#and set it during a funeral

[cinnamontoastcrunch-15]

Sirius found him outside the house.

After looking around the small cottage Remus had grown up in, he had almost given up all hope of finding him; until he stepped out through the front door and saw smoke coming from his right. Following it almost instinctively, he came across Remus, leaning against the wall, cigarette in hand, staring off into space. His black shirt was untucked, tie loosened, and top button undone.

Sirius knew better than to ask Remus if he was okay. Especially not on that day. The answer was obvious, anyway.

Instead, he walked over, watching Remus snap out of his strange, spaced out mindset. He didn't turn to face him, though. Sirius stopped beside him, leaning and looking out where Remus was.

Still not talking, Sirius held a hand out. With a fond sigh, Remus handed Sirius a cigarette. He lit it with a click of his fingers, waiting in silence.

"I'm fine." Remus said finally. Sirius nodded.

"Okay."

"It was just- it was too loud in there. Stuffy. Needed to get away from everyone telling me they were 'sorry for my loss'." He added. Sirius turned to glance at him, Remus' eyes still fixed firmly on the floor. "You didn't have to come and find me." Sirius shrugged, turning away again.

"Wanted to. Whether you think it's stupid or not, I'm not leaving you on your own today." Remus didn't answer, but Sirius needed him to talk, to open up a little. Remus was being too stoic, and Sirius knew it was eating him up inside. That was just what Remus was like. "It was a really beautiful service. You did a good job." He felt Remus tense slightly beside him. "Hope would have loved it."

Remus' breathing started to go a little shaky, and Sirius knew what was coming.

"Padfoot..." Remus started, turning to him. "I'm- I'm not fine." Sirius nodded, dropping his cigarette and stamping it out as he pulled Remus into a hug.

"I know." He murmured, feeling Remus wrap his arms around Sirius. "I know, it's okay."

Remus dropped his head onto Sirius' shoulder, taking a shaking breath.

"How am I meant to just... move past this?"

"You don't have to, I'm right here, and I'm not going anywhere." Sirius whispered.

Of course he was.

"Thanks, Padfoot. I'm glad you're here." Remus answered, voice breaking slightly.

Remus was his world, he'd do anything for him.

[vyborg]

In my head Russia's funeral starts like a normal closed casket funeral but at some point the casket is opened (Belarus) and there’s just a random man of Russia’s height and weight crammed into the casket so the funeral turns into a treasure hunt (the treasure is Russia's corpse) and no one can figure it out. because decades before kicking the bucket he arranged for his corpse to be cremated and had his ashes put in the confetti tubes America was planning to burst at his funeral but no one let him do that because it’s generally improper to burst confetti tubes at funerals.

[phantastragoria]

The tragedy that is the majority of viewers not catching onto the fact that Gamora had tons of internal cybernetics and an entirely replaced skeletal system when those are the only things that will remain long after she's gone.

[tennessoui]

pbatmb anakin telling obi-wan “i’m not wearing that” for the four word prompts please!

so this is pbatmb anakin saying "i'm not wearing that".

but not to obi-wan.

(1.2k) (warnings: general pbatmb warnings apply? vaguely fluffy sorta disturbing, a few uses of daddy but not in a serious way)

There’s a thunk on the other side of the door. It could be either Cody’s fist or his head.

Anakin doesn’t particularly care. He stares directly opposite him, drawing his legs closer to his chest as he shifts on the marble floor.

“Skywalker, come on,” the man says, sounding impatient. Anakin sneers. “We’re going to be late.”

“Fuck you,” Anakin says, resting his chin on his knees.

“We’re going to be late and your fiance is going to think you’re getting cold feet and planning to leave him at the altar and he’s going to make it everyone’s fucking problem in the entire goddamn city. Including me.”

Anakin narrows his eyes, considering the words. He’s not—he doesn’t want Obi-Wan to think he’s running out on him. He’s in his suit, light gray with a golden pattern swirling through the fabric, pristine white shirt and tie, lingerie beneath it all. He’s washed and plucked and styled, and he’s ready to marry Obi-Wan Kenobi.

He is absolutely not ready to leave their shared bathroom in their loft to go to whatever venue Obi-Wan has booked for their ceremony and then their reception. And that has nothing to do with his soon-to-be husband.

And everything to do with his husband’s brother, currently thumping his fist—or head, and Anakin prefers that mental picture—against the locked door to the—to the tune of…

He’s on his feet and unlocking the door in a fit of pique. “Is that really fucking ‘Here Comes The Bride’, you fuc—”

Cody’s fist, raised and pulled back for another knock, doesn’t stop. 

Not until it makes contact with Anakin’s eye.

The pain is secondary to the fucking shock. “Holy shit,” he says.

To his credit, Cody doesn’t look as celebratory as Anakin’s always thought he’d look after laying a punch on Anakin.

He actually looks pretty fucking terrified. “Fuck,” he says succinctly. “Obi-Wan’s gonna kill me.”

“Yeah,” Anakin agrees, turning around to look in the mirror behind him. “Holy shit, Fett. I’m bleeding. You made me bleed on my wedding day.”

“Quick,” Cody says. “Display the bedsheets.”

Anakin leans over the sink and prods at the red skin beneath his eye in morbid curiosity, pushing extra hard over the small cut left behind by Cody’s ring. “Oh, dead man walking’s got jokes. Tell that one to Obi-Wan, I think he’d love the implication another man took my virginity. On our wedding day.”

Cody’s glare could level a city. “Now you have to wear this.”

“I’m not wearing that,” Anakin shoots him a look in the mirror. “I wasn’t going to let you tie a blindfold on me before and now that you’ve punched me in the face, not sure I’m trusting you more.”

“Yeah, well. Before you were going to put this on because your fiance requested that you’re led to the venue blindfolded—ostensibly so it’s all a surprise, but if you ask me, he doesn’t think you can run as fast without your eyes—and now you’re going to wear it so Obi-Wan doesn’t see the shiner you’ll be sprouting in a few hours.”

“You think I’m going to wear a blindfold my entire wedding?” Anakin asks, laughter bursting out of him. “You think I’m getting married to someone as hot as Obi-Wan Kenobi, and I’m not going to look at him? Fuck, Fett, if I thought it’d work, I’d tear out everyone else’s eyes so I could look at him through them as well.”

“You say the most disturbing things like they’re something to be proud about,” Fett says, a bit like it’s a miracle.

“Like you’ve never torn out a man’s eyes,” Anakin rolls his own and prods at his cheek again.

“Yeah, well, at least I’m sane enough to understand they’re pretty fucking useless outside of the skull,” Cody leans against the doorway with a sneer.

Anakin sneers back. “Daddy, look what Cody did to my face, Daddy. Daddy, it hurt and I cried it hurt so bad. Daddy, did you hear that? I gave tears that should have been yours to Cody instead.”

Cody starts forward automatically, eyes narrowing. Anakin smirks at him.

“Just practicing, Cody,” he smiles. “In case it comes up.”

“You dirty fucking liar.”

“Yeah,” he nods. “Is that news to you?”

“Skywalker, wear it.”

“Fett, no.”

“Skywalker.”

“Fett.”

“Skywalker.”

“Fett.”

There’s a vein pulsing in Cody’s forehead. It’s the prettiest thing about him. 

“Skywalker. I’m putting this blindfold on you. And you’re going to fucking consent to it because it’s what Obi-Wan fucking wants from you. And me. And it’s my brother’s fucking wedding day and honestly, I was really hoping we’d never fucking get here, but fuck if life’s been that nice to me, ever. Even once.  And when I go to sleep, the idea of leaving you on the side of the road in a soggy cardboard box like a stray cat in a fucking hurricane is literally my happy place. Add a few bullets in your most annoying bits, it’s practically heaven, alright, so please don’t think I care about your wedding day, but fuck you if you think I don’t give a fuck about his.”

It may be the most Cody’s ever spoken to him in one go.

He narrows his eyes and weighs his options.

“Fine,” he says.

“Fuck yo—wait. What?”

“Fine,” Anakin turns to face him with a shrug. “I might never trust you not to punch me in the face given half a chance—” he gestures to his eye. “But Obi-Wan wouldn’t trust me with just anyone. Especially blindfolded. So. If I’m marrying into his mob and his multiple properties and his family, I guess. I guess I’m marrying into his trust in you.” 

Cody’s eyes narrow. “What else.”

Anakin shrugs again and grins. “And I can’t wait to hear you try to convince Obi-Wan Kenobi to last the whole wedding ceremony—to me—without demanding to see my eyes.”

Cody’s face freezes, fabric of the blindfold stretched between his fingers.

Feeling very obliging all of a sudden, Anakin leans forward to press his face into the silk. “But Cody, you have to know that if my daddy asks me to do something—like, I don’t know, show him my eyes during our wedding ceremony—I will.”

Cody grimaces. Anakin smiles.

—--------

“Thank you, Cody,” Obi-Wan murmurs as Fett guides Anakin to a stop in front of him. “I’ll take him from here.”

“I think I’m just realizing you made me walk him down the aisle,” Cody hisses. "Kenobi, it fucking looks like I'm giving him away."

“It’s not as if he has a father to do it,” Obi-Wan points out, hands wrapping around Anakin’s, strong and sure and achingly familiar. “Thank you for your service.”

“I thought you wanted the venue to be a surprise,” Fett sounds furious.

Anakin beams. “I’ve known it’s going to be in the club for ages. Who do you think suggested the venue? Ceremony and reception in one place with our bed a few floors away? Come on, use your brain, Cody.”

“Don’t make me punch you again,” Cody mutters as he takes a step back.

Obi-Wan’s tone changes like a light flickering off. “Again?”

“Yeah,” Cody huffs. “Did I fucking stutter?”

[backjustforberena]

Okay, so if I had to pick to read the script of any of the scenes where Rhaenys is a central focus but says nothing or only says a line or two, I'm torn between these:

But a special shout out to:

Anything in Episode 09 - I'm talking realisation of capture, Erryk picking her up, being in the crowds, the whole Dragonpit sequence. She says no words in any of that except she wants her dragon.

The scene in Episode 07 where she and Corlys are watching Viserys leave Driftmark and she just gives him a look before leaving him at the window.

What about everyone else? If you could know what a moment looks like in the script, which moment would you pick?

[lemonhemlock]

I didn't think about him being a knight and having endangered himself before, you're right!

I was mostly thinking along the lines of one of the kids being directly attacked and him probably not jumping at the opportunity to get between that (I feel like he would/could but he'd probably think about whether it's the smartest decision/in favour of his goals whereas Aemond would act rather rash).

Maybe he would protect Alicent without further thought tho (but I am not knowledgeable, I just base my opinions on vibes).

What do you think?

Hi there!

I think Otto gets a little bit of a bad rep in general. He doesn't talk the talk without walking the walk, if you think about it. As I've said, he has already put himself twice in harms' way on the same bridge on Dragonstone - once against Daemon, once against Daemon & Rhaenyra, both times facing dragons, both times ready to throw hands if necessary. He's not hiding somewhere in the background, he's the first to fall if things go awry. Tywin Lannister, another Hand of the King, would have simply sent an envoy, for example, and it's not for lack of courage, as he fights in battle himself to save his family from Stannis.

Which is why I think it's the more notable that Otto went himself, on behalf of the Crown. If he is willing to do that for the institution, to perform what essentially is a ceremonial, albeit (unnecessarily, for him) dangerous act, why wouldn't he protect Alicent and his grandchildren if they were in the way of direct harm?

It's also important to note that he never intentionally placed his daughter in harm's way. In his mind, Viserys is a good man who would never mistreat her (in a way he understands as being significant).

Similarly, I think a lot of this confusion stems from the political climate not being relayed properly to the viewers. Otto fully expects Viserys to change his heir once he has a son. Fandom likes to believe this is evil machination from his part, plotting Rhaenyra's murder years in advance, but most other noble lords think the same thing. Does anyone think Corlys and Rhaenys were trying to get Laena and her future children killed by putting her forward as a potential bride? Does anyone think Rhaenys was secretly plotting to defenestrate Rhaenyra while they were sassing off on that balcony? Jason Lannister shows up from way out west and fully expects Aegon to be named heir as well. People are very confused when Viserys doesn't budge.

Otto is not so unfeeling as to reduce his daughter and grandchildren to canon fodder for his personal ambition. He wasn't expecting this problem in the first place. He is taken aback and has to recalculate and re-calibrate his strategy. That is why he starts insisting to Alicent in private that she also join him in pushing for Aegon as heir. That is why he suggests betrothing Rhaenyra to Aegon. That is why he tells Alicent her children will be in danger if Viserys doesn't switch. He wasn't tricking or trapping her in a future bloody war over succession when he sent her to comfort/distract the king. Viserys is the rogue element here, someone that we in the field of international relations would say is not behaving like a rational actor.

Which is what I think Otto was doing in the eye-gouging trial as well. Taking in information and making a cost-benefit analysis. Aemond's eye was already lost by that point and perhaps he thought there was nothing to be gained politically by further antagonizing Rhaenyra. Alicent was also the one with the knife; she had the upper hand in that moment. Don't get me wrong, I don't think Otto is flawless here - he is not Westeros' no 1 hugger and comforter. For example, he could have interjected himself in support of his daughter, instead of her slowly losing her mind. To further the Tywin comparison, for all his faults, he would have been raging there at the King alongside Cersei. Otto has a different personality - he works more behind the scenes. Nevertheless, I don't think he would have stood idly by if Viserys suddenly decided to start removing the tongues of his family members.

[leesh]

this is so

[nocturnalsleuth]

Cursed With Visions (had a dream that spawned three transformers ocs)

[vxctorx]

❛   i didn’t leave because i stopped loving you. i left because the longer i stayed, the less i loved myself.  ❜ / from Zach just after they break up?

@id1eyouth quotes that broke me

❝—I was never really waiting for an explanation.❞ The half-burnt stem of his cigarette tumbles from between his fingers and onto the grounds outside of the cathedral, its light snubbed beneath the heel of his boot. Despite his grieving heart, the edges of his eyes appear to be dry. ❝—I know you're here to keep up appearances, but you didn't need to come. Is Charles with you?❞ Those last few words stray away from him as though by habit, their meaning growing lost in-between courtesies as his hand and arm are pressed in condolences by a belated attendee.

[azuremist]

“Unfinished Painting” — Keith Haring

This painting was left intentionally incomplete. Haring began it when he was dying due to complications from AIDS, and knew he didn’t have much time left. The piece represents the incomplete lives of him and many others, lost to AIDS during the crisis.

“AIDS Memorial Quilt” — Multiple

This quilt is over 50 tons heavy, and one of, if not the, largest pieces of community folk art. Many people who died of AIDS did not receive funerals, due to social stigma and many funeral homes refusing to handle the deceased’s remains, so this was one of the only ways their lives could be celebrated. Each panel was created in recognition of someone who died due to AIDS, typically by that person’s loved ones.

“Untitled” (Portrait of Ross in L.A.) — Felix Gonzalez-Torres

This pile of candy weighs the same amount as Gonzalez-Torres’ partner, Ross Laycock, did. Ross Laycock had died due to AIDS-related complications earlier that same year. Visitors who see this piece are encouraged to take some of the candy. As they do so, the pile of candy weighs less and less, like how AIDS had deteriorated the body of Ross Laycock.

The SF Gay Men's Chorus

This photo was taken in 1993. The men in white are the surviving original members. Every man in black is standing in for an original member who lost their lives to AIDS.

“Electric Fan (Feel it Motherfuckers); Only Unclaimed Item from the Stephen Earabino Estate, 1997” — John Boskovich

After the death of his lover, Stephen Earabino, from AIDS, Boskovich discovered that his family had completely cleared his room, including Boskovich’s own possessions, save for this fan. An entire person, existence and relationship had been erased, just like so many lives during the AIDS crisis. Boskovich encased the fan in Plexiglass, but added cutouts so that its air may be felt by the viewer, almost like an exhalation. In a sense, restoring Earabino’s breath.

“Blue” — Derek Jarman

This was Jarman’s final feature film, released four months before his death from AIDS-related complications. These complications had left him visually impaired, able to only see in shades of blue. This film consists of a single shot of a saturated blue color, as the soundtrack to the film described Jarman’s life through narration, intercut with the adventures of Blue, a humanization of the color blue. The film's final moments consist of a set of repeated names: “John. Daniel. Howard. Graham. Terry. Paul". These are the names of former lovers and friends of Jarman who had died due to AIDS.

“Untitled” (Perfect Lovers) — Felix Gonzalez-Torres

Created by the same man who created the previous untitled piece, this piece was also inspired by his lover’s deterioration and death due to AIDS. This piece consists of two perfectly alike clocks. Over the course of time, one of the clocks will fall out of sync with the other.

In a letter written to his lover about the piece, before his lover’s passing, Gonzalez-Tourres wrote, “Don't be afraid of the clocks, they are our time, the time has been so generous to us. We imprinted time with the sweet taste of victory. We conquered fate by meeting at a certain time in a certain space. We are a product of the time, therefore we give back credit were it is due: time. We are synchronized, now forever. I love you.”

Please feel free to reblog with more additions

[mycartoonmonster]

With the context of the Book of Bill and the characterisation of Bill, I ended up finding that all the members of the Zodiac have a thing or two in common with Bill Cipher.

Six fingered hand-Stanford Pines

-Both have a genetic mutation which they got ostracized for but made them interested in the worlds beyond.

- Both are egocentric and smart.

-Both have a thirst for revenge to prove the people around them they were wrong about them.

-Both didn't mean to endanger their dimension (Ford wanted knowledge and Bill wanted to show them the stars)

-Animals aren't safe around them (Ford set a bird on fire by mistaking it as a Phoenix and Bill ripped out a deer's teeth in his debut and in the storyboards of Weirdmageddon P1 he uses a deer to forcibly kiss Ford's statue as if they were his Barbie and Ken)

-Both have a weird sense of humor

-Both are considered criminals in the multiverse (Theft in Ford's case and Manslaughther, Murder alongside other stuff like mass property destruction in Bill's case)

-Both project onto others they see as similar to themselves (Bill with Ford-and on a minor scale Pacifica-and Ford with Dipper)

-Both ended up getting tricked by a conman (Ford by Bill and Bill by Stanley)

-Both are authors! (The Journals and the Book Of Bill, which are essentially diaries that talked about what their lives were, a bit about themselves and the creatures they found through their life)

Crescent symbol/Fish-Stanley Pines

-Both are scammers

-Both share mannerisms, one of them being referring to Ford as Sixer(which led to people theorizing Stan was Bill's reincarnation)

-Bad relationship with their parents but seem closer with their mom (Bill's parents tried to make him blind to the 3rd dimension but it seems Bill genuinely loved his mama Scalene while Fildbrick didn't value Stan as much as Ford and Caryn was the only one worried about Stanley and was one of the 2 persons that assisted his fake funeral)

-Both were seen as a bad kid growing up (Bill by the people on his dimension due to his mutation and the habilities this granted him while Stan was seen as lesser than Ford due to the latter's gigantic IQ and his rebellious nature)

-Both made one mistake that heavily affected the course of their lives and can never return home because of it (Stan ruining Ford´s project and Bill setting his home ablaze)

-Both didn't mean to push Ford away from them nor put their families in any danger initially(Bill wanted Ford to continue with the portal and got sad after their fallout and Stan did what he did in a moment where he wasnt thinking rationally and it cost him 30 years of loneliness and guilt)

-Both went to jail on different occassions (Stan on Colombia and Bill after going on a rampage in the bar while drunk after the fallout with Ford and the Theraprism if you wanna add it)

-Both tend show only 1 eye to people as well as a cane (Bill only has 1-although he can shapeshift and have multiples as seen in his demon form- and he uses the cane mostly in Dreamscappers, a bit in Sock Opera and in the intro for Weirdmageddon while Stan uses a patch and an 8 ball cane for tourists during his mystery man persona)

-Both used their art to influence people (Stan with the Mystery Shack's attractions and Bill using animation and figurines which failed, unlike Stan's works, unless you count the Lil' Stanley comic)

-Both have used a red demon costume once (Bill in the book and Stan in a picture in Gideon Rises)

-Both wanted to set the journals on fire (with Bill actually doing it in Weirdmageddon Part 1)

-They find Dipper's disstress/fear and annoyance hilarious (Stan teasing him vs Bill terrorizing him)

Glasses-Fiddleford McGucket

-Both end up going insane after a traumatic event (The destruction of his home dimension in Bill's case and McGucket taking a peek into Bill eating his own exoskeleton after crossing the portal)

-The times they helped/aided people it ended bad for them (In McGucket's case, Dipper with his new voice and the Gideon Bot that ended up getting destroyed in the scuffle with Dipper and in Bill's case; Dipper became Bill's puppet and Gideon didn't get the Shack's signature hence he had to use dynamite as a plan B and Weirdmaggedon only lasted 4-5 days for the Henchmaniacs while in McGuckets case's Shacktron didn't survive against Bill as they didn't consider protecting the arms and legs the same way that the Shack was protected)

-Both played a part in the creation of secret societies (Fiddleford by creating The Societyvof the Blind Eye and Bill by the Ciphertologists and inderectly creating the Anti-Bill Cipher society by terrorizing 4 persons)

-Underneath all that insanity and very deep in that broken mind, there is one very smart broken guy.

-Both lost their families (At least Fiddleford could reconciliate with some of it but Bill doesn´t have the same chance anymore)

Bag of ice-Wendy Courdory

-Both are rebellious and dislike authority figures.

-They like to do what they want with no regard for rules

-Both abused their power on more than one occasion (Wendy by stealing snacks and throwing water balloons at the elderly when working at the pool and Bill throughout his deals and in Weirdmageddon)

-They've had guts to face powerfull creatures (Bill the Time Baby and Wendy stuff like the ShapeShifter, the Unicorns or the Eye Bats in Weirdmageddon)

-Both lost a mom when they were young.

Questioning Mark-Soos Ramírez

-Both are smarter than what they look like upon first sight.

-Both lack a dad (Bill's died while Soos's left him)

-They have a funny side to them (Bill more leaning to sadism though)

-Both had their eyes damaged by Mabel (Soos by getting attacked with glitter in Stan Is Not What He Seems and Bill by getting sprayed with graffiti paint in Weirdmageddon Part 3)

Stiched heart-Robbie Valentino

-Both had their relationships ruined by their own arrogance, negligence and dishonesty (Bill being an abusive partner while Robbie was immature).

-They did not take the fallout with their partner well (at least Robbie would never dare to do anything similar to what Bill did)

-They tried to pursue their partner after the break up but to no avail (Bill with threaths and later on with offers of power and Robbie by using music as seen in Gideon Rises and both actually using messanges-Bill wasting Ford's Post-it notes and Robbie sad emails and texts to Wendy)

-Both are good with music (Bill can play the piano and xylophone as seen in his apology video and Robbie can play the guitar and both can sing)

-Both insulted Soos or referred to him in condescending ways (Robbie called him Big Dude and Bill adressed him as "the fat one")

-Both had beef with a 12 year old and wanted to harm them (Robbie wanted to fist fight a child aka Dipper and Bill planned to commit suicide in Dipper's body, turn the mystery twins into corpses, disassamble their molecules and almost kills Mabel in the series finale)

'Both got turned to stone at one point in Weirdmageddon (Robbie when it started and Bill at the end of it)

One eyed Pentagram-Gideon Gleeful

-Having too much power that they acquired at a young age which heavily affected them and began their rise to villainy

-Both have a hatred towards Stanley Pines for meddling with their plans to obtain absolute power and ultimatetly ruining their plans which ended with them in prison.

-Both burnt a picture of the object of their affections; destroying the section with the rest of their family and leaving their faces untouched.

-Both planned to use Mabel and Dipper to get one of the original mystery twins to give them what they wanted

-Both left the Pines Twin they were interested on imprisoned during Weirdmageddon.

-Both deep down craved adoration and attention.

-Both lead a gang of criminals but dont treat them with a much respect as the one Pines Twin they are pining on while hating the other twins for thinking they turned them away from them when in reality it was their actions that did.

-Both got punched in the face by a Pines Twin in a season Finale inside someone´s head (Gideon Bot's and Stanley's)

-Both seem to care about their appearance (Gideon worrying about his hair the most and Bill about his bowtie, given the scream he lets out when Dipper blasts him and him readjusting it a couple of times during Weirdmageddon)

-Both ended up in prison after acquiring a position of absolute power where they do art therapy

-Both are snappy dressers and use their charm to trick people

Llama-Pacifica Northwest

-Both had messy childhoods that turned them into who they are now.

-Both are pretty good liars and can trick people very easily (Bill with his deals and Pacifica in the Lost Legends comic)

-Both look down on people they see as inferior to them(Bill with humans and Pacifica with the working class, hillbillies and the Pines before the events of The mystery of the Northwest mansion and Weirdmageddon)

-Both see themselves as monsters that cause havoc no matter where they go or what they do (Pacifica in dreams and Bill due to what he did in his home)

-Both were forced by their parents to act in a certain way (Bill´s at least loved him and were good intentioned)

-Both are fighters (Pacifica by defying her parents wishes, facing against the ghost and the face stealer in Lost Legends and refusing Bill's deal in her dream and Bill could stand a fight with Shacktron which he ended up defeating and in his book its implied he can fight easily against demons or ghosts)

-Both have wore a crown (Pacifica in her debut episode and Bill in his portrait in the Penthouse suite of the Fearamid)

Shooting Star-Mabel Pines

-Both are agents of Chaos (Mabel being Chaotic Good/Neutral and Bill Chaotic Evil).

-Both enjoy partying and to have fun.

-Both have a wild imagination and a sense of style.

-Both like karaoke and have had a karaoke night with one of the original mystery twins

-Both have eaten stuff normal people shouldn't eat/gross things(Bill his exoskeleton and illegal punch and Mabel getting wasted with Smile Dip, a leaf, huge amounts of sugar that would end with her sick, Mabel juice and she once got hospitalized by eating sniff and scratch stickers)

-Both like makeovers (as seen in a part of the book of Bill where he talks about hiding the blood of his past)

-Both think highly of themselves (Bill's bottomless ego vs Mabel being secure about her talents, qualities and appearance)

-Both have social skills that made others attracted to them, mostly loners or freaks (Bill with his Henchmaniacs for their shared love of chaos and Ford with his smarts and cosmical knowledge and Mabel with Candy and Greta by being weirdos and not being as popular as Pacifica and her posse)

-Both adress Ford as "Fordsy"

-Both have rolled in the grass in Gravity Falls(Bill while possesing Ford during puppet hour and Mabel in Tourist Trapped)

-Both put their wants over other people's and/or their needs (Like in Sock Opera but even if Mabel is sometimes selfish at least apologizes and learns from her mistakes while Bill doesn't care who he hurts and would never apologize)

-Both use white out to exclude certain stuff they dont like from reading material to "fix it" or crayons/markers to cross them (Mabel with the dialog in the Comix Up story in Lost Legends or certain things such as her summer romances and in the Mabel´s guide to color with the picture and Bill with a section where part of The Great Gatsby is shown on his book where he mentions assigned reading or stuff like his exes and his former friend The Oracle/Seven eyes)

-Both became gods of destruction, first time by accident and the second with full intention(Mabel by accident with the rift and ending with MabelLand and Bill with the accidental destruction of his home and with Weirdmageddon)

-You could argue they're awfull when it comes to romance (Mabel's attempts always end in failure and Bill fumbled Ford so so hard)

Pine Tree-Dipper Mason Pines

-Both are good at decoding codes and solving mysteries and have good academic skills.

-Both didn't have many friends growing up and were picked on as kids (Bill for his mutation and Dipper for his birthmark)

-The times they wanted to prove themselves to others ended badly for them (Dipper caused a zombie apocalypse and Bill destroyed his dimension by accident)

-The names they use aren't their real names (Bill confirmed in an AMA years ago that Bill Cipher is just a name he picked so humans could converse with him without going bonkers upon first contact and Dipper's name is actually Mason but everyone refers to him as Dipper due to his birthmark)

-Has cloned himself (Bill's are a natural hability for him while Dipper made copies of himself via paper-rest in piece Tyrone)

-Both were adorable as babies.

-Both got obsessed with someone to the point of messing with their personal lifes (Dipper with Wendy during her relationship with Robbie and Bill with Ford and his relationship with McGucket)

-They changed hats at different points in their life; Dipper in Tourist Trapped changes from his green hat with a five point star to the classic blue pine tree while Bill sported a multicolor hat as a kid before changing into a tophat (if we take the theory that Bill's hat was originally his father's then both Dipper's and Bill's were owned by a family member before being passed on to them, Dipper's belonging to Stan)

I know this is probably just a coincidence (save the stuff with Ford as some were meant to highlight the bond these two had and establish parallels between the two, making them doomed soulmates and adding another layer of sadness over the toxic yaoi) but a fun one still.

Thanks for reading!

[listen-to-the-inner-walrus]

hello and welcome to the uk is a fucking hell country, part 284829494

[alt text:]

Anti-monarchists receive ‘intimidatory’ Home Office letter on new protest laws

Home Office claims timing of new powers, taking effect days before king’s coronation, is coincidental

Ben Quinn, Rajeev Syal and Vikram Dodd

Official warning letters have been sent to anti-monarchists planning peaceful protests at King Charles III’s coronation saying that new criminal offences to prevent disruption have been rushed into law.

Using tactics described by lawyers as “intimidatory”, the Home Office’s Police Powers Unit wrote to the campaign group Republic saying new powers had been brought forward to prevent “disruption at major sporting and cultural events”.

The new law, given royal assent by Charles on Tuesday, means that from Wednesday:

Protesters who block roads, airports and railways could face 12 months behind bars.

Anyone locking on to others, objects or buildings could go to prison for six months and face an unlimited fine.

Police will be able to head off disruption by stopping and searching protesters if they suspect they are setting out to cause chaos.

Jun Pang, a policy and campaigns officer at Liberty, said: “Key measures in the bill will come into force just days before the coronation of King Charles – a significant event in our country’s history that is bound to inspire a wider national conversation and public protests. At the same time, the government are using a statutory instrument to bring draconian measures that the House of Lords threw out of the bill back from the dead, once again evading scrutiny and accountability.

“It’s worrying to see the police handed so many new powers to restrict protest, especially before a major national event. When the Police, Crime, Sentencing and Courts Act came into force, the police repeatedly misused them – in part because they simply did not understand them. Similarly, when Queen Elizabeth died, we saw police acting in inappropriate and heavy-handed ways towards protesters that violated their rights.”

Shami Chakrabarti, the former shadow attorney general, said: “During the passage of this illiberal and headline-grabbing legislation, ministers admitted that the new offence of ‘locking on’ is so broad as to catch peaceful protesters who link arms in public.

“Suspicionless stop and search is notorious for racial disparity and it is staggering that more of these provisions have brought into force so soon after Louise Casey’s devastating report [on the Met police]. The home secretary can blast ‘ecowarriors’ but this legislation may be used against anti-poverty and Ukraine solidarity protesters too.”

A statement from the home secretary, Suella Braverman, said: “This legislation is the latest step the government has taken against protesters who use highly disruptive tactics to deliberately delay members of the public, often preventing them from getting to work and hospital, as well as missing loved ones’ funerals.

“The range of new offences and penalties match the seriousness of the threat guerrilla tactics pose to our infrastructure, taxpayers’ money and police time.”

full article here

so just to sum this up, peaceful protesting can now land you in prison for a year and you might face an unlimited fine which i believe is up to £5000, and police can now stop and search you if they believe youre "setting out to cause chaos"

its specifically being put in place right before charles' coronation, but these are now considered criminal offenses so theyre not exclusive to it.

you know, a country where you can be put in prison for a year for peaceful protesting really doesnt sound like a fucking democracy to me.

[peachesofteal]

Fix You

John Price/female reader 11k words - AO3 - story is set in Through Me (The Flood) but is an AU and can be read as a standalone. Tags: 18+ major character death, heavy angst, loss of a loved one. Grief. Overconsumption of alcohol. Explicit sexual content. Emotional hurt/comfort. Complicated feelings. Angry sex. Caretaking. Trauma. Tenderness. Reader is a widow.

John Price knocks on your door in the late afternoon.

When the doorbell rings, you slip the baby into her bouncer and rub Orion’s hair affectionately at the table where he’s scribbling away with some crayons.

You’re not expecting anyone, but you guess it could be Cami. Though she usually just waltzes through the front door after using her key.

But it’s not.

It’s John.

You’re silent in front of him, eyes wide. He’s holding a bag, a black duffel, still dressed for work, for battle, face pinched in despair. Your heart lurches. “What is it?” He peeks over your shoulder to where the kids are, preoccupied, happy.

“Is there somewhere we can talk?”

“No,” you tell him sharply. “No, I- what is it? Where is he? How bad is it?” His eyes soften, and he whispers your name. You barely notice when he reaches over to close the front door, too busy cycling through every worse case scenario. He eyes the chairs on the porch.

“Let’s sit down.”

“No.” You’re going to be sick. “Just tell me. Say it.” There’s a long moment where your life plays out in front of you. The stretch of before, and after. John takes a deep breath.

“He’s gone.” Gone. Gone as in, missing? Gone as in, on a different mission? What does gone mean? Your confusion must be blatant, because he reaches for your shoulder. “He’s dead. I’m so sorry.” You jerk away and laugh. That’s all you can do. Laugh. Laugh at the absurdity. Simon's not dead. He can't be. That makes no sense.

“No, he’s not, he can’t be. I literally just talked to him, like three days ago. He said you guys were wrapping up, that you were done.” He shakes his head.

“I’m sorry, he’s-“

“Stop. Don’t- don’t say that. He’s coming home. You’re all supposed to be home next week, he promised, he-“ Your mind is fighting something your heart already knows. “It’s not true.”

“We ran into a situation, there was-“

“Stop!” You back away, bumping into the railing. You’re shivering, sobbing, unable to catch your breath.

“C’mon,” he says gently, trying to guide you towards the chair, but you don’t budge. You can’t. If you don’t move from this spot, you don’t have to accept it. If you don’t move from this spot, you don’t have to move forward. You don’t have to live a life without him. You don’t have to walk inside and tell your son his father is dead. Your daughter won’t have to grow up without ever knowing him.

“Please.” Your voice cracks, and you stare up at him. “Please, it’s a mistake, it must be. It has to be. He can’t- He promised, he promised.”

“I know.” You shake your head.

“Please.”

“I’m sorry, I’m so, so sorry. I couldn’t save him, I-“ His voice breaks, and then you do, sobbing so loud you’re sure it can be heard over the hills. A scream is building up inside you, burning and itching to get out, and he tugs you forward, cradles a hand around the back of your head and pushes your nose to his chest.

When it finally breaks free, it echoes directly over John’s heart.

You’ll never understand how people can say funeral services are beautiful.

They’re not.

They’re agonizing. Devastating. The last screw in the finality of your new reality.

It’s only you, the kids and his team. That’s all he had.

“You’re everything mama. I love you so much.”

Orion’s barely old enough to understand. He asks when he’ll see his dad again, and your answer is traumatizing for your child, at best. Daddy’s not coming home, you tell him. Daddy’s going somewhere else now, somewhere better.

He’s dead.

You black out during the entire thing. There are words being said, by a priest, by Johnny, by John, flowers being thrown. Cami stands at your side, holding your daughter, the child who will grow up never knowing her father. Barely five months old. Occasionally you look over at her, blissfully asleep, and you feel envy. Envy of your own child, who will never know this loss. Who will never feel the pain of losing Simon Riley.

Someone asks you if you want to do the honors of dumping the first shovelful of dirt onto his coffin.

You laugh out loud.

What a ridiculous custom.

Johnny and Kyle exchange a look of concern, you ignore them. You know what they think.

“Let’s get you home.” John’s eyes linger on your face, their sapphire and gunmetal shine holding you captive for a second as you grapple with what he’s said. If you were more present, more aware in this moment, you’d probably say they were akin to the palest hydrangeas, the color of the shrubs growing in your own front yard.

Fortunately, or unfortunately, you’re not in any state at all, you’re just here, standing at the edge of the cemetery, staring at a mound of fresh dirt.

The dirt covering your husband.

Orion hugs your legs, trying to force his way between your knees. You’ve long tuned out the sound of his wails, unable to give him more, give him anything except your relentless grief.

You should be stronger, for them. Should handle this better.

There are a lot of things you should have done. Should have told him you loved him more. Should have been the one to hold his hand as he died. Should have made sure he wasn’t scared and alone at the end.

The gaping wound in your heart tears wider, and your knees buckle.

John wraps his arm around your shoulders, steadying you, shifting your weight into him, keeping you upright. Cami watches, gaze glossed over with tears, baby in her arms. Your baby. You and Simon’s baby. Orion cries louder.

“I can’t do this.” You whisper, to no one, to the wind-

But it’s John who answers. “You can.”

There are voices in the kitchen.

It’s late now, long after sunset, the day you buried your husband almost over. More and more of him slips away. You get farther and farther away from the last time you saw him, spoke to him, heard his voice with every second.

It aches, so you close your eyes instead and tuck the blanket under your chin, curled up with your nose in the couch cushion.

The kids are asleep. You’re hoping you’ll follow. Soon.

“-want us to stay?” It’s Kyle. He’s trying to keep his voice down but you’re only in the other room, on the couch, staring at the wall.

“No,” John assures him. “You guys go home. I’ll be here.”

“You sure? The kids… if she’s not feeling up to it, or needs help…” Cami’s voice is wet, still heavy with sadness.

“I’m here. I promised him.” There’s a long pause, and he clears his throat. “I’ve got her.”

You can’t dwell on them for too long, exhaustion of the day finally dragging you down, slowing your breathing and cutting off your consciousness, giving you a reprieve from the grief by sealing you away from it in your sleep.

“Mama?” Orion’s little voice calls for you in the dark, and you jerk awake. The baby is crying. Someone is knocking on the door.

“Hey little man,” your throat is raw, your voice not your own. His little eyebrows crease together.

He looks so much like him.

You glance around. You’re no longer on the couch but tucked away in bed, slippers placed neatly on the carpet, phone plugged into the charger. Odd, considering you fell asleep on the couch.

“You hungry?” He nods as you sit up and wipe the sleep from your eyes. “Alright, let’s have breakfast then. What do you think sounds good?”

“Waffles?” “Okay. Go wash up while I go get Nix.” And figure out who’s at the door.

“John.” His hands are in his pockets, beanie folded up on his forehead, and you don’t miss the way he evaluates you, crying, wriggling baby in your arms, still in your pajamas, Orion hollering about breakfast in the background.

“I wanted to come by and check on you guys.” Right. Of course. Come check on the widow. What if she can’t get herself out of bed? What if she’s too sad to take care of her kids? He grimaces and clears his throat. “You’re uh… you’re wet.” He inclines his head towards Nix, who is mouthing at your chest over your t-shirt. Shit.

“Oh, crap. Uh, come in. We were about to have breakfast. Well, not just about. Ry wanted waffles and I was about to start them,” you’re babbling down the hall, glancing at Orion in his booster seat at the counter, banging around a bowl and spoon like a little king waiting impatiently for his meal.

“’cle John!” He claps, and John smiles.

“I’ll start them for you while…” He trails off and you smile awkwardly.

“Thanks.”

Phoenix is an easy baby. She latches easily, eats easily, goes down to sleep easily. She’s a breeze compared to Orion at this age.

Small blessings, you guess.

Simon said it was you earned it, after Ry. You deserved it.

What did you do to deserve this?

“Mama sad.” Orion whispers, his mournful little voice the first thing you hear when you shuffle out of your room. Nix went down after a change and a burp. Easy.

“She misses your daddy,” John answers, “like us.”

“Yeah.” You bite your lip so hard it stings at the sound of his voice, dejected, depressed, palm finding the wall to stay upright.

The world tilts, falling out beneath you. For a second, you can see him. Standing on the other side of the counter, black sweatpants low on his hips, pouring some milk in Orion’s little orange cup, Nix cradled against him, stretched across his forearm. Simon laughs, licks his finger, and rubs something off the corner of Orion’s mouth.

You want to scream.

It’s a memory. Nothing else.

“.. okay?” John’s standing in front of you, head tilted, cupping your elbow. “You alright?” You raise your eyebrows, and he rolls his lips inward. “Sorry, course. You just… you looked a little sickly there for a minute.”

“Mama!” Orion yells, rocking back and forth to see you on either side of where John blocks the hallway. “Waffles!” You slide your hands down your shirt, Simon’s shirt.

“You made waffles?”

“Pre-mixed batter isn’t so hard. The lad was hungry.” Guilt simmers in the pit of your stomach, pinches your cheeks inward. “Hey, it’s okay. He was fine, jus’ a little impatient.” You nod, and he jerks his head back to the kitchen. “C’mon, I made you some too. And there’s fresh coffee.”

“Did you put me in bed last night?” You’re wiping down the countertop, some movie enrapturing your toddler in the background. He hesitates, and then nods.

“You were falling off the couch. Didn’t want you to brain yourself on the coffee table.” Your fingers curl around the mug, still warm to the touch, shoulders bunching beneath your ears before you forcibly relax them.

“Well, thanks.” I guess. An uncomfortable silence settles between you, questions evaporating on the tip of your tongue.

“I was going to head into town today for some groceries, can I get you anything?”

“Formula.” You blurt. “I can’t… we’ll need formula.” You don’t want to explain to him how it’s too much now, to breastfeed. How you won’t be able to handle it on top of everything else. How you think your milk will probably dry up anyway, bowing and breaking with the waves of your despair.

“What are you thinking about for dinner?” He scratches at the underside of his chin. The beard is overgrown, something you haven’t seen on him in a while, and there are dark circles under his eyes.

He’s grieving too. You know it.

You just can’t find it in you to care.

Something is weighing on John. Something is tied around his ankles, tethered to the sea floor, waiting to drag him beneath the surface. You see it. There’s guilt in the lines of his face, tension between his brows.

You wonder if there is blood on his hands.

“Why are you here, John?” You don’t intend to ask, but the words have a mind of their own and slip free.

“Wanted to stop by.” His voice is tight, rough like yours this morning. “Check in, see if you needed anything.” There are a million things you want to say, but words fail you. You don’t know how to tell him he should just leave, because nothing will ever be okay. You’ll always need something.

Simon.

Your husband.

The father of your kids. The man whose shirts are hung up in the closet. His paperback book still sitting open on his nightstand. His toothbrush still in the cup by the sink.

The agony you’ve managed to lock away for a few brief moments breaks free again, and you clap your hand over your mouth to muffle the heaving sob. John looks past you to where Orion still sits in front of the screen, mesmerized, and then takes you by the elbow to the bathroom.

“I’m sorry,” you whisper, settling on the closed lid of the toilet, still choking on the lump in the back of your throat. “I told you, I can’t do this, I can’t. I can’t be without him, I don’t know how to be without him, I can’t-“

“Hey,” He’s crouched down, evening the height difference, looking at you with an expression so serious it quells your spiral for a fleeting moment. “You can do this. You have two beautiful kids who need you to do it for ‘em.” He hands you a square of toilet paper, and you wipe your nose.

“I want him back, John, I- I need him back.” You tuck your hands between your thighs, suddenly freezing, cold from the inside out.

“I know,” he murmurs gently, “I know you do.”

“There’s a lasagna in the fridge. Cami left it last night.” He’s tugging on his jacket, your handwritten grocery list from the fridge tucked in his pocket.

“Oh.” She’s texted you multiple times today, and all have gone unanswered. You don’t know what to say. “That was nice of her.”

“I’ll be back in a few hours after I take care of a few things and do the grocery run. You’ll be alright?” He’s treating you like glass. Like you’re a bomb primed to explode, big red letters counting down to an inevitable explosion. You manage to nod.

“Yeah.” The smile you give him is painfully fake, and you know he clocks it. “I’m going to hang out with the kids. Cuddle on the couch.” His smile is more genuine, but small.

“I’ll help you with dinner later.”

“You don’t have to.”

“I don’t mind.” He turns to leave, but you call his name before he hits the door.

“John?” His eyes meet yours. Blue. Crystalline like the sapphire on your finger. You clear your throat. “Thank you.”

He nods.

John finds you catatonic on the couch one morning. Nix in her day crib, the one that’s a permanent fixture in the living room, and Orion perched in front of an old Disney movie for the hundredth time this week.

You’re failing. Failing your kids, failing as a mother, failing to keep yourself patched together.

You thought you’d be stronger if it ever happened. You promised him you would be, but the promises have turned meaningless, your integrity torn to pieces.

You can’t remember the last time you showered or brushed your teeth. You’re sure you smell.

At least the kids are clean. Dressed. Fed. You’re not a complete disaster, you guess.

Still, when John appears in your line of sight, brows knitted together with worry, you’re caught off guard.

“Oh.” You blink, his frown deepens.

“I was calling your name. Were you somewhere else sweet?” Sweet.

“Sorry, I was�� lost in thought.” He takes you in from head to toe, you in all your grimy glory.

“How about you take a break?” Irritation ignites, and you grit your teeth.

“I’m fine,” you snap. “I don’t need help.” His arms cross his chest.

“It’s not a request. You’ve been wearing those sweatpants for four days. Get up, and get in the shower, or I’ll put you in myself.”

“Fuck off.” You hiss, and his eyes widen, surprised. How many people have surprised John Price? Close to none, you imagine.

“That’s enough.” He hauls you off the couch by your forearms just as Orion glances your way, little brain no doubt trying to understand the situation. “Be right back, bud.” John soothes him, and you seethe at how easily your son, Simon’s, nods and returns to his movie.

He’s gentle somehow, dragging you to the bathroom, but still forceful as he holds you by the elbow and reaches into the shower to turn the tap on.

The little fight that was inside you is gone. You wilt. “I’m sorry,” you whisper to the floor, fingers knotted together.

“It’s alright.”

“It’s not.” You’re sniffling, crying for the hundredth time in the last few days, and he rubs your upper arm.

“Nothing is going to be okay for a while,” he murmurs, “forever, even. But you’re not alone, okay?”

“Okay.”

The rest of the week goes too fast. You’re getting farther and farther away from it, from the moments when Simon was still alive in this world, when he still existed.

Desperate to slow it down, you don’t sleep. You sit in the kitchen and scroll through your phone, replaying the same videos over and over again, tears dripping down your cheeks. Grief is an emotion, but it’s a physical ailment too. It rots in your stomach and starves you. It aches between your ribs, so viscerally it’s like there is a knife twisted there, scraping against your bones, sawing between your muscle.

You take care of the kids in a daze. Feed and change Nix on autopilot. You give in to Orion’s every wish without a second thought, and he has waffles every morning. Chicken nuggets every night. Ice cream sundaes with too much chocolate syrup and a mountain of whipped cream. As much screen time as his little heart desires. You let him sleep in your bed, curled up in your arms, his little fist clinging to the neck of whichever shirt of Simon’s you’re wearing.

He can’t sleep in his own. He wakes up crying.

Cami comes over and stocks your fridge and freezer. She refills your tea canister. She vacuums the entire house. She feeds and changes the baby. You watch, listlessly, and when she’s finished, she squeezes your hand with a promise to be over again in a few days. You don’t have the words to thank her, so you don’t try. You want to believe she knows anyway.

John is the steady presence. He’s here, doing the dishes, making sure the three of you are eating, helping with the kids. He watches you shrewdly, careful.

A ticking time bomb.

One he’s afraid to set off.

It doesn’t matter how much they try to lessen the burden of living. How much they try to support you. They can’t change anything. They can’t stem the bleeding of your broken heart.

Seven days after Simon’s funeral, you crack the bottle, the one you had shipped from the states, stupid expensive Kentucky bourbon, caramel colored gasoline.

The baby is asleep. Orion is exhausted from his day with Gaz and Cami.

You’re alone on the front porch, curled up in a blanket, the hood of Simon’s sweatshirt pulled over your head. The only light you have is the green glow of the baby monitor. Otherwise, it’s just you, the moon, and the stars.

The hoodie still smells like him. So do the pillows. His t-shirts. His side of the closet. It’s a blessing. It’s agony.

You drink directly from the bottle, though you should use a glass. Simon would chastise you for not using a glass. He would tell you to sniff it from the rim of a tumbler, and then laugh when your nose wrinkled.

You should use a glass, but you don’t. It’s easier to take big sips this way.

Truck tires crunch on gravel, and then the broad figure of John Price stands at the foot of the porch. “Hey.” You raise the bottle, expecting him to laugh. He doesn’t. The stairs creak beneath his feet.

“What do you have there?”

“Bourbon.”

“Kentucky?”

“The one and only.” You take another swig, baring your teeth when it burns. You shake it. “Want some?”

“Think you’ve had enough for both of us.” Ass. You bristle, anger boiling in your blood, but you’re too drunk to stay on track and unleash it.

“Why are you here?” It’s the same question you asked earlier this week, but you still don’t understand. He holds your gaze for a long time. The only thing you find there is devastation.

“I promised him.”

“You promised him what?” He rubs the back of his neck.

“This isn’t a good time for this conversation, let’s go inside-“ You don’t budge. You can’t.

“You promised him what, John.”

“I was there,” his voice is hoarse, and there’s a heaviness to it, an agony the two of you share. “And he knew. He knew we wouldn’t get him back in time, no matter how fast we landed a bird.” You can’t see, vision blotted out by your tears. You want to put your hands over your ears. You want to know everything single thing. The two sides battle, and your cheeks grow wet like your face is upturned in a downpour. “He made me promise to take care of you. To take care of the kids. Grabbed me by the front of my vest and asked me to swear. So I did. I swore. I swore and I’m not going back on my word to him. I never will.”

“You were with him.” You’re not sure you want to know, but you have to. You have to know every piece of him, even this. Even the end.

“Yes. I was with him at the end. He wasn’t alone.” You clutch the bottle against your chest, so tight you’re afraid it might break, shatter the glass into your fingers. It would hurt less than this.

“Was he scared?”

“No. He was only thinking about you. You and the kids. He wanted to make sure you were going to be okay, that was all he cared about. He dug the pocket square out of his vest and held it over his heart.” The sob breaks free and destroys the dam holding everything together. Your body shakes with it, the ugly noises coming from within you, the pain of losing the love of your life.

“You were supposed to keep him safe.” Your voice raises, the alcohol tainting your ability to be rational or stay quiet.

“I know-“

“Mama?” You jolt, turning to ice, pressing the heels of your hands to your eyes. John swears under his breath.

“Orion,” you croak. He’s stricken, holding his sippy cup, wide eyes focused on your face. “It’s okay, everything’s okay.” You try to reassure him, but his panic only increases, and you fail in the moment, unable to offer him comfort. John steps between the two of you and crouches.

“Hey bud.” He points at the sippy cup. “Need some milk in there?” Your son nods, trying to peek around him to see you. “How about,” John scoops him up, “we get you some more milk and get you back in bed okay?”

“I want mama.” His voice trembles. You feel sick and close your eyes, but the next thing you know there are little arms wrapping around your neck in a hug, your boy’s hair under your nose. You look up at John, his eyes red and his face tormented.

“Say goodnight and she’ll see you in a little bit, okay?”

“I love you, little man,” you kiss him once, twice, before rubbing his back. “Let Uncle John get you some milk and put you back to bed, okay? I’ll be in soon.” Their voices disappear down the hall, and you twist the cap on the bottle.

Down the hatch.

“He looks like him.” Orion is rolling around in the living room, playing with his magnatiles while Nix is on her back, feet in the air, kicking at the play arch. John hums, stroking a hand over his beard. He’s finally trimmed, looking more like himself and less like a mountain man.

It’s a strange feeling, to see him and notice it looks better. Good, even.

“He does.”

“Guess we’re lucky, in that way. Having these little pieces of him.” Orion has his eyes, his shoulders too. They have the same smile, even some of the same mannerisms, and it hurts so much to think about how it will fade over time, how Orion will no longer be able to mimic his father. John steers your mind away.

“Can I help you with dinner?” “No, I’m okay. But… if you want to stay, you can.” He should, but you don’t say it out loud. You don’t admit to him or even yourself that you’ve become reliant on him, his consistency, the steadfast force in your lives.  Weeks have passed, and he hasn’t given up, no matter how hard you fight and fall apart. No matter how destructive you, the maelstrom at the center of your family’s life.  

“We all lost-“

“You didn’t lose anything!” You’re screaming, finger jabbed in his chest, pushing him backward. He lets you. He doesn’t flinch. “He was mine! He was mine, not yours. He was ours. Our son’s. Our daughter’s. He belonged to us.” You’re barely breathing, suffocating underneath your grief, fingers going numb. He reaches, but you step away, swaying on your feet. You whimper. “F-fuck.”

“Come here.” It’s not a request, not the gentle coaxing you’re used to from him. It’s a command from a captain. When you don’t, he strikes, grabbing you by the arm and dragging you into his chest, hand at the back of your neck. “Breathe.” He rocks you side to side slowly, head down, rumble in his diaphragm soothing against your ear. “C’mon, you can do it. Big breaths.”

“I can’t.” It’s the same thing you’ve been saying over and over again. You can’t do it, you can’t do this, you can’t you can’t you can’t you-

“Yes, you can, you can. Try. I’m right here, I won’t let you fail. I promise.”

“John said you needed a break.”

“John doesn’t make decisions for me.” You snap, and Cami winces, triggering a tidal wave of guilt. “I’m sorry Cam. I… I’m having a hard time.” She rubs your shoulder.

“I know. It’s okay. You’re not going to offend me or push me away. I just want to help.” You sigh. “Let me take them for the night. You can catch up on some trash tv. Read a book. Take a bath.” She whittles you down, and you finally concede.

Except being alone is bad for you. It’s bad for your mind. It’s bad for your heart.

Hours later, John finds you in a pile of Simon’s clothes. You’re curled up, nose buried in cotton, skin swollen under your eyes. “Oh, sweet.”

“Go away.” You don’t even lift your head.

“No.”

“I don’t want you here.”  

“That may be but I’m not leaving you here by yourself like this.” There’s an empty bottle of wine buried in this pile somewhere, and he plucks it free by the neck. “Didn’t save any for me?” It’s supposed to be a joke. It falls flat.

“I didn’t want… I didn’t want to have to think.” “I know.” He pulls you into a sitting position, palm cupping your cheek. “It’s okay.”

“I can help,” he motions to the kitchen. “I know how good you are with rice.” His smile turns mischievous, bright blue irises sparkling in the low afternoon sun, and you glower.

“I’m not that bad.”

The sink gets clogged one afternoon.

You try to diagnose it yourself, scrolling through google results on how to DIY it, try standing on your own. You’ll have to get used to it; you guess. Being a widow and all.

The attempts last about thirty minutes. Just in time for your front door to swing open, little feet hauling down the hallway, your son breathless and excited to tell you all about his trip to the park with John and Gaz. John follows right behind, trying to remind him about Phoenix’s naptime.

He pulls up short at the sight of you next to the sink, a pile of tools in the bowl.

“I uh… it’s clogged.” His lips twitch into a half smile. “I tried to fix it; I thought I should try. You know since…” You still have a wrench in your hand, but Orion is tugging at your shirt.

“Here,” he takes the wrench, touch casual as two fingers of his wrap around yours. It’s innocent. It’s nothing. But here he is, fixing your problems. Selflessly again, helping you out.

You’re not sure where you’d be right now if he wasn’t around-

At the thought, guilt so violent almost makes you double over.

Cami and Gaz host a spaghetti dinner, and you leave the house for the first time in weeks, months even. Time is a thief.

There’s laughter coming from the living room when you open the door, Orion sprinting from your side to where his uncles and aunt are hanging out. When you cross the threshold, Nix cooing in your arms and a loaf of banana bread in your free hand, the voices screech to a stop.

“Hi.” Your enthusiasm is lacking, but you’re trying. You really are, even though this is all you can give. Cami smiles excitedly as John stands and crosses the room.

“Let me help you with that.” He grabs the bread, warm hand briefly settling in the middle of your back before it disappears, taking the baby bag off your shoulder. You breathe him in, cigar smoke and pine. It’s calming, somehow. Familiar. “You okay?” He knows how hard this is. Knows how you tossed the decision back and forth, unsure, uncomfortable. You did it for Orion, in the end. You can’t deprive him of his community, so you nod silently.

Cami pulls you into her arms, putting her finger in Nix’s fist and pressing her cheek to yours. “I’m so glad you came.” You manage a weak smile.

“Me too, I… it’s good to see you. And everyone. Ry was really excited.” You look past her to where Soap has him in his arms, moaning and groaning about how they’re nearly the same size.

You take a deep breath.

You can do this.

They tiptoe around you all night. It should bother you, but it doesn’t. You’re not ready for anything else. For stories, for meaningful conversation. Everyone keeps it light. They veer away from work. They treat you with kid gloves.

It’s fine, but it’s exhausting, trying to keep yourself under control. Trying to quiet the ringing in your ears, trying to swallow the lump in your throat.

You almost manage it. But then someone slips up.

“- an’ that piece o’ shite. Simon was so pissed; I thought he was going to rearrange his face before he let him go.” Gaz laughs, you freeze. “He won in the end though, didn’t he? Always did, until-“

“Soap.” John cuts, and the table goes dead silent, as if they forgot. There’s a warm hand on your knee, but it’s not enough. Cami is shaking her head, blinking at him in horror, and Gaz glares. You stare down at a pile of peas.

“’m sorry,” Johnny whispers, stricken. “’m so sorry. I miss ‘im too, it helps… to talk about ‘im, ye know? I-“

“That’s enough.” John’s command is scathing.

You throw a quick excuse me over your shoulder as you make your way to the bathroom by the kitchen.

You try to breathe deep, but the oxygen doesn’t come as fast as you need it. You’re falling down the dern, despair filled hole that plagues your every waking hour. The reality you try to shove away, the fact that you’re here and he’s not.

Knuckles rap against the door. You undo the lock to come face to face with John, who steps inside and closes it behind him. You keep your gaze fixed on the floor, chest heaving. “Shhh,” he murmurs, pulling you close, “it’s alright.”

“I’m sorry.” He wipes the tears from your cheeks, tipping your face up.

“You have nothing to be sorry for. Soap is oblivious sometimes.”

“It’s not up to me to tell people how to grieve.” He wraps you in a hug.

“It’s not, but he should treat you with respect.” You nod, drifting, trying to burn the words from your brain. You’re holding onto him. Clutching at his shirt, and he rubs a hand up and down your spine. It’s good. Warm, and comforting. You sink deeper, let him hold you, seeking solace. The strength you find in John.

You rest your cheek against his chest. “I’m so tired. I want to go home.” You whisper, and he smooths a hand over the back of your head.

“Okay. I’ll take you.” There’s another knock on the door, and you grimace.

It’s Cami. She has the baby on her hip, tears in her eyes. “I’m so-“

“It’s okay. Really. I’m just tired.” You’re lying, but you don’t have the heart to tell her the truth. She knows anyway. You never should have come. “I think I’m gonna head home.”

“I figured. I packed some food to go, and Gaz has Orion at the door.” Your best friend, always so kind, so thoughtful.

“Thanks, Cami. I love you.”

“I love you too. Text me when you get home, okay?” She passes Nix into your arms, following her with a hug, and you press your face to her shoulder before pulling away.

“I will.”

It’s been three days since the dinner, despondency settling back into your routine like it never left.

The kids help, John too. They keep you focused. They keep you alive.

“An’ cookie!” John smiles. It’s the lips quirked to the side one, the gleam in his eye one, combined with his standard issue work hair and beard, thick cable knit sweater stretched across the firm weight of his shoulders. It’s navy. Complements his eyes.

A flicker of heat burns in your stomach, between your legs, taking you by surprise.

You’re staring. You’re staring and he looks away from Orion, meeting your eyes, a question forming in them until you clear your throat and glance away, focusing on the baby in your arms and the last of her bottle before trying to get Orion prepared for the end of his night.

“Come on little man, finish your dessert so we can get your pajamas on.”

“U’cle John help me.” His arms cross against his chest, and you give him a reproachful look.

“What do we say when we want to ask someone to help?”

“Please.”

“Yes, please. Good job.”

“Please ‘cle John?” John glances your way, hesitant, and you shrug.

“Sure, bud. Once you’re finished.”

The kitchen gets the final wipe down when John slinks out of Orion’s room, clicking the door shut softly behind him.

“Nix go down?”

“Easily. She’s never fussy. Sleeps like a dream. Thanks for helping with him.” There is a glass on the coffee table, and a bottle of wine. You meant to have some earlier but got distracted. “I was going to have a glass of wine and watch something, want to stay and hang out for a bit?” You love your kids, but only having a baby and a toddler to talk to all the time can get old fast, no matter how much you love them.

His fingers brush yours when he takes the second glass from your hand, and you swallow. Your throat is suddenly dry, and you shiver.

The movie is two hours long, but forty-five minutes and two glasses of wine in, your head starts to feel heavy, and your eyelids grow lazy.

“- want to go to bed?”

“No,” you sigh. Your head is quiet, and you’re curled up against something warm, drifting in the sweet space between sleep and waking, low volume of the tv murmuring in the background. “Gonna stay here.” The blanket is tucked around your shoulders, and you snuggle deeper, sagging into the cushions. You’re almost there, just on the cusp when you jerk. “Baby monitor.” You mumble, and a whisper traces an arc from your temple to jawline, touch so featherlight it’s hard to know if it was ever there at all.

“Sleep, dove. I’ll be here.”

“We were going to have another baby you know. He wanted another one so badly. Kept trying to knock me up every time he was home.” The ice rattles in your glass, and you cast a long look at the half empty bottle between the two chairs you’re in on the porch.

“He told me.”

“He did?”

“Mmm. Kept talkin’ about how you turned him into a caveman all the time.” You laugh. It’s real. A real laugh, something unbidden, releasing from your chest. John raises his eyebrows, and smiles.

“That’s how it was. He was always like that.” The stars are really bright tonight. They have been, ever since you buried him. You’re not sure if there’s less light pollution lately or if you’re just paying attention more. Sometimes you want to believe it’s something else entirely. If it’s a piece of him making them glow for you. Lighting up your sky. Wrapping you in a blanket of midnights, little collections of constellations in his arms. “They’re named after the stars, you know. The babies.”

“I know.” He sips his whiskey. “Orion the giant hunter, son of Poseidon, and Phoenix, rising from ash to be reborn.”

“Yeah.” You’re crying, again, and you wipe the tears away as quickly as you can.

“They’re beautiful names.” You don’t answer. There’s nothing to say, so the two of you sit there, side by side on the porch in silence until you break it.

“I’m angry at him. I’m so mad, he broke his promises. He broke all his promises and left me here. He left me.”

“He didn’t do it on purpose. He loved you so much.” You twist the ring on your left finger. It’s looser now, your inability to stomach most things starting to show. You wouldn’t have even noticed, or cared, unless John said something. ‘I promised I’d take care of you. That includes not letting you turn into a beanstalk.’

“He didn’t keep his promise.” There is the crux of it. All the promises made, only one kept. ‘Til death. Except he’s gone, and you’re still here.

Turning into a ghost.

“Can you hang out with the kids for a little bit tonight?” His brow pulls together, pinching in the middle, lines of his forehead wrinkling just bit, just enough to remind you of his age.

“Sure, everything okay?” Your eyes find your feet.

“I want to go to the cemetery.” His mouth opens, and whatever was going to come out of it disappears with his nod.

“Alright.”

You’re sick.

That’s the only way you can explain this, laying here on top of the plot, bottle of Kentucky bourbon in your hand. You’ve dumped some on the ground at the base of his stone, a toast of some kind, a sad, hopeless connection sitting one sided.

This is a special kind of agony. It’s the kind that wears you down. It makes you ill. It has you wishing you could dig up his coffin and crawl inside it. Sick. Rotting from the inside out.

“John’s kept his promise to you,” you manage another large swig, wiping your mouth with the back of your hand. “He’s always around. Helps with the kids a lot. Keeps us afloat. I guess he takes his pledges pretty seriously.” Another swig. This one leaks from the side of your lips. “I hate you, you know that? If you weren’t dead, I’d kill you myself. You weren’t supposed to leave us here. You were always supposed to come home. You promised.” You dig into the earth, dirt and grass compacting under your fingernails.

The night is dark and starless.

Figures.

You’d do anything to change this. Anything. You can’t carry it. You can’t bear it. It’s too heavy. Too much. For one moment, you’d like to not feel it, to not know the crushing weight of your grief. It follows your every waking minute. It follows you in your dreams.

When people die, there are always these fantastical stories floating around about their loved ones seeing a bird, or a cloud, or a rainbow. Some overwhelmingly positive sign leading them to believe the deceased is at peace.

It’s all bullshit.

There are no signs. There is no peace.

There’s only you, and the dead man you love in the ground.

It’s late when you make it home.

You probably shouldn’t have driven. It’s a short ride to and from the little graveyard on the hill, but you’re ashamed to have done it.

You know better.

“Didn’t hear you come in.” Your keys clang against the counter, forgotten as you turn to face him. The lie gives you pause. He knew you had come in. Simon never missed the sing of a door hinge, the latch of a window. You know they operate. How they function.

Still, you let it go. You don’t have the mental capacity to call him out.

He’s closer than you expected. Close enough you can smell him. It’s always the same, cigars and pine. Fresh needles fallen on the forest floor. He reminds you of it too in a way. The woods. Something about him, the way he fits into his sweater, the rough heels of his hands, like he’s felled a thousand trees and could go for a thousand more.

He’s got amber gold on the rocks in his hand, more whiskey. The ice has diluted it a bit, a thin watery film sitting on the bottom of the glass. You wrap your fingers around the rim and tip it to your lips. It burns. The clock ticks, the two of you breathe in and out. In and out.

“I can’t carry this.” You blurt, setting the glass down a little too hard. “I know you think I can… but I can’t. I’m drowning.”

“No one expects you to right now…” He’s talking, reassuring, supporting you, but there’s nothing except for his eyes. They’re the color of the ocean, the one you swam in the weekend Simon put the ring on your finger.

Your ears are ringing. Your blood is hot, the alcohol rewiring your brain until it conjures wild ideas about an escape. Maybe you don’t have to carry it, for a minute. Maybe you can close your eyes and share it with someone. Share it with him. Just for a minute.

“John.” You whisper, still focused on his eyes.

“What is it?” You twist your fingers in his sweater, dirt from under your fingernails getting caught in the wool, and he tenses, confused. “Hey, maybe-“ No maybes. You swing onto your toes and drag him downward, pressing your mouth to his in a rush. He grunts, but the kiss lingers until he pulls away. “You’re drunk.”

“Yes.” You can’t place the look he gives you, mind too far gone. If you were sober, you’d say it was significant. He cups your cheek.

“Let’s sit down and-“

“No. John. Please. Help me carry it. Please.” Electricity crackles in the air, his hand sliding to your neck where he holds it firm with two fingers.

“We can’t. Shouldn’t. It’s just the grief, it’s-“

“Please.” You raise yourself back onto your toes, and though he’s dead still, he doesn’t stop you. He doesn’t stop you as you kiss the corner of his mouth, beard brushing against your chin, and he doesn’t stop you when you find his lips again, parting your own, holding onto his shoulders.

He groans, hands drifting to your hips and digging into them, gripping you so tight, a pendulum swinging, pushing you away, pulling you back, until he gives in.

You’re kissing captain Price, for fucks sake. Your husband’s boss, his friend. One of the most important men in his life.

The betrayal burns.

This is wrong. So wrong, but there’s a wild piece of you that wants it. Likes it. The pieces that have taken solace in John have now turned to something else, something stronger, more vibrant.

It’s wrong. So wrong.

But in this moment, there’s nothing else but you and him and this decision. There’s no room for the other things that plague you.

It’s rough. You’re rough. He’s rough. You pin him against the kitchen counter, fumbling with his belt and zipper, sandpapered pads of his thumbs under your shirt and rolling over your nipples. You’re clumsy, disorientated, only saved when he spins you around and folds you over the cool surface. “Alright.” He murmurs like it’s just now kicked in what you’re doing, what’s happening in this moment, this sacrilege now staining you both. He kicks your feet wide, and rips your leggings to your ankles, tracing a line back up your thigh to shove his hand inside your panties and through your folds to push his finger inside you.

“Ah, John-” You hiss, arching your back, greedy for more, desperate for something, waiting and wanting, willingly going with him as he drags you to the floor, pushes you to your knees and bends you over, too big hand between your shoulder blades.  

He fills you in a single stroke and you cry out, slapping a palm over your mouth to cover your scream, stifling the moans that follow. It’s a stretch, one that burns, too much and too soon, but this isn’t meant to be slow. It’s not a treasure, a sentimental unfolding of passion. It’s grief. It’s loss. It’s nothing like love. “Christ.” He grits, pinching your ass. “You’re bloody tight, sweet.” You can’t respond, your free hand digs against the hard wood, scrambling for something to hold onto as he shoves his cock against your cervix. You’re going to come unreasonably fast, already clamping down around him, tightening with the curl of your toes. “Be nice and quiet for me now, angel.” He pulls you up by your chest, mouth hot at your ear as he reaches for your clit, pinching the swollen nub and then smacking it with an open palm, your shriek barely muffled by your hand. He’s speaking, but you’re not quite catching it, too distracted by the blinding light on the outside of your vision, sparks blooming into fireworks. “Oh dove, you’re coming,” his mouth is on your cheek, kissing, nipping, and you turn to steel, vibrating with the strength of your orgasm, pathetic whines ghosting over his neck as your head tips back. He coos, brushes a hand over your forehead. It’s comforting, sick comfort for a sick girl. “Good girl, Shh, I know, I know it’s a lot.” The peak crashes, and you twitch, pulsing around him, fingernails digging into his forearm.

He comes all over you. Puts you back on all fours and curses under his breath, holding you steady, gripping your ass cheek so hard it will be tender tomorrow. The ocean rushes in your ears and you start to drift away, post orgasm, post fuck, sweaty and sated as he paints you.

“Fuck honey-“

I’ve got a lot of cum for you, honey

Tell daddy what you’re doing, honey

Can’t get over how good you taste, honey

Feel how bad I want to be inside you, honey?

The tip of the knife jams between your ribs. It penetrates your heart. It shreds organ and bone until the injury is so catastrophic, the only fix is death.

The noise you make is more animal than human.

Honey, honey, honey-

You flinch and crawl away panicked. He’s calling your name but you’re deaf to it, drowning in Simon’s voice.

Simon, your husband, who was the last man inside you. Simon who called you honey, and sweetheart, and mama. Simon, who’s body is cold in the ground. Who’s ring is on your finger.

Honey, honey, honey-

You stumble to your feet and make it to the sink just before the whiskey and bourbon comes shooting out of your mouth.

Sick.

“Promise me-“

“Shut up Simon. That’s an order.” He’s got her embroidered pocket square in his fingers, stained in blood, crimson dotting out the constellations. The radio crackles, but it only confirms what they both know.

Simon has minutes. They need at least twenty.

He shakes his head. John presses harder on his abdomen, pointedly ignoring the river of red spilling out beneath his palms. Sometimes it’s easy to forget how much human bodies bleed. It’s not like he’s usually sticking around to watch.

“John.” Simon’s free hand latches onto the strap of John’s vest and jerks it roughly, pulling him closer. “You swear to me, right now. Do it.”

“I won’t. There’s still time. Stop talking, you need the oxygen.” His lips crack into a smile, gaze already starting to fall away, and then snaps to, refocusing.

“Tell her I love her. And that I’m sorry.”

“You’ll tell her yourself, Lieutenant.” He shakes his head, fist tightening over that little square, dragging to his heart, the organ beneath the vest that’s beating too slowly.

“John. Swear it. Promise me you’ll take care of her. You’ll take care of them.” There’s blood trickling down his jaw now, flowing from his lips. “She’s strong, but it’s gonna be hard. She’ll need you. The kids will need you. Nix is only a baby, she can’t-“ he coughs, shudders, and then his brow furrows with determination. “They can’t grow up without a dad.” John’s stomach, already an open pit, now rips into a black hole.

“You’re their dad, Simon. You are.” His voice cracks.

“Swear.”

“No.”

“Swear to me!” Simon shouts in his face, blood spraying on his cheeks. Gaz is yelling at them from twenty-five yards away, but it doesn’t matter. There’s not enough time.

They stare at each for seconds that are really eternity. They’ve been together in this hell, in this job, for so long. Suffered and slogged and killed together for so long. Simon isn’t just his team member, he’s a part of his life.

A rabid fucking dog brutalized and beaten down, now a husband, a father, a leader in his own right.

John pushes away the memory of the day he met Orion. The pride on Simon’s face. The pure joy.

He would never deny him.

They hold on to each other’s forearms. It’s goodbye.

“I swear it, Simon. I will take care of them. I promise. On my life.”

“And you’ll tell her I love her.”

“I will.”

He should have stopped you.

Looking back, it’s hard to believe it happened, but it’s not hard to remember. Not hard to remember how you felt, scorching velvet plush around his cock, not hard to remember the sounds you make when you come, how your pussy twitches. Not hard to remember how beautiful you were in his arms, shaking and crying, holding tight to him as he fucked you as deep as he could.

And it’s hard to forget the horror on your face. The way you crawled away like a wounded animal. The hoarse sobbing that came after the vomit in the sink. The way your knees gave out. The way you told him to get the fuck out.

Help me carry it.

It’s survivor’s guilt. It must be. Or trauma bonding. He’s been here for you, for the kids. He’s held you and wiped your tears and scooped you off the floor.

Because it’s his duty.

Right?

He can’t deny there’s something wrong with him, though. There’s something wrong with the way he barked at Soap during dinner, something wrong with the way he let you curl up beside him with your head on his stomach the night you fell asleep on the couch. He just sat there, stroked your cheek, rested his hand on his shoulder.

The guilt builds. It’s compounding, and fueling the anger, the rage directed at himself.

How dare he? How dare he betray Simon like this? How dare he try to take something that’s never been his?

He walks it like a tightrope. It’s his duty. It’s a betrayal.

Duty. Deceit. Duty. Betrayal. An oath. A line crossed, again and again.

He doesn’t know what he’s supposed to do except crush and pulverize this thing trying to bloom. He rips out it by the roots.

Though he knows as well as any, determined things always find a way.

You don’t even look at him, and it gets under his skin. It feels wrong. Everything is wrong.

“Orion is almost ready.” You say over your shoulder, already moving away from him and down the hall, running but you’re not being chased. He’s supposed to take the lad fishing today. Orion has been looking forward to it all week, and you, quite frankly, don’t have the energy.

He catches you by the elbow and you jerk away, lips pressed together and eyes down. “Look at me.” You shake your head, glisten of tears catching in the early morning light streaming through the windows. He says your name, as softly as he can manage, and you tremble.

“I can’t do this right now.”

“Do what? Talk to me?” He’s pushing, and maybe he shouldn’t.

“Yes.” You hiss, venom twisting your face into a mask he’s never seen before. “I don’t want to talk to you. I don’t want to talk about what we did.” Your voice cracks on the last word, and it hurts in a way he didn’t expect. He wants to agree. He wants to wipe your face and tug you into his chest. He wants to bury the guilt ripping through him and turn around. Walk out the door.

He’ll do none of it. He’s a man of his word, above all else.

“When you’re ready then.” He nods as if it’s nonnegotiable, and then saved from a rebuttal when Orion runs full speed from his room. You turn on your heel and storm away.

Fine.

He’s at your door the next night for dinner.

You stand in the frame, arms crossed, anger etched into your face. “I don’t need your help tonight.”

“You going to make me a liar then?” He snaps, patience thin. The anger dissipates, and it’s replaced by that same despondent, dead look in your eyes that’s been making him sick since the day he came to the door. “Make me go back on my word to him?”

“John.” You whisper his name with shaking hands.

“It doesn’t have to mean anything.” There’s acid on the tip of his tongue. It’s stringent, bitter like the soap his mum washed his mouth out with. He doesn’t know why, but it stings. You look up at him, eyes so wide, so sad, so lost, he has to hold himself back from dragging you into his arms. “It didn’t mean anything, dove. It was just us. Just between us. Just grief.”

“Just grief.” You parrot, tears dripping from the corners of your eyes and down your temples. He brushes them away, and you surprise him by leaning into it. You smile weakly. “We’re having pasta bake.”

A few days later, and there are loads of laundry on your couch when he walks in. You throw him a desperate look, piles separated into toddler clothes, baby clothes and your own. They’re mountains, nearly at your chest when standing.

“Get a little behind?”

“I’ve been a little tired, I guess.”

“Can I help?” “Sure, want to fold onesies?” You laugh a little bit, enough to crack your lips into a small smile. He likes it. Likes your smile. It reminds him of the one you used to give Simon, the way it would break across your face, sunshine in a patch of clouds. He’d nuzzle your cheek, your neck, holding Orion on his hip with one arm, and you with another.

He stills, holding a small yellow piece of clothing.

Your husband. Simon was your husband.

And he’s the interloper.

Swear to me-

I swear it-

I will take care of them.

His ears ring with the bells of remorse, the song of at the beginning of a procession.

“John? You alright?” He’s been staring at you this entire time, but not seeing you, just seeing the past, seeing Simon, seeing everything that came before these moments where he’s being torn in two. He nods, not trusting his voice, his words.

“Will you be here for dinner tonight?” He usually is. It kills two birds with one stone. He makes sure you’re functioning; he makes sure you’re eating. It’s never been a question of you caring for the kids. The worry has been about you caring for yourself.

He can’t stomach sitting down for a meal with you and Orion today, so he lies. “I have to get home and get some work done.” You’re surprised, and then disappointed. He sees it so clearly and chooses not to dwell on it.

He can’t stay. He needs to work this out of his system.

You’re sad tonight.

Some days are really bad days, and then some of them are awful, like these. The ones where you move from bed to the couch, feeding and changing and dressing the kids on autopilot. He calls them your sad days, because he doesn’t want to call it what it is. Depressed days, despair days, you’ve given up days.

Some of the days are better, but these are the worst. It gets ugly at night, when the anxiety and fear becomes too much, when the loss crashes down too quickly.

The house is quiet, and you’re curled up in the middle of the bed under a heap of blankets, staring at the wall. You don’t acknowledge him when he opens the door or slips inside, you say nothing when he sits on the side of the bed. He lays a hand on your shoulder. You don’t react.

“Did you eat today?”

“A little.” He strokes your cheek, backs of his fingers gliding over soft skin, trying to rouse you a bit more, and you sigh.

“Kids go down alright?”

“Fine. Orion is upset he can’t sleep in our,” your face twists, “my bed anymore. But I placated him with too much ice cream.” You manage a smile then, and he matches it.

“That’s good. Nothing he won’t do for some chocolate yeah?”

“Yeah.” Your voice is small. “John?”

“What is it?”

“Do you think it will ever go away?” He smooths some baby hairs back from your forehead.

“I don’t know, angel. Eventually it will hurt less, I imagine. But the loss will always be there.” Your cheeks glisten in the dark, sliver of light shining through the crack in the door from the hallway.

“I’m glad you were with him.” He bites the inside of his cheek so hard he bleeds.

“I am too.” Your fingers curl around his.

“I don’t want to be alone tonight.” The ache in his heart is back, doubling the beat, blood churning all the way to his toes. “Will you stay?” He shouldn’t, but he folds himself alongside where you’re under the blankets and tucks your head into his neck.

“Yes, dove. I’ll stay.”

The next time it happens is filled with rage.

You’re a wild animal, a wolf starved, teeth bared and snapping, claws out.

But you beg him for it. You plead. You demand.

It’s just us. Just grief. Take it from me. Why should I be the only one carrying this?

It’s wrong as he takes you on the bathroom floor, cold tile under his knees, warmth of your thighs bracketed at his waist. You dig your nails into his back hard enough to break skin, and he pins them back, his forehead knocked against yours, sharing breath. Sharing grief.

He breaks you down eventually, pushing his cock so deep you wail, holding you firm with a hand on your hip. He doesn’t want this, doesn’t want to betray him, doesn’t want to take his place in a home that could never be his.

Still. He can’t stop. He can’t help himself. He lives for your cries, the way you tighten around him when you come, how your eyes turn into bright stars at your peak.

It angers him. He’s always been a man of control.

“Is this what you wanted?”

“Yes, fuck, t’s not… it’s just-“ He snatches your jaw, and you look away.

“Look at me sweet. Look at me and tell this is just grief.” You can’t. You don’t. Instead, he shoves his hand between your legs and rubs your clit until you come.

When it’s over, you cry.

“Is this it?”  He stares at Simon’s headstone. “Is this what you meant? Is this what I promised you?” Dead men don’t answer to anyone, ghosts don’t provide explanations. John replays those last moments in his mind, burning Simon’s face into his memory so he never forgets, so he never gets confused. He’s in another man’s place, a father and a husband’s place. 

It’s been days since he’s seen you. Cami visits in his stead, which is good for you, better. You need a friend now, not him. Not whatever this is. Not whatever he’s done to you or vice versa.

He claps a hand on top of the stone, the same way he’d do it to Simon’s shoulder.

“I promised on my life, but I didn’t promise this.”

You haven’t seen or heard from John in nearly a month.

It didn’t bother you at first since they were gone for work, but when Gaz opened the front door to greet you two weeks ago, you were surprised.

They’re back and he didn’t reach out.

Why? 

You miss him. It’s a shameful revelation, and a surprising one.

So much for the mourning widow.

“Mama, i’cream?” Orion is huddled between your legs, tugging on your jeans while you bounce Phoenix, trying to get her to settle before bed.

“No ice cream tonight baby.” His eyes well with tears, and the guilt hits you. Be strong. Don’t give in, you’re spoiling him too much.

“Let’s go get in bed and I’ll read to you, okay?”

“No! I’cream!” Your face crumples.

“Orion, please. I already said no. Now can you help mama and go get in your bed?” He flings his hands at your thighs, little face twisted up with rage.

Normally, you’re well equipped for the tantrums. It’s part of having a toddler, but tonight, it’s breaking your back. Wearing you down. You’re about to walk away, create some space, take a deep breath when the doorbell rings.

Literally saved by the bell.

Orion’s already running down the hall, bouncing on his toes as you open the door to see John on the other side. Weary. Weathered. “U’cle John!”

“Hey, bud.” He locks eyes with you, standing on the threshold, meeting your eyes unflinchingly. “Need some help?” You swallow.

“Come in, you’re letting all the heat out.”

“We shouldn’t be doing this.” Your mouth is on his, or his on yours, you’re not sure how it started. All you know is his arms are warm, and strong, and a safety net at the bottom of your life now, waiting outstretched for when you lose your balance on the tightrope.

“I know.” He does that thing where he cradles your face, stares into your eyes like he’s seeing an entire universe, one he’s never been to, a planet undiscovered, stars recently born and exploded across a night sky. “I know sweet, but- I can’t-“ It’s why he stayed away, he confessed earlier. Why he disappeared. It wasn’t fair, he knew that.

The guilt is crushing him. It’s crushing you.

“What’re we doing then?” It’s not right, whatever this is.

But his body pressed against yours, his arms holding you tight, it’s impossible to run from. Hard to hide.

It’s not just grief anymore. A hydra with a head cut off, two more born again from the wound. It's a flower blooming in a forest of ash, life finding a through the gash of a wildfire. A small, tiny, flame, desperate to burn.

“Just kiss me,” you breathe, mouths now millimeters away from one another. His chest heaves beneath your fingertips. “Just kiss me, John.”

“Daddy.” Orion pats his hand on the stone, little fingers digging into the engraving.

Husband. Father.

Your thumb finds the sapphire, rubbing the stone it in practiced circles, and Phoenix coos beside you, half buried beneath the wool of John’s jacket. “Ready to go home, little man?” You’re crouched behind him, holding him, kissing his cheek. This is a weekly tradition, the visit, and even in the dead of winter when it’s too cold for the kids, you never miss it.

Your commitment never wavers, your gold band a mirror to the one buried beneath your feet, an eternal tie to your husband.

‘Til Death.

You will never not be Simon’s wife, the mother of his children, his moon. You will never marry again. You will never have another child.

But that doesn’t mean there isn’t room for a sunrise, a dawn, a new promise. An oath to John, though never formal or official in the eyes of the law, but true all the same.

The sun. The stars. The moon.

“Alright, we ready?” You press another kiss to your son’s face before scooping him up, taking one last look before nuzzling Orion’s face. “See you next week, Si.”

John lingers for a moment, a hand curled over the stone, fingers flexing into a squeeze. His eyes are distant, a world away, tangled up in the past for a long moment.

“Hey,” you call softly, extending a hand. “let’s go home.”

[allforthegaymes]

Andrew sat in the fbi interrogation alongside Neil, stuck between trying to decide wether to keep his wary eyes on the agents sat across from them or to keep his eyes locked on Neil, as if he’ll disappear again if he loses sight of him at any point.

Instead he keeps a finger hooked around one of Neils belt loops and sets himself to memorizing every word out of Neils mouth, keeping a watch on the agents to make sure they dont make a sudden attempt to go back on their words.

Which means he gets the first hand sight of how other people would react to hearing about what Neil’s gone through. And while he’d accepted every word from Neils mouth without a facial reaction, watching how the agents react make him think maybe he shouldve.

(The whispered thanks from Neil afterwards about Andrew not looking at him differently changes his mind)

The only part that really makes him freeze is when Neil begins the talk of his mothers death. Andrews all too familiar with dead mothers in cars, but hearing about the gun wound, the vinyl seats sticking to a half burnt away body, the bone burial along the beach. Neil stutters only once during his recounts, where he slips and mentions the smell.

He compares it to the scent of cigarettes, used Andrew’s one marlboro reds as a reference and suddenly all those rooftop rendezvous together makes more sense.

Neils half smoked cigarettes, never stubbed out but left to continue burning on the concrete next to them while they sit and talk. The way he only does stub them out when talking about his parents, or when Andrew mentions something about his own mom, or when Andrew says anything about the earlier days with Aaron.

Neil stops talking for a moment after that. Lost in thought.

And as always, Andrew follows him half a step behind.

Neils adamant claims during their zombie apocalypse walks with Renee around the track that he would always burn their friends bodies to make sure they dont come back from the dead.

The way he always leaves the room when they watch the newest episode of that stupid viking show that Aaron and Kevin like to watch and theres a burning boat funeral.

The way he-

And then Neil starts talking to the fbi agents again and Andrew is forced to tune back in and tuck away those thoughts till later.

He tells them about what happened in Baltimore.

The torture from Lola. The dashboard lighter pressing seared wounds into his skin. Over the tattoo, scattered across his arms, the faint marks from where she tried to burn holes through his jeans to get to his thighs. Saved only half as well as they were by the fact he’d worn a pair of the carhartt work pants Andrew had bought for him and not a pair of the threadbare thrift store jeans he usually wore.

Andrew makes the mental note to stop using his own dashboard lighter to light the cigarettes he smokes in the car. And to swap cigarette brands. And to stop smoking in the car.

And then its about the trunk of the car, the way Lola had held onto him and the comments she made in the car, the basement, the offhanded mention about how Nathan was barefoot when he walked down the stairs.

The little details that only someone who’s truly grasping for any recollection in a traumatic moment would retain. The way even when Nathan was walking down to tear Neil limb from limb, Neil still couldnt bring himself to look at his fathers face. The face that Neil shares. The face Neil still avoids looking at when he walks past the mirror in the hall in Columbia.

And he thinks about the way Neil shied away from Wymack in the beginning, the way he now searches for Wymacks face whenever they get separated from their coach at away games.

The gun shots during the Hatford raid, the way even though Neil was bruised and battered he still found himself with a smile on his face when he saw Lola’s body get blasted apart by silenced guns.

The way he knew even if they got a proper funeral no one down there would get to have an open casket. The evidence in their bullet shattered bones that their bodies would never rest peacefully. That people in a thousand years would know from the unmarked graves and their remains that they deserved whatever ended them.

And then he claims it goes dark, he says it with the same way Neil lies about everything else, with his body forced relaxed to not twitch and give himself away, but he breathes a little heavier when he calmly tries to describe the way he came to and found himself being helped by the emergency services, feigning he doesnt know what theyre actually called, playing into the runaway kid sent on the road too young and not knowing completely how the world works still.

Andrew wishes he didnt know Neil well enough to know its only half real. Wishes he didnt know Mary probably only taught Neil how to recognize and run from EMT’s, and never actually explained what EMT was meant to stand for.

Andrew knows first hand how hard it is to gain sympathy from government officials, but Neil’s got them eating out of his hand with the way he words his story, their final nail in the coffin to take down the Wesninski trails in Baltimore and beyond.

Neil knows they need him and he knows how to play them to believe whatever story he deems they’re worthwhile to hear.

[obxanon]

Addressing the OBX drama and the speculations:

Was JJ’s Death planned?

No, Rudy asked to leave the show. It wasn’t something the writers planned. He didn’t want to renew, the writers were rightfully upset and then decided to kill JJ off.

Did the writers/producers create an uncomfortable set?

No, they didn’t. This post is not true. The brothers were never inappropriate.

Was Madison a bully on set?

I’ve seen a post going around of someone saying Madison was a bully, controlling the set, and bluntly treating Rudy and crew members like crap. That is NOT true. 

Was Rudy’s decision sudden?

Yes and No. No as in he let the Pates know ahead of time he didn’t want to continue (some time during the strike, so they had time to change what was already written). Yes, as in they were shocked by it.

Was there on set drama between Rudy and the Pates?

Yes, there was many disagreements/personal problems during s4. Yes, Elaine was involved and so was Lilah Pate. They are civil now.

Why did every ship but Jiara get a still?

The jiara still does exist but idk why it was not released. My source doesn’t know either and I don’t want to spread something not true. Rudy and Madison took pictures just like everybody else did.

Why did the cast chemistry seem off in part 2?

They shot episodes 1-5 first, THEN 10, then 6-9. The cast didn’t know rudy asked to leave until they received the script for episode 10. You can tell there was a drastic change between JJ and Kiara in part 2 because after the cast found out, Madison was upset with Rudy and his decision, so she didn’t put in as much effort into the scenes with him. She was upset because she knew that would mean the near end of obx and her character… in a way.

Was there alternate endings?

Yes, but that was only because they wanted to see if rudy would change his mind. There was even scenes where a funeral was shot (obviously they didn’t air it so I’m assuming they’re saving it for s5). From March-June of 2024, they spent the entire time doing reshoots of some scenes. That is why some things don’t make sense.

Did Rudy and Madison talk on set?

Yes, but not closely or anything. They’re not friends, they just did the scenes they had to do and that was it. All those people saying they’re hiding their friendship from the cameras or whatever… that is not true sorry. The pates can’t force them to act like best friends as long as they were doing their scenes.

Why did Jiara have “less” than everybody else?

It’s true that Jiara scenes were toned down. Part of it was Rudy asking for it. Madison didn’t care as much. Another part was just Rudy and Madison not doing more than what the script asked.

Was Elaine uncomfortable with Jiara scenes?

Yes, and she has been since s2. It got worse during s3 and obviously s4. That was part of the conflict.

What is the Rudy and Madison Drama?

Obviously what happened between them is private. It wasn’t the fans. The fans were more so the catalyst to something that had been brewing. 

It is true that the girlfriends are involved and that they weren’t happy. Madison hurt Rudy, but not by being a bully. It was emotionally. The feeling was then returned on his end and it just got worse from there. It didn’t help when the girlfriends and fans were involved. It is true that it’s not a coincidence this happened when they both got involved with relationships. Most of you have speculated correctly, that is all I will say. I think you know by now what I’m trying to say.

Also when I say fans, I don’t mean the “shipping.” They never cared about that. What I do mean is that all this drama happened when Jiara fans were at their peak. Them wanting to see those characters together put Rudy and Madison in a problematic situation because they knew they couldn’t avoid each other on screen. Instead they just did so off screen.

Should the Writers/ Directors/ Producers stepped in?

Yes, but what I need you guys to understand is that these writers were basically father figures to those actors. They watched them grow their careers, supported them, made them who they are now. It’s hard when you spent so much time with each other and became a genuine family. Even their conflict with Elaine was hard because Jonas knew her family, his wife treated her like a daughter, and lilah treated her like a sister. They had every right to be bitter because from their POV, it’s basically like “hey I trusted you to bring my project to life and now I’m being forced to go in a direction I never wanted to go in.”

What’s going on behind the scenes right now?

A mess. They knew it would be bad but infact it is worse and they know that.

Am I reliable?

Honestly I don’t care if you believe me or not. You didn’t before and I got attacked (literal death threats in my inbox). I’m just a messenger. I’ve given you info before and clearly I didn’t lie about it. It’s up to you to decide.

[wizardrousactivity]

The Rat, Dead Dog. 

The Rat, Dead Dog. 

“I’ve told you, it’s not me-” — You were trained to never fall under pressure, your pleas falling under his deaf ears. Another cut to your calf when he doesn’t hear you forthwith giving up the information, it doesn’t matter how desperate you sound, nobody is here to save you anymore. They can’t trust you anymore. 

He’s trying to convince himself he doesn’t feel bad, that he’s only doing his friends a favor. Getting rid of you for good - dispensing with the waste of the world, which unfortunately had to be you, didn’t it? The only person that he thought he could trust, you bewitched him. The mask had slipped off because of you, the imperfections were perfected because of you. Now it’s only a cold shoulder - if he’d even give you that. “Give us the fucking information,” The use of your moniker is the way he’d gain your sultry glare. 

You’ve been beaten and battered for days by Simon, and it still feels like months the longer his torture traverses. The metal of the chair you sit on starting to turn red with gore. You fear to lose yourself, if not for the keen rage that fumes, revenge written on its blemishes. “I don’t have the information you want.” You never thought you’d be in such a position with him, a foolish hound falling victim to your framing.  

It’s surprising you weren’t immediately cut off with another lash, the gash he’s continuously spread starting to reach your bone, you dread the stinging of your flesh, held back by a grunted-sob.  For only a second you see his gaze soften with emotion he lacked, like he truly wanted to believe you, and by-god did he wish to - in the event that the threads didn’t lead to you. He swallows. 

There’s too much evidence against you, and his team. His own pathetic feelings aren’t worth the risk of keeping you around, he doesn't think he could handle having you captive with them for long, holding a rat that was dressed up with a story just to use them, use him after everything that happened. The sight would haunt him if you weren’t gone, the weight of his loved one turning out to be a spy, living in a room on base.

The depravity of reality sets on him now, painfully dawning on him. 

He needs to dispose you. For everybody’s sake. 

His hand white-knuckles around the knife, your chest tightens while the behemoth starts to stand to his full stature - an unpredictable mongrel you can only imagine what is coming next, his dilating pupils trembling as he looks at you with terror. The task of your murder would save his mates, and eat him from the inside once he was finished. If there is no information you have to spout - you are better useful dead to them, they could get it themselves. “Simon..” There's no response from him. You are not needed anymore. Don’t make it painful. 

Yet you’re saved by the bell, his head turning as the call from the mohawk is made. Shouting for his arrival with urgency. You only look to the floor as footsteps echo, signifying his leave for the day. "Fuck you."

The gashes in your legs have pooled themselves and made home around your feet, cold air running along the insides of your flesh, and you shudder against your constraints - the feeling is enough to make you nauseous with the sensory you experience. There’s nothing for you to throw up anyway, if there was, it would be your intestines. 

Your heart cinches, as you sit there with the thought of having to live with the fact you’ve been framed, then to die known as the rat in 141, that’s all you’ll ever be now. You’re just another damaged dog, you’ve joined their cult of forever deprecating. Their muffled banter plays beside your ear as you weep.

You’ve accepted that your funeral won’t be made, that nobody will ever honor your death or mourn during it.