#and sometimes it's not even silent

[softquietsteadylove]

For the 3rd part: The angst of most angst...Gil's mission didn't turned out good. Thena received an order to back-up Minerva's team and Thena's heart just fell but she didn't want to jump into conclusions. Kingo rushed into Thena's office, Thena didn't ask Kingo how the mission went, she asked him desperately with pain and guilt on how and where he (Gil) is. But Kingo didn't tell her anything. So Thena stubbornly ignored him, she prepared her equipments but Kingo said she is not going and finally revealed that Gil talked to him and asked him to take good care of her while he was away. Kingo felt something off but he still obeyed Gil, he also reminded Gil that he had made a promise to Thena, he must be back, he must comeback.

Thena had no time to breakdown, she felt guilty, she had to be strong for him. She desperately want to see him. Kingo knows that he can't change her mind and he just followed her as soon as she gears up.

"Okay, team, this is quick and dirty," Kingo briefed the team as they suited up in their protective gear. "Extrication's op ran into a bump in the road and they need our help. We're looking at minimum seven injured and possible two casualties. We don't know who, don't know if it's our own or not. We keep our eyes on the prize: we infiltrate, we take down, we save everyone we can."

"Sir!"

"Five minutes out!" Kingo sent off the rest of the team as their current second-in-command. He had to go get the boss.

"Thena?"

Thena was trembling. Her back was to her door, but Kingo could see her shoulders shaking, how tightly she was holding herself. Her weapon was sitting on her desk, not even holstered yet.

"Boss," Kingo tried again, stepping into her office and closing the door behind him. "Boss, we gotta go."

She nodded, clearing her throat. She tried to say something but all that came out was a positively pathetic whimper from the back of her throat.

"Hey," Kingo said gently, although it just seemed to make things worse. He rounded her desk, moving closer to his friend in her moment of weakness. He put a hand on her shoulder, alarmed to find that the shaking was actually much worse than it looked. "Hey, hey, come on."

"Kingo," she managed to whisper as she tried desperately to get a hold of herself. But her throat was so tight her neck was straining to keep her breath in her lungs. She was holding her arms so tightly they would probably bruise. She sniffled, "Gil-"

"We haven't heard anything new," Kingo told her exactly what she needed to know. It was true; they had heard there were casualties, and that their line of communication had dropped with the Extrication team. He didn't know any more than that.

"I-I c-can't-" Thena gasped, trying so, so hard to rein in her control of herself. He had never seen her like this.

"Okay," he whispered, pulling her against him completely. It wouldn't surprise him if she gave him hell for it later, but it was now, and she needed it now. He rubbed her back as she pressed her face into his shoulder, "let it out, Boss."

Thena gripped his shoulder and let out a positively grievous wail.

Kingo felt shaken. He had never seen Thena like this, or felt pain radiating from her to this degree. Not even when Gil first got taken away from her was she like this. He patted her shoulder in a poor attempt at optimism, "it'll...be okay."

She pulled away, swiping at her cheeks rather angrily, "don't bullshit me."

He let out a laugh, only because he didn't know what else he could do. He moved to swipe away a few more tears of hers, only for his hand to get slapped away. At least she was feeling more herself, "sorry, Boss."

Thena cleared her throat, "this is...I wasn't... "

"Hey, I'm scared for Gil too," Kingo shrugged, easily excusing the perfectly human display from his usually statuesque boss. He tilted his head at her, "maybe not the way you are, but-"

Thena glared at him, but he shrugged again. She sighed; he always had been oddly talented at seeing through people, including her. Although he had to concede that the only one better at reading her than him, was Gil.

"He asked me to take care of you," Kingo muttered, which brought more of her distress to the surface again. "He worries about you; not being here, and all."

Thena sighed, although even that was shaky. She licked her lips and looked at him, "he promised."

He promised to come back to her; he always promised that.

"He'll be okay, Thena," he said more softly. "You know Gil. He's strong, he's tough, he knows what he's doing. I'm sure he'll have things under control by the time we get there."

Thena swallowed, nodding and blinking away the last of her tears. "Two minutes."

Kingo smiled; no one was tougher than the Goddess of War. She was tough, she was baddass, she was fierce. She had survived getting taken by the enemy and tortured for information. She had directed mission after mission of some of the most high risk ops. She regularly had to face down sending the man she loved into dangerous situations. "Two minutes."

"Two minutes," she repeated, finally reaching for her weapon to clip it to her belt.

Kingo eyed the lovingly wrapped lunchbox before she took it and carefully deposited it into her desk drawer.

[luna-loveboop]

So one thing I like about Time is that he will talk about his life and journeys

He talks about it! He'll tell the boys stories and answer questions. (...when asked)

Obviously he tells his family- Malon knows everything

But he has also never held back from telling the boys stories or answering questions

I'm still always cackling over him telling them about gerudo town- he is way too proud to brag about being a mischievous gremlin

"I proved to be a greater thief than all of ganons tribe"- oh yeah. He's definitely the good influence. (That's sarcasm, Wars is the one good example for the younger ones.)

He just. He looks so smug to tell them about his experiences with the Gerudo- I love how often we see him just talking to them and answering questions about his life.

Even if it's clearly painful memories- he has still always told them

*sobs*

Obviously Time talks to Twilight the most about stuff- and everyone knows that (to where Sky went to him for questions about Time)

But the thing that get me the most is Wind.

Wind asked about... everything! Wind asked about his first journey and his life- and Time told him

The sheer transition from

"I was wondering... about your original journey"

To

"You told me about your original journey. Everything you said... the sages you described, the old traditions, the old stories- all of it! ...)

And this literally drives me insane because Time told him- Time told him everything! He told him about the sages, traditions- Time literally openly talked to Wind about his first Journey because he asked.

The Hero of Time's story had always been a tragedy- I mean... yikes. Trauma much? But I think people overlook this part of him- that he's older. All the hurt and scars are still there, but he has learned to talk about it to deal with it. And I think I know why- (Read)

Malon Malon Malon Malon!!! Jojo showed this set up for their marriage- Time was and is traumatized. But he and Malon worked to talk through things. I mean. Can you imagine keeping secrets from Malon? I don't want to. I feel like she would throw a cow at me. Anyways.

It takes a lot to work through trauma and learn to talk through it. Malon claimed him tho, so I don't think he had a choice. But seriously- she helped him work through things as family. Which led to a successful marriage for both of them, and got Time to where he can talk about these things with the boys :D

But

Time is a troll, so although he will share his insane life stories.... he will also say he fought the moon with no more context, and tell his wife that they have a descendant but not freaking tell her which one it is.

He's so insane I love it <3

Just don't forget this part of him... don't forget that rather it's sad or goofy or whatever- he will talk about his life. If someone simply asks

:)

.

Art and comic by Jojo @linkeduniverse au! :DDD

@adrift-in-thyme

[canisalbus]

Different Italian anon, but the thing with Tuscan C is that it's pronounced like a very strong H sound, which is extra weird cuz the letter H makes no sound in Italian, normally. It sounds the way Spanish pronounce the J. We say it's "aspirato". So then people from there will say things like Hoha Hola (coca cola), and it's funny. It's also extremely contagious, I got family in Florence, you spend 3 days with them you start doing it too before you even realize.

.

[meamiiikiii]

[reverse entry AU]

so glad the work week is over!

no more meetings!

what do you mean its only tuesday.

[thejasontoddarchives]

Brothers in Blood will trick you into thinking it’s just a silly crack scenario brought to life and Jason just concocted this plan for shits and giggles. Then you get a single page like this:

Nightwing (1996-) #121

that reveals he wanted/desperately needed shreds of acceptance even if it was coated in layers of resentment irritation and doubt after going through this:

Batman (1940-) #650

And it had to be from someone who isn’t Bruce

[qsmprambling]

The speed of archs like Regret and Happy Pills is really emphasised when you're a Bad main who waited 2 months for a some death/rebirth payoff, while also going through month 3 (minimum) of Bad's destroy the Federation while burning bridges with the islanders plot while ALSO still in the middle of whatever the Soul Vulture plot is, while ALSO surviving on reaper lore crumbs that have been scattered occassionally for 7 MONTHS

And just to clarify I love it it's THE BEST!!

[youngdutchishot]

dutch straddling hosea's lap, and he's hugging him close, fingers softly scratching at his light stubble because he knows that hosea loves it

[prolibytherium]

I never touched it but I feel like i only ever hear positive things said about song of achilles.. in (rough strokes at least) what makes it dogshit to you?

Okay it's been a while since I actually read it so some of this might not be spot on accurate. Sorry if at any point I say 'the book never does xyz' and it actually does once or twice but I think my underlying criticisms are accurate

-Patroclus is made into like this soft gentle tender quivering little yaoi boy. In the source text, he's shown as compassionate and moved by the suffering of his own men (and apparently having some medical skill, tending to the wounded in the camp), but very much invested n combat and very, very good at it (pages worth of descriptions of the guys he's killing left and right). In this, the arguably more complex character from this 8th century BC text is flattened into Being A Healer, he doesn't want to go to war he just wants to help people, he only goes because Achilles has to but he doesn't want to fight he's a HEALER he's a gentle lover NOT A FIGHTER who just wants to help he just wants to help everyone around him he HEALS while Achilles is a doomed warrior who is so good at fighting and KILLING its a DICHOTOMY GUYS!!!LIKE THE BEAUTIFUL SUN AND MOON DOOMED LOVERS SO SAD patocluse HEALER . (I Think he's specifically characterized as being BAD at fighting but might be misremembering)

-I don't remember much about Achilles' characterization I think it just makes him less of a jackass while not adding anything of interest and levels out into being mad boring.

-Not getting into the literal millenias old debate whether the mythological characters Achilles and Patroclus were being characterized as some type of lover by the original oral sources of the Iliad or its Homeric writers. We will never know. We don't even know what (if any) culturally accepted conventions of male homosexuality existed in bronze age Greece (we know much more about their descendants). But there are some interesting elements of their characterization in this direction, with how unconventional their relationship is WITHIN the text itself- Patroclus is described as cooking for Achilles and his guests (very specifically a woman/wife's job), Achilles chides Patroclus like a father, but there's also scene where Achilles' mourning of him directly echoes a passage of Hector's wife mourning her husband, Patroclus is explicitly stated to Achilles' elder, and is overall treated as his equal or near-equal, closest confidant and most beloved friend (to the point that pederastic classical Greeks would debate over who was erastes (older authority figure lover) and who was eromenos (adolescent 'beloved')- many took it as a given that this text depicted their present-day cultural norms of homosexual behavior but it existed so Outside of these norms that it had to be debated who was who). Their relationship is non-standard both within the text and to the descendants of the civilization that wrote them.

Basically what I'm saying is this book had opportunities to like, explore the unconventionality of the relationship (being presented here as explicitly lovers), explore the dynamics of why Patroclus wants to do 'women's work' (besides being a tenderhearted softboy), the weird dynamics where they take on paternal roles to each other but also roles of wives, how they feel about being this way, and just kind of Doesn't. Which I guess isn't an intrinsic fault (because it omits much of what I just talked about to begin with). it's just like.... Lame. This book takes jsut abandons everything interesting about the source text in favor of flattening it into bland Doomed Yaoi.

-The conflict that sets off the core story of the Iliad is Achilles and Agamemnon fighting over Briseis, an enslaved Trojan woman taken by Achilles as a war-trophy, Achilles spends most of the story moping because he was dishonored by his 'trophy' being taken. Achilles and Patroclus and everyone else are raping their captives, all the women in the story are either captured Trojans (or in the case of the free women within the walls of Troy, soon to be enslaved, and are slave owners themselves). Slavery as an institution and extreme patriarchal conventions are innate to the text and reflective of the context in which it was developed. You cannot avoid it.

But obviously you can't have your soft yaoi boys doing this, so the author has them capturing women to Protect Them from the other men. Their slaves are UNDER THEIR PROTECTION and VERY SAFE (and they might even Like And Befriend Them but I might be misremembering that. Briseis does though). Our heroes have apparently absorbed none of the ideals of the culture they exist in and the author seems to think "they're gay and aren't sexually attracted to their captives" would translate to them being outright benevolent (also as if wartime sexual violence is just about attraction and not part of a wider spectrum of violent acts to dehumanize and brutalize an accepted 'enemy')

In the source text, Briseis mourns Patroclus as being the kindest to her of her captors, who tried to get her a slightly better outcome by getting her married to Achilles (which probably would be the Least Bad of all possible outcomes for a woman in that situation, becoming a legal wife instead of a slave), and wonders what will happen to her now that he's gone. This is a really really sad, horrible, and compelling dynamic which could be fleshed out in very interesting ways but is instead is tossed entirely aside in favor of them being Besties. Like brother and sister.

All of the above pisses me off so much. If you don't want to engage in the icky parts of ancient/bronze age Greece then don't write a retelling of a story taking place in bronze age Greece. I'm not gonna get mad at children's adaptations of Greek myths or silly fun stories loosely based on them for omitting the rape and slavery but it is SO fundamental to the Iliad. If you're not willing to handle it, either fully omit it or better yet set your Iliad inspired yaoi in an invented swords-and-sandals setting where you can have all your heartbreaking tragic doomed lovers plot beats and not have to clumsily write around the women they're brutalizing.

-The author didn't seem to know what to do with Thetis and she made her just like, Achilles bitch mother who spends most of the story trying to separate our Yaoi Boys (iirc her disguising Achilles as a girl and hiding him on Scyros is made to be more about getting him away from Patroclus than trying to save her son from his prophesied doom in the Trojan War) until she sees how much they loooove each other and I think helps Patroclus' spirit get to the afterlife or something in the end?

-This is more of a personal taste gripe but it has that writing style I loathe where the prose feels less like a story and more like an attempt to string together Deep Beautiful Hard Hitting Poetic Lines that will look great as excerpts on booktok (might predate booktok but same vibe). It's all very Pretty and Haunting and Deep but feels devoid of real substance.

I really like The Iliad and The Odyssey in of themselves. They're fascinating historical texts that give a window into how 8th century BC Greeks told their stories, saw their world, interpreted their ancestors, etc. And genuinely I think these texts have 'good' characters, there's a lot of complexity and humanity to it.

WRT the Iliad- all of the main Achaeans are pretty fascinating, the one singular part where Briseis Gets To Talk and laments her situation is great, Achilles fantasizing that all of the Trojans AND the Achaeans die so he and Patroclus alone can have the glory of conquering Troy (wild), Achilles asking to embrace Patroclus' shade and reaching out for him but it's immaterial (and the shade being sucked back underground with a 'squeak' (the squeak kinda gets me it's disturbing and sad)), Hecuba talking about wanting to tear out Achilles' liver and eat it in a (taboo, exceptioally pointed) expression of rage and grief for his mutilation of her son's corpse, just one tiny line where the enslaved women performing ritual wailing for their dead captors are described as using it as an outlet to 'grieve for their own troubles' is heartrending, etc. A lot of grappling with anger and grief and the inevitability of death, a lot of groundwork laid for characters that could be very interesting when expanded upon in the framework of a conventional novel.

And Song Of Achilles really doesn't do much with all that. I know a lot of my gripes here are kind of just "It's different from the Iliad", I would have thought of it as mostly mediocre and forgettable rather than infuriating if it wasn't a retelling (and I DEFINITELY have strong biases here). But I think the ways in which it is different are less just a product of a retelling (of course there's going to be omissions and differences) and more a complete and utter disinterest in vast majority of its own subject matter, to the book's detriment. I think a retelling has a point when it EXPANDS on the source, or provides a NEW ANGLE to the source. This book doesn't Really do either, it just shaves off the complexity of its source material, renders the characters into a really boring archetype of a gay relationship, and gives very little else. Its content boils down to a middling tragic romance that has been inserted into the hollowed out defleshed skeleton of the Iliad.

Bottom line: I definitely would not be as mad about it if I wasn't familiar with the source material but I think it's fair to expect a retelling to Engage with/expand on its source, and I also think it's weak purely on its own merits. This book was set up to disappoint Me specifically.

[42eyeballs]

when people say that sometimes (queer) subtext is better than explicitly naming something really what they mean is that weve all seen amok time and we all know what happened on the sands.

[h0ped3lusion]

I just found out that not only does Drifter refuses to pull out his sword in the Central, he also refuses to throw out explosives but would throws out little flowers instead,,,

[eggslamwich]

Saw someone say horror doesn’t need well written characters and I’m sitting here like

🤨🤨🤨

[ask-shane]

I always smile when I see a notification from this blog c:

you have notifications on for my shitty little blog?

that makes me smile, too.

[agoldengalaxy]

since it seems I’m one of like 3 people that like minsc/jaheira, let me see if I can recruit more to my cause:

- while he was trapped in stone, jaheira visited him all the time, openly weeping and speaking to him

- even while under the tadpole’s control, minsc only listened to “jaheira”

- when minsc thought “jaheira” died, he was inconsolably angry

- jaheira was willing to risk EVERYTHING to get minsc back. nothing mattered to her more. she threatened the emperor - and the rest of your party for that matter - and screamed “help my friend!”

- when jaheira talked about how she had to leave him behind, she explained it was the logical thing to do…but she said she hated herself for it because minsc never would have left her, ever

- minsc referred to her as his wychlaran - a wise woman of rasheman, bonded to a berserker bodyguard for life. there is no higher title or deeper bond in all of rashemaar custom

- jaheira disagreed with this, to which he said “the title matters not. only this: when minsc does as minsc does, and charges in to make a mess, jaheira does as jaheira does, and saves us all anyway”

- minsc knows her children and they know him

- jaheira smiles the most around him

- they love each other

[theloveinc]

Shinsou had a crush on you since like, young kids days and never thought you noticed him, but that was good cause maybe you thought he was a weird kid, so once he beefed up and finally got the confidence to talk to you it gets shut right tf back down when you're like "Of course i remember you!"

I don't know which part is worse............................ Shinso being so absorbed in his own supposed loser-hood in his youth that he essentially ignored you for 5-10 years while he was working out his self esteem issues ... or the fact that you not only DO remember him, berry well at that, but don't really think anything of it because you thought HE was kinda... a jerk for never being nice to you back.

(Cuz on one hand, you're so sweet, smiling at him when he approaches you, genuinely, just like you did back when you were both under ten and you'd smile at him from the other side of the park... but on the other hand, you don't hesitate to turn right back to your own friends after he barely manages to answer your "how have you been" question and you give him pity eyes like you still think he's a shy headass.

It's just... he doesn't want to fuck it up a second time and lose his momentum... but all the confidence he put into the moment deflated the second he realized you were even more beautiful and more kind than he remembered you and it got him tripping over his words)

ANYWAY then there's another 2-4 months of him trying to get your number just to be a fool over text before even managing to convince you he's worth a fucking damn LOL.

(And he is worth a damn, so much more than a damn because he's willing to give anything and everything up for you but... doesn't know how to say it in a way that wouldn't scare you off for good...

Not to mention he's so fucking bad at texting. Yes, his dry humor is funny as hell but he's not trying to be funny with you, he's trying to WOO you and so the whole thing is just him making excuses to reach out to you even tho texting first for him is like plucking ass hair.)

[666writingcafe]

The Adventure Begins

Levi's overacting. Again. The only reason it wasn't obvious during the school play was because Simeon kept him reined in. Levi gets excited quite easily, and it causes him to get lost in whatever role he's playing.

I'll have to ask Simeon, but I don't think he intended the Lord of Shadow to act so...dramatically? badly? I don't know how to describe it, really. It just isn't very good.

Unlike MC. I'm not sure why I like their acting better, especially since they're currently matching Levi's energy. Maybe it's because they're intentionally hamming it up. They did mumble an apology to me before they started talking to him, after all, so they must know that Levi's acting isn't the best.

Satan's isn't much better, either. He's not as over-the-top as Levi, but I don't find him convincing as the "villain" of this story. If anything, he'd make a good anti-hero, but Solomon probably didn't want to make things too complicated.

Solomon's not a very good author.

However, I'm choosing to keep all this to myself, because the point of all this is to help MC get their first star. Lucifer, on the other hand, is having a hard time suspending his disbelief. So, I understand why MC told him to shut up. I just hope they're prepared to get their ass handed to them once Lucifer's back to normal size, because while he has a soft spot for MC, he doesn't like being silenced. Messes with his pride.

Speaking of which...the stars.

They represent the seven virtues, which are direct opposites of our sins. For me, that virtue is temperance. Solomon probably knows this, but he may not realize the full extent of my relationship with temperance.

Once upon a time, I was able to control myself and my urges. Until I wasn't. For my brothers, their sin was triggered by specific events; that wasn't the case for me. It just...happened. And I didn't realize it until it was too late.

Now, it's what most people know me for. They think I'm a meathead that only thinks about food. Even my brothers.

Which isn't fair.

Why are they allowed to have complex personalities, but not me? Why can they participate in mentally stimulating activities, while I'm cast off to the side and dismissed as too dumb to understand any of it? It's never made sense to me.

I think that's part of why I like MC so much. They're the first person in a really, really long time that sees me beyond my sin. They actually listen to what I have to say and seem to value my opinion, even if it's not related to food or sports.

Yet somehow, deep inside, I don't fully trust them. I think it's coming from my subconscious. Somewhere in there lives a hurt angel that feels like everyone he cares about will die and leave him behind. And in a way, it's true.

Lilith may have been the only person in our little family that actually lost their life, but my brothers barely resemble what they were in the Celestial Realm. It's weird. They wear the same faces, but they're completely different people. Sometimes, I feel like they're complete strangers, or perhaps taken over by aliens.

Oddly, the one person I can rely on to stay the same is Satan. Then again, he didn't have his own form until we arrived in the Devildom, so this version of him is all I've ever known.

"Beel?"

Shit.

I missed a lot, didn't I?

"Are you okay? You seem out of it."

"I could say the same to you." Why is that the first thing that comes out of my mouth? I sound like a jerk.

MC merely sighs as they sit next to me on the...bed? I take a proper look at my surroundings and realize that we're in a hotel room of some kind. Lucifer appears to be sleeping on the nightstand, using tissues as both pillow and blanket.

"Wanna go first, or shall I?" Interesting question. They don't seem upset at me.

"Your call." MC rests their head on my shoulder.

"Simeon needs my help making an important decision." Their tone indicates something serious.

"With what?" MC sighs again.

"His future." Huh? Why would an angel need a human's help with that? I know that the two of them are fairly close, but still.

"But that's neither here nor there," they quickly add, sighing. "It's not like I can do anything about it now." They glance up at me. "What's on your mind?"

"My past."

"As an angel?" I nod.

"Back then, the only thing that mattered to people was that I was strong. I wanted to be useful, so I decided to become a soldier and fight for the Celestial Realm. Problem was, I had trouble controlling my powers."

"Like I did before receiving the Ring?"

"You know, I hadn't really thought about it until you said it, but yeah. I suppose we have that in common. In your case, everyone had your back, which is good, because I wouldn't have wanted you to go through that experience the way I did." MC sits up and properly looks at me.

"What do you mean?"

"Every time I would destroy something--even though most of the time it was a complete accident--Raphael would make some sort of sarcastic remark about it. I think he started calling me the Hulk at one point, but it was meant as an insult." I pause.

"At least he had the decency to do it to my face. Lots of angels would talk shit about me behind my back. They thought I was too stupid to pick up on it, but I knew. They acted overly sweet towards me whenever I would walk in the room. Condescending, even. It was like I was a dumb kid to them." MC places a hand on my thigh and pats it.

"Sounds depressing," they remark.

"It was. Oddly enough, the one person in authority that didn't treat me that way was Lucifer. I initially thought he was too busy with his duties to really care about much else, but then one day he approached me and started talking to me. We had a legitimate conversation."

"About?"

"He told me to keep in mind that being a Celestial Realm soldier wasn't about attacking--"

"--but protecting." We must have woken Lucifer up. "You had the power to protect everyone--to keep them safe--and that you shouldn't feel bad because you were special. If you learned to control your powers, I'd recommend you to the cherubim and have you serve as a Celestial Realm gatekeeper. You did, and so I kept my promise." Lucifer beckons MC to pick him up and bring him closer to me.

"MC and I may be connected by the Ring of Light, but the two of you have a strong connection as well," he continues. "You're both motivated by the need to protect the ones you love, even if it means sacrificing yourself in the process. Drawing on that similarity is going to be the key to pass Solomon's test."

"Are you saying Solomon knew we had that in common?" MC asks incredulously.

"No. I did. I simply passed the knowledge along to him."

"How long--"

"The rooftop."

"Of Dogi Magi?" I'm glad MC understands what he's referring to, because I'm completely lost. Must have been something I wasn't involved with.

"You knew that Belphie would hurt you if you went against his order to reject me, but you did it anyway."

"I didn't want to lie to you."

"Because that would have meant hurting his feelings." Asmo may have used his powers to pick up on Lucifer's crush on MC early on, but I knew pretty much from the moment they set eyes on each other. Granted, he was more attracted to their soul initially, but who could blame him? It was bright and shiny, even back then. If we weren't under orders to not eat them, then they wouldn't have made it out of the assembly hall alive. Even Diavolo was struggling to contain himself.

Anyway, the point is MC cared enough about Lucifer in that moment to feel the need to protect him.

Just like I felt the need to protect Lucifer after I became a cherub.

MC's going to get their star.

[thetardisisnotourdivision]

Hey did I ever tell y'all about the time I dreamed that I had a baby daughter called Ellie that began with my finding out I was pregnant and ended on like her third birthday?

I legitimately woke up thinking "I should go check on Ellie" and then realised she was never real and when I tell you I SOBBED. I've been haunted by an implacable sense of loss ever since. Did I travel to another dimension? Wtf happened because that was insane.