#and she 100% Would use it for evil if the doctor is having conversations she doesnt like
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rearranging-deck-chairs · 8 months ago
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i love the combative way yaz asks questions after s12. i dont think she does it so much in s12 but from halloween apocalypse on (im thinking of "so you know them, these sea devils?" or "yeah, what does quantum extraction mean?" rn but im sure there are more) her questions always feel half challenge half like shes already gearing up for a fight
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soft-for-them · 2 years ago
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Dead dial - Leon Kennedy x plus size reader
Summary: You're a nursing student who lives in Raccoon City who frequently talks to an old friend, Leon Kennedy, over the phone. Just as he's about to move to the same city as you the living dead start to roam the streets. (There is some descriptions of zombie related gore.)
Comments and reblogs are much appreciated and help more people read my works.
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A/N: Replaying Resident Evil games. Might not be 100% canon, I'm not really into the RE law. Also this will get a part two if people like it enough. Not proof read because I'm tired.
“You know this probably is a bad idea, Leon.”
Balancing the phone receiver between your ear and shoulder you try not to pull in the old spiral cord too much, the old in phone wall in your outdated flat is probably as old as you.
Standing in your small kitchen, the kitchen island digging into your soft flesh as your lean into it so the phone cord does not snap, you look out the old creaky wooden window past the fire escape to the dim yellow bulb street lights and rain soaked grey buildings.
Sirens loud and ear piercing can be heard, followed by the flashing of the obnoxious red and blue lights of multiple cop cars. You’ve never really trusted the police in this city, funny considering the man on the end of the phone is about to become one.
“(Y/n).” Leon says with an exhausted sigh. You can imagine his rubbing his hand through his hair whilst saying it.
“There’s something going on here-“ you step closer to the widow the phone line going straight as you look outside like an nosey old person would, “-the hospitals have been so hectic lately.”
You should know, you’re a second year nursing student, it’s the whole reason you moved to Raccoon city in the first place. (It certainly wasn’t the damp filled flats and lovely raining weather that brought you here.)
For school you work partly in the city’s hospital and for weeks now the ER has been flooded with people, you don’t know why, but many either have been sent home or have suddenly died. There’s even a rumour that patients have been taken as test subjects by Doctor Bard, though you’ve been too busy dealing with the rise of ‘cannibals’ to even care. All the nursing students have been worried, hell everyone working at the hospital has been worried, but the city’s government and press have been keeping the rising casualties hush hush.
“I know…” Leon begins his words long and worried, “Was it bad today?”
He knows your answer regardless, for the last month you conversations on the phone have been less about happy things such as seeing a fluffy dog on a walk or eating a tasty pastry and more on just about how you feel like you’re an overworked underpaid nurse already with how much you’ve been helping at the hospital whilst also studying and working a part time job.
“They say us going to the hospital is for educational purposes, at first it was but now we just go to be extra hands. They need it. I saw a doctor collapse today she was so over worked… and well at least all this overtime is going towards my grade.”
“(Y/n).” Leon echoes your name so quietly to stop you from rambling, he has known you long enough to know when your anxious rambling begin.
“Haha-“ you nervously chuckle as more sirens blare on, this time from ambulances rushing down the narrow roads lined with parked cars and thin pavements, “-I’m going to get an A with all the work I’m doing.”
“(Y/n).” his voice is louder and filled with concern.
“I hand to hold man down today whilst he screamed… he was screaming Leon-“ tears start to bubble up in your tired eyes, them threatening to drip down your face like the rain drop on your windowsill, “-I- I-“
“(Y/n)… listen to me, ok.”
“I’m listening.” You sniff as you lean back on the kitchen counter.
“You’re ok, Sundays almost here and then you can have day off, I can call if you like.”
Leon hopes you will for his relationship isn’t going well and ever since you moved away he hasn’t had a proper friend to talk to about such mundane and normal things. He likes hearing your voice even if lately you’ve been sounding worn out and a bit sad.
“I- I have work Saturday and I’ll sleep through Sunday, I- well- I don’t want to miss a call, but it’s hardly a day off Leon.”
“Ring in sick, go to that café you want to go to- what is it call- Lauren’s?”
“Lorenzo’s coffee and cake.”
“Yeah, that. You said they have a cream cake and imported coffee beans.” He remembers you talking about it on a past phone call, “Or you said that you wanted to go to that pop up art exhibit-“
“- The classics one –“
“-Yes, you said there is a Van Gogh there.”
He recalls you staying that a private collector was exciting their art collection which just so happened to have a Van Gogh sketch in it. You were so excited when you told he almost asked you to go with him to it, totally forgetting you now live in to different places and not in the same apartment complex like you did before.
“I ends Friday.” You glumly say.
“Then call in sick Friday and Saturday.”
Surly your boss would believe you more if you’d come down with say a cold on the Friday rather than suddenly getting on the Saturday, that’s what Leon thinks as he says the idea to you.
“I guess it does make it more believable to but-“
“-but?”
“…I don’t want to let anyone down Leon. This city is going to shit and I don’t want to be the asshole who fucks everything up because I don’t turn up to work or class…”
“You work in a supermarket.” His voice is filled with a fun confusion, like he’s amused and shocked at your words, as he ponders how not turning up at your cashier job will affect the city.
“So? Three shops have already closed down this month, the customers have doubled because people have to eat and- and-“
“(Y/N), you’re overthinking again. They can handle a day without you.”
“They can?”
“I can’t handle a missed phone call from you, think about it. A day off and a long phone call with me or no day off and a missed phone call because you’re too exhausted to wake up?”
“You know I’d take the phone call regardless.”
“Take the days off and call me tomorrow, it’s getting late and we both need some rest.”
It’s your cue to say goodbye, which is already drawn out and filled with cheesy jokes from Leon that make you laugh. You always did say that going to bed on a happy note makes the next day a better experience and Leon remembers it, so he always tries to cheer you up before either one of you hangs up.
“Night Leon.”
“Goodnight (Y/n).”
“Don’t let the bed bugs bite.”
You didn’t take the days off but you did stay up late long enough to speak to Leon. He was having girlfriend troubles and you talked to the sun came up.
You were on your way to a lecture but a mass email was sent out telling everyone to stay home, or arrive at the hospital to help out, you chose the former opting rather to go home and go back to sleep.
Maybe you’ll go to the hospital to help out later on.
Apparently half of the students were already at the university when the email was sent out and apparently a lot of teachers were too. Many people have been sending messages through the many university group chats and message boards to stay away from the school. On person said that the city was going t be evacuated.
The sirens have been going off for days now, public transport has been limited that morning for some odd reason, you had waited at you bus stop for a half hour before getting a text from a friend telling you about the email and walking back home.
Even now you hurry as if someone is following you.
It feels like for the last week the city has become smaller and smaller, like a video game with a map yet to unlock. More and more people have become ill and it seems the Umbrella Corporation is being shoved in your face, their advertisements playing every commercial break along with warnings to stay inside unless you need to go out to work, school, the shops or hospital.
You have no clue what’s going on but you’re glad Leon is starting work here, even if he’s a cop.
You hope that Leon will get to the city quickly. You see, it all started with a call from him last night of him crying and saying his girlfriend dumped him and ever since that call it has seemed to get worse for you both. No longer was he going to have that nice shared flat with her in Raccoon city and from what you heard he was drunk, whilst you were up all night the sound of sirens and screams keeping you up.
Last night you stayed up with him until he fell asleep and even then you couldn’t sleep. Even this morning, you were worried sick about him driving down to Raccoon hungover, so you left him a voice message.
“Hey, Leon. I’m just about to head out to class, but um just know I’m here for you if you need me, oh and drink some water and take some paracetamol... Yeah, anyway I was thinking that well if you want to you could crash here if that apartment situation is still – you know- fuck, it’s too early to think and talk coherently… Um, yeah, the offer’s there if you want, you know where the spare key is hidden, speak to you soon. Take care Leon. Bye.”
And even now as you rush home avoiding everyone out on the streets, which is odd because there hardy seems to be anyone at all, well apart from some people asleep on benches like they were drunk and apartment buildings filled with shouts of people angry and annoyed (which you don’t realise is the sounds of zombies roaming around.)
You hurry up your pace to avoid a crowded looking street that looks to have a car crash and an onslaught of on lookers on it. You don’t take one look at the reanimated corpse who stumbles out the car and bites an onlooker, you just carry on rushing back to your flat, a bad feeling taking over you.
Passing burning buildings not yet entirely engulfed in flames but getting there and all the cars normally parked on the sides of the road gone from their owners trying to escape the city you finally get your apartment complex, the big double doors barricaded shut, a cabinet pushed against the fragile glass.
You wonder up to the door to see if someone is near the metal letterboxes or if the janitor’s closet is open with the janitor taking a break. Leaning your head on the glass you look around but no one is there to help you get inside.
“Hel-“ you begin to speak, your hands clutching the straps to your backpack but you stop yourself, the odd feeling of dread making your stomach do back flips.
Stepping backwards you hear a blood curdling scream.
You whip around to see a woman coved in blood crying and crawling out of the spinning doors of the fancier apartment complex just a bit down the street, her voice screaming a croaky ‘help’ to no one in particular.
“Don’t be a coward (y/n), you’re a nursing student, go help her!” the voice in your mind urges you.
Freezing still in front of the barricaded glass doors you look on to the speck that is the screaming woman, your hands clutching at you backpack straps so much that that the plastic fabric irritates your skin.
White doctor daps step backwards and not forwards, the tarmac scuffing your shoes.
You’re too scared to help the woman.
A loud moan like growl reverberates the ground, you look to your left at the glass doors to see a person, no, a dead man walking. He tries to walk to the door the furniture blocking the door making him slump over, only his hands touch the brittle glass.
The noise of gargling blood, the sight of his glassy dead eyes, the absence of a left arm, it makes you panic. You desperately look around for anything, anyone, any opening to escape all the while the dead get closer and closer.
Finally you spot the side alley, well it’s technically a whole road that leads to another street but with all the rubbish and filth only police cars and rubbish trucks drive down it. Apparently your block of flats used to look over a nice patch of grass that was a park but a couple years before you moved in they had built more buildings grey and dull blocking out the sun light.
Passed the rubbish bins you see the fire escape, the same fire escape that leads up to your window.
You look one more look at the dead man banging his head on the cracking glass, then one more look at the now quiet woman slumped on the ground, back to one look at the dark alleyway, you know what you have to do.
You bolt.
Dodging black bags of gooey trash and a hoard of skittering rats you clamber up the frail rusted frame of the fire escape. You take two steps at a time up the stairs each step rattling and swaying the old structure. You do not look back as trampled footsteps echo out in the street nor do you dare look into the passing windows, some covered in bloodied handprints.
Soon enough you get to your window, your flat on the fifth floor a welcomed sight to see.
The old wooden windows are slowly rotting away and the locks are permanently broken. You’re thankful that you hadn’t bothered locking the make do lock you drilled and secured in the window, the blocky hinged lock looking locked deterring any burglars from coming in.
Leon had said that he’d happily fix the window for you when he was settled in the city but considering what is happening you don’t care all that much for the lock, only that your friend is ok.
With a couple of rattles and a whole load of upper arm strength you slide the window up. There is just about enough space to fit in, though you’re going to have to suck in your tummy to do so and you’re going to have to shove your backpack in first.
You do just that, the backpack falling off the counter onto the floor with a thud, then you squeeze yourself through, your hips hurting as you force yourself in, your ass landing on the draining board next to the sink.
“Fuck.” You mutter as you bang your body on the hard surface, your feet hitting the ground as you push off the counter.
As soon as you are stable you lock the window the fastest you’ve ever done, closing the blinds along with it, doing that partly so no one can see you inside but also partly so you don’t have to see the outside world.
You’re finally home but you’re scared as hell.
Automatically you go to your rotary phone hanging on the wall.
You pick up the receiver, your fingers automatically dialling Leon’s home phone.
There is no ringing or waiting sound.
The phone line is dead.
A/N: If you want a part two please send in an ask rather than commenting for another part, this is just because asks are an easier way for me to track requests. Comments are still welcomed and requests are open!
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yeeyee-alumni · 4 years ago
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Joel did not doom humanity (no matter how much the second game wants you to believe that)
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To demonize Joel’s decision at the end of the first game (saving his surrogate daughter’s life) you need to bend over backwards and ignore any and all context the first game gave us with regards to who the Fireflies truly are. Because the truth of the matter is: a) they knocked Joel unconscious while he was trying to revive a young girl b) they drugged Ellie immediately to tear her body apart for their needs c) THEY DID NOT ASK ELLIE FOR PERMISSION to give her life for their cause, they didn’t even tell her she would have to die (Ellie was making plans with Joel after the giraffe scene, “Once we're done, we'll go wherever you want. Okay?”, clearly indicating she had no idea she would have to die) d) they did not let Ellie and Joel see each other to say their goodbyes e) they were about to walk Joel out into the wilderness without any of his gear/resources, which during the zombie apocalypse is a certain death sentence f) they didn’t hold up their end of the bargain (remember how Marlene promised Joel guns in return for delivering Ellie?) So even if you show them as much goodwill as possible, the Fireflies are still a bunch of assholes. If the exact opposite had happened, they let Joel go all on good terms and then he suddenly decided to turn around and murder everyone I would have called him a terrible person, but that is not what happened. As it stands, the Fireflies are shady and questionable at best. But it actually gets worse:
a) the procedure that would 100% kill Ellie had an incredibly low success rate (the doctor mentioned in his recording that every previous operation with other test subjects had failed) b) the same recording mentions cerebrospinal fluid having been extracted, meaning they were capable of performing a non-lethal spinal tab, but they’re unable to perform a non-lethal biopsy or craniotomy on Ellie? (this may seem like nit-picking, but actually further solidifies my point about how incompetent the Fireflies/Abby’s dad were/was) c) to add to their immense incompetence, mere hours after receiving Ellie they decide to IMMEDIATELY KILL THE ONLY PERSON KNOWN TO BE IMMUNE as oppose to keeping her alive for as long as possible to run every single test in existence on her. But let's paint a picture of the best case scenario, which is Jerry, the absolute legend that he is, actually manages to get a vaccine out of Ellie, what happens then? a) How are the Fireflies, who are nearly extinct at this point, supposed to MASS PRODUCE and NATIONWIDE DISTRIBUTE a vaccine? That is logistically impossible. b) More than likely, they would use the vaccine as a bargaining chip against FEDRA (granted, this is more a guess than a fact, but to believe they wouldn’t take advantage of the vaccine in the fight for political power against the government they’ve been fighting for years is beyond naïve). But let’s be even more generous: turns out the Fireflies are the most altruistic resistance group to have ever existed, they actually manage to produce and distribute the vaccine into every last corner of the country, everyone is immune. What now? a) You might be immune to spores and bites, but your immunity doesn’t help you when a clicker rips your throat out or a bloater crushes you to death, the infected can still kill you in numerous other ways. b) The faction wars going on are not gonna disappear overnight. WLF and Seraphites will continue to kill each other by the dozens every day, one could even argue that introducing a vaccine into the conflict would only cause things to escalate further. c) Numerous cannibals, hunters and bandits still roam the country, they will not abandon their practices overnight and they are arguably a much bigger threat than the infected to begin with. Just because everyone is immune does not mean that the world returns to sunshine, rainbows, and flowers. To imply that it would, means being simplistic and naive beyond reason. It should be obvious by now that Ellie’s death WOULD NOT HAVE IMPROVED ANYTHING. The chances of actually getting a vaccine are slim to none, the chances of vaccinating everyone are even more dour, and even then the overall situation would not improve much. With such bad prospects I wouldn't be willing to sacrifice my child either. (I am aware that an argument can be made that none of these factors had an impact on Joel’s decision to save Ellie, yet they’re still crucial when making a judgement about the Fireflies/Abby’s dad). To summarize: a) Abby’s dad was incompetent and a horrible person (his conversation with Abby in the second game tells us that he would not be willing to sacrifice his own child, but if it’s someone else’s it’s a-okay for him). b) The Fireflies were a malicious and incompetent terrorist group with messed up morals. c) No, Joel did not doom humanity. Subsequently, Abby’s quest for revenge was not justified because the Fireflies and her dad were never justified in their actions to begin with. And this is only solidified by the second game having to retcon the hell out of all these arguments I just painstakingly illustrated and explained in order to even attempt to have Abby’s motivation be seen as justified. Only one example being how it was clearly established in the first game that they had MULTIPLE doctors in Salt Lake City (Marlene: “The doctors tell me that the cordyceps, the growth inside her, has somehow mutated.”; Ellie: “She said that they have their own little quarantine zone. With doctors there still trying to find a cure.”). Yet in the second game we are told by
Abby that actually no, turns out her dad was the only doctor that could have developed vaccine. And it doesn't take mental gymnastics to see why the second game takes it upon itself to alter most of the context of the first one: to (retroactively!) condemn Joel. HOWEVER, a sequel doesn’t get to pick and choose which established facts from the first entry it builds upon or what it gets to retroactively declare as non-canon only to have it fit their preferred narrative. Quite frankly, that’s bad writing. A sequel, in order to be considered well-written, has to not only be a natural continuation of the events, but has to stay consistent with the characters and the world that were previously set up. And if you have to alter much of the context to make it look like Joel condemned the world, isn't that the most obvious sign that he never actually did? And all of this effort for just one goal: to justify Abby’s quest for revenge and yet it still wasn’t and here’s why: Joel killed her dad in order to PREVENT HIM FROM KILLING HIS DAUGHTER. Abby on the other hand WILFULLY SLOW TORTURED Joel for what appears to be hours, prolonging his death for as long as possible, all for her own gratification (and we won't mention how she went through with it despite Ellie's crying and pleading). And don’t even try to make the argument about Abby wanting “justice”, Joel didn’t torture her dad out of revenge or for his own gratification - this is not justice, this is simply sadistic. A man killing someone who is about to murder their child in semi-self-defense cannot be compared to someone wilfully slow torturing someone to death for their own gratification, like Jesus, I didn’t think I’d have to spell that one out. I am aware that the second game tries to do whatever it can, including retconning their own original story, to paint Ellie and (especially!) Joel as evil. And for a considerable amount of the player base this actually worked, and while I cannot find it in me to condemn them (we all experience stories differently after all), I reserve the right to reject arguments in defense of Abby such as “all people are forced to do bad things during the apocalypse” and “does context even matter?”. If the only way you can defend/justify Abby's actions is to remove all context and nuance, then your reasoning is built on quicksand.
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canary3d-obsessed · 4 years ago
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Restless Rewatch: The Untamed Episode 17 second part
(Masterpost) (Previous Post) (Pinboard)
Warning: Spoilers for All 50 Episodes!!
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Breaking Good
Wen Qing comes to visit Wen Ning in their backyard meth lab, and tells him that he fucked up a recipe, merely by taking a whiff of the concoction. She uses the approved "wave fumes toward self" way of smelling that you learn in high school science if you live in a country that believes in teaching science, which OP does not.
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Wen Ning wants to know if they are going to have a feud, and she tells him there already is one. She tells explains to him that they're good Wens, not evil Wens, and that Jiang Cheng is fucked, and they should send the Jiangs away in the morning before Wen Chao comes around. 
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Wen Ning whines at her about all of this, shifting into little-brother persona and acting like he didn't just take down 40 of Wen Chao's soldiers in a single night. He does this same persona shifting in his later unlife, with Wei Wuxian. When there is trouble, he's extremely effective, and can even tail WWX and Lan Wangji without getting caught, but then he is hopeless when dealing with turnips or children. 
Here, it seems like a version of Wei Wuxian's own little-brother persona, in which he pretends to be helpless so that his sister can take care of him.
#studyblr
Wei Wuxian comes into Wen Qing's head shop to ask her for medical books. He loves his brother so much he's volunteering for a research project. We've seen him be clever before; we've seen circumstantial evidence that he's a good student, but now we're going to see him actually buckling down and doing intellectual work.
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Wen Qing thinks its hopeless and wants Wei Wuxian to get some rest. But he gives her puppydog eyes, so she sets him up in her library.
Wei Wuxian reads a huge pile of medical books and learns interesting things about the human body.   
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(more after the cut)
Hopefully he does not splotch ink all over them while he holds this wet brush directly over the page. Why does he even have a brush in his hand? Is he taking notes in the margin? 
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Wen Qing eventually tells him to take a break and go see Jiang Yanli.
Segmentation fault (core dumped)
Jiang Yanli is tending to Jiang Cheng, gently telling him to suck it up by citing their father, which is probably not the greatest idea. 
Yanli's wearing dark blue with white and looks awesome.  It's not Gusu Lan blue, but the blue and white is an interesting choice for the excruciating heart to heart they're about to have.  
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Wei Wuxian shows up looking terrible, or the Xiao Zhan version of terrible, i.e. handsome and a little scruffy. But also worn out, unhappy, and fragile.
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Jiang Yanli wants him to rest, but he wants to find a way to repair Jiang Cheng's core, and his mind races, trying to think of where he can get books and who can help him. His thoughts instantly go to Cloud Recesses and Lan Wangji. His face lights up at the thought that Lan Wangji will help him, and he hops up, ready to dash off and find him.
The first time I watched this I was like, dude yes you’re in love, but you can’t just dash off to find Lan Wangji, not when there’s a war on.  This time I was like, actually wow things would turn out a whole lot better if you got Lan Wangji to help you, instead of coming up with your own plan.
Mother Mother Can You Tell Me
Jiang Yanli tells him to slow his roll.  He's pushing himself too hard and she's afraid he will collapse. Then Wei Wuxian comes out and says what's driving him: maybe all these disasters are his fault.
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It's telling, I think, that he cites Madame Yu, not Jiang Cheng, in this moment, even though Jiang Cheng has blamed him much more thoroughly and consistently. He's talking about one mother figure, to another mother figure, and looking for absolution.
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He super does not get what he's looking for.
Jiang Yanli slowly lets go of him and goes the fuck off. She asks, rhetorically, what he's to blame for, and then lists off all of the shit that's happened.  She finishes up by saying, look at our situation; blaming won't help anything. 
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It's unclear, because language/translation, if her answer is "it doesn't matter who's to blame" I.E. "yes, it's your fault, but I'm letting it go" or if she is saying "how does blaming yourself help anything?" I.E. "it's not your fault, stop being a drama llama."
Her body language, though, seems pretty blameful - she lets go of him, yells at him, sits down and turns away from him.  And his reaction is not one of shared grief, or of someone who is trying to get over himself; he's totally crushed, and he literally never unburdens himself to her again.  Even when he asks her, much later, about love, he immediately backs out of the conversation. 
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There is no violence in this moment and her reaction is understandable, but this is kind of similar to that one time when his brother choked him in a beautiful field of grass, in order to make himself feel better. 
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Then she kind of relents and takes his hand, telling him that she needs him and reminding him that he promised that they will go back to Lotus Pier. I don't remember him promising this, but okay. 
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He puts his head on her lap and he cries, she cries, comatose Jiang Cheng cries; FUCK this episode.  
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Jiang Cheng manages to cry only one tear and does it on the side of his face that his siblings can't see because he's not going to give them the satisfaction of sharing this moment with him, I guess.
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When Wei Wuxian puts his head on Jiang Yanli's lap, it's part of a ritual for them, that they both are comforted by; he does it again much later, after they return to Lotus Pier. But this ritual does not actually do anything to relieve his burdens. As a male adult, and the only Jiang Clan disciple with any abilities, it falls to him to save the clan, whatever it takes, and he is heavily aware of it.
Wen Qing comes along and sees the sweet part of this complicated Shijie-Shidi dynamic, and decides to help with Wei Wuxian's research project. When the trio had just lost their parents, gotten sick, been pursued by enemies, & had one of Yanli's little brothers horribly wounded, Wen Qing was like, eh, I'll do the doctor stuff but that's it. But lap-crying is another level. 
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Wen Qing: Nooo don't put your head on her knees I failed my saving throw
Group Project
Wen Qing goes and cleans up the mess in the library, putting everything in order and settling in to read systematically. Wen Qing probably has the prettiest bullet journal. (OP looks proudly at the 100 loose slips of paper and piles of random stuff on her own desk)
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Wei Wuxian has shaved and rested and comes in with a tray of food for Wen Qing, and then goes to his table in the back to start working. He claims he made "porridge" for her and that she has to eat to gain strength, and she gives him an intrigued expression.  This moment is just blatant het baiting.  
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In fact the food he brings her is clearly not porridge, which might just be a translation error, but also he totally can't cook, so it's not clear if he's joking and Yanli or Wen Ning made the food, or if this is just inedible.
The Things We Do For Love
Yanli is working in the meth lab and coughing a lot. Yanli's chronic illness is a sign of what's to come for Wei Wuxian, because strong cultivators don't get sick. Yet Yanli, as a physically vulnerable person, who has either a weak golden core, or none, is still intrinsically valuable.  Her presence in this scene is a reminder that Jiang Cheng's life is not, actually, over; he just feels like it is.
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While Yanli cooks the meth, Wei Wuxian and Wen Qing have a study montage that is the equivalent of a training montage, except without "Eye of the Tiger" on the soundtrack.
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Jiang Cheng remains unconscious. Apparently if you stick nails in the top of someone's head, you make them sleep, and in the back of their head, you turn them into part of your zombie army. Fortunately Wen Qing's aim is good. Jiang Cheng is looking devastatingly handsome as usual the TV version of unwell, and has grown a perfect Dorito-chip of stubble on his chin to go with his new 'stache.
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Eventually Wei Wuxian changes back into his non-vampire robe and he finds the answer in an old scroll book. The Ikea instruction picture shows arrows going from the guy on the left to the guy on the right.  Clearly it's not a great procedure for the guy on the left.
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Wei Wuxian's face shows us exactly how not great. 
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Like walking in the rain and the snow and there’s no place to go and you’re feeling like a part of you is dying
He goes outside and gazes up at the trees and the sky as he contemplates the sacrifice that circumstance is forcing on him. He's not even making a choice at this point; his choice was made the moment he found the procedure. But it's going to be a tremendous loss for him. He values sword cultivation at least as much as Jiang Cheng does; he even fell in love with a boy over crossed swords. So he sits and just kind of comes to terms with this new understanding of his future. (Big gifs here)
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Wen Qing finds him sitting, stunned, on the porch. She doesn't know what's up so she just sits quietly with him until he's ready to tell her.
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She doesn't love the plan.  
Thunder, Th-th-thunder
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Wen Ning is bringing food up when he sees them arguing, and he is startled by situationally appropriate thunder and lightning. Having recently watched The Lost Tomb Reboot I've come to expect thunder and lighting to appear on cue in any possible situation, so the fact that this mini-storm clears right up again doesn't bother me.
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What About You?
Wen Ning dashes inside to see what Mom and Dad are fighting about. They're having a polite shouting match because Wen Qing refuses to yank out Wei Wuxian's core. 
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Wen Qing: I hate the idea of harming you Wei Wuxian: I don’t even understand that sentence
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Wei Wuxian doesn’t, of course, feel that he is important in any way, and ignores her concerned and appalled expressions in favor of telling her to just do it anyway. Amazingly, this does not convince her. 
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OP’s 177cm-tall son keeps telling her this
Then Wei Wuxian plays the "you know Jiang Cheng" card, which...I guess she does? Maybe he was chatting her up more than we saw in Cloud Recesses? He hasn't given her the comb or anything yet. Wei Wuxian explains that Jiang Cheng cares about gain and loss, and cultivation is his life. If he can only be ordinary the rest of his life will be ruined.
Wen Qing asks the question that nobody ever asks him: What about you? 
Wei Wuxian has literally nothing to say to that, possibly because the question is so new to him. 
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Wen Ning doesn't know what's going on but comes squarely in on team Wei, of course, and begs his sister to Do The Thing.  How fucking horrified is Wen Ning going to be when he learns what The Thing is? What he is personally going to help do to his beloved friend? Yikes.   
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Wen Qing caves, warning them that the chance of success is only 50 percent. Wei Wuxian is happy to take those odds.
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Lan Wangji, projecting his voice from Episode 46: fifty percent, are you fucking kidding me?
Soundtrack: 1. Mother Mother by Tracy Bonham 2. The Things We Do For Love by 10cc 3. Thunder by Imagine Dragons
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assortedpuzzlepieces · 3 years ago
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Ok, I’m about to go off on a GIANT rant about a specific issue I have with John Winchester & how the show intentionally & canonically portrays him as an ableist, homophobic asshole through his portrayal by JDM, so buckle up.
For the record, this is something I’ve always believed, but after listening to podcast episodes from @otrsupernatural & Carrying Wayward, one super clear example of why has just snapped into place & I feel compelled to share it.
So I want to start by noting a couple things that stand out. First & foremost, I think JDM is an incredible actor & I think he brings his A game with his portrayal of John. John Winchester is undeniably an asshole, & yet JDM balances that so well against the idea of loving parent, to not only make the character more realistic, but also to give real authenticity & depth to the trauma his children experienced at his hands & answer why they act the way they do in regards to him as their parent.
John is someone who, on the surface, appears to be a loving and concerned father, who makes mistakes, but does so because he’s in shitty circumstances & doesn’t have a lot of options or has his own trauma to battle that limits the choices he believes he has.
However, the show also gives us other content that proves there is more to John than that caring but broken man from as early as S1 & into the beginning of S2, & this content screams the truth of his ableism & homophobia, & gives some really strong evidence as to why these are two of the primary struggles of his children through the end of the series.
To explain, we 1st have to look at characters from earlier in S1. In 1x10, Asylum, we are introduced to Dr. Ellicott. He is shown to be someone who is canonically ableist to people with MHI. He sees them as less human, he does unethical experiments on them, he tortures them, just, lots of gross stuff there. On top of that, we see him as a ghost using what appears to be electrical shocks to Sam & Dean to possess & harm them, which resembles electroshock. There are also strong echoes of conversion therapy in this episode.
After this, we have 1x12, Faith, where Sue Ann is using dark magic to attack & murder people she hates, which specifically includes a woman who was pro choice & a gay man. This not only shows that she was homophobic, but that she condemned sexual freedom & bodily autonomy for women as well, which is in relation to homophobia, as well as deeply rooted in misogyny.
So essentially, we are shown a doctor who tries to force people to be less mentally ill or queer by “curing” them, & then a woman who took it a step further & murdered them to “cleanse” the town. We are given two different, but very interwoven ways with which society has tried to get rid of queers & disabled people, & it’s not subtext, it’s literally stated.
Now, in the show, both Dr. Ellicott & Sue Ann are the villains, & while the show demonstrates their ableism & homophobia, it also clearly condemns them for those actions. They are both dead/gone by the end of the episode & their actions are shown as evil. This is SO important, especially for a show that has failed in other episodes to truly state what exactly is the problematic action in the episode (looking at you, Bugs & Route 666).
That said, if Dr. Ellicott & Sue Ann are villains, then we must also extrapolate that ableism & homophobia are intentionally being written as evil in the show, so other characters who demonstrate these actions are also bad. (Yes, I know I’m being super redundant right now, but I just want to be really damn clear on this to demonstrate why I believe John’s characterization is intentional).
Now, in 1x21, John finally “learns” about Sam’s psychic abilities, & I say that in quotes bc there’s reason to believe he knew about it already from Missouri & was just in denial until confronted with the evidence, at which point he has a very strong reaction. As Ali pointed out, it’s interesting that he has such a strong negative reaction, as he clearly doesn’t have an issue with Missouri as a psychic, & yet he’s upset about Sam being one. He demonstrates the mindset of “othering” people outside of his family, which is a common treatment of both people w/ MHI & queer people - the mentality that “those people” are fine in general, but “not my son/daughter/family/me”.
So here in that episode, we are already getting an attitude from him that clearly parallels ableism & homophobia, & that is on top of other comments he made that are clearly rooted in misogyny, like his “that’s my man” to Dean in the flashback in Something Wicked This Way Comes (1x18).
THEN - the final nail in the coffin is the “secret” he tells Dean before he dies in 2x1; that Dean needs to either save Sam or stop him. By now it’s crystal clear he views Sam as something “other”, something not fully human, & his response? It’s literally “cure or cleanse”. Either make him “normal” or get rid of him.
To repeat, John LITERALLY uses ableist & homophobic language & tactics towards him son because he is different, & also tries to force Dean to do the same, passing on that legacy, by trying to erase anything about Sam thats not his personal definition of “normal”, all out of FEAR of who his son is & what he might do.
And the show CONDEMNS this behavior from the very beginning, even before we ever see him act this way!! They make it clear that ableism & homophobia are BAD, show John act that way, & then condemn him AGAIN when Dean tells Sam & it is made clear to the audience that what John asked of him was wrong.
Like… holy fuck. There is literally no way I can watch this & not believe that his characterization was not 100% intentional with him being set up as a bad person & his actions as condemnable. It’s just not narratively possible. John Winchester was intentionally written to be an asshole & we are supposed to see him as one, & any love we see from him is only meant to validate the complicated feelings Sam & Dean have towards him, not undermine the knowledge that he is a bad person. It’s literally in the text.
*Edit - Im adding a point here, since it’s been brought to my attention. John’s concern about Sam being infected with demon blood & possibly corrupted does not detract from the parallel being made between his actions & those of IRL people who are homophobic or ableist. In fact, this is another argument for that in interpretation, & here is why -
For literal thousands of years, mental illness has been viewed as demonic. People w/ MHI were thought to be possessed, evil incarnations, or even just sinfully corrupt & given to wickedness. People w/ physical disabilities were believed to be punished for moral failings, not faithful enough, etc, etc. Queer people were believed to be sexually deviant, witches, destroyers of families, etc.
These beliefs carry across many religions, but especially Christianity, & are present even today in some more extreme sects. And the people that believed these things? Well many of them were parents who “loved” their child & were trying to protect them from evil by purifying them. They too believed they had valid fears & good reasons to torture, maim, & even kill their children.
So to anyone who would argue “well it’s not the same because John had a good reason to be afraid of Sam” - shut the fuck up, because no, he didn’t.
Sam hadn’t hurt anyone. He wasn’t doing anything worth killing him over. He was a good kid who was hurt by someone outside his control & yet he only started doing anything that was truly wrong when he was pushed to it by circumstances that were again, beyond his control, & only then bc he was trying to do what was right!!
Anyone would do that, not just a kid w/ some demon blood powers. So let’s not act like he was inherently dangerous just BC he was different, bc guess what? That’s part of that mindset too. Sam was a good fucking person & John seeing him as less was John’s failing, not Sam’s.
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albino-whumpee · 3 years ago
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Teach me how to cook
My thought process for this at 3 am today was: Everyone’s asleep! Quick!! Write that fluff!!!
Taglist:  @castielamigos-whump-side-blog @giggly-evil-puppy @cowboysrappin @haro-whumps @burtlederp @neuro-whump @comfortforthepain @whumps-the-word @whole-and-apart-and-between @broken-horn @ashintheairlikesnow @rosesareviolentlyread @starnight-whump @just-a-whumping-racoon-with-wifi​ @as-a-matter-of-whump  @whumpasaurus101 @grizzlie70 @twistedcaretaker
CW// accidental cuts, mentions of past abuse, implied head injury but really. This is just tooth rotting fluff.
[ illustration at the end because yolo ;) ]
If he had a wish, it was that those saturday mornings never ended.
Where Albus clung to him in his sleep on the same position they had cuddled the night before. Those moments of early morning when the rythm of his breathing tried to make him join him back on dreamland. When the other snuggled up to his chest in an attempt to stay asleep, before letting out his breath and opened his eyes.
“Hey…” he said in a drozzy whisper. Sann smiled as reply before the other turned slightly and stretched his legs. “Hmnnngh” he let out followed by a sigh and then curling back to the other’s chest. “Five more minutes” he said with a smile on his face that made him giggle. Neither of them tried to stand up. Secretely not wanting to.
Sann pulled his arm and pressed him into a hug. The tip of his nose tickled by the white hair. Sann unconsciously passed his hand behind the other’s head. Brushing his hair making him exhale a little, content purr. Sann opened his eyes in surprise when he found a weird bump on the back of his skull. Passed his fingers around it without being able to tell if it was an old scar or a new injury. He pulled himself up with his elbows to Albus little protest sound.
“Shhh” he said. Rasping his throat as he inspected the back of his head with what little light came from the windows. The other held his head down. It was easier if he just let him see it.
Sann found the stitches scar below the hair, curled around a thicker, straight line.
“It’s been there forever.” the young man explained as he felt Sann’s fingers pass over the line gently. “Maybe something before training. Maybe because of training. Not important. Doesn´t hurt” he said pulling away. The other knew that, but he was just surprised he hadn’t seen it before. By the way the boy stiffened he let the case rest.
Still, he pulled himself up and gave him a little peck on the back of his head. Pleased to hear a little hum from him.
“Thanks” Albus looked at the boy after a second of silence “Breakfast?” The growl on his stomach gave him away to the young man’s smile. “Ok, ok” he chuckled taking his glasses from the night table. Sann finally swung his legs off the bed and walked together to the kitchen.
Once there Albus began taking out the eggs, tortillas, tomatoes and onions. All while Sann awkwardly stood there.
“Ma’am said she wanted something called “migas” the other day” Sann perked up at the word. A sense of familiarity drilling his head with both longing and the starts of a headache. “Didn’t know what that was so I had to ask Diana. It’s a fairly easy mexican dish. Just some fried tortillas and eggs with…” A wince made Albus turn back to see him. “Sann?” 
He put the food down and stared back at Sann holding his head with knit eyebrows. He knew that headache himself. Something trying to resurface from the fog the company had worked so hard to make. He took his hand and soothed it with his thumbs for a moment before darting his eyes around the kitchen’s drawers. Locking his eyes to the improvised medical kit drawer next to the cereals. He was about to walk and take out a pill for it when Sann squeezed his hand.
“Im ok. Just a little headache” he signed with a sincere smile.
“You sure?” He nodded slowly. Careful.
“Albus?” Sann signed with “white”. Just a little joke between them and because it was easier than the five motions. “Would you teach me how to cook that?” He asked.
He wasn’t 100% sure but he had the sensation, he did know how to cook before. That they made him forget so he wouldn’t think of running. So he would be so very grateful anyone feeded him because he couldn’t do it himself.
He wanted to be able to do so. He wanted to prepare Albus, Zarai, Cloude and Sasha and Tony a nice meal. As thanks. But… He wanted to proof himself that he could be good at something else too. That there was more things he could do to please others than use his body.
Albus gave him a smile before he took out a bowl and four eggs. “Then, help me with this would you?” Sann picked them up happily and shattered the first one when he used too much force.
He looked at the mess in the table and his mind tunneled to bring back Robert’s chef face. He had put his wrist against the hot pot for turning the stove off. Making a mess with precious ingredients? He shrinked on himself, bracing for anything flying his way.
But he heard a little snort. And opened his eyes to a hand cleaning up the mess with a piece of paper. “Ok, but not so hard. Here” he discarded the paper and put another egg on his hand. Taking another himself and showing him how to do it.
He taught him how to hold the knife and cut the tortillas. Trusting him half way through to do it alone. He was very slow. Still a bit afraid of Albus snapping and yelling at him for doing a bad job at any second.
But that never happened.
Even when he accidentally cut his finger, Albus didn´t yell. Didn´t tell him to stop or made him regret even asking. He put a band aid and asked him if he was alright, if he wanted to continue.
Right, he thought to himself with a smile, Im Here.
His safe place.
Albus minced up the tomatoes and the onions so quickly and even he put the food processor to shame. Looked above his shoulder every so often to check on Sann. Gently walking him through every step. Careful with the jumpy onions with oil and enjoying Sann’s focus while mixing it all up. Like a child… He felt a headache wanting to make its way through, but Albus shoved it aside. He wasn’t ready to remember who that child was yet.
“So? How is it?” Albus asked after a few minutes, flatly ignoring the pain behind his eyes. Sann lifted the fork up. To which he opened his mouth and let him put it inside. Sann watched him taste it and then put a surprised face. “Oh! Its good! Take a bite, chef” he said taking the fork and lifting him up to Sann. He ate it and was hit with a wave of familiarity that prickled tears behind his eyes. He wanted to know why he wanted to cry so much, why the smell alone made him remember voices that weren’t quite the ones he knew.
He wondered, if he cooked more, would he remember who they were?
Albus took Sanns’s hand into his and gave it a little kiss on the knuckles. Grounding him back to reality, but letting the question float on his mind.
“If you cook this good then ma’am wont have a problem if you do it more often” he said “would you like that?” Sann’s eyes lit up and nodded enthusiastically.
“Will you teach me how?” Sann signed to the boy´s smile
“If you want me to” he said a blush crossing his cheeks rather quickly “Well, turn the stove off before it overcooks” he said cocking his head in a “go, on” gesture.
This time, turning the stove off earnt him a plate of food he had made himself. One he could eat with people on a table, even if he still sat on the floor instinctively before Albus pulled him up on a chair.
There with a surprised Zarai and the gentle praises from the doctor as he heard their conversations and sometimes was even invited with still unpolished sign language.
He really wished those warm mornings never ended.
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project-paranoia · 4 years ago
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Live Watch: S.C.I. Mystery Episode One
I enjoy camp because I've always enjoyed analysis and examination.  I enjoy looking at something from all sides, testing it with my fingertips. When I was a child I would sit for hours just looking at something until I had it all held in my mind and I felt like I understood it.  Camp necessitates that understanding the way that imitation and - good - parody requires it.  To quote Susan Sontag - who articulated what camp is so well - Camp is "a sensibility that revels in artifice, stylisation, theatricalisation, irony, playfulness, and exaggeration rather than content."  Because of this camp takes on head to head gender, sexuality, expectations, any sort of defined norm and sequins it up then shakes it down until understanding comes out.  When understanding something there are three major ways to work your investigation - what it is, what it's imitation is - the close but not quite, and what it isn't.  Camp handles all three, to quote again: "Camp sees everything in quotation marks. It's not a lamp, but a 'lamp; not a woman, but a 'woman.'"
Why are we talking about camp?  Because SCI Mystery is some of the best kind of camp outside of drag or screaming about wire hangers.  It deals a lot with mental illness in a way that would destroy a serious show, but in this one "mental illness" is a metaphor for being marginalised and a way to talk about the mouse and cat in the room.  This show is about being queer.  About being gay loudly and quietly, about resisting specific labels and needing them, about the threat of a cure and the blessing of acceptance.  All the messy realities of queer life as varied as queer people. Like Lil Nas X's Montero, you can appreciate the effort without being comfortable with it. While the show's allegory of mental illness when many queer people are still told they are ill is done well and there is reason to the choices and tone, things are said which can be hard to hear.  Knowing they're there because they're hard to hear and have been heard doesn't help everyone.
With all that said, it's also a fun, silly bl drama.  Don't let the analysis scare you off.  While the information about camp can be something to be aware of, all this show requires to be enjoyed is a willingness to be amused and spooked in turns.
You know the drill, spoilers below!
* I have memorised the youku sound, I have a triggered response with it. Not all triggers are bad, this one reminds me of Guardian
* Welcome to episode one where we just leap in!  But don't worry, one of them has a cute earring and they are colour coordinated.
* Watching from youtube the episode is 38 minutes long while most of the others are 45.  Attach whatever emotion you want to that fact.
* The exposition is handily delivered by asking a question which tells us some things, thank you show, I appreciate it
* First episode and he's already giving his partner an in case I don't come back letter to be opened if he dies
*  Wait for me!~  Go!~~
* Slow walk with dramatic music: 1 (don't make this a drinking game You Will Expire) this time with bonus almost looking back
* I've seen a similar shot on Hawaii Five O
* Don't explain what's happening, just knock everything over with a jump kick in some absolutely spotless white tennies
* Running with dramatic music with bonus looking back: Does it count?  We have yet to hear back from the judges
* They leap into the water with an explosion behind them, we are less than 2 minutes in and I love that for them
* At first I thought the boats were making a big heart before I remembered that I am very silly and they are not doing that
* This one is going to be long
* I can see his pockets through his trousers, why are his trousers so thin?
* It's not kissing to dramatic music in the surf if it's CPR
* Each story line has its own intro and that's very sexy of them
* Slow walk/dramatic music: 2-6
* These people are totally goofy and and yet the Seriousness
* Two Weeks Ago!
* The police school bus has arrived to shoo away the crows circling around Dr. Zhan staring (dramatically) at the body
* Sport scar policeman dresses even more unprofessionally than Zhao Yunlan who at least looks like a detective who was jumped by so many criminals he just gave up wearing a suit and went for jeans. Chief Bai's clothes are so thin, I'm under constant anxiety someone is going to tear them off.
* Also several of the cast pictures on MyDramaList look like the pictures your auntie insists taking to send to your other aunties and I love that for them
* Triple axil spin from the victim, the judges are loving it - this is the camp I'm here for
* The dramatic slo mo and music budget for this show was so big, just as it should be
* He's mad because he's angy
*  Master Psychiatrist can tell all about the killer from crouching by the body, it's a trope and this is one of the few places I like it because it serves the show instead of the show serving it
* When you're almost boyfriend is going away for reasons and it's not your decision but you can't go with him because of your job so you're just low key bitter about it
*  "You can't control me"
* The pettiness between these two
* Professional women who worked hard to get where they are still are constantly obsessed with boys according to most cdramas
*The male posturing in those three second has accidentally circled back around to being gay in the way those bro shows accidentally do and I love that
* I live for this 80s-90s police chief perm
* The Pettiness
* I always tend to like doctor characters, I don't know why.  Even when they aren't my favourites I like them.
* She's kind of adorable, I like her (I've seen a lot of this show and every time I say I like someone it ends badly ;-; )
* "the victems"
* If you love Creative English, this is the show for you!
* Chief Bai's crew is trying so hard to get them back together
* Dr. Zhan is so good at psychology he can tell what someone looks like from some tire tracks - this trope is used all the time in crime shows, but they push it a little farther in SCI and it really helps the viewer know what the rules for the show are
* The scene in the psychiatrist's office hearkens back to queer coded villains and the way they're treated in old black and white horror cinema - but done so artfully it's almost invisible.  It's incredibly well done, and the awareness of tropes and types all throughout the series is tremendously successful as much as it's campy fun.
* There's also the trope of someone who manipulates someone into feeling like they've been "purified" and then weaponises them against the "filthy". And of course the fact that the killer's blade is a mirror - that he's killing in others what he sees in himself. This trope hasn't just been queer-coded but has been applied to any sort of physical or mental disorder. Thesis have been written about this trope and the anxiety attached to it. I can't write them better and this is long enough, it's just a small part of the excellent handling of the themes showing up in this genre and I wanted to point it out because it deserves appreciation for the skill and knowledge in the writing.  
* The whole you need evidence vs you're saying psychoanalysis isn't trustworthy feels very much like a coded angry exes discussion
* I love the establishing shots, so good
* He kind of deserved that door to the face, what was he even doing
* Police violence in crime shows is supposed to be a release for the viewer, but many countries have issues with police violence so it hits wrong.  Here it's far more performative in a way that at least has some awareness
* The weirdest phone call, you call someone to tell them something important and they say two things to you and hang up
* The tongue thing, why always the tongue thing?
* When a serial killer tries to compliment you by calling you a carnivore and you shut down the whole alpha male supposition by calling yourself a vegetarian
* At this point I've written almost fifteen hundred words and taken almost two hours to watch 23 minutes
* This is my life, these are my choices
* Dutch Angles
* You could make this conversation about being gay, I have had this conversation about homosexuality before
* Unfortunately while I had it I was on the bus trapped in a window seat
* The conversation didn't end with me saying something cool and everyone clapping
* They just got off the bus to go to work
* The banality of evil, yo
* Her shorts are Incredibly Short, good for her
* "arrest the perp behind my back" that's his job, broheim
* He doesn't ask why she checked behind their ears
* DUN dun dun!
* Slo mo file drop, and of course the file is blood stained and aged
* Chalk Art of Doom
* Chinese word play!
* Caught almost putting his coat over his crush, embarrassing XD
* Backstory!
*  I love all the little character details, I could quote lines I think are funny all day but that would start getting silly
* Bai Yu Tong is marked as clean and having OCD but we don't see what's apparently a huge character trait at all other than the all white, do love that he's good at cooking
* Dr. Zhan: Brilliant!  Genius!  Cannot feed himself.
* Dr. Gong has indifference level 100% which is true and also I love that for him
* I love that Wang Shao part of the team because he's good at making friends, I love that for him
* Poor Zhao Fu: scared of ghosts and dumb and sweet?  At least he has an 8 pack
* Jiang Lin is very tropey except the mention of her nearsightedness
* Ma Han's height 1.7m and legs 1.8m is hilarious and I love it
* I stopped recording the slo mo walks, but if you were drinking along with them you might be dead so I really appreciate you taking time out of your afterlife to continue reading.  We appreciate all our ghost readers
* And that's the first episode!  Thanks for making it to the end!
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theyearoftheking · 4 years ago
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Book Seventy-Nine: If It Bleeds
“There’s an underlying truth in it which I believe you will grasp even at your current age Films are ephemeral, while books- the good ones- are eternal, or close to it. You have read me many good ones, but others are waiting to be written.” 
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This is it... the second to last book in the challenge. I’m really dragging my feet reading Later (although it is a spectacular book). But this challenge is over, and I don’t know what I’m going to do. I have a ton of books on my shelves and Kindle to read, and writing that needs to be done (characters are all but screaming for me to come back to them); but this project really gave me purpose in a rudderless time. 
I had started this project as a fun conversation piece, but quickly turned into something bigger. During quarantine, this challenge gave me a purpose. I’d challenge myself to read one hundred pages a day, and remind myself to drink water between chapters. Sometimes writing these posts dragged me out of bed. In winter months I’m extremely agoraphobic, and it’s tough for me to leave the house some days. And other days it’s all I can do to wash and brush my hair. Mental health is a bitch, sometimes. But I didn’t mean to make this about me... although I’m sure some of my readers can relate, a lot of us took a hit to the mental health during 2020. While I will look back on quarantine fondly (it gave me excuses not to leave the house, or change out of my pajamas), my mental health will not. But just as it’s time to leave the house, I suppose it’s also time to start focusing on new projects once this one is complete. I have no idea what that will look like. Maybe I’ll start with Steve’s movies. Maybe I’ll re-read Joe Hill. Who knows. But I do know I’m going to indulge in some trashy fiction reading. 
Ok! 
If It Bleeds is a collection of three novellas, and a Holly Gibney story. I shouldn’t discount the other three stories: they’re extremely well written, and thought provoking. But the real star of the book is the Holly story. 
The first story, Mr. Harrigan’s Phone turns grief on it’s ear. A lot of people call their loved one’s cellphones after they pass... they want that experience of hearing their voice just one more time. But what happens when the phone is buried with your loved one and continues to ring? And what if you get a text from them after their death? It’s a sweet story, with your typical Steve twist. 
The second story, The Life of Chuck is told backwards, and “contains multitudes”. It also has a post-apocalyptic vibes, with California falling into the ocean, and the Midwest burning. It also has college kids storming the White House looking for answers, which is just another example of Steve predicting the future. 
Steve was inspired by a random billboard that read, “Thanks Chuck!” along with a guys picture and “39 Great Years”. Again, something mundane with a great Steve twist. He’s proven this is his sweet spot. 
The third story is If It Bleeds, which picks up almost immediately where The Outsider left off. There’s a tragic bombing that takes place inside an elementary school, and Holly can’t stop watching the television news reports. There’s something tickling at her brain, and she can’t figure out what it is. 
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Eventually we find out there are more monsters like the one Holly killed in The Outsider. Jerome makes the best comparison, and says evil is like a bird that randomly flies from person to person, infecting them as it goes. There’s one section of the book when a character refers to the monster as, “It”. So it makes you wonder if this is one big tie-in, where we find out Holly is killing pieces of the monster that plagued Derry for so long. 
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The mystery itself is secondary to Holly’s larger-than-life character. She is dealing with family issues; her Trump-supporting mom needs Holly’s help putting her uncle in a care facility, and Holly is struggling to cut herself out of the co-dependent relationship she has with her mother. But Holly has grown. She knows her worth, and she doesn’t let people talk down to her anymore. Her evolution is best described as, “Holly would do well to remember...who she is. Not the child who nibbled Mr. Rabbit Trick’s ears. Not the adolescent who threw up her breakfast most days before school. She  is the woman who, along with Bill and Jerome, saved those children at the Midwest Culture and Arts Complex. She is the woman who survived Brady Hartsfield. The one who faced another monster in a Texas cave. The girl who hid in this room and never wanted to come out is gone.” 
The final story is Rat. And I’m just going to tell you... an actual rat quoting Jonathan Franzen is perfect. He’s problematic enough to be an actual rodent. Yeah, I’m going to say it. The Corrections was absolute garbage, and I don’t know why it was lauded the way it was. He’s a condescending misogynist and he’s not nearly as good a writer as he thinks he is... says the girl writing a blog on her Stephen King musings. But whatever! I own what I’m doing, and the significance of it.
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I will gladly re-read all of Steve’s books again before picking up another Jonathan Franzen book. If you want to dive into all the reasons he’s disgusting, this Bustle article will explain it to you. Like, legit explain it. Not mansplain it. 
Anyway, Rat explores why it’s not a great idea to make deals with rodents during major weather events. And when you’re at your isolated cabin and a major snowstorm is on the way- heed your wife’s advice and come back to civilization. 
This collection included plenty of Constant Reader mentions:
Derry
Shawshank Prison
Castle Rock
Gunslinger
It was an excellent collection, and I can’t get enough Holly. Steve talked about how she started out as a small, minor character and her presence just grew and grew. I don’t know about the rest of the Constant Readers, but I’d totally read another Holly book. Hell, I’ll take a whole series at this point. 
So, my final book is Later. I’ve got about 100 pages left to read and then that’s it... until April. 
Total Wisconsin Mentions: 48
Total Dark Tower References: 76
Book Grade: A+
Rebecca’s Definitive Ranking of Stephen King Books
Doctor Sleep: A+
The Talisman: A+
Wizard and Glass: A+
11/22/63: A+
Mr. Mercedes: A+
End of Watch: A+
Under the Dome: A+
Needful Things: A+
On Writing: A+
The Green Mile: A+
Hearts in Atlantis: A+
Full Dark, No Stars: A+
The Outsider: A+
The Bazaar of Bad Dreams: A+
If It Bleeds: A+
Just After Sunset: A+
Rose Madder: A+
Misery: A+
Different Seasons: A+
It: A+
Four Past Midnight: A+
Stephen King Goes to the Movies: A+
The Shining: A-
The Stand: A-
Finders Keepers: A-
Bag of Bones: A-
Duma Key: A-
Black House: A-
The Institute: A-
The Wastelands: A-
The Drawing of the Three: A-
The Dark Tower: A-
Dolores Claiborne: A-
Blaze: B+
Hard Listening: B+
Revival: B+
Nightmares in the Sky: B+
The Dark Half: B+
Joyland: B+
Skeleton Crew: B+
The Dead Zone: B+
Nightmares & Dreamscapes: B+
Wolves of the Calla: B+
‘Salem’s Lot: B+
Song of Susannah: B+
Carrie: B+
Creepshow: B+
From a Buick 8: B
The Girl Who Loved Tom Gordon: B
Sleeping Beauties: B-
The Colorado Kid: B-
Storm of the Century: B-
Everything’s Eventual: B-
Cycle of the Werewolf: B-
The Wind Through the Keyhole: B-
Danse Macabre: B-
The Running Man: C+
Cell: C+
Thinner: C+
Dark Visions: C+
The Eyes of the Dragon: C+
The Long Walk: C+
The Gunslinger: C+
Pet Sematary: C+
Firestarter: C+
Rage: C
Desperation: C-
Insomnia: C-
Cujo: C-
Nightshift: C-
Faithful: D
Gerald’s Game: D
Roadwork: D
Lisey’s Story: D
Christine: D
Dreamcatcher: D
The Regulators: D
The Tommyknockers D
Until next time, Long Days & Pleasant Nights, Rebecca
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hypexion · 4 years ago
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Without any Doctor Who to watch and write about, I’ve inexplicably started watching Miraculous: Tales of Ladybug and Chat Noir. Or “Miraculous Ladybug” for short because wow that other title is a mouthful. It’s a fun little superhero show and I guess I like those. It’s certainly more upbeat than Batwoman, that’s for sure.
After watching the first season it turns out I have opinions about some characters that I want to write down. Naturally, the adult man who is a magical terrorist will recieve much scorn.
Marinette: The only thing stopping this girl from descending into full-blown supervillainy is Tikki’s constant refrain of “do the right thing Marinette!“. Seriously, the amount of times she decides to Do Crime in order to solve a problem is slightly concerning. Luckily, the same skills that would make Marinette a formidible criminal mastermind also make her good at being Ladybug, since the “Lucky Charm“ loves to spit out strange and seemingly useless items. Plus she has to fight with a yo-yo, which doesn’t seem like the most incredible of weapons.
Adrien: Someone get this boy a non-evil parent. Really, it’s a little surprising how well adjusted he is based on the implied levels of social isolation. He’s going to school as teen rebellion, which is certainly something. As Chat Noir, Adrien is allowed to let loose and have fun, and also fall in love, activities that his father probably considers forbidden. In theory he’s the most powerful hero, since Cataclysm appears to have no limit to what it can destory, but in practice, using the instant-death attack on transformed civilians is a no-no. Somehow, Adrien is also in a romantic rivalry with himself, which is perhaps par for the genre.
Alya: Someone has to keep Marinette coherent when she’s with 100 metres of Adrian, and that person is Alya. She’s the reporter character, because this is a superhero show so there needs to be a reporter character. Her motive for trying to unmask Ladybug is kind of hazy, especially since she doesn’t seem to be equally into unmasking Chat Noir. As Lady Wi-fi, she probably should have won, except Hawk Moth is an actual idiot.
Nino: True hero who befriends Adrien upon learning he only has Chloé as a friend. He also stands up to Gabriel, which is more than most characters, adults included, can do. Perhaps he is the most well-adjusted member of the cast, and is undoubtably the one with the most chill.
Chloé: You might think this girl wakes up each morning thinking how she can make the world a worse place, but I think she lacks that level of self-awareness. Chloé clearly understands that she isn’t nice, but is apparently unable to connect this to the continuous stream of akuma who want to murder her personally. Kind of strange that anyone who isn’t Adrien seems to like her, although I suppose it makes sense that she’s tolerated given that her father is Le Mayor.
Gabriel: This man is clearly evil. Not only is he an controlling, over-bearing father, he also can’t get through a conversation with Ladybug or Adrien without getting distracted by their Miraculous. Also has dumb hair.
Hawk Moth: For a man who so clearly revels in being a supervillain, Hawk Moth really isn’t very good at it. He has no overarching plan beyond “send akuma to evilize people and hope for the best“, creating a variety of villains with questionable loyalty and abilities of dubious practicallity. Sure, I’d only classify Reflekta as truly useless, but the quality of akuma is all over the place. If you’re going to spend all your time sitting in a dark room waiting for people to get upset, you could at least try to pinpoint feelings that lead to akuma with abilities conductive to seizing the Miraculous. Hawk Bawk also gives his champions some really bad advice, leading to him snatching defeat from the jaws of victory. I’m not saying I could do a better job, just that maybe I wouldn’t ruin a locked-in win by telling Lady Wi-fi to let Ladybug go. That would be inexcusable.
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starkerforlife6969 · 5 years ago
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Starker - Accidentally Perfect
It all started with a bet.
And Tony hates how much of a cliche even that is. A bet. He's let himself get dragged into a bet by a fresh-faced eighteen year old who has a walkman ironically and brings a dictaphone into every lecture.
Goddamn, he hates Peter Parker. He seethes furiously at him from across the quad, the hot summer sun beating down on his shoulders. His blank tank top is helping keep the heat off, but it's still almost unbearably warm. Sticky with the promise of the summer holidays only a few weeks away.
"Do you actually think you can stare him out of existence?" Rhodey asks, a cool, amused voice from back in the shade of their stand. Tony turns and glowers, pulling his sunglasses off.
"He's such a little shit."
"He's eighteen, Tony. All eighteen year olds are little shits. We were, remember?"
Tony doesn't remember them ever being as unbearable as Peter. His face must say as much, because Rhodey sighs.
"We're twenty-seven." He says gently. "We're getting a little too old to keep blaming college wars on the freshman."
He barely resists the urge to stomp his foot. "He started it!"
It's true, Tony thinks. He can't really remember how it all started. He remembers the beginning of the semester, deciding to take a break from the all-consuming robotics thesis of his doctorate and go and drop in on a lecture. He remembers a bright-eyed boy with fluffy hair stumbling through a presentation in front of his peers. He very vaguely remembers calling out one or two inconsistencies with Peter's presentation. He remembers the bright red flush that had spread across Peter's cheeks, and the way he'd stumbled quietly over his words, and- okay- in Tony's defence, he was sleep deprived- trying to think up his proposal, still trying to get his second phD started and-
It had turned into all out war pretty quickly.
Turns out, Peter didn't respond well to being picked on.
Not that Tony had picked on him, just-
"Gluing all my furniture to the ceiling? Selling my text books? Hiring someone to fire a paintball at me every hour for four days?!" Tony runs his hands through his hair, shaking his head. "He's evil!"
Rhodey barely blinks, eyes on his phone. "But..."
Tony's shoulders droop. "...But I started it." He mumbles under his breath.
"What? I didn't quite catch that."
"I started it, alright? Jeez," he winces, "I said sorry."
"No. You didn't."
Okay fine, he's not big on apologies.
Whatever. It doesn't matter anyway. They're where they are now. The bet. Whoever raises the most money for the oil spill just off of Mexico's coast wins. Their two stands sit opposite each other on the quad, six hours to raise money, loser has to get down on their knees in front of the entire student body and declare the other their superior in every single way.
That's why Tony's here. In a tight black tank top, muscles on display, sunglasses on, hair messy, grinning at everyone who passes.
"How much have we got, Rhode-aroo?"
There's a gentle clatter as Rhodey checks the basket. "Uh, $12?"
Tony winces. That's not great. "Whatever. It's gotta be more than Parker has anyway."
Rhodey hums.
***
As the third hour ticks by, Tony slinks back into the shade of their stall and dozes off a little. It can't be more than fifteen minutes, but when he opens his eyes, there's a trickle of students leaving their classes and walking through the quad.
For some bewildering reason, they're all walking to Peter's stand.
Tony frowns, tiptoeing over to enemy lines.
The first thing he sees is that Peter's money basket is full. Not just one money basket, but four money baskets. At least $100 in change, loose bills and Starbucks vouchers.
What the fuck?
And then- then he sees why.
MJ, the equally annoying friend, is manning the booth. She's concise and thoughtful and armed with scary statistics as she neatly collects money and scares more into baskets.
But Peter, Peter is all cream silk shirt and tight blue shorts, and big eyes and enthusiasm.
"I just keep thinking of the baby seals," Peter whines, rocking on the heels of his feet, pink converse scraping against the grass. "Those poor animals, all covered in oil..." he bites his lip, bats those eyelashes, and the tall jock who's leaning over him, nods, already fumbling for his wallet.
"Yeah totally, the-the seals."
"Right? Oh, thank you," Peter sighs, voice a little wanton moan, touching the guy's elbow, leaning in. "You're a hero."
The guy tosses in another twenty.
Jesus Christ. Tony can't help his grin of disbelief, even as irritated as he is that he didn't come up with it first.
Devious little shit.
***
When the crowd has dispersed a little bit, and the dynamic duo have bled most everyone dry, Tony makes himself known, crossing his arms and shaking his head.
"Wow, Parker. We're more alike than I thought."
Peter turns, looking up at him, eyebrows lifted in surprise. "Oh yeah? How's that? Did you actually start caring about the oil spill?"
Tony hums, feigning nonchalance. "I just mean, I thought your standards were a little higher."
The boy frowns, little face scrunched up in confusion. It's annoyingly endearing. "Huh?"
"C'mon, no need to hide now. Playing dumb and pretty to get donations? Way to care about the animals."
The outrage that flits across that expressive face is way too believable. "Pretty anddumb? Screw you, Tony. You're just jealous I'm winning." Peter humphs, crossing his arms. "Is surly know-it-all not enticing the crowds the way you thought it would?"
Tony shrugs. "Maybe. Because I won't reduce myself."
"What are you talking about?!"
"Come on, Peter. You know what you're doing to people." Here, Tony raises his voice. Hopefully, he'll be able to steer people away from here and over to his own stand. Though, Rhodey's death glare from across the quad is making him think maybe that's not an excellent idea- why, he's not sure. He barrels on, attention on him. "You're doing that thing- with the big sparkly brown Disney eyes and the scandalously short shorts and the elbow-touching. You're fake laughing at bad jokes and fluttering your eyelashes and selling your torturous mix of princess and bombshell that none of us can resist to trick people into giving you their money, admit it!"
Peter gapes, mouth in a delicious 'o'. "I am not!" He shrieks: scandalised.
Tony scoffs. "You expect me to believe that you're thisfucking irresistible on purpose?"
The boy doesn't seem to know what to do with that. He scrambles, blushing under the stare of the passers-by. "I'm...I don't...um...thank you?"
Tony stares. No way. No fucking way is this not an act, it can't be or-
"Yeah." MJ sighs, the sigh of the long-wearied, as she unfolds another dollar bill into the pile. "Join the club."
***
Tony's pacing back stage, still trying to understand everything in his head.
The entire student body is waiting on the other side of that curtain, mostly drunk, hopefully too drunk to remember this in the morning- to see his apology act.
"Big sparkly Disney eyes," Rhodes hums, re-watching the video on twitter. "I'm surprised you went with that one, you're always going on about his Bambi eyes. What's the difference?"
"I swear to god, if you keep talking-"
"I think my favourite bit is where you basically announced to the world that your kink is sexy princess."
"Oh my god-"
"Uh- T-Tony?"
Tony whirls around to see Peter standing at the curtain, and Tony can't help the groan of embarrassment.
"Look, Pete, I'll do it, alright? Just give me a second to shed the last of my dignity."
"No, it's not..." Peter blushes, and Rhodey lifts his hands, shuffling away to give them some privacy. Peter edges closer, stupidly gorgeous with all of his freckles, a fucking dandelion crown perched on his chestnut curls, like he's just trying to press all of Tony's buttons and- "Look, Tony," Peter murmurs, all sweetness and loveliness, "I was thinking, you don't need to- you don't need to go out there and say anything." He wrings his lily-white hands, silvery bracelets hanging at the wrist, "Really. I feel like- the fact that video from the quad went viral was- that's more than enough."
Tony doesn't know what to say, but it doesn't stop him from trying. "Pete, about what I said..."
"I really wasn't doing any of that stuff- I-, I wasn't trying to play dumb, or- I mean, maybe I was? I didn't- I didn't mean to, I just wanted to help the seals, and I've already bought my ticket to volunteer for seal cleaning over summer break and-"
Tony laughs, shaking his head. Because he knows. He sighs, meeting those lovely brown eyes. "I know you weren't. You're not- I was just- I'm sorry, Pete. For all of it. For the day we met."
Peter looks shy, but pleased. "You were an ass." He agrees amiably.
"I was. Am. Trying not to be."
Peter chews on his bottom lip, accidentally embodying Tony's every wet dream. "You could buy a ticket for the summer seal cleaning task." Peter shrugs, eyes darting away. "If you like."
"With you?" Tony wonders aloud, "with you being so...unintentionally you? Not sure I could cope."
"True," Peter whispers coyly, "imagine if I was actively trying to seduce you. You wouldn't last a minute."
At that, Tony laughs again. Loud and delighted. Head tipped back, unaware to how Peter drinks in the sight. "Is that a bet, kid?"
Peter beams.
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mostcensored · 4 years ago
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MK ULTRA
PLEASE DO SOME RESEARCH ON MK ULTRA !!!
BRITTNEY HAS BEEN HAVING HER MIND LITERALLY CONTROLLED SINCE A CHILD BY A COMBINATION OF EXTREME TRAUMA(sexual,mental,emotional), satanic ritual abuse, hypnosis and fear.
They do this in order to create multiple personality disorder and create multiple alter personalities in her brain while her conscious mind in dormant and she her subconscious mind takes over, which leaves a person in a highly vulnerable, childlike extremely hypnotic state.
Her handler/owner can have her switch alters instantly any time by using certain code words, phrases, pictures or colors that are programmed into her subconscious mind by whatever qualified doctor/scientist that they are using for programming.
MK ultra victims can be programmed to do just about anything to perfection, without resistance, regret or memory of any of this happening to them at all.
MK ultra slaves are used for creating super solders with 100% target accuracy, high physical & mental insurance and speed..
Super spies used for foreign espionage that can remember conversations and information word for word like a tape recorder and with very convincing seemingly normal front alters..
Beta Kittens used to satisfy the elite & top 1% strange erotic sexual fantasies no matter how painful or demeaning, also used as party favors for the elite/top 1% (Illuminati) during their weird orgy parties and also used during their satanic rituals, they are also used to satisfy presidents and foreign leaders, and to breed children for the elite that are used to create more mind controlled slaves since trauma and the “gift” of disassociating/multiple personality disorder can be passed through genes, most beta sex slaves are programmed during childhood and also used for Hollywood (actress, singer, dancer) making their owners almost 10x what it cost them to buy them.
Almost all of Hollywood is under MK ULTRA, which is more successful and easier to do on children, most celebs that started off their career as children are most likely a MK ULTRA SLAVE.
Other celebrities who started their careers later in life are controlled by a string of blackmail.
The elite would never allow individuals with that much of a platform and influence to say and do whatever they want without them being able to control them, and those who do step out of line are targeted, harassed and attacked by the media, destroying their name and career or murdered or “suicides”...
Patsy are also used very often for MK ULTRA, they are programmed to assassinate high profile people, or to take the blame for the murder of a high profile person.
Their programming is usually triggered by whatever code word or phrase they have been programmed with, then they immediately go and to whatever task they have been told to do.
Afterwards they are programmed to either kill themselves or wait for the police to show up.
The CIA has used MK ULTRA patsys a number of times through our history (JFK, Robert Kennedy, John Lennon, Sandy Hook shooting, the mass shooting in the church, etc.) MK ultra slaves are completely unaware that they have ever been abused, traumatized or programmed.
They are unaware of their multiple alters they switch in and out.
The only way for them to remember anything that has happened to them is for somebody trained and specializing in MK ULTRA DE-PROGRAMMING to de-program them.
Which is a very intense, difficult and dangerous thing to do, beings as tho most victims are commanded to kill themselves or forget how to use their respiratory system and stop breathing.
There is plenty of proof and actual victims, with government whistle-blower status that can confirm the entire process of MK ULTRA.
It is very very expensive to create a MK ULTRA slave due to all of the machines, equipment, preparation, torture, psych drugs, procedures, etc. but the profit they make afterwards is insane.
Most “bodyguards” or “managers” that u see with a celebrity 90% or the time is actually their handler, the person hired by the actual owner of the slave to control them, they are given a list of hundreds of words and phrases that trigger something different that the slave needs for whatever task is at hand, which could be, a concert, a meeting, an orgy, satanic ritual, murder, spying, ect...
The rogue CIA and Hollywood and the top 1% ( 13 elite bloodlines/families ) have been getting away with this and making billions and trillions off of complete mind controlled slaves.
It is evil and it needs to stop. FREE BRITNEY, she has had her mind tampered with and controlled almost her whole entire life.
Imagine what that does to the human brain? Which is why most victims programmed during childhood always have mental breakdowns between the ages on 27-30.
The media spins it as a drug binge and they are shipped to rehab AKA REPROGRAMMING !!!!
Here is the link to a wonderful interesting documentary explaining everything in great detail: https://youtu.be/Ghq6rCV9kvc
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reyesstrand · 5 years ago
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not sure if I’m allowed to send another but, what about 85 for tarlos?
sorry for the wait for this, but this idea got in my head and it kind of got out of control — a good ending to this series, i guess!! i hope you enjoy! 
prompt taken from this list. also available on ao3!!
Three weeks to the day after the solar flare, Carlos receives a cryptic text from his mom: come for lunch today?
He mulls it over; he loves his mother, and it’s no secret to anybody that knows him that he’s a total mama’s boy, but there’s got to be a reason behind her impromptu meal, and an evil part of his mind tells him it has to be bad news. She doesn’t mention anything about his sisters joining them, and Carlos doesn’t know if that should stress him out more or less. If it’s something bad, he’d assume that he and his sisters would find out at the same time — but that only leaves him more confused.
She’s a strong woman, and is a complete health-nut — ever since his abuela started having mobility issues, his mother’s been a champion for organic eating and natural sleep aids and doing yoga every morning. Carlos can’t put bad news from the doctor completely off the table, but he starts to drift towards the other countless possibilities — and so he can’t say no to her. Even if it’s his only day off that lines up with TK’s schedule, he spares a glance at his softly snoring boyfriend before figuring the man’s close enough with his own father that he’ll have to understand a shift in plans. And so Carlos finds himself more alert than he’d been when he’d rubbed sleep from his eyes and initially checked his phone five minutes ago, thumbs hovering over the screen before he sends her a simple of course, mami, and sets about getting ready for the day after pressing a quick kiss to TK’s hairline.
He’s showered and had his coffee and is trying to quietly get dressed when Carlos hears TK groan and grumble, clearly fighting between catching a little more sleep and getting out of bed. Carlos watches with a small smile as TK slowly sits up when he realizes he’s alone in bed, before their gazes catch, and his heart soars as TK’s eyes visibly light up at seeing him.
“Everything okay?” TK asks, voice still deep and groggy, and Carlos nods as he starts on buttoning up his shirt.
“We might have to change our plans today,” Carlos says apologetically. “I really—fuck, I really wanted to spend he day with you, but my mom wants me to come over and she usually doesn’t spring stuff like that on me unless there’s something wrong, and—”
“Hey,” TK cuts him off, and Carlos raises his brows at him. “It’s okay, seriously. Marjan’s been bugging me to take Buttercup to get some pampering, anyway.”
“You’re the best,” Carlos says, and TK grins at him.
“Damn straight.”
TK tilts his head up, clearly looking for a kiss. Carlos huffs out a laugh and comes in close, so their mouths are nearly touching, before he whispers, “You have no shame, do you.”
“Nope,” TK grins, eyes crinkling in the corners, popping the p before he closes the space between them and gets the kiss he wanted. “I’ll see you later, though?”
His eyes shine with hopefulness, and Carlos nods earnestly. “I’ll text you when I’m on my way home.”
There’s another brief kiss, before Carlos sighs as he presses their foreheads together.
“I hate just leaving on you,” Carlos admits, even though the thoughts surrounding what his mom’s intentions are with lunch are swirling around his mind.
“I’ll be fine,” TK says, ducking forward to press another kiss to the corner of Carlos’ mouth. “Say hi to your mom for me.”
It’s only half a joke — TK’s been talking, metaphorically, about meeting Carlos’ family for a week or so. He mentions it whenever Carlos talks about childhood memories or a story from one of his sisters, noting that Carlos has known his dad technically even before he knew TK. But it never evolves from a few jokes, and even though Carlos wants nothing more than to continue to make their relationship solidified through introducing each other properly to the people that mean the most to them, he doesn’t know how to seriously approach that subject.
Instead of trying now, Carlos leaves with a promised, “I’ll see you later,” before he grabs his keys and phone and makes his way out of his home.
The half-hour drive goes by mostly in a blur, because he’s too caught up in what might unfold at the lunch. They usually try to have big family dinners bi-weekly, due to everyone’s work schedules and his sister’s kids’ schedules, but he can’t remember the last time a meal like this was just dropped on him the day-of. He does have the right state of mind to stop and grab his mom a bouquet of lilies, her favourite, before he pulls up to the humble farmhouse he’d lived in his whole childhood.
“Is everything okay?”
The words are out of his mouth within seconds of stepping into the house, half-startling his mother as she pours out two glasses of sweet tea.
“Can’t I ask my favourite son to have lunch with me when I know it’s his day off?”
Carlos flushes a bit, handing the flowers to his mom as she pulls him in for a hug. “I’m your only son.”
“Still my favourite,” she grins, smacking a kiss on his cheek before she gestures toward the back deck. He follows her, taking a deep breath as he goes.
* * *
“I know something is up, baby.”
He'd been expecting something regarding her own well-being or health, or his abuela's, so when the conversation turns to him he's sort of confused. And Carlos has grown up hearing from people that he has his mother’s eyes, and as he looks into them now, he thinks he sees the similarities as she looks at him with a particular warmth laced with concern he’s been accustomed to since he was born.
“You know, I saw an interesting photo of you the other day,” she says it off-handedly, but Carlos still manages to choke on his drink. She doesn’t hesitate, going on to describe the picture he knows intimately because he posted it to his Instagram only forty-eight hours ago: him and TK, smiling as they stand close, too close to just be friendly to any onlooker, taken by Paul in the late hours of the night as they strolled around downtown after their shifts. He hadn’t even considered his family seeing the photo, and he silently rues the day his sisters made their mother various social media accounts so she could keep up with their lives. Her voice turns soft, as she squeezes his arm and asks, “Is there something you want to tell me?”
“Uh, I have to pee.”
He says it quickly enough that he can run off to inside the house, where the remnants of their lunch sits scattered over the counter. Carlos beelines for the bathroom and leans against the sink as he pulls out his phone.
how do you feel about my mom knowing about you?
seriously.
Carlos sends the messages to TK and taps his phone against the heel of his palm as he waits for a response. He thinks back to his mother’s implications — that she knows about them, is okay with them — and figures that he could always lie. It’ll look suspicious as hell, of course, after he just fucked off like that, but he’s never really brought any boyfriends around before. Mainly because he’s never been in a serious enough relationship to warrant that. But he thinks — he knows that there’s something real between him and TK, and he wouldn’t hate his mom and eventually his sisters knowing about him and meeting him and welcoming him into the fold of their family dynamic. But he needs to make sure this is still something TK’s okay with, that it’s going at his pace.
TK texts him back quickly, like always. i was serious about wanting to meet her someday. maybe even soon. so if you want to talk about me i support you.
you’re sure? Carlos texts back, as he feels his nerves starting to both tamper off and confusingly grow at the same time as he walks toward the backyard again, preparing to let his mother into this part of his life.
100%. tell her only the good things, i wanna impress her, TK replies, along with a string of heart emojis. Carlos huffs a little, quickly typing out, she’ll love you no matter what, before pocketing his phone and sliding back into his seat across from his mother.
“Sorry,” he mumbles, meeting her eyes, and as he opens his mouth to continue, she quickly interjects.
“Don’t lie to me, Carlos,” she warns, though there’s warmth behind her words, a desperate plea to tell him that she wants to be included in this part of his life, no matter how new it might be. "You know you can talk to me."
So Carlos takes another deep breath, not really looking at his mother as he whispers: “I met someone, mami.”
He stares down at the ground; after a few seconds, he shifts his gaze to stare at the blooming gardens that live in clusters around the yard, various vegetables and flowers alike growing with vengeance as the summer welcomes them back into the world. When she makes a noise and he finally meets her gaze again, she’s looking at him with nothing but fondness.
“Oh, baby,” his mom is smiling, now, and she brings his face close to press a kiss to his forehead.
“It’s only been official for a few weeks but, um, I really like him,” Carlos admits, as his mother lovingly squeezes his hand. With a laugh, he adds: “I like him a lot. And I’d love for you to meet him.”
His mother leans forward and curls her arms around him, like she did when he was a kid and he felt too small to conquer the world, and he immediately feels calm wash over him. “I would love to, mijo.”
(Carlos has a flash of a memory, then, coming out when he was fifteen years old and terrified but desperate for his truth to be known. He first told his older sister Camila, and then his mother a couple of days later, and he remembers so vividly how they hugged his then-tiny frame, all knobbly bones and a height he was getting used to, both of them supportive and loving and adamant that nothing would change how much they love him. He towers over both of them now, but he feels protected in his mother’s arms, like he always has).
As they pull out of the hug, his mother elbows him good-naturedly. “Alright, tell me about this boy then.”
His mama’s grinning at him teasingly as she says it, and Carlos sits back and huffs out a laugh of his own, rubbing the back of his neck.
“His name’s TK. He’s a firefighter,” Carlos says, barely holding back a bigger smile when his mother makes an approving face at that tidbit of information. “He’s—he’s funny and beautiful and has the warmest heart.”
“I’m so happy for you,” his mother says, eyes bright with love, as if just listening to him talk about TK has made her realize how truly happy he is. And maybe it's allowed himself to look at inside retrospectively and figure out that yeah, he is happier than he's ever been. “I’m sure I’ll love him. You’ll have to bring him around.”
“I will,” Carlos promises, feeling like he’s floating on air. “Oh, and he’s from New York City.”
He says it pointedly, knowing his mother’s always wanted to travel to the Big Apple.
“Well,” his mother says, “I guess we’ll have to show your city boy how we do family dinners, then.”
She brings him in for another hug as she smiles, before she goes off to refill their glasses. Carlos sits back, considering the idea of TK being a part of his family, for good — and he finds that he wants nothing else in the world.
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theres-a-goldensky · 5 years ago
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32 Reddie Fic Recs
In honor of the joy I feel in finally getting out of this miserably terrible fucking year of my life, I thought I’d do something fun and make up a list of Reddie fic recs, since this has fandom has taken over my life recently. Strap in, friends. This is gonna be a long one.
These recs are in the order in which I read them. 
As ever, feel free to reblog and check out my other rec lists for the following fandoms:
IT chapter 2 list part two - Reddie
Good Omens fic
The Untamed list one and two - various pairings, mostly Wangxian
Various BL Series fic (fandoms: Love By Chance, TharnType, 2Moons series, My Engineer, Until We Meet Again, 2gether, History3: Trapped)
Or just head over to my bookmarks on AO3.
All fics are Reddie, all are complete.
** - denotes personal favorite
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1. first love / late spring by vowelinthug - ~36,000 words, explicit - They both survive It, but not without some injuries, both physical and psychological. Richie takes Eddie to a secluded cabin to help him recover. And then they accidentally make a podcast. Nice slowburn, a good Richie characterization. I liked the conversations between the two of them, in particular one about Richie’s disdain for shoes that was pitch perfect.
The doctor’s evil eye is on both of them now. “Your friend is gonna be fine. Broken collarbone and a lot of blood loss, but the arm stays on, for now anyway.” Probably at the way Richie sags in relief so hard he groans in pain, the doctor stops looking so severe. “He’s a tough guy. I’ve never seen anyone regain consciousness from that much blood loss just to give me a full medical history.”
“Oh my god,” says Richie, covering his mouth. “I like him so much.”
Bill pats his shoulder in sympathy.
2. the fireworks that go off when you smile by zach_stone - ~10,000 words, teen - Post-movie the adult Losers, including Stan, go on a vacation together. There’s just lots of Richie staring at a wet, shirtless Eddie and pining.
Richie blinks at him, his stomach doing a fucking somersault, pinned under Eddie’s weirdly passionate stare. He swallows another mouthful of beer to stall for time, shifting his gaze away. Spread out before him, the lake looks like flat, black glass. “Jeez, is the risk analyst really telling me to ignore the risks? What’s the world coming to?” he manages to joke.
He expects Eddie to roll his eyes, to huff and lean away again, but he doesn’t. He says, still earnest, “I just think some things are worth the risk.”
And Richie doesn’t know  what  the fuck to do with that. He resolutely tells himself not to puke on Ben and Beverly’s porch, because he thinks if he did it would just be the words  I love Eddie Kaspbrak a hundred times over, all puddled on the slats of wood. He stands up rather abruptly. “I should go to bed,” he says, aware that he’s talking too loud, being too fucking obvious. “I’m jetlagged as fuck. Also maybe a little drunk.”
3. oh, i want the truth to be known by ShowMeAHero - ~7000 words, explicit - Richie sees Eddie die in the deadlights and then manages to save him at the last second, but It skewers him instead. I’m honestly not sure why there isn’t more fic with this premise, because Richie sacrificing his own safety for Eddie and then Eddie losing his shit is absolutely, 100% my jam.
The claw isn’t in Eddie’s chest. Instead, it’s in Richie’s, caught in his side, pinning him to the ground. He chokes on a scream, caught in his throat, and pushes at Eddie, just trying to get them away. He rolls into him, ripping Pennywise’s claw through his side to get away, but once he’s free, he’s scrambling into a half-stumble and dragging Eddie with him until they’re hidden under an outcropping of rock. His side is bleeding, he can feel it, and his entire fucking abdomen hurts, and, for a moment, it’s all he can process.
“Holy shit, Richie,” Eddie exclaims. The pain shuffles to the back of Richie’s mind so he can focus on Eddie instead. He sounds winded, but he’s fucking alive, unhurt and breathing and okay, and Richie huffs a laugh. He’s in so much fucking pain, but he can’t even figure out where it’s all originating from, and the only thought cycling through his brain is it’s okay, he’s okay, Eddie’s okay, it wasn’t real, it wasn’t real, it wasn’t real, over and over.
4. we'll be a fine line (we'll be alright)  by buckyjerkbarnes - ~9,000 words, teen - Richie and the other Losers in the hospital after killing It, waiting for news on Eddie. Richie has a bit of a breakdown.
The ambulance ride had been the longest twenty minutes of Richie’s life. He'd tried not to get in the way of the EMTs who worked frantically to keep Eddie alive; who were far more patient with him than Richie likely deserved. By the time they'd rolled up to the emergency entrance at the hospital, Ben stamping his breaks as the rest of the Losers came to a grinding halt not fifteen yards away, Richie was still a sobbing mess. He couldn't see through the cracked lens of his glasses, and when Eddie, who had not opened his eyes or said a word since they were still in the sewers, was about to be wheeled out of sight, Richie made like a battering ram and lunged towards the pair of swinging doors.
“Sir!" An orderly yelped. "You can’t—!"
And Stan, who had materialized at Richie's elbow, told the orderly: "He's the husband."
5. ** It’s Hard to Tell Sometimes by gallopingmelancholia - ~21,000 words, explicit - Eddie divorces his wife and moves to LA to live with Richie. Richie promptly has like five emotional meltdowns over it. So much pining. So much. This is one of very few that has Eddie in the hospital for a realistic amount of time, which I appreciate. When writers have been hoping out of bed after a day or whatever, it really throws me out of the story.
“When can we see him?” Mike asks.
“He’s asleep, but we’ll send in a nurse when he wakes up. I wouldn’t expect it until tomorrow morning at the earliest. He’s been through quite a lot, eleven hours of surgery, and is on a lot of pain medication.”
“Will he survive? What’s the percentage? He’ll want to know the probability, he’s a risk analyst,” Richie says.
The doctor hesitates. “The chances he makes it through the night are 65%.”
“That’s not bad!” Richie says even as his heart drops to somewhere in the region of his feet. The others look at him pitifully. “Tell him we’re here and we love him. Tell him the Losers are here and we’ll see him soon.”
6. ** it’s a nice day to start again by eddiespaghetti (foxwatson) - ~6000 words, teen - Post-movie, Eddie wakes up one morning to discover that Richie and a woman had a shotgun wedding in Vegas the night before. Great, sad-but-trying-not-to-show-it Eddie here. (And yes, Richie is a total disaster gay who marries a woman on a whim.)
 “Are you sitting down?”
 “I didn’t even get out of bed yet! Bev please just tell me what the fuck is happening.”
 “Sorry, I’m sorry. Just- Richie got married.”
 “What? No he didn’t,” Eddie scoffs, throwing the covers off. “I’m not - he’s not even dating anybody, I see him all the time. It’s probably just a big joke or something, that’s-”
 “He got married, in Vegas. It’s all over Twitter, and he- he sent pictures to the group chat last night. She’s some other comedian. None of us have ever met her, he didn’t invite any of us.”
7. Oh, But He Makes You Laugh by MellytheHun - ~9,000 words, mature - Teenage Eddie has to deal with some serious jealousy when a new friend enters their group. This one has a good, slow realization on Eddie’s part.
The boy is in their grade, though not part of their social sphere; he’s nearly as tall as Richie, with light eyes, and walnut colored hair. Eddie recognizes him from his AP bio class, but can’t inwardly recall his name.
The boy nods toward Stanley while keeping eye-contact with Richie, and informs him, “alligators - they can grow up to twenty feet.”
Richie opens his mouth to argue with the new kid, but he’s cut off.
“Which is weird, cause they usually only grow four.”
Eddie watches in abject bewilderment as a hearty, genuine laugh  is startled out of Richie.
8. Richie Tozier: Pray Away the Gay by QueerOnTilMorning - ~4,500 words, teen - The official transcript of Richie Tozier’s comeback Netflix special. A lot of writers try to do Richie’s stand-up routine, but not many can nail it. This one feels realistic and contains actual, like, jokes and stuff.
Because I grew up in this little town called Derry, Maine--nope, absolutely not, do not cheer for that. Fuck Derry! I had this friend, for years he thought I was lactose intolerant, because he'd mention dairy and I'd be like "fuck Derry! Derry tried to fucking kill me!" No, I can eat cheese, I just hate my hometown. They did not fuck with the gays, in Derry. That's probably why I dress so shitty. It's a survival thing. I was already super into dudes. If I had developed fashion sense on top of that? No. Oh my God. It was so--I was so fucking scared all the time.
 And like, to put this in perspective, has anyone ever heard of Henry Bowers? Any true crime fans in the house? Henry Bowers, the baby serial killer? Yeah, you listened to that podcast! My friend Bill was on that podcast, doesn't he have a sexy voice? Anyway, Henry Bowers, also known very creatively as The Derry Killer, murdered a bunch of kids the summer we were thirteen. I say we, because that dude was in my fucking class. There was an active serial killer in Derry during my childhood and still, still my greatest fear was that someone would find out I was gay.
9. RICHIE TOZIER IS...THE COMEBACK CLOWN by owlinaminor & tinypersonhotel - ~11,500, teen - An excellent multimedia fic about Richie’s life with Eddie post-movie.
While Richie Tozier never stops talking, Eddie Kaspbrak never stops moving. Listening to a conversation between the two men is akin to watching a pinball machine with two balls going at once, slamming into each other and the walls and the levers and each other, lighting up their surroundings in a trance as mesmerizing as it is chaotic. (Kaspbrack laughed when I told him this metaphor—apparently Tozier spent many an afternoon at the town arcade when they were kids.)
Over the course of one twenty-minute walk with their dog, a beagle named Stanley, through their L.A. neighborhood, they manage to call off their engagement, call it back on, invite me, uninvite me, call the engagement off again, debate eloping, call the whole thing back on but disinvite everyone except me, and finally agree on what color napkins to have at the reception.
10. ** The Jenga Dream Date by stitchy - ~15,000 words, explicit - Richie and Eddie domestic fluff that starts at Ben and Bev’s wedding. It feels so sweet, and you can just see the happiness radiating off the screen. This is truly the ending they deserve.
Then a seriously, unbearably cute thought occurs to Richie. A thought he can’t immediately share with Eddie, because Bill and Mike each independently cornered him and made him swear not to steal Bev and Ben’s thunder.
Ah, fuck it.
“I can’t think why we would possibly be in another situation in the near future where there’s dancing but also my mother is there for some reason, but holy shit, Eds! I have got to see you dance with Mom. During this very special situation. For which I will make hand calligraphed invitations and hire a photographer and-”
Eddie’s eyes dart in either direction before he lets out a short, slightly hysterical laugh. “Uhhh, I  also have no idea when or why that would happen, or what sort of event that would be appropriate for.”
11. Bad Parts In by 50artists - ~9,000 words, not rated - It’s Richie that ends up in the hospital after it all goes down, and Eddie who has the crisis. And also some serious misapprehensions.
"I feel like Richie might be  slightly  weirded out," Eddie says dryly. "Like oh, hey, we've not spoken for decades and you're the straightest man I know, but it turns out I have been subconsciously in love with you since we were teenagers. I dunno, might make things a bit awkward."
"I'm sorry," says Beverly, "just to clarify, Richie Tozier is the straightest man you know?"
"Dude, have you seen his comedy? It's all, 'I love fucking chicks while drinking beer and watching football'."
"You mean the material that Richie doesn't write himself?'
12. ** We Found Love in a Chili’s ToGo by Amuly - ~14,000, explicit - Richie confesses his feelings to Eddie in the airport before they both headed back to their own lives. This is such a lovely story about friendship and love and putting yourself back together. And there’s some A+++ phone sex.
“Nah, Eds. It’s because I had a big gay crush and needed Stan to bitch at about it.”
Eddie frowned, then shook his head. “That doesn’t explain why you couldn’t bitch at me about it.”
“Well bitching about your secret crush to your secret crush is generally frowned upon, Eds. Kinda fucks up the ‘secret’ part.”
Eddie, bless his tiny heart, didn’t get it for a second. His expression scrunched up, about to say something stupid back to Richie, when his brain processed Richie’s words. In a second his expression fell open, jaw actually agape.
“Oh look: drinks!” Richie grabbed his marg, licking and drinking without even letting the waitress set it down onto the tabletop. Eddie barely had the courtesy left to let her set his down before he was grabbing at it.
13. ** Ask Me About My New Material by twoseas - ~7,000 words, explicit - I could read 10,000 stories about a confused and horny Eddie jerking it to Richie’s stand up without understanding why before they meet again in Derry. This one has a great Richie, who reacts like he got hit in the face with a bat when the truth comes out.
In the restaurant, as the gong resounded around them, Eddie looked up at a four-eyed, messy, middle aged Trashmouth and suddenly it all clicked.
 He had two thoughts.
Oh, he realized, it’s because I’m in love with the dumbass.
And, Aw fuck.
14. No Parenthesis by pineapplecrushface - 13,000 words, explicit - In the deadlights, Stan gives Richie some instructions on how to bring him back. Spoilers: it involves an orgy. And Richie and Eddie dealing with their feelings.
“Okay,” Mike said, holding his hands out to placate him, and honestly Richie was really fucking sick of Mike saying crazy shit and then somehow—somehow!—convincing them to do it anyway. “I’m not saying we have to do it. I’m just saying, the ritual exists and we could do it, and now that it’s out there, I feel like you should all have the choice.”
“Great. I choose no. I’m fucking leaving before I get ritualed into giving all my money to a cult leader and I end up spending the rest of my sad short life on an alpaca farm,” Richie said, standing up too fast and stalking across the room.
“Richie,” Bev said, and she sounded, unbelievably, like she was not thinking this was completely insane.
“Are you fucking serious?” He whirled around to look at them. They were all giving him varying levels of Richie, be reasonable, which was a look he was familiar with, but not when it came to sex rituals, for some fucking reason.
15. ** Stupid Deep series by anonymous - ~50,000 words, explicit - Richie has a huge dick, and Eddie is obsessed with it. Come for the super, super hot sex, stay for the sweet romance, twist of angst and happy ending.
It’s been five months since then, and Eddie has spent at least 40% of that time thinking about Richie’s big fucking dick. He spends about 20% working from home, 20% arguing with Richie about dumb shit, and the remaining 30% sleeping—this adds up to 110%, but that’s because there’s overlap between the sleeping and the thinking about Richie’s huge dick in the form of extremely graphic dreams.
He thinks about Richie’s dick in the shower. He thinks about Richie’s dick when they’re watching TV together. He thinks about Richie’s dick when he’s trying to eat breakfast. He hasn’t even seen it hard. But god, he thinks about it. Thinks about it hot and thick in his hand, thinks about it twitching as Eddie strokes it, thinks about it stretching his lips, thinks about it leaking precum all over Eddie’s fingers and tongue and stomach. And, most importantly—most vividly—he thinks about Richie’s dick inside of him, filling him up, fucking him.
At the same time, Eddie also spent a good amount of time, woven through the rest of his daily activities, falling so deeply in love with his best-friend-cum-roommate that it was disturbing at best. There was pining. There were lingering glances. There was lying on Richie’s bed while he was out just to ease the ache in his chest with Richie’s warm, familiar scent, which is disgusting and Eddie hates to think about it. There were, in Eddie’s darkest moments, daydreams about Richie holding his hand and kissing him and telling Eddie he’s in love with him. Like a fucking sap.
16. I’m quite alright hiding today by remusjohn - ~7,000 words, explicit - Eddie kisses Richie out of the deadlights, but Richie doesn’t know if that means anything.
On the first night they don’t do much of anything. They unpack (well, Eddie unpacks his massive bags while Richie tries to figure out how to sign in to his Netflix account on the tiny TV in the living room), and they order in, and they argue over what to watch while they’re eating, and Eddie falls asleep some hours later with his head tucked into Richie’s shoulder, and Richie tries not to think too much of it.
There’s been a lot of that, the last couple of days. Richie doesn’t know how to say, You kissed me to wake me up from the deadlights and I don’t know if you did it to save my life or if there’s something else too, but it’s kind of killing me, man.
So Richie doesn’t say anything at all.
17. Haunt Me, Thrill Me, Kiss Me by Vulcanodon - ~20,000 words, explicit - AU where Eddie and Richie are ghost hunters who get stuck in a very trippy haunted house. This concept really shouldn’t work, and I’m not big on AUs in the fandom, but the relationship between the two of them really sells it. And, obviously, the pining. There’s so much.
The only time Eddie has ever witnessed Richie freaking out was when they had been fucking about in the woods near Montana for their werewolf episode. Eddie had been walking backwards, trying to get Richie and a creepy footprint in frame when he had suddenly felt nothing but air behind him. He had fallen for an impressively long time down the hill, blacking out briefly when a branch caught his head and when he came to Richie had been leaning over him, white and frantic, hands all fisted up in Eddie’s shirt.
Eddie, Eddie, Eds, Richie had said, nearly crying. Are you alright, can you talk?
Is my camera broken? Eddie had managed woozily to say, and for a moment Eddie had thought Richie might do something crazy like slap him or even kiss him.
He hadn’t done either in the end and Eddie remembers the disappointment, even with the haze of a mild concussion.
18. Five Times The Losers Gave Richie Permission by toomuchrootbeer -  ~11,000 words, mature - Each loser tries to let Richie know that they know in their own special way.  
“No I don’t mind,” Stan says evenly, shrugging his shoulders like it’s the simplest thing in the world. “I don’t mind any of it.”
“Cool,” Richie chirps, grabbing his backpack off of the grass and pushing himself to his feet. “Pip pip Edward,” he calls. “Shall we endeavor to find you a cleaner wardrobe?”
“Fuck you,” Eddie says back, but there is no venom behind his words.
But then Stan is reaching out, gripping Richie’s arm, “Dude what are you-”
“I don’t mind any of it, Tozier,” he repeats, voice lower and his words somehow more weighty, fixing Richie with an indecipherable look. “And I don’t think any of the other Losers would mind it either. If you wanted to,” he jerks his head in the direction of Eddie, “you know.”
19. String Theory by neverfaraway - ~17,000 words, mature - Richie starts slowly regaining his memories and has a disturbing experience in the deadlights.
The thing is, Richie knows this is a version of himself and Eddie that never existed. He can taste the pretence on the tip of his tongue, but the sticky air seems to sharpen and solidify around him. He can’t remember where he was before this moment, watching his fingers alight on the buckle of Eddie’s hundred-dollar belt.
The Voice wavers and Richie comes pouring through the cracks. It's painful to watch the careful way he places his hands on Eddie’s skin. "Fuck, I missed you," he says. "Even when I couldn't remember, I had a hole right through me, straight through the middle. You left a fucking entry and exit wound."
"Damnit, Richie," Eddie mutters, blinking rapidly. "Beep, beep."
20. hoping to be found by eddiespaghetti (foxwatson) - ~25,000 words, mature - Things don’t magically work out after Derry for Eddie. He doesn’t know what else to do, so he goes back to Myra and his depressig life. But at least now he has his friends. He has Richie.
With his memories back now, with all the knowledge of his mother and his placebos and his fake inhaler and his friends, it feels like Eddie has been living the last 27 years in sickly, yellow sepia tones. His memories and even the brief time he spent with everyone at the Chinese restaurant shine in his mind in vivid technicolor, and everything else pales in comparison.
He thought he would die, and now he doesn’t have a plan. His life in New York is miserable and cramped and leaves him feeling small, so he puts it off as long as he can.
The drive isn’t long, even with Eddie taking his time. He takes a detour just to drive along the coast and see the ocean, and stops at any given exit or National Forest along the way that strikes his fancy. He’s still home before nightfall.
21. After Derry series by pineapplecrushface - ~47,000 words, explicit - Richie and Eddie are both pining and miserable disasters post-movie. Until they finally get their shit together and figure some things out.
He woke when Eddie sat on the edge of the bed and touched his back, under his disgusting shirt. “Hey,” he said. “Your turn. I mean, your turn after I wash my hand again. What did you lie down in?”
“Your mom,” he said, sitting up and glaring at Eddie, who was half-naked, a towel wrapped around his waist. “How do you all look so good and I ended up looking like fucking Christopher Lloyd? Like, not young Christopher Lloyd. Present day.”
Eddie’s hand was still tucked under his shirt, rubbing a path across his lower back. “I guess you did grow into your looks.”
“Oh, fuck you, you weirdly muscular little shitweasel,” Richie said, escaping to the shower so he didn’t have to look at the slope of Eddie’s arms. He was weak for that, the line of a man’s shoulders and back. He was weak for all of Eddie, really. After everything he had seen, he guessed it was something he could admit to himself. There was no panic left in it.
22. for better, for worse by kaspbrak_kid - ~26,000 words, not rated - Eddie has just gotten through a messy divorce and is trying to deal with the fact that he’s been in love with Richie for 30 years, and then he has to go to Ben and Bev’s wedding. Not a great combination of things.
Eddie blows out a shaky breath and puts down his phone, then picks it back up again, restless. He scrolls up through his and Richie’s texts.
They’re not that frequent. They talk in the group chat, mostly. Eddie thinks about texting him all the time, several times a day, and then never does. It’s all just stupid shit, anyway. A dream he had or a movie he saw on TV that he remembers Richie used to like, and does he still like it? Some things his therapist tells him he should say, like that he’s been in love with Richie for somewhere between six months and thirty-odd years.
Instead, most of their private texts are just inane bickering, or Richie trying out jokes on him, or Eddie telling Richie how to clean the cut he just accidentally gave himself opening a can. He could have just googled it. But he asked Eddie.
23. feet on the ground, head in the sky by peggyolson - ~21,000 words, teen - I’m kind of a sucker for the slowburn, falling in love over distance trope. This one does it well, with bonus Richie dealing with his issues and figuring shit out.
Mostly, though, it’s just a slight tug at the back of his mind, another part of his day. A mumbled  let me call Eddie, like an afterthought, while he’s tapping his foot in line at Whole Foods.
Eddie always, always answers.
“Edward Kaspbrak,” he chirps during business hours, dry and glib, and Richie will respond in a deep, exaggerated baritone with something awful like  Mr. Kaspbrak, your test results are in and unfortunately you  will  keep shrinking at an alarming rate for the rest of your life, something barely funny that he says just to get a reaction.
(It had been  such  a mistake to give Richie his work number.)
24. it’s about time that you just unwind by fuckener - ~9,500 words, explicit - Eddie finds out that Richie is gay via his stand-up and promptly loses his mind.
“Yeah? Mine was weird, guys, I’m not going to lie. I came up with this really good idea on how to cause total chaos at a family event, you wanna hear it?” There it was - glasses adjustment, not even past the one minute mark. “If you really want to shake up another dull as fuck Thanksgiving with your parents, just wait ‘til you’re in your forties and your elderly father is spooning out his first helping of mashed potatoes for the night and then drop the bomb that you’ve been gay the whole time. Boom, happy Thanksgiving. Pass the sweet corn, I want to fuck the huge green dude on the can.” People laughed. Richie did that thing with his face between a smile and a scowl. “It’s the long game, yeah, but -”
Eddie slammed his laptop shut.
25. feel this burning, love of mine by floatingonthelehigh - 17,000 words, mature - The clown is a bastard. Richie gets a second chance.
“Don’t leave,” Eddie says quietly, and god  fucking  damn it, it breaks him that Eddie thinks he ever would.
“No,  fuck no, Eddie. I’m not going to.” He adjusts his grip on the jacket against Eddie’s stomach, winces when Eddie gasps in pain. Richie’s lip shakes again as he just keeps talking. “Frankly I’m insulted that you’d think I’d leave you, after just remembering you're my best fucking friend in the world, after twenty seven fucking years. My clown-murdering partner in crime! How could I ever leave you? Fuck no, I’m not leaving you, Eds. Idiot,” He laughs emptily, rubbing Eddie’s cheek, and pauses, beginning to nod to himself as a goal flits into his mind. “I’m going to pick you up, I’m going to get you out of here, to a hospital. Right now. And—” Eddie’s grip on his arm tightens, and he stops.
26. hey there demons (it's me, ya boi) by dharmainitiative - 12,000 words, teen - Is this another ghosthunters AU? Why, yes it is. I don’t know why there are two of these, but I enjoyed them both. This one is much lighter, and I really liked the way that the writer creates a very lived-in feeling as soon as you jump into this universe.
 As it was, BuzzFeed wasn’t a bad place to work, despite all the shit Richie gave it. He was paid well, there were always a bunch of cushy chairs everywhere, and the food that got brought in for lunch everyday was way better than the shitty grilled cheeses he ate at home for dinner. And despite what Richie expected, his coworkers were actually pretty cool, all things considered. Sure, they were all millenials who thought landing an internship at BuzzFeed was the height of success, but most of them were friendly, and occasionally funny, and like Richie, just excited to get paid to do something that required little to no effort.
 Most of them, at least. There was also Eddie Kaspbrak.
 Richie met Eddie his first day at BuzzFeed, when he was shown his desk and the incessantly chatty intern that sat at the desk right next to him. Working side by side — literally — let Richie learn a lot of things about Eddie Kaspbrak: he was a neurotic hypochondriac, exclusively owned Polo shirts, and talked faster than Richie could even blink.
27. New Page, Same Old Book by Rend_Herring - 17,000 words, explicit - Post-movie, Eddie divorces his wife, moves across the country and makes himself comfortable in Richie’s home. Richie is totally fine and not freaking out at all.
He clips the wall coming into the foyer, practically crashes over the little table he uses to stack mail—fumbles around with the chain, the deadbolt, before finally wrenching open the door.  It doesn’t occur to him until he’s sending it bouncing back against the doorstop, that it might have been a good idea to check the peephole and make sure it actually  wasn’t  some asshole out for a smash and grab in the middle of the night, or worse — a  fan.  
Richie would be less dumbfounded by either option.
He squints at the person standing in front of him, blinks.
“I’ve had this dream before,” Richie says, voice still croaky from sleep, “usually you’re wearing less clothes.”
“Jesus christ,” Eddie sighs, and rolls his eyes when Richie jumps back a bit, genuinely startled that it’s  not some manufacturing of his sordid imagination.  “I knew I shouldn’t have come here.”
28. Drives Me Wild by rustywrites - ~4,000 words, explicit - Eddie and Richie have hotel sex after RIchie wins himself an Emmy.
"I thought I told you no more jokes about how much you love my dick," Eddie says, shifting to straddle Richie's waist in earnest, rolling his hips downward just to emphasize his point, no doubt. His hands are braced on both of Richie's shoulders, pinning him back with his bodyweight, while Richie's hands are on his waist, holding him in place. It's not the most comfortable position, all things considered--Richie's knees are bent over the end of the mattress, his feet still on the floor, and they're both still in their fucking monkey suits.
Richie had tried to make the case with his agent and his manager that he should be allowed to attend the Emmys in the same clothes he always wore (jeans, a shitty t-shirt, a semi-fashionable jacket, you know, the works.) They were good enough for his specials, one of which had earned him the nomination to begin with, but both Anna and Johnathan had pushed back hard, and when Eddie had not-so-subtly sided with them, well. Suit and tie it was.
29. Rewrite by sachi_sama - ~13,000 words, mature - Stan is dead, but somehow only Eddie can see him as they race to beat It. That’s...probably not a good sign. (note: Stan stays dead in this fic.)
“Whoa. Hey, Eds, you being a weepy drunk over there?” Richie asks, and he scoots over into Stan's seemingly empty chair, and Stan vanishes as Richie's hand is suddenly on Eddie's shoulder.
“I just—I saw...” Eddie pauses, and he wipes his hands over his eyes, sniffling. When's the last time he cried? It makes his head hurt every time. “Fuck. I'm sorry, guys.” He stands abruptly. “I'm gonna go splash some water on my face.” He hurriedly exits the room and he hears Mike asking what he saw, but Eddie is already power-walking across the restaurant to the bathroom, aware Dead Stan is hot on his heels.
“Lucky. The bathroom is empty,” Stan says as he leans against the wall. Eddie looks at him, really looks, and he sees the blood on Stan's wrists.
30. ** we are all going forward, none of us are going back series by theappliepielifestyle - ~21,000 words, teen - Richie gets stuck in a time loop and forced to repeat their last stand at Neibolt over and over until he gets it right.
Richie hears himself finish saying Let’s kill this clown  and it’s only when he finishes forming the  n  that reality sets in. What the  fuck -
He whirls around. Everyone’s standing around him, just like they were last night - they’re in front of the fucking house, it’s standing again.
“What the fuck,” Richie croaks. “No, come on - what’s going on? Ohhhh fuck.”
He only lets himself stare at it for a few seconds of unbridled hate before he keeps looking at the others, who are now staring at him, pausing from where they’d all taken a step towards the house before looking back and stopping to watch Richie’s nervous breakdown.
31. ** keep talking. i’ll keep walking toward the sound of your voice. by theapplepielifestyle - 16,000 words, teen - Eddie dies, sort of, and meets Stan in the afterlife. The two of them realize that they can communicate with their friends in their dreams. Eddie has to watch Richie slowly breakdown in his absence.
32. ** happily ever afters all the way around series by theapplepielifestyle - ~35,000 words, teen - I have so much appreciation for this author’s desire to fix the ending by any means necessary. In this one, that good old turtle lends a hand and sends Richie back in time to fix everything. It’s...a lot.
Then it smooths out into an actual scene, if jumpy: a sigil on wooden boards that look a lot like the floor of Richie’s apartment. The sigil is probably drawn in blood, but it could also be red paint. Although Richie’s being  very  optimistic about that. Anyway, the dream is mostly that: the sigil being drawn, slow and precise, by Richie. It’s dark in the dream, and the sigil being drawn is overcut with more fleeting images, chased with sounds: Stan’s bloody hand dangling out of a bath. Stan as a kid, on the tail end of saying something as he walks home in the evening. Eddie with blank eyed, slumped in IT’s lair. Eddie as a kid, in mid-argument in the clubhouse. A voice so deep and impossible that it hurts, a voice that reminds him of the turtle’s gaze:  come back come back you can change the -
At the end of the dream, the scene will stabilize. Dream-Richie will say some shit he can't make out. Then he'll say the one thing he can make out, which is: I’m coming.
And then he’ll wake up.
LINK TO REDDIE FIC REC LIST PART TWO 
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maxwell-grant · 3 years ago
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Good grief, the mental image of Doctor Quartz making common cause with Fantomas has just struck me - it's not a pretty picture, though one suspects those two would be more inclined to admire the other's work from afar AT BEST (and might well prefer to regard the other as quite as subhuman as every being on Earth other than themselves).
I imagine if there's one villain that Fantomas wouldn't try to kill or sight or would at least begrundingly accept working with for a couple of scenes, it would have to be Quartz, who's inhumanly eerie and skilled at dominating or taming even the most berserk murderers, and neither of their goals are that opposite. Not that it would last, of course not, but there's a slightly more solid grounds for partnership here than with other potential team-ups with Fantomas.
Because on one hand, yeah, obviously Quartz is just as arrogant and sure of himself as the supervillains that followed him, and really, it's not like he's undeservedly confident in his own abilities, being, y'know, the smartest man alive, stronger than a man who can toss bulls for funsies, a perfect gentleman in manners, able to escape death time and time again and so on.
But there's an interesting aspect to him in the stories I've read in that, both he, and the story, actually admit they have a superior, in the form of Zanoni the Woman Wizard, one of the people Quartz corrupted into becoming one of Nick Carter's enemies.
Zanoni is, or was, as mad as any woman confined in an asylum for the insane, but she had a method to her madness. Dr Quartz had utterly destroyed her sense of right and wrong, just as he once sought to destroy yours.
She had no compassion, she loved crime for crime's sake, and she delighted in cruelty and inflicting pain. But she was also throughly learned in the sciences practiced by Dr Quartz that she had become a menace to him rather than a help.
Quartz never the saw the human being he feared - even Zanoni. But Quartz admitted on the witness stand, when he had given up all hope of escape, that she was, if she chose to be so, more dangerous than he, for the reason that she was more subtle.
Don't you remember his saying, "There are some branches of the sciences I practice, in which the pupil has become the teacher: in which Zanoni could teach me"?
One of these days I'm definitely going to have to dedicate a much lenghtier talk about the great female villains of the pulps, and first and foremost among these is definitely going to have to be Zanoni. I cannot find any image that does justice to her so you'll have to go by description:
She's got the deftness of Satan with the brutality of Hercules; the wisdom of Solomon, with the recklessness of the devil; the shrewdness of a woman, with the courage of a man; the softness of a siren, with the strength of a Hercules; the learning of the living wise men of the earth, with the ingenuousness of a girl graduate; and the beauty of an houri, with the brutality of hell itself.
And her incredible lines like
"When the graves give up their dead, then you will find Zanoni. When sheeted ghosts walk the earth and converse with mortals, then you will find Zanoni. When the sun and the moon meet in the heavens and travel in company around the earth, then you will find Zanoni. When angels learn to swear, and devils learn to pray, then you will find Zanoni; but not till then.
Or the classic
Have no fear, my pretty man, my cornucopia of driveling goodness. When I make love to you, it will be to your articulated skeleton–to your empty, fleshless skull–to your heart preserved in alcohol and your liver thrown to the dogs.
As far as I can find, it is actually Zanoni who was responsible for killing Dr Quartz in the last story I can find that featured the character, called "Dr Quartz's Last Play", after he betrays her, and she throws herself off a cliff (the blurb for the next story states she was to return though). I'm not certain of whether or not Dr Quartz came back after this. This story took place in 1912, which intersects with Fantomas's own beginnings.
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Actually, there is an existing "Nick Carter vs Fantomas" story, based on a French play from 1910. I was a bit confused at first as to why Fantomas was showing up in an 1910 story considering he debuted in 1911, but from what I found, apparently Fantomas was only added to the story on the 2007 translation that unearthed the story.
Mind you, that doesn't have to be the definitive explanation for it. Maybe there is something more to the idea that Fantomas's debut has some kind of strange connection to Nick Carter and his legendary Rogues Gallery. Maybe Fantomas is one of the many pupils and understudies of Dr Quartz, or maybe he's a successful experiment of his. Or maybe the two of them crawled out of the same pit of horrors. Take your pick. There's a story here.
And finally, there is an interesting, very amusing factoid about "Dr Quartz's Last Play", and it's the way he's supposedly buried for good 100% definitely pinky-swear this time, in the final sentence of the story.
Nick Carter remained there more than an hour, watching that small fissure in the rocks; but at last he turned away with a deep sigh, and rejoined Chick.
"Zanoni is dead," he said. "We will not search for her."
Doctor Quartz's body was taken far out upon the open sea, tied and sewed inside a shotted hammock, and dropped into the depths.
I'm definitely not gonna say this was intentional, but it does ring up an interesting parallel to another late-19th century megalomaniac mass murdering supervillain, with a bodybuilder's physique and a deserved reputation as "evil incarnate", who used his hypnotic charisma to gather an elite of criminals and monsters, to try and raise hell against a heroic and gentle strongman he had a begruding respect and admiration for, and who was disposed of at the end through a burial at sea
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(if only temporarily).
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lhs3020b · 3 years ago
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Steel Reign
I have some thoughts on the Steel Reign DLC for Fallout 76...
I finished "Steel Reign" earlier. It's the follow-up DLC to "Steel Dawn", but effectively they're halves of the same story. Neither of them stands up on their own. Honestly, they should have been released together.
Now that I've got to the end, I feel ... dissatisfied? It wasn't a terrible ending - it certainly wasn't ME3 levels of badness. What you did in the DLC had some relevance to what happened. However there were also some dropped elements. I let Sheena and Burk go at AMS, for instance - and as far as I know, that was it. Nothing further happened. I also let Tally the Unusually-Sane-Seeming Blood Eagle go at Vault 96; as far as I know, that didn't lead to anything either.
As for the finale, I ended up (very reluctantly) bringing Mad Doctor Guy (whose name I should be able to remember, but weirdly, I can't) in for trial. I got the sense that while the scientists he was working with were a long way from blameless, he was the critical bad influence, and possibly without him they could turn things around and be a force for good. (Also, my character uses, and even knows how to make, mutation serums, so it would be a bit hypocritical to say "no positive mutations for you, ever!") But, I felt discontent with this, and I'm not 100% convinced I made the right choice here. Still, with the Brotherhood basically keeping them under house arrest at Fort Atlas, it's fair to say they haven't gotten away with what they did, and hopefully they can be kept under control. Also, awkwardly, the one who makes the "the universities are gone" comment? She does have a point, however insensitive the phrasing was, especially given the way the Wasteland keeps sprouting new super-science hazards.
(Though, I do find myself wondering, where were these people during the first Scorched plague? If they'd offered their services to the Responders, perhaps they'd have got the vaccine ready in time for it to actually make a difference.)
All of that said, though, I also feel like there was a strong argument for simply gunning the Vault 96 Rusty Hacksaws Crew down. They had after all been involved in something quite horrible. While they agreed to stop doing it, and some of them did express some remorse, a couple of them also seemed to be quite without any hint of a moral conscience. The thing that eventually, decisively tilted me toward letting them live was that gunning down unarmed people was just a bit of an "are we the baddies now?" moment. But, I think you could justify it in this case, and not be 100% egregious.
As for Knight Shin, well, he had a tantrum and ran away. Apparently he's running all the way back to California, where he'll be having a whinge at the Lost Hills BoS Elders. Honestly, by this point I was 100% done with Knight Shin and his toxic mix of arrogance, self-superiority and obvious incompetence. (Throwing himself on the explosives, without even trying to disarm them first? Dumb, dumb, dumb!) Good riddance to him - honestly I hope a Scorchbeast poops on him while he's legging it across Appalachia.
As for Initiate Hewson, I think she’s now my favourite BoS character. She basically reacts to everything the way any of us actually would if we somehow found ourselves there. When she said she needed to go and sit down, I knew exactly how she felt!
The main highlights of Steel Dawn for me were actually the bar trip with Paladin Rahmani - that conversation with her was well-written, and actually humanised her quite nicely. (It also definitively established her as a more sane/pleasant person than Shin.) The sections with Aries through the tunnels were interesting, and I did get a laugh out of how quickly Rahmani's "go in disguise" plan fell apart.
One other bit of the plot nagged me: Marcia. While it was nice that Your Choices Do Matter, and it was nice that being compassionate and reasonable to her was worthwhile, I didn't really like the way that you essentially get forced to make a major decision for her. Personally I think staying with the Crater Raiders wouldn't be sensible - while the Crater crowd aren't Chaotic Evil like the FO3 and 4 Raiders, nonetheless they're still Raiders. But, it should have been Marcia's decision. Part of the whole point of her story was that she was reacting to a lifetime of other people interfering and trying to make decisions for her - which made it ridiculous that you have only two options at the end, and both effectively impose a resolution on her!
That said, when I spoke with her later at Fort Atlas, Marcia seemed a lot happier, so at least it worked out OK in the end.
So, that was Steel Reign. It was OK, I guess? It was nice to have some story content in Fo76 again and to have something to do that's not either chasing Events or remodelling my house, but I don't know? I still felt something was missing, if that makes any sense?
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acavatica · 4 years ago
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i-wakeupstrange said:
i’m not including this in my review of the elevator fic because it was becoming its own huge, ridiculous tangent, but in short: it’s now my headcanon that Marco is into anime (OF COURSE why didn’t I realize sooner) and in a roundabout way that’s Peter’s doing. (he’s a little old for NGE but, I think, about the right age to have gotten real into, say, Robotech. and decide to show his son these shows. because he’s a Cool Dad. or tried to be before... you know.)
Peter told himself that he was watching cartoons because of the baby, but also all the baby books he’d tried to force Eva to read had said that babies have about a foot of vision and see colors like a dog. Then he told himself that he was watching cartoons because the bright colors and laser sounds kept him awake. At least that wasn’t a complete lie. 
The full truth was that he thought Robotech was cool. It was serialized, which was more than he could say for any American TV shows. It wasn’t as if Peter could read Dune with a baby in his arms no matter how much he wanted to, even if he’d missed the last two books and another was coming out later that year. And it wasn’t as if Peter could read Dune anyway since he was off Ritalin again, but that was neither here nor there. TV shows would catch up to book series eventually.
The fact that it had a story he could follow was just a bonus. The real draw of Robotech was that it aired in marathons in the middle of the night. That was a lot less likely to wake up his ten-week-old than changing his Doctor Who tapes every four episodes. Plus, he’d had to pay someone on USENET to ship the tapes all the way from Brighton. If he wore them out, he wasn’t sure he’d be able to find the guy ripping VHS tapes on net.tv.drwho again.
Eva’s alarm went off, muffled by the bedroom door. Peter closed his eyes and let his head fall back against the couch cushion. 5:30 already. He’d been letting her get most of the sleep to reimburse her for the whole pregnancy thing, but now that she was going back to work, he wouldn’t even have a choice.
He listened to her shuffle around the kitchen. He heard every step of her putting on a pot of coffee. Eva never did anything quietly, but it hadn’t taken him long to get used to it. After all, there was nothing more comforting than knowing his ever-so-slightly evil partner would at least never be able to sneak up on him. 
He opened his eyes to catch her shaking out her still-rumpled hair and stretching out the crick in her back. He heard that too, from all the way across the room. Another thing Peter was repaying her for. She saw him watching and closed the distance between them. Eva draped her elbows over the back of the couch and touched her cheek to Peter’s head. Peter took a deep breath, and he smelled her shampoo and the coffee and their new baby. 
Putting his PhD on hold was worth it.
Eva cocked her head to the side, rolling her chin over Peter’s forehead. “Wow, look at her hair. Japan really has progressive ideas about the meaning of ‘spiral curls.’” She walked around to the front of the couch, plopped down, and held out her arms. “Hand him over.”
Marco started whining almost immediately. 
“I’m surprised you know it’s Japanimation.”
Eva rolled her eyes. “We had Japanese cartoons in Mexico. And actually, the acting was way better than this.”
“Yeah, but were there giant fighting robots?”
“I dunno, this shit is for nerds.” Marco was still fussing in her arms, but she was looking down at him like she understood where he was coming from. “You’re gonna make our kid a nerd, aren’t you?”
Peter smiled. “I don’t know what you expected when you decided to have a baby with me.”
“Feh, yeah, ‘decided.’” Eva stretched her leg out and gave Peter’s knee a good nudge.
She pulled her leg back, crossed her ankles, and cradled Marco with her whole body. All three of them fell quiet, and Minmay sang Marco back to sleep.
⁠—⁠—⁠— 
Marco was born whining, and after four years, he still only stopped when he was asleep.
“Why do I have to do daycare?”
“You asked to watch Voltron. It’s the fifth time we’ve watched Voltron. Please watch Voltron.”
Marco bobbed his head back and forth as he quoted the onscreen conversation between Queen Merla and King Zarkon: “The chamber is full of quarks. ⁠— Quirks? ⁠— No, quarks. You see, everything is made of atoms, and all atoms are made of quarks. ⁠— Hm, nice, but how does it work? ⁠— Well, there are six kinds of quarks: up, down, top, bottom, strange. And my favorite kind, charmed.”
“Well. At least we can be sure you’re my kid. And Eva’s. And of why I like this show.”
“If you like it, don’t complain.”
Peter ran his hand over his hair and tried to ignore how thin it was getting. “Definitely Eva’s kid…” 
Marco rolled over closer to Peter and looked up at him pleadingly. “Whyyy do I have to do daycare?”
“Because,” Peter said reluctantly. “I finally finished school, and it was really hard, but I got a cool job out of it.”
Marco’s eyes basically tripled in size, and he poked out his lower lip. Definitely, 100% for sure, Eva’s kid. “But I’ll miss you.”
Peter sighed. “I’ll miss you too. But you’re starting school in the fall anyway, so think of it like practice.”
Marco crossed his arms and turned his eyes back to the TV. He stayed quiet for maybe a minute, long enough for the pilots to form Voltron. Without taking his eyes off the TV, he said, “What if they don’t know how to microwave Spaghetti-Os?”
“If there’s any lesson you have to learn, it’s that sometimes you have to settle for Spaghetti-Os that aren’t made by Chef Boyardee Champion of the World, Your Dad.”
“Spaghetti-Os aren’t even Chef Boyardee,” Marco mumbled.
Peter reached his leg over and nudged Marco’s knee with his foot. “Don’t you want to be brave like Lance?”
Marco pushed Peter’s foot away, crossed his arms again, and sank into the couch. “No. I wanna be diablo-lolical like Prince Lotor.”
“Well, Prince Lotor doesn’t even need his dad.”
Marco glanced over at Peter, and Peter grinned. Marco sank even further into the couch until his feet almost touched the floor.
⁠—⁠—⁠— 
The bluish glow of the TV cast long shadows across the room. There wasn’t much contrast because it was a pretty dark movie, but Marco was still illuminated against the dull, colorless room. The volume was only one notch above mute, but he was sitting on his knees, so close to the TV that he could almost make out every word. It’s not like the sound would have bothered his dad, even if he turned it all the way up. Marco kept it low so he could still hear Peter breathing, and even acknowledging that feeling ate away his insides.
It had been a whole year, and for a while Marco had tried not to think about how he was the only thing keeping his dad alive, in more ways than one. It got harder the longer Peter didn’t get better. Marco didn’t even have cable to distract himself from his messed up life. He just had the same old VHS tapes, and they’d had to donate a bunch of them to Goodwill when they’d moved. 
The box was still there, still packed and next to the TV, labeled in Marco’s sloppy kid handwriting. Peter hadn’t helped with the move⁠—it had mostly been Jake’s family and his mom’s relatives he’d never met and would probably never see again. Marco could still see his hands pulling the tapes off the shelves, sorting them, reading the labels in Peter’s sloppy grownup handwriting, and not being able to bear to throw away the memories of sitting between his mom and dad with popcorn in his lap, even if he might never be able to watch those tapes again.
There were only a few tapes scattered around the plastic milk crate the TV sat on. The rest were still in the box. Marco had gone through them dozens of times, and he was still limited to the few tapes he didn’t associate with a time when he had a family. 
He’d never watched Ghost in the Shell with his dad. That was probably a good thing, because there was a lot of nudity, and that was always awkward. There was also some gore, which Peter knew gave Marco nightmares, even if he pretended not to be scared. Marco had played the movie in front of Peter dozens of times anyway, but his eyes didn’t track it, and he didn’t tell Marco that he should turn it off, he was too young to see all these nipples.
Marco turned around, blinded from sitting so close to the TV. He didn’t need to see his dad. He knew he was curled in on himself, his face buried in the place where the back of the couch met the seat and the arm. There was no way to know if he was asleep or awake, and Marco wasn’t even sure those words had meaning in Peter’s life anymore.
“Hey Dad,” Marco said, his voice creaky, either from disuse, disgust, or some other kind of emotion. “What do you think about the whole brains jacking into the internet thing? Realistic? It seems like the kind of thing you’d have worked on.”  Marco listened to Peter’s breathing. It never changed. Marco could say anything. “You know. When you worked.”
Marco turned away, back to the TV. He pressed Stop, and the tape clicked off, flooding the room with light so bright and blue, it hurt his eyes. He pressed rewind and the whir of the tape drowned out Peter’s breathing. It was crazy, but as the VCR started to grind to the end of the tape, Marco was suddenly, irrationally, completely sure that when the tape stopped rolling, the room would be totally silent. His body flashed hot and then cold and his pulse pounded painfully in his temples.
The tape clicked off. Marco held his breath.
Peter breathed in. Out. In. Out.
Marco pressed play, turned the volume up a few more notches, and got to his feet. As he passed, he shoved his dad’s leg with his foot. He stood over him, waiting like he expected some kind of reaction. The TV lit up his motionless body in green, gray, white. The cyborg pulled the cables out of her neck and stood.
“If only someone would ghost hack you.”
Marco went into his bedroom⁠—the only bedroom⁠—and slammed the door.  
⁠—⁠—⁠— 
Marco’s back was flat against the dirt floor of the scoop, his head resting on his folded arms. His right leg was draped over Ax’s back and he’d slowly tangled his left leg up in Ax’s tail. Ax didn’t like that, and he knew Ax didn’t like it, and that’s why he’d taken it slow. He’d started by sticking his leg under Ax’s tail. He’d waited a couple weeks, and then he’d surreptitiously make a loop over the course of an hour. Now, after like a month of acclimating him, Ax’s tail was wrapped around Marco’s leg like a boa constrictor, and maybe Ax didn’t even notice.
He definitely noticed. Marco had just pulled off an incredible feat of exposure therapy. Ax just wasn’t allergic to how annoying Marco was anymore. Too bad the allergy was familial, and it was harder to wallow a hawk into submission.
<You’re not even watching,> Tobias complained.
Marco lolled his head to the side and pointed his eyes at the TV. “Why are you making me read TV, Tobias? The point of TV is to not have to read.”
<Subtitles are more authentic,> Tobias said, his voice dripping with condescension.
“But what about Ax? Poor Ax can’t read at all.”
<I can read,> Ax said, his voice a mixture of defensive and arrogant. <And even if I couldn’t, my translator chip has no trouble processing Japanese.> Snobbiness ran in their family too. 
“I’m just saying, I’d be able to pay more attention if I could understand the words and look at the pictures at the same time. You know, how it’s intended to be consumed?”
<It’s intended to be consumed in Japanese.> 
Marco rolled his eyes and sighed. It was the obnoxious kind of sigh, the voiced kind that’s practically a groan. “It’s just robots, dude, it’s not that serious.”
<Neon Genesis Evangelion is art, Marco,> Tobias said, ratcheting the pretension up to eleven. <It’s an exploration of how humanity would develop, given exposure to advanced alien technology in the face of an oncoming alien threat. And the only thing protecting humanity from annihilation is some teenagers with special powers. It’s like, relatable.> 
“Wow,” Marco said sarcastically. “Never seen anything like that before.” That was basically the plot of Robotech mixed with Voltron, but boring.
<I mean, you must have never seen anime before, or you’d know how terrible the English dubs are.>
Marco sat up on his elbows and narrowed his eyes. Ax tightened his tail ever so slightly around Marco’s leg, like he was trying to hold him back. Marco pulled his leg free. “That’s pretty funny, since how could you even have watched so much subbed anime when no one cared enough about you to buy you decent clothes or new shoes or Clearasil? Let alone to go out of their way to buy you anime, subtitled specifically, the way it’s intended, of course.”
Tobias stared at him. Ax stared at him. Hell, Shinji Ikari stared at him.
Marco couldn’t take even a minute of it. “Say something.”
<I just wanted to share something I like with you.> 
Tobias opened his wings, fluttered to the edge of the scoop entrance, and flew away.
Ax was still looking at him with all four eyes. Marco squirmed, but he pressed his lips into a line and didn’t break eye contact.
<That was too far,> Ax said finally, his voice more gentle than Marco deserved. <Why did you react so forcefully?>
“I don’t want to talk about it.” Marco leaned around Ax, grabbed the remote, and changed the audio to English. “Let’s just watch this dumb robot show.”
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