#and some of this fanon I do personally love in fics

[luvbug724]

36 days.

i think we as a fandom don't talk about dan and renee enough aftg hitlist anon. i understand that renison and mattdan (?) prevail but we need to look at the sheer potential in that one short story about dan's recruitment alone. the sports rivalry turned hatred. dan only getting recruited because wymack came to watch renee. the strip club. having to unite in the face of misogynists. do you see the vision. do u see the vision aftg hitlist anon.

[teaandinanity]

Sometimes I'm like 'oh, right, the inside of my head is Not The Standard Model' about the DUMBEST possible shit.

[solelifauna]

So this NOT to imply the writing is bad

But so far the Batfam fic as me genuinely shaking in anger , the fact that dick is convinced that y/n as to prove herself to be "worthy" genuinely got to me to the point I need a pallete cleanser

Could we please get a small drabble of reader growing close with one of the "outside" batfam members?

Like maybe Kate(batwoman) and Luke (batwing) because they are under used

Or hell, maybe to really grind the family gears, reader gets close to azrael

(you know Bruce would've able to do shit if reader got close with Kate, she would fucking eat him alive)

Hey, You're all good bro! I also just want to put out that my fic is based on an au! The portrayals of any characters in my fic are based off of their canon and fanon counterparts, just with my own twist. Since this is a darker universe/au, the Bats along with other heroes are going to be a lot more brutal and jaded.

Also love your idea bro. But, I'll do you one better. Constantine. Bruce absolutely can't stand him and the reader being friends with/getting along with him? Oh, that's bound to grind Bruce's gears. It would also be easier to meet Constantine too.

Let's just say one day the reader gets caught up in some Justice League Dark stuff that Constantine is trying to solve. She gets kidnapped by a cult that wants to use her as a sacrifice. I mean, she is a pretty huge target, being the daughter of a Billionaire after all. Anyways, shes kidnapped, nobody is coming to get her, not from her family at least. Long story short, Constantine arrives too late to stop the ritual, but things don't go according to plan for the cultists anyway. Turns out that the person sacrificed wouldn't be killed, but would instead become a vessel.

Great, now you have some old, eldrich being living rent-free in your mind. The being is old, donning the title "Keeper of Hell", but you'll just call it (they? him? her?), Adam. Yeah, Adam wasn't too happy with the name. When Constantine arrives, however, hes pleasantly surprised to find you alive. When he realizes that you, a 15-year-old, now carry the presence and power of an eldritch being older than Gotham itself, he groans while lighting up a cigarette. Looks like he'd have to deal with you now.

He checks over you making sure you have no internal and external injuries before explaining your situation. He feels a little sorry for you, but he is in no condition to train you. He asks around to other JL dark members, hoping to see if anyone is willing to help you control your new powers. He sighs again when nobody steps up to the plate, too busy with their own sidekicks and quests.

Reluctantly, he tells you he'd help you figure stuff out. And there begins the blossoming of the amazing "Grumpy old man and kid they didn't ask for" troupe. When you tell Constantine your name, he blanks, because of course he gets stuck with one of the bat's kids. However, based on your tone of voice when discussing your family (and the way you begged him not to let Bruce/Batman know of your predicament), he's guessing things aren't all too great between you all. Well, thats not his problem, his only job was to train you and make sure you don't end up accidentally killing someone.

Yeah...like that thought process is going to last. Training sessions start out bleak and professional, he's only doing a job. Then as time continues, he finds himself enjoying your company, your enthusiasm to learn and your rambunctious/sarcastic comebacks always have him fighting off a smile. It's been a while since he's had company like this. Soon, you're both going out on missions, and then ice cream breaks afterward. He lets you fall asleep on his shoulder, drooling all over his trench coat after particularly difficult missions and he can't bring himself to mind.

He's fond of you, although he never admits it out loud. It's okay though, because even though he's never said it out loud, his actions speak louder than words. You could feel his love and pride for you. Although he wasn't exactly your dad per se, he was still something to you, maybe the wine uncle? You don't know, and you don't particularly care to put a label on what Constantine was to you, you're just glad that he's there.

Shit hits the fan, however, when one day you decide to go on a solo mission. It's nothing crazy, just getting rid of some poltergeists and low-level demons and shades. Now, were you given permission to go on this mission alone? No, but in a normal teenage manner, you decide to go anyway. Everything was fine, you got rid of all the poltergeists in the area and even some of the shades too! It's all going well until you realize that the demon mentioned before was not as weak as you were told. You gulped when its blood red eyes turned to you.

"Well shit." Constantine was going to kill you.

It immediately lunges at you, you barely rolling out of its sharp claws. You hit it with a couple of spells, causing the demon to roar out in pain, burn marks now littering its side. Its tail whips at you, colliding with your stomach as you fly into a wall with a loud thud. You groan as you pick yourself up, clutching your ribs, each breath a jagged pain that ripples through your chest. Your arm is slick with blood, the gashes from the demon's claws burning as if its very essence were trying to sear your flesh. You grit your teeth and weave another spell, calling on Adam’s power to knock the demon back. This time, a burst of raw energy slams into it, shattering its leg with a sickening crack.

For a brief moment, you think it's over, ready to strike the final blow. But the demon’s leg snaps back into place, bone and flesh knitting together as if the injury had never happened.

“Of course,” you mutter under your breath. “Why would this be easy?”

The demon lunges again, and you’re just a split second too slow. Burning pain flares through your right arm as its claws tear into you, ripping through your flesh like paper. You scream, the sound involuntary, but you push through the pain, refusing to go down without a fight.

Drawing back, you unleash another spell, a sharp projectile of energy aimed at its neck. The demon flinches, letting out a low growl. That reaction—panic—gives you the first glimmer of hope. Its neck. That's its weak spot.

With renewed determination, you gather every ounce of strength you have left. The cuts across your body throb, and your arm feels like it’s on fire, but you push it all aside. You can do this. You have to do this.

You unleash a volley of cutting spells, each one aimed at the demon’s throat. It fights back viciously, throwing you around the room with a strength that makes your vision blur. Every hit you take feels like your bones are splintering, but you keep going. You keep attacking.

Finally, one of your spells strikes true.

The demon lets out a gurgling screech as your spell cuts deep into its neck. Blood—thick and dark—pours from the wound, and it claws at its own throat, choking. Its body spasms violently, and then, as if collapsing in on itself, it begins to disintegrate. In a few seconds, all that’s left is dust.

You stand there, panting, barely able to process the fact that you did it. You won. A grin spreads across your face, and despite the pain radiating from every part of your body, you let out a weak cheer.

But the celebration is short-lived.

Pain cuts through you like a knife, sharp and sudden, reminding you of just how battered you are. Blood is still oozing from the various gashes across your body, and your arm feels like it’s hanging by a thread. You stumble, nearly falling, but catch yourself at the last second.

“Crap… I’m bleeding out,” you mumble, wincing. “Whoops.”

With what little energy you have left, you remember the spell Constantine taught you, the one that would tether you to him no matter where you were. He warned you not to use it unless it was an emergency—and bleeding out from demon-inflicted wounds definitely qualifies.

You lift your shaking hand and cast the spell, a sluggish flick of your wrist sending out a ripple of energy. A portal forms, shimmering and unstable, but functional enough. Without much grace, you stumble through it, disappearing from the demon’s lair.

What you didn’t know, however, was that Constantine was currently in a Justice League meeting.

The first thing you feel is a sudden drop, like the ground beneath you has vanished. You barely register the sensation of falling before you crash, hard, onto something solid. Groaning, you blink through the haze of pain and find yourself sprawled across a massive table.

You can hear voices—muffled, alarmed—but the world is spinning too much for you to focus. All you know is that you're lying on something cold and hard, and you’re absolutely drenched in blood.

Forcing your eyes open, you see several figures standing around you, staring in shock. Your vision is blurry, but you can make out Superman’s cape and Wonder Woman’s armor. You try to process what's happening, but the pain in your arm and ribs keeps pulling you under.

"Ow, ow, ow, ow. Fuckkkk." You cry out.

Suddenly, the scent of smoke fills the air. You don't even have to look to know who it is. Constantine’s familiar trench coat brushes against your arm as he crouches beside you, cigarette dangling loosely from his lips. His eyes flicker with a dangerous mix of exasperation and barely concealed anger.

“What in the bloody fuck, kid?” he snaps, his tone harsher than usual, but the concern underlies his words.

You wince, the situation hitting you all at once. Crap. Now I've got to deal with this.

You muster a weak, sheepish grin, wincing as you turn your head to face him. “Heyyy Constantine, how are ya?”

His brow furrows deeper, and he’s clearly not amused. “What did you do?”

You swallow hard, trying to think of how to explain yourself without getting ripped to shreds—verbally or otherwise. “I—well, promise you won’t get mad?”

“Too late for that, kid. I’m already halfway there,” he growls, his eyes narrowing as he looks over your wounds. “Now get to it.”

You bite your lip, trying to find the least disastrous way to explain. “So… I sorta… mighta… gone on a solo demon-hunting mission,” you blurt out quickly, hoping he’d just move past it.

The way Constantine’s eyes widen, and the immediate twitch in his jaw tell you that he’s definitely not going to move past it.

“You did what?!” His voice rises as he stands up, rubbing a hand over his face. “Oh bloody— I thought I specifically told you not to go by yourself! And this is what happens!”

“Hey, well, I’m alive, aren’t I?” you say, grinning nervously, trying to play it off.

“That’s besides the point!” He throws his arms up, pacing as he takes a long drag from his cigarette. “Bloody hell, I should’ve known better with you kids. I swear, this is why I never—”

Just then, a dark, grim voice cuts through the chaos, and your heart nearly stops.

“Constantine,” Batman’s tone is low, authoritative. “Why is my daughter bleeding on our table?”

Oh no. No, no, no. Not now.

You freeze, your mind going blank as you feel the weight of Batman’s presence at the end of the table. You slowly, painfully turn your head to see him standing there, cape draped over his shoulders, his gaze icy and locked onto you. His usual stoic expression somehow looks even more intense.

“Ah… shit,” you mutter under your breath, groaning inwardly as you realize you’ve just landed yourself in the absolute worst situation imaginable. “I completely forgot he was still here.” Wait, did you say that out loud?

Constantine gives you a sidelong glance, raising an eyebrow. “Yes, kid, you did. And now we’ve got more than just your wounds to worry about, don’t we?” He sighs deeply, rubbing his temples, already anticipating the fallout.

Batman’s eyes narrow, arms crossed as he takes a step closer to you, his voice low and dangerous. “Care to explain yourself?”

You’re still bleeding, your head is pounding, and you’re pretty sure at least a few bones are broken, but none of that compares to the fear creeping up your spine as you look up at your father. Your mind races for an answer, but every excuse you can think of feels flimsy at best.

Constantine clears his throat, sensing the rising tension in the room. “Right. Let’s get her fixed up before this turns into an interrogation, yeah? Kid’s bleeding all over the place, and she’s already taken a beating. We’ll save the lecture for later.” He waves his hand, muttering something under his breath as he kneels beside you again.

The tension between Constantine and Batman lingers in the air, thick and heavy, but Batman finally relents. His eyes soften—slightly—as he watches Constantine work to stabilize your injuries with magic.

You can feel yourself growing weaker, the adrenaline finally wearing off as the pain becomes unbearable. Constantine mutters a healing spell, one that slows the bleeding and knits some of the less serious cuts together. It's not perfect, but it’s enough for now.

“I think it’s time to get you all fixed up, huh?” Constantine says softly, his earlier anger tempered by concern as he helps you sit up, his hand firm on your back to support you.

You nod weakly, not daring to meet Batman’s eyes again. You’re in deep trouble, but for now, at least, you’re still breathing. As Constantine gets ready to teleport you to a safer place to heal, you hear Batman’s voice, calm but steely.

“We’re not done here.”

And with that ominous promise hanging in the air, Constantine picks you up, and the world around you shifts once again.

Constantine gently carries you through the halls toward the Justice League’s med bay, muttering curses under his breath with every step. You could feel his frustration radiating off him, and now, in the quiet aftermath of the fight, guilt begins to settle in your chest. The adrenaline from the battle has worn off, and now you're left with the consequences of your reckless actions.

“Hey, Constantine… I—I’m sorry for not listening to you. I really am,” you say, your voice soft and heavy with regret.

He sighs, not looking at you, but his tone is stern. “I’m not going to lie and say I’m not mad at you, kid. You didn’t just ignore my warnings—you put yourself in danger. There are rules for a reason. What if you got seriously hurt and couldn’t cast a spell back to me? Even worse, what if you died or got possessed?”

His words hit you hard, and you wither under the weight of them. You know he’s right. All those rules and restrictions aren’t just him being overprotective or controlling, they’re because he cares. He’s seen the kind of darkness that can swallow people whole, and the thought of that happening to you terrifies him, even if he’ll never say it out loud.

By the time you reach the med bay, the guilt feels like it’s pressing down on you as much as the pain in your ribs. Constantine lowers you onto a cot, tucking you in with a gruff gentleness that only he could pull off. He sits down on the side of the bed, pulling out a cigarette and lighting it with a quick flick of his fingers, his eyes never leaving yours.

“What I’m trying to say, kid,” he starts, exhaling a cloud of smoke, “is that I care. I care about you, I care about what happens to you. I don’t want—” He pauses, his voice softening. “I don’t want to ever have to find your body one day. So please, from now on, let me know before you do something stupid like this.”

His words hang in the air, raw and unfiltered. You nod, trying to process it all, and then something clicks in your mind. Wait… did he just say let him know?

“Let you know? Does this mean—” Your eyes widen as realization hits you. “Does this mean I can go on solo missions?”

Constantine lets out a resigned sigh. “Yes, yes, you can start going on solo missions—”

“Hell yeah!” you exclaim, sitting up a little too quickly. Pain shoots through your ribs, but you can’t help the excitement bubbling inside you.

“—but, only the ones I sanction and authorize,” Constantine finishes, cutting through your excitement with a stern look. You deflate a little at his words, but it’s still a victory in your book.

Without thinking, you throw your arms around him, ignoring the sharp pain it causes in your ribs. “Oh, thank you, thank you, thank you! I promise I won’t let you down!”

He chuckles, patting your back awkwardly before pulling away. “Yeah, yeah, I know you won’t. Now, lay back down and get some rest. You still have dark and brooding to deal with.” He gestures toward the direction of the meeting room, clearly dreading the inevitable confrontation with Batman. “And by extension, I do too,” he adds with a heavy sigh.

You groan, sinking back into the cot, the exhaustion finally catching up with you. “I don’t know why he even cares. If he did, he would’ve figured this out ages ago.”

Constantine glances at you, his expression softening for a moment. He takes a long drag of his cigarette before speaking. “He cares, kid. He just… doesn’t always show it the way you want him to. Doesn’t mean he doesn’t feel it.”

You scoff, though part of you knows he’s right. “Yeah, well, doesn’t feel like it.”

Constantine stands, taking one last drag of his cigarette before flicking it into a nearby ashtray. “Doesn’t matter how it feels right now. The Bat’s going to want answers, and if I know him, he’s going to want to have a very long talk with you. You’re not out of the woods yet.”

You wince at the thought of the upcoming conversation, knowing that Batman’s interrogation will be thorough and far less forgiving than Constantine’s.

“Great,” you mutter, closing your eyes and sinking deeper into the cot. “Just what I need.”

Constantine gives you a small, almost affectionate smile before turning to leave. “Get some rest, kid. You’ve earned it. I’ll deal with the big bad Bat for now.”

And with that, he walks out, leaving you alone in the med bay. As much as you’re dreading what’s to come, you can’t help but feel a sense of relief. Despite the pain and the mistakes you made, you know that Constantine’s got your back. And, maybe, just maybe, Batman does too, even if it’s buried under a mountain of brooding and silence.

For now, though, you let the exhaustion pull you under, trusting that everything else can wait until tomorrow.

-

As you rest, your body finally succumbing to the exhaustion, your breathing evens out and your mind drifts into sleep. The med bay is quiet, sterile, but the tension in the air lingers, waiting for the inevitable. Eventually, a dark, caped figure glides into the room silently, his form casting long shadows across the walls.

Batman—no, Bruce—stands over you, his sharp eyes tracing every bruise, every cut that mars your face. His jaw clenches as a million thoughts swirl in his head, none of them offering any comfort.

What the hell happened to you? Why are you and Constantine so close? How did you even know Constantine? How much had he missed—how little attention had he been paying—to not notice any of this?

Bruce sighs, a deep and frustrated sound. He removes his cowl, setting it on the side table with a weary hand. Without it, he seems less intimidating, less imposing. He stares down at you, seeing the cuts and bruises marking your skin, but what hits him harder is the way your face, in sleep, is still so achingly young. You're his daughter, and yet it feels like you're a stranger to him now.

How did you get so far away?

He knows the answer. The fault lies with him, with the choices he made, the excuses he repeated to himself—telling himself he was too busy, telling himself he would check in later. Later never came, though, and the space between you widened, until it wasn't just him you were drifting away from, but your brothers too.

Bruce noticed the way your brothers treated you, the harsh words, the cold shoulders. He saw the distance, but he justified it, telling himself it was sibling rivalry or something that would pass. He didn't step in. And now, as he looks at you lying there, bruised and battered from a fight he wasn’t even aware of, the reality sinks in: he has no excuse.

With a heavy sigh, Bruce reaches out, his rough but careful hand carding gently through your hair. The gesture is tender, hesitant, as if he's not sure whether he has the right to touch you like this anymore. But as his fingers comb through your hair, you stir in your sleep, a quiet murmur escaping your lips as you unconsciously lean into his touch. It's such a sweet, innocent moment, and for a brief second, Bruce allows himself to feel the warmth of it.

But the moment is fleeting.

He feels the presence before he sees it, the unmistakable smell of cigarette smoke filling the room. His jaw tightens as his hand stills. He doesn’t turn right away, but his voice cuts through the silence.

“Constantine,” Bruce says, his tone gruff even without the cowl to disguise it.

Constantine steps into the room more fully, leaning against the wall, a half-smoked cigarette between his lips. He regards Bruce with that same nonchalance he carries everywhere, though there's a flicker of something else in his eyes—something more cautious.

"Thought you’d still be brooding over in the corner," Constantine says, taking a drag of his cigarette. His eyes drift to you, lying peacefully on the cot. “Didn’t expect to see this version of you.”

Bruce doesn’t respond right away. He pulls his hand back from your hair, his gaze hardening. "What happened?" The question is direct, but underneath it, Constantine can hear the concern, the frustration Bruce doesn't voice aloud.

"She went off on her own," Constantine mutters, taking another drag before blowing out a cloud of smoke. "Went after a demon. Got roughed up pretty bad, but she handled it in the end. Strong kid. Stubborn too. Wonder where she gets that from, eh?"

Bruce's eyes narrow. "And you let her?"

"Let her?" Constantine laughs, a short, sharp sound. "Mate, I didn’t let her. She went behind my back, just like she’s gone behind yours for who knows how long. Difference is, I’m the one she actually came back to.”

That lands like a punch to Bruce's gut. He doesn’t react visibly, but Constantine can see the tension in his posture.

"I didn't know she was…" Bruce starts, then stops, shaking his head. The words feel inadequate. "I didn't know she was involved with this stuff, i didn't even know she was a meta. Or that she knew you."

"Yeah, well, she found her way to me," Constantine says with a shrug, stubbing out his cigarette on the wall. “And she's not a meta by the way, she's a vessel for some eldritch being"

A vague expression of surprise appears on Bruce's face.

"I don't blame you, mate. I was surprised to find her alive afterwards. Not just anyone survives that kind of transformation, she's strong.”

Bruce crosses his arms, his gaze flickering between you and Constantine. “I know she’s strong.”

“Do you?” Constantine raises an eyebrow, the challenge clear in his tone. “Because she’s been running herself ragged trying to prove it. To you. To herself. And, hell, maybe to me too, but at least I see it.”

There’s silence for a moment. Bruce clenches his jaw, turning to look at you again, sleeping soundly despite the tension in the room. He knew Constantine was right. You'd been pushing yourself, fighting to show that you didn’t need them—that you were strong enough on your own. And he had let you. He'd let you because he didn't even care to notice.

Constantine sighs, sensing the weight of the silence. “Look, I didn’t come here to throw stones. But you’ve got to get your shit together with her. She’s tough, but she’s still a kid, and she’s your kid. She needs you.”

Bruce doesn’t answer, but his silence speaks volumes. He watches you, the soft rise and fall of your chest, and feels the regret gnawing at him.

“I’ll handle it,” Bruce finally says, though the words feel hollow.

Constantine gives him a long look, then nods. “You better. Because if you don’t, she’ll be right back with me..”

With that, Constantine pushes off the wall, flicking away the last of his cigarette. “I’ll check in on her later. Try not to fuck this up, mate.” And with one last glance at you, Constantine leaves, the tension in the room ebbing with him.

Bruce remains, standing over you, his mind a whirlwind of regret, guilt, and the desire to fix what’s been broken for far too long. He leans down, pressing a gentle kiss to your forehead—something he hasn’t done in what feels like years—before stepping back, pulling the chair beside your bed to sit vigil over you.

He’s still not sure how to bridge the gap, but for now, he stays. It’s a start.

Well, thats all folks! I really enjoyed writing this au, so thanks for the idea! Maybe ill even make a pt. 2 to this? Who knows? Anyways, I hope you enjoyed it.

[moonysbookshelves]

The Cadence of Part-Time Poets

The Cadence of Part-Time Poets by @motswolo

Have been working on this 10 volume set for the past few months now, and they are finally complete. My Magnum Opus. I have peaked and probably depleted all of my brain power.

Thank you to @motswolo for writing such a beautiful story. My brain chemistry has been favourably altered. Will forever flinch when I hear Queen, The Beatles or Bob Dylan. Love to you from western Canada (west coast best coast lets gooooo).

I also posted a TikTok of these since posts here are limited and I love the insides as much as the covers, so if you wanna see between the pages, here’s that.

Also thank you @avisbindery for letting me scream and cry in your DMs while I read the fic. May you get some uninterrupted sleep now LOLLL.

Going to write a whole essay below about the ideas and details because uhhh I wanna yap bit!

So for starters, I wanted to make these binds look like magazines because of the epilogue where (spoiler) Tonya sees Remus in a copy of New Musical Express. But of course this fic is long, so I was like, what if I do multiple volumes? This very quickly spiralled into me painstakingly (finding publication-accurate fonts almost sent me to an early grave) recreating 10 different music-focused magazines from the 70s and 80s from scratch (thank you to Photoshop, Affinity, Procreate and Canva). Each volume features a unique cover, along with stylized typesets to match that display the songs for each chapter but in different designs. And then I went a little crazy and made a 45 sleeve and a cassette too, to really set the scene when I took the photos lol

While the covers display the dates pertaining to the contents of that particular volume (Sept 1975 for volume one, for example) I was thinking about what the magazines would say if they were really published when Marauders are traipsing about being spectacular and famous in the future. I sprinkled in details from the fic itself and fanon-ed it a bit, but that was the general inspiration :-) Tried to keep the photos used either faceless/obscured, or to use the fancasts on Mots’ Cadence master post. I also tried to use period-accurate photos but didn’t always succeed, so settled for photos of 4 member bands where I had to :”) But the general intent with the facelessness was that they could be implied to be Marauders. If you squint? lol. Just pretend. Pls.

Volume One: Based upon The Record Song Book. This magazine went on to inspire the typesets, since it publishes lyrics and such. The cover images are of Spacey Jane and David Thewlis.

Volume Two: Based on ZigZag, specifically the issue from July 1978 featuring Siouxie and the Banshees just because I thought it looked sick as fuck. I re-drew the abstract shapes and such in procreate. The cover images are The Clash and a young Gary Oldman. Lord he was foiiine.

Volume Three: Based on Trouser Press, November 1980. The cover images are a young Metallica, and my personal fav fan cast for James, Reiky De Valk. The film negatives are from a Bruce Springsteen tour, 1976.

Volume Four: Based on Gay Times (November 1984), a queer magazine from the UK because this volume contains Wolfstars first kiss hehe. Also hence Somebody To Love plastered all over the covers. The Front cover is Inhaler. The “4A” on this one is of course the boys’ dorm number, but I made the A the lambda symbol as this was a pride symbol in the 70s after Stonewall.

Volume Five: Based on Melody Maker. Front image is Alex Turner. All of the text on this one is pulled directly from the fic. The scene where they all drop acid and James jumps off the roof Almost Famous style had me hootin’ and hollerin’… until Tomny showed up hahaha :”)

Volume Six: Based on IT (International Times, Aug 1971). Front image for this one is Joy Division, and the back features Jane Asher for Lily

Volume Seven: Based on Record Mirror, June 1976. Front image is John Taylor of Duran Duran. Yum.

Volume Eight: Based on Rolling Stone. More vibes than anything for this one, but the quote still makes me laugh.  Front image is of Matt Hitt. Can you tell I photoshopped a cell phone out of this one? IDK. This photo just screamed ‘Remus’ to me so I had to use it. The back image is an old cigarette ad, but the photo is taken in Shepherd’s Bush.

Volume Nine: Based on Fusion magazine. Front image for this one is once again Inhaler. Oops. Back cover is our gals. Images are Jodie Foster as Cherry, Brenda Sykes as Mary, and Goldie Hawn as Lottie.

Volume Ten: Based on New Musical Express. You know why :”) These are all victims of fanon, but this one especially. I wanted it to be NME instead of the re-invented logos I’d been doing for all the rest, as I wanted it to look like the magazine the Sister gives to Tonya. I referred to an issue of NME from October 1979 for this and layered in fic references where it made sense to. The cover image for this one is (I think) Cigarettes After Sex. This issue also contains all of the B-Side chapters, and the Marauders song lyrics too just for fun :)

Slasher Chick: This is just my take on what Sybill’s zine could’ve looked like. Prob way off but I just wanted to have fun with this one since I had no cover to reference lol. The zine contains her little write-up and the interview, lifted straight from the fic :")

ok yap sesh over byeeeeeeeeeeeeeeee lmfaooooo

[hollowed-theory-hall]

your post on harry’s handwriting was an eye-opener for me! ik his writing resembled his mother some and is decent overall, but i’ve never seen pics of it!

idk where the horde of fanfic writers came up with the weird notion that harry has bad/chicken scratch handwriting, which triggers me every. time. they make out his handwriting to be messy, his eating habits sloppy, his speech behaviour bumbling, his appearance unkempt, and that he’s rather messy as a person. which boggles the mind, because he’s used to cleaning up after the dursleys and probably enjoys an orderly space, if not super spic and span??? is it only certain fandoms, cuz they make the other character(s) all elegance personified and well-mannered? like, harry already is a well-mannered boy, otherwise petunia would’ve been tutting, clucking, and dying of shame even more before the nieghbours lmaoo. idk whether to cry or laugh, and sometimes it’s such a turn-off that i choose to rage quit fics.

please, if you have the time, i would love a thorough breakdown/meta on how harry actually comes across as a person!

Okay, I have so much to say about this. And omg, Harry's chicken scratch handwriting is one of my pet peeves in fics (here's the handwriting post, btw). Harry's characterization when done wrong in general, tbh is a huge turn-off for me. Becouse I love Harry, he's my boy.

So, what we're gonna look at is how other characters in the books perceive Harry, how he comes across in universe to people who can't read his mind (like we can, as the readers).

I'll start with a general note about how most characters in the books don't really know Harry. This is mostly because Harry, contrary to fanon interpretations, is a very private person and rarely talks about himself/his feelings/his thoughts out loud. This is a habit I believe was ingrained into him by the Dursleys.

Like, I mentioned in the past Harry doesn't talk as much as other characters. Scenes of the trio usually consist of mostly Ron and Hermione talking, for example. This is not becouse he doesn't have thoughts (he's quite judgmental inside his head, and we know he has a lot to say), but becouse he's used to not voicing a lot of them thanks to the Dursleys.

This essay turned out pretty long, but here we go:

How do others see Harry?

Harry comes off as confident. Harry is a defiant and courageous person, and this often comes off as confidence to other people. It's why Snape thinks Harry is arrogant and why most students are always sure Harry meant to do what he did. They think he has shit together because he comes off like he does:

Harry stayed silent. Snape was trying to provoke him into telling the truth. He wasn’t going to do it. Snape had no proof — yet. “How extraordinarily like your father you are, Potter,” Snape said suddenly, his eyes glinting. “He too was exceedingly arrogant. A small amount of talent on the Quidditch field made him think he was a cut above the rest of us too. Strutting around the place with his friends and admirers . . . The resemblance between you is uncanny.” “My dad didn’t strut,” said Harry, before he could stop himself. “And neither do I.”

(PoA, Ch14)

Snape sees Harry as arrogant, when in fact Harry is just defiant and intelligent.

“But you’ve been too busy saving the Wizarding world,” said Ginny, half laughing. “Well ... I can’t say I’m surprised. I knew this would happen in the end. I knew you wouldn’t be happy unless you were hunting Voldemort. Maybe that’s why I like you so much.”

(HBP, Ch30)

Ginny (and other characters) believe he likes to save the wizarding world. That he is this confident hero and savior. I mean, they believe her lie about the tattoo, which says a lot:

and all Romilda Vane does is ask me if it’s true you’ve got a hippogriff tattooed across your chest.” Ron and Hermione both roared with laughter. Harry ignored them. “What did you tell her?” “I told her it’s a Hungarian Horntail,” said Ginny, turning a page of the newspaper idly. “Much more macho.”

(HBP, Ch25)

Harry doesn't see himself as leader material, but it's clear everyone else does:

“I think we ought to elect a leader,” said Hermione. “Harry’s leader,” said Cho at once, looking at Hermione as though she were mad, and Harry’s stomach did yet another back flip. “Yes, but I think we ought to vote on it properly,” said Hermione, unperturbed. “It makes it formal and it gives him authority. So — everyone who thinks Harry ought to be our leader?” Everybody put up their hands, even Zacharias Smith, though he did it very halfheartedly. “Er — right, thanks,” said Harry, who could feel his face burning.

(OotP, Ch18)

Neville Longbottom, who gave a roar of delight, leapt down from the mantelpiece and yelled. “I knew you’d come! I knew it, Harry!”

(DH, Ch28)

“Look who it is! Didn’t I tell you?” As Harry emerged into the room beyond the passage, there were several screams and yells: “HARRY!” “It’s Potter, it’s POTTER!” “Ron!” “Hermione!” [...] “Are you all right, Harry?” Neville was saying. “Want to sit down? I expect you’re tired, aren’t—?” “No,” said Harry. He looked at Ron and Hermione, trying to tell them without words that Voldemort has just discovered the loss of one of the other Horcruxes. Time was running out fast: If Voldemort chose to visit Hogwarts next, they would miss their chance. “We need to get going,” he said, and their expression told him that they understood. “What are we going to do, then, Harry?” asked Seamus. “What’s the plan?” “Plan?” repeated Harry. He was exercising all his willpower to prevent himself succumbing again to Voldemort’s rage: His scar was still burning. “Well, there’s something we—Ron, Hermione, and I—need to do, and then we’ll get out of here.” Nobody was laughing or whooping anymore. Neville looked confused.

(DH, Ch29)

Everyone expected Harry in DH to have a plan of attack the moment he arrived because that's how he acts. Even in the above scene, he's in terrible pain from his scar, but the others don't see it. What they see is a Harry who looks exhausted but says no to rest because there's work to be done and they expect this of him. They see someone fearless and capable with a plan who could lead them, but this isn't what we see because we're inside his head.

How Harry doesn't speak much and acts overall quite distant, as in, he actively avoids the girls who fancy him:

Then he blinked and looked around: He was surrounded by mesmerized girls. “Hi, Harry!” said a familiar voice from behind him. “Neville!” said Harry in relief, turning to see a round-faced boy struggling toward him

(HBP, Ch7)

And he only has two close friends and barley knows the other students in his year. Most students only know Harry Potter from the stories, rumors, and Dumbledore's end-of-the-year speeches about his heroism. They have no clue who the real Harry is — so they expect the hero they do hear about.

He stands his ground a lot (again, defiance):

Harry turned to McLaggen to tell him that, most unfortunately, Ron had beaten him, only to find McLaggen’s red face inches from his own. He stepped back hastily. “His sister didn’t really try,” said McLaggen menacingly. There was a vein pulsing in his temple like the one Harry had often admired in Uncle Vernon’s. “She gave him an easy save.” “Rubbish,” said Harry coldly. “That was the one he nearly missed.”

(HBP, Ch11)

And more often than not, he does so coldly and calmly. A lot of his more fiery anger is a sign of trauma with Harry, his baseline anger reaction is cold.

All of this adds to him appearing to others as controlled, confident, and like he has everything together and could never have any issues. He comes off as this bigger than life person to most people. Snape isn't the only one who reads Harry's behavior as confident. But it's actually far from the truth.

We, as the readers, see how depressed Harry is. How lowly he thinks of himself and how much he doesn't think of himself as anything special when he very clearly is. But the fact he doesn't say any of it and has mastered the skill of acting cold and like everything is fine when he literally wants to die at the age of 5, no one knows. Even Ron and Hermione didn't truly realize the full extent of Harry's low self-worth until 5th year.

The other students are shocked to see Harry as angry as he is in book 5 because he's often way more controlled and well-mannered than that. They're used to seeing him cold and quiet, not firey. Most of his fire stays inside his head unless he's really angry or emotional in general (or traumatized):

Professor Umbridge sat down behind her desk again. Harry, however, stood up. Everyone was staring at him; Seamus looked half-scared, half-fascinated. “Harry, no!” Hermione whispered in a warning voice, tugging at his sleeve, but Harry jerked his arm out of her reach. “So, according to you, Cedric Diggory dropped dead of his own accord, did he?” Harry asked, his voice shaking. There was a collective intake of breath from the class, for none of them, apart from Ron and Hermione, had ever heard Harry talk about what had happened on the night that Cedric had died. They stared avidly from Harry to Professor Umbridge

(OotP, Ch12)

The shock of the other students, I believe, is because of what he's saying, yes, but it's also because Harry is behaving very unlike him here. He usually doesn't shout at teachers or anyone, really. He rarely speaks in classes actually.

And regarding his confidence, everyone, Ron and Hermione included, was sure Harry is super skilled and that that's how he evaded Voldemort:

“You don’t know what it’s like! You — neither of you — you’ve never had to face him, have you? You think it’s just memorizing a bunch of spells and throwing them at him, like you’re in class or something? The whole time you know there’s nothing between you and dying except your own — your own brain or guts or whatever — like you can think straight when you know you’re about a second from being murdered, or tortured, or watching your friends die — they’ve never taught us that in their classes, what it’s like to deal with things like that — and you two sit there acting like I’m a clever little boy to be standing here, alive, like Diggory was stupid, like he messed up — you just don’t get it, that could just as easily have been me, it would have been if Voldemort hadn’t needed me —” “We weren’t saying anything like that, mate,” said Ron, looking aghast. “We weren’t having a go at Diggory, we didn’t — you’ve got the wrong end of the —” He looked helplessly at Hermione, whose face was stricken.

(OotP, Ch15)

They didn't for a second think he wasn't confident in his own abilities because Harry acts in a way that comes off as confident and capable. It's why everyone so easily accepts him as a leader under various circumstances. He acts level-headed while he's terrified, so everyone thinks he knows what he's doing except Harry (and the reader). Ron and Hermione had zero doubts Harry's skill was a big part of why he survived book 4, it's only Harry who doesn't think that.

The fact Snape bothered to extract his own memories during his Occlumancy lessons goes to show how he thinks Harry is talented, contrary to his words. He feared Harry would reverse the connection and see into his mind, otherwise he wouldn't have taken these precautions.

Think of Voldemort’s resurrection even. Inside his mind, we know Harry's terrified. We know he has no idea what he's doing.

But imagine being a Death Eater in the crowd and you see this 14-year-old kid stand up after being Crucio-ed by their lord, and he stands up, resists the imperius, and shouts at your lord like he thinks of himself as equal to him — or, perhaps, better than him:

“I asked you whether you want me to do that again,” said Voldemort softly. “Answer me! Imperio!” [...] I WON’T!” And these words burst from Harry’s mouth; they echoed through the graveyard, and the dream state was lifted as suddenly as though cold water had been thrown over him — back rushed the aches that the Cruciatus Curse had left all over his body — back rushed the realization of where he was, and what he was facing. . . . “You won’t?” said Voldemort quietly, and the Death Eaters were not laughing now.

(GoF, Ch34)

That's pretty badass. Harry comes off like a confidant badass. And he gets more badass and confident as he matures (even if he isn't actually as confident as he appears).

Even in the DoM, Lucius Malfoy, who was in the graveyard, takes Harry seriously:

“Don’t do anything,” he [Harry] muttered. “Not yet —” The woman who had mimicked him let out a raucous scream of laughter. “You hear him? You hear him? Giving instructions to the other children as though he thinks of fighting us!” “Oh, you don’t know Potter as I do, Bellatrix,” said Malfoy softly. “He has a great weakness for heroics; the Dark Lord understands this about him. Now give me the prophecy, Potter.”

(OotP, Ch35)

Bellatrix makes fun of how Harry gives the other kids orders as if they're going to fight, but Lucius knows better, he knows Harry is going to fight, and I think, he's scared of what would happen when he does. Even Bellatrix quickly starts taking Harry more seriously:

“Oh, he knows how to play, little bitty baby Potter,” she said, her mad eyes staring through the slits in her hood. “Very well, then —”

(OotP, Ch35)

And she changes her tone completely after he casts a Crucio at her:

“Never used an Unforgivable Curse before, have you, boy?” she yelled. She had abandoned her baby voice now.

(OotP, Ch36)

His aura is one of competence and confidence even when he's frightened and has no idea what he's doing. Especially when he's frightened and has no idea what he's doing.

And for the most part, he doesn't come off nearly as judgmental as he actually is, because he doesn't say a lot of what he thinks. We only see him start to actually speak his mind and be more sassy out loud around 5th and 6th year. And even then, his highly judgmental physical descriptions stay part of his narration, they aren't spoken:

“That’s the bell,” said Harry listlessly, because Ron and Hermione were bickering too loudly to hear it. They did not stop arguing all the way down to Snape’s dungeon, which gave Harry plenty of time to reflect that between Neville and Ron he would be lucky ever to have two minutes’ conversation with Cho that he could look back on without wanting to leave the country.

(OotP, Ch12)

Ron and Hermione banter while Harry feels done with them, but he doesn't really say anything or complain. He keeps a lot of his thoughts inside his head.

If we look at how Ron, Hermione, and Sirius see Harry, they're the closest to who Harry actually is as these three know Harry best. (They're also more objective than Harry who looks down on himself)

After the book 5 conversation I mentioned above, Ron and Hermione are more aware of Harry's insecurities, but they find them silly. They see Harry as incredibly capable and skilled:

“Did he?” said Harry. Behind him he felt rather than heard Hermione passing his message to the others and he sought to keep talking, to distract the Death Eaters.

(OotP, Ch35)

“What are we going to do with them?” Ron whispered to Harry through the dark; then, even more quietly, “Kill them? They’d kill us. They had a good go just now.” Hermione shuddered and took a step backward. Harry shook his head. “We just need to wipe their memories,” said Harry.

(DH, Ch9)

When danger comes, everyone's instantly following Harry's lead. Harry's the planner when the situation is dangerous, he calls the shots, not Hermione. Hermione and Ron look to Harry for a plan when things get tough, and Harry always figures something out. Now, we see Harry thinking he has no idea what to do:

He could not think what to do but to keep talking. Neville’s arm was pressed against his, and he could feel him shaking. He could feel one of the other’s quickened breath on the back of his head. He was hoping they were all thinking hard about ways to get out of this, because his mind was blank.

(OotP, Ch35)

But Ron and Hermione don't. No one does. They just see Harry coming up with a plan to save them. Every time. They don't see him wracking his brain for a way to keep everyone alive.

Hermione never considers Harry stupid, not even in first year:

“I’m not as good as you,” said Harry, very embarrassed, as she let go of him. “Me!” said Hermione. “Books! And cleverness! There are more important things — friendship and bravery and — oh Harry — be careful!”

(PS, Ch16)

And Ron clearly doesn't expect stupid behavior from Harry. He's surprised and shocked when Harry does something he considers stupid:

“What the hell,” panted Ron, holding up the Horcrux, which swung backward and forward on its shortened chain in some parody of hypnosis, “didn’t you take this thing off before you dived?”

(DH, 19)

Both Ron and Hermione trust Harry's opinion and they trust him to know what to do when shit hits the fan. When things are dangerous, both Ron and Hermione (and everyone else) turn to Harry to know what to do becouse that's the aura he has:

“I’d tell him we’re all with him in spirit,” said Lupin, then hesitated slightly. “And I’d tell him to follow his instincts, which are good and nearly always right.” Harry looked at Hermione, whose eyes were full of tears. “Nearly always right,” she repeated.

(DH, Ch22)

Hermione agrees with Lupin's assessment here. Dumbledore did too, he's the one who told Kingsley and Remus to trust Harry's instincts. Harry doesn't give the impression he's messy and bumbling, quite the opposite. Yes, Harry and Hermione have their doubts, they don't agree with Harry on everything, especially when he has no evidence for his claim except his intuition. But, it's telling Harry can make claims based on gut feeling and Ron and Hermione ask him why he thinks that instead of just instantly rejecting the claims.

Like I mentioned above, he looks like he has his shit together even when he really doesn't. He's an expert in keeping a mask on and bottling up his feelings.

Sirius, also sees Harry as mature and capable for his age. It's why he's so insistent on telling him things while Molly wants to cuddle Harry:

“I don’t intend to tell him more than he needs to know, Molly,” said Sirius. “But as he was the one who saw Voldemort come back” (again, there was a collective shudder around the table at the name), “he has more right than most to —” “He’s not a member of the Order of the Phoenix!” said Mrs. Weasley. “He’s only fifteen and —” “— and he’s dealt with as much as most in the Order,” said Sirius, “and more than some —” “No one’s denying what he’s done!” said Mrs. Weasley, her voice rising, her fists trembling on the arms of her chair. “But he’s still—” “He’s not a child!” said Sirius impatiently.

(OotP, Ch5)

Between them, Sirius sees Harry more accurately. Harry is incredibly mature and capable and wants to be in the know. He'd be better off in the know. Sirius understands Harry's curiosity which Molly seems unaware of. Lupin also remarks on how Harry is going to find out things anyway, he's aware of how curious and determined Harry is. Sirius considers Harry capable even during PoA and GoF:

I know better than anyone that you can look after yourself and while you’re around Dumbledore and Moody I don’t think anyone will be able to hurt you.

(GoF, Ch18)

Molly, on the other hand, never really sees Harry's capabilities. Molly only ever sees a polite, intelligent kid. In the early years at the Weasley, Harry barely talks to Molly and Arthur because he doesn't really know how to talk to them. So they talk to him, the other Weasleys talk around him, and he's polite in turn:

“I don’t blame you, dear,” she assured Harry, tipping eight or nine sausages onto his plate. “Arthur and I have been worried about you, too. Just last night we were saying we’d come and get you ourselves if you hadn’t written back to Ron by Friday. But really” (she was now adding three fried eggs to his plate), “flying an illegal car halfway across the country — anyone could have seen you —”

(CoS, Ch3)

Harry acts around most adults like this, especially when younger. It's clear he acted this way around his teachers too:

“You see what you expect to see, Severus,” said Dumbledore, without raising his eyes from a copy of Transfiguration Today. “Other teachers report that the boy is modest, likable, and reasonably talented. Personally, I find him an engaging child.”

(DH, Ch33)

Snape got it a bit different. Because Harry is defiant and sassy — it's how he responds to the Dursleys, and this is how he responds to threats he can't do anything about in general. Sass. It's why we see Harry do this with Umbridge, Snape, and Scrimgeour:

Who do you imagine wants to attack children like yourselves?” inquired Professor Umbridge in a horribly honeyed voice. “Hmm, let’s think . . .” said Harry in a mock thoughtful voice, “maybe Lord Voldemort?”

(OotP, Ch12)

“Do you remember me telling you we are practicing nonverbal spells, Potter?” “Yes,” said Harry stiffly. “Yes, sir.” “There’s no need to call me ‘sir,’ Professor.”

(HBP, Ch9)

“...You may wear that scar like a crown, Potter, but it is not up to a seventeen-year-old boy to tell me how to do my job! It’s time you learned some respect!” “It’s time you earned it.” said Harry.

(DH, Ch7)

Harry appears confidant and arrogant not only to Snape but to Scrimgeour too (I think other students at Hogwarts see Harry as arrogant too. His demeanor can come off as arrogant if you don't know what he's thinking. It's why they could believe the Daily Prophet, it fit what they got to see). It's because he is rude and sassy when speaking his mind. It's because he acts more confident when he's terrified. It's because he's cold, distant, and uncaring towards most people and actively avoids talking to most.

And even that's mostly when he's older. In 4th year, he responds to Snape by glaring at him silently and wishing he could cast a Crucio at him:

Harry sat there staring at Snape as the lesson began, picturing horrific things happening to him. . . . If only he knew how to do the Cruciatus Curse . . . he’d have Snape flat on his back like that spider, jerking and twitching. . . .

(GoF, Ch18)

Harry is overall really quiet, which does create the impression of him being put together. More than he thinks of himself, for sure. It also adds to why many students feel as comfortable talking about him as they do because he feels distant to them. His quiet makes him feel mysterious, unknown, and far away. Like a symbol rather than a person.

Something I want to note, specifically with Umbridge, is this scene:

Harry looked around at Umbridge. She was watching him, her wide, toadlike mouth stretched in a smile. “Yes?” “Nothing,” said Harry quietly. He looked back at the parchment, placed the quill upon it once more, wrote I must not tell lies, and felt the searing pain on the back of his hand for a second time; once again the words had been cut into his skin, once again they healed over seconds later.

(OotP, Ch13)

Part of why Harry comes off as such a put-together badass is that he doesn't let others see his pain. He doesn't show he's in pain to others, especially when it's people he doesn't like. He acts though, constantly.

He hates crying in front of others becouse Harry does everything he can to not appear weak:

Harry suddenly realized that there were tears on his face mingling with the sweat. He bent his face as low as possible, wiping them off on his robes, pretending to do up his shoelace, so that Lupin wouldn’t see.

(PoA, Ch12)

And it works, people see him as confident, and capable, and heroic. Most people don't see the struggle because Harry keeps bottling it in.

Even with Hermione, he tries not to let her see how upset he actually is. We know in his head, that he is devastated by his wand breaking, that he's mourning it like it was a dead loved one, but this is what he's willing to show Hermione:

“It was an accident,” said Harry mechanically. He felt empty, stunned. “We’ll—we’ll find a way to repair it.” [...] “Well,” he said, in a falsely matter-of-fact voice, “well, I’ll just borrow yours for now, then. While I keep watch.”

(DH, Ch17)

All this means, we, as the readers , see Harry's pain, his struggles, his vulnerability — but the other characters almost never do.

The only character who is consistently aware of Harry's struggles is Sirius who Harry confides his weaknesses to more than any other character:

“Never mind me, how are you?” said Sirius seriously. “I’m —” For a second, Harry tried to say “fine” — but he couldn’t do it. Before he could stop himself, he was talking more than he’d talked in days

(GoF, Ch19)

Harry is so used to saying his fine and bearing his burdens in silence. It's what he does. It's what he did for years. Most characters think Harry is unshakable because that's how he acts.

Even when Harry tries to lie so Sirius won't worry, Sirius sees through it:

Nice try, Harry. I’m back in the country and well hidden. I want you to keep me posted on everything that’s going on at Hogwarts.

(GoF, Ch15)

As for his room and appearance, he is a little messy actually when he has the chance to be in seventh year:

Harry had spent the morning completely emptying his school trunk for the first time since he had packed it six years ago. At the start of the intervening school years, he had merely skimmed off the topmost three quarters of the contents and replaced or updated them, leaving a layer of general debris at the bottom—old quills, desiccated beetle eyes, single socks that no longer fit.

(DH, Ch2)

As in, his trunk is a bit of a mess. But this makes sense, I think. He allows himself to be messy when he doesn't have the Dursleys over his head. It's like a sort of freedom he didn't have before, so he indulges in it. I think the mess in his trunk is also a result of him actually living from it for 6 years, as he couldn't really leave everything at home with the Dursleys, could he? Still, his room and belongings are nowhere near as messy as Ron's.

As for his appearance, the only thing mentioned to be messy is his hair:

His jet-black hair, however, was just as it always had been — stubbornly untidy, whatever he did to it

(PoA, Ch1)

But from other characters (including Hermione) thinking Harry's hot:

“Oh, come on, Harry,” said Hermione, suddenly impatient. “It’s not Quidditch that’s popular, it’s you! You’ve never been more interesting, and frankly, you’ve never been more fanciable.”

(HBP, Ch11)

We can conclude Harry's messy hair comes off as cool and attractive and not like a bird's nest.

We also see from Hermione and others that Harry looks scary. He is 5'11 by book 6 with an intimidating glare and that he looks like he can throw a punch, (and can definitely throw a punch when he wants to). So he has a physical intimidation factor when older:

“Well, it’s like Hagrid said, they can look after themselves,” said Hermione impatiently, “and I suppose a teacher like Grubbly-Plank wouldn’t usually show them to us before N.E.W.T. level, but, well, they are very interesting, aren’t they? The way some people can see them and some can’t! I wish I could.” “Do you?” Harry asked her quietly. She looked horrorstruck. “Oh Harry — I’m sorry — no, of course I don’t — that was a really stupid thing to say —”

(OotP, Ch21)

Harry was not aware of releasing George, all he knew was that a second later both of them were sprinting at Malfoy. He had completely forgotten the fact that all the teachers were watching: All he wanted to do was cause Malfoy as much pain as possible. With no time to draw out his wand, he merely drew back the fist clutching the Snitch and sank it as hard as he could into Malfoy’s stomach — “Harry! HARRY! GEORGE! NO!” He could hear girls’ voices screaming, Malfoy yelling, George swearing, a whistle blowing, and the bellowing of the crowd around him, but he did not care, not until somebody in the vicinity yelled “IMPEDIMENTA!” and only when he was knocked over backward by the force of the spell did he abandon the attempt to punch every inch of Malfoy he could reach. . . .

(OotP, Ch19)

To summarise

Harry bottles up a lot of his emotions and tends to be quiet, this creates the often wrong impression he is confident and has his shit together.

He doesn't show pain and weakness to others and doesn't cry or show he's upset to basically anyone (except Sirius). This means basically no one sees his struggles or how depressed and traumatized Harry actually is. It even surprises Ron and Hermione in book 5.

He is defiant and rude to people he doesn't like, especially when scared, the result is that he appears like a very capable and confident badass especially when under pressure.

He can be intimidating with his glare alone and once he's older he is a physical presence. He's not someone who can disappear in a crowd post-book 5.

His rudeness oftentimes stays in his head except when someone really annoys him. This makes him appear defiant, but overall polite because he keeps most of his mean comments to himself.

When younger, he is very polite and quiet, especially toward adults. When he's older, he gets a little sassier (as in, he says some of his internal monologue out loud). But he is a polite, well-mannered kid for the most part.

The character who has a messy room, is a bit of a slob, has chicken scratch handwriting, and is lazy with schoolwork, is Ronald Weasley, who I love dearly, but these descriptions have nothing to do with Harry and everything to do with Ron.

The only unkempt thing about Harry's appearance is likely his Potter hair, which is more messy hot than messy bad (if all the girls' reactions are anything to go by).

[erinwantstowrite]

what are your thoughts abot how Damian and Tim's relationship is portrayed in most fanfics?

personally, although I like the angst part of their relationship I wish there was more fanfics where they're closer and have real siblings dynamic (like u know they 'hate' eachother but they would destroy anyone who would want to hurt their brother)

oh, boy, do i have a lot to say about this one. buckle in, folks.

i feel like a lot of the time, if they're in a fic together and the fic author doesn't like one of them, the other is going to be mischaracterized to hell and back. sometimes... both are mischaracterized.

i'm all for a fanon interpretation of a character- obviously, because i have fanon interpretations in my fic too at least a wee bit- but sometimes it goes too far and it no longer feels like we're reading about the same character

let's talk about Tim.

Tim doesn't have a good view of himself or his standing in any emotional aspect. which is often misconstrued about him believing that he was Jason's replacement (neither he nor Bruce thought this, but it was Bruce's fear), or that his worth as Robin wasn't enough. that's not true at all. i'll say it again here: Jason didn't nearly kill Tim at Titan's Tower, nor did he go there to kill Tim. and Tim fought him back. he even told Jason to his face:

"you can't be that good" "I am."

he knows he's a damn good Robin! he trained with the best, he helps lead the YJ! he doesn't doubt that he was the best person for the job. but when it comes to the emotional aspect of Robin, i think this is where Tim stutters

this is because of how Tim's parents showed their affection.

i think canon neglects that aspect of his trauma, which is why so many people hang onto it. in the comics, Tim is shown to have a lot of friends both in and out of suit. he's abrasive and isn't afraid to ask the hard questions. but he is riddled with self worth issues. his parents were barely around him, they didn't know him well at all. and they loved him, but from a distance.

Tim now sees himself as someone that can receive love from a distance. he is incredibly self reliant, and has been from a young age. he sees all of his accomplishments as obligations. he does well at school because he had to. he takes care of himself because he had to. and in his mind, taking up Robin was partly another obligation. he does his job well because he has to, and he might doubt this sometimes like anyone else, but at the end of the day he is confident in his ability to get shit done.

now, the emotional part of Batman and Robin is where i believe i enjoy a fanon interpretation more. he actually does have a good relationship with Dick, but I'm not too sure about Bruce at this point. this topic is nuanced because Batman writers make him so diabolical at times to the point that i would consider it ooc. but other times they're very close and Bruce admits this. so i replace it in my head with a more stable and realistic version that i've seen written by fic authors very well.

Tim views himself as someone who is there for a job: help Batman. but there is a lot of wonder and awe there. his favorite Robin was Dick. (I'll say this again so everyone hears me: his favorite Robin was Dick. yes you are allowed to have nuance and put Jason in there as someone he looked up to as well, please do. but put some respect on Dick's name!) now that he's working with Dick Grayson, someone he admires so much, as well as getting the honor to wear the Robin suit, he feels more like himself than he has in years. he's good at this, and it's also fun. he meets so many people and he gets to make a difference in the world. yes, it's a job, but it's also very freeing

he never did this be Bruce's son, or to replace Jason. his relationship with Bruce started off extremely rocky, with Tim forcing himself into his life in some way because he believed that Batman was going to get himself killed or get someone else killed, or Batman would cross the line. and Gotham would lose the only person who had such unwavering optimism for them. he and Bruce come to an understanding of being partners but not father and son. Bruce doesn't want to open himself up to that hurt again. but we all know Bruce, and that's not what ended up happening. Bruce would never be the same person he was before, but he is not incapable of love.

Tim would not understand that change. I'd get more into this but i don't want this post too long and i wanna save it for when i'm not supposed to be sleeping and when i'm writing one of my Tim fics for once. all we really need to know is that Tim's emotional intelligence is dogshit, and him coming to see Bruce as a father, and Bruce seeing him as a son, would baffle him. because his parents love him... at a distance. and Bruce sees him every day. that's not how it's supposed to work, right?

so.

sometimes, Tim is treated like a porcelain doll who can do no wrong. many aspects of his canon has been altered by fanon to be "worse" than it is. his neglect by his parents did, indeed, happen, and it affects him deeply. but his parents weren't like. beating him, or leaving him without food or shelter or supervision. Tim was clever enough to get around that supervision all on his own. which is why they should have been there in the first place. (they should have been there regardless). and emotional neglect is still a very real issue??? no one has to make it "worse" by making the Drakes out to be monsters. i think Jack often emotionally manipulated Tim when he was around, and I don't know if Jack was even aware that he did so. (which is why i can see some people delving into that nonexistent relationship that DC gave us, and finally giving those implications more depth. there are a lot of good fics that go over this)

often it's hard to read a fic for Tim because they go too hard into making Tim an anxious shy ball of sunshine. Tim is weird, and he stalked the Bats, he stalked Nightwing, he broke into Titan's Tower before he even became Robin. he's a weirdo. he fits right in with the Bats for that reason. some people make him out to be the victim or some kind of damsel in distress, and sometimes we get to see a phenomena where other characters talk like a book about emotional intelligence that their therapist gave them. which is... fine, if you're just writing to write it, maybe helping yourself. but let's take a step back and see Tim is not like that. he is a very capable person, and his not some "uwu, woe is me, i'm so shitty at everything and if you even look at me wrong i'll cry." i honestly believe that Tim is the type of character to hate crying in front of someone and even if he was actively dying he'd be holding back those tears.

whereas Damian? gets the opposite treatment??

granted, i don't actually know too much about Damian, but i at least try to understand him and his background

he's the youngest of them, and i think many people forget that Damian isn't a reader of the comics like we are. he wasn't going into that family with the emotional connections to these characters and their backstories like we did. he was taught about these people, the idea of them. like how we could be taught in class about people from a long time ago. and i can ensure you that Damian was not taught proper emotional intelligence, nor would he have the best grasp of it himself when he was younger than 9 years old. imagine all of your teachers and also your mother told you about these people and their accomplishments, and then told you that the person all of them look up to is your father. the person that you want nothing more than to know, to see, because the people around you talk about him so highly. someone you haven't gotten to meet yet, because you aren't "worthy." can you imagine being told all your life that you are not worthy to see your father yet? and not knowing if he believes that too?

but one day, you are going to be by his side as his son. i don't want to get too into the culture of the Al Ghul family because i don't actually know that much (i'm sure someone would know more about this, feel free to add on if you want to), but this is important to Damian. it's important to his mom. it's important to his grandfather, the leader of an extensive organization that stretches hundreds of years.

then he gets dropped off in a different country, culture, language, and family and he finds that things are not as he had been told his entire life. his father has many flaws, they do not believe the same importance of a blood tie as his family back home does. they question his entire upbringing to his face many times, they question his mother who he loves deeply. he's nine years old. imagine yourself in that position. you don't know yet what role you're playing in an adult's life, but you want to. desperately. you want to know where you stand. you want a hug. not to mention that Damian actually is a very emotional kid. he was taught to shove that deep, deep down, and not let that out.

too many people write Damian as if he was a "feral" kid which is kind of not something to put on him? i don't like it both because he wasn't feral, he was an asshole. there's a difference. and because it feels like a microaggression?? at times?? because once again... the culture that he is from... is important.

they have been racially profiled for many many years... and yes, everything that you read is political whether you want it to be or not. the act of reading is political. you should definitely be aware of what a writer's goal is when they were giving something to you. you should be reading deeper. again, i'm not from his culture and i can't say if it is an insult/insensitive joke or not, nor am i saying everyone who's made the joke before is a bad person. i have made jokes about Tim being a feral kid before and whatnot. i'm saying that no matter who you are, it is your responsibility to think critically about your media and kindly about other people. it feels uncomfortable to me because i know how wrongly the Al Ghuls (specifically Talia) have been treated by writers in the past. and Damian is an extension of that bias. just look at how many times they try to push Ian Wayne on us. or how they'll pull back on Damian's character development when talking about the Al Ghul family.

this probably isn't my topic to write about, at least not before i learn more about it. but since i get a fair amount of viewership, maybe someone will listen to me that won't listen to someone of color that has already pointed this out many times. with the comics fandom, and Batman fandom specifically sometimes, people don't care to think further about why the characters of color are so often and conveniently left out or forced into an archetype. take that as you will

so! he has spent his entire life believing he had to live up to two great legacies, both of which are VERY different. the intricacies of the Al Ghul family are often boiled down to pure evil by both fanon and canon writers, which dulls Damian's resolve and reasoning for what he had done, or makes it hard to connect to him. he has since learned more about who he wants to be and has come to respect his family in many ways. excuse me if i'm wrong, but i think part of why Damian came so hard for Tim was because Tim had everything Damian wanted. he had a place by Batman's side as both his son and his partner, and was very well respected by Batman and Nightwing both. he's older, more mature, he has stature in both this society Damian now has to fit into and within the family dynamic. considering Damian grew up in an assassin cult that solved threats to their dynamics or positions in power by murder, it wasn't a far leap for a child from that environment to make. he was modelling what he had been taught his entire life.

think about the mistakes that you made as a kid. and i don't mean something silly or funny now, i'm talking something that makes you feel ashamed. embarrassed. hurt. something that perhaps now as an adult, you reflect on as being totally uncool. and i want you to think about if maybe your environment had a role to play in that. maybe you made an insensitive joke that your mom or dad would have found funny, and someone pointed it out and reasonably made you feel like a jerk. shit happens. but you hopefully grew from that.

now imagine that mistake was you hurting someone.

yes, he was annoying. he was bratty, at times. he could be a little calculating shit. he hurt people with both his words and his weapons. Tim obviously had many many many reasons to be upset about his treatment- but I fear that most of his anger ended up directed at the older people in their lives that were supposed to be the ones to do something about it!

and though i hate that Tim went back to being Robin (it feels redundant), i have seen panels that show that the two of them working side by side after Damian and Tim both went through some life and perspective altering events both together and alone, has made Tim see Damian as his little brother, and vice versa. Damian has grown so much and many people just... don't care. no matter their reasoning for hating Damian, it's unfair to not look further than those cutting words written decades ago, or to bring up his mistakes every time you want to be mad at him. and i think it does a disservice to Tim to make him a bleeding heart about this when he has clearly forgiven Damian and cares about him. he rags on Damian like any older brother would, and Damian makes remarks like a younger brother would. personally, i think the two of them are doing pretty good right now

the development of their characters is actually so interesting within the canon aspect, even if they can fumble the ball every now and then. and the mischaracterization takes away the value that their canon relationship has. i personally love reading fics that have Damian and Tim teaming up. in aus where one thing changes and Tim and Damian become brothers later, i think it's actually so silly and fun when Damian respects Tim or thinks he's cool. or even without the au aspect! just like, a fic where the two of them are working together and it's either silly or serious, Damian having a begrudging respect for Tim and Tim being protective over Damian, etc etc, is sooooo much fun

[brucewaynehater101]

I just want good angst about Bruce desperately trying to parent Tim but realizing he fucked it up

or Bruce realizing he kinda sees tim as a father figure in a weird way

or the bats all realizing how Tim’s been forced to mature quickly so he can take care of them, and he won’t stop trying to be the adult in situations even after the bats try to make it so he doesn’t have to

There are a few fics out there that center around Tim and Bruce's relationship after Bruce realizes how bad he treated Tim. "Grudge (I hold none)" by reinersbigtits. "Just How Much I Love You" by sElkieNight60. Honestly, a bunch of sElkieNight60 fics have Bruce trying to be a better parent. Their fic "Redraw Our Expectations" showcases Bruce trying to parent Tim and the teen finds that strange, weird, and restrictive. They chat about it.

I sadly haven't seen any fics where Bruce considers Tim to be his father. I have seen a few that describe Tim as his closest confidant or mental support, but none about the father hc/au :(

If you want some quick angst about Bruce seeing Tim as a father figure, here's an idea:

Bruce is ruminating on his kids. As he's going through his mental list of the kids (perhaps trying to remember where they all are), he realizes that it's an effort to add Tim to that list. At first, Bruce clocks it as the older man being a horrible parent to Tim or needing more time with his son. Bruce wants to fix this and sets out to do so. He tracks down Tim to spend some time with him.

Halfway through the hangout, Bruce starts to relax. They are both having a good time, chatting and laughing. It only changes when he notices Tim's subtle nods, his slight mannerisms that encourage Bruce to keep talking, and the scrunch at the corner of Tim's eyes that indicate he's proud. It's an errant thought of the older man, but one that rapidly changes his worldview.

Tim acts like Alfred.

Tim acts like a father to Bruce.

Tim has always acted like a father to Bruce.

What has Bruce done?

The comment about Tim continuing to be the "adult" or "mature one" in the situation because that's all he's known hurts. If you add that hc to the one where Tim is constantly told to "be the bigger person" when it comes to being insulted by his traumatized family members, that's painful.

Alright, let's build on this hc/au. I'm going to use subtle canon background clues to create a probable psychological assessment on Tim's behaviors. The reasonings are all hc.

Tim was emotionally neglected and abused by his parents (not nearly to the extent of fanon and his parents did love him, but that doesn't change their emotional distance or the harm Jack did after his coma). One could hc that, due to the limited time he spent with them before they left again, Tim tried to keep the peace when they were there. He wanted to spend the time with his parents not fighting, even if that meant choking down his own emotions/needs, placating his parents, and overall keeping a pleasant demeanor around them regardless of passive aggressive insults (looking at Jack here).

If his parents had marital issues, like fighting and insulting each other in front of Tim, the child might have tried to mend their fights and solve their issues in order to spend more time with happy parents. It's a helpful behavior that could've been praised by Jack and Janet, leading to Tim continuously uptaking a mediator role.

This would morph into a people pleasing attitude that heavily clashed with Tim's independence and lack of authority in his life. This is what enables him to be suited for kicking a depressed, angry Bruce into his healing arc (enables, but doesn't excuse Bruce's reliance on a child nor condone it). Tim would probably insert himself into Dick and Bruce's relationship.

Unlike his parents, Dick and Bruce probably weren't happy an unrelated kid was mediating their relationship or getting in the middle of their arguments. Because of their contant rejection to Tim's efforts, the kid's behavior could morph into a more subtle and subterfuge manner. This comes in handy when Jason and Damian come around (because they for sure would not listen to Tim's advice).

Tim, because he's spent his entire life managing other people's emotions for them, would understand where Damian and Jason are coming from as they hurt him. It is painful, and he may hold some resentment towards them (and a frozen anger), but he's used to yanking back his emotions and shoving them into an overfilled box. That's the easy part.

What's burdensome for him is the family. After realizing the lengths Tim goes to in order to ensure their bonds stay strong, they keep pressuring Tim to release some of his responsibilities. They want the relationships to be more equal.

Tim can't, though. If he lets go of his tight grip on holding the family together, he'll have to face that box of emotions he shoved down. He'll have to work through all the pain, anger, betrayal, grief, and desolation all of his family members gave him. If he accepts that he shouldn't be taking on so much emotional labor, he would have to face that he shouldn't have been subjected to so much abuse (from the Drakes or the Waynes).

Tim can't do that without falling apart.

He can't keep his hold on the family's support beams either.

It's not healthy nor productive for Tim to keep his position. Without releasing the pressure from his back, Tim will collapse and take the Waynes with him. He's too scared to let go, though. Will he survive the break? Will he have a place with the Waynes if he's not holding them up?

[cybernaght]

The fandom echo chamber: fanon, microanalysis and conspiracy brain 

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we? 

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 

Eventually, this chimaera becomes a reality. 

Part two. Microanalysis 

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling. 

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 

Part three. The Conspiracy Brain. 

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To. 

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake 

C) this must be done on purpose

D) here is why 

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 

Three, Intentionality 

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed. 

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 

Unfortunately, people make mistakes. We are all fallible that way. 

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 

Conspiracy theories create alternate realities, very much like we all do here. 

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 

All I am saying is… listen.

Do you hear that echo? 

I do. 

[crosbyism]

"but then again this is the guy who’s publically known for loving to eat ass so"

I'm sorry, I thought Nate eating ass was fanon. Are you telling me this is an actual canon fact??

god i love when people don’t realise how much “fanon” around sid and nate is actually canon. it’s like heroin to me. also bc it’s like. 90% of the stuff in fics (which is probably why people assume it’s fanon but. oh boy it’s not. there’s shockingly little fanon around these two, mostly because canon is so abundant).

yes, nathan mackinnon is a known ass-eater. let me direct you to this post, anon. you’re welcome.

other nate (and sid) facts you might not have realised are canon:

nate is a known advocate for therapy. he’s been seeing a sports therapist since 2017

they wear matching clothing all the fucking time, sid has said publicly that he started wearing white sneakers and updated his wardrobe due to nate’s influence (iirc nate might’ve even bought him his first pair of white sneakers? either that or it was a “he told me i need to so i did” situation). they share a tailor. unfortunately i now have to bring your attention to the fact that since they have an alarming amount of matching clothes that they’ve bought for each other, that means that they in fact have to know each other’s clothing sizes off by heart. they also low-key share clothing btw

their families celebrate canada day together and their dads are best friends. in-law behaviour goes crazy

nate did in fact stalk his way into sid’s heart (got the same personal trainer and agent at age 13; built his house next door in 2017; they’ve been spending every day in the summers together since at least 2015. sid cooks for them daily, or at least did pre-pandemic. sid refuses to use nate’s gym tho so they always use sid’s).

nate used to have a fan twitter account more or less where he rooted for the pens. it was active until 2017.

sid and nate regularly go to summer weddings together as each other’s dates. they have done this since, once again, at least 2015

nate has confirmed that he used to have a poster of sid on his wall as a teenager (he didn’t confirm he used to jerk off to it but frankly. i think that’d be saying the quiet part out loud)

when sid won the cup in 2009 and held the parade in cole harbour, nate stood by the side of the road watching it. he was about to turn 14, he was already working with sid’s trainer and agent, and he was about to start attending shattuck (sid’s junior high). due to old pics we also know that this was RIGHT before nate had his first growth spurt and hit puberty. i’m not saying seeing sid with the cup kickstarted nate’s puberty and gave him his first boner but i’m not NOT saying it

nate dated vanessa morgan of riverdale fame in his rookie year. she’s now good friends with elias petersson from the vancouver canucks (this means nothing but i do think it’s a very funny coincidence).

nate schmidt, formerly of the VGK, once failed a drug test (it turned out to be a testing-fuck-up); when nhl players were asked about it natemack iconically said “i don’t think he was sticking a needle up his ass” (i just like this one)

when he was a kid, the one other thing sid wanted to be was a hairdresser. nate, on the other hand, “didn’t have a plan B”

nate is canonically possessive of sid (see: the asg 2024) and sid is canonically delighted by this and into it

they go on so many lunch dates in the summer my dude. they go grocery shopping together. like there’s so many pics of them in grocery stores or out having coffee or weird green shakes

oh i almost forgot, they went on a roadtrip through ireland last year. they’ve been on holiday together multiple times over the years though. done some eurotripping together and stuff. in 2015 they spent three months together, three weeks of which were spent living in sid’s santa monica condo together just the two of them

sid has put up a picture of every stanley cup winning captain in his basement since 2008, when the pens lost in the scf to DET. apparently this serves as motivation for him to win the cup. he notoriously does not watch the playoffs after the pens are out

however, he partied so hard at nate’s cup party he actually closed down the party with his dad. nate is the only non-teammate sid’s ever been seen supporting for a cup run (he’s also never been to his teammates’ cup parties afaik so. there’s that)

also they talked on the phone daily and between periods during nate’s cup run. they also canonically have almost weekly phone dates that can run multiple hours. quote nate “i can’t talk to anyone else the way i can talk to him”

they each have pictures of the two of them together framed in each other’s houses

there’s rumours they’re building adjoining houses on neighbouring properties in cape breton next to a golf course bc apparently being neighbours in halifax isn’t enough or something. this one is as yet unconfirmed by reputable sources though

[gaywarcriminals]

Qijiu Findom is Canon

So we've all seen this scene, right?

This scene is a fundamental piece of YQY characterization to me. There's a lot to be said about how this ties into YQY's desire to protect, provide for, and spoil SJ, but today I am here to talk about how this man would be really into financial domination. I truly can't believe that only one such qijiu fic exists (thank you to kat8cha I owe you my life). 

The core tenants of my qijiu findom manifesto are as follows: 

YQY doesn’t like spending money on himself 

YQY belongs to SJ

YQY loves providing for SJ 

SJ would rather take than receive

(Most of this post is more headcanon than directly evidenced, but I think it’s a logical jump from canon!)

YQY doesn’t spend money on himself 

This was the starting point of my thinking when I started spinning qijiu findom in my brain back in 2022. Yue Qingyuan, in my opinion, doesn’t like taking care of himself. I think he’s better about taking care of his physical needs to some degree because he’s aware that the consequences of him passing out or qi deviating would affect more than just himself, but his motivation is a.) to be a well functioning machine capable of fulfilling his role as sect leader, and b.) to Not Fuck Up. (One of adult YQY’s core traits is that he lives in perpetual fear of fucking up. More on that another day). Aside from the risk of heart demons damaging his cultivation, YQY doesn’t see any possible consequences to neglecting his mental health. 

And so, does YQY really deserve a comfortable bed? Does he really need any nice wall hangings in the parts of his home that guests will never see? The only seemingly indulgent purchases YQY makes are those needed to uphold his image as sect leader, like fine clothes and hair oils. Those are functionally business expenses, because YQY is aware that how he presents himself reflects on the entire sect. (SJ surely doesn’t see it that way— he only sees YQY putting on the affects of nobles and spending money like water, as bad as any of the natal lords in this sect). In the modern era, YQY would come home, take off his perfectly tailored suit, and flop face first onto his bare mattress on the floor.

YQY’s everything belong to SJ

I think that if SJ had asked, YQY would be willing to give him basically anything he owned. Fundamentally, YQY puts SJ’s life before his own. He would not have walked into near-certain death long after SJ became irredeemable to the rest of the cultivation world if that was not the case. Yue Qingyuan literally offers SJ his life. 

YQY would die if he thought it would make SJ happy. If YQY’s life and the sword that is his life can be forfeited to SJ, what’s a bit of money, or the material possessions that YQY cares little for? What’s his is SJ’s, and if it would make SJ happy, YQY would not hesitate to hand over whatever SJ asked for. 

YQY likes taking care of people.

Although the fanon of YQY being overly solicitous and constantly pushing gifts on SJ contradicts canon (as far as I can tell, there's not a single instance in the novel of specfically Yue Qingyuan giving SQQ a gift-- at most, there's references to all the peak lords doing so), I think there’s a little truth to it— if YQY thought SJ would allow him to, he would absolutely give SJ whatever he thought the man might like or need. I would go as far as to say that he probably longs to do so. He is a service dog, after all.

Yue Qingyuan most often expresses his affection as protecting, taking care of, or expressing concern for others. Most of his 'wet puppy in the rain' moments in canon are not due to his own misery, but because he is concerned for SJ or SQQ. Yue Qingyuan is bad at existing for his own sake; he is constantly shown to be putting others and the sect above himself, and none more so than SJ. Personally. I don’t think this is just due to YQY’s strength of character. I think he gains a sense of purpose and identity from being the one to protect and take care of others. There is a reason I say YQY had eldest daughter syndrome: he needs someone to take care of For His Health.

Being allowed to give or buy things for SJ, or have SJ use YQY's assets to buy things himself, would fulfill YQY's needs. It would give him vital enrichment. After their long estrangement where SJ constantly ignores YQY, someone as simple as being able to express affection by providing for SJ would literally be a privilege to YQY. 

That's all well and good, but doesn't that just mean YQY's wants to be SJ's sugar daddy? Why do I specify findom instead? Well that's where we get to SJ.

SJ's issue with gifts & "unmotivated" kindness

SJ is a paranoid person, and many gifts come with some expectation of reciprocity. I think SJ’s ability to appreciate gifts would be hampered by his immediate unasked question: “what do you want from me?”. While gifts for Peak Lord Shen may pose less of an issue, as he’s able to quickly identify the motives from deference to bribery, gifts to Shen Jiu The Person may pose more of an issue, as the lack of a clear motive besides expressing affection leaves room for SJ’s mind to invent one. Honestly, SJ reacts similarly to most kindness— he himself is so rarely kind without a motive, so it’s hard for him to imagine that others might not be the same. (Any kindness Xiao Jiu showed his Qi-ge doesn’t count— SJ was only protecting what belonged to him 😤).

Because of this twisty brain maze he’s made for himself, SJ is far more comfortable taking something than receiving it. SJ learned as a child that he will be given nothing, and that taking things is necessary for survival, and he had no compunctions about it. Taking is an act of initiative and aggression: taking is winning. I actually think this is how he framed begging in his mind— by thinking of it as tricking people, he gets to feel like he’s won or stolen something, rather having to linger in the pity. 

Gifts, affection, and love can all be given this treatment. If SJ tricked YQY into loving him and must now cling to his rightfully earned possession, SJ needn’t address his own feelings. If YQY’s money is something SJ takes, he gets to feel like he’s taking advantage of YQY instead of having to feel like he’s reliant on YQY or like he's YQY's charity case.

SJ is a massive control freak, and he is always most comfortable in a relationship when he can tell himself he’s in control of the  dynamic, even if that makes the relationship appear unhealthy to an outside observer. Once YQY catches on to this, he would do absolutely everything he could to accommodate SJ (without SJ realizing he’s being accommodated ofc).

In short, YQY leaves his wallet on the nightstand, SJ takes or “steals” it and buys some overpriced designer good he doesn’t need, silently daring YQY to challenge him on it, and they both feel fulfilled by this. 

This is what peak performance looks like.

(Side note: there are a couple other ways to execute a findom for dynamic for qijiu! The main two I can think of are "Stupid Qi-ge’s money is so easy to steal: obviously I must steal it First, and use it Better, to Protect Him." and "Stupid Qi-ge is languishing/never takes care of himself. I must take his money and use it to force him to do self care." My tastes run angstier tho 😂)

[lets-try-some-writing]

I have observed several types of fic writers, and so for kicks and giggles, here they all are. Each of them scares me for different reasons.

The Prepared And Ready To Publish™:

Several documents dedicated to worldbuilding, planning, cross referencing, character lists & traits, plot twists, and then the actual fic document.

Dedicated to the max to creating a rich world. Probably knows more about the niche thing than you ever will. 100% could have written a thesis and chose to do fic instead (or did both at the same time).

Created a masterpiece and promptly vanished off the face of creation before coming back in with another banger to crush souls and save fandoms.

Their arrival is akin to the birth of a new era because they never fail to somehow make a niche ship popular, make a headcanon fanon, or otherwise give so much depth and interest to a character or setting that whatever they have devised is largely accepted as gospel by their readers.

They either use a high end writing program or wordpad. There is no in-between.

Mysterious. Very mysterious. Reasons for this mysteriousness vary between fics and authors.

100000/10 would be friends with them if I could. Legendary writers. But also they scare me because ??? What void offered you such power ?????

The Baby Writer:

All vibes and loosely strung plots.

It may not make the most sense, but good gracious the dedication is there.

Notable lack of comprehension when it comes to characters and places, but it's bad form to not leave a kudo because it takes guts to post anything in fandom.

They are still figuring things out and their grammar or formatting (possibly both) is probably a mess, but they've put heart into their work.

Sweetest rays of sunshine who want to be involved and are eager to learn the ropes.

The fandom's young ward or despised new arrival (depends entirely on fandom popularity and age).

8/10 would happily offer advice to them. Just can't read their work for too long without wanting to throw it into grammarly. The fear factor comes in the form of the miraculous misuse of fandom terminology. (Yeah it's tough bud, the fanon is wild. But goodness that term/canon word does NOT mean what you think it does.)

The Smut For Your Soul:

Meticulously plans the smut with all the loving care of a sculptor.

Somehow plot got involved.

Miraculously, they managed to not include an iota of plot and it has somehow managed to work.

Headcanons abound and cuteness and or angst lurks merrily behind every corner.

The tags mean everything and nothing at the same time. They are but faint guides to the fae wilds ahead. Tread lightly.

Has a mountain of unfinished WIPs that will follow them to the grave or emerge ten years after conception to grace whatever fandom spawned the idea.

The fandom thanks them for their service, although often that praise is late or hits like a freight train.

???/10 I personally avoid smut but I have friends who write it so it really depends. Terrifying because you never know who falls into this role of writer. It could be anyone. Normalcy is a mask poorly adorned for the sake of conforming to The Great Machine.

The Angst Lord:

Has a million slightly different ways to hurt their blorbo. Each are somehow more horrifying than the next.

The embodiment of the iceburg videos seen all over the net. Ask one question and you shall unravel and scheme of torment so great you shall regret having dared to speak up.

Has dozens of WIPs or unwritten ideas that they claim they will return to.

They are controlled by passion and emotion and can and will insert their own complicated situation into a fic.

Almost nothing is off limits.

Arrives to the fandom ready to brawl and somehow ends up respected or feared. They often stare in bafflement as they end up unscathed and watch angry comments fly toward the arguably innocent shippers.

Generally some of the nicest people who happen to enjoy inflicting The Horrors upon someone fictional.

'10/10 would befriend and promptly regard like a wild racoon. Offerings of angsty ideas yield delightful commentary. But also I need to prepare myself for anything they say because O U C H my SOUL.

The General Writer:

Fluff, cuteness, possibly a delightful touch of angst and pure unbridled creative simplicity.

They may not have the most brutal or soul wrenching tale, but they always manage to write something that someone, somewhere, desperately needs.

Devastatingly underrated and deserves far more praise for their contributions to the fandom.

Produces some of the softest of scenes and the most touching of interactions between characters in a contained, careful crafted, tale.

Introducing new ships or family dynamics in such a tasteful manner that brain chemistry can easily be altered.

Arrives to the fandom as a lurker and shows their appreciation through their work. Oftentimes, they are very quiet and go unnoticed.

INFINITE/10 Love these writers, honestly a gift to fandom. The sheer level of dedication to producing fluff is astounding and scary all at once.

The OC X Canon:

Has so many ships and headcanons that it's astounding.

The lore development rivals IDW and Lost Light combined. All the kudos to them for putting their souls into their characters.

The dedication is mind boggling.

They put up with so much crap they could be in MMA Wrestling if the verbal assaults translated into physical strength.

Has so many adjustments to lore and whole AUs devoted specifically to creating a perfect world.

Skilled in the extreme (or not) at integrating their ocs into canon.

Arrives to the fandom not intending to make ocs. Leaves with seventeen leashes for their new abominable creations. Is loved or hated by literally everyone, sometimes for no reason.

6/10 perfectly lovely people but very niche in their interest and thus not everyone's cup of tea. Scary because that level of sheer willpower is meant for demi-gods.

There are more types of writers, but these feel like the big overarching ones. Which kind of writer are you? :D

[industrations]

will you ever draw masc sirius? not to compare artists but recently i've just noticed masc sirius pics get more notes and ppl get more pissed off bc of fem sirius. it's ok if you draw fem wolfstar (fem sirius AND fem remus) but it's kinda weird you only draw remus masc. kinda heteronormative. when wolf is gay. plus canonically sirius was masc and remus was fem (sirius was the biker and remus was short.) it's ok you're more into fanon but canon is real so i'm just curious if you will ever draw masc sirius. if you will it'll be very cool and i'm sure you'll get more notes too.

This is the LAST time I'm going to be talking about this because I'm so TIRED of this debate.

Firstly, the "canon" you speak of is written by this person. So think before you start arguing anything about canon.

Then, since apparently some of you still cannot read. I DO NOT DRAW FOR YOU; I DRAW FOR ME. I could not care less about notes or likes or popularity. I'm just here to have fun and enjoy my time. That you are so concerned about notes is your own problem, not mine, but I suggest you change that because notes do not equal any sort of value, and this mindset is just going to be bad for anyone's mental health.

My favourite thing as a person whose gender is literally all over the place is getting to express that through the characters I draw. For ME, this mainly happens through Sirius because his "canon" is this very HETERONORMATIVE man. The freedom of him being able to step away from that and to be allowed to be whatever he wants to be on that day is just wonderful. Sirius, for me, is a reminder that no matter what you're born as or whatever people say you should be, it does not say anything about how you feel or express yourself.

Remus will forever keep evolving for me. He's also allowed to be whoever he wants to be. When I read fics he looks different in every single one. And if you actually paid attention to my art, you can see that he does not always look the same. For me, Remus is a comfort. He will always be a long, wet noodle with bad knees to me. He will always have his scars and his freckles, and those are what make him beautiful. I'm not sure why people immediately assume this is something that makes him "the man" or "the top". If that's what you're thinking when you see them, then there's something gone wrong on your side because you are deciding what a queer relationship is supposed to look like, when in fact you are the one being homophobic and heteronormative.

Also that my Sirius is shorter and more gender-y so to say, does not mean he can't kill a bitch on sight. He could break Remus in half in a second if he wanted to.

Anyway, I'm off to draw some dead gay wizards in whatever way I want to <3 love you guys. Truly the majority of you make me feel safe and seen, and I couldn't have wished for a more supportive community

[keferon]

I’m starved for some megop fics but I can never find ones I’m satisfied with. And you have a like a whole library of fics in your brain do you have any recommendations mayhaps?

Yes yes yes I do. Fair warning though - I don't like the way this fandom usually writes them. With Optimus being whining helpless little thing and Megatron being this brutal alpha male or something. I don't enjoy that. So the fics I have was mostly chosen by "anything but that⬆️" criteria.

First - parting storm clouds by cassette(Crescent_Blues)

This is my absolute number one MegOp fic. I haven't found anything better so far. It's short and I think unfinished but oh my god. I have never seen Orion Pax being so alive and..you know...allowed to be a person outside of his duty and reputation and popular fanons. It's 25k words

The second best I've found is Ethics and Employee Management: A Love Story by perictione (leclairage)

Imma be honest I mostly in love with the first half of this fic just because it has so many interesting thoughts and discussions and just in general. The way Optimus and Megatron are talking to each other is so fucking entertaining to read. Also this one is longer, 48k words.

And Gossip Session by Chocolate_Cheesecake

If you want something short and funny :)

5k words

[yoonkinii]

Jjk M.list

Gojo Satoru

Perfectly Imperfect

Synopsis: Everyone is born with a soulmate. Everyone knows by the time they hit age 18, a different kind of soulmate mark will appear. Some are unable to see color until they meet their soulmates gaze, others have matching tattoos. These are the more common ones; ones that can be tracked down in history but others are rare. So rare that there’s rarely any information available about it. Rare like yours and the only case of this soulmarking was dated decades ago with only two lines describing it.

"Person A and Person B afflicted by this marking will discover themselves to be covered in string-like tattoo markings in certain areas. These areas are what the soulmate A or B deem unworthy of themselves; or rather, what they hate about themself."

This wouldn't be a problem for you if it wasnt for the fact that everything from the collarbone to your ankles was decorated in white string-like lines.

Pairing: Gojo Satoru x Reader

Theme song: Bonfire - wave to earth

What color is my sky painted? What color is your emotion? Close your eyes slowly and feel the wind. The bonfire is fading out. Maybe we are falling Falling down with the rain.

amore mio aiutami- Piero Piccioni (literally the song that plays when M/C looks at him)

Warning(s):

18+, Sub!Gojo (gasp!), cursing, mentions of self-hate, discussion of Self-hate, mentions of minor character death- Will be added as chapters progress but if you see something that I didn’t include here, please let me know!

Note(s):

Expect this to be a short fic. I do not plan on having this over 6 parts and even then it could be less or couple chapters more. Depends on how I write everything.

Part(s): TBA

Ryomen Sukuna

Snippets of Love

Synopsis: Glimpses of your relationship with Sukuna through prompts/questions.

Paring: Sukuna x Reader

Theme Song: Heart To Heart - Mac DeMarco

So I had a late Arrival So, we never saw the start of each others lives heart to heart

Notable tags: ModernAU, slight age gap, Canon/Fanon implements, Sukuna still has his tattoos, CEO Sukuna, uncle Sukuna, college student reader, pierced Sukuna.

Note(s): Inspired to do this series based on Kyarrcha fanart of Sukuna on Instagram! I want this to be mostly based on requests about certain moments such as when Sukuna and you first met, first date, and things like that. This can also include certain scenarios or environments. Feel free to send in requests but I will also add in my own takes.

Requests: Open.

Warnings: will be listed in the sections.

You are not required to read snippets in order, but it is recommended.

How y♡u first met Sukuna!

How y♡u met Sukuna again (and got his number)!

First date with Sukuna!

Sukuna letting y♡u doll him up!

Sukuna with drunk y♡u

Jealous Y♡u

Argument with Sukuna

Choso Kamo

Echos of Desire

Synopsis: Choso is one of the few to possess abilities that transcend human limits. His family was taken away from him and he was given to serve the king. He was trained in nothing else but to kill and follow orders. He was a man made weapon. His name whispered in fear- the kingdom's boogeyman. He hates it though. Hates how his freedom was ripped from his hands. Hates how his ‘gift’ is more like a curse. He is offered a deal he can’t deny- transport the princess to safety in a neighboring kingdom. The only problem is, she’s the daughter of the man that took everything from him and she is being hunted down by unknown forces. 

Pairing: Choso x Reader

Theme Song: my love is mine all mine - Mitski

Moon, tell me if I could Send up my heart to you? So, when I die, which I must do Could it shine down here with you? 'Cause my love is mine, all mine I love mine, mine, mine

Notable tags: FantasyAU, Fanon (I am creating my own world and using some pieces of jjk in it), major character death, burning alive, abuse, gore, blood, mentions of self loathing, anger. (Will be updated as more parts come out)

Note(s): Just a little something.

Part(s): 1 |

Headers by @uzmacchiato

[iscdisc]

You and your gorgeous TMNT art make me ship everything you ship. You could tell me to ship the most outrageous thing, draw it, and I would ship it. Like the most grotesque thing. I would love it. You are brilliant. May I ask for the fics you are reading and/or you have read?

Well I hope I wouldn't ship anything grotesque or that you feel would be grotesque- 💀😭 Lmao

But I get what you mean and that's incredibly flattering ! I hope everybody that engages with my content knows that I'm not trying to necessarily convince anybody to enjoy the pairings that I enjoy, but if you happen to click with my perspective whether it's from my art or from me talking about them, that's really cool to me !! ☺️✨

And sure ! I'll list some that I'm currently reading or have read recently that I really enjoyed ! I'll even include some that I plan to or started but haven't gotten very far yet- :

• "And It All Starts Again" (by Non_Parsimonious | Currently reading-)

I'm starting with this one because it is absolutely peak- Are you serious?? I'm telling you right now, this should have been Season 5 instead OR if the 2012 series had ever gotten the opportunity to have a film adaptation and it actually be well done narratively, this should have been that movie- I'm TELLING YOU, this story is absolutely phenomenal and I'm already in the process of making art for it to promote it ! 🫶 || I'm not going to spoil too much because I really want people to read it for themselves, but there's so much stress and angst that kind of pushes the narrative for that I'm just eating up because I enjoy those kinds of stories ! But if that's not your cup of tea, then feel free to skip this one-! 👍✨

• "Thoughts About A Boy" (by @jaywritezshitz | Currently reading-)

Maybe I talked about this one enough already, but I'd love to talk about it some more because it's a really great 2012 Jonatello story and I think it's incredibly well written !! I love the premise, I love the character interactions (Especially with April and Donnie, which says a lot in regards to myself because that's usually something I don't particularly enjoy because of canon / not fanon- /,, 😭), I love the build up and the constant anticipation that I feel waiting for confessions or for Donnie's letters to be weaved back into the narrative in the least expected way possible (Not to give too much away, because I really encourage you guys to read it for yourselves-), like !! There's just so much to enjoy with this one, and I really encourage people to read it cause I personally think it's really phenomenal !

• "Oh, Where'd All The Time Go?" (by @tae-rhymeswithslay | I plan on reading this one-)

My memory is kind of foggy with this one, because I swear I started reading the first couple of chapters but when I went back to confirm that I have read the story before it didn't feel familiar-?? So maybe I meant to read it and I thought I'd started it but I hadn't yet? 😭

But you're going to see a couple of Tae_rhymeswithslay entries on here, because I do enjoy their stories ! 👍✨

• "Purple Hokey" (by Ani_Wagner_7w7 | Have already read-)

The setup for this particular 2012 Jonatello fanfiction feels very authentic to the show, in the sense that this is a situation I can absolutely see the writers putting them in (Not that they were the biggest Jonatello enthusiast, but you get my point-), you know? LMAO / It sort of felt like a cliche trope but done well ! It does ramp up a little maturity wise towards the end, just to give a heads up for that-! But otherwise it's just a cute story in my opinion ! ✨

• "Of the Same Cloth, the Same Coin" by Kazegami | Currently reading-)

Another incredibly peak story- Are you kidding?? I genuinely get so happy every time the story gets updated because it's one of my favorites ! The premise is that Casey asked Donnie for help with his school tutoring since April's going on a trip with her father for a few weeks, so of course they build a better relationship through constantly being around each other due to this tutoring situation ! Another kind of trope-like premise, but how the author tackles it is my favorite thing ever- I also really enjoy how April is written in the story as well and the sort of subplot that's going on with her ! I swear these writers do such an incredible job with her character and it makes me both happy and upset at the same time because why couldn't she have been like this in the show? I don't know- 💀 Lmao / But another story that I highly recommend !!

• "Technicolor" (by SecurityTape | Have read already-)

This is one that I genuinely was not expecting to read, since I'm not the biggest fan of crossover pairings (Not that they're necessarily bad, they just don't always interest me in the way I feel the interest of the people-!), but this one was really charming !! I really enjoyed the writing of both Rise! Donnie and 2012 Casey in the work of fiction ! It really reminded me of how much I missed the energy of Rise! and that I need to rewatch that version more because it genuinely is very funny- 😭✨

• "A Kiss As A Prize" (by Mili_8a | Have read already-)

This is one of the few 2012 Raphril fanfictions I've read / found on AO3 that I really enjoyed ! It's pretty short, but the premise was really cute and there's such a shortage of Raphril content in my eyes, so anything that I find I'm pretty much going to eat it up immediately- LMAO ❤️💛

• "Northampton Echoes" (by Gladrial | Currently reading-)

I barely started a chapter of this last night, and I already love the writing so far ! It takes place at The O'Neil Farmhouse (So far at least-), which I find particularly enjoyable because a lot of my Raphril centric thoughts in regards to building their dynamic / better establishing a connection between them starts in The Farmhouse in my head (I actually have this whole comic that I was trying to make talking about how I felt certain things during The Farmhouse Arc should have played out differently in my opinion and it mostly focuses around April and Raph- Maybe I'll bring that up at some point on here !), so I'm already pretty enthralled in this story set up so far ! I don't have much to say about it besides that though, because like I said I haven't gotten too far into the store yet-! But there's 19 chapters so far, and I already know that that's probably not going to be enough for me- LMAO

• "The Day The World Broke" (by @saladmix | Started reading this one-)

I feel like an asshole, because I started reading this one like months ago and I just never picked it up again and I don't know why- I think I might have gotten distracted with other things going on? I genuinely don't remember- But seeing people talk about it on here (Tumblr) reminded me that I need to go back and read that because the story is incredible ! I genuinely loved the first couple of chapters that I read ! I love the dynamic that they were setting up between the Mutant Mayhem Brothers in the beginning of the story, especially since I feel like (at the time anyway-) the MM / TOTTMNT brothers weren't getting a lot of love or attention from people?? I didn't get into the more plot focused chapters yet, but I believe I was close ! So hopefully I'll go back and read that soon I'll have more to talk about ! 👍✨ (Sorry for the abrupt tag by the way, Saladmix ! I hope that was okay-!)

• "My Best Enemy Is You" (by Aethernight | Have already read-)

I didn't think I was going to like this story as much as I did, because I'm not super into vampire stories, but this story was really good !! I never knew how much I needed Vampiric 2012 Jonatello (But in the context of the story, Donnie's the vampire, where Casey's a vampire hunter-) set in like the 1800s (??) before now, it's wild- 🦇💜🖤

• "Something Dumb To Do" (by Aleaf737 | Have read already-)

This is another really short and sweet one for 2012 Jonatello ! It's about a marriage proposal and it honestly was really wholesome ! ✨

• "One Nice Moment" (by @tae-rhymeswithslay | Have read already-)

Another kind of short one but it was really cute ! 💜🖤

• "Make Me A Promise Here Tonight (Love Like A Tidal Wave" (by Imthebest_ever | Have read already-)

This one spoke to me immediately because it involves a sort of aftermath to the episode, "The Power Inside Her" ! I really liked the narrative here ! ✨

• "Ink On Paper" (by @tae-rhymeswithslay | Have read already-)

This is another short story, but it felt so in character for Donnie towards the end it's so upsetting- LMAO

• "Arnold Bernid "Casey" Jones" (by @tae-rhymeswithslay | Have read already-)

I feel bad for saying the same things about a lot of Tae's works, but they really are just short and sweet most of the time and I enjoy reading them a lot !! This one in particular had a lot of humorous moments as well- 😭👍✨

Hopefully those are enough ! There are probably some that I'm forgetting at this point, but oh well,, 😭 Lmao

[letteredlettered]

Hello there! I recently read your thoughts about By the Grace, in which you mentioned that you've never been happy with how it turned out. (I am one of the readers who love BtG, btw, I found it transformative in the sense that i loved it so much that I felt changed afterwards. my comments trace my slow disintegration 😅). I wondered if you'd be willing to share which fics of yours you like the best - which fics came out as you wanted them to, which fics make you feel understood and known? (Totally understand if this is too personal an ask btw but just thought I'd see if it's something you'd like to share).

Well, hi. You sent this ask in August of 2022. I am apparently very very behind on a lot of things. I just had a lot to say to you and didn't have the energy to say it. I'm currently dealing with some health issues so fandom is actually now one of the only things I have energy for, so here I am.

The first thing I want to say is how glad I am that you liked By the Grace. It's hard not to love something I've written, but I think it shows so much about our humanity that something I find so deeply imperfect could be something that really worked for you. Thank you so, so much for all your kind words.

The second thing I want to say is that for me, the fics I like best are the one that came out as I wanted them to, but they are not necessarily the ones that make me feel seen and known. For instance, I wrote By the Grace because I felt upset about the world, and I also felt upset about some things in fandom that felt like an ugly reflection of the world in a place where I didn't want to have to think about such things. The fact that people love BtG, in spite of its flaws, makes me feel that people understood what I was trying to say, no matter how imperfectly I said it; they care about its message and its values, even if I couldn't deliver those messages and values in the way I hoped and worked for.

Another example is The Way Down. The Way Down is one of the first Harry/Draco fics I ever wrote. I started writing it in 2007, and I was in a very difficult place at the time. It was two years after I finished college; I still wasn't doing anything with my life; I felt like a failure. I started to want to stay inside, never leave the house, never see anyone I knew, never do anything but talk to people on the internet all day long. Incidentally I felt very lonely and left out of the fandom I wanted to be a part of, which was H/D. No one was interested in my writing and I couldn't make friends in that community. I couldn't finish the fic. I got myself out of that situation, moved across the country, got a job, made new friends, and also stopped caring as much about whether my fic was popular. I was able to finish the fic because I as a person changed, and that fic reflects both parts of that journey. I don't actually think it's a good fic; some of the characterizations are too fanon for my taste; some of the scenes are a bit too silly; a lot of the deeper parts don't go deep enough. But when someone loves that fic, when it really touches someone, it's like they're loving me as I was then, loving the fact that I got myself out of it, loving a person who can struggle in that way. And that means so much to me.

Meanwhile, Away Childish Things is a perfect fic to me. It came out exactly as I wanted and said so much about both Harry and Draco that I had been wanting to say, that I felt I hadn't been seeing in fic. I knew it was good when I was writing it. Frankly, I thought people would like it, and I was right. I'm not sure that people loving it makes me feel seen and understood. It's not like ACT isn't a personal story for me--it's terribly personal! But I don't think it's saying things that make me feel bad about myself, or that I think other people or the world are struggling with. It's a sharp story that I think many people can identify with from different directions.

In terms of fics that turned out exactly as I hoped, The Eighth Tale is another such fic. It always makes the list because I had this idea for so, so long--a fic in which the war didn't go as it was "supposed" to, but instead drags on and on and on, a fic in which the canonical ending is glimpsed, but other endings are glimpsed too, a fic in which universes collide into the idea that the ending is never set, it's always the choices we make that give us our own endings. But whenever I imagined such a fic it was half a million words long, and while such a fic sounds interesting, I am so glad that @tacktigerfic would come along so many years later to write that grand epic. Meanwhile, what I had in mind was just a little paradox timey-wimey business that should take only 15-20K to get out into the world. I just didn't know how to do it. But finally, I read a fic that really inspired me with its voice (in a completely different fandom; it's Crow on the Cradle by Refur in SPN fandom if anyone is interested) and it helped me to understand I would need a very particular narrative voice to make this fic happen. Then I sat down and wrote it in about two or three sittings. It's exactly what I meant to do.

Ginny Weasley: Dragon Slayer is a similar fic in that it did exactly what I wanted to, and I wasn't sure I would get there. I think both of these fics are things I often think of as perfect because I have a habit of having rather small ideas that quickly turn huge and unwieldy. It's why BtG is a problem, imo. I love that I was able to make these fics concisely what I wanted them to be, no more, no less.

There are fics in other fandoms that are exactly what I want them to be: Sincerely Your Pal, in Captain America fandom, Say More in The Untamed (CQL) fandom. The End Resting Only on Air is the perfect end to my series of fics in The Walking Dead fandom. I still think Or Even Rearrange You has the best Tony Stark voice I've read, and that's cool because I wrote it. The Chuck Writes Story for SPN fandom is one of the cleverest and most incisive things I've written, because it's about SPN fandom more than SPN--and I happened to write it before SPN even had the mythos that it does now. But in terms of fics that make me feel seen/understood and I'm perfectly happy with how they are written, Responsible Science in MCU is always my answer to which fic I've written is my favorite fic for a reason (although it's actually a series). That Lesson Alone in Schitt's Creek fandom is probably one of the most personal things I have ever written, and I wouldn't change a word of it.

But in H/D fandom, if you want a fic of mine that I'm happy with, that came out exactly as I envisioned, and makes me feel seen and understood, only one fits the bill: The Pure and Simple Truth. I actually don't think the writing is perfect--I would tighten it up a little, maybe. But it's exactly what I wanted to write, and it was so fun to write; I still think it's fun to read. But on top of that, this fic is also trying to say something about morality that I think is really fundamental to who I am. It's trying to say things about friendship and forgiveness that I believe with my whole soul. It's trying to say things about conversation, what that means for people, what that can build, what community is and what it isn't. I've gotten a few comments over the years from people saying they didn't really understand it. I've also gotten a lot of comments yelling at me about it because there isn't a kiss at the end. I've also seen people saying that the fic is suggesting that Neville's a bad person because he struggles to forgive folks who tortured him, which is the exact opposite of what the fic is about.

But when people do get this fic, when they comment or message me to tell me what it means to them to see folks who have hurt each other, some of whom have been actual torturers and part of hate groups, come together and grow from that, discuss that, and learn to love in spite all of that...wow, that makes me feel like the things I care about aren't just mine; other people feel that way, which is a wonderful feeling.