rolling papers; he turns to you, raising his eyebrows and you nod enthusiastically.

He grabs the acoustic guitar sitting by the couch, flipping it over to lay in his lap as a makeshift table. You realize for a relaxing retreat, he hasn’t really sat still since you arrived and you decide to check in.

“So,” you start, squeezing his shoulder reassuringly. “Couple days from now, people everywhere are gonna get to enjoy all your hard work. Hear everything you poured yourself into. How are you feeling?”

Ashton is focused on grinding the weed and his reply is brief and distracted. "I feel good, I feel ready. Probably the best I’ve felt about a release."

You’re unsatisfied with his easy answer so you press further. “Why’s that? Because there’s less pressure without the label? Or because it all belongs to just you?” You twirl your finger in the curls at the base of his neck, the ones he missed scooping into his bun.

He pauses, contemplating this time. “I mean, all of that feels great but I think I’m really just pleased with it because it was made with pure artistic intent… like, I’m not gonna gain anything from this. I didn’t have to make it but I needed to, you know?” He looks over at you expectantly to see if his point was made.

You nod and smile softly at him. Happy to be understood, he turns back to his task. You watch intently as he sprinkles the weed onto the paper, brow furrowing as he meticulously loads it with just the right amount. You always love watching him work and this was no different.

"I get what you're saying, babe… and I’m happy you’re feeling good about it,” you beam. “I’m so proud of you, Ash.”

He looks over and shoots you a toothy grin. You intended to continue, to keep him talking but you've become distracted by the way his long fingers look as he rolls the newly forming joint back and forth between them. When his tongue darts out to drag across the paper to seal it, you find yourself biting your lip, fascinated.

His voice interrupts your enraptured silence. “We can talk about something else if you want, you’ve been hearing about this non-stop for months now," he laughs, feeling around his pockets for a lighter.

“I like hearing your thoughts on things you’re passionate about,” you shrug, handing him the lighter off the coffee table. "Plus, it’s the reason why we’re here.”

Ash shakes his head as he turns the stick over the lighter's flame. “No, the album is the reason why everyone else is going to be here,” he insists. “The reason we’re here is different.” He lifts the lit joint to his mouth and takes a long drag.

“Right. Reconnecting. Resetting,” you parrot his earlier words breezily, watching the smoke pour from his mouth.

He scowls at your tone of voice. “I’m serious,” he says firmly, passing it to you. “This year has obviously been a lot but you really got the short end of the stick, having to deal with me.”

You look at him, puzzled. “I honestly don’t know what you’re talking about,” you comment, taking a couple hits. “Parts of the year have been good, parts have been shit but the silver lining to it all is that I’ve gotten to spend so much of it with you.”

He reaches over and rubs your thigh. “I invited you to live with me for the lockdown and then barricaded myself in a studio all day everyday. Going to bed by yourself every night, waking up alone, seeing me at meals only if Matt forced me to take a break that day. And you also had to put up with me during the CALM disaster and the tour getting cancelled… it’s been me, me, me. All the time,” he points out.

“Oh, you don’t think I’m used to that by now?” You joke, giggling at his mock-offended gasp. He lightly smacks your thigh in protest and snatches the joint back. “Seriously, babe. I didn’t put up with those things, I went through them with you. It’s hard for me to see you frustrated or upset about situations that can’t be changed. When you’re disappointed, I’m disappointed. So to see you be so excited about something? Your joy brings me joy. I wouldn’t trade that for all the late night cuddles in the world.”

“Baby,” he breathes quietly, pulling you in to rest at his side. You’re both quiet for a few moments, thinking about each other’s words, feeling each other’s presence. “I hope you know how sincerely I mean it when I say I would not have been able to do this without you. This album belongs to you too.”

“Oh yeah?” You look up at him with a twinkle in your eye. “So what’s my percentage, how much of a cut am I getting, Mr. Label Man?” You laugh at your joke, pulling from the joint he’s just handed back to you.

Ashton laughs heartily and scoffs, “Why do you think I started growing my own vegetables? We’re fuckin’ broke now, sweetheart.” He giggles as if it’s the funniest thing he’s ever said.

“Well, you’re broke and out of work, I am currently still employed,” you playfully boast, gesturing with the cigarette for emphasis.

“Ohhh, that’s how it’s gonna be now?” He jabs over and over at your side and you dramatically yelp. “Do I gotta start calling you ‘Daddy’ now?”

You offer him a devilish smile and carefully get on your knees to straddle him. “Do you prefer the term ‘sugar baby’ or ‘kept man’?” You tease, placing the joint in his mouth before he can reply.

He runs his hands over your ass while he puffs away; holding the hit in his mouth, he moves a hand up to guide your face towards his. He presses his lips against yours and you open your mouth, allowing the smoke to transfer from his mouth to yours. You grind in his lap a little and he groans as he watches you tilt your head back and slowly let the smoke trickle out of your mouth.

After a few more shotguns back and forth, Ash quickly sets what’s left in the ashtray on the coffee table and buries his hands in your hair, crashing his lips into yours. You moan as he kisses you with an almost unreal intensity; his tongue feels like it’s melting into yours, his lips have never tasted softer or sweeter. His hands have slipped under the back of your shirt and his fingers are either icy cold or burning hot - you’re undecided but it feels incredible - as they trace tantalizing designs on your skin.

You’re not sure how long you’ve been making out - it could’ve been 10 minutes, it could’ve been 40 - when he states in a gravelly voice, “We need to get you inside and naked for me.”

You reply with a pleased sigh and attach your lips to his jaw, just below his ear; your face bumping against the coolness of his earring both distracts and delights you. You don’t realize you’ve been rocking relentlessly against his growing hardness until he firmly grabs your hips and rasps your name as a stern warning.

He lifts you off his lap and stands up from the couch. You don’t know whether to laugh or moan at the spectacle: eyes glassy from both arousal and blazing, lips swollen from slotting with yours, skin littered with your bitemarks. His hair is pulled halfway out of the bun, his shirt is unbuttoned all the way and the silk pants he’s wearing aren’t even trying to hide the tent that’s formed in them.

He pulls you up from the couch and right back onto his lips; you stand there on the patio for several more minutes, slightly swaying as you devour each other. You can’t remember the last time you felt this hungry for him; smoking together usually gets you both hot but this is next level.

By the time you finally pull away and breathlessly declare, “God, I swear I could fuckin’ cum like this right here,” he's got you down to your bra and panties and you’ve got one hand in his hair and one down his pants.

He nips at your neck a bit longer before separating from you and turning you towards the house. “Bed,” he commands, starting to gather up his things. You continue to linger and he swats at your ass to get you moving.

You set the mood when you get to the bedroom: opening the windows to bring in the cool night air, dimming the lamps, lighting some candles. You know he brought incense but you’re not sure where he unpacked it. Ashton slinks up behind you while you’re digging through a drawer and wraps himself around you.

“Why. Aren’t. You. Naked. Yet.” He complains, leaving wet kisses across your neck. You shiver as his fingers trail down your back before unhooking your bra and pushing it down your arms. You giggle as he tugs your panties down your legs right where you stand.

You step out of the underwear and let the bra fall from your arms, turning to him completely bare. “Your turn,” you lilt, lightly backing him up towards the bed, incense quest long forgotten. You laugh at how quickly he whips off his shirt before he lets himself fall onto his back on the mattress. You crawl next to him and as soon as you’re near enough, his hands are instantly playing with your tits; you take his pants down, licking your lips as his hard cock springs up against his stomach with a satisfying smack.

You stroke it where it lays, using just your thumb and index finger, finding yourself hypnotized as you watch your hand move, hear his breath get heavier, watch the first drops of precum appear at the head. His hand has made its way between your spread knees and he lazily drags his fingers through your folds, occasionally tapping against your clit; he’s barely using any pressure but in this moment, it feels incredible and you rock against him.

After a few minutes of mindlessly playing with each other, he reaches for your arm and gently pulls, wanting you to come closer to him; you lean in and even with his eyes half-closed, you note the fondness swimming in them. He cups your face with his hands and murmurs, “Love you,” just before he presses your lips to his. The noise of your sloppy kisses sounds almost musical to your stoned mind.

Ash moves his hand back to your center as you lean to peck down his chest, relishing the feeling of his skin shivering underneath you as you move down his torso. Again, you leave his cock on his stomach, giving the shaft a few sloppy kisses before taking his balls in your mouth.

“Baby… here,” he breathily directs you, gesturing for you to lay on your side while he turns onto his. He lifts your outer leg and rests his head on your other one; he sets your leg back down on the bed, bent at the knee, effectively creating a triangle of space allowing him access to your pussy. He moves closer and licks a stripe through your wetness to test, the resulting moan from you letting him know he’s spot on with his positioning.

You scoot closer to his crotch, reaching for his cock that’s now facing you, giving it a few strokes before guiding it to your mouth. You’re now deep in your weed and lust fueled haze so it takes you a few moments to wrap your head around giving a blowjob at this angle. The work he’s doing between your legs isn’t doing your concentration any favors so you buy yourself some time and stick your tongue out, tapping his cock on it before kitten licking over the head; you suckle at the tip while your fingers tease his shaft and you moan when you taste precum.

Ashton’s tongue darts in and out of your folds and he thinks to himself he should tell you that you’ve never tasted better but decides not to because he doesn’t want you off his mouth for even a second. He teases the tip of his tongue at your entrance and the way you jerk against him leaves him groaning; the vibration against you feels like tiny electric sparks shooting through your pussy.

You grip his ass, using it for leverage as you start to bob your head up and down on his cock; you move cautiously at first, still trying to navigate the position, but as you continue taking him, you realize how much you’re enjoying the slow pace. You swirl your tongue around him as you move, your heightened state making you appreciate every detail: the weight of him, the details of the veins and ridges on his skin.

You pull off with a pop and rub the tip over your lips before doing the same down his shaft; when you come back up, your tongue’s attention focuses on fluttering around the underside of the head. You feel Ash pull away from you and hear a “Just like that, baby,” muffled against your thigh as you take him down again.

He collects himself and dives back in, promptly sucking your clit between his lips. You whimper around his cock a few times before you have to let him slip out. Your brain tells you that you should let him know you’re getting close but your senses are so overwhelmed, you can’t find the words.

Ash knows your body and even his foggy mind can read the signs that you’re nearly there. He wraps his arm around your hip, trying to steady your unruly movements as he slows his work on your clit, edging you slightly.

You whine his name and even your own ears are surprised by how needy it sounds. You try to resume sucking him but your pleasure center feels like it’s in overdrive and you can’t make yourself focus. You rock your hips against his mouth, breathlessly conceding, “Gotta cum, babe… oh god, Ash, please."

His fingers dig into your thigh as he holds on while you writhe against him; his tongue ramps up on your clit, skillfully fluttering back and forth with voracity. Your legs shake around his head and your breath comes out in labored gasps as you climax; your pre-existing high melts into your orgasmic high and you lose yourself in it, unable to believe how many waves of sensation you’re feeling.

He licks at you until your tremors stop and then he’s carefully untangling himself and turning around so he can lay facing you. Your eyes flutter open when you feel him stroking your hair and you giggle at how adorably sinful he looks: curls askew, goofy yet lusty smile curling at his lips, face damp and shiny from your release.

You give him a soft kiss and then in what feels like one swift motion, you push him onto his back, lay yourself on top of him and slip him inside you. You unhurriedly move yourself on him, chest pressed against his, alternately pecking at or mumbling sweet nothings into his skin.

Ashton pulls you into a deep kiss and hugs you tightly to him, arms wrapping around you. He runs his hands over any skin he can reach, taking advantage of your closeness to create a tactile heaven for himself. He wonders if your pussy has ever felt so tight or warm around him; as if you can read his mind, you clench and he groans loud and long, hands moving to your ass.

His large hands grip your cheeks and you rhythmically rock against him as he lazily fucks up into you. The two of you murmur and moan at each other, neither of you particularly trying to express anything other than the total pleasure you’re feeling. Finally, his noises take on a different, more urgent tone, his hips begin to stutter and he whines your name as he cums inside you.

You lay in silence for what feels like hours but in reality can’t be more than a minute. He kisses the top of your head and carefully moves you to the side of him; he reaches over to the bedside table for some tissues and you watch reverently as he cleans the both of you up.

“I fucking love you,” you dreamily state, unprompted.

He giggles blissfully at your outburst as he settles back on the bed, opting to lay perpendicular, resting his head on your stomach. “Well, I fucking love you,” he beams, closing his eyes as you finger brush his hair. “You know, this is exactly what I pictured when I planned this whole thing.”

“The trip or the album?” You joke, stifling a laugh. “You know you didn’t have to make a whole ass album if you wanted to take me to the desert for a nice stone and bone, you could’ve just asked.”

Ash snorts and sits up to blow a raspberry on your bare skin. “You know what I meant.”

“Yeahhhh, I guess,” you tease. There’s a long silence before you muse, “I feel incredibly lucky to be with you during all this.”

“The trip or the album?” He laughs hard at his quip, crawling up your body once he sees the amused pout on your face. “Aww, baby, I’m the lucky one. Thank you for being here with me. For everything this year, not just the stuff worth celebrating.”

You offer a satisfied hum as he kisses you sweetly. He pulls back and raises an eyebrow to ask, “Have I made up for all those nights you were sleepin’ on the couch yet?”

"God… my back hurts just thinking about it,” you exaggeratedly grumble. He pokes at you and you snuggle into him. "Maybe you should light up the rest of that joint and persuade me a little more."

Ashton looks at you, eyes gleaming with admiration and amusement. "Deal."

————-

Taglist issues again so my apologies if you get notif’d more than once (or not at all)

@mymindwide @suchalonelysunflower​ @pxrxmoore @loveroflrh @ghostofmashton @sexgodashton @feliznavidaddycal  

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@photochic18  @kouska901 @Indermeow

[afeatherinthewind]

Reminder that there is a separation between content creators' public personas and their real selves (from u/berkeleynoob)

((This is not my post, it is originally from reddit u/berkeleynoob but I got permission to repost as I know a lot of younger Dream SMP fans are on Tumblr and Twitter)) --- This was originally a comment I made on another post, but two people pm-ed me and told me it would be a good standalone post so I decided to expand on it a little. Given the amount of new (young) fans there are, I thought it might be a timely reminder.

The different levels of personas:

I'm using Tommy as an example here because that was what the original post I responded to was about. There are at least three levels to Tommy (and probably most content creators in the DSMP as well). There's c!Tommy, the character he plays on the Dream SMP. Then there's the public TommyInnit profile that he portrays on Youtube and social media (e.g. Twitter). Then there's the real Tommy, who we as the audience obviously aren't privy to see.

I think most fans are fairly clear that c!Tommy is very different from the real Tommy, and criticism/negative comments about the character are very separate from their opinions about the real Tommy. But I've heard less about differentiating Tommy from the TommyInnit persona that he portrays.

Criticism towards the persona vs towards the person:

There's a reason why Tommy starts every Youtube video with a disclaimer about people finding him annoying. The TommyInnit persona is a fairly polarising one, and I too found it somewhat grating when I first watched him. Even now I take my TommyInnit content with breaks because it can be a bit much after a while. But clearly Tommy knows his audience very well and he knows that the TommyInnit persona appeals to a great deal of people, as evidenced by how he's one of the fastest growing Youtube/Twitch creators and his fanbase is huge.

I think it's valid to have criticism for or to dislike the TommyInnit persona. It's not for everyone, and some people probably do find it annoying. But I don't think any of the audience has any basis upon which to judge the real Tommy since we know so little about him. The closest we got was probably the Eboys podcast, in which Tommy impressed me with his maturity and humility for a 16-year-old kid who skyrocketed in fame less than a year. Even when Techno was complaining to Phil (on stream) about how exhausting it was to stream with c!Tommy, he added something like, "and I mean the character Tommy, because believe it or not, Tommy is a entirely different person off-stream". I've heard nothing about great things about how Tommy is off-stream and there's no doubt he's an incredibly hardworking person.

So even though I don't love c!Tommy and the TommyInnit persona can get a bit much for me sometimes, I have nothing but respect for Tommy the person and how much he's achieved.

This goes for just about every content creator out there. Despite how much of their content you may watch and how well you think you know them, that is still their public persona, not who they really are in normal life. It's valid to pass judgement and have criticism for the personas they portray and how they portray it, but it's unfair to use the personas themselves (e.g. "oh Wilbur was mean to Tommy in non-roleplay video", or "Bad swore in this video so he's a hypocrite") to pass judgement on them as people. As fans and audience members, I think we have to accept that we may never really know much about who they are as real people, and that's fine.

The other side: Why being overly attached to the persona is bad

I'm probably older than a lot of the fans here, and I've been in and out of fandom for over 10 years now. I've lived through the terrible days when fandom was all about LiveJournal, ONTD and Tumblr ("I like your shoelaces"). So I know how easy it can be to get sucked into obsessive fandom and become overly attached to actors/singers/content creators. Here's a cautionary tale to show why you shouldn't make the mistake of thinking you know the content creator just because you're a superfan.

I used to be very involved in the Achievement Hunter (a group of Let's Players) community, I watched them since I was in high school and I enjoyed their content a lot. Roleplay wasn't really a thing and they did a lot of behind-the-scenes type of content (e.g. podcasts, recording random shenanigans in the office) that made it feel like I really knew and liked them as people.

One of my favorites was Ryan Haywood. He was a witty, sarcastic guy who was known as the 'madman' and 'evil mastermind' in the video games they played. He was happily married and had two children at home, and for many years I admired his perfect life and how he had gotten to that position: playing video games for a living and enjoying life with his family.

In 2020, it was revealed that Ryan had been having affairs with several female fans. He had messaged many young fans manipulative and explicit messages and even met up and had sexual relations with some of them. Some of the fans who came out and told their stories testified that they were underage when the affair happened, and they felt pressured into having relations with Ryan. There are a lot of other complicated details that I won't go into here. But this news shocked me and many fans to our core. I didn't want to believe it at first. This was so utterly different to the Ryan Haywood I thought I knew and loved.

TL;DR

That was an extreme example but it's a reminder that we are fans and audience members. We don't know the content creators, regardless of how personable they may be or how much of their life they choose to share with us. Especially for younger fans who may be delving headfirst into a fandom for the first time, it's a wild and fun ride and it's easy to get overly attached or obsessed.

Please use this as a reminder to take a step back and remember that there is a very real wall of separation between TommyInnit and Tommy, between Wilbur Soot and Will, between Tubbo and Toby, between any content creator's public persona and their real self. And similarly, there should be separation between what you feel about a content creator's public persona and the content creator themselves. We know their personas, not them. And that's fine.

[hazzabeeforlou]

Walls Masterpost

It’s the 28th of pride month, and fitting to post this now. The soul of Walls is the unabashed, fierce, tender, and brave love of a man who has shown for years that he is proud. This album isn’t a cohesive story line, nor do I think it’s even the album Louis envisioned himself putting out. He only flirts with true indie music like that of his idols; Always You is a pop masterpiece, TOU is a ballad, and Perfect Now a love song in the style of Little Things. The album is a collection of letters each addressed to a singular recipient, personal, self-searching, blunt, too vulnerable to be easy listening (if you really listen). Walls shows us the scope of Louis’ capacity for love. It’s the culmination of years of pain, heartbreak, and hope, written with the raw honestly of an archeologist stumbling upon his own personal memoirs. 

Please feel free to ask questions if any of the technical stuff is confusing, and remember these are my interpretations as a classically trained musician. I will use the name “Subject” for the implied “you” in each of Louis’ songs. 

Kill My Mind: in F minor. The verses are i VII IV, the tiny bridge IV III I (?), and the chorus is VII IV I, repeat. 

There are two oddities about this. First, in a natural minor key, the forth chord is minor (iv) but Louis keeps this B flat chord in major, changing the D flat to a D natural. Secondly, in the chorus, Louis changes from using a minor one chord to a major one. He raises the A flat to an A natural as he sings “Raise my body [A natural here] back to life.” This bit of text painting not only illustrates his words, but lends the song an off kilter feel, confusing the key signature between F minor and B flat Major (which has an A and D natural). 

Kill My Mind is Louis’ only ‘drugs’ song on the album, and I say that both because the metaphor is obvious and because he uses that obvious metaphor to compare addiction to a relationship. It reminds me, lyrically, of Back To You, and, like that song, could easily be interpreted as about a controlling force in his life on whom he’s become dependent, or a lover. 

Don’t Let It Break Your Heart: this is easily in the key of B flat Major. The verses are I IV vi 6/4 V 6/4, the bridge vi vi V IV vi V, the chorus same as the verses, I IV vi 6/4 V 6/4. 

This is Louis’ most hopeful track, and is so clearly about grief. Much has been made of the first line “on our way to twenty seven” being a reference to the 27 Club, a cultural phenomenon of icons/musicians/artists that die at that age due to fame/high risk lifestyle, but Louis then says they’re “doing better,” implying that both he and Subject are in this category. The rest of the song is him counseling and comforting Subject, empathizing with the hurt of loss, encouraging Subject, “Don’t let it kill you even when it hurts like hell.” He knows this pain, knows it deep, and knows that it takes time to heal. 

Two Of Us: IV I V iv V IV I V vi V. This progression is the same for both verses and chorus. The bridge is a bit hard to decipher as it moves in 3rds and not triads, something like IV V vi V vi V. 

Not much needs to be said about this song. It’s Louis’ beautiful ode to his mom, and he sings it with incredible vulnerability and heart. 

We Made It: this is the revolving door song. One progression is used, IV I V iii, and repeats from start to finish. It keeps reminding me of Coldplay. 

What’s interesting is that each chord functions as the subdominant or leading chord of the next, basically spinning us ever forwards so we never stop on a tonic home base. The E flat IV chord leads to the B flat I, the B flat I then functions as a IV chord to the V chord (F Major), then the D minor III chord functions as a major VII leading to a I of E flat (the beginning IV chord we started with in B flat Major) and the cycle repeats. 

Louis leaked part of this song several years ago, and a line about moonlight replaced the “met you at your uni” section, interestingly. “Playing something pop’y on the same four chords, used to worry bout it but I don’t no more.” Young love. He remembers how it tasted. Subject was high on what? Adrenaline? Orgasm? It’s a tender reminiscence with a hint of tragedy, “don’t know why they put this all on us when were so young.”  

Too Young: in E Major, the verses and chorus are IV I V vi (the vi is omitted at the cadences), the bridge is vi I V IV I V. 

Louis is once again looking back, regretful. Louis doesn’t speak in metaphors, the lyrics are to the point and precise. He’s hurt Subject, he’s given in to pressures, he’s cut subject off... the “2 years since I’ve seen your face” of course doesn’t fit the chronology of the album, but rather of his public life, as does the previous song’s line of “met you at your uni.” It’s interesting, then, that while Louis takes the blame for so much, he still says ‘we were too young’ and not ‘I was too young,’ implying that Subject was at least partly to blame for the hurt too, if only by fault of immaturity. 

Walls: This is in B Major. The chord progression for verses is

 vi I vi I, V [V7 with the melody note on the E natural] IV V V7 II IV i6 (passing chord)

chorus, IV I V I6, IV I V III6 vi V II6 Vi ii I (IV I passing chords) 

bridge, IV vi V, IV vi V, Vi vi III6 vi V II (this holds over til chorus) 

This is Louis’ tour de force. Walls is as complex as it is beautiful. His use of Major II chords, altered from a normal ii chord in Major key signatures, and his use of a Major III chord (which, again, is minor in Major key signatures) adds an unconventional twist. The opening and closing lyrics, “nothing wakes you up like waking up alone,” are set against a sparse vi I; but you see the vi chord doesn’t normally go to I, usually ii, IV, and V have that role, so by using a vi to I Louis is showing us the tonic alone, nothing ‘surrounding’ it. This song is so complex and layered, and I would argue it’s the one song besides OTB that is ripe for poetic interpretation; on first glance the lyrics seem so obvious, but there’s the music video to consider, the metaphor of him being left alone, high on a wall that has not fallen down, a blank name tag on his chest. The door opening to a desert on one side and a bullseye masquerade on the other has no happy implications, yet Louis has become a man through it all, he says, and he has no regrets about letting his walls crumble for love, damn the consequences he’s suffered. 

Habit: in G Major, the verses are I ii IV I, the bridge vi V IV I vi V IV ii7, the chorus I ii IV (vi V added when leading to next verse). Interestingly, in the verse that says “come so far from Princess Park,” the repeated line “in front of me, in front of me” adds two chords to the verse, between the IV and I, a vi and V. 

Like in too young, this is an apology, and Louis lays out his sins plainly. And while it’s unequivocal, we can see the extenuating circumstances: “took some time ‘cause I ran out of energy playing someone I heard I’m supposed to be.” There is no more damning line of lyrics. Louis has been exhausted holding some line, an invisible current through his music that he never truly addresses, yet always its there, a background character, a force of cruel divinity. “Don’t know why they put this all on us when were so young.” “I’m too far gone to pray.” 

Always You: This song could conquer radio in half a heartbeat, given a chance. It’s in E Major, verses are I vi IV, chorus is I vi IV, the same. 

This is world tour of missing Subject, this is Miss You but rephrased, reworked, gone from punk to pop princess. We have Amsterdam, Tokyo, LAX, Heathrow, which speak for themselves. “My baby,” Louis quotes over and over. He’s been “chasing a high,” and I’m reminded of the high in We Made It, “baby you were still high.” Orgasm? Adrenaline? Love? 

Fearless: A minor. Verses, i VII VI (added VI VII when leading back to verse), bridge is i V VI (III VII passing chords can be heard) i V VI VII

Now the very short chorus (”fearless, fearless,”) is, if we stick to A minor, III, III4/2, i, VI. I think, however, that at this point the piece modulates, going from A minor to C Major, (A minor is the relative minor of C Major, which means that the two keys share a key signature and can go into and out of each other easily) making the progressions I I4/2 (4/2 is an inversion of a 7th chord) vi IV. Now to add complexity on top of that, having a I7 chord is incredibly unusual, so I wouldn’t label it that, I would label it a V4/2 of IV, meaning that C7 chord functions as a cadential chord leading to F, or the IV chord, of C Major. This is all rather complicated, but knowing how it was constructed shows the song’s complexity. The final “fearless, fearless” progression then is: I, V4/2 of IV, vi, VI. 

In this song I believe Louis’ Subject is himself. it’s a song about fame and anxiety and the lost innocence (and gutsiness) of youth. It’s a brutal song that I doubt Louis would write to anyone besides himself given how he focuses solely on his own faults and doesn’t lay anything at the feet of his other Subjects. The laughing children heard fist and last are a cutting effect. 

Perfect Now: D Major. Verses, I I7 [again this is technically a V7 of IV, and functions as that since it leads to IV] IV6/4 iv6/4

bridge, iii vi ii vi

chorus, IV V I IV V I, IV V I IV I

second bridge, V vi IV I, V vi IV vi (then to chorus) 

This is a strange little song, perhaps its most unusual quirk being the switch from a Major IV chord to a minor iv chord in the verse. The Subject in this song loves to dance, and I’m reminded of KMM. Subject isn’t just not feeling pretty, they’re depressed, they are reticent to be looked upon (”don’t hide away”) they are a crown-less queen, and tears are the norm. Subject has a platform - everyone is looking at them - and is a scene stealer, charismatic without trying. I’ve attempted and failed to understand this song in any way other than that Subject is dealing with dysphoria, and that this is Louis’ ode to their perfection, an affirmation of an identity that perhaps can only be realized in private. It is in this interpretation that the Major to minor flip of the 4 chord makes me absolutely crumble into pieces. 

Defenceless: C flat Major (a most unusual key for a pop song). Verses are I V6 vi IV, bridge IV vi I V, chorus is IV vi I V (the falsetto second bridge is the same) 

Defenceless is Louis at his most honest. Who writes these lyrics in a pop song? “You don’t have to keep on being strong for me and you,” “just want to be loved by you,” “you don’t have a thing to prove,” “I’m too tired to be tough,” “Wish I didn’t need so much of you.” A moth to a flame is different from a moth to a light; immolation is a theme in love stories. This is too honest for a love song, and it feels intrusive just to listen. Louis has a deep love for Subject, an abiding care and need for them. 

Only The Brave: E flat Major. Verse, I (IV I) IV I, I (IV I) IV I

Chorus is vi V IV I [ii iii IV V OR IV V IV V, I can’t determine because of the movement in 3rds] I 

This song. I can only compare it to when I used to cry when I’d see speeches about gay love; I never understood why, but I just knew, in my heart, before my brain had figured it out yet, that I was the same. This song is that. It is so intrinsically gay, the metaphors are woven in every word, every nuance. Burn history, break rules, cry like a fool, close enough to touch... the church of burnt romances. “I’m too far gone to pray.” Love is only for the brave. Of course it takes a great deal of bravery to love anything completely, to face the prospect of loss knowing how that love will rip you apart. And in the end, some might say from the cradle to the grave you are ultimately alone. Yet Louis knows better than any that those you love are always with you, “even when I’m on my own, I know I won’t be alone.” I believe this song is Louis’ concluding thesis to an album filled to the brim with anecdotes of his own love, a gift to us speaking of the commonality he shares with the wider community, a history of brave love, of loneliness, of too many dying stars in the sky. The tall tales, only hello hello, no goodbye; we don’t focus on the goodbyes. We tell our stories with happy endings, but love, sometimes it doesn’t have those, for some of us it’s a solo song. 

Louis Tomlinson, I’m sure there’s not a chance in a million you’ll ever read this but, if you do, I see you, we see you. You are so loved. Thank you for this album, thank you for giving us this gift of love. Continue your artistic journey and follow your heart. We’ll be here, because for us, it’s Always You. 

[itsonlystrange]

It’s late and I feel like talking about ST characters trauma

I feel like most people only focus on Will’s or El’s (which both are very valid ! ) but I think we both need to remember that:

1: characters exist outside of their trauma. If you believe that all a single character is is their trauma, and that they deserve no further character depth, you’re psycho

And 2: all characters in this fking show are traumatized. All. Of. Them. At this rate, I think Lucas is the most unscathed mentally, yet he ALSO has so much trauma! Which nobody ever talks about!

I love Will and El, however I feel like other characters (especially the females) deserve more expansion on the sh!t they’ve been through.

I WANT TO ALSO SAY:

This isn’t me narrowing down characters with the “most trauma” as I simply cannot put every character in this post and go on a full analysis rn as its 4:00 am. And also, trauma isn’t a competition. I am sick of people saying “so and so is more traumatized than so and so.” Or “so and so is the most/less traumatized.”

All trauma is valid.

People will trauma of any kind know that it doesn’t matter if someone lost 2 legs and half their brain, but you only broke your foot. That’s still gonna be painful! Mentally and physically! It isn’t a race. I don’t want to see ANY of that anymore. It’s disgusting and undermining other characters traumas to benefit others. All characters trauma is V A L I D. It all is! There is no “well so and so is the most traumatized so the others don’t get to complain.” NO! NO NO NO! That’s not how it works! This isn’t a game!! And don’t ever feel bad about not having gone through as much as your friend, your trauma is yours and all experiences are valid.

ALSO REMINDER: characters exist outside of their trauma and ab*se and I know that! This isn’t me belittling or shrinking down people to only a component to their trauma. It’s me pointing out their trauma rather than having their trauma he their whole character. I just think we need more people to talk about other ST characters, especially right now.

Now, without further a do:

MAX:

Max’s dad left fairly early on from what we’ve seen, however she still had some contact with him for at least a few more years as she seems to remember him and miss him quite a lot. We don’t know much about Mr. Mayfield, but we do know Max mises him a great deal. We also know that she has most likely witnessed a lot of physical and verbal ab*se from her stepfather. It’s never stated if Max is a handle to this ab*se either, but she’s definitely witnessed it. Which is why I believe she pushes people away, she’s afraid to get latched on. Because If she does she’ll start to care, and then they’ll just leave like almost everyone else, like her old friends and her father. She puts up walls and feign strength and a somewhat high ego to keep up the hallucination that she doesn’t care about what others think, when she really does. Not to mention she literally witnessed Billy die right before her eyes. Do you know how traumatizing that is? She’s also seen multiple others die aswell, making it worse. Now with Billy gone, Max will most likely be the center of Neil’s ab*se, and Will distance herself from everyone, and will probably spiral into a severe depression. She acts all tough on the outside when in reality she just wants to be loved and accepted, by her friends and family. She gets critiqued quite a lot, especially for being a girl, and you can tell she definitely has gotten the short end of the stick most her life.

KALI:

Do I even need to explain this one? She was literally ABDUCTED AS A CHILD, then adopted, then her adoptive family DITCHED HER, she was forced to see others get hurt or to hurt others for experiments, she’s seen multiple people d!e, and she feels like the only way for life to get better is by k!lling people. Although she’ll never show it, she feels so alone in the world. With no real family, and only her friends, she has nobody to turn to. Kali was so hated upon, which in a way, I understand. I don’t entirely agree with her morally but I do see where her intentions lay and I don’t think she’s as bad as a person as everyone says she is. She’s just a broken girl that deserves to be loved. And she’s so distant from love because she’s afraid of getting hurt. But she deserves happiness, and I wish the Duffers would allow her that happiness, too.

JOYCE:

Nobody EVER talks about Joyce’s trauma as much as they talk about Will’s or El’s (which I’m not invalidating either of theirs I’m just pointing out Joyce’s)

Joyce is said to deal with frequent panic attacks and anxiety. She was verbally and probably physically ab*see by her husband leaving her with severe trust issues. For awhile the whole town thought she was crazy, and we’ve seen her be treated like an outcast. She doesn’t fit in. Back in the 80’s, single moms were looke down upon. Will is constantly referred to as “Lonnie’s Boy”, because that’s what people see him as, even when Lonnie ditched Will and hurt him more than Joyce ever could. Joyce works/worked multiple jobs, and had to keep up her family of two boys. It got so bad even Jonathan had to get one or two jobs just to keep a roof over their heads.

Joyce really deserves happiness. She’s always alert now and her anxiety has only gotten worse. She’s constantly looking for things that aren’t there and although she may have been right about the magnets, it’s worrying that she saw a pattern there, anyways. Her life has given her the short end of the stick multiple times. She’s seen multiple people d!e, her son get possessed, her son get exorcised and be in so much pain, the love of her life (Bob) die right in front of her, the other love of her life (Hopper) die right infront of her, she’s been losing herself since season one, and knowing it’ll only get worse in season 4 scares me so much. She deserves to settle down and find a happy family. She deserves love and support and therapy. And she deserves support system that will listen to her and be there for her. Joyce is so strong in so many ways, she has always percerviered through the thick and thin, and life has ever gone in her direction yet she stays there, for her boys, and doesn’t give up. She is so kind and loyal, she took El under her wing, she was there countless nights when Lonnie was screaming, protecting Will. She was there, staying up all night to make sure Will went to bed safely. She worked two jobs and has tried to get enough money for Jonathan to go to college, and yet life has never given her anything back. This woman has been through hell, she deserves to be loved with no consequences. She deserves to be happy without it backfiring. Joyce is such a dimensional character. She’s had her ups and downs, and she’s somehow always found ways to keep on pushing forward past where most people would break. THATS Queen shit

NANCY:

Now, it looks like Nancy had a fairly peaceful upbringing. While I don’t think she has as much trauma as Mike, I feel like a lot of people over look her and her existence and immediately write her off as “selfish” or a “brat”. And while I do agree that she does have some selfish or self centered moments, she’s always grown from those. Character development, people!

Nancy, the oldest of 3, definitely got the most love from her mother. I don’t think her home life has ever been bad. Although Karen and Ted aren’t the perfect happy couple, they don’t seem to fight much, and they seem pretty peaceful. So I don’t think Nancy’s home life is bad necessarily, and from the outside it could almost be described as “perfect”.

However, there is so much beneath that.

Nancy was stuck in a loveless relationship for about a year. She did the best she could at school to fit in or “be popular”. She wanted to stay with Steve because that seemed like the most logical option. He was popular, rich, he’d be the perfect guy to settle down with. But her heart was telling her to go else where. Jonathan was poor, unpopular, and isn’t necessarily the perfect guy to settle down with financially. Her parents put pressure on her to be the perfect housewife (more so her dad, I don’t think karen did as much.) so when Nancy falls for someone the exact opposite of what she should be going for, she’s in denial. She’s torn between the two. She had a perfect life ahead of her. Great friends, popularity, a loving boyfriend, but she didn’t want that. She didn’t want to settle down and living a boring life just like her parents.

Besides all that, she’s been pulled into an alternate dimension, she’s seen multiple people d!e, she’s nearly been k!led MULTIPLE times. She’s had to k!ll people for her own safety. She’s had to watch her boyfriends brother get excorcised, and also stab her boyfriends brother with a flaming hot rod. She’s had to live with the guilt of Barbara, her best friend, dying while she was sleeping with Steve. She feels so much guilt, survivors guilt, for not doing anything that night. She’s had to live with the fact that her bestfriend since she was little passed on right outside where Nancy was, and Nancy could’ve done something about it, which is the worse part. She’s been harassed by misogynistic coworkers for the fact that she’s a female, lowering her self esteem. And it seems that whenever she does something good in the world it always backfires. She feels like an outcast even though she has so many “friends”, or so it seems. She has the perfect house at the end of a culdesac. What can she possibly be sad over? Her life seems seamless. Yet there is a lot buried under there. She seems like she’s in denial over a lot of things, and constantly in a stage of grief. Nancy deserves to not feel ridiculed. She deserves to be a winner, and to prove those misogynistic @ssholes wrong. She shouldn’t have to fit this cookie cutter ideal. She’s a badass. She’s experienced way more than I feel like most people realize, and has been put in the center of absolute insanity yet still was able to come out of it intact. She deserves to live the life she wants to live, without Survivors Guilt, without the feeling of being an outcast, without low self esteem. Nancy is such a strong young woman in more ways than one, and I feel like so many people hate on her solely because she isn’t doing what most of these girl next door characters usually do. She subverted her own trope. And most people are angry that she isn’t this cookie cutter girl the way she’s “supposed to be”. She gets overlooked, and most people prefer the men of the cast, over her. And yes, everyone is entitled to their opinion, however I’ve seen people hate on Nancy for stupid misogynistic things, which isn’t a valid reason to dislike a character. And most people assume she’s just a spoiled, self obsorbed, ditzie girl, but she really is just someone trapped inside a box trying to get out. Nancy is a baddie. She’s always defended her friends. She’s always defended her brother, and has fought interdimensonal demons before. SHE IS SUCH A BADASS! She learned how to use a gun at the age of 16, despite most woman in the 80’s not even slowing themselves to touch a gun. She grew independent and learned to work for herself and not for others. She cracked a major story at the Hawkins Post, and even when people didn’t believe her, she still pursued it, and was right! She doesn’t give up, and people should be looking up to her and aspiring to be her. She literally beat up someone with a fire hydrant while playing a game of Marco Polo. Why does nobody talk about that! She will kick your ass into the next dimension. THATS Queen shit.

That’s all for now. I will touch back up on this later with some more characters traumas (probably Mike’s, Dustin’s, Lucas’s, and more.) but this is it for now. I really think we should pay more attention to the woman in the ST cast and their characters. A lot of focus is usually on the boys, which is understandable, but I wanted to point out how strong all these girls are and how much I admire them. I love Will and el as well, but I’ve already made several posts talking about them and how badass they are, lol. I wanted to shine light on more people that usually don’t take the spotlight very often. I’ll be back with more, later! As I said above, I’ll totally touch on some more people’s trauma as well, as there’s a lot beneath the surface I feel like most people don’t pay attention to.

SORRY FOR SUPER LONG POST

PS: I began writing that at 4:44am, then fell asleep. It’s 11:45 am now.

[ilkkawhat]

Any tips for first time writers? Specifically any tips and tricks for writing CSI stories and the Nick/Greg ship? Trying to stay in character and make the story interesting like a show episode instead of a boring text procedural is hard.

lmao as someone who is forever insecure about my own writing when it comes to keeping the characters in character, I think something to keep in mind is that you may view a character differently than someone else--and sometimes those views align with others, and most of the time it's better than what's presented in canon, and it can be really difficult to get confident about that, but I think that creating anything, even if it's not just writing--drawing, giffing, photo edits, etc, you do know and love that character enough to bring them to life under your hands and it's something that's just so like, poetic about keeping these characters alive, even if the show offed them or the show is cancelled, in these works (honestly the song "poet" by bastille says this best imo) and you may end up discovering parts of yourself as you explore these characters in depth, you'll learn more about them, too, and the more you write, the more confidence you will gain

but be weary of the validation trap (says someone who falls into it literally every time I post a fic)--do not rely on comments and feedback to let you know you're doing it "right." the fact that you're getting thoughts into words onto paper is good enough, and you are good enough and even if you don't end up sharing it, you still did something special that nobody else has done before, and that, is amazing!

I'm not gonna lie, a huge weakness of mine that I feel I've known ever since I started writing CSI fic is that I really don't do well in making cases for the CSIs to work on--and even when I do, the case is usually forgotten by the end of the fic and I end up just kinda focusing on the emotions between the characters and describing their feelings and actions the best I can and unfortunately the plot sometimes suffers because of that.

I guess it really depends on what you want out of your story--do you want a really intriguing case and basically make an episode of CSI, or do you want to kind of bend out of the procedural drama, and just write something fluffy like Nick/Greg going on a roadtrip or something actiony like them getting into some sort of trouble? (as I often do lmao)

Something that does always help me when I do decide I want an actual like, "plot" to the fic beyond just playing around with the characters and making them do things or experience things is that I'll make myself a very flexible outline--which I will admit, at times, does kinda drain the fun out of the actual writing part but I found that I'll try to write chapters/fics in segments in this way, like I'll have the start of a fic, and then when I feel like I need to break but want to write what I got going next, I'll have something in brackets like: [Self deprecation at home/drinking, evil Nick in the mirror?] (for agony), and sometimes maybe a bigger summary, and sometimes less to just kinda remind myself of what I wanted to accomplish with a fic

BUT know that there are gonna be things that pop up sometimes. twists that come to you halfway through a fic--or if you're lucky, you'll find that your reader friends will kinda give you a twist to add in (my fic Last Breath is the greatest example of this--I originally was gonna do like, 12 chapters but then @dannilea said "HEY MK GIVE NICK AMNESIA" and then the fic got doubled in length lmao) so don't feel confined to any sort of outline. go with the flow, go with what feels right for you.

I know it's a lesson I'm still learning myself, but do not pressure yourself with these sorts of things. there are no deadlines. you're not doing anything wrong. if you don't like something you wrote? don't delete it (i've deleted so many things--fics, my entire blog, old art and gifs I did and it's one of my biggest regrets that I carry with me and god...it just hurts) but don't be afraid to tweak, re-write or rework if you need to--I know ao3 has an option where you can even say something is a "remix" of another work if you write a fic and then somewhere down the line, decide to expand on it or change it up? (I think it's meant for that at least, I haven't done that sort of thing....yet)

and that's another thing--you'll always be learning new things as you keep writing. I've been writing since I was like, twelve years old. Had a long ass depressive gap (though I did still write some things, just not...as intensely as I used to) before I came back to the CSI fandom (which I never felt I contributed to before, when I joined tumblr I posted some caps but that was about it, it really wasn't until 2018 that I started giffing and writing and three years later lmao here we are!) and there are just hard lessons you do learn--like I said, the validation trap and pressure and all of that

but motivation wise, something I've been (trying) to do is write at least 100 words per day. Doesn't have to be a specific fic, doesn't have to be anything I intend to make a fic, but just...getting the words flowing. But again, no pressure, because I recently had another depressive bout and went 33 days without writing and it climaxed to me having another mental breakdown swearing I was never gonna write again and damn near deleting everything and giving up.........only to start writing again the next day (and full disclosure, I did have a friend helping me literally every day with that and if they read this, I hope they know how forever grateful I am that they convinced me to keep going and I would not actually be here without them)

You will need to recharge, you will need to be mindful of outside stresses that may be impacting your creative energies. And sometimes, you can try doing things not relating to writing at all. Make a playlist of songs that make you think about the fic; if you can, draw or make photo edits of the fic. find a friend to bounce ideas off of--so many of my fics were enriched by that, I can't even begin to list them all lol.

But above all, again, just know that what you're writing is unique to you, nobody else will be able to write the way you do, and that is just...so special. writing can be difficult, it's exhausting, it's a thankless job at times but when those words start clicking together and your fingers just keep typing/writing, you'll just kinda get this like, rush like nothing I've ever been able to match.

and lmao I know you said specifically CSI and Nick/Greg and feel like I got sidetracked--but the great thing about CSI is I feel like you'll have excuses to put them in situations given their line of work, but like I said before, you can bend out of the genre a little bit. Have Nick and Greg go on a vacation, or make an AU (even something as wild as a sci-fi AU--honestly Specimen Stokes is the most fun I've had in writing the past three years) or if you do want to stick to canon, and don't want to make a whole new case or elaborate on the details--play with an established episode. If there was a Nick focused episode, what was Greg doing and vice versa? Did they talk about things afterwards, or did something happen leading up to the episode that made them act a certain way around each other?

I'll honestly find inspiration also just watching the episodes--something I've been doing in these past few months of my rewatch is making little ficlets about the episode, like I wrote one about Nick and Greg post 6x02 elaborating on the breathplay that Greg hinted about earlier in the episode, or I made a revenge fic for 14x12 where that douchey abusive husband went after Nick, etc. So sometimes it helps to dive back into canon and play in that sandbox too

I hope these tips can help get you started and honestly, don't feel obligated to agree or do any of these things I listed above. We all have different ways of going about writing, and it is just one big learning process and something I don't think I'm ever gonna perfect or master in any sort of way--(not to say I think I'm the worst writer in the world but I just...try to humble myself and not believe I'm the best or better than anybody else cause that's part of the validation trap, you get those ideas in your head and then it can destroy you when you realize you're definitely not)--and there will be times you get heavily discouraged, but...you just gotta keep going. keep pushing. find outside encouragement, but don't rely on it. practice a lot of self care and don't pressure yourself to finish or share or write more than you think you can. just...let it come, and enjoy the ride

I honestly feel like I'm one of the least qualified to say all of these things, but I really do hope it helps and hey, you already got one cheerleader, me, who will be excited to read whatever you share!

[fe-semi-decent-scenarios]

How they act around their crush: GD edition

[This one’s for @glass-grapes​. I saw your submission and am completely psyched that you love my blog! I know that I’ve only recently had it kick-off with a few posts, but I have been wanting to start one of these since January. Hope this is to your liking! (p.s I didn’t know if I should do pre or post time skip, so I did a little dabbling into both]

Claude:

We all know Claude here is both a go-getter and a tease 

If he finds you interesting then there’s no reason for him to hide it. A  battle of wits never hurt anyone, and boy do you two fight well

He is s a s s y. If you’re chatting with some other students he might stick his nose into the conversation to toy with you. It’s all in good fun, right? Just a little mini-game on his way to achieving bigger things  

That’s what he tells himself 

Some days he finds you a bit too alluring, and can’t help being self conscious of the other people around

Fiddles with his braid when you throw him for a loop

Will pay extra special attention to you in battle, and makes excuses to the prof. for why you should be near him. He really is a snake 

Post-Timeskip he hides his bias even more. Not enough to fool his close comrades, but enough to avoid you receiving any extra attention from the enemy  

Sometimes slips items in your room to distract from the stress. Tea, a new blanket, etc.

During the five year gap he keeps track of your whereabouts. After Garreg Mache fell he decided that his dream would take priority as planned, but also believed that one day you would be at his side 

Wasn’t surprised at all to see you at the reunion, but that familiar urge to tug his hair returned too  

Judith and Nader have already heard about you prior to your meeting. Much to his dismay they view his buried feelings as open range comedy

Lorenz: 

We all know how Lorenz acts when he finds someone of interest. The guy is a huge flirt which causes the professor wayyy too much stress 

He’s not as in-tune with his sense of romance as you would think. In the early stages he’ll treat you the same as all the other ladies: a potential partner for house Gloucester.

Date offerings, frilly words, gifts, acts of kindness. Ah tis but the duty of a noble, yes? 

No. 

One day he lets that stubborn side of his personality slip out, and you come back at him with just as much fire. He becomes so angered after it, but somehow hearing the words from you hurt more than if someone else were to say them

That’s when he knows that he’s in deep, and from then on he treats you more gently. He’ll watch his tongue around other women, and sets his sights on only you. His mannerisms are the same as before, but now he tries to learn more about you as a person vs. just the cold hard statistics

He’s a blusher. He has a naturally light pigmentation so it shows. 

After the time-skip he’ll watch you like a hawke. Do you like his new hair cut? Surly it’s an improvement from before sorry bro it’s not

Sets his dignity aside to request that you be given a hexlock shield during battle, or placed near him. Claude won’t let him live it down

Ignatz: 

He m i g h t avoid you, but please don’t take it the wrong way. That’s just how he is, you know?

Young Ignatz isn’t that confident in himself. You’re...well ‘you’. And he’s...well, ‘him’

Oddly enough he confides in HIlda of all people. It originally began with wanting to see if she was still on stable duty with him, but ended up with him working and her talking

When you’re nearby he chooses not to speak unless spoken to. If you didn’t know his tells he’d come off cold, but one look at his hands wringing together just proves he was nervous 

Byleth puts you two on cooking duty together: que panic. He legit grovels at their feet to pick someone else. They don’t, and that evening he sketches a wonderful picture of you sifting through different seasonings 

On your birthday he struggles to give you the gift he prepared. It ends up with Lionie giving you it while he watches from afar. 

When you’re older he is much more verbal with his opinions 

More often than not he lets those honey-coated words slip out, which usually end up with him excusing himself quickly 

Invites you to join him during downtime at least once a week. Every day could be his last, and goddess forbid yours. He wants to spend time with you even if he isn’t the most graceful companion never mind that he’s a smooth-talking mofo

Raphael: 

If there’s one thing Raphael is good at, it’s showing that he cares 

The boy is a giant muscular teddybear. He will carry your things, he will spar with you, he will eat anything you cook without complaint, and he will hug you; hard. 

Unlike everyone else he’s pretty open with his feelings. Life is short, you know? 

If you make him particularly bashful he’ll laugh loudly. More so to cover up his own embarrassment than because he finds the situation actually humorous

Adopts this habit of constantly asking if you need anything. The guy loves to dote on people, and lookie here you’re the perfect target 

Remembers all important dates like a pro. On your birthday he drops a gift right on your desk first thing in the morning 

Goddess forbid anyone gives you trouble. Without the smile on his face he looks the murder type, and the guy uses it to his advantage. He will happily escort you anywhere you need to go 

Once his sister is settled he might honestly stick with you during that five year gap. He’s made his feelings painfully obvious, and you haven’t chased him off. Why not stick around? 

Hilda: 

Yo she’s clingy 

She knows you have to be a catch and a half to steal her heart, so who knows who else that you’ve smooth talked 

Just like everyone else she’ll still get you to do her bidding...but, maybe a smidge less 

She feels guilty, but won’t show it 

Hilda will do all in her power to not let the news reach her family. The last thing she needs is Holst sending her more letters, or worse: showing up at the monastery

Y’all she will don her best perfume for you. She will push all her work onto Cyril and drag you to have lunch with her. This is normal Hilda behavior so she has no reason to be shy 

Will flirt openly and proudly. If you recuperate she’ll go gossip to Marianne about how you’re ‘totally smitten’ with her

Post-skip she’s not much different. Most of her time is spent doing what she can for the cause, but when you see each other she’s more bold. 

Like always she doesn’t like to have expectations pushed onto her. She does have one for herself though, and it’s to stay by your side. 

Marianne: 

During the academy years she tends to admire from afar 

Her favorite memories are of when the professor signed you both up for choir practice. She loves your voice, and it was a time where there wasn’t any pressure for conversation 

As time passes she’ll become less adverse to talking. Quiet greetings will be whispered when you cross paths, and occasionally you two have lunch together 

Marianne is not as reserved as people assume her to be. She’s just had a rough time, and if you take things slow with her then she’ll gradually have a stronger presence in your life. She hopes that this comes true for you two 

Eye contact hasn’t always been her forte. She does try to maintain it with you though 

Her feelings remain at a stalemate through most of the academy days. Only when she bypass’ some more personal-issues does she let her emotions go free

About halfway through the war period she changes. Her stance is more vertical, and she becomes the one to take initiative in your relationship 

She’ll still blush upon any physical contact, and in some cases she’ll lose her breath when you talk. Don’t take the momentary silence as a bad thing, she’s okay. 

Occasionally she’ll be restless and unable to sleep, worrying about the future she now has in her grasp. You might find her scouring for a cup of chamomile late in the night 

Lysithea: 

She’ll deny herself immediately. For Lysithea the future is an anomaly. One of which that no amount of studying or research can uncover.

It’s painfully obvious that there’s a spark between you two. Anyone can see it, and Hilda has pestered her many times regarding confessing 

If the situation was a bit different, she would. Lysithea is no push over, but she also doesn’t want to invest time into something that will bear no fruition 

She keeps her cool around you for the most part...or at least until you’re out of hearing distance 

Then she completely loses composure. Did someone say clammy hands? Because hers get slicker than lorenz’s hair gel 

Leads to stress eating, not gonna lie. There are many late night trips to the mess hall, and many angry cooks over the missing sweets  

Times are different post-timeskip though. She’s a bit more reluctant to let these feelings go 

Occasionally there’s some open flirting on her part. If you recuperate then it becomes more frequent and less forced. The sassy banter between you two becomes the deer’s free entertainment

Leonie: 

She’s commonly been viewed as ‘one of the guys,’ for her personality. So she’s very insecure about getting friend zoned 

It’s not like she was actively searching for romance. It just happened, you know? One day something just struck a chord 

She never took the time to picture sharing a life with someone. Most of her life has been spent worrying about her village, or working hard to attain some kind of recognition from the Captian 

For a split second she considers going to Byleth for some advice. Now isn’t the time for school-girl crushes. Now is the time to be forging a path to the future

Decides to completely ignore the ache she feels when you’re nearby. Just...lets it go. 

She’ll put hella distance between you two. The only time she’ll initiate contact is during sparring 

After the timeskip she stays this way too. Well, until HIlda calls her out on her bullsh*t (if you haven’t noticed from all these. Hilda is a perceptive little cookie)

Just like anyone she’ll go through the moral dilemma of deciding to confess or not. She instead chooses to just let her feelings do as they please, and if something happens then it happens 

[firebunnylover]

LoSH S2 discussion

I love Legion of Superheroes. And i love season 2, but that doesn’t mean I don’t think about how it could have been improved. In terms of quality, it varies more than season 1. Some parts are top tier while others… eh.

Season 2 is darker than season 1. And there’s the inherent stigmatism that darker means better. But it’s not true.

A horror schlock film is not inherently better than an animated film.

I don’t blame the staff on all its shortcomings. Kids WB was on its deathbed, so they probably had less time to work and iron out ideas. And executive meddling.

The second season had a lot of good elements, but there are things that weighed it down. I am here to discuss how to improve said things.

Heads up: ended up editing part of this post after rewatching the episodes.

This first bit is more of a personal preference, but instead of the 41st century, maybe move the original source of conflict to a farther region of space, one that the UP doesn’t interact with, and has been growing in terms of turmoil until they finally resort to bringing the Legion over. In other words, it has just been put aside by everyone else to the last minute.

Parallel to Brainy’s relationship to Brainiac. He doesn’t want to deal with it. He never brings it up. But maybe if he did, he wouldn’t have gotten corrupted.

This place still has plenty of old documentation of the original age of superman, so Kell is disillusioned with the ideal glory days. Keep Kell Edgy.

Kell’s home and K3NT still gets destroyed - reflects Krypton’s own destruction.

SPEAKING OF KELL:

Make his story more apparent that it’s one realizing that kindness is not an inherent weakness. And neither is being soft. He was raised for fighting and killing Imperiex, and was taught to think that they were weaknesses. Have him realize his identity can be beyond the Clone of Superman made to kill Imperiex. Or rather, have him react more to realizing that he’s moving beyond his given identity.

To clarify; they do address his development in the show a few times, but I want more continuous development instead of the rapid nods we get. Have him try to interact in a more humane way with others. Especially with other members of the Legion. Where they have to take a double take in seeing him acting not that edgy. Maybe offer more flashback of him fighting Imperiex in comparison, and how he treated allies then.

Also put K3NT’s story under the microscope. I doubt Imperiex just came out of nowhere with his attacks. Plus the fact they went far enough to send a hitman after a fucking child? That screams yikes and maybe we need to double check the story.

And an overall issue to be addressed is what rights do robots have and what conditions need to be met? Because let’s face it, we make robots to do complex work for us. But Colu is a culture where the main people ARE robots. Like in Transformers. What line do we draw between non-sentient robots vs the sentient ones in the 31st century? And what about cyborgs/people who give up their original bodies for robotic ones?

Plus Imperiex himself came to be because of the perfected combination of organic tissue and robotics. This topic of robots and individuality/personhood could have been a fun topic to explore.

Don’t sideline the girls. Leave TG alone. 

Don’t put SG in a coma for nearly the whole season - seriously it’s the reason why the guys make one bad decision after the other. Although with that said, it’s because she’s not around we got the majority of s2 plots. She’s the goddamn mom of the squad. Just make her busier and unable to keep an eye on her idiot boys for the plots based on bad decisions to happen. 

Or have her deal with after-effects of what Esper did to her. Maybe after a whole season of being the emotional support character, have her be the one in need of emotional support or not being able to help directly, especially when the group needs emotional support. Emotional support paradox.

Maybe don’t make Cosmic Boy appear as much as a dick in the episodes where he does show up. He’s trying to hold this goddamn team together, and there’s a goddamn tyrant trying to conquer the galaxy. HE’S FUCKING TIRED AND STRESSED. AND IM SURE THERE ARE A BUNCH OF JERKS WHO WANT TO TAKE ADVANTAGE OF THAT TO DISSOLVE THE LEGION. Better yet, throw in some more backstory with him and his little brother Pol!

And in regards to Imperiex… The dude has a lot of potential. I like his voice actor, Phil Morris. The guy voiced Dr. Sweets from Atlantis.

But his writing needs help.

In the original DC comics, he’s the embodiment of Entropy. Anyone who’s seen Madoka is probably familiar with what that is. But if you're not, here’s a definition: “ the measure of a system’s thermal energy per unit temperature that is unavailable for doing useful work...” He’s the embodiment of that energy that cannot be used for anything. And Entropy grows over time.

Another definition of what Entropy is “lack of order or predictability; gradual decline into disorder.”

In the comics, he’s more of a cosmic being as a result of him being an embodiment of unusable energy. He’s been in existence since, well, the beginning. He had destroyed the universe and recreated it multiple times. Okay, so that lines up with how the show portrays him. And technically, he does get the universe to reset itself in the 41st century when he alters the 31st century enough.

But I personally feel that making him a cosmic being is kinda… meh?

I personally prefer more personal villains most of the time. Don’t get me wrong, an Eldritch being done right makes a great character, but I can’t see Imperiex as one. At least not LoSH’s version.

Plus I like it when the protagonist sees the villain has a point and has changed as a result for the better.

You know, over a year ago, I used to think that it was impossible to make a tyrannical villain who’s presented as real evil seem complex.

And then… I was introduced to TFP Megatron.

Now for you LoSH fans who haven’t watched Transformers Prime, Megatron was once Megatronus. A low caste member who worked in the mines and Gladiator games. He wanted to fix the growing corruption of Cybertron. To make things better.

But his worse personality traits took over, and he lost that good motivation. Now he’s just fighting to win and defeat Optimus Prime. 

But despite the change of goals and ideals, he doesn’t want to simply abandon his relationship with Optimus. He and Optimus, or as he used to be called, Orion, were fighting for the betterment of society. And they meant something to each other. Megatron doesn’t want to just get it over with. He wants fanfare for his victory over Optimus. And he doesn’t want anyone else to rob him off that. But he isn’t opposed to getting Optimus/Orion back on his side. It’s because of this you can still argue that there is a remaining shred of good in him.

They were the best young lovers anD NO I AM NOT CRYING OVER THEM!

Also, the fact we know he was part of a minority group in the form of the lower cast  that was enslaved can make us sympathize with Megatronus of the past, as well as understand how he came to be.

It doesn’t mean we forgive him for his actions - and he has done a lot of shitty things. And I mean a lot.

But his history is more understandable. TFP Megatron’s a fall from grace.

OK I’m done dissecting TFP Meg’s writing.

We know Imperiex was a slave, and was originally organic, who’s from a society where his purpose is literally just to fight, and was gradually stripped of his original body. He was originally stripped of any agency before then though.

But he says this was a good thing. Calling his original body a weakness. And refers to his old self as a pathetic slave.

He gave up whatever softness he had.

Also, this is where K3NT’s story needs to be reexamined. Imperiex was made during what K3NT described as “A Time of Extended Prosperity”. That time had freaking slaves. And K3NT says that when Imperiex did rise up, they were unprepared. So… they were prosperous, but lacked defense to prevent anything like that happening? Or perhaps those who were in charge were that unpopular that it was easy for Imperiex to start the war.

What made him decide conquering the galaxy was the next thing to do after he had every bit of his original self stripped away? Why go as far as destroy it?

What I’m trying to say is that they could borrow a few pages from the Megatron book. Maybe he was once trying to better the society he was part of, but he decides to play the violent card at some point. And somewhere along that strategy, he starts to lose sight of the initial goal. With that, being the victor and in control becomes the main one.

Or perhaps he has grown cynical of the galaxy as it is and decides it just needs to go all together, and then start from scratch.

Like the second definition of Entropy, he gradually declines in predictability and descends into disorder.

Maybe to juxtaposition the fact that Brainiac became the main threat at the end, make him the opposite or foil to him. Rationality or logic do not serve as first-or-second influences to decisions under pressure. Emotions and his own perceived ideas do.

Speaking of Brainiac, maybe offer more of the OG Brainiac. Give us more of that smooth-voiced Corey Burton. 

Or TFA Megatron.

Seductive Bastard.

I’m sorry I have fallen for the shady-business-mafia-boss-but-morally-grey robot.

Also, the members of the legion that only get one episode focus? Give them more screen time. You can’t just introduce superman’s new adopted son Karate Kid and just not bring him for another speaking role again!

Actually, that brings me to another point.

As @spandexinspace​ pointed out, his episode is not the best, and is arguably the worst written of the whole series. Things that are issues do get brushed off to the side.

So a proposal on potential rewrite:

First, have the legion look over its current rules and what exceptions/changes they need to make.

Explore the subject of kids having to participate in these fights.

To clarify, kid shows are meant to be escapism for kids.

Shocking, I know.

So it makes sense that some characters would be the same age as the viewers. 

But while this is good representation, as you get older, you find yourself going “WHY WOULD THE ADULTS LET THEM ENDANGER THEMSELVES?!”

Kids having to fight at that age does have consequences. Batman Beyond certainly addressed it. So did Steven Universe Future.

Steven ended up being responsible for so much, that when he no longer needed to take care of things, he was unsure of who he was. And then there’s the fact he ended up with PTSD because of him having to fight so much. Then you have the fact that Greg and Rose never intended to raise him like their caretakers did... but as good as their intentions were, they still caused damage. Rose for… all the gem stuff. And look, Greg is a great dad, but not enforcing anything for Steven when he’s growing up still has it’s cost.

With Batman, he’s obviously going to do his damn best to keep kids safe, including the Robins. But sometimes, it’s not enough. He wasn’t able to keep Tim safe in the event with the Joker in Batman Beyond. Where he was held captive and tortured.

But the Batkids are never expected to resolve this stuff by themselves. Because Batman knows how much you can get screwed up as a kid. He fucking cares.

And to be fair, in most continuities I’m aware of, the other sidekicks came out pretty okay overall.

Except Jason Todd.

So my proposal?

Have Val originally with Grimbor, as a sort of Protege. But have the legion capture him, only to go “uhhh this is a child with no powers”. And Superman, being the good, wholesome paragon we all love, takes him under his wing.

In all honesty, I want Superman pulling a batdad for Karate Kid in his intro episode the whole time. That was the best part of the episode for me.

Plus after the events of “Cry Wolf”, the Legion should examine the no-killing rule. Because they do need to kill Imperiex to save the universe. But that goes against the code. But they can argue it’s a necessity. But Mar Londo is also a monster. He’s the everyday monster some of us have grown up with.

When do you need to make exceptions to kill someone?

And my final main suggestion:

Add more Mekt.

What the heck were you guys expecting? You all KNOW me by now. I LOVE MY GARBAGE BOY.

Joking aside, here’s what I would do.

Have the Chained Lightning episode pushed back, but have Mekt with Imperiex earlier. Most of us would yell “Why the heck would you join the guy whose main goal is to destroy the galaxy?!” But this is one of the easiest things to address.

Explore more of his past. Use the comic sources with him being outcast for being a solo on Winath. With that in mind, him deciding to side with Imperiex can make sense.

Why try protecting something that has done nothing but hurt you?

There’s actually a pretty good reason why he would side with Imperiex, as seen in Champions and Lightning Storm. Remember, Mekt was willing to cheat to get ahead of the sports competition he was introduced in. And also was thrilled when fighting Garth and was beating him on his own. He likes being in power.

Imperiex offers him that.

As for why Imperiex would bother with Mekt? That’s a little harder to answer. He knows that Mekt has a soft spot for his brother, and in turn sister, which proves to be the reason why the Tachyon Cannon fails. You’d think Imperiex would remove a huge fatality.

But he doesn’t.

Maybe he could hold another type of value for Mekt. Perhaps... nostalgia?

I’m still sold on the idea that they were sleeping together.

Also, give us a conclusive answer on where Mekt stands with the LSV. In the comics, he was the leader, but that role was given to Tyr in the cartoon more or less.

OK I think this has been polished enough for me to post now. What you guys think? Feel free to add on!

[transformers-valiant-keepers]

I put so much investment into Roxie and Dadlock lately (I’m sorry) and it's all I ever think about them bc who doesn't love found family tropes. For TFTN, I took in key elements of characters, backstory and lores from IDW and incorporated the ideas into my own for TFTN.

I’ve been listening to Lasting Impression by Silent Descent when writing up Dadlock’s life (which probably fitting).

Trigger warnings for mentions of discrimination, drug use, implied dubcon, medic, shadowplay / mnemosurgery(?), child abuse, depression, implied suicide, ptsd trauma(?). 

I’ll put all of this under readmore

I've been thinking about how much similarities between Roxie and Drift in having to hide certain things about themselves from the society--with Roxie being deaf who has to constantly cover her hearing aids with her long hair, and Drift was a forged triple changer. 

Triple changers cybertronians bear the brunt of discriminations for being so different and the Functionalist Council saw them as a threat to Cybertron's future and the caste systems. Techno-organics also shared the similar reaction for being much different from others and were turned away by Functionalist medics.

It was pretty telling what Drift had gone through in his life… Before Roxie was constructed with his spark, before the Greatsword connected to his spark while unaware of the intentional true purpose in store for him and Roxie later on, and before Dai Atlas took him in to the Samurai clan. 

He did not start off as a good life living on the streets and homeless on Rodion. He was an independent, mostly kept to himself, barely opening up to anyone. He endured survival instincts living on the streets, and learnt self-defence battle protocols to defend himself when necessarily. 

Obtaining Energon for refuel wasn’t easy. He went through a dark place of sleeping rough, hooked on circuit boosters to spare the pain and selling himself for Energon through sexual activities. It wasn’t his choice nor how many times had he lost count when he came close to almost-deactivation from certain outcomes.

He never forgot the time he visited the medibay clinic to be patched up and to feel safe. That was the first time he saw Ratchet.

It was not the vivid life Drift wanted to remember for discussion. He spared the dark details of his early life and post-Shadowplay-to-Autobot’s assassin era from Roxie, because it’s not something he wanted to subject her to that exposure, even for one so young and carefree who was not exposed to the Functionalist era. He only shared his life after Dai Atlas approached and took him in, which changed his life completely, to his life amongst the Samurai clans. Dai Atlas was the closest thing he would call to a Sire. He became familiar with the likes of Cyclonus and Axe.

Axe and Cyclonus became his best friends who later became his Amica Endurae. Axe does not understand the life Drift went through--he had experienced living rough--but he was the only person he could trust enough to vent to. Cyclonus, on the other hand, understood what he went through and offered her shoulder for him to vent.

Crystal City was the safest place it had been in so long for Drift, not counting the fact a particular medical clinic had been relatively safe away from the backend alleys. Everything was good afterwards, he became a trained swordmech. It takes some adjustment for him to get used to sleeping in an actual berth provided for his own amongst other things--including Energon for refuel and to live. He did meet Ratchet, despite them having met long before when Drift lived on the rough streets.

Drift received upgrades to his frame, putting the past behind him to start anew under Dai Atlas’ mentorship, and touching the Greatsword had given him a second chance to move on from his past (obvious to the fact that the Greatsword had chosen him for a reason, or what fate had in store for him).

Becoming a Samurai was the best life-changer for him.

The Functionalists Council had arranged for Drift to be taken and captured (all the while, Pharma had secretly played a part in it) and was taken straight to the Institute where he was subjected to Shadowplay against his will.

Many years later, he eventually discovered Roxie’s existence… and somehow learnt she is his Kindred. And that instinct promptly activated his paternal Sire Coding within both his and Deadlock alter-ego’s programming. 

Life for Drift was royalty fucked up after Shadowplay had changed him into a deadly, fearless assassin with Emperor Nemesis as his handler (this was revealed in Prologue Part One). He was not known as Drift, he became Deadlock--likely a case of an alter-ego formed as the result from his traumas. Before all that discovery, he met Windblade and Perceptor who became two important figures in his life and opened up his spark. As a reminisce of his early days forcing to hide the fact he’s a triple changer, Windblade had to hide her cityspeaker ability whereas Perceptor had to hide his outlier ability and refrained himself from reading others’ thoughts. They hid this from the Functionalists and found themselves form a connetion with Drift after he saved them from unforseen situations. Drift knows what it’s like to hide and pretend, and sworn to sercery to keep both Windblade and Perceptor safe. He fell in love with Windblade and Perceptor--with an emotional deep connection with the young cityspeaker and scientist--but he never got to tell them both after they got separated apart from each others.

Roxie was constructed cold with her spark being a donor from Drift’s, thus forming a strong bond between the two--such bond between a Sire and a Kindred are considered rare in some cases. This is known as Cognatio Endurae.

Though, Roxie… didn’t have a good start after being subconsciously locked away in a stasis pod by the Emperor’s doings. The sad thing is? Drift does not know whether she was physically abused constantly through the bond whenever he was resistant against being controlled, or forced to obey commands, or goes against authority orders--and the thought alone had really broken him.

He tried to save her the first time but was caught out and forced to watch in horror as The Emperor abused Roxie in front of his optics--which played into the triggers whenever he saw Roxie was harmed and he shifted into his Deadlock persona way later on. Yes, Drift and Deadlock alter ego both genuinely care for Roxie. 

Techno-organics were not well-known to Cybertronians until the 22nd or 23rd Century, but one with an organic human DNA is considered rare. Now for Roxie, being a techno-organic and all… it wasn't easy to bring her up. Drift is new to parenting and can be a worrywart over her. His past actually helped him to adapt and care for her--he eventually grows into a better person than he used to be. 

Though, what Drift never prepared for… was Roxie diagnosed with severe hearing loss, aka Deaf / Hearing Impaired, in both audial receptors. He went as far to start his research and how to help her. He is patient and relied on the bond to communicate with her, he taught her to lipread--because he had little knowledge of sign languages. Once they get their servos on functioning Hearing Aids for her, she can hear their voices. It wasn't the best or helpful to her, Drift was relieved she was responsive to his voice like a sense of familiarity to her.

Due to the immense strong bond and prioritising Roxie first before himself, Drift turned off his pain sensors to take in the burdens and sensed her emotions and pains.

But her upbringing had its moments. Roxie hated hearing tests. It made her extremely stressed over the noise levels and the lowest ringing noises were the worst of all. She was a victim to disability discrimination by society, which she was completely shunned out and struggled to make any friends. It did hurt her and her hearing wasn't perfect that the kids relentlessly teased her for her difficulties--the aftermath forced her to cover ears and hearing aids with her long hair to hide her disability. 

She was dejected and left out, unsure whether to question where she would fit in in this universe. Drift sensed this coming through the bond and tried his best to comfort her as a father wanting to understand her. Roxie’s struggles with deafness had impacted on her mental health and she went through a dark place succumbing to negative voices and far too anxious to socialise with anyone.

She would cry herself to sleep with a wish how badly she wanted to hear, and bottled all of her emotions and issues to herself. She found it completely hard to talk or open up about her feelings--even to Drift and Axe. Such intrusive thoughts prone her despair into an emotional crying mess leading to Drift exposed his spark chamber to guide and soothed Roxie out of an anxiety attack keeping her focus onto his calming, pulsing spark and enfolded within his EM field filled with nothing more than a comforting familial love.

Suffice to say, Drift had coaxed gently, without pressuring her, got her to open up to him and listened to her confide in him. One time, she accidentally slammed Drift’s doorwing, which was very sensitive, when her emotions got the best of her during an outburst and of course, Roxie felt completely bad afterwards.

Meeting new people was difficult for her, much less making new friends without the unnecessary attention from adolescent organic males. Due to the society looking down on disabled people, Roxie doesn’t want to let anyone in, something that was passed on from her Sire, without putting her guarded wall down and succumbing to heartaches. She stayed--remained--close to Drift and Wing. She trusts them and they’re the only ones she relied heavily on for their support and speak on her behalf.

Beyond that, there were complications on their welfare over the years hiding on Earth, especially when Roxie’s health was concerned. Her height growth was stunted and slowed throughout her activated age. (At eighteen activated age as example, she stood at 5ft 4in). However, there’s major issues Drift and Axe had to deal with rationalizing Energon usage after the first time they watched Roxie overcome with extreme fatigue from low Energon. They were alerted by this despite the three of them living pretty rough to hide out on Hedonia without detecting the Autobots--they moved from one hideout to another, erasing their presence from their previous accommodations. Moving to a new place made Roxie unsettled the first few nights.

Drift’s early life resurfaced given the living arrangements on Hedonia, he was willingly to sacrifice his Energon for Roxie and replenish her energy and to avoid her body going into stasis shock. He had considered an Energon transfer reserved for emergencies only just for Roxie alone, and the process was risky that Axe had berated him for it on a dangerously low Energon withdrawal. Axe could understand due to Energon being scarce and trying to save as much credits that he had gone further to search and provide fuels for the three of them to survive.

Had they lived on Cybertron, specifically in the roughest places, Drift would’ve given away a full Energon to Roxie and spared little usage for himself to live through another day.

"A good Sire would do anything for their Kindred" Drift told Axe. And the truth is, Roxie was a beacon of light to Drift through the darker aspects of his life, even with being there for her through her low days.

That's as far I've written from my head about these two and I'm having many feelings over these two.

[majicmarker]

so i’ve had a lot on my mind lately — the good, the bad, the ugly, you know the drill. i’m used to the bad and the ugly, but i think (and ofc by my therapist’s rec) i need to give a little credit to the good, too. not to mention the good is largely comprised of people, and those people deserve a sports stadium wave, yk? idk shit abt sports, whatever, but i know what the wave is and it’s like the grandest gesture i can think of, SO

listen, y’all. to get real here, i hate fandom. my time spent therein has been hit-or-miss, but the misses got me hard and contributed to some major self-loathing, etc etc. we’re not gonna get into the specifics, i don’t owe that to anyone, but suffice it to say things got Rough.

but so much of it can be so, so good. and rn i want to keep on my rose-colored glasses, and the rosiest parts for me have always been @kitten1618x and @mygutsforgarters

(quite a few others, too, but i no longer have everyone’s info. and some ppl are newer friends, or relationships that have moved more slowly. i have mad love for u guys too, obvs, but ik melissa and gus irl so we know each other More and they’re who this post is rly about atm. pls know i don’t want to harsh on anyone’s feelings)

the tl;dr version of events is i met them both via fanfic. i happened upon theirs like “bitch!!!! **i** wanna do this, they’re bomb as hell” and then i made them be friends w me. they’ll tell you they wanted to be friends w me first, but that’s not important bc **i** am the one making this post, so they can both like,, suck it.

ANYWAY.

@ melissa : so bitch listen. here’s the thing abt melissa…… i found her while browsing jonsa fic back when i cared abt GOT, and she brought me back to what i loved so much abt romance when i first started, way back in junior high, what’s up. i bad a fascination w historial romantic epics for a loooooong time — those formative yrs, amirite ladies??? — but girl i could never write it so well as melissa. immediately she struck this balance between the drama you expect from historicals and the levity of a good romance, and i was just like, “hand to god this woman must be published already, surely???”

(she’s not, but that’s ridiculous so we’re gonna skip that)

(also she’s busy?? we’ve been friends for like six years and i will never know how many kids she actually has, but the point is she’s a goddamn superhero and i’m obsessed w her, MOVING ON)

i just Had to be her friend for two reasons: 1) she’s too talented, and b) i have said that abt 2 ppl my entire life and she was the first, so i was like, “AH YES MY HOLY GRAIL”

so ofc i slid into her DMs just as effectively as that one guy i had a crush on when i was sixteen and he’s still shooting me texts every valentine’s day bc of the societal pressures i guess (it is Far Less Effective these days, he’s my age and therefore too young for me, gross, but i digress), except me and melissa go way stronger.

she reminded me of why, half a lifetime ago, i started writing romance — bc it’s fun, bc i want to. bc i can do absolutely anything i want, bc who else is gonna read it but me and whoever i share it with? it was all up to me what i wanted to do with it, and i could do anything. nothing really mattered but what i wanted, and i hadn’t felt that way abt anything in such a long time — let alone abt something i used to love so much.

melissa’s writing is so beautiful, it’s everything i wanted to achieve when i was fifteen and never got around to perfecting. and i’m totally okay w that now, bc what do i need to do myself that she’s not already doing/wants to do in the future? when i found melissa’s writing i found a missing part of me — a part i’d maybe lost, maybe i gave it up, idk, but it was totally gone until i found her fics and they fucking clicked. i had to reach out bc there was a part of me that was a part of her, and she helped me find that again w/o even knowing it.

so i found melissa via GOT, and from the start she’d been trying to get me to write some bethyl. years and years, she dropped not-so-subtle hints — and by “hints,” i mean legit directives that i watch just enough TWD to write her some beth/daryl fic. real crafty, she is.

eventually the stars aligned: i was bored w the same dynamics i’d been writing for years, i wanted smthn new, i was restless, i was line editing a bethyl fic she’d written, and — again — this shit clicked. her fic made me want to explore this dynamic i’d never done before, so i watched the prerequisite episodes (no more than that tho, i super hate the show and i’m begging y’all to not @ me abt it anymore). i found smthn that i’d been missing, smthn that challenged and excited me and brought me back around to why i love romance and, more importantly, why i want to write it myself.

so as i was starting to write bethyl, i was poking around the ao3 tag to get a feel for what had been done, what hadn’t, anything i might be missing. and goddamn BAM —

@ gus : this is where u enter dramatically thru a red velvet curtain that i don’t wanna touch (Metaphorically bc you do romance better than me and i’m cool w that bc your talent simply Cannot be touched, and Literally bc i hate velvet) — i was like, “please for the love of god let her want to write contemporary romance, i need some good fckin food”

i happened upon “doo wah diddy diddy” first. ofc the summary hooked me, forget my usual hard no against pregnancy fics (i have issues w pregnancy and that’s all anybody Needs to know, back off), but This Bitch !!!!!!! has a way with words and i wanted to be friends w her straightaway. lmao too bad for her, now she’s stuck w me

gus’s fics gave me what i wanted without having to write it myself. her style is so distinctive, she hits the notes between porn and Actual Affection that is missing from uhhhh, every romance i’ve tried?? (why is everyone so intent on the sex part?? fckin chill. at best it’s unrelatable and at worst u sound like u’d rather wear someone than fuck them, check urself)

she writes w such care, she wants you to know what she’s doing here, and what she’s doing here is combining the physical and emotional needs of both characters w/o infringing on anyone’s comfortability. you root for these characters bc they simply want to be together, no strings (and if there are strings, damn, they talk abt it).

gus makes you believe in love in the modern age. like, not to sound like one of those ppl who post fckin “no one in this generation knows how to love!!!1!!11!!” memes on facebook, those are dumb, but gus’s writing made me think “yeah man, love ain’t dead, it’s just abt how we approach it.”

(if y’all haven’t guessed yet, i have some hang-ups abt relationships. i’ve goddamn earned those. but melissa and gus both brought me back to where i needed to be — in this place where, yeah, we’ve got some shit to deal with, but we all still deserve the things we want, and those things are achievable. i could not have gotten here without them, so jot that down.)

gus is Real, she’s funny, she’s unapologetic in the way she writes. ofc she has her personal hurdles, but who doesn’t?? and tbh nobody writes a sex scene like gus does. physical, realistic, but balanced w the emotional depth that makes you root for these characters bc you can Feel how much they want each other — not just sexually, but in the less-erotic aftermath of that passion. it continues to blow my mind, bc i’ve never seen anyone do what she does. i can’t even pinpoint the specifics, bc she just… Does It. and you’re reading it like “yeah bitch that’s it,” and That’s It.

it’s fckin wild.

these two — my best friends, the lights of my life, both of whom always make me crave chicken tenders at THE most inconvenient hours bc somehow we always talk abt chicken or ice cream or ultimately DQ, but they're both so hot idec — have something special.

i really, really want them both to know that: it’s not just in how they’ve treated me as a friend, but who they are as people, in their creative pursuits. i’ve never known support the way they’ve shown me; i’ve never known this much enthusiasm or investment or belief that i can do what i want with my talent. i want them to know that i feel the same way abt them and their works.

sometimes, when i look back at their writing that completely kicked my ass, i still can’t believe that they’ve become two of my best friends. it’s totally bonkers. they’re This Talented, and they wanna be friends w my spastic ass? GIRL. i’m out.

i’m not always the best at being present, at giving people what they need when they need it. but with everything that melissa and gus have given me in the past few years, i need them to know this — honey!!! i need all y’all to know this, bc i know fandom shit is hard, but you should know some of these friendships are so, so worth all that bullshit, so —

they have so much to give, so much to say, so much to offer. i could not have kept going without them. i couldn’t believe in myself without the faith they’ve given to me. i hope that i can always give that same faith right back.

and that, babes, is what real soulmates are all about.

[epicspheal]

1. Terra sounds super cool, as she always does.

2. Hearing that Terra doesn't end up as the "Champions Wife" is actually reassuring to me, given how I've been thinking that maybe Alexis and Leon won't last? Especially since Alexis have plans outside of Galar and Leon entirely? I was worried, after devoting so much time into it, that it'll seem....rude(?) to say they aren't the forever couple.

Little ramble aside, I hope that you're doing well! Have a good day/night!

Hi there @Ihopethisendswell! I'm doing well, thank you for asking. I hope you're doing well too! First, I’m glad you think Terra is super cool! You have no idea how worried I was about revealing my trainersona to the world (much less getting into the OC/Canon community). I grew up at a time where the internet was absolutely merciless to any OCs, especially sonas/self-inserts.

Second, honestly one of the things I’ve learned since really getting more into non-poetry related creative writing is to not be too beholden to certain ideas. I feel you 100%, like I invested a lot in trying to get Terra to Galar, how she’d reintroduce herself to Leon (because she would’ve already met him prior to this, but this would be their first chance to really get to know each other) and then to just drop it? Yeah it felt rude

Like I really thought Terra and Leon were about to be endgame because I’m sure everyone on this side of the internet knows how much I love our unbeatable champion.

But in the end there were a couple of reasons where I realize this pairing wouldn’t work out. (this post is long so the rest is under the cut)

The biggest being the culture of Galar itself. Unlike the other regions, the culture around battling is very public and has a celebrity air to it. Terra was already at least somewhat uncomfortable with the fame she got as Hoenn champion. Galar turns that up to eleven and I think it would be extremely stressful for her in general, especially trying to get through her emergency medicine residency with people being aware of her former title. But then to have a romantic relationship with one of the most eligible bachelors in Galar? I think the scrutiny of their relationship would be too much for Terra to handle and she’d break it off. Especially if the gossip magazines dug up her past which leads to the next reason.

Leon and Terra both become champions at the same time (along with Red and Blue). Leon (and also Red) are pretty much the ideal champions. Blue and Terra...not so much. Granted this is harder to see with Terra because unlike Blue, she wasn’t a cocky jerk as a kid and she did end up saving the region (and world) twice. But yet like Blue she’s got plenty of baggage from her childhood that really prevented her from being able to put the full love and trust in her Pokemon. She’s far more of a loner than people would initially guess given her friendly and helpful disposition. She got that championship like Blue by being incredibly good at strategy and movesets, not because of bonds with her Pokemon or the power of friendship. She was also at the time, full of emotional turmoil. I’d describe Terra as a volcano...the pressure has to mount before she explodes. Which it does 3 years later when she loses the title and has that falling out with Steven and Wallace. Surprisingly after what happened her reputation was still mostly intact, although that had to do with her being a two-time hero and the fact that Steven and Wallace weren’t innocent in the incident either (to be fair Steven and Wallace were twenty something adults who had their own baggage and having to deal with a moody teenager with baggage, it was just a perfect storm waiting to happen).

But still that’s the type of thing that would be used against Terra especially in a region like Galar. Especially when you compare her to Leon I think there would be many who would imply that Leon is too good for her. I mean granted Leon isn’t perfect but his reputation as a trainer and champion is ultimately cleaner than Terra’s (even though by that time she would’ve grown as a trainer and person). Terra and Leon may have good chemistry, but I think there would be too many outside forces that would try to break up the relationship. And finally, the other reason is....Blue (or Green) Oak.

Yup, Mr. Steal Ya Girl really went and stole Terra right out of Leon’s arms. Turns out two former champions with baggage that they’ve since learned from end up being really good for each other. Like it’s really funny how the Blue/Terra ship started off as a “haha what if Terra met Blue and they went on like one date” sort of deal before turning into a serious relationship. But as I began writing out more of Terra’s post-champion life there was just a lot of potential there for her and Blue to interact and more importantly I realized how extremely compatible they are. They have the right balance of similarities yet difference that make them very well suited for each other

(art by the lovely @mangocolours on twitter, please go comm them if you have the funds to do so)

To quote J. Cole from Crooked Smile “We ain’t picture perfect, but we’re worth the picture still” I think perfectly encapsulates Terra’s relationship with Blue. Two imperfect champions making peace with the past and moving on to obtain greatness in other ways. And in the end, they succeed becoming legends in their own right.

(ending this with more art, this time by the amazing @mahaliaxraihan. Go comm her if you have the chance)