#and some of those I've been wanting to draw for a while

[khaire-traveler]

Hello there! I'm very new to hellenic polytheism and came across a question that I am not sure how to approach. I would be really grateful if you could let me know your thoughts on this (please don't feel obligated or anything, tho. I know I am just a random person asking a random question 🫣). So, for a while now, I've been getting more into greek mythology and from there into fandoms that depict the deities (e.g. Epic the musical which I love a lot). Would you say it is inappropriate to seek out fanfiction or fanart (especially those including ships) in those fandoms, or should I refrain from doing that as it would be disrespectful? Or are there limits I should be aware of? Thank you so much should you choose to answer this 💜 (I apologise for missing paragraphs. I am not sure how to do those on mobile.) (Also, is there a right way to end these kinds of letters/messages/questions? Like a way to express my gratefulness?) (Sorry if none of this makes sense. I always get anxious messaging strangers, but I couldn't find answers anywhere, so I thought I'd just ask🫣)

Khaire, Melie!

Ah, yes. The age-old question. How sinful is fanfiction, exactly? /joke (wanted to start this off light-hearted)

In all seriousness, I'll start with this: If you want to know how the gods feel about it, ask them. There is no better answer than the one that comes directly from the source. I understand the nerves around asking this question; some Hellenic Polytheists feel VERY strongly about it, and honestly, seeing their strong opinions has made me doubt my own interests in such media. Remember that some rando's opinion online, however, isn't the law, regardless of how strongly they feel about it or how desperately they want you to do exactly what they're doing. Opinions are opinions; facts are facts - they are separate things. Personally - and this is MY opinion -I think never engaging with modern media depicting the gods is a little too strict of an approach, and by following that, I feel that a lot of people are banning themselves from engaging with fictional media that they might enjoy. Each piece of modern media about the gods is a creative interpretation of Greek mythology, and people have been doing this kind of thing with other religions - that they don't believe in - for AGES. It's entirely normal, even if it is kind of annoying sometimes. Now, some retellings, games, shows, etc. genuinely take things too far, in my opinion, and warp the mythology so completely that it might as well be a different story entirely. I'm bordering on a tangent, so I'll move on.

Modern media about the gods isn't an inherently abhorrent, evil thing that should always be avoided, however, but personally, I do draw the line of engagement at shipping.

First and foremost, live your life the way you want to. Engage with your practice however you wish. I'm not the law-maker of this religion - no one is - and while I might disagree with someone's approach, I'm not going to shit all over them for doing things differently from myself. Now, into my opinion. I don't think shipping gods - be it from a modern form of media or not - that you worship is appropriate, personally. In my experience, it will blur your actual perception of those gods. I've seen it happen over and over again that people confuse the fictional representation of their God in media with the actual god, then feel the need to distance themselves from the media in order to regain something they feel that they lost. Like I said, you do whatever you wish, but I find it's just better to avoid the awkwardness of shipping entirely.

If you want to read fanfiction about the gods in fictional media, go for it, but I'm not personally a big fan of that. I don't know how the gods feel about it; I can't speak for them (no one can). For all I know, they could be reading the fanfiction themselves and laughing their asses off, who knows? But as a worshipper, I'm not personally comfortable with the idea of reading it. Again, do what you want with your life. If you want to read some spicy fanfic of one god with another, I'm literally not going to stop you, but make sure you're able to separate the fictional characters from the gods you actually worship before you do so - that's my advice. Too often, people end up conflating the two. When a fandom or fanfiction begins affecting your worship, practice, or even just the way you view the gods, that's when it's a problem.

I think the community has been torn on the topic of modern media for a while. Some people love it, while others utterly despise it, and you'll notice that answers will vary from person to person. In my opinion, these pieces of media become problematic when they swarm the fuck out of a small religious community that already struggles to be taken seriously. An example of this is what happened with Lore Olympus a while back. When the comic got popular, a ton of people would swarm and attack worshippers of Apollo online, calling them all sorts of extremely vile things, all because of a comic that literally wasn't even mythologically accurate. In my opinion, fandoms can get out of control sometimes, and when you're engaging with one based around the gods, I advise you to just be careful and aware. For some people, fanart and fanfiction of the gods are extremely uncomfortable, similarly to if someone were to ship Buddha with Jesus in the regard that it just...feels weird for people who actually worship those figures. Other people could care less, being able to fully separate the fictional characters from the gods they worship. Base it on your comfort, and the comfort of your gods.

I hope this helped to give you my perspective. I'm not going to tell you what is or isn't the right choice because honestly, different people will give you a different answer, and I'm anything but a religious authority. You're allowed to do as you wish, but I will always advise you to tread with caution and check in with yourself about how it feels for you personally. Reach out to your gods and directly ask them (such as through tarot, or another form of divination), "Hey, how do you feel about me engaging with this?" Asking directly is ALWAYS a good idea, in my experience. Take care, Melie. 🧡

[theamityelf]

May I request more RoD Fuyuhiko and kidnapped Makoto? 😩

Oh boy, I've imagined this so many ways. Right now, I'm kind of into the idea of it being a very formal and dignified kidnapping.

Like, he's got that three-piece suit brand of villainy; he could send Peko to knock Makoto out and drag him home (and if they were close/dating in school, he does think of his home as Makoto's home, however complicated his feelings are now), but more likely he's sending a car to block Makoto's (walking) path and Peko climbs out and informs Makoto that the head of the yakuza would like a word and it's nonnegotiable.

Ideally (for Fuyuhiko), he does this before the Future Foundation gets to Makoto, but he'll find a way after, if needed. (And it's perhaps more interesting, story-wise, if Makoto has at least spent a couple of days with Future Foundation before Fuyuhiko can abduct him.) Whatever the case, he'll make arrangements to get Makoto alone, a car will pull up in front of him, and:

"Makoto Naegi," the gray-haired woman says. (Not like a question; it hasn't been a question since the killing game. At least, not a genuine one. It's so weird, to have other people know his name before he knows theirs.) "Your presence has been requested. The boss asks that you get in the car without making a scene, and nobody gets hurt."

"The boss?"

"You won't know the details until you meet the boss in person." The young woman shifts her shoulders in a way that subtly hefts the sword bag strapped to her back– which she hasn't yet reached for. "Will you come willingly and save the lives of the companions who have lost track of you already, or will you resist, be taken by force, and guarantee the blood of your companions is shed?"

Makoto's confused demeanor hardens, sharpens, the adrenaline pumping in his veins sending him right into trial mode, ready to argue, to push his way to the right answer.

But before an argument can form in his mouth, he takes another breath. And he says, "They won't be harmed if I get in the car?"

They will lie to you, he's been told. They will trick you. It's not like Enoshima's game; those aligned with despair have no rules, no honor. Especially not if they valued those things before.

"The boss gives his word," the young woman replies. "They won't be harmed."

If she's telling the truth, then he has to get in the car. If she's not...then she still has a sword, is the thing. And even without it, she's bigger and he's alone.

"Then I hope your boss doesn't squander his word," Makoto says warily.

"And I hope you aren't stalling." Strangely, the young woman smirks. The look she's giving him now is almost fond. "I've told you once before that you aren't good at it. But you don't remember that, do you?"

Before he can wrap his head around that, gunshots start going off somewhere.

Makoto's blood runs cold, at the sound of far-off screams. "You said they wouldn't-!"

The young woman merely sighs, rolling her eyes and drawing her sword from her bag as languidly as though it's a tedious chore. "They're early," she says. "Heads will roll for that. My master wanted you to come willingly. It would have pleased him a great deal."

Makoto does his best to run, but she strikes him with the hilt just hard enough to dizzy (and no doubt bruise) him, and while he's disoriented, she hauls him into the car and locks the doors.

She buckles him in while he's blinking the stars out of his eyes and nursing the sore spot. By the time he's steadied himself enough to try to unbuckle himself or reach for the car door, her blade is already hovering at his throat.

She's sitting beside him, also buckled in. The car has started moving– some faceless driver, divided from them by tinted glass. "My master would prefer that I deliver you to him untied," she informs him, "but I am permitted to bind your wrists and ankles, should you make it necessary."

"Who are you?" he asks.

"You don't need a name to address me, with only two of us here. And once I deliver you to the boss, there will be no need for you to address me at all."

"But who are you?"

With a single, almost imperceptibly swift motion, her sword returns to its bag. "I am the sword on my back," she answers. "Don't waste your questions on a sword."

He falls asleep in the car; it's a long-ish ride. He doesn't mean to nod off, but subconsciously there's an assumption that when the car stops, he'll naturally wake up.

This does not happen.

Instead, he wakes up in someone's private study.

There are bookshelves, a big wooden desk and cushioned chair. The lights are off, but there's a fire in the fireplace. Makoto is sprawled across a small couch. The gray-haired woman stands with her back to the wall and her hands folded.

And a small figure stands warming by the fire. His back to Makoto, his whole form shadowed.

"You know," the young man says, "I really didn't expect you to survive."

Makoto's hand finds the sore spot on his head again. (For some reason, he's thinking of Mondo.) "I, uh, get that a lot."

A breathy laugh. "I'll fvcking bet. What else do you get a lot?"

"...That I'm short in person? That I should've told someone about Sakura. That I should see a doctor, because that fall might have caused internal damage. That my voice sounded kind of squeaky on TV. That my eyes actually look browner than they expected, or greener. That Sayaka..." He trails off. People...say a lot of things about Sayaka. That they used to be a fan of hers but would never see her the same, that they were still a fan and they hoped it was okay with him, that they'd been rooting for Makoto to figure out her plan before...Yeah, they say a lot of things.

Why is he telling a stranger any of this?

Is he stalling, knowing this conversation is likely to get a lot less friendly soon?

It doesn't feel like it. He does feel the dread of knowing that this abduction is clearly not a friendly one; he heard the gunshots earlier. He remembers that. But something in the way the young man at the fireplace laughed, the way the gray-haired woman smiled, before...He doesn't know them, but it seems like they know him. Not in the way of the people who feel they know him from watching the killing game. Talking to them feels like talking to people who actually know him.

"That Maizono b!tch," the young man scoffs. "I could have thrown up, watching you fawn over her fake *ss all over again."

And just like that, Makoto's curiosity takes a back seat. "Don't call her that!"

"Traitor-*ss b!tch. I was glad she died first."

Makoto springs to his feet, but he's barely taken two steps in the young man's direction before the gray-haired woman has once again blocked him with the edge of her blade. "Sayaka wasn't a traitor! She never wanted to hurt anyone! That was just what Junko drove her to!"

"...And that's saying something," the young man continues, ignoring Makoto's interruption, "because I was really wondering what it would feel like to watch you die. What I would become, after. I was really fvcking curious. Still am."

Makoto's fear doesn't supersede his anger; it just shapes it. "I don't know who you are," he says bluntly.

The young man's head turns slightly, but other than that he doesn't respond.

"Who are you?"

"The kid wants an introduction." His head turns toward the gray-haired woman. Though Makoto can't see his face, the smirk is audible in his voice as he continues, "Only, suppose we like to be forgotten."

"I figured you were probably someone I used to know...right?"

Once again, no verbal answer.

"Both of you," he continues. "Maybe...from my time at Hope's Peak Academy, or maybe-"

"Did I say his *ss could speak?" the young man inquires.

"You didn't, Young Master," the gray-haired woman says.

"I don't know what you want with me," Makoto continues firmly. "Or, what you think you're getting out of bringing me here, so it would help if you'd just tell me." After a second of silence, he added, "If you're someone who thinks I killed Junko-"

"You didn't kill Junko." The young man turns to face Makoto, but the darkness in the room and the fire at his back still make it impossible to really see his face. "Junko went out on her own terms. You didn't even push the button; all you did was win an unwinnable game. And those dumb*sses sure were desperate to hitch themselves to a winner."

"Who are you?"

"Don't get me wrong, I'm still fvcking pissed off that we all missed out on Plan A. She told us all about the execution she'd put herself through if she somehow lost, but Plan A was always a surprise. She was so sure she'd win."

"Who are you?"

"But that's not why you're here." Suddenly, the young man grabs a fistful of Makoto's shirt and drags him close. They're face to face. Makoto sees golden eyes and freckles. "No, you're here because I was denied the chance to watch you die. And like I said, I'm really fvcking curious."

Before Makoto can conceive of a response, he is shoved backwards to the carpeted floor.

"Take him to his room."

"H-Hey...!" Makoto winces as the gray-haired woman grabs him by the upper arm, yanks him to his feet, and drags him from the room.

[nell0-0]

Wanna draw so much stuff but so little time lately, augh

[lampochkaart]

Day 1: Dystopian AU

These two always try to make the best out of the worst situation. So, during the Tragedy, they try to stay positive and have at least a little bit of fun in this terrible situation, like with these little competitions. They both know it's a little forced, but they play along anyway, both for each other's sake and for their own

[fidgetspringer-art]

✦ Linger ✦

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[morningmask27]

trick or treat <|:3

have a Sparkpelt and Finchlight being happy!

[dye-it-rouge-et-noir]

"For particularly important things, it's always more reassuring to write them down like this." - Zhang Beihai

[ID in alt text]

[sysig]

Challenge level: Impossible (Patreon)

[hivemindscape]

The waves continued to lap against the shore. Push and pull. Breathe in, breathe out.

“What triggered it?”

The question was quiet, and so out of the blue it took Wilbur a moment to realize Tommy had asked it.

“What do you mean?” Wilbur asked.

“Your panic attack,” Tommy clarified, his hair tickling Wilbur’s cheek again. “Was it random, or did something trigger it?”

"Your Name Is A Triangle" by @bonesandthebees​

song i drew this to alt version under the cut

[yorshie]

reading this post made me realize I needed some maskless Donnie in my life

[fragglerockopinions]

.

[jacksintention]

Still unwell about Rilke and PH

I love the dark hours of my being.

My mind deepens into them.

There I can find, as in old letters,

the days of my life, already lived,

and held like a legend, and understood.

Then the knowing comes: I can open

to another life that's wide and timeless.

So I am sometimes like a tree

rustling over a gravesite

and making real the dream

of the one its living roots

embrace:

a dream once lost

among sorrows and songs.

[huntersapprentice]

ACTUALLY MAKING THAT VT MDG THREE MUSKETEERS VIDEO THING NOW, WOOHOO

[crest-of-gautier]

i probably have lots of epic and swag clips of me playing splatoon 3 however i keep forgetting to rewatch them or compile them so this account's collected a lot of dust 🙈 but at least i am having fun with art?! <- guy who's mostly been drawing

[silasours]

ৎ⸝⸝⠀COCKWARMING ! —

#pairing : lucifer, alastor, vox, valentino, x gn reader. #cw : 18+ content, mdni. unprotected sex. edging. office sex. public sex. sub/power sub reader. no mentions of specific anatomy. vox is in an online meeting for work. touch starved lucifer. val blowing his smoke on you for fun. non proofread because it's six in the fuckin morning and I have not slept a wink. #summary : in which they keep themselves buried deep inside of you while being busied by other stuff. #note : save me, I've been writing nothing but hazbin smut lately. i should really start working on other shows.. alastor's a bit shorter than the others, can't really think of a solid idea for him and I wanted to get this out as soon as possible

ʚ LUCIFER .

lucifer whines when you force him to focus on his unfinished work once again. he has been going back and forth from attempting to thrust into you, but you always found a way to press him down in his place firmly. he had some unfinished work that he left sitting in his office for almost a week now, and it irritated you. that's when you offered to cockwarm him while he worked, get him to finally get his hands on those unfinished works.

being absolutely touch starved, lucifer agreed without hesitation unaware of how miserable and impatient this will make him. his hand remain on his working desk, occasionally scribbling some words and a signature on the paper filled with printed words. he does his best to resist the urge to finally thrust into you, worried that you'd leave him unsatisfied if he doesn't do as he's told.

but there's a limit to how much he can contain himself, especially when he has you sitting on his lap with his cock stuffing you to the brim, when you'd tease him so often by clenching around him or moving your hips ever so slightly. lucifer whines every time, the hand that's placed on your hip squeezing on your flesh desperately.

"can i please.. just finish this up later?" his voice muffled from nuzzling his face into your shoulder, eyes closed shut to focus on the warmth engulfing his throbbing member. you let out a small chuckle, baring your teeth into his neck to draw out those pretty moans of his; his cock leaks pathetically inside of you.

"no can do, luci. you're not going to get whatever you want until you finish up." you pull away and tilt your head slightly, pressing a soft kiss onto his jaw while giving a quick glance at the papers sprawled across his desk. he's only halfway done with them. "you're doing pretty well, no? you're halfway done."

lucifer groans, annoyed as he picks up the pen from the desk again while reading through the papers. this time, you decide to tease him a little more instead of staying still. you connect your lips with his exposed neck, sucking on the sensitive skin as your hips slowly grind against his. you hear his breath hitch, his knuckles turning white from how hard he's gripping you.

your name spills out from his lips breathlessly, following with a whimper that you love so much. you carry on with your actions, dark marks gradually bloom all over his skin like breathtaking flowers. lucifer shifts to lay his forehead on your shoulder, shuddering from pleasure; you tug on his soft hair, firm enough to lift his head up from your shoulder.

"stay focused, luci. remember what's waiting for you to finish your work."

ʚ ALASTOR .

"oh, what a twist!" alastor exclaims with his eyes glued to the book he's reading, chuckling like you're not clenching down on his cock out of desperation. your eyes are teary as you turn to peek at the page he's on, frustration brewing in your chest. upon noticing your reaction, alastor laughs while moving his hand to cup your face, leaning in with a grin. "don't you agree, my dear?"

you groan, parting your lips further enough to drop his thumb into your mouth, biting down on it. alastor mutters a small "fiesty" before buckling up his hips, watching your eyes widen from the sudden pleasure that shoots up your veins. his arm tightens around your waist to stop you from squirming around excessively.

"put.. the fuckin' book down, a-alastor.." your nails dig into his shoulder through the fabric of his shirt, the back of your other hand hovering over your mouth with a frown on your face. alastor smiles in response, holding the book between the both of you now that there's a gap.

"why, it has only gotten interesting! patience is key, darling."

"it has been almost a whole fucking hour, alast-" your words get cut off by yet another harsh thrust of his hips, an uncontrollable moan slipping off your tongue. a low, barely audible grunt could be heard coming from alastor because of how you're squeezing around him like your life depends on it.

slowly, he places the book down, pushing two digits into your mouth as his sharp nails graze past your gums. your tongue swirls around them, gaze fixated on his that seems to be mocking your desperation. you grind your hips, wanting to feel more of that sensitive spot in you being stimulated by his tip brushing against it. alastor grunts every time you tighten around him, the feeling making his skin jump and his eyes close shut from the pleasure he receives.

you reach for the book to toss it aside, not allowing him any chance to get it back and return to what he was previously putting you through. he laughs at the action before getting cut off by yet another groan, a frown slowly finds its way to spread across his face despite the grin that remains on his lips.

"the book shall wait after all."

ʚ VOX .

the sound of vox's workers and colleagues echoes through his workplace, the source of it coming from the laptop that sits in front of him. he's holding an urgent meeting with them to discuss some things about work, yet you're here obediently sitting on him, cockwarming him. your arms hug his neck tightly, hands grabbing tightly onto his shirt while listening to him speak to the people in call.

you bite down every moan that builds in your throat, not allowing any sound to be heard by anyone but your partner. times when vox isn't discussing important matters, he leans into your ear to whisper praises, thrusting into you, and stops so suddenly when you're close to release.

he grins as you whine at the sudden loss of friction, skin flushed while feeling him draw lazy circles on your hips with his thumbs. he starts speaking again just when you're about to voice your frustration, drawing out a grumble from you. you stay there unattended, glancing at the part where the two of you connect; you're craving release, and you're done waiting.

with a steady pace, you move your own hips while holding onto his shoulders for support. vox's head snaps toward your direction, teeth gritting as he bites back the groans that threaten to leave his lips. he tries to hold you down, but his body betrays him and allows you to carry on with your movements. his head tilts back to lean against the headrest of his chair, the words that his workers speak gradually shifting to a blur in his mind.

"fuck, w-wait," his breath grows heavy, barely managing to keep his eyes open as you fuck yourself on his cock. you're supposed to be cockwarming him, not riding him. he has allowed you to the point of no return, how is he going to carry on with the meeting now? you grab him and connect your lips with his, drinking in his groans like how he does to your moans.

ignoring the calls of his name from the meeting, he pulls you closer by the waist as you grind yourself on him. it wasn't until he started getting annoyed by the meeting that he broke away from the kiss, strings of saliva still connecting your lips while his hand reached out to shut the laptop down. the room falls to a sudden silence, the only sounds that remain are your heavy breathing.

"you're gonna fuck up my company if this carries on," vox snickers before crashing his lips with yours again, hands holding onto your hips to thrust into you without anything holding him back this time.

ʚ VALENTINO .

you still can't process the fact that you're in valentino's studio with his cock buried deep inside of you while people walked around to work on set. valentino takes puffs from the cigarette he holds between his fingers, often ordering and even yelling at people as they rush to obey his commands.

nobody pays any mind to the both of you; in fact, they see it as something normal. after all, they're working for a porn producer, what is there not to be normal? you keep your face stuffed in the fluff of his coat, hands gripping tightly onto his outfit while still trying to adjust to how good he stretches you apart. everyone has just started working, and the set is still being prepared for a new film.

"you're tighter than usual my love, are you that excited to be around everyone?" he teases with a mocking tone, puffing out a wisp of pink smoke onto your flushed face. you lightly shake your head with a whine, the smoke that you inhale causing your vision to spin immediately. humming, valentino lifts your body up with the help of his lower pair of arms before roughly slamming you back down onto his cock. "I doubt that. you've always loved being fucking in public, no? look at you,"

you gasp, body tensing as a moan escapes your throat. you immediately bite down on your lower lip, eyes screwing shut while simultaneously having your body trembling under his hold. you don't want to draw too much attention to yourself, yet the idea alone excites you in an odd way that you never knew it would. noting your reaction, valentino continues repeating the action before stopping promptly, feeding himself with your choked back moans.

"keep looking pretty like that while i work, i'll have a reward waiting for you." you mewl at his words, giving him a weak nod while tugging onto his shirt. he takes another long drag from his cigarette before letting his gaze fall onto the prepared set displayed in front of him, eyes scanning for the stars of the show in the room.

he would moan softly into your ear whenever you clenched around him, teasing you with his mere voice and carrying on with his work. you don't complain, though, considering how you'll be fucked into a moaning mess once he's done with work.

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