#and she comes along and scares him

[therabbitthatpostthings]

There’s something so right about finding a piece of media in which both leads are crazy.

[bluerosefox]

Protecting Family

Hmmm

I'm on a Danny is Dick's child kick rn so I'm making more.

But lets add in some Ghost King Danny!, Dad to a deaged Ellie and Dan! And toddler Mar'i Grayson.

Danny was conceived during Dick's amnesia year when he was Ric and the woman couldn't find him to tell him (or maybe the Owls caught wind of the pregnancy and took her) and he ended up somehow (hmmm maybe a meddling time keeper?) with the Fentons.

Danny grows as a Fenton, he knows he was adopted btw, then becomes Phantom, protects Amity, becomes the Ghost King and things seem to be going okay between Amity Parkers and the Infinite Realms since they took care of the GIW problem, AND has been a good doting teen dad to his deaged 'cousins/clones' turned kids.

Danny was going to go pick his kids up from daycare one day when CHAOS happens. Just as he wrangles Ellie onto his shoulders, cause she wants to be tall today, and about to take Dan's hand cause he's and I quote "A big boy and not a baby like Ellie, Dad!" he suddenly feels the tug of his family being in danger.

Thing is, its a blood related danger. Meaning someone blood related to him was in grave danger, and by the emotions he can feel, its someone young, way younger than him.

Problem.

The only people Danny knows with his blood in their veins and are young enough for the feeling are with him.

So who?

But due to Danny being a protector spirit AND knowing the feeling is from someone as young as his own kids, Danny decides to use his Ghost King Powers to summon said person from the danger to him.

Danny opens his free arms out just as a tiny toddler with black hair like his own but with bright green eyes, even the sclera were green, in a ruined party dress drops from the sky from the summoning circle that had opened above him.

Danny stares at the terrified child, whose hands are tied by rope and was crying, and takes notes of certain traits she had that he saw every time in the mirror or on his own kids, same eye shape and cheekbones. He can tell his ghost core has claimed her as family but not as his kid though.

No the connection that formed was almost like his connection with Jazz but a bit stronger.

This kid, was his sister. His blood related one.

-Meanwhile-

Dick Grayson, aka Nightwing, and his family were freaking the fuck out.

Dick was already panicked when his daughter Mar'i had gotten kidnapped just a few hours ago by the Joker.

Now he was feeling pure dread when his daughter, who was about to be killed, was suddenly pulled into a strange glowing circle at the last minute and disappeared into thin air.

[greenerteacups]

What do you think of jkr as a writer? I for one has always felt like she didn’t treat her female characters well. It felt strange, being critical of her when she was god queen of the earth, and also being 10

I think most of the problems in her books can be chalked up to genre hopping. Books 1-3 are perfectly good and serviceable children's books — great children's books, even! They have compelling, relatable characters and juicy mystery plots. They have problems, sure, but for the first three books someone's ever written — especially someone with little or no background in creative writing — they're really fucking good. So: there's her flowers.

The last four books pivot sharply into much more emotionally complicated and sociopolitically loaded territory, because they're describing a war. And it's hard to write children's books about war. I would venture you can't really do it, at least without dramatically misrepresenting what war is! And so Rowling makes the executive decision somewhere during the writing of Book 4 that she's not going to flinch away from that, she's going to go for dramatic realism, and she kills Cedric Diggory to let us know. People had died in Harry Potter before, of course — Quirrell gets sent to the fucking shadow realm, for example. But children haven't. (It also gives parents who are reading these books with their children a warning shot: shit is about to get significantly more real, think twice before you buy the next one of these for your 10-year-old.) After that, Rowling starts leaning much more into dramatic realism, and the fast-paced mystery-novel plotting of the first few books is replaced by a slow, simmering political conflict that unfurls over the course of about a million words.

The problem — besides the fact that she's picking one of the hardest things to write about, like, in all of literature, war is really insanely complicated and emotionally intense and hard to portray well — is that she's now trying to use characters, plot points, and technologies she developed for a children's series to enact a sprawling war drama among teenagers and adults. So Hermione, who was a reasonably precocious snobby eleven-year-old, becomes this sort of encyclopedic all-knowing savant of the wizarding world, who somehow remains functional and mostly even-headed despite her identity being the chief target of a prolifically murderous terrorist group. Draco Malfoy, a schoolyard bully whose primary tools included 1. namecalling and 2. telling teacher, JOINS said terrorist group (and admittedly does react reasonably, i.e., has a total crashout and takes to sobbing in a girls' bathroom whenever he gets a free minute). Dumbledore, who starts out as "whimsical friendly winky-wink trustworthy grandfather type", ends up being Magical Winston Churchill in a violent game of spycraft and espionage, eventually revealing he's only been keeping Harry at all these seven years because he wants to KILL him! And like, maybe really good technical writing could smooth out these transitions and make the first-order dramatic choices seem more natural, but Rowling is like, a Fine Writer, technically speaking. meaning she's reasonably consistent in characterization, her plotting is well-paced and believable, she has a clear authorial voice, and her prose is readable. personally, that's not enough to get me to buy into some of the changes that happen in the later books, and because she stuffs these things so full with new elements every installment, a lot of stuff ends up getting glossed over.

And like, I still love the books. I think they're wonderful, and they taught me how to read. but i can say that and also say that Rowling probably did herself a disservice by trying to write four giant war novels as sequels to her first three mystery children's books.

[oneluckydragon]

"Suddenly the world was gray and dull and my heart was so heavy I felt like I couldn’t move, let alone make it back to Treasure Town. But because of Echo’s last wish… I was able to keep living.”

--- --- --- --- ---

SORA : (Partner)

Abilities: Justified / Inner Focus

Nature: Gentle / Hardy

Moveset: Aura Sphere / Metal Claw / Poison Jab / Dragon Pulse

[weregonnabecoolbeans]

Soooo like what’s going on with señor scratchy?

Is he okay?

They just left him behind with no one to take care of him…

[imogenkol]

KINCADE PACK 🐺 (original works) — “The name goes back centuries, and all Miranda cares about is making sure it lasts for many more”

[template by @tommyarashikage]

tag list (ask to be added or removed!): @adelaidedrubman @florbelles @simonxriley @voidika @kyberinfinitygems @voidbuggg @inafieldofdaisies @statichvm @socially-awkward-skeleton @aceghosts @carlosoliveiraa @risingsh0t @unholymilf @thedeadthree @cassietrn @jackiesarch @a-treides @shellibisshe @loriane-elmuerto @katsigian @captastra @simplegenius042 @theelderhazelnut @g0dspeeed @leviiackrman @strangefable @jacobseed

[bacchuschucklefuck]

the never stop blowing up vhs is where cute twinks go to get harmed

[eikichi-supremacy]

hey so do you think wtv keiko had to deal with growing up with yusuke could be considered a type of parentification

[charlie-pippin-faraday]

If House of Anubis had taken place like ~5 years later than it actually did I just KNOW that Joy and Amber would've been SUPER into K-pop and they would've argued viciously about who they stan and bias all the time, possibly descending the house into an all-out war at some point

[greasydumbfuck]

rotating stardew frank in my brain

[biillys]

yo merry christmas i'm thinking about christmas at the hargrove-mayfield's house throughout the years

wanna think about their first christmas together as a family, maybe before neil and susan even got married, or maybe just after. wanna think about what susan got billy for that first december 25th that they knew each other and what neil bought for max. did neil just pass that duty off to susan and stick his name on the from: section of the gift tag or did he put effort in and actually go to the shops and try and find something, specifically for his new step-daughter.

wanna think about the following few christmas' in california where billy never heard from his mom, never even got a fucking christmas card, but max heard from her dad; spending the time between christmas breakfast and christmas lunch on the phone, thanking him for the present he sent in the mail. wanna think about susan listening in, hearing her ex sounding distant and barely focused, agreeing with everything their daughter says, and biting her tongue; half relieved max hasn't picked up on the fact that sam's handwriting and her own is exactly the same, and half mad that sam's willing to take the credit without even blinking.

wanna think about their last christmas in california where they don't even realise it's their last one there; billy hitting his stride in being the worlds moodiest and most hard done by teenager, max following quick in his footsteps. wanna think about how all the gifts hand-picked by susan would be too lame and embarrassing to be thankful for, both kids screwing their nose up at most presents. maybe billy and max exchanging small gifts that christmas becos they haven't been at each others throats all year, only some, and susan thought it would be nice.

wanna think about their first christmas in hawkins, with things still so messy and uncomfortable and rough, but somehow settling into it like it's their new normal. wanna think about it being cold as fuck, none of them prepared for hawkins winters, and everyone walking on eggshells around each other and pretending it's fine. wanna think about max growing up and officially moving into her teenage years and billy counting down the days until he leaves them, adulthood so close yet still so fucking far. wanna think about them all sitting down for christmas dinner and billy barely being acknowledged, things still so tense even though it's been almost two months since everything went to shit, and max forcing out answers every time susan tries to keep the conversation flowing, her doing her best to carry the christmas spirit.

wanna think about a world where there's no living nightmares, no government conspiracies, and no death, but billy still spirals out of control anyway, feeling trapped and cornered in an unfamiliar town with unfamiliar people, his only solution to lash out and fight, anger and violence and distrust being all he knows. wanna think about max coming to the realisation that there's bigger monsters than her asshole step-brother, that maybe billy isn't the start of everyone's problems, just always somehow the end of them. want her to trace the line back to the source and realise neither of them ever stood a fucking chance.

wanna think about a christmas where billy's eighteen and max is fifteen, and they still live on cherry lane, and neil still fucking sucks, and susan still fucking tries, and everything's still awkward, the four of them never quite becoming the family unit their parents try to pretend them to be, but maybe billy and max get along these days, in a way they never could when they were younger, them going from being against each other to realising it's team up or be picked apart.

max gives him a present she saved up for for months, maybe as they're all going to bed, and billy raises an eyebrow at her before sighing and unwrapping it, still too fucking stubborn to be able to say thank you, but somehow brave enough to reach a hand into his room and grab out a present he got for her, and it's unwrapped cos he hasn't wrapped a present since his mom left, so max does her little sister duty and tells him she loves the wrapping and effort he put into it, before actually looking at what he got her, and he walks into his room and closes the door before she can even acknowledge it for the gift it is.

wanna think about billy eventually moving out, but not making it far; too fucking broke to live out his dreams of going home. wanna think about neil clapping him on the back on moving day and telling him he's done good, that this is what growing up is. graduating school, getting a job, moving out, providing for yourself. that's what makes a man. that it was rough there for a while, and he was worried, but he's glad to see his son's shaped up and straightened out finally, thanks to his solid parenting. wanna think about billy having no idea how to react, thinking that's the closest he'll ever get to his dad saying he's proud of him. wanna think about max helping him move and helping him chose a couch, claiming it has to be comfortable enough to sleep on when she crashes there on school breaks. want billy to tell her to get fucked, but buy the couch she picked out anyway.

wanna think about his first christmas out of home, and how how he probably feels indifferent about it at best, and pain about it at worst. christmas was never like the movies growing up, no matter how much susan tried, so it's not like being alone and having no decorations or presents is going to hurt, but he has enough memories of his mum, and a few moments over the years from when max and susan tried, and there's such a build up and fucking atmosphere about it all in hawkins that he can't escape it even if he tried, and he's starting to realise maybe he's really fucking lonely.

wanna think about neil calling him up and billy answering, cos now that they don't live in the same house and billy's finally taking responsibility for his own life, neil's like a whole new person. he wants to do father-son shit like talk about cars, offer advice about fixing the kitchen sink, tell him when to hire someone to fix something and when you should be able to fix something yourself, wants to watch sports games and crack open a beer on a saturday afternoon, and billy makes up reasons to say no most of the time, but sometimes he caves and says yes, cos there's a small part of him that's always wanted this. wanna think about neil calling and asking billy when he's coming over for christmas, saying that susan's cooking his favourite. wanna think about billy not even knowing what his favourite is, but saying he'll be at breakfast by 7:30am before he can stop himself.

wanna think about billy staying 'til afternoon and max raising an eyebrow at him, muttering don't you have a home to go to? while they clean up after lunch, but then neil offers him a beer, so he ignores her, and listens when his dad says he's welcome to stay for dinner, too. wanna think about billy and max smoking a joint out the back while their parents end the day with a christmas movie, and max turns to him and asks him what neil's deal is these days, and billy shrugs her off, too stubborn to look at it all too closely.

wanna think about billy pulling some money out of his wallet cos he has some now, and he didn't have time to get a present, too busy working overtime, but he has cash, so that'll do. wanna think about max handing him a new zippo, then somehow unearthing a whole-ass wrapped present, and when he opens it, it's a set of cheap fake glass cups, becos billy doesn't have any yet and every time she comes over she has to drink something either directly from the bottle in the fridge or remember her own drink bottle, and it's a housewarming gift, asshole, and this isn't my house, billy thinks, this isn't my fucking home, but it's also all he's got, so he finds a place for them in the cupboard above the sink, and max hunts them down the next time she's over first thing.

wanna think about christmas' in their future, when max moves out, when they're in their 20's and 30's, maybe billy keeps coming home, finding an uneasy peace with his dad reserved for special occasions only, the only few times of the year he's willing to lie to himself and pretend things were never as bad as his memories made them out to be, or maybe everything eventually crumbles, and billy finally gets to put some real distance between them, and finally then, he can breathe and stop pretending.

maybe max continues going, her seeing her mom try and so she puts in the effort to try as well, and maybe that works for a while, maybe even a lifetime, but maybe it doesn't, and by the time both her and billy are closer to 30 than 20, the only family they see on christmas is each other, and billy never wraps her presents, and max only gets him practical things, and they drink and bitch most of the time, but it's so much easier to exist in each others space when they don't have to act and pretend and play parts.

[ectonurites]

SUPER DARK TIMES (2017) DIR. KEVIN PHILLIPS

[orcelito]

My druid has "fuckboy" written all over her

[vvitchering]

Whether Bo dies or dips or otherwise becomes unable to continue to lead for whatever reason next week, I think a great theme to explore would be Din being accepted by the Mandalorians as a leader WITHOUT the darksaber. The vibes I’ve been vibing with are that the real power comes from the ability to acquire the sword, not the resulting ownership. It’s like, sword in the stone. It’s more about your ability to yank the damn thing out than it is about then just having a really cool sword.

Din has the potential to be a great leader because he has the qualities a great leader needs. Bo is the leader because she has the really cool sword.

[deepdonutkid]

do you ever think about self-conscious Peeta Mellark? 💔

[kendallroygf]

the dykery in the haunting of hill house book was so crazy and then in the 1963 movie they were like. why don’t we imply a budding romance between eleanor and this boring fucking man!!!