#and some of this fanon I do personally love in fics

[luvbug724]

36 days.

i think we as a fandom don't talk about dan and renee enough aftg hitlist anon. i understand that renison and mattdan (?) prevail but we need to look at the sheer potential in that one short story about dan's recruitment alone. the sports rivalry turned hatred. dan only getting recruited because wymack came to watch renee. the strip club. having to unite in the face of misogynists. do you see the vision. do u see the vision aftg hitlist anon.

[teaandinanity]

Sometimes I'm like 'oh, right, the inside of my head is Not The Standard Model' about the DUMBEST possible shit.

[solelifauna]

So this NOT to imply the writing is bad

But so far the Batfam fic as me genuinely shaking in anger , the fact that dick is convinced that y/n as to prove herself to be "worthy" genuinely got to me to the point I need a pallete cleanser

Could we please get a small drabble of reader growing close with one of the "outside" batfam members?

Like maybe Kate(batwoman) and Luke (batwing) because they are under used

Or hell, maybe to really grind the family gears, reader gets close to azrael

(you know Bruce would've able to do shit if reader got close with Kate, she would fucking eat him alive)

Hey, You're all good bro! I also just want to put out that my fic is based on an au! The portrayals of any characters in my fic are based off of their canon and fanon counterparts, just with my own twist. Since this is a darker universe/au, the Bats along with other heroes are going to be a lot more brutal and jaded.

Also love your idea bro. But, I'll do you one better. Constantine. Bruce absolutely can't stand him and the reader being friends with/getting along with him? Oh, that's bound to grind Bruce's gears. It would also be easier to meet Constantine too.

Let's just say one day the reader gets caught up in some Justice League Dark stuff that Constantine is trying to solve. She gets kidnapped by a cult that wants to use her as a sacrifice. I mean, she is a pretty huge target, being the daughter of a Billionaire after all. Anyways, shes kidnapped, nobody is coming to get her, not from her family at least. Long story short, Constantine arrives too late to stop the ritual, but things don't go according to plan for the cultists anyway. Turns out that the person sacrificed wouldn't be killed, but would instead become a vessel.

Great, now you have some old, eldrich being living rent-free in your mind. The being is old, donning the title "Keeper of Hell", but you'll just call it (they? him? her?), Adam. Yeah, Adam wasn't too happy with the name. When Constantine arrives, however, hes pleasantly surprised to find you alive. When he realizes that you, a 15-year-old, now carry the presence and power of an eldritch being older than Gotham itself, he groans while lighting up a cigarette. Looks like he'd have to deal with you now.

He checks over you making sure you have no internal and external injuries before explaining your situation. He feels a little sorry for you, but he is in no condition to train you. He asks around to other JL dark members, hoping to see if anyone is willing to help you control your new powers. He sighs again when nobody steps up to the plate, too busy with their own sidekicks and quests.

Reluctantly, he tells you he'd help you figure stuff out. And there begins the blossoming of the amazing "Grumpy old man and kid they didn't ask for" troupe. When you tell Constantine your name, he blanks, because of course he gets stuck with one of the bat's kids. However, based on your tone of voice when discussing your family (and the way you begged him not to let Bruce/Batman know of your predicament), he's guessing things aren't all too great between you all. Well, thats not his problem, his only job was to train you and make sure you don't end up accidentally killing someone.

Yeah...like that thought process is going to last. Training sessions start out bleak and professional, he's only doing a job. Then as time continues, he finds himself enjoying your company, your enthusiasm to learn and your rambunctious/sarcastic comebacks always have him fighting off a smile. It's been a while since he's had company like this. Soon, you're both going out on missions, and then ice cream breaks afterward. He lets you fall asleep on his shoulder, drooling all over his trench coat after particularly difficult missions and he can't bring himself to mind.

He's fond of you, although he never admits it out loud. It's okay though, because even though he's never said it out loud, his actions speak louder than words. You could feel his love and pride for you. Although he wasn't exactly your dad per se, he was still something to you, maybe the wine uncle? You don't know, and you don't particularly care to put a label on what Constantine was to you, you're just glad that he's there.

Shit hits the fan, however, when one day you decide to go on a solo mission. It's nothing crazy, just getting rid of some poltergeists and low-level demons and shades. Now, were you given permission to go on this mission alone? No, but in a normal teenage manner, you decide to go anyway. Everything was fine, you got rid of all the poltergeists in the area and even some of the shades too! It's all going well until you realize that the demon mentioned before was not as weak as you were told. You gulped when its blood red eyes turned to you.

"Well shit." Constantine was going to kill you.

It immediately lunges at you, you barely rolling out of its sharp claws. You hit it with a couple of spells, causing the demon to roar out in pain, burn marks now littering its side. Its tail whips at you, colliding with your stomach as you fly into a wall with a loud thud. You groan as you pick yourself up, clutching your ribs, each breath a jagged pain that ripples through your chest. Your arm is slick with blood, the gashes from the demon's claws burning as if its very essence were trying to sear your flesh. You grit your teeth and weave another spell, calling on Adam’s power to knock the demon back. This time, a burst of raw energy slams into it, shattering its leg with a sickening crack.

For a brief moment, you think it's over, ready to strike the final blow. But the demon’s leg snaps back into place, bone and flesh knitting together as if the injury had never happened.

“Of course,” you mutter under your breath. “Why would this be easy?”

The demon lunges again, and you’re just a split second too slow. Burning pain flares through your right arm as its claws tear into you, ripping through your flesh like paper. You scream, the sound involuntary, but you push through the pain, refusing to go down without a fight.

Drawing back, you unleash another spell, a sharp projectile of energy aimed at its neck. The demon flinches, letting out a low growl. That reaction—panic—gives you the first glimmer of hope. Its neck. That's its weak spot.

With renewed determination, you gather every ounce of strength you have left. The cuts across your body throb, and your arm feels like it’s on fire, but you push it all aside. You can do this. You have to do this.

You unleash a volley of cutting spells, each one aimed at the demon’s throat. It fights back viciously, throwing you around the room with a strength that makes your vision blur. Every hit you take feels like your bones are splintering, but you keep going. You keep attacking.

Finally, one of your spells strikes true.

The demon lets out a gurgling screech as your spell cuts deep into its neck. Blood—thick and dark—pours from the wound, and it claws at its own throat, choking. Its body spasms violently, and then, as if collapsing in on itself, it begins to disintegrate. In a few seconds, all that’s left is dust.

You stand there, panting, barely able to process the fact that you did it. You won. A grin spreads across your face, and despite the pain radiating from every part of your body, you let out a weak cheer.

But the celebration is short-lived.

Pain cuts through you like a knife, sharp and sudden, reminding you of just how battered you are. Blood is still oozing from the various gashes across your body, and your arm feels like it’s hanging by a thread. You stumble, nearly falling, but catch yourself at the last second.

“Crap… I’m bleeding out,” you mumble, wincing. “Whoops.”

With what little energy you have left, you remember the spell Constantine taught you, the one that would tether you to him no matter where you were. He warned you not to use it unless it was an emergency—and bleeding out from demon-inflicted wounds definitely qualifies.

You lift your shaking hand and cast the spell, a sluggish flick of your wrist sending out a ripple of energy. A portal forms, shimmering and unstable, but functional enough. Without much grace, you stumble through it, disappearing from the demon’s lair.

What you didn’t know, however, was that Constantine was currently in a Justice League meeting.

The first thing you feel is a sudden drop, like the ground beneath you has vanished. You barely register the sensation of falling before you crash, hard, onto something solid. Groaning, you blink through the haze of pain and find yourself sprawled across a massive table.

You can hear voices—muffled, alarmed—but the world is spinning too much for you to focus. All you know is that you're lying on something cold and hard, and you’re absolutely drenched in blood.

Forcing your eyes open, you see several figures standing around you, staring in shock. Your vision is blurry, but you can make out Superman’s cape and Wonder Woman’s armor. You try to process what's happening, but the pain in your arm and ribs keeps pulling you under.

"Ow, ow, ow, ow. Fuckkkk." You cry out.

Suddenly, the scent of smoke fills the air. You don't even have to look to know who it is. Constantine’s familiar trench coat brushes against your arm as he crouches beside you, cigarette dangling loosely from his lips. His eyes flicker with a dangerous mix of exasperation and barely concealed anger.

“What in the bloody fuck, kid?” he snaps, his tone harsher than usual, but the concern underlies his words.

You wince, the situation hitting you all at once. Crap. Now I've got to deal with this.

You muster a weak, sheepish grin, wincing as you turn your head to face him. “Heyyy Constantine, how are ya?”

His brow furrows deeper, and he’s clearly not amused. “What did you do?”

You swallow hard, trying to think of how to explain yourself without getting ripped to shreds—verbally or otherwise. “I—well, promise you won’t get mad?”

“Too late for that, kid. I’m already halfway there,” he growls, his eyes narrowing as he looks over your wounds. “Now get to it.”

You bite your lip, trying to find the least disastrous way to explain. “So… I sorta… mighta… gone on a solo demon-hunting mission,” you blurt out quickly, hoping he’d just move past it.

The way Constantine’s eyes widen, and the immediate twitch in his jaw tell you that he’s definitely not going to move past it.

“You did what?!” His voice rises as he stands up, rubbing a hand over his face. “Oh bloody— I thought I specifically told you not to go by yourself! And this is what happens!”

“Hey, well, I’m alive, aren’t I?” you say, grinning nervously, trying to play it off.

“That’s besides the point!” He throws his arms up, pacing as he takes a long drag from his cigarette. “Bloody hell, I should’ve known better with you kids. I swear, this is why I never—”

Just then, a dark, grim voice cuts through the chaos, and your heart nearly stops.

“Constantine,” Batman’s tone is low, authoritative. “Why is my daughter bleeding on our table?”

Oh no. No, no, no. Not now.

You freeze, your mind going blank as you feel the weight of Batman’s presence at the end of the table. You slowly, painfully turn your head to see him standing there, cape draped over his shoulders, his gaze icy and locked onto you. His usual stoic expression somehow looks even more intense.

“Ah… shit,” you mutter under your breath, groaning inwardly as you realize you’ve just landed yourself in the absolute worst situation imaginable. “I completely forgot he was still here.” Wait, did you say that out loud?

Constantine gives you a sidelong glance, raising an eyebrow. “Yes, kid, you did. And now we’ve got more than just your wounds to worry about, don’t we?” He sighs deeply, rubbing his temples, already anticipating the fallout.

Batman’s eyes narrow, arms crossed as he takes a step closer to you, his voice low and dangerous. “Care to explain yourself?”

You’re still bleeding, your head is pounding, and you’re pretty sure at least a few bones are broken, but none of that compares to the fear creeping up your spine as you look up at your father. Your mind races for an answer, but every excuse you can think of feels flimsy at best.

Constantine clears his throat, sensing the rising tension in the room. “Right. Let’s get her fixed up before this turns into an interrogation, yeah? Kid’s bleeding all over the place, and she’s already taken a beating. We’ll save the lecture for later.” He waves his hand, muttering something under his breath as he kneels beside you again.

The tension between Constantine and Batman lingers in the air, thick and heavy, but Batman finally relents. His eyes soften—slightly—as he watches Constantine work to stabilize your injuries with magic.

You can feel yourself growing weaker, the adrenaline finally wearing off as the pain becomes unbearable. Constantine mutters a healing spell, one that slows the bleeding and knits some of the less serious cuts together. It's not perfect, but it’s enough for now.

“I think it’s time to get you all fixed up, huh?” Constantine says softly, his earlier anger tempered by concern as he helps you sit up, his hand firm on your back to support you.

You nod weakly, not daring to meet Batman’s eyes again. You’re in deep trouble, but for now, at least, you’re still breathing. As Constantine gets ready to teleport you to a safer place to heal, you hear Batman’s voice, calm but steely.

“We’re not done here.”

And with that ominous promise hanging in the air, Constantine picks you up, and the world around you shifts once again.

Constantine gently carries you through the halls toward the Justice League’s med bay, muttering curses under his breath with every step. You could feel his frustration radiating off him, and now, in the quiet aftermath of the fight, guilt begins to settle in your chest. The adrenaline from the battle has worn off, and now you're left with the consequences of your reckless actions.

“Hey, Constantine… I—I’m sorry for not listening to you. I really am,” you say, your voice soft and heavy with regret.

He sighs, not looking at you, but his tone is stern. “I’m not going to lie and say I’m not mad at you, kid. You didn’t just ignore my warnings—you put yourself in danger. There are rules for a reason. What if you got seriously hurt and couldn’t cast a spell back to me? Even worse, what if you died or got possessed?”

His words hit you hard, and you wither under the weight of them. You know he’s right. All those rules and restrictions aren’t just him being overprotective or controlling, they’re because he cares. He’s seen the kind of darkness that can swallow people whole, and the thought of that happening to you terrifies him, even if he’ll never say it out loud.

By the time you reach the med bay, the guilt feels like it’s pressing down on you as much as the pain in your ribs. Constantine lowers you onto a cot, tucking you in with a gruff gentleness that only he could pull off. He sits down on the side of the bed, pulling out a cigarette and lighting it with a quick flick of his fingers, his eyes never leaving yours.

“What I’m trying to say, kid,” he starts, exhaling a cloud of smoke, “is that I care. I care about you, I care about what happens to you. I don’t want—” He pauses, his voice softening. “I don’t want to ever have to find your body one day. So please, from now on, let me know before you do something stupid like this.”

His words hang in the air, raw and unfiltered. You nod, trying to process it all, and then something clicks in your mind. Wait… did he just say let him know?

“Let you know? Does this mean—” Your eyes widen as realization hits you. “Does this mean I can go on solo missions?”

Constantine lets out a resigned sigh. “Yes, yes, you can start going on solo missions—”

“Hell yeah!” you exclaim, sitting up a little too quickly. Pain shoots through your ribs, but you can’t help the excitement bubbling inside you.

“—but, only the ones I sanction and authorize,” Constantine finishes, cutting through your excitement with a stern look. You deflate a little at his words, but it’s still a victory in your book.

Without thinking, you throw your arms around him, ignoring the sharp pain it causes in your ribs. “Oh, thank you, thank you, thank you! I promise I won’t let you down!”

He chuckles, patting your back awkwardly before pulling away. “Yeah, yeah, I know you won’t. Now, lay back down and get some rest. You still have dark and brooding to deal with.” He gestures toward the direction of the meeting room, clearly dreading the inevitable confrontation with Batman. “And by extension, I do too,” he adds with a heavy sigh.

You groan, sinking back into the cot, the exhaustion finally catching up with you. “I don’t know why he even cares. If he did, he would’ve figured this out ages ago.”

Constantine glances at you, his expression softening for a moment. He takes a long drag of his cigarette before speaking. “He cares, kid. He just… doesn’t always show it the way you want him to. Doesn’t mean he doesn’t feel it.”

You scoff, though part of you knows he’s right. “Yeah, well, doesn’t feel like it.”

Constantine stands, taking one last drag of his cigarette before flicking it into a nearby ashtray. “Doesn’t matter how it feels right now. The Bat’s going to want answers, and if I know him, he’s going to want to have a very long talk with you. You’re not out of the woods yet.”

You wince at the thought of the upcoming conversation, knowing that Batman’s interrogation will be thorough and far less forgiving than Constantine’s.

“Great,” you mutter, closing your eyes and sinking deeper into the cot. “Just what I need.”

Constantine gives you a small, almost affectionate smile before turning to leave. “Get some rest, kid. You’ve earned it. I’ll deal with the big bad Bat for now.”

And with that, he walks out, leaving you alone in the med bay. As much as you’re dreading what’s to come, you can’t help but feel a sense of relief. Despite the pain and the mistakes you made, you know that Constantine’s got your back. And, maybe, just maybe, Batman does too, even if it’s buried under a mountain of brooding and silence.

For now, though, you let the exhaustion pull you under, trusting that everything else can wait until tomorrow.

-

As you rest, your body finally succumbing to the exhaustion, your breathing evens out and your mind drifts into sleep. The med bay is quiet, sterile, but the tension in the air lingers, waiting for the inevitable. Eventually, a dark, caped figure glides into the room silently, his form casting long shadows across the walls.

Batman—no, Bruce—stands over you, his sharp eyes tracing every bruise, every cut that mars your face. His jaw clenches as a million thoughts swirl in his head, none of them offering any comfort.

What the hell happened to you? Why are you and Constantine so close? How did you even know Constantine? How much had he missed—how little attention had he been paying—to not notice any of this?

Bruce sighs, a deep and frustrated sound. He removes his cowl, setting it on the side table with a weary hand. Without it, he seems less intimidating, less imposing. He stares down at you, seeing the cuts and bruises marking your skin, but what hits him harder is the way your face, in sleep, is still so achingly young. You're his daughter, and yet it feels like you're a stranger to him now.

How did you get so far away?

He knows the answer. The fault lies with him, with the choices he made, the excuses he repeated to himself—telling himself he was too busy, telling himself he would check in later. Later never came, though, and the space between you widened, until it wasn't just him you were drifting away from, but your brothers too.

Bruce noticed the way your brothers treated you, the harsh words, the cold shoulders. He saw the distance, but he justified it, telling himself it was sibling rivalry or something that would pass. He didn't step in. And now, as he looks at you lying there, bruised and battered from a fight he wasn’t even aware of, the reality sinks in: he has no excuse.

With a heavy sigh, Bruce reaches out, his rough but careful hand carding gently through your hair. The gesture is tender, hesitant, as if he's not sure whether he has the right to touch you like this anymore. But as his fingers comb through your hair, you stir in your sleep, a quiet murmur escaping your lips as you unconsciously lean into his touch. It's such a sweet, innocent moment, and for a brief second, Bruce allows himself to feel the warmth of it.

But the moment is fleeting.

He feels the presence before he sees it, the unmistakable smell of cigarette smoke filling the room. His jaw tightens as his hand stills. He doesn’t turn right away, but his voice cuts through the silence.

“Constantine,” Bruce says, his tone gruff even without the cowl to disguise it.

Constantine steps into the room more fully, leaning against the wall, a half-smoked cigarette between his lips. He regards Bruce with that same nonchalance he carries everywhere, though there's a flicker of something else in his eyes—something more cautious.

"Thought you’d still be brooding over in the corner," Constantine says, taking a drag of his cigarette. His eyes drift to you, lying peacefully on the cot. “Didn’t expect to see this version of you.”

Bruce doesn’t respond right away. He pulls his hand back from your hair, his gaze hardening. "What happened?" The question is direct, but underneath it, Constantine can hear the concern, the frustration Bruce doesn't voice aloud.

"She went off on her own," Constantine mutters, taking another drag before blowing out a cloud of smoke. "Went after a demon. Got roughed up pretty bad, but she handled it in the end. Strong kid. Stubborn too. Wonder where she gets that from, eh?"

Bruce's eyes narrow. "And you let her?"

"Let her?" Constantine laughs, a short, sharp sound. "Mate, I didn’t let her. She went behind my back, just like she’s gone behind yours for who knows how long. Difference is, I’m the one she actually came back to.”

That lands like a punch to Bruce's gut. He doesn’t react visibly, but Constantine can see the tension in his posture.

"I didn't know she was…" Bruce starts, then stops, shaking his head. The words feel inadequate. "I didn't know she was involved with this stuff, i didn't even know she was a meta. Or that she knew you."

"Yeah, well, she found her way to me," Constantine says with a shrug, stubbing out his cigarette on the wall. “And she's not a meta by the way, she's a vessel for some eldritch being"

A vague expression of surprise appears on Bruce's face.

"I don't blame you, mate. I was surprised to find her alive afterwards. Not just anyone survives that kind of transformation, she's strong.”

Bruce crosses his arms, his gaze flickering between you and Constantine. “I know she’s strong.”

“Do you?” Constantine raises an eyebrow, the challenge clear in his tone. “Because she’s been running herself ragged trying to prove it. To you. To herself. And, hell, maybe to me too, but at least I see it.”

There’s silence for a moment. Bruce clenches his jaw, turning to look at you again, sleeping soundly despite the tension in the room. He knew Constantine was right. You'd been pushing yourself, fighting to show that you didn’t need them—that you were strong enough on your own. And he had let you. He'd let you because he didn't even care to notice.

Constantine sighs, sensing the weight of the silence. “Look, I didn’t come here to throw stones. But you’ve got to get your shit together with her. She’s tough, but she’s still a kid, and she’s your kid. She needs you.”

Bruce doesn’t answer, but his silence speaks volumes. He watches you, the soft rise and fall of your chest, and feels the regret gnawing at him.

“I’ll handle it,” Bruce finally says, though the words feel hollow.

Constantine gives him a long look, then nods. “You better. Because if you don’t, she’ll be right back with me..”

With that, Constantine pushes off the wall, flicking away the last of his cigarette. “I’ll check in on her later. Try not to fuck this up, mate.” And with one last glance at you, Constantine leaves, the tension in the room ebbing with him.

Bruce remains, standing over you, his mind a whirlwind of regret, guilt, and the desire to fix what’s been broken for far too long. He leans down, pressing a gentle kiss to your forehead—something he hasn’t done in what feels like years—before stepping back, pulling the chair beside your bed to sit vigil over you.

He’s still not sure how to bridge the gap, but for now, he stays. It’s a start.

Well, thats all folks! I really enjoyed writing this au, so thanks for the idea! Maybe ill even make a pt. 2 to this? Who knows? Anyways, I hope you enjoyed it.

[crxwnedalex]

This is interesting ngl. Most of this is me ranting about the general topic, of C!Dream and apologists that I have had experience with the content I have seen, not saying that these weird ones don't exist, just that i have little to no experience near them, so it'll be less about them. (this is all over the place w bad spelling errors, but i have no mental capacity to fix them, sorry m8)

I guess i've tried to separate myself from as much of the toxicity of the fandom as I could to the point that i forgot this side of people existed for a while.

I don't keep up with the cc!'s as much, so I know very little about cc!dream and his neurodivergence, so I won't be getting much into that, more-so just my experience with c!Dream apologists.

i guess i didn't even realize that most 'c!dream apologist' people I know, aren't actually apologists entirely, since they know he's an ass, and they accept that; and give him twice the amount of baggage and laugh at him as he spirals further till he loses his whole revenge-plot shtick and breaks. (these mofos love breaking characters to the point that even you'd be questioning life and morality, and I can't blame them, it's fun) Like, we like him because it's so fun to hate him/destroy his being and maybe actually make him redeemable if they're feeling nice (which is hard asf, but some of them actually do it well??).

Usually I, and a bunch of other c!dream fans I know of, tend to see him a bit different than 'oh he's this, so it's okay that he did xyz', i don't know if im just lucky in fic picking and content choosing, but the c!dream apologists that I know of stem off the whole 'prison torture fanon' thing. With stuff like 'he's an incredibly bad person, but torture is too far' (some may say it's not when it comes to him). I've actually never come across c!dream apologists who think the way explained in the screen-shot, and I am admittedly curious as to what the hell is really going on inside their head. the groups that i find are luckily the some of really-bad-person-who's-an-ass apologists don't actually support/justify the genuinely insane shit characters be doing. we just like to psycho-analyze, collect small shiny bits of angst like magpies, and poke and prod at the hows and whys of said character. which is really interesting to me.

sometimes i wonder if some of these ppl even watched the damn streams

[hollowed-theory-hall]

your post on harry’s handwriting was an eye-opener for me! ik his writing resembled his mother some and is decent overall, but i’ve never seen pics of it!

idk where the horde of fanfic writers came up with the weird notion that harry has bad/chicken scratch handwriting, which triggers me every. time. they make out his handwriting to be messy, his eating habits sloppy, his speech behaviour bumbling, his appearance unkempt, and that he’s rather messy as a person. which boggles the mind, because he’s used to cleaning up after the dursleys and probably enjoys an orderly space, if not super spic and span??? is it only certain fandoms, cuz they make the other character(s) all elegance personified and well-mannered? like, harry already is a well-mannered boy, otherwise petunia would’ve been tutting, clucking, and dying of shame even more before the nieghbours lmaoo. idk whether to cry or laugh, and sometimes it’s such a turn-off that i choose to rage quit fics.

please, if you have the time, i would love a thorough breakdown/meta on how harry actually comes across as a person!

Okay, I have so much to say about this. And omg, Harry's chicken scratch handwriting is one of my pet peeves in fics (here's the handwriting post, btw). Harry's characterization when done wrong in general, tbh is a huge turn-off for me. Becouse I love Harry, he's my boy.

So, what we're gonna look at is how other characters in the books perceive Harry, how he comes across in universe to people who can't read his mind (like we can, as the readers).

I'll start with a general note about how most characters in the books don't really know Harry. This is mostly because Harry, contrary to fanon interpretations, is a very private person and rarely talks about himself/his feelings/his thoughts out loud. This is a habit I believe was ingrained into him by the Dursleys.

Like, I mentioned in the past Harry doesn't talk as much as other characters. Scenes of the trio usually consist of mostly Ron and Hermione talking, for example. This is not becouse he doesn't have thoughts (he's quite judgmental inside his head, and we know he has a lot to say), but becouse he's used to not voicing a lot of them thanks to the Dursleys.

This essay turned out pretty long, but here we go:

How do others see Harry?

Harry comes off as confident. Harry is a defiant and courageous person, and this often comes off as confidence to other people. It's why Snape thinks Harry is arrogant and why most students are always sure Harry meant to do what he did. They think he has shit together because he comes off like he does:

Harry stayed silent. Snape was trying to provoke him into telling the truth. He wasn’t going to do it. Snape had no proof — yet. “How extraordinarily like your father you are, Potter,” Snape said suddenly, his eyes glinting. “He too was exceedingly arrogant. A small amount of talent on the Quidditch field made him think he was a cut above the rest of us too. Strutting around the place with his friends and admirers . . . The resemblance between you is uncanny.” “My dad didn’t strut,” said Harry, before he could stop himself. “And neither do I.”

(PoA, Ch14)

Snape sees Harry as arrogant, when in fact Harry is just defiant and intelligent.

“But you’ve been too busy saving the Wizarding world,” said Ginny, half laughing. “Well ... I can’t say I’m surprised. I knew this would happen in the end. I knew you wouldn’t be happy unless you were hunting Voldemort. Maybe that’s why I like you so much.”

(HBP, Ch30)

Ginny (and other characters) believe he likes to save the wizarding world. That he is this confident hero and savior. I mean, they believe her lie about the tattoo, which says a lot:

and all Romilda Vane does is ask me if it’s true you’ve got a hippogriff tattooed across your chest.” Ron and Hermione both roared with laughter. Harry ignored them. “What did you tell her?” “I told her it’s a Hungarian Horntail,” said Ginny, turning a page of the newspaper idly. “Much more macho.”

(HBP, Ch25)

Harry doesn't see himself as leader material, but it's clear everyone else does:

“I think we ought to elect a leader,” said Hermione. “Harry’s leader,” said Cho at once, looking at Hermione as though she were mad, and Harry’s stomach did yet another back flip. “Yes, but I think we ought to vote on it properly,” said Hermione, unperturbed. “It makes it formal and it gives him authority. So — everyone who thinks Harry ought to be our leader?” Everybody put up their hands, even Zacharias Smith, though he did it very halfheartedly. “Er — right, thanks,” said Harry, who could feel his face burning.

(OotP, Ch18)

Neville Longbottom, who gave a roar of delight, leapt down from the mantelpiece and yelled. “I knew you’d come! I knew it, Harry!”

(DH, Ch28)

“Look who it is! Didn’t I tell you?” As Harry emerged into the room beyond the passage, there were several screams and yells: “HARRY!” “It’s Potter, it’s POTTER!” “Ron!” “Hermione!” [...] “Are you all right, Harry?” Neville was saying. “Want to sit down? I expect you’re tired, aren’t—?” “No,” said Harry. He looked at Ron and Hermione, trying to tell them without words that Voldemort has just discovered the loss of one of the other Horcruxes. Time was running out fast: If Voldemort chose to visit Hogwarts next, they would miss their chance. “We need to get going,” he said, and their expression told him that they understood. “What are we going to do, then, Harry?” asked Seamus. “What’s the plan?” “Plan?” repeated Harry. He was exercising all his willpower to prevent himself succumbing again to Voldemort’s rage: His scar was still burning. “Well, there’s something we—Ron, Hermione, and I—need to do, and then we’ll get out of here.” Nobody was laughing or whooping anymore. Neville looked confused.

(DH, Ch29)

Everyone expected Harry in DH to have a plan of attack the moment he arrived because that's how he acts. Even in the above scene, he's in terrible pain from his scar, but the others don't see it. What they see is a Harry who looks exhausted but says no to rest because there's work to be done and they expect this of him. They see someone fearless and capable with a plan who could lead them, but this isn't what we see because we're inside his head.

How Harry doesn't speak much and acts overall quite distant, as in, he actively avoids the girls who fancy him:

Then he blinked and looked around: He was surrounded by mesmerized girls. “Hi, Harry!” said a familiar voice from behind him. “Neville!” said Harry in relief, turning to see a round-faced boy struggling toward him

(HBP, Ch7)

And he only has two close friends and barley knows the other students in his year. Most students only know Harry Potter from the stories, rumors, and Dumbledore's end-of-the-year speeches about his heroism. They have no clue who the real Harry is — so they expect the hero they do hear about.

He stands his ground a lot (again, defiance):

Harry turned to McLaggen to tell him that, most unfortunately, Ron had beaten him, only to find McLaggen’s red face inches from his own. He stepped back hastily. “His sister didn’t really try,” said McLaggen menacingly. There was a vein pulsing in his temple like the one Harry had often admired in Uncle Vernon’s. “She gave him an easy save.” “Rubbish,” said Harry coldly. “That was the one he nearly missed.”

(HBP, Ch11)

And more often than not, he does so coldly and calmly. A lot of his more fiery anger is a sign of trauma with Harry, his baseline anger reaction is cold.

All of this adds to him appearing to others as controlled, confident, and like he has everything together and could never have any issues. He comes off as this bigger than life person to most people. Snape isn't the only one who reads Harry's behavior as confident. But it's actually far from the truth.

We, as the readers, see how depressed Harry is. How lowly he thinks of himself and how much he doesn't think of himself as anything special when he very clearly is. But the fact he doesn't say any of it and has mastered the skill of acting cold and like everything is fine when he literally wants to die at the age of 5, no one knows. Even Ron and Hermione didn't truly realize the full extent of Harry's low self-worth until 5th year.

The other students are shocked to see Harry as angry as he is in book 5 because he's often way more controlled and well-mannered than that. They're used to seeing him cold and quiet, not firey. Most of his fire stays inside his head unless he's really angry or emotional in general (or traumatized):

Professor Umbridge sat down behind her desk again. Harry, however, stood up. Everyone was staring at him; Seamus looked half-scared, half-fascinated. “Harry, no!” Hermione whispered in a warning voice, tugging at his sleeve, but Harry jerked his arm out of her reach. “So, according to you, Cedric Diggory dropped dead of his own accord, did he?” Harry asked, his voice shaking. There was a collective intake of breath from the class, for none of them, apart from Ron and Hermione, had ever heard Harry talk about what had happened on the night that Cedric had died. They stared avidly from Harry to Professor Umbridge

(OotP, Ch12)

The shock of the other students, I believe, is because of what he's saying, yes, but it's also because Harry is behaving very unlike him here. He usually doesn't shout at teachers or anyone, really. He rarely speaks in classes actually.

And regarding his confidence, everyone, Ron and Hermione included, was sure Harry is super skilled and that that's how he evaded Voldemort:

“You don’t know what it’s like! You — neither of you — you’ve never had to face him, have you? You think it’s just memorizing a bunch of spells and throwing them at him, like you’re in class or something? The whole time you know there’s nothing between you and dying except your own — your own brain or guts or whatever — like you can think straight when you know you’re about a second from being murdered, or tortured, or watching your friends die — they’ve never taught us that in their classes, what it’s like to deal with things like that — and you two sit there acting like I’m a clever little boy to be standing here, alive, like Diggory was stupid, like he messed up — you just don’t get it, that could just as easily have been me, it would have been if Voldemort hadn’t needed me —” “We weren’t saying anything like that, mate,” said Ron, looking aghast. “We weren’t having a go at Diggory, we didn’t — you’ve got the wrong end of the —” He looked helplessly at Hermione, whose face was stricken.

(OotP, Ch15)

They didn't for a second think he wasn't confident in his own abilities because Harry acts in a way that comes off as confident and capable. It's why everyone so easily accepts him as a leader under various circumstances. He acts level-headed while he's terrified, so everyone thinks he knows what he's doing except Harry (and the reader). Ron and Hermione had zero doubts Harry's skill was a big part of why he survived book 4, it's only Harry who doesn't think that.

The fact Snape bothered to extract his own memories during his Occlumancy lessons goes to show how he thinks Harry is talented, contrary to his words. He feared Harry would reverse the connection and see into his mind, otherwise he wouldn't have taken these precautions.

Think of Voldemort’s resurrection even. Inside his mind, we know Harry's terrified. We know he has no idea what he's doing.

But imagine being a Death Eater in the crowd and you see this 14-year-old kid stand up after being Crucio-ed by their lord, and he stands up, resists the imperius, and shouts at your lord like he thinks of himself as equal to him — or, perhaps, better than him:

“I asked you whether you want me to do that again,” said Voldemort softly. “Answer me! Imperio!” [...] I WON’T!” And these words burst from Harry’s mouth; they echoed through the graveyard, and the dream state was lifted as suddenly as though cold water had been thrown over him — back rushed the aches that the Cruciatus Curse had left all over his body — back rushed the realization of where he was, and what he was facing. . . . “You won’t?” said Voldemort quietly, and the Death Eaters were not laughing now.

(GoF, Ch34)

That's pretty badass. Harry comes off like a confidant badass. And he gets more badass and confident as he matures (even if he isn't actually as confident as he appears).

Even in the DoM, Lucius Malfoy, who was in the graveyard, takes Harry seriously:

“Don’t do anything,” he [Harry] muttered. “Not yet —” The woman who had mimicked him let out a raucous scream of laughter. “You hear him? You hear him? Giving instructions to the other children as though he thinks of fighting us!” “Oh, you don’t know Potter as I do, Bellatrix,” said Malfoy softly. “He has a great weakness for heroics; the Dark Lord understands this about him. Now give me the prophecy, Potter.”

(OotP, Ch35)

Bellatrix makes fun of how Harry gives the other kids orders as if they're going to fight, but Lucius knows better, he knows Harry is going to fight, and I think, he's scared of what would happen when he does. Even Bellatrix quickly starts taking Harry more seriously:

“Oh, he knows how to play, little bitty baby Potter,” she said, her mad eyes staring through the slits in her hood. “Very well, then —”

(OotP, Ch35)

And she changes her tone completely after he casts a Crucio at her:

“Never used an Unforgivable Curse before, have you, boy?” she yelled. She had abandoned her baby voice now.

(OotP, Ch36)

His aura is one of competence and confidence even when he's frightened and has no idea what he's doing. Especially when he's frightened and has no idea what he's doing.

And for the most part, he doesn't come off nearly as judgmental as he actually is, because he doesn't say a lot of what he thinks. We only see him start to actually speak his mind and be more sassy out loud around 5th and 6th year. And even then, his highly judgmental physical descriptions stay part of his narration, they aren't spoken:

“That’s the bell,” said Harry listlessly, because Ron and Hermione were bickering too loudly to hear it. They did not stop arguing all the way down to Snape’s dungeon, which gave Harry plenty of time to reflect that between Neville and Ron he would be lucky ever to have two minutes’ conversation with Cho that he could look back on without wanting to leave the country.

(OotP, Ch12)

Ron and Hermione banter while Harry feels done with them, but he doesn't really say anything or complain. He keeps a lot of his thoughts inside his head.

If we look at how Ron, Hermione, and Sirius see Harry, they're the closest to who Harry actually is as these three know Harry best. (They're also more objective than Harry who looks down on himself)

After the book 5 conversation I mentioned above, Ron and Hermione are more aware of Harry's insecurities, but they find them silly. They see Harry as incredibly capable and skilled:

“Did he?” said Harry. Behind him he felt rather than heard Hermione passing his message to the others and he sought to keep talking, to distract the Death Eaters.

(OotP, Ch35)

“What are we going to do with them?” Ron whispered to Harry through the dark; then, even more quietly, “Kill them? They’d kill us. They had a good go just now.” Hermione shuddered and took a step backward. Harry shook his head. “We just need to wipe their memories,” said Harry.

(DH, Ch9)

When danger comes, everyone's instantly following Harry's lead. Harry's the planner when the situation is dangerous, he calls the shots, not Hermione. Hermione and Ron look to Harry for a plan when things get tough, and Harry always figures something out. Now, we see Harry thinking he has no idea what to do:

He could not think what to do but to keep talking. Neville’s arm was pressed against his, and he could feel him shaking. He could feel one of the other’s quickened breath on the back of his head. He was hoping they were all thinking hard about ways to get out of this, because his mind was blank.

(OotP, Ch35)

But Ron and Hermione don't. No one does. They just see Harry coming up with a plan to save them. Every time. They don't see him wracking his brain for a way to keep everyone alive.

Hermione never considers Harry stupid, not even in first year:

“I’m not as good as you,” said Harry, very embarrassed, as she let go of him. “Me!” said Hermione. “Books! And cleverness! There are more important things — friendship and bravery and — oh Harry — be careful!”

(PS, Ch16)

And Ron clearly doesn't expect stupid behavior from Harry. He's surprised and shocked when Harry does something he considers stupid:

“What the hell,” panted Ron, holding up the Horcrux, which swung backward and forward on its shortened chain in some parody of hypnosis, “didn’t you take this thing off before you dived?”

(DH, 19)

Both Ron and Hermione trust Harry's opinion and they trust him to know what to do when shit hits the fan. When things are dangerous, both Ron and Hermione (and everyone else) turn to Harry to know what to do becouse that's the aura he has:

“I’d tell him we’re all with him in spirit,” said Lupin, then hesitated slightly. “And I’d tell him to follow his instincts, which are good and nearly always right.” Harry looked at Hermione, whose eyes were full of tears. “Nearly always right,” she repeated.

(DH, Ch22)

Hermione agrees with Lupin's assessment here. Dumbledore did too, he's the one who told Kingsley and Remus to trust Harry's instincts. Harry doesn't give the impression he's messy and bumbling, quite the opposite. Yes, Harry and Hermione have their doubts, they don't agree with Harry on everything, especially when he has no evidence for his claim except his intuition. But, it's telling Harry can make claims based on gut feeling and Ron and Hermione ask him why he thinks that instead of just instantly rejecting the claims.

Like I mentioned above, he looks like he has his shit together even when he really doesn't. He's an expert in keeping a mask on and bottling up his feelings.

Sirius, also sees Harry as mature and capable for his age. It's why he's so insistent on telling him things while Molly wants to cuddle Harry:

“I don’t intend to tell him more than he needs to know, Molly,” said Sirius. “But as he was the one who saw Voldemort come back” (again, there was a collective shudder around the table at the name), “he has more right than most to —” “He’s not a member of the Order of the Phoenix!” said Mrs. Weasley. “He’s only fifteen and —” “— and he’s dealt with as much as most in the Order,” said Sirius, “and more than some —” “No one’s denying what he’s done!” said Mrs. Weasley, her voice rising, her fists trembling on the arms of her chair. “But he’s still—” “He’s not a child!” said Sirius impatiently.

(OotP, Ch5)

Between them, Sirius sees Harry more accurately. Harry is incredibly mature and capable and wants to be in the know. He'd be better off in the know. Sirius understands Harry's curiosity which Molly seems unaware of. Lupin also remarks on how Harry is going to find out things anyway, he's aware of how curious and determined Harry is. Sirius considers Harry capable even during PoA and GoF:

I know better than anyone that you can look after yourself and while you’re around Dumbledore and Moody I don’t think anyone will be able to hurt you.

(GoF, Ch18)

Molly, on the other hand, never really sees Harry's capabilities. Molly only ever sees a polite, intelligent kid. In the early years at the Weasley, Harry barely talks to Molly and Arthur because he doesn't really know how to talk to them. So they talk to him, the other Weasleys talk around him, and he's polite in turn:

“I don’t blame you, dear,” she assured Harry, tipping eight or nine sausages onto his plate. “Arthur and I have been worried about you, too. Just last night we were saying we’d come and get you ourselves if you hadn’t written back to Ron by Friday. But really” (she was now adding three fried eggs to his plate), “flying an illegal car halfway across the country — anyone could have seen you —”

(CoS, Ch3)

Harry acts around most adults like this, especially when younger. It's clear he acted this way around his teachers too:

“You see what you expect to see, Severus,” said Dumbledore, without raising his eyes from a copy of Transfiguration Today. “Other teachers report that the boy is modest, likable, and reasonably talented. Personally, I find him an engaging child.”

(DH, Ch33)

Snape got it a bit different. Because Harry is defiant and sassy — it's how he responds to the Dursleys, and this is how he responds to threats he can't do anything about in general. Sass. It's why we see Harry do this with Umbridge, Snape, and Scrimgeour:

Who do you imagine wants to attack children like yourselves?” inquired Professor Umbridge in a horribly honeyed voice. “Hmm, let’s think . . .” said Harry in a mock thoughtful voice, “maybe Lord Voldemort?”

(OotP, Ch12)

“Do you remember me telling you we are practicing nonverbal spells, Potter?” “Yes,” said Harry stiffly. “Yes, sir.” “There’s no need to call me ‘sir,’ Professor.”

(HBP, Ch9)

“...You may wear that scar like a crown, Potter, but it is not up to a seventeen-year-old boy to tell me how to do my job! It’s time you learned some respect!” “It’s time you earned it.” said Harry.

(DH, Ch7)

Harry appears confidant and arrogant not only to Snape but to Scrimgeour too (I think other students at Hogwarts see Harry as arrogant too. His demeanor can come off as arrogant if you don't know what he's thinking. It's why they could believe the Daily Prophet, it fit what they got to see). It's because he is rude and sassy when speaking his mind. It's because he acts more confident when he's terrified. It's because he's cold, distant, and uncaring towards most people and actively avoids talking to most.

And even that's mostly when he's older. In 4th year, he responds to Snape by glaring at him silently and wishing he could cast a Crucio at him:

Harry sat there staring at Snape as the lesson began, picturing horrific things happening to him. . . . If only he knew how to do the Cruciatus Curse . . . he’d have Snape flat on his back like that spider, jerking and twitching. . . .

(GoF, Ch18)

Harry is overall really quiet, which does create the impression of him being put together. More than he thinks of himself, for sure. It also adds to why many students feel as comfortable talking about him as they do because he feels distant to them. His quiet makes him feel mysterious, unknown, and far away. Like a symbol rather than a person.

Something I want to note, specifically with Umbridge, is this scene:

Harry looked around at Umbridge. She was watching him, her wide, toadlike mouth stretched in a smile. “Yes?” “Nothing,” said Harry quietly. He looked back at the parchment, placed the quill upon it once more, wrote I must not tell lies, and felt the searing pain on the back of his hand for a second time; once again the words had been cut into his skin, once again they healed over seconds later.

(OotP, Ch13)

Part of why Harry comes off as such a put-together badass is that he doesn't let others see his pain. He doesn't show he's in pain to others, especially when it's people he doesn't like. He acts though, constantly.

He hates crying in front of others becouse Harry does everything he can to not appear weak:

Harry suddenly realized that there were tears on his face mingling with the sweat. He bent his face as low as possible, wiping them off on his robes, pretending to do up his shoelace, so that Lupin wouldn’t see.

(PoA, Ch12)

And it works, people see him as confident, and capable, and heroic. Most people don't see the struggle because Harry keeps bottling it in.

Even with Hermione, he tries not to let her see how upset he actually is. We know in his head, that he is devastated by his wand breaking, that he's mourning it like it was a dead loved one, but this is what he's willing to show Hermione:

“It was an accident,” said Harry mechanically. He felt empty, stunned. “We’ll—we’ll find a way to repair it.” [...] “Well,” he said, in a falsely matter-of-fact voice, “well, I’ll just borrow yours for now, then. While I keep watch.”

(DH, Ch17)

All this means, we, as the readers , see Harry's pain, his struggles, his vulnerability — but the other characters almost never do.

The only character who is consistently aware of Harry's struggles is Sirius who Harry confides his weaknesses to more than any other character:

“Never mind me, how are you?” said Sirius seriously. “I’m —” For a second, Harry tried to say “fine” — but he couldn’t do it. Before he could stop himself, he was talking more than he’d talked in days

(GoF, Ch19)

Harry is so used to saying his fine and bearing his burdens in silence. It's what he does. It's what he did for years. Most characters think Harry is unshakable because that's how he acts.

Even when Harry tries to lie so Sirius won't worry, Sirius sees through it:

Nice try, Harry. I’m back in the country and well hidden. I want you to keep me posted on everything that’s going on at Hogwarts.

(GoF, Ch15)

As for his room and appearance, he is a little messy actually when he has the chance to be in seventh year:

Harry had spent the morning completely emptying his school trunk for the first time since he had packed it six years ago. At the start of the intervening school years, he had merely skimmed off the topmost three quarters of the contents and replaced or updated them, leaving a layer of general debris at the bottom—old quills, desiccated beetle eyes, single socks that no longer fit.

(DH, Ch2)

As in, his trunk is a bit of a mess. But this makes sense, I think. He allows himself to be messy when he doesn't have the Dursleys over his head. It's like a sort of freedom he didn't have before, so he indulges in it. I think the mess in his trunk is also a result of him actually living from it for 6 years, as he couldn't really leave everything at home with the Dursleys, could he? Still, his room and belongings are nowhere near as messy as Ron's.

As for his appearance, the only thing mentioned to be messy is his hair:

His jet-black hair, however, was just as it always had been — stubbornly untidy, whatever he did to it

(PoA, Ch1)

But from other characters (including Hermione) thinking Harry's hot:

“Oh, come on, Harry,” said Hermione, suddenly impatient. “It’s not Quidditch that’s popular, it’s you! You’ve never been more interesting, and frankly, you’ve never been more fanciable.”

(HBP, Ch11)

We can conclude Harry's messy hair comes off as cool and attractive and not like a bird's nest.

We also see from Hermione and others that Harry looks scary. He is 5'11 by book 6 with an intimidating glare and that he looks like he can throw a punch, (and can definitely throw a punch when he wants to). So he has a physical intimidation factor when older:

“Well, it’s like Hagrid said, they can look after themselves,” said Hermione impatiently, “and I suppose a teacher like Grubbly-Plank wouldn’t usually show them to us before N.E.W.T. level, but, well, they are very interesting, aren’t they? The way some people can see them and some can’t! I wish I could.” “Do you?” Harry asked her quietly. She looked horrorstruck. “Oh Harry — I’m sorry — no, of course I don’t — that was a really stupid thing to say —”

(OotP, Ch21)

Harry was not aware of releasing George, all he knew was that a second later both of them were sprinting at Malfoy. He had completely forgotten the fact that all the teachers were watching: All he wanted to do was cause Malfoy as much pain as possible. With no time to draw out his wand, he merely drew back the fist clutching the Snitch and sank it as hard as he could into Malfoy’s stomach — “Harry! HARRY! GEORGE! NO!” He could hear girls’ voices screaming, Malfoy yelling, George swearing, a whistle blowing, and the bellowing of the crowd around him, but he did not care, not until somebody in the vicinity yelled “IMPEDIMENTA!” and only when he was knocked over backward by the force of the spell did he abandon the attempt to punch every inch of Malfoy he could reach. . . .

(OotP, Ch19)

To summarise

Harry bottles up a lot of his emotions and tends to be quiet, this creates the often wrong impression he is confident and has his shit together.

He doesn't show pain and weakness to others and doesn't cry or show he's upset to basically anyone (except Sirius). This means basically no one sees his struggles or how depressed and traumatized Harry actually is. It even surprises Ron and Hermione in book 5.

He is defiant and rude to people he doesn't like, especially when scared, the result is that he appears like a very capable and confident badass especially when under pressure.

He can be intimidating with his glare alone and once he's older he is a physical presence. He's not someone who can disappear in a crowd post-book 5.

His rudeness oftentimes stays in his head except when someone really annoys him. This makes him appear defiant, but overall polite because he keeps most of his mean comments to himself.

When younger, he is very polite and quiet, especially toward adults. When he's older, he gets a little sassier (as in, he says some of his internal monologue out loud). But he is a polite, well-mannered kid for the most part.

The character who has a messy room, is a bit of a slob, has chicken scratch handwriting, and is lazy with schoolwork, is Ronald Weasley, who I love dearly, but these descriptions have nothing to do with Harry and everything to do with Ron.

The only unkempt thing about Harry's appearance is likely his Potter hair, which is more messy hot than messy bad (if all the girls' reactions are anything to go by).

[brucewaynehater101]

I just want good angst about Bruce desperately trying to parent Tim but realizing he fucked it up

or Bruce realizing he kinda sees tim as a father figure in a weird way

or the bats all realizing how Tim’s been forced to mature quickly so he can take care of them, and he won’t stop trying to be the adult in situations even after the bats try to make it so he doesn’t have to

There are a few fics out there that center around Tim and Bruce's relationship after Bruce realizes how bad he treated Tim. "Grudge (I hold none)" by reinersbigtits. "Just How Much I Love You" by sElkieNight60. Honestly, a bunch of sElkieNight60 fics have Bruce trying to be a better parent. Their fic "Redraw Our Expectations" showcases Bruce trying to parent Tim and the teen finds that strange, weird, and restrictive. They chat about it.

I sadly haven't seen any fics where Bruce considers Tim to be his father. I have seen a few that describe Tim as his closest confidant or mental support, but none about the father hc/au :(

If you want some quick angst about Bruce seeing Tim as a father figure, here's an idea:

Bruce is ruminating on his kids. As he's going through his mental list of the kids (perhaps trying to remember where they all are), he realizes that it's an effort to add Tim to that list. At first, Bruce clocks it as the older man being a horrible parent to Tim or needing more time with his son. Bruce wants to fix this and sets out to do so. He tracks down Tim to spend some time with him.

Halfway through the hangout, Bruce starts to relax. They are both having a good time, chatting and laughing. It only changes when he notices Tim's subtle nods, his slight mannerisms that encourage Bruce to keep talking, and the scrunch at the corner of Tim's eyes that indicate he's proud. It's an errant thought of the older man, but one that rapidly changes his worldview.

Tim acts like Alfred.

Tim acts like a father to Bruce.

Tim has always acted like a father to Bruce.

What has Bruce done?

The comment about Tim continuing to be the "adult" or "mature one" in the situation because that's all he's known hurts. If you add that hc to the one where Tim is constantly told to "be the bigger person" when it comes to being insulted by his traumatized family members, that's painful.

Alright, let's build on this hc/au. I'm going to use subtle canon background clues to create a probable psychological assessment on Tim's behaviors. The reasonings are all hc.

Tim was emotionally neglected and abused by his parents (not nearly to the extent of fanon and his parents did love him, but that doesn't change their emotional distance or the harm Jack did after his coma). One could hc that, due to the limited time he spent with them before they left again, Tim tried to keep the peace when they were there. He wanted to spend the time with his parents not fighting, even if that meant choking down his own emotions/needs, placating his parents, and overall keeping a pleasant demeanor around them regardless of passive aggressive insults (looking at Jack here).

If his parents had marital issues, like fighting and insulting each other in front of Tim, the child might have tried to mend their fights and solve their issues in order to spend more time with happy parents. It's a helpful behavior that could've been praised by Jack and Janet, leading to Tim continuously uptaking a mediator role.

This would morph into a people pleasing attitude that heavily clashed with Tim's independence and lack of authority in his life. This is what enables him to be suited for kicking a depressed, angry Bruce into his healing arc (enables, but doesn't excuse Bruce's reliance on a child nor condone it). Tim would probably insert himself into Dick and Bruce's relationship.

Unlike his parents, Dick and Bruce probably weren't happy an unrelated kid was mediating their relationship or getting in the middle of their arguments. Because of their contant rejection to Tim's efforts, the kid's behavior could morph into a more subtle and subterfuge manner. This comes in handy when Jason and Damian come around (because they for sure would not listen to Tim's advice).

Tim, because he's spent his entire life managing other people's emotions for them, would understand where Damian and Jason are coming from as they hurt him. It is painful, and he may hold some resentment towards them (and a frozen anger), but he's used to yanking back his emotions and shoving them into an overfilled box. That's the easy part.

What's burdensome for him is the family. After realizing the lengths Tim goes to in order to ensure their bonds stay strong, they keep pressuring Tim to release some of his responsibilities. They want the relationships to be more equal.

Tim can't, though. If he lets go of his tight grip on holding the family together, he'll have to face that box of emotions he shoved down. He'll have to work through all the pain, anger, betrayal, grief, and desolation all of his family members gave him. If he accepts that he shouldn't be taking on so much emotional labor, he would have to face that he shouldn't have been subjected to so much abuse (from the Drakes or the Waynes).

Tim can't do that without falling apart.

He can't keep his hold on the family's support beams either.

It's not healthy nor productive for Tim to keep his position. Without releasing the pressure from his back, Tim will collapse and take the Waynes with him. He's too scared to let go, though. Will he survive the break? Will he have a place with the Waynes if he's not holding them up?

[cybernaght]

The fandom echo chamber: fanon, microanalysis and conspiracy brain 

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we? 

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 

Eventually, this chimaera becomes a reality. 

Part two. Microanalysis 

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling. 

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 

Part three. The Conspiracy Brain. 

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To. 

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake 

C) this must be done on purpose

D) here is why 

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 

Three, Intentionality 

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed. 

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 

Unfortunately, people make mistakes. We are all fallible that way. 

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 

Conspiracy theories create alternate realities, very much like we all do here. 

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 

All I am saying is… listen.

Do you hear that echo? 

I do. 

[crosbyism]

"but then again this is the guy who’s publically known for loving to eat ass so"

I'm sorry, I thought Nate eating ass was fanon. Are you telling me this is an actual canon fact??

god i love when people don’t realise how much “fanon” around sid and nate is actually canon. it’s like heroin to me. also bc it’s like. 90% of the stuff in fics (which is probably why people assume it’s fanon but. oh boy it’s not. there’s shockingly little fanon around these two, mostly because canon is so abundant).

yes, nathan mackinnon is a known ass-eater. let me direct you to this post, anon. you’re welcome.

other nate (and sid) facts you might not have realised are canon:

nate is a known advocate for therapy. he’s been seeing a sports therapist since 2017

they wear matching clothing all the fucking time, sid has said publicly that he started wearing white sneakers and updated his wardrobe due to nate’s influence (iirc nate might’ve even bought him his first pair of white sneakers? either that or it was a “he told me i need to so i did” situation). they share a tailor. unfortunately i now have to bring your attention to the fact that since they have an alarming amount of matching clothes that they’ve bought for each other, that means that they in fact have to know each other’s clothing sizes off by heart. they also low-key share clothing btw

their families celebrate canada day together and their dads are best friends. in-law behaviour goes crazy

nate did in fact stalk his way into sid’s heart (got the same personal trainer and agent at age 13; built his house next door in 2017; they’ve been spending every day in the summers together since at least 2015. sid cooks for them daily, or at least did pre-pandemic. sid refuses to use nate’s gym tho so they always use sid’s).

nate used to have a fan twitter account more or less where he rooted for the pens. it was active until 2017.

sid and nate regularly go to summer weddings together as each other’s dates. they have done this since, once again, at least 2015

nate has confirmed that he used to have a poster of sid on his wall as a teenager (he didn’t confirm he used to jerk off to it but frankly. i think that’d be saying the quiet part out loud)

when sid won the cup in 2009 and held the parade in cole harbour, nate stood by the side of the road watching it. he was about to turn 14, he was already working with sid’s trainer and agent, and he was about to start attending shattuck (sid’s junior high). due to old pics we also know that this was RIGHT before nate had his first growth spurt and hit puberty. i’m not saying seeing sid with the cup kickstarted nate’s puberty and gave him his first boner but i’m not NOT saying it

nate dated vanessa morgan of riverdale fame in his rookie year. she’s now good friends with elias petersson from the vancouver canucks (this means nothing but i do think it’s a very funny coincidence).

nate schmidt, formerly of the VGK, once failed a drug test (it turned out to be a testing-fuck-up); when nhl players were asked about it natemack iconically said “i don’t think he was sticking a needle up his ass” (i just like this one)

when he was a kid, the one other thing sid wanted to be was a hairdresser. nate, on the other hand, “didn’t have a plan B”

nate is canonically possessive of sid (see: the asg 2024) and sid is canonically delighted by this and into it

they go on so many lunch dates in the summer my dude. they go grocery shopping together. like there’s so many pics of them in grocery stores or out having coffee or weird green shakes

oh i almost forgot, they went on a roadtrip through ireland last year. they’ve been on holiday together multiple times over the years though. done some eurotripping together and stuff. in 2015 they spent three months together, three weeks of which were spent living in sid’s santa monica condo together just the two of them

sid has put up a picture of every stanley cup winning captain in his basement since 2008, when the pens lost in the scf to DET. apparently this serves as motivation for him to win the cup. he notoriously does not watch the playoffs after the pens are out

however, he partied so hard at nate’s cup party he actually closed down the party with his dad. nate is the only non-teammate sid’s ever been seen supporting for a cup run (he’s also never been to his teammates’ cup parties afaik so. there’s that)

also they talked on the phone daily and between periods during nate’s cup run. they also canonically have almost weekly phone dates that can run multiple hours. quote nate “i can’t talk to anyone else the way i can talk to him”

they each have pictures of the two of them together framed in each other’s houses

there’s rumours they’re building adjoining houses on neighbouring properties in cape breton next to a golf course bc apparently being neighbours in halifax isn’t enough or something. this one is as yet unconfirmed by reputable sources though

[industrations]

will you ever draw masc sirius? not to compare artists but recently i've just noticed masc sirius pics get more notes and ppl get more pissed off bc of fem sirius. it's ok if you draw fem wolfstar (fem sirius AND fem remus) but it's kinda weird you only draw remus masc. kinda heteronormative. when wolf is gay. plus canonically sirius was masc and remus was fem (sirius was the biker and remus was short.) it's ok you're more into fanon but canon is real so i'm just curious if you will ever draw masc sirius. if you will it'll be very cool and i'm sure you'll get more notes too.

This is the LAST time I'm going to be talking about this because I'm so TIRED of this debate.

Firstly, the "canon" you speak of is written by this person. So think before you start arguing anything about canon.

Then, since apparently some of you still cannot read. I DO NOT DRAW FOR YOU; I DRAW FOR ME. I could not care less about notes or likes or popularity. I'm just here to have fun and enjoy my time. That you are so concerned about notes is your own problem, not mine, but I suggest you change that because notes do not equal any sort of value, and this mindset is just going to be bad for anyone's mental health.

My favourite thing as a person whose gender is literally all over the place is getting to express that through the characters I draw. For ME, this mainly happens through Sirius because his "canon" is this very HETERONORMATIVE man. The freedom of him being able to step away from that and to be allowed to be whatever he wants to be on that day is just wonderful. Sirius, for me, is a reminder that no matter what you're born as or whatever people say you should be, it does not say anything about how you feel or express yourself.

Remus will forever keep evolving for me. He's also allowed to be whoever he wants to be. When I read fics he looks different in every single one. And if you actually paid attention to my art, you can see that he does not always look the same. For me, Remus is a comfort. He will always be a long, wet noodle with bad knees to me. He will always have his scars and his freckles, and those are what make him beautiful. I'm not sure why people immediately assume this is something that makes him "the man" or "the top". If that's what you're thinking when you see them, then there's something gone wrong on your side because you are deciding what a queer relationship is supposed to look like, when in fact you are the one being homophobic and heteronormative.

Also that my Sirius is shorter and more gender-y so to say, does not mean he can't kill a bitch on sight. He could break Remus in half in a second if he wanted to.

Anyway, I'm off to draw some dead gay wizards in whatever way I want to <3 love you guys. Truly the majority of you make me feel safe and seen, and I couldn't have wished for a more supportive community

[gaywarcriminals]

Qijiu Findom is Canon

So we've all seen this scene, right?

This scene is a fundamental piece of YQY characterization to me. There's a lot to be said about how this ties into YQY's desire to protect, provide for, and spoil SJ, but today I am here to talk about how this man would be really into financial domination. I truly can't believe that only one such qijiu fic exists (thank you to kat8cha I owe you my life). 

The core tenants of my qijiu findom manifesto are as follows: 

YQY doesn’t like spending money on himself 

YQY belongs to SJ

YQY loves providing for SJ 

SJ would rather take than receive

(Most of this post is more headcanon than directly evidenced, but I think it’s a logical jump from canon!)

YQY doesn’t spend money on himself 

This was the starting point of my thinking when I started spinning qijiu findom in my brain back in 2022. Yue Qingyuan, in my opinion, doesn’t like taking care of himself. I think he’s better about taking care of his physical needs to some degree because he’s aware that the consequences of him passing out or qi deviating would affect more than just himself, but his motivation is a.) to be a well functioning machine capable of fulfilling his role as sect leader, and b.) to Not Fuck Up. (One of adult YQY’s core traits is that he lives in perpetual fear of fucking up. More on that another day). Aside from the risk of heart demons damaging his cultivation, YQY doesn’t see any possible consequences to neglecting his mental health. 

And so, does YQY really deserve a comfortable bed? Does he really need any nice wall hangings in the parts of his home that guests will never see? The only seemingly indulgent purchases YQY makes are those needed to uphold his image as sect leader, like fine clothes and hair oils. Those are functionally business expenses, because YQY is aware that how he presents himself reflects on the entire sect. (SJ surely doesn’t see it that way— he only sees YQY putting on the affects of nobles and spending money like water, as bad as any of the natal lords in this sect). In the modern era, YQY would come home, take off his perfectly tailored suit, and flop face first onto his bare mattress on the floor.

YQY’s everything belong to SJ

I think that if SJ had asked, YQY would be willing to give him basically anything he owned. Fundamentally, YQY puts SJ’s life before his own. He would not have walked into near-certain death long after SJ became irredeemable to the rest of the cultivation world if that was not the case. Yue Qingyuan literally offers SJ his life. 

YQY would die if he thought it would make SJ happy. If YQY’s life and the sword that is his life can be forfeited to SJ, what’s a bit of money, or the material possessions that YQY cares little for? What’s his is SJ’s, and if it would make SJ happy, YQY would not hesitate to hand over whatever SJ asked for. 

YQY likes taking care of people.

Although the fanon of YQY being overly solicitous and constantly pushing gifts on SJ contracts canon (as far as I can tell, there's not a single instance in the novel of specfically Yue Qingyuan giving SQQ a gift-- at most, there's references to all the peak lords doing so), I think there’s a little truth to it— if YQY thought SJ would allow him to, he would absolutely give SJ whatever he thought the man might like or need. I would go as far as to say that he probably longs to do so. He is a service dog, after all.

Yue Qingyuan most often expresses his affection as protecting, taking care of, or expressing concern for others. Most of his 'wet puppy in the rain' moments in canon are not due to his own misery, but because he is concerned for SJ or SQQ. Yue Qingyuan is bad at existing for his own sake; he is constantly shown to be putting others and the sect above himself, and none more so than SJ. Personally. I don’t think this is just due to YQY’s strength of character. I think he gains a sense of purpose and identity from being the one to protect and take care of others. There is a reason I say YQY had eldest daughter syndrome: he needs someone to take care of For His Health.

Being allowed to give or buy things for SJ, or have SJ use YQY's assets to buy things himself, would fulfill YQY's needs. It would give him vital enrichment. After their long estrangement where SJ constantly ignores YQY, someone as simple as being able to express affection by providing for SJ would literally be a privilege to YQY. 

That's all well and good, but doesn't that just mean YQY's wants to be SJ's sugar daddy? Why do I specify findom instead? Well that's where we get to SJ.

SJ would be suspicious of gifts

SJ is a paranoid person, and many gifts come with some expectation of reciprocity. I think SJ’s ability to appreciate gifts would be hampered by his immediate unasked question: “what do you want from me?”. While gifts for Peak Lord Shen may pose less of an issue, as he’s able to quickly identify the motives from deference to bribery, gifts to Shen Jiu The Person may pose more of an issue, as the lack of a clear motive besides expressing affection leaves room for SJ’s mind to invent one. Honestly, SJ reacts similarly to most kindness— he himself is so rarely kind without a motive, so it’s hard for him to imagine that others might not be the same. (Any kindness Xiao Jiu showed his Qi-ge doesn’t count— SJ was only protecting what belonged to him 😤).

Because of this twisty brain maze he’s made for himself, SJ is far more comfortable taking something than receiving it. SJ learned as a child that he will be given nothing, and that taking things is necessary for survival, and he had no compunctions about it. Taking is an act of initiative and aggression: taking is winning. I actually think this is how he framed begging in his mind— by thinking of it as tricking people, he gets to feel like he’s won or stolen something, rather having to linger in the pity. 

Gifts, affection, and love can all be given this treatment. If SJ tricked YQY into loving him and must now cling to his rightfully earned possession, SJ needn’t address his own feelings. If YQY’s money is something SJ takes, he gets to feel like he’s taking advantage of YQY instead of having to feel like he’s reliant on YQY or like he's YQY's charity case.

SJ is a massive control freak, and he is always most comfortable in a relationship when he can tell himself he’s in control of the  dynamic, even if that makes the relationship appear unhealthy to an outside observer. Once YQY catches on to this, he would do absolutely everything he could to accommodate SJ (without SJ realizing he’s being accommodated ofc).

In short, YQY leaves his wallet on the nightstand, SJ takes or “steals” it and buys some overpriced designer good he doesn’t need, silently daring YQY to challenge him on it, and they both feel fulfilled by this. 

This is what peak performance looks like.

(Side note: there are a couple other ways to execute a findom for dynamic for qijiu! The main two I can think of are "Stupid Qi-ge’s money is so easy to steal: obviously I must steal it First, and use it Better, to Protect Him." and "Stupid Qi-ge is languishing/never takes care of himself. I must take his money and use it to force him to do self care." My tastes run angstier tho 😂)

[keferon]

I’m starved for some megop fics but I can never find ones I’m satisfied with. And you have a like a whole library of fics in your brain do you have any recommendations mayhaps?

Yes yes yes I do. Fair warning though - I don't like the way this fandom usually writes them. With Optimus being whining helpless little thing and Megatron being this brutal alpha male or something. I don't enjoy that. So the fics I have was mostly chosen by "anything but that⬆️" criteria.

First - parting storm clouds by cassette(Crescent_Blues)

This is my absolute number one MegOp fic. I haven't found anything better so far. It's short and I think unfinished but oh my god. I have never seen Orion Pax being so alive and..you know...allowed to be a person outside of his duty and reputation and popular fanons. It's 25k words

The second best I've found is Ethics and Employee Management: A Love Story by perictione (leclairage)

Imma be honest I mostly in love with the first half of this fic just because it has so many interesting thoughts and discussions and just in general. The way Optimus and Megatron are talking to each other is so fucking entertaining to read. Also this one is longer, 48k words.

And Gossip Session by Chocolate_Cheesecake

If you want something short and funny :)

5k words

[allastoredeer]

THAT MOMENT YOU REALIZE ALASTOR IS ACTUALLY WAY SCARIER THAN WE GIVE HIM CREDIT FOR

So, in the throes of doing world-building for my Hazbin fics and analyzing characters and how they fit into Pentagram's political system, I realized not only how powerful Alastor actually is, but how fucking scary.

Now, yes, in the grand scheme of things, Alastor is far from the most powerful person in Hell. Far from it. The Royal Family (Lucifer, Lilith, and Charlie), and the Goetia are way above the Overlords. Our twinky, angsty, galaxy bird, Stolas, could 100% body Alastor. I'm sorry, Al. I love you, babe. But in terms of the hierarchal system, you and the other Overlords aren't influential to the rest of Hell, at all.

But, it's an entirely different story if we stick exclusively to the Pride Ring.

I'm not trying to do a big, essay-length analysis, that's a lot of work and I'm tired, so I'll try to make it as brief as possible.

We know three crucial things: 1) sinners aren't allowed to leave the Pride Ring, 2) they've built a semi-functional society for themselves that is exclusive to their specific ring (with a political system that they've molded just for them), and 3) sinners can't kill other sinners.

So, what we have here is a big piece of land stuffed with people who can't leave it, in a society they've built specifically for themselves, with an amassing population that is constantly growing because they have no way of dying/or killing each other. (Honestly, it's like Heaven was setting them up for an Exterminations - THOUGH I'VE ACTUALLY COME UP WITH A COMPLETELY DIFFERENT, COMPLETELY FANON BASED THEORY/WORLD BUILDING IDEA ABOUT HOW HELL HAD KEPT THE POPULATION DENSISTY CONTROLLED FOR THE MILLENIA OF COLLECTING HUMAN SOULS, HOW THE POPLUATION STILL GOT TOO LARGE AND THUS RESULTED IN THE EXTERMINATIONS, AND HOW IT WAS ROSIE WHO HAD A HUGE HAND IN IT ALL.

Anyway, back on topic, so the Overlords essentially control this Ring. We know Stolas lives in the Pride Ring (judging by the red sky we see when he's at his house), so its possible more Goetia live there too (and imps, and succubi; the Pride Ring is known for being the most diverse of the Rings), but we haven't seen any evidence of the Goetia, or any of the other Hellborn, interact or influencE Pentragram City in a political way--outside of the Goetia being above the Overlords in the hierarchal system). I headcanon that they do have some involvement in Pentagram City, as they do live there, but for the most part, the Pride Ring is left completely to the sinners and how they run things.

Lillith got involved, obviously (but she's been missing for years in the beginning of the show), Lucifer hasn't been involved for who knows how long, and Charlie obviously doesn't have a lot of sway, nor did she have any previous influence given how she's treated by the very people she rules over. Her status is known, but there's no actual respect for her or her title as the literal Princess of Hell.

The royal family may the the strongest beings in all of the 7 Rings, but outside of Lillith, it seems they had very little involvement (in Charlie's case) or interest (in Lucifer's case) in ingratiating themselves into Pentagram City.

The entire Ring is being run by the Overlords. They cannot leave it. The Pride Ring is their domain. This is their new home. This is their world.

And in this world, the Overlords are the top dogs.

So, Alastor is powerful just in the sense that he is one of the Overlords. Like them, he is essentially one of the rulers of their personal, caged-off little world. He has power and political sway. He joined the other Overlords for Carmilla's meeting, where they were going to discuss the aftermath of the Extermination and what they can do about the loss in the population (and thus, their power, given that owning souls is how they get it).

It's implied that this isn't the first time they've had meetings like this, and if they get together to discuss the best ways to recover from the Exterminations and make up for their mutual losses (literally working together when they could've all just been rivals trying to undermine the others to get more souls), who knows what else they've discussed in their efforts to keep Pentagram City running (especially considering that the best way to maintain their power IS by maintaining the city, it's people, and keeping it from falling apart at the seams. Taking care of the city is in their best interests - I use "taking care of" very, very loosely, considering this is still Hell and it's hardly the gold standard of utopia's). They're essentially a Board of Leadership with mutually shared power.

The Overlords have all the power. All the sway. In their established world, THEY are at the top of the food chain.

BUT then, you take into account that sinners can't kill each other (a rule that extends even to the Overlords), and that's when things get interesting.

In episode 4, "Masquerade" Valentino told Angel that he's "killed people for less" during the scene in the dressing room. But, in episode 2, after Valentino had torn apart one of Velvette's models, she wasn't upset in the way an Overlord would be if they lost someone under contract, especially considering that owning souls is what gives them power (and I assume that they own the souls of most, if not all, of the people they employ). She said that she can't sit and wait for "that bitch to pull herself back together," so, yeah, the implication is that sinners can literally be torn apart (even by the Overlords, who are the strongest among them) but won't die is immense. No matter what you do, a sinner will reform, or heal, or whatever, but they will come back.

So, consider, that there is only one person who's been able to kill sinners, permanently, and that person is Alastor.

Not only that, he killed Overlords.

In a realm where death is impossible, Alastor had cheated the system. And as far as we know, he's the only one who's been able to do it.

The only person I can think of who has something similar is Carmilla, but that's because she'd integrated angelic steel into her apparel. (Though, there's something to be said about her selling angelic weapons to the masses, as she is a manufacturer and distributor of them not only in Pentagram city, but all of the 7 Rings, (as Stryker had gotten his hands on a "Carmine blessing tipped rifle" to kill off Stolas, who's a Goetia), thus, sinners killing other sinners can still be possible, but that's only if they get you're hands on a weapon with angelic steel, or they're wealthy enough to buy onr, and I imagine Carmilla doesn't sell those cheap.

But Alastor didn't use angelic steel. He found a way to tear souls apart, where otherwise they were only able to be owned. Considering how terrified Husk (who is one of the most calm and collected people in the Hazbin crew; who had once been an Overlord, himself) was when AIastor threatened to do they same to him, like, that goes to show just how serious it is. He was literally full-body shaking. Ears-pinned back. Flight-fight-or freeze. Pressing himself down into the carpet.

We've never seen him like that at any other time during the show, even during the Extermination when they were all about to die.

Alastor's threat had scared him more than literally getting killed my an army of Exorcist's.

And like, yeah???? I get it????

That shit has to be terrifying. Not only for those that Alastor threatens, but for every single sinner in Pentagram City.

This random guy cheated the system, killed without any outside means, and if he can topple Overlords (the strongest and most powerful of them) almost over night, there's no saying what he can do to regular sinners. (Or what they think he can do, I have more thoughts surrounding whether Alastor would be able to tear apart a soul that is owned by someone else, but this is already getting long).

And, presumably, the only reason he stopped is because he decided to.

Like???? Do you guys understand what I'm saying???? For someone to have that kind of power??? In a system where that power SHOULD NOT be possible??? A power that gives him this massive advantage over everyone else???? That no one else can do???? And the only reason he doesn't use it is because he decides not to????

It's no wonder Alastor was so feared. Why he still is feared (by those who know of him at least LOL he has been gone for 7 years). And, like, yeah we see him be all creepy and scary during the show. We see him use his magic and grow into his demon form, and he is intimidating in that right, but I think the true horror of his character comes from this ability to kill the unkillable in a system where it never should've been possible in the first place.

That's where the true terror of the Radio Demon lies. That's where the visceral fear comes from. And it's why he's someone you wouldn't want to mess with, even for the other Overlords (especially for the other Overlords).

Like, it makes sense why he has such a massive ego. Why he thinks he can take on anyone. It's because he has. He's powerful, even by Overlord standards, and he knows it. And it makes further sense why him now being on a leash is making him unravel at the seams.

Am I making sense??? Is this all just meaningless rambling to you guys??? Idk! Idk. It's just been tumbling through my head, and it made me realize just how scary Alastor is, especially from an outside perspective.

I have SO many headcanons T.T I've done so much world-building, and I am have so much fucking fun. I feel like a kid in a sandbox. My brain hasn't stopped buzzing since this show came out.

Anyway, I'm off to outline more wips and work on the fics I'm writing. Happy Hazbin-ing to the rest of you.

[lets-try-some-writing]

I have observed several types of fic writers, and so for kicks and giggles, here they all are. Each of them scares me for different reasons.

The Prepared And Ready To Publish™:

Several documents dedicated to worldbuilding, planning, cross referencing, character lists & traits, plot twists, and then the actual fic document.

Dedicated to the max to creating a rich world. Probably knows more about the niche thing than you ever will. 100% could have written a thesis and chose to do fic instead (or did both at the same time).

Created a masterpiece and promptly vanished off the face of creation before coming back in with another banger to crush souls and save fandoms.

Their arrival is akin to the birth of a new era because they never fail to somehow make a niche ship popular, make a headcanon fanon, or otherwise give so much depth and interest to a character or setting that whatever they have devised is largely accepted as gospel by their readers.

They either use a high end writing program or wordpad. There is no in-between.

Mysterious. Very mysterious. Reasons for this mysteriousness vary between fics and authors.

100000/10 would be friends with them if I could. Legendary writers. But also they scare me because ??? What void offered you such power ?????

The Baby Writer:

All vibes and loosely strung plots.

It may not make the most sense, but good gracious the dedication is there.

Notable lack of comprehension when it comes to characters and places, but it's bad form to not leave a kudo because it takes guts to post anything in fandom.

They are still figuring things out and their grammar or formatting (possibly both) is probably a mess, but they've put heart into their work.

Sweetest rays of sunshine who want to be involved and are eager to learn the ropes.

The fandom's young ward or despised new arrival (depends entirely on fandom popularity and age).

8/10 would happily offer advice to them. Just can't read their work for too long without wanting to throw it into grammarly. The fear factor comes in the form of the miraculous misuse of fandom terminology. (Yeah it's tough bud, the fanon is wild. But goodness that term/canon word does NOT mean what you think it does.)

The Smut For Your Soul:

Meticulously plans the smut with all the loving care of a sculptor.

Somehow plot got involved.

Miraculously, they managed to not include an iota of plot and it has somehow managed to work.

Headcanons abound and cuteness and or angst lurks merrily behind every corner.

The tags mean everything and nothing at the same time. They are but faint guides to the fae wilds ahead. Tread lightly.

Has a mountain of unfinished WIPs that will follow them to the grave or emerge ten years after conception to grace whatever fandom spawned the idea.

The fandom thanks them for their service, although often that praise is late or hits like a freight train.

???/10 I personally avoid smut but I have friends who write it so it really depends. Terrifying because you never know who falls into this role of writer. It could be anyone. Normalcy is a mask poorly adorned for the sake of conforming to The Great Machine.

The Angst Lord:

Has a million slightly different ways to hurt their blorbo. Each are somehow more horrifying than the next.

The embodiment of the iceburg videos seen all over the net. Ask one question and you shall unravel and scheme of torment so great you shall regret having dared to speak up.

Has dozens of WIPs or unwritten ideas that they claim they will return to.

They are controlled by passion and emotion and can and will insert their own complicated situation into a fic.

Almost nothing is off limits.

Arrives to the fandom ready to brawl and somehow ends up respected or feared. They often stare in bafflement as they end up unscathed and watch angry comments fly toward the arguably innocent shippers.

Generally some of the nicest people who happen to enjoy inflicting The Horrors upon someone fictional.

'10/10 would befriend and promptly regard like a wild racoon. Offerings of angsty ideas yield delightful commentary. But also I need to prepare myself for anything they say because O U C H my SOUL.

The General Writer:

Fluff, cuteness, possibly a delightful touch of angst and pure unbridled creative simplicity.

They may not have the most brutal or soul wrenching tale, but they always manage to write something that someone, somewhere, desperately needs.

Devastatingly underrated and deserves far more praise for their contributions to the fandom.

Produces some of the softest of scenes and the most touching of interactions between characters in a contained, careful crafted, tale.

Introducing new ships or family dynamics in such a tasteful manner that brain chemistry can easily be altered.

Arrives to the fandom as a lurker and shows their appreciation through their work. Oftentimes, they are very quiet and go unnoticed.

INFINITE/10 Love these writers, honestly a gift to fandom. The sheer level of dedication to producing fluff is astounding and scary all at once.

The OC X Canon:

Has so many ships and headcanons that it's astounding.

The lore development rivals IDW and Lost Light combined. All the kudos to them for putting their souls into their characters.

The dedication is mind boggling.

They put up with so much crap they could be in MMA Wrestling if the verbal assaults translated into physical strength.

Has so many adjustments to lore and whole AUs devoted specifically to creating a perfect world.

Skilled in the extreme (or not) at integrating their ocs into canon.

Arrives to the fandom not intending to make ocs. Leaves with seventeen leashes for their new abominable creations. Is loved or hated by literally everyone, sometimes for no reason.

6/10 perfectly lovely people but very niche in their interest and thus not everyone's cup of tea. Scary because that level of sheer willpower is meant for demi-gods.

There are more types of writers, but these feel like the big overarching ones. Which kind of writer are you? :D

[soulfullives]

marauders era unpopular opinions, once more

i really don’t like fanon regulus. i don’t like him being helpless and kind and a sirius variant. he’s morally grey, leaning towards morally dark, he’s selfish, he agreed to his parents’ and voldemort’s ideologies, having joined the death eaters most likely by his own will (unlike draco malfoy). but obviously, everyone is allowed to characterise characters the very way they want to

and while we’re on it, i don’t like evan and barty either, for the same reason. maybe i would, if they were realistically characterised (i LOVE reading morally grey or morally dark(er) characters), and once again, i believe that just because one likes a character, that doesn’t always mean that the character is a good person

and continuing on the same topic, the sunshine james potter, although being a topic that i like and delved deeper into myself, is nice, but i would also love to see more of arrogant, spoiled james potter, too

not liking severus snape and peter pettigrew but liking evan, barty and regulus is kind of hypocritical

i don’t like jegulus

i also don’t like the casanova, bad boy characterisation of remus, and the helpless, needy characterisation of sirius either. to me, they’re out of character, overly done and absolutely not enjoyable

and because i earlier mentioned severus snape, i think he’s an interesting character, actually. that doesn’t make him a good person (once again, i believe him to be morally grey, too) and i can’t call myself a lover of his, however i find his story and character very interesting and compelling

i don’t like a lot of the wolfstar dynamics in current fandom

“we need more content about the girls!” literally do it yourself. please. whenever i write content about the men, i get a wave of new followers, and whenever i post about the non-men, suddenly i have tebs of people unfollowing me. oh, and my posts about the men have twice or thrice the notes of the other ones

sirius > regulus

and speaking of which, sirius is such an interesting character, and he was reduced by many people to nothing, or whatever is relevant to the plot

james would pick sirius over regulus any time, with literally no hesitation

i don’t care about popular fics (read or don’t read, i generally don’t read popular fics to be honest), however i do care about the way creators, especially writers, are treated in this fandom. i made a few posts about this topic, feel free to ask me to link them to you, but the way some people feel entitled to fic and fandom content is horrible

“x is the female version of— !” please stop. i’m going to stop you right here.

stop tagging jegulus and wolfstar and other mlm ships with wlw and nmlnm tags, for god’s sake. you’re just clogging the tag, and if i came looking for a certain ship, that’s what i’m going to expect to find. besides, why would you tag jegulus with, say, pandalily, when jegulus is by far more popular?

jegulus < jily

[magpod-confessions]

I know sexism in fandom is a thing, but I mostly encounter a lot of very vocal love and positivity for female tma characters (not to say that's the case in all forums ofc). Which is good, obviously.

Basira, Georgie and Melanie are important characters, but they all come along later and honestly throughout a lot of Canon kinda feel like an anti-jon wall. If you happen to be a fan who doesn't vibe with that sentiment, its less appealing to engage with a big portion of the female characters. It's not wrong or right to find yourself empathising more with Georgie or Martin etc etc, none of thecharacters are all good or bad so it's personal how a listener is gonna feel. But to me it sort of unfortunately feels like, since the (majority of significant) women are kind of aligned in one group, youre more likely to either into all of them or none of them. I hope that makes sense? Like I'm very much not coming after anyone.

Also some other thoughts on sexism: sasha has less time, less backstory, and is less developed than say Tim. So she has less content. Someone saying "if you do an ao3 search for fics that include sasha but not Tim, there isn't many, so sexism!" doesnt make much sense to me. The workplace is the only context we have for sasha, and Tim is her coworker and friend. A fanfic featuring sasha but NOT Tim (or any other magnus staff!) would have to create a lot of backstory wholecloth, and not everyone wants to do that. I love her in fanon, but we gotta acknowledge it really mostly is fanon.

As for Helen vs Michael. Michael's backstory is more developed, he was played and manipulated, its pretty damn tragic. Helen is dope! But if you want that flavour of angst and tragedy, Michael has more to work with.

I think it comes down to the type of fan you are and what you prefer to engage with! I suspect jonny has tried to make this less of a factor in tmagp and is focusing on giving more background to female characters from the start. Not trying to insinuate anything shitty abt him either.

.

[chaoticfandomgirly]

The Stupidity of hating on fanon, featuring Jegulus.

Alright folks,

Welcome to another one of my rants because I found out that there are jegulus haters on tumblr. I have not encountered one but I saw it on my mutuals' page and I had some words (a lot of words) to say.

So let's get started...

One of the main complaints is saying that 'James would never fall for Regulus.' Umm...child, do you know what fanfic is? What fanon is? If not let me spell it out for you- it's made up. Something that is not canon and created by fans by employing their imaginations. We are not saying that James would fall for Regulus in canon at all, so please don't come barging in with your opinions. So yes, we don't really care about canon anyways.

Secondly, the argument of 'Regulus being a terrible person and pureblood supremacist' is really weak. Alright, he was a pureblood supremacist and was involved in terrible things. But do you know what else he was? He was just a 17 year old boy who grew up in an abusive household. A boy who had lost his big brother and had to learn survival at an age too young. He grew up before his time and was so traumatized that he always wanted to please his parents and do as they wish. Regulus was just another victim and he also was the one who ended up being the catalyst to Voldemort's defeat. As someone who studies psychology, viewing a person on the surface is the biggest sign of ignorance and it really shows. As for 'being terrible' then let's not forget that canon James wasn't all sunshine and rainbows either. He improved ofc, but he was still an asshole when he was young. Also, we really don't have enough background on canon Regulus to place him in one box. I love that some people want to believe him as good and fill in the blanks by writing something redeeming.

Then comes the 'it's a misogynistic ship'. Now, I won't argue it fully because I do think there are some people out there who don't like Jily bc they hate Lily. But, from what I've seen majority shippers ship both of them interchangeably or in a polyarmorous sense too. In fact, most jegulus shippers are also Marylily and pandalily shippers too. I really can't see anything misogynistic in it. I've actually read some great fics where Lily is a strong independent woman who is fierce and an overall queen.

And, if the 'canon' of it bothers you too much, then you should check out early Jegulus fics like Choices where nothing is sugar-coated. James still ends up with Lily. But in the end, it leaves you thinking and rooting for them anyways. The more new Jegulus fics are on a fluffier side but that fluff came in after bearing the pain of the full of angst fics like Choices.

Another thing should be noted is that these characters are also a big part of queer community. I've seen so many fans exploring themselves through these characters. Like Regulus as Trans is becoming a popular headcanon and it shows that through creative expression people are finding a safe place to explore. And if you're a bigot then...that is frankly a you problem. One I, or jegulus fans, don't want any part of.

In the end, my motive is not to convince you of shipping these two. It clearly started as a crackship, one even I stumbled upon accidentally. But the fandom has made it into something really beautiful and I think instead of spreading hate we should accept it. There are more problematic pairings to be concerned about, trust me. This one is the least of them all.

Thank you for listening to my rant. And if you have anything negative to say, kindly don't because it would just be proof of your own stupidness. There is no point you can argue about with anything substantial. Because in the end it's fanon. Let fans do what they want and if you don't like it then ignore. No one is forcing it on you.

@corwnvus I hope this covers it all. Also, I love your art. Did I mention that, already?