#and something i feel i'm obligated to have an opinion or something on

[ssaalexblake]

the life of a 13 era dw fan who doesn't like doing negative fandom things, as in, spending my time going on about what i dislike about it and would rather discuss positive or neural things about it, and how this genuinely Genuinely bothers some people lol

[greyfacade]

Also reblogging things without critical thought is a good way to be scammed, brainwashed or manipulated online. The above is true too of course, absolutely, but it's also good to learn how to make your own choices instead of caving to peer pressure. The status quo isn't always right. Even if you agree with a stance being made, that doesn't mean you have to agree with the way it's being resolved/managed.

The point is you should make your own mind up about things and not cave to popular opinion unless you agree fully. It's hard, especially when people gaslight you into feeling like an immoral person for disagreeing, but it's good to have your own opinions even if no one else shares them. To follow blindly can lead you to falling for extremist beliefs and no one needs that. Tumblr might be left-leaning, but it's not always right. Sometimes people have good intentions but poor resolutions. It's okay to scroll past.

No matter what a post on tumblr tries to tell you, your moral and ethical stances will never be determined by what you reblog and what you scroll past. Don’t let manipulation tactics force you into doing anything you don’t want to do.

[apollos-olives]

hey! if you don't mind me asking(feel free to ignore this ask) what do actual palestinians think of hamas? I'm not asking to sow any discord or to "catch" you out, I'm asking purely out of curiosity. from where I'm from, people generally view hamas and the houthis positively (and by people i mean the vast Muslim majority of pro-palestine supporters) but i have seen than some Palestinians don't hold them in such a high regard. similarly some people supported the IRA whereas other irish people strongly were against them - so I'm wondering if this is a similar situation? again if this ask is uncomfortable for you to answer , don't feel obligated to

this ask is uncomfortable but i'll still answer because i think it's important.

we as palestinians are sick of getting asked about this. it's asked as though every palestinian somehow has the same opinion on hamas and that each singular palestinian can speak for the rest of the population, which is obviously not true. i don't know every palestinians' opinion on hamas and i cannot list every opinion out there because not all of us agree on one single thing. each palestinian has their own opinion on hamas and honestly, it doesn't matter. we are tired of this question. we don't care about hamas anymore. this shit isn't about hamas at this point. 30000+ palestinians are dead and people are STILL talking about hamas as if that's actually important and rather than protesting for a ceasefire or fighting for a free palestine.

my opinion on hamas is different than my friends' opinions on hamas. my opinion on hamas is different than my parents' opinion on hamas. my opinion on hamas is different than my palestinian mutuals' opinion on hamas. my opinion on hamas is different than a lot of other palestinians who are involved. palestinians who keep getting asked this are tired. we are so tired. i appreciate that you are asking in good faith, but we don't want to talk about hamas anymore. we want to have a free palestine. we want our children to stop dying. we want to return to our land.

my personal opinion is that i don't really care about them. i don't care for their policies or their political goals. i only support them because they are one of the largest and efficient groups who are trying to liberate palestine. many palestinians share this same opinion. they do not support hamas as a whole, but they still appreciate that hamas is trying to fight for a liberated palestine. we support their efforts for the fight against the occupation, but past that we do not care or do not support them outside of that. what they do as a political group isn't something that i'm interested in, because i'd much rather be focused on freeing and rebuilding palestine.

some palestinians hate hamas. my parents dislike them, but they won't criticize them for trying to fight against the occupation, because they know that hamas is one of the most powerful groups of resistance in palestine, and will not go against their efforts to try to help palestine. some palestinians love hamas. some palestinians don't care about hamas. every palestinian is different, but in the end it doesn't matter. hamas is fighting for the same goal as the rest of us. a free palestine.

@el-shab-hussein has a post on his own opinion on hamas that i think is worth the read.

in the end, it doesn't matter about what our opinions on hamas are. because hamas only exists because of israel. if israel didn't exist, hamas wouldn't exist. hamas is a large group working for the resistance and hamas isn't the reason of palestinians' suffering. israel is.

@fairuzfan says: "I know this was sent in good faith but it doesn't really matter what Palestinians opinions on hamas are because even before hamas existed 750,000 Palestinians were exiled and killed."

we suffered before hamas existed and we will continue to suffer as long as israel is in power. so again, it doesn't matter what palestinians' - or really anyone's - opinion is on hamas. what we should be focusing on is fighting for a ceasefire, fighting for a free palestine, and fighting for a free world.

[1shirt2shirtredshirtdeadshirt]

Sexism in TOS: Worst Offender, or Progressive in Retrospect in Comparison?

I see a lot of folks claim that TOS was the most sexist of the Star Trek shows by a landslide -- and while I agree that it definitely suffered from the sexism of the times, I also have other perspectives to share to give some food for thought.

I am of course not insinuating that TOS isn't sexist -- it is, but I have to ask folks to consider the breadth and depth of Berman's sexism in his run and ask yourself: Was Gene Roddenberry genuinely more sexist in his storytelling and delivery than Rick Berman?

I'm not telling you to feel one way or the other, but all I ask is that you hear me out and consider some perspectives and make your own balanced assessments. Nobody is obligated to share my opinion, but it means a lot just to have folks hear it and see their thoughts on the subject. So here is what I was originally responding to:

Someone's response to this photo:

"Devil's advocate. This was a part of the popular form of cardio during the production time of TNG. Yes, it was heavily sexualised by men, but so is literally every other way women work out. Men have been caught taking pictures of women while trying to do dead lifts, running on tracks and working on sled machines. They post them online to share too. The fact is, there is no way a woman can be shown working out without it going there. And yeah,t hat includes the combat forms of workout they do in Star Trek. Just look at how Dax dresses when she spars with Worf. Yes, they're dating, but still, same goes when 7 does and any other female.

Aerobics routines like this were made dirty and cringy. This was what women wore then by and large. This is how the workout was done. We make it cringy."

My response to them:

"I respect your take, but I disagree on a few fronts.

The miniskirt was chosen by the TOS female cast, not the male cast, specifically requested by Grace LW and affirmed by Nichelle and Majel who would go on to vehemently defend the miniskirt over the years as comfortable and embraced by them.

Grace said it was comfortable and seen as a symbol of female sexual empowerment during the 60s and thought it would be a progressive garment (and turns out that it was, as it was later adapted and worn by male crew as a skant on TNG) -- FYI those were designed by a gay man and Gene approved them.

This was also supposed to be Spock's TMP outfit:

Literally lingerie.

We saw both Uhura (who saves Kirk in from Marlena Mirror Mirror) and Yeoman Landon (the first to initiate combat with a classic Kirk-esque kick to help the Captain being attacked in The Apple) carry out their combat training in their Starfleet uniforms without ever being made to change into any ridiculous workout gear.

In fact, I'd argue Jim Kirk was sexualized even more than the ladies of the week on the show and I saw his naked body more than anyone else's on a fairly regular basis. He wore red yoga tights while topless in Charlie X while the women wore full length gymnastic suits that covered their entire body. If anything, it went out of its way to avoid sexualizing women practicing fitness in those scenes and instead focused on Kirk.

Gene confessed that he asked to have Shatner filmed in suggestive/provocative ways to "give something to the ladies", so he -- as he said -- liked to "film him walking away" or have him conveniently busting out of his shirts in just about every episode as it were, because Shatner apparently had great assets. LOL

Gene made an effort to at least sexualize both if he was going to sexualize one, and he carried that attitude forward in wanting the m/m and f/f scenes in the background on Risa for TNG. He also insisted that the men and women wear skimpy outfits on THAT TNG planet. You know the one. LOL I mean the dudes even had on less than the women:

Gene also gave permission to K/S shippers to have their conventions back in the 70s when he was asked for permission. Gene and Nimoy felt with all the skimpy outfits they had the ladies wear, why not let the ladies and gay men have their fun, too? It's how we ended up with moments like this:

Yes, those are two people dressed up as Kirk and Spock's penises doing interpretive dance. Gene didn't give two damns. LOL

In my eyes, that was a very progressive take on Gene's part for the 60s. It was actually PARAMOUNT STUDIOS who had the big problem with K/S stories and vehemently tried to shut them down. Gene literally hired slash authors on his payroll and even had several slash stories/writers published in his official Star Trek books (The New Voyages & The New Voyages II).

I feel I saw Uhura and women in TOS engaged in more physical combat/altercations defending themselves that Troi or Bev were shown holding their own.

In fact, Kirk used to get furious when someone would "dress up" his female crew members without their consent (Trelane episode, Shore Leave episode) because like his male crew members, he wanted them to be treated professionally and to also have his male crew act professionally.

Berman brought some of his own personal biases into Star Trek that in some ways regressed it. While TOS had blatant sexism and was called on it time and again, that show was made in the 60s -- a solid 21 years before TNG. We as a modern audience understood why some of it was cringe/sexist due to the time period -- look at any other media coming out in the 60s and Star Trek was miles ahead of what other shows were doing.

Compare that to Berman who was churning sexist stuff out when women like Starbuck and Scully were simultaneously on screen on other programs airing, and we had already had Sigourney Weaver and other strong women in Holywood playing respectful roles.

In my eyes, there was no need of the sexism seen in TNG but especially VOY and ENT. There was no excuse for it when other shows were writing women far better and a number of those weren't even set in the future like Trek was, making it age even faster due to having those dated perspectives frequently highlighted.

In the Center Seat documentary as well as "The Fifty Year Mission" book you will find cast members, writers and other studio alumni who attest to this. Some discussions from "The Fifty Year Mission":

"First, Berman was supposed to have been a real sleaze ball . . . According to Terry Farrel, he would go on constantly about how her breasts weren't big enough, how she should do something about it, and how his secretary was a good example to follow as she had huge breasts. She even had to have fittings to get larger bras, and that was all done at his behest.

Later Berman and Braga developed a name for Jeri Ryan's character prior Seven of Nine. They originally called the character "perineum" which if you look it up it is the area between the anus and the scrotum. Later they floated the name "6 of 9". I mean, what does it tell you about where these two were coming from in the development of this character if they had names like that put forward in all seriousness for her?"

Gene Roddenberry also had some of his own more progressive ideas for TNG cut or watered down by Berman. Roddenberry agreed TNG should have homosexual relationships and representation at a con in the 80s and insisted on it in a meeting with his writers -- something Berman later would not honor. Gene wanted the AIDS episode, showing m/m and f/f in the Riza scenes -- these were some of Roddenberry's requests to include in TNG that Berman later stonewalled.

Berman's era was sadly dated by his own misogynist bias, IMO, to the point that it can somewhat hurt the shows he worked on through his cringe egoism and blatant disrespect toward his female cast.

There is a reason why Gene could keep female actresses working with him and Berman had a revolving door of women that he couldn't seem to keep working for him -- he was abhorrent to women, on and off set. Gene wasn't perfect at all, he had a lot of issues himself -- but Berman was a whole other level. Just look at what he did to poor Jolene Blalock, Marina Sirtis and his toxic commenting on her body weight which exacerbated her struggles with eating disorders, or how he treated and talked to Terry Farrell.

Anyway, just some food for thought. I'm not saying anyone is wrong regarding a take like that, but there are a variety of ways to look at this. Gene Roddenberry isn't a saint by any means, but it definitely bothers me how folks will tote the Berman era as if it were the lesser of two evils or the more progressive depiction of women when I felt there were far more concerning portrayals of women in his era with far less justification.

(P.S: I don't event want to go near the sheer amount of "creepy old dude/villain preys on innocent/naïve/scared young woman or little girl" stories there were in Berman's era, either. But that's a whole other can of worms I can write about in a part 2.)

[brawltogethernow]

is it okay if i ask what the issue with ring doorbell cameras are? i was under the impression that they were helpful for stuff like potential crimes/lawsuits, safety from police misconduct, and protection from people who are there to harass/cause harm to a home owner. what downsides could they have that outweighs the potential good they can do?

(x) Sometimes the people with the cameras...are the ones harassing people. They're a tool: They don't have a moral alignment. I'm sure people with good reasons to surveil their neighborhoods exist, but I have only personally encountered people who really really want an excuse to call the cops on one of their neighbors.

That said, I didn't say it was amoral to have a ring camera. I said it was creep behavior. It's creepy. I just dislike it. I don't like that if I take my coffee out on the front stoop without a bra on at six a.m. three different wealthy older couples I have literally never spoken to are recording it. I don't like that an increasing number of people consider it acceptable behavior to introduce themselves by saying they've noticed while reviewing their RING CAMERA(tm) that you walk your dog every morning at 10:45 but stopped recently. I don't like being flagged down by strangers who are like, "Yesterday someone stole the change out of my car cupholders, and I notice you walked past my driveway yesterday evening.... Why is that?" and having to laugh charmingly and explain my schedule to them because if I don't they're going to try to send police to my house. I did not enjoy humoring the across the street neighbor as she scrubbed through one of her multiple exterior camera feeds on her phone trying to find the culprit who moved her doormat and discovering that it captured my ENTIRE deck until she landed on a frame that finally had some suspicious figures in it and started to get excited until I pointed out that they were us at the beginning of the conversation we were still having.

It just makes me uncomfortable. I have no obligation to think kindly about people who haven't been personally been weird at me yet who ~may or may not~ be deleting most of their surveillance footage without watching it. It's my opinion that recording everybody who walks down your street is a dick move; it's not neutral behavior to degrade people's privacy in shared spaces, and the cons of doing this don't go away if the pros outweigh them.

It's like watching loud videos on your phone on the bus--you don't have to be doing something evil to make some of the people around you passionately hate your guts. If I made anybody feel uncomfortable about having a ring camera that was on purpose. Really just not a fun luxury item people get their grandparents for Christmas I'm a fan of.

[freya-howlett]

Ignoring the debate whether Zelink is real or not in totk, we have to admit one thing: Link is with Zelda because he wants to.

On botw, before the calamity specifically, he has no much of a choice. He's a patriotic knight, he was appointed by the king himself to look after the princess and so fulfills his role as expected. If he wanted or liked to be around Zelda, no one gave a shit, and he had bills to pay, so he had to do his job.

After the calamity, well, he still had a role to fulfill. The calamity was still a threat and he was the only one who could do something about it. Regardless of his feelings towards Zelda, he still had a job to do. Battling Calamity Ganon was like killing two birds with one shot: he ends Hyrule's threat and rescues the princess.

But in totk things are different. Hyrule's kingdom and monarchy went to shit and the military is also practically non-existent, there's lots of restoration to do, but technically Hyrule found peace. I'd argue that, Link, being an actual soldier, could actually retire if he wanted to like veterans do after a battle ends, but he didn't.

We know from NPC's and Zelda's diary that Link is wherever Zelda is, they're never separated. We also can insinuate they live together in Hateno and that, looking at the monuments at the lost people in the calamity, they travel a lot.

I heard an opinion that said that Link still had an obligations towards the princess, but as far as I'm in the game I see no traces of that. Even Zelda mentions it in a memory, something like: "at first, he was appointed as my personal knight", which implies he doesn't have that role anymore. He's just there because... well, he's kind!

And this is what I find so beautiful about this game. We can argue whatever about their real relationship, but the truth is that Link just wants to be around Zelda and probably finds her entertaining 🤷🏻‍♀️

[igotanidea]

Boyfriend thing: Dick Grayson x reader

AKA: the wealth gap XD

***

When she started dating Dick, he quickly learned that spoiling her by taking to the best restaurants and fancy places was a no go.

It was heartbreaking, seeing her get self-conscious as the fake belief of not being good enough and not belonging in such premises haunted her mind.

Y/N would simply crouch in her chair, doing her best to shrink or better yet - to disappear so that no one would give her any look, believing she was Dick's dependent, or maybe even --.

Well the rest of that thought was getting blocked all the time. Nonetheless it was clear as day that she was uncomfortable just from staring at the prices on the menu or summary of the purchase of tickets for a concert or other event.

So having her best interest in mind, and driven solely by feelings for her, Dick slowly started picking four stars places instead of five, taking her to vacation to the places off the top5 destination list and purchasing second raw festival entries instead of first.

In his own opinion this was a bit downgrading and almost lower class, but he could suffer a little less luxury for her.

In her opinion it was all too much. Why was he spending all that on her? She was not worth it and it was all redundant and unnecessary and not what she was used to, being raised with four older siblings in a little house, learnt to watch every little expense. Definitely not having enough to order lobster for dinner or fly to Paris just to watch the sunset from the Eiffel Tower.

So one day, sitting in the little cafe where the cheapest beverage (water) was 20 $ she decided to speak up.

"Dick..." the resolve to clear the situation died on her tongue.

"Yeah? What's up Y/N?" Dick grinned, raising head from his creme brulee to meet her eyes. "Hey... hey, what's wrong?" the look on her face alarmed him immediately. "Aren’t you enjoying your dessert?"

"I am. I am, it's delicious! I just think that maybe...." whatever she thought was spoken up incoherently and with a heavy blush on her cheeks.

"Hm? Care to repeat that last part? I didn;t quite get it."

"I-think-I-should-pay-for-half-the-price-for-our-food." she said again on one exhale and with even more red face.

Dick almost choked on his food, starting to cough like he was dying on the spot, his mind spiralling.

"P-pay in half?" he stuttered as if those words were bringing him physical pain. "What do you mean pay in half?! Y/N?"

"It's a normal thing to do--"

"No?" he looked at her with terror and incredulity.

"Look, you cannot just--"

"I can and I will." he quickly snatched her bag from within her reach so she wouldn;t even get a glimpse of the idea to reach for her purse.

"Come on, please. This is not right. I got my own mon--"

Now he was sure he was getting into a cardiac attack. Was she suggesting that she used her money to use on the attraction he was obligated to provide as her boyfriend?

"Y/N... honey, look at me..." he grabbed her hand above the table, interlacing their fingers, waiting patiently for her to meet his gaze. "Who hurt you....?" His tone was soft and sweet upon realising that if she's acting like this, there must have been something in her past. "Who made you believe that--?"

"I feel like I owe you and--"

"O-owe me....?" holy shit, now he was for sure dead, cause her words were like a ton of bricks thrown on him. "For what? For loving you? For wanting to give you all the best? For making sure that all the things we do make you smile?"

"I'm not used to--" her gaze travelled lower, glued to the ground "I always thought-- I mean, other guys--"

"If they made you believe you owe them for things, they weren;t even worthy of that name." Dick scoffed, getting angry at whoever mistreated her. Making a silent promise to himself to track all those assholes down, one way or another. "Look. Normal thing is that a man provides for the woman he loves. And -" he added quickly, sensing she was about to chime in, "And before you start talking about equality I assure you, I am all up for it. But I need to pamper you ok? It;s a must, cause I might die if I don;t." he teased a little.

"You're such a drama queen" she chuckled

"Made you laugh though." he leaned over the table and kissed her cheek "but seriously, Y/N, you give me something that money can never buy - love, happiness... And I suppose that this-" he gestured over the table "-is a poor attempt to show you how much I love you too."

"But I know it."

"I know you do, but what’s worth the money if you have no one to share it with? So, please, on all that's holy, do not ever feel guilty for helping me spend this fortune in the best possible way."

"Which is?"

"Making memories with you." he smiled genuinely, his heart melting upon seeing the real happiness reflected in her eyes at the words. "So? What’s it gonna be? You'll let me do the boyfriend thing or should we call for an ambulance already?"

"You know how much I hate hospitals." Y/N chuckled rolling her eyes playfully "And that is my only reason for letting you do your boyfriend thing. "Because I'd hate to be the lovesick girl waiting in the corridor while her man is fighting for life."

"Works for me." Dick grinned "Now shall we order those world famous gelatos they have here...?"

masterlist

June 2024 masterlist

Requests are open ! :)

[lowkeyremi]

Late Nights aizawa x reader

it's my birthday so im writing about the man i share it with (-ε-)

content: post war au, fluff, established relationship

"This isn't good for your health, Sho." Today marks the 5th night he's stayed up past 11 pm grading papers or doing something else for his job.

"How do you think I managed before I met you?" His small sigh meets your ears, and you really want to help him. Seeing out of only one eye is most definitely slowing him down.

"You looked dead on the outside when we first met. Do you want me to help grade papers?"

"I'll finish before one, go back to bed, honey." His eyes meet yours once he hears you scoff. He's draining himself by staying up this late, every single night. His face is lit by the warm kitchen light, one of his hands tugging at his long black strands of hair in order to keep himself sane.

"Shota. I'm not taking no for an answer." You say firmly, crossing your arms to indicate that you mean business.

"I knew you'd say that, come sit down." He gives in every single time. He knows he needs the help, he just doesn't want to admit it.

"Can you read through these essays?" At first you're confident, there's only a few papers on the table.

"Can you?" You nod diligently. You confirm you're willing to help, and your husband gets up from the table and slowly walks toward your shared bedroom. When he does return there's a large stack of papers in his arms. They drop on the table with a thump. He chuckles at your horrified expression.

"Just get through as many as you can. Write feedback on them too, hon." No wonder he's always so tired, you forget that 1-A isn't his only class. If you can remember right he has six periods of classes.

"Is this pile all your class or.." He's sat back down by now and started going through papers with red pen.

"That's 3rd and 4th period. I'm finishing up with 1st and 2nd right now." You click your tongue. It's hard to get started, you don't have any motivation unlike Shota. His only motivation is probably the fact he has to do this.

"Why don't you have an online classroom? It would make grading so much easier." He's probably going to say something about not knowing how to use it..

"I prefer for my students to write manually, because it helps with remembrance." Sounds like something an old man would say. You'd voice your opinion but he'd have a comeback for sure.

-----

"Shotaaaaa, I don't wanna do anymore." Your head is resting on the table, the cool wood on your cheek. He doesn't even spare you any sympathy either, laughing at you quietly. His rich chuckles sound like comfort more than mockery in your opinion though.

"Sweetheart, you've only graded four essays." The huge stack of papers looks back at you from it's side of the table.

"Yeah and each essay had like four to five papers in it. I feel bad for your students." The two of you are going to cuddle. You're determined to make it happen, so before he could even reply, you bounce up from your seat, grab his hand, and tug him towards your bedroom.

"We're going to sleep. I'm not taking any other answers besides "okay" or "yes my love." He clicks his tongue at your statement, but finds no reason to oblige.

-----

"Do you want to know something?" He whispers into your ear cuddling you close enough to feel the warmth of his chest on your back.

"What?" At this point you're only half-conscious, struggling to register what your husband's just said.

"I'm actually ahead of schedule. I can grade those papers loosely throughout this week." He admits with no guilt or shame in his voice at all. What a workaholic.

"Are you serious? So I could have been cuddling you all this time?"

"Yeah, I just do work to get out of my head." You wonder how many times you'll have to remind him that you're his strength and that you'll help him through anything, before he actually believes it.

"If you were having trouble sleeping, you should have told me." His big hand rests in your hair playing with it slowly.

"Didn't wanna bother you." His hand is so comforting that you almost fall asleep.

"You're never a bother to me Sho." Your voice is so soft and sincere that he almost breaks out into tears of joy. He's so happy to have met you.

"Oh." It has finally clicked in his brain, even though you've been married to him for quite some time.

You are his light.

[cloudzoro]

Toy | Portgas D. Ace ♡

(ft Vinsmoke Sanji)

✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧

pairings: ace x fem!reader x sanji

genre: smut (minors dni)

wc: 1.7k words (it's a short one today!)

cw: soft!dom ace, jealous ace, big!dick ace, bisexual sanji, sub!sanji, mmf threesome (focused on reader), hella dirty talk from ace, voyeurism, cunnilingus, cum eating, semi-public sex, sanji is super into you but also has a tiny crush on ace, pathetic loser sanji <3

masterlist here

✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧

You and your boyfriend, Ace, are staying aboard his little brothers ship and the cook takes a liking to you. Ace is initially jealous but when he catches Sanji eavesdropping on the two of you, he issues a punishment that has him realising how much fun he can have with the cook.

this is so self indulgent i'm sorry 😭

✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧

You and Ace have been staying aboard the Merry for a few days. The two of you have been welcomed by your boyfriend's brother and his crew. Sanji, in Ace's opinion, has been hanging around you too much. Sanji has been following you around like a lost puppy. It doesn't bother Ace that all the attention is on you. He is always more than ready to show you off. His problem is that he hasn't gotten to have any alone time with you since boarding the sunny.

On a quiet morning, he has you cornered out on the deck. It's so early that everyone's still in bed. Ace offered to do the night watch, and you were happy to accompany him.

“Missed this pretty pussy”, he says, fingers slipping below the waistband of your underwear and pressing against your clit.

“You're so dramatic; it's only been a few days”, you laugh, pulling him into a kiss.

“Baby, you know you're just as desperate for my cock”, he says, biting your bottom lip. You don't respond, instead grabbing his belt and undoing it. He laughs as you fuss with the button on his shorts. Sex with Ace is always lighthearted, and he makes you feel so comfortable. Once you get his shorts unbuttoned, you wrap your arms around his neck and pull him back into a kiss. He kisses back roughly. “let me make you cum with my fingers, and then when the cook comes out to take over, I'll take you to our room and fuck you properly.”

You hear a footstep behind Ace but get distracted by his fingers, so you don't mention it. His fingers tease your whole, and you whine.

“Just put them in, please, Ace. Don't tease me.”

“I'm sorry, baby”, he apologises, pushing two fingers inside you. “You're just so cute I can't help it”, he coos, speeding up his fingers. Your hips instinctively rock against his hand as you get closer to your orgasm. His lips trail down your neck, and your hand threads through his hair, making him moan. Your orgasm hits you, and your legs shake slightly as you struggle to stay on your feet. Ace holds you up as you whine in his ear. He pulls his fingers from your cunt and brings them up to his lips. You watch, dazed, as he sucks his fingers clean. You hear another noise that sounds like footsteps, and this time, it catches Ace's attention, too. Ace walks over to the door to the deck and swings it open, revealing Sanji looking as guilty as you've ever seen him. Sanji's face flushes red at having been caught listening to you with his hand shoved down his trousers. Ace looks back at you with a smile, knowing both of your sexual tastes. This is a perfect chance to explore something you've been thinking about. Despite his jealousy over Sanji's crush on you, Ace thinks the cook is kind of cute.

“How do you think we should punish him, baby?” asks Ace. Sanji is entirely unfocused, close to tears, as your moans replay in his head.

“We could always show him what he wants but can't have,” you say. You enjoy having an audience. Ace nods and tells Sanji to enter the dining room, the closest room to the deck. He obliges, realising he might like being bossed around by his captain's big brother.

He sits down on the bench seats as Ace takes a seat opposite him in a chair. Ace beckons you over with a smile on his face.

“Strip for us, Baby”, he orders, and you get to work immediately. Sanji feels lightheaded as he watches you bare your skin. He reaches out to touch you as you bend over to pull your panties down your legs. Ace notices and immediately draws you towards him. The force of his pull has you straddling him. “You think that I'm gonna let you touch her after you were eavesdropping?” he asks, laughing at their desperate expressions. “You can watch me play with her pretty pussy, and if you behave, then maybe I'll let you touch her.” With a goal in sight, Sanji keeps his hands to himself.

Ace manoeuvres you to face the other man, still sitting on his lap. He pulls your back against his chest and grips the underside of your legs, pulling them apart. The blonde man in front of you groans at the sight of your bare pussy. Ace's fingers find your clit, rubbing it in circles, making you whine. Your noises have Sanji rubbing himself over his trousers.

“Isn't she pretty?” Ace asks, pressing a kiss to your temple, and Sanji immediately nods, unable to take his eyes off Ace's skilled fingers and your pretty pussy. You start to get restless and squirm on Ace's lap. You want him to fill you up so badly. “What is it, baby?”

“Want your cock, please”, you beg, and the words sound so pretty coming from you that Sanji pulls his cock free from his trousers. He's slow in how he teases himself because he knows how fast he'll cum. Ace, never one to deny you of cock, pulls his hard cock out and guides you to sink on him. He holds you sill in his lap and fucks up into you. He stretches you out so well that he has to clamp his hand over your mouth to stop your moans from waking up the other crew members.

“You see this? This perfect pussy? This is mine. You can eavesdrop on us and watch me fill her up with cum, but you'll never have her.” Ace's possessive words have you clenching around him. Sanji strokes his cock in time with Ace's thrusts, and with his eyes laser-focused on where the two of you meet, he jumps when Ace speaks again, not expecting the voice. “If you're a good boy and hold off your orgasm until after I cum, I'll let you eat my cum out of her” Sanji, for a second, looks embarrassed that Ace has figured out that he may have a tiny crush on him too. Sanji nods, slowing his hand back down.

“Ace, Sanji. I'm close,” you whine. Sanji almost cums on the spot when you whimper out his name, and it sinks in how much power the two of you have over him. You can feel your orgasm building inside you, and with another pair of eyes on you, you feel it building quicker and quicker.

“You hear that, Sanji?” Sanji's cock twitches at how his name sounds coming from Ace's mouth. “She's gonna cum. Doesn't she look pretty, squeezing around my cock like this?” He makes eye contact with the cook, and Sanji's stomach twists. He finally, for the first time since you'd started, speaks up.

“She's so beautiful. You're both so hot,” he whimpers, stroking his cock. He looks kind of pathetic; Clothes still on, cock out, sweat dripping down his face, eyes hazy from lust, desperately jerking himself off to you.

“Oh, are we now? You wanna watch us cum?” Sanji's frantic nods make Ace laugh, and he leans down to speak directly into your ear. “You feel so good around my cock. I'm gonna cum inside you and fill you up; just keep squeezing me like that, pretty girl,” he says. He tells you he loves you and bites down on your shoulder. Your orgasm comes crashing down in waves as you shake in Ace's lap. The way your walls pulse and grip his cock has him cumming along with you. Sanji watches in awe, unable to move his hand as he just takes in the scene before him. He feels like he's genuinely having some kind of spiritual awakening, watching the two of you in the throes of pleasure.

When you finally stop twitching in his lap, Ace pulls out of you and tucks his cock back into his boxers the best he can without knocking you off of him. When he sees Sanjis obeyed his orders, he smiles, beckoning Sanji over them with a finger. Sanji drops to his knees and crawls over to you. He stares at your cunt for a second, watching Ace's cum drip from your hole. He tentatively leans in and teases his tongue at the edge of your hole before gaining his confidence and shoving his tongue into your cunt, licking at your walls. The combination of Ace's cum and your juices has his mind reeling. He's passionate and messy as he eats you out the best he can. You can tell he's inexperienced, but he's a fast learner. He pays attention to areas that make you whimper so prettily. Ace's large hand dips between your legs to grab a handful of Sanji's hair, and Sanji moans into your cunt.

“Fuck, Sanji” Hearing you moan his name spurs him on to eat you out more vigorously. “You're doing so good” The praise has his hand wrapping around his cock. He brings his other hand to hold you still on Ace's lap as he tongue fucks you. He pumps his cock and focuses on pleasing you as Ace whispers encouragement in your ear. In minutes, you're brought to yet another orgasm, and your legs clamp around Sanji's head. Sanji continues to lick you through your high as Ace rubs relaxing circles into your skin, cooing at you to calm you down. Sanji cums into his fist as he takes care of you.

When you're done, Ace tells Sanji to take care of himself while he cleans you up and gets you redressed. You stumble on wobbly legs as he helps you back into your clothes. Sanji, ever the gentleman, comes back to check on you one last time before returning to his post on watch until the strawhats wake up. Too tired to speak, you kiss Sanji's cheek, and Ace grips your hip, ready to walk you back to your guest room.

“If you want to play with us again, come find us later tonight,” says Ace, winking at a very flustered Sanji. As you walk back to your room, Ace giggles in your ear about how you both have a shiny new toy to play with.

✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧

thank you for reading! hope you enjoyed :)

reblogs and comments are hugely appreciated!!

[shadebloopnik]

Unrequited/One-sided Radioapple but it isn't treated like an angsty end of the world thing.

Imagine they slowly get closer after all the banters, and eventually becoming close friends. Lucifer ends up catching feelings for him, and after a long while, decides to confess and ask Alastor if he felt the same.

Alastor admittedly does not feel the same.

He's getting uncomfortable, struggling to keep his composure because he's DONE this before. He KNOWS how this ends. He remembers Vox and all his insistent declarations of affection and desperate pleas for Alastor to reciprocate; the possessive entitlement. He remembers how all those sickly sweet words morphed into something venomous when he didn't give the lowlife what he wanted. He remembers the anger, the ridiculous notion that it was Alastor's fault why he was so mad, that Alastor led him on and that he obviously deserved something in payment for it all-

So yes, Alastor knows how this ends.

It doesn't mean he isn't disappointed though, because he actually LIKES Lucifer, far more than he ever did Vox. Perhaps not in the way the king might have wanted, but he did. He treasured their little talks, their drinking sessions, their shared love for their instruments, Lucifers singing, their little duets, the banter, the playful jabs, the sparring.

He'd even slowly grown accustomed to the other's touches, not feeling the same surge of disgust and discomfort whenever the shorter man would grab at his arm in excitement, forgetting his usual thoughtfulness of Alastor's touch aversion for the short moment of whatever distracted him. Alastor even enjoyed it at times, relaxing at the feel of soft feathers beneath his claws, or the sensation of gentle scratches against his ears.

Difficult as it was to admit, Alastor had grown to care for the angel, the same way he had for Rosie orv Mimzy.

But no matter how fond Alastor was of Lucifer, it didn't change the fact that he didn't feel the same way romantically, or even sexually. No way in the 7 rings of Hell was he going to lie to Lucifer about either, not going to even entertain the idea of pretending he reciprocated for Lucifer's sake. He respected his friend too much for that.

So a clear, direct rejection it is. It was a shame, but nothing could be done. He said his piece concisely, and waited, shoulders set, back straight, smile and eyes a careful blank canvas as he prepared for the inevitable.

Lucifer nodded, a normal soft smile still in place, "Thank you for your answer, it means a lot."

Which......what? Alastor expected an outburst, or at the very least sharp words.

What he did NOT expect was....acceptance? And not just that but, a happy one? Contentment?????

"You're....alright with that?", he had to ask, he had to. Lucifer was clearly just very good at masking his upset.

But the damn angel just smiled?? And it didn't even look fake, just as bright and soft as his normal smiles, albeit a little confused?? Lucifer smiled at him, his brows furrowing in a bit of confused disbelief, as though Alastor is being the weird one here.

"Uhh, yeah??? Why wouldn't I be??? Yeah I may have some feelings for you but its not like you're obligated to feel the same. Above anything else, we're friends first and foremost and i'm alright with that..."

Then he seemed to have reached his own little conclusion as his words trailed off, because suddenly Lucifer's eyes widened in realization of something, and his words picking up with a sense of panicked urgency.

Alastor would really like to know what Lucifer's supposed realization was about himself because he had absolutely no clue.

"I mean, we ARE still friends right?? I don't- I- I hope this doesn't like- change your opinion of me. You're not- oh gosh I'm not making you uncomfortable am I? I- I won't mention it! You can even forget this whole confession ever happened! We can just go on as before! I don't feel any different or would act any different! Honest! I mean, I don't regret confessing because you deserve to know and I'm not ashamed of my feelings, but I don't want you to be uncomfortable! It doesn't change the way i'll treat you! Or change any aspect of our relationship! I don't even think I like you more as a lover than as a friend! I really, really do love our friendship, it matters more to me than any thoughts of being in a romantic relationship with you! So please just forget it all-"

Alastor let the word vomit wash over him, every word leaving him more confused by the minute.

Because yes, there's the desperation he expected, but...it was more about, convincing Alastor to remain friends?? Reassuring Alastor that nothing has to change?? That their friendship is the most important thing here??

(If anyone asks, no Alastor's heart didn't swell. Only lesser beings would have had the urge to cry, and Alastor is anything but.)

Lucifer is unknowingly reassuring Alastor of every single one of his insecurities about the situation. Because Alastor DID want to remain friends, he cared too much about the man to let it go so easily. It was rare to find people who treasure friendships above romantic relationships.

"I don't tend to forget easily, nor will I forget this one in particular.", he spoke, finally finding his voice. At Lucifer's defeated, pained expression( is their friendship really that important to him?), he continued. "But....yes. I'd like that.. To remain...friends."

He didn't often say the word out loud, being comfortable enough with each other that it need not be reassured with the label. But with Lucifer brightening up like his namesake, relief and happiness palpable, Alastor felt no qualms at declaring their friendship out loud.

So life went on as usual. True to his word, Lucifer remained basically the same. The following weeks were a bit stilted for Alastor, as he put some rather painful distance between him and the angel; limiting their interactions, their usual touches.

Anytime now, Lucifer would break and show his true colors, Alastor would think, waiting for the boot to drop. Lucifer would end up angry, and dissatisfied, and that was that.

But it never happened. Lucifer never expressed discomfort when Alastor avoided him, seeming to be understanding of the others need for space. He was just as affectionate as before, though initially a bit held back, as though gauging Alastor's comfort.

Months would pass, and the king never faltered. Their friendship remained strong, if not growing ever closer than before. Alastor found himself even growing more comfortable with the man. Affectionate touches were becoming common, hugs and head pats and cuddles being a welcome thing, with the reassurance that the shorter king would never disrespect his boundaries.

Lucifer seemed genuinely happy about it, despite being clearly told that none of Alastor's actions hinted at anything romantic. In fact, he seemed ecstatic that Alastor was getting more affectionate towards him as a friend. The embarrassment the radio demon felt at having Lucifer basically tear up (no really, he was crying so hard, full on drama sobbing) with joy in front of him was intertwined with the sheer incredulous fondness he felt for the man at that moment.

They were sitting at a couch one night, more than a year passing since that confession. Lucifer was leaning back, resting against the cushions, while Alastor had his head on the smaller one's shoulder, nuzzling at the crook of his neck, legs tucked close to his body. Both had a book in hand, two nearly empty cups of tea on the table in front of them. Every so often, Lucifer would flex his fingers that rested on Alastor's head, running a digit against the other's ear, often prompting the demon to lean into the touch. White wings enveloped the two, blanketing them against the chill of the night.

As Alastor turned the page of his own book, relaxing into the touch of his dearest friend, he wondered how he ever got so lucky in hell.

[genericpuff]

What do you think about Reachel's new redraw?

I feel like the characters look good but the background is too gray compared to the original one 😕

It's pretty rough, ngl. Not even necessarily because of the art itself, but because it's not a panel she should have ever redrawn to begin with.

The whole point of that scene was to showcase Persephone bringing life into the Underworld, a place where only death existed, but in this redraw it completely lacks that messaging, resulting in a scene of Persephone and Hades simply hugging each other in the dark with very dead-looking foliage surrounding them.

On a structural level, the composition has gone from vertical to horizontal, giving us way too much empty space around them which, again, is failed by the background being so dull and lifeless; Persephone's somehow become even smaller; and worst of all (though I'm sure some people will think I'm overreacting) her hair isn't tucked up in Hades' arms anymore, it's just sort of falling perfectly over his shoulder as one solid goop of pink, strangely changing shape as if it's resting on something but there's clearly nothing there.

That said, my opinions should be taken with grains of salt because I also have a lot of personal beef with a redraw like this - that original panel was my phone background for like, 2 years, and the episode it came from is still one of my favorites of all time in spite of all the criticisms I now have of the series, with art that originally inspired me to want to learn how to draw like Rachel.

There's been a lot of evidence over the past year or so to suggest that Rachel has "fallen out of touch" with her own work and these redraws that she's been making lately feel like tangible proof of that. The context in which she created those original panels no longer exists so to try and redraw them fundamentally misses the point of why they were so iconic to begin with.

I can understand that feeling of falling out of touch with your own work, to the point of not even seeing the appeal of it yourself anymore, but that's all the more reason to keep moving forward, not back. The fact that she's still just muddling around with LO stuff despite announcing two more projects and seemingly not making any progress with either the TV show or Rachel Smythe Presents... it really does seem like she's stuck in limbo. The deadlines and contractual obligations aren't there to motivate her anymore, and while that may now have freed her from the burden of creating LO in such a cramped and unhealthy space - now being able to create it simply for herself - I think the years of working on it have definitely taken its toll on her ability to create the way she used to and so we're seeing those growing pains now.

The real bummer about it is that it's being celebrated as "growth" but it's about as much growth as the illustrated environment above - dead and bleak.

[bitterkarella]

Midnight Pals: Ssspace Ssstory

JK Rowling: hello children Poe: oh Joanne! Poe: I'm Poe: I Poe: I really did not expect to see you again Rowling: oh really edgar? and why wasss that? Poe: because of that whole Olympics business

Poe: you know with imane khelif Poe: all that stuff you did Poe: we just kinda thought Poe: you know we all thought Poe: and I don't just mean me i mean Barker: we all thought your lawyer told you to fuckin zip it

Rowling: well well well clive Rowling: assss you should all know by now Rowling: JK Rowling heedssss the wordsss of no goblin lawyer!

Rowling: I ssslither to the beat of my own pungi! Rowling: I'm my own dark lord! Rowling: and nobody'ssss ssssweetheart! Rowling: I'M JK FUCKIN' ROWLING!!!! Poe: so then Poe: why are you here Joanne? Rowling: i'm here becaussse i have a new ssstory

Barker: a new story? Barker: is it more terf shit? Rowling: it's in ssspace! Barker: the terfs are in space now? Rowling: i didn't sssay it was about terf ssshit Barker: you also aren't denying it Rowling: Rowling: sssss

Barker: oh a space story huh? Rowling: i call it Rowling: Commander Bibbles Blobkin and the Goofy Galactic Goobygloob Barker: Poe: Koontz: Lovecraft: King: King: well, I love it!!

Barker: i'd like to ask Ursula her opinion Rowling: we don't need to get her opinion Barker: hey Ursula what do you think of this? Rowling: we really don't need to asssk her Rowling: we already know how she feels Ursula Le Guin: it stinks Rowling: yeah well sssee what i mean?

Rowling: my firssst idea wasss Chrisstmas Pigss in Ssspace

King: what inspired you to do a space story, joanne? Rowling: well, i wassss watching ssstar trek the other day King: great show, great show Rowling: i didn't care much for it Rowling: it had the ssstink of diane duane Rowling: [flicking tongue] i can tassste her!

Rowling: but what i DID like Rowling: wasss how the crew of the ssstarship enterprissse jussst poopsss whereever they want to and then they jussst beam it out into ssspace Poe: King: Lovecraft: Koontz: Barker:

Poe: i don't think that's actually how they do it, joanne Rowling: WELL Rowling: why wouldn't they??? Rowling: i mean, they have the technology!

Rowling: you are all legally obligated to love my new ssstory! Rowling: it'sss a jolly ssspace adventure! Rowling: but maybe that'sssss too ssssophissssticated for you lot here at the midnight ssssociety Rowling: maybe i would find a more receptive audience Rowling: at SSSSPACE COVEN!

Barker: so she went over to Space Coven? Barker: yeah that's gonna be weird Barker: i don't know how her terf shit will go over with them Poe: yes, sci fi writers are generally very progressive on that issue Barker: no i mean cuz they're all chasers Poe:

Barker: what? you're acting like you all didn't know this Barker: everyone knows sci fi writers are all chasers Poe: clive you're just saying things now King: yeah c'mon, surely not ALL of them King: i mean, what about Robert Heinlein? Barker: you're seriously asking?

Poe: clive do you know something or are you just making stuff up now? Barker: i'm just saying he's got a vibe Barker: tell me he doesn't

[hyperblue]

as much as i enjoy the thought of kon immediately taking on fatherhood and confessing his feelings to tim in timkon clone baby aus, i can't help but think about all the potential for a slowburn that we can have, such as:

— making a deep dive into kon's view of the situation, exploring his clone feeling about himself, exploring his feelings about clark in particular — because their relationship is very interesting and complicated on it's own, and the biggest tragedy of it, in my opinion, is that kon was never clark's responsibility, in fact there was never a single adult person that had to take care of kon because kon initially never belonged to anyone. he's no one's child, no one's son, and us much as we might want to blame clark or, you know, any adult in his life for not taking care of him and protecting him, they had their right not to do it. someone should have had care, but also no one was obligated to. i really hope i make sense, what I'm trying to convey is that you really can't blame anyone for kon being unsupervised for most of his life no matter how much you might want too (aside from lex luther and cadmus itself ofc, but that would be a slightly different conversion); and kon knows that himself, has known that for a while, but the moment he's confronted by his own clone child it adds so much more perspective, and the conflict of once (still) being a child that no one wanted while simultaneously being introduced to a child that you don't have to want but if not you no one else will (tim will, but tim's also a slightly different conversation) would be so interesting and delicious;

— LOTS of awkward co-parenting from two teen-dads who might or might not be head over heels for each other but also not really having time to explore their relationship and their feelings bc they have a whole ass child to raise; not to mention kon's conflicted clone boy feelings and tim's haunting guilt that affect every single interaction of theirs. just imagine the pressure, the slowburn, the ust. imagine them knowing about each other feelings, but also knowing that it's not the right time — there might never be the right time anymore, not after what tim has done. imagine them negotiating visiting hours and weekends like they're some divorced couple. imagine them swinging their child between them on a walk home, imagine kon showing up early at tim's penthouse with fresh ingredients from the farm to make healthy breakfast, imagine tim dosing off on kon's shoulder while watching old disney movies with their kid right there on the carpet in front of a tv; playing house, but knowing damn well that they are not together. that they might never be together;

— clone baby getting used to this strange family dynamic that they have — knowing that kon is their other dad, but never ever calling him that (they have no memory of calling him pa! when they were much younger, no memory of kon crying and kissing their forehead right after; no memory of tim becoming really pale and then gently teaching them that kon is not pa, or papa, or dad, he is just kon, only even just kon); knowing that daddy loves kon, but for some reason that's something that they never talk about, and the kid is too afraid to ask because he knows that he'll hurt his dad if he does. fighting with tim and then crying because they want their other dad, but tim tells not to bother kon, as if kon might secretly hate them, and then hearing tim and kon having a fight from upstairs, stop acting like I'm going to flee any second, it's been literal years, when are you going to believe me when i say that i LOVE our child;

— tim trying his best to be a good parent and co-parent but still screwing up anyways because he's too trapped in his own guilt and insecurities; accidentally hurting both kon and their child by not wanting to hurt them, trying to distance them from each other when things are starting to get good, because they are not supposed to be good, tim does not deserve things to be good. shying away from kon's most innocent touches, refusing his child traditional summer vacation on kent's farm because he can feel his baby starting to prefer kon over him, and that's something that he doesn't know what to do with, all he knows is that he can't lose his baby not even to the love of his life. fighting with kon a lot, going they are MINE, stop pretending that you want them or care for them just to take them away from me, they are the only thing in the world that i love more than you;

— and then finally sorting things out after years, confessing their feelings, talking about every single insecurity that they both had about this situation; holding hands across kitchen table after crying their eyes out, and deciding to try it. restoring the friendship they almost lost somewhere along the way while trying to be a good parents for their baby — exchanging text that are not just visiting hours negotiations, awkwardly flirting like they are teenagers again, brushing each other shoulders and hands and sitting a little too close on a couch; getting to go on dates, getting to feel giddy and young about each other again, falling in bed together and getting to wake up from a sound of their kid destroying the kitchen, our child is hungry by the way, we should probably start getting out of bed. our child? yeah. our child.

idk man i just love the potential and complexity of it all. so many things to do with au, it really is an endless sandbox to play in

[anghraine]

Ok, I've been thinking about this question a lot and there's not enough evidence in P&P to fully support any answer, but I wanted to hear yours: What is the Gardiners' economic status/How rich are the Gardiners?

Obviously, Mr. Gardiner is a tradesman, but I'm desperately curious to know the extent of his wealth. Does he have a similar income to Mr. Bennet but is just more frugal? Would he have been able to take in his niece(s)/sister when Mr. Bennet died? Does he have Bingley-level tradesman wealth without the massive lump sum Bingley inherited from his father? Darcy assumes that Mr. and Mrs. Gardiner are gentry - but like, Bennet gentry or Woodhouse gentry or Lucas gentry. JANE SKIMPED ON THE GARDINER INFORMATION AND NOW WE'LL NEVER KNOW. So what are your headcanons surrounding the Gardiners' wealth?

Really, the most important Gardiner headcanon that the Gardiner children are immediately charmed by Darcy and think he's like ~the coolest~

thanks queen <3

Six months later: hi!

My opinion is that the Gardiners are very well-off in terms of the usual incomes of the gentry. It's difficult to pin down an exact income range because I'm not a historian or economist, but the literary evidence is pretty suggestive IMO.

For one, Mr Bennet has no trouble believing that Mr Gardiner could have shelled out ten thousand pounds for Lydia; the problem is the struggle of repaying him, as Mr Bennet would feel morally obligated to do. The impression I get is that this would be a lot of money for Mr Gardiner to come up with, but everyone accepts that he could quickly do it, where Mr Bennet could not. And Mrs Gardiner does insist that Mr Gardiner would have paid the money if Darcy had let him, which again suggests that it was reasonably doable for him.

When Elizabeth and Jane first pass the news to Mrs Bennet and try to express the debt of gratitude they all owe Mr Gardiner, Mrs Bennet's response is a bitter remark about how if her brother had not married and had children of his own, "I and my children must have had all his money, you know; and it is the first time we have ever had anything from him except a few presents."

Aside from what this reveals about her character (especially given the remarkable understatement of "a few presents" given everything they've done for Jane and Elizabeth), I think "all his money" suggests an awareness that there would have been quite a bit to inherit if Mr Gardiner hadn't had the temerity to, uh, have children.

The summer tourism journey also doesn't seem to represent a severe expense for the Gardiners, though it would be outside the realm of possibility for some. They're not super frugal, but they're also not going to pull a Sir William Lucas and abandon the source of their income, or take an estate or something to distance themselves from trade, and end up unable to provide security for their children or any significant luxuries for their loved ones and themselves. So the Gardiners do make practical decisions like living near Mr Gardiner's warehouses and continuing his business in town.

Darcy (in Elizabeth's opinion) mistakes the Gardiners for "people of fashion" rather than gentry per se. This is interesting because Darcy originally considered the entire Meryton neighborhood, including the local gentry, as people noticeably not of fashion. This concept of people of fashion is typically more about fashionable high society than trade vs gentry IMO.

For instance, Mr Hurst is described as "a man of more fashion than fortune"—i.e. someone with high society credentials from his family, but not a lot of money, though he has enough to maintain a house in Grosvenor Street. (I think the implication is that the Hursts considered their status and Louisa Bingley's 20,000 l. from trade a fair exchange.) So likely, Darcy is not confusing the Gardiners for minor rural gentry, but even higher-status people if Elizabeth is analyzing his reaction correctly, based on their appearance, apparel, demeanor, etc.

This is definitely a time when wealthy people in trade could pass for people of fashion, but I think it would ordinarily take some doing, and though the Gardiners are stylish and relatively young, they aren't trying hard in the way that the Bingleys are. Yet Darcy, who went on a whole tangent about trade cooties during his proposal, can't even identify the Gardiners as people in trade upon meeting them—that's important.

(It's also significant, of course, that he's surprised to discover their exact connection aka that they're Mrs Bennet's relatives, which is honestly pretty fair. In any case, he evaluates Mr and Mrs Gardiner on their own considerable merits by this point.)

So again, I get the sense that the Gardiners are quite well-off people who spend their money on nice enough things that they can be mistaken for a completely different class than their own, but are not specifically aiming for that or super extravagant, either. Their habits seem rather similar to Darcy's, actually—I don't think they're anywhere near as wealthy, but they're wealthy enough that they can approach major expenditures fairly casually, as he does. But unlike Darcy, it will always be contingent on Mr Gardiner's business success and they have to plan around his work and the possibility of sudden changes in terms of his work.

I personally think that Mr Gardiner would undoubtedly have been able to take care of his sister and nieces in the worst case scenario. Six women used to a high standard of living (we know Mrs Bennet is extravagant; it's only Mr Bennet's frugality that keeps the Bennets out of debt as it is) would probably be a strain, but I don't think beyond the income level indicated, even accounting for the needs of his immediate family.

When Mrs Bennet is dramatizing herself during the Lydia disaster, she tells Mr Gardiner, "if you are not kind to us, brother, I do not know what we shall do," and he assures her of his affection for both her and her entire family. This could be seen as a sort of empty redirection that avoids promising anything, especially given that her catastrophizing fantasy scenarios are extremely unlikely, but I think that's a misread of his character.

I see his reply as a tactful assurance that, in the (improbable) event of Mr Bennet dying in a duel, his affection for her and her daughters would indeed ensure his protection of her and her daughters. There's no doubt from anyone that he's capable of doing this, though it would certainly mean a change in their style of living that Mrs Bennet would vocally resent.

So while this isn't super-specific, I hope it helped!

Normally I don't need to do this, but I would like to add a sort of credit/disclaimer: I didn't initially notice all these signs and my understanding of the Gardiners' standard of living and general circumstances was, I believe, strongly influenced by JulieW of the Life and Times board at Republic of Pemberley back in the earlyish 2000s (maybe about 2006?).

The L&T board is sadly gone (or was the last few times I checked), though ROP clings to life, but she knew a lot more about Georgian history and culture than I ever will, and these references to the Gardiners' prosperity seemed really glaring once she pointed them out.

(Her analysis of Pemberley's age, architecture, and general class significance was also really influential and I'm still really sad that I have to rely on the perfidy of memory about it.)

[creation-help]

A special kind of intimacy between characters

[Not restricted to romantic dynamics!]

- I tear bread into smaller pieces to feed them to you, as if I am Jesus, or a mother bird. You may view me as a savior but I would kill for you

- Being there for the other person when they're sick - In a gross, disgusting way. Holding them unwaveringly through the wretched and repulsive, unflinchingly. Don't apologise, just survive. I'd do it again.

- You're scary, but I'm scarier. You don't know that yet, but I hope you won't fear me when you do.

- You're scary, and thank God for that. I'm more than happy to close my eyes when you use it on others. I am a coward.

- One character knowing exactly what the other one would really like to ask for, but is too self conscious or selfless to. Thus, they do it and provide, without the other person needing to outright request it. The self conscious character always makes sure the other one knows it's not obligated and they're always free to decline, and the other one nods firmly, knowing that, and still doing it.

- Sitting next to each other at the end of the world. Because it won't be okay. But they've accepted that

- "You destroyed the thing I love and I can't forgive you for it." "I can't forgive myself either." "I still can't hate you despite that." "I can."

- "Please hate me" "No."

- One character understanding when the other is in too low of a state to act like a decent person currently, and so they don't step over those lines that they'd normally tolerate. The first character holds the other one responsible for things later nonetheless, when they're able to actually carry it

- Two characters sharing the negative perceptions and opinions they've had of each other over the years. This can either lead to a realization that, respectfully, out of deep understanding of each other, they decide to not stay in touch with each other again from now on. Or, it can lead to a realization that thanks to this understanding they now have, they're more ready to become closer and have managed to clear the air with this conversation

- Characters of notably different ages talk and reflect on time that has passed between them. They feel a connection over how different their circumstances were. The younger one audibly wishes they could've done or changed something significant, to which the older character pointedly and gently tells them it wasn't their place to. Let us old crooks handle the tough things. (It wasn't your fault you spent formative years like this. I'm sorry you had to)

[waitmyturtles]

Hey,

I'm not 100% sure how this works. Also this is more of an opinion than a question. I just feel the need to brain dump. You are under no obligation to reply. 😁

I fear that First and Khaotung are being wasted at/by GMMTV. They're both stellar actors and seem to have the sensibilities to tackle more serious material.

I feel like coming off Not Me, the themes in The Eclipse kinda went over my head. My fear was and still is that I didn't understand all the nuances. And that's why I felt like the show was lacking. Also I think the very first preview set it up as an entirely different show (more supernaturalmystery/thriller) in my head, so there was a disconnect there as well.

Their next project was Moonlight Chicken where both of them shined as actors but negligibly as a BL pairing. Having said that, they seem to be on very solid ground in the BL fandom - I am referring to their fan meets.

Only Friends was a masterclass of acting as far as FirstKhaotung were concerned (i was all about Ray and Sand), but I think the overall reputation as show that fell flat on its face overshadowed or at least took away (for me) from the gravity of FK.

And now we're here. With The Heart Killers and I am very wary of how Ota all going down. I see that the final trailer got over million views and I'm happy for them, but based on I think the absolute travesty that was OF, my expectations for this show are on the ground.

I really want more of an insight into how projects are picked up and distributed inside GMMTV (if you ha e any, I'm dying to know). I feel like they would benefit greatly from being on a show like PS I Hate You or something like Peaceful Property.

It feels like they're backsliding in terms of material given. Which I am sure is a) not their fault and b) me possibly being weird and dramatic in the wee hours of the morning. But I wanted to get it off my chest and I was reading your previous reviews when I felt, and then gave into the impulse to write to you.

Also I'm a MaxTul girly too and somehow, you made me want to give Make it Right another chance.

Have a great week ahead and keep up the absolutely exceptional work! ❤️

NIHILISTIC! It's great to hear from you! And thank you for the compliments!

TW for girlies out there who are not Nihilistic: this post will contain criticisms of The Heart Killers trailer. Read at your peril, delicate hearts!

I'll go backwards to save the biggest stuff for last. If you write anything about Make It Right, please tag me! @bengiyo and I always give a little DJ air horn to each other when we've nabbed another one into the broader cultural reconsideration of this AMAZING show. MaxTul, man. Nobody beats them! (Okay, almost, Tul admits he wasn't the strongest actor, but. We'll let it slide, dahling!) Chemistry, humor, pride representation, everything, they're great. I yelped when I saw them in Triage!

Okay, so you are a FirstKhao girlie, and you're worried about what The Heart Killers bodes. (Out of transparency, I have The Heart Killers tag filtered because of Only Friends PTSD. I'm gonna filter my own post!) For you, Nihilistic, I just watched the trailer for it.

I will get to all your questions about the GMMTV model in a moment.

Now, out of even MORE transparency, I am watching the MESS that is Kidnap right now, and listen, it's NOT GOOD. I'm fucking not even writing about it anymore, I'm just reblogging the sessy gifs. I am watching it to support Ohm Pawat, and am hoping that this partnership with Leng Thanaphon will hopefully lead to better scripts.... somewhere. (Or at least, better scripts for Ohm at a place like One31 or Channel 3. I also hope Ohm keeps up his anti-branded pair stance, but if GMMTV forces him to pair permanently with Leng, it won't be a fucking surprise, and more on that below.)

To focus specifically on THK for a sec: the THK trailer evoked a lot of what's gone utterly wrong in Kidnap for me. I think writing Thai BL/Series Y scripts to be different, fresh, and innovative, is just going to be really fucking hard, especially for stories featuring branded pairs that MUST end up together in the end. Because we, the viewers, KNOW that they MUST end up together in the end, what kind of mystery and conflict can a script convincingly evoke to keep us, the viewers, engaged and interested in the drama?

A few of us Ohm girlies were excited that Kidnap could have had non-romantic plot points (CRIME!!!) to drive concurrently with a romance plot. There are Series Y that have done this BEAUTIFULLY, particularly Sammon's stories of Manner of Death and Triage.

I'm sorry to say that I didn't get that from the THK trailer, and that THK smells a lot like Kidnap to me. The trailer itself is giving an indication that the "jobs" these guys have as double agents are going to be compromised due to them falling in love. And after the debacle that was Jojo Tichakorn's Only Friends -- a show premised on the exploration of mean, icky, really horny humans, a great place to start an interesting show! -- knowing that THK will HAVE to end up in a romantic place, with FK and JoongDunk being in memorable and memeable entwinements... that's a lot to ask of a show that already isn't making sense by drive, emotion, and tone in its trailer alone. What matters more to these characters? Their work, or their need to be in monogamous relationships? Seems like the latter to me by way of the trailer, which makes me wonder what the point of the plot is. (Joong's chest, probably.) (Gahddayum.)

(I haven't watched the latest episode of Jack & Joker, btw, but I understand that THIS WEEK's episode is ALSO going through something similar, with dead-end and uncommitted plot points all to get to a kiss. Oy.)

To summarize these points and to touch at your question about how GMMTV chooses scripts: GMMTV has an economic model to sell in giving happy endings to their branded pairs, which I wrote about at length in my Old GMMTV Challenge rewatch of The Eclipse. No matter where a script goes, the ending must be memorable and monogamous to satisfy the retweeting hunger of the branded pairs' fandoms, in order for GMMTV's artists to increase online engagement and to maintain earned media values to sell products.

The wonderful @flowerbeasblog noted to me recently that Tha Sataporn, the CEO of GMMTV, said in an interview that as the productions of Series Y in Thailand continues to increase, there is a greater need for more scriptwriting talent across this niche genre, creating competition for more excellent writing. (By comparison, in the States, when streaming services like Netflix and Hulu starting commissioning more original series just about a decade ago, the demand for scriptwriters and excellent writing also went up by incredible scale -- only to come crashing down recently with pandemic and strike-related losses in revenue.) GMMTV's recently announced script competition, Y Find, updated itself last week with a notice that the company would need more time to sift through scripts to judge. In other words: the demand for creative plots is so high at this company that they are literally fielding entries from the general public.

At the same time, Tha Sataporn has been blunt in indicating that "good shows" are not the priority of his GMMTV, and that talent, management, and engagement are his indicators of success. So, economically -- as long as a show hits that happy ending, and gets the girlies excited online with commentary and purchasing power, then the studio has won, in GMMTV's eyes.

ULTIMATELY, Nihilistic: what we are dealing with regarding your concern, as fans and/or critics of Series Y shows, is a conflict of values, among critical fans like ourselves, other fans who only watch shows for romance and shipping, and the economic bottom lines of the studios/agencies themselves. Some of us just want narratively good scripts, like Bad Buddy or He's Coming To Me. Others are content with having a show end with their fave pairs confirmed together in the end, no matter the process of how they got there. Those are different values we hold in watching shows. I appreciate that while you're a fan of the FK branded pair, that you want stronger scripts for them. I do, too, but that's not a value that every fan -- and GMMTV itself -- holds. And I believe that's why we've been seeing more and more mediocre scripts from that studio in particular.

I actually want to note maybe something positive about FirstKhao. Other than The Eclipse, it seems like they haven't been locked into high school or university settings. Only Friends, Moonlight Chicken -- these are shows that show First's and Khao's characters as young adults, and THK is going there, too. I hope they can avoid the university settings as they continue to work.

Is stellar acting wasted at GMMTV? Oh, yes. Besides First and Khao, who I truly think are good actors, we have Gun Atthaphan, Nanon Korapat, and Ohm Pawat -- these three guys are on my list of the best Thai actors out there who have done BL, and they haven't had great scripts in years. (Gun, arguably, has had the best pickings of decent shows recently in Cooking Crush and The Trainee, but they weren't high art; and Nanon's Dirty Laundry was the last Jojo script I was truly impressed by.) All three of these guys were in MOVIES at one point. Those ambitions, on behalf of these actors by GMMTV, seem to have gone by the wayside in preference for a huge economic push to boost branded pair-based series insteads, with their plot holes and guaranteed romances.

I hope the genre's tide turns for the sake of quality scripts, especially at GMMTV, but my hopes are low for this agency at the moment. My joy in Thai shows recently has been in watching past shows for my OGMMTVC. I've been on a lakorn kick lately, having watched The Miracle of Teddy Bear and I'm looking forward to watching Khun Chai soon. Other agencies and studios, like One31 and Channel 3, are breathing down GMMTV's neck and producing more interesting shows, sometimes with branded pairs and sometimes not. Triage only came out two years ago, and that show's trilogy (along with Manner of Death) will end with this year's airing of Spare Me Your Mercy, starring the very likely one-time pair of Tor Thanabob and JJ (Jaylerr) Krissanapoom, two gigantic artists in Thailand who are circling BACK towards the much smaller genre of Series Y for SMYM's sake. I have VERY high hopes and expectations for that show -- and that show is well out of the purview of GMMTV.

I think what you're smelling about the THK trailer is right, Nihilistic -- to me, the trailer isn't cohesive, and jumps already to its forgone conclusion of a romantic end. Unfortunately, for those of us familiar with Jojo Tichakorn's work, we know that if he was given more leeway, he'd likely come up with something more interesting. But now that he has to work with branded pairs -- who are shipped in the eyes of their fan beholders -- he's got a lot less room to be creative and interesting, which ultimately stifles the otherwise excellent acting we'd see from these young men.