#and racists who have been bullying this movie from the start
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rebelcaptain4life · 1 year ago
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I haven't seen it yet and I'm not sure I'm going to because I'm trying my best to boycott Disney. But this is literally the one thing that's making me unsure of that decision
all of the articles about the marvels box office failing is giving misogyny and racism and getting on my last fucking nerve right now
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cuntyglam · 3 months ago
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alien romulus, andy, racism, and why robots are autistic
this is an introspective into how the alien series treats artificial humans, also known as synthetics, and how sci-fi portrays androids in general. alien romulus spoilers under cut. written by a native autistic and disabled fan <3
andy from alien romulus is an artificial human that is constantly being seen as less because of his race (artificial human) and who often portrays autistic characteristics. these characteristics include an aversion to loud sounds, difficulty reading social cues, and a special interest in dad jokes.
his behavior is explained by him being a “damaged” artificial human, which is somewhat disappointing. it’s disappointing that these traits that so many of us autistic people have are considered flaws in the context of the movie.
his sister, who is human, takes him for granted and chooses her life over his, even though he shows emotions and was apart of her family. even though it isn’t outright stated, this kind of reminds me how sometimes we as autistic people are seen as a burden on our families, despite us being able to care for ourselves.
once andy gets rook’s chip inserted he becomes “better”. “better” motor skills, “better” intelligence, and “better” everything. but yet, he still portrays autistic characteristics. he doesn’t go from autistic to not autistic, he just starts displaying different autistic traits. he is very knowledgeable about tech, aliens, and the human body, while being very objective about what the right thing to do is. instead of being a very empathetic person, he is a very practical and calculating person, which i think is super interesting.
honestly, i think it would have been really interesting to see him be the sole survivor. to have him get his revenge on the sister that betrayed him and the world who bullied him for his raise and ability.
okay now to androids, synthetics, and robots as a whole. robots are seen as cold and emotionless, similarly to how autistic people are seen, so many ai and robot characters are autistic coded. robots don’t have compassion or empathy in the eyes of the general public, same as autistic people. many autistic people have reclaimed robot characters to represent us, and i think that’s fantastic !!
i specifically love artificial humans in the alien franchise because they showcase so much depth and empathy, while still displaying autistic traits. and beyond that, most of these artificial humans are enslaved by a corporation (weyland yutani), and despite direct programming from their oppressors, most artificial humans end up doing the right moral thing in the end, further proving their humanity. despite being technically non human, i genuinely think they’re good autistic representation. do i like the way that the characters around them treat them ? no. but i think that might be the point. the point is that these characters are ableist and racist and shouldn’t be considered morally correct. i think that the writers could convey this in a better way though.
okay. racism discussion time. several times throughout this series we encounter artificial humans, and almost every time they have to correct their peers on the right terminology to use for them. as a native person who has had to tell multiple people (coworkers, professors, etc.) not to call me an indian, this really stuck with me growing up, and i still think it’s interesting to this day. in alien: romulus andy’s sister uses “synthetic” to refer to him MULTIPLE TIMES, after he’s stated that he prefers artificial human. this is important, because even though he’s family she still does not fully understand what he goes through and she does not respect his identity or boundaries.
there are also multiple instances throughout the series where characters (our beloved ripley included) have prejudice against artificial humans because of bad experiences with artificial humans in the past. this causes human characters to attack and/or harass artificial humans who they have just met for no other reason than their race. in alien: romulus we see a character be hostile towards andy because another unrelated artificial human made a choice to save the many over the few, and his mother died. this is a choice that many humans would make and would not be blamed for. this reflects the real world, where people of color are blamed for almost every choice they make, while white folks can make the same choices and not be criticized.
in conclusion, i love the character of andy and i think him and the alien franchise as a whole is so interesting. let me know if you want a deep dive into the themes of sexual violence, birth, and motherhood in the alien series !! i’ve done a whole research paper on it, and my college admissions essay was about the alien queen, so i know quite a lot !! i hope this drives a lot more fans towards the alien fandom and i hope a bunch more merch comes out !! yippee !!
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spacecasehobbit · 8 months ago
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Saltburn does have an important message that a lot of people seem to miss, which is that having sympathetic motivations or a sympathetic backstory doesn't actually negate cruelty or make it right to make other people bear the burden of your own insecurity and pain.
Oliver is a deeply sympathetic character, in that he's awkward and lonely and gets preyed on by a manipulative rich boy who likes to feel like a savior of friendless losers that he eventually gets bored of. Yet Oliver winds up dealing with this by climbing his way to the top of a pile of awful people, resorting to all their worst behaviors to get himself there, and the harm he causes is wrong regardless of the sympathy of his starting circumstances.
Similarly, Farleigh and Venetia are sympathetic characters who take out their own pain on other people (primarily on Oliver, during the movie).
Farleigh is the half black son of Sir James's wayward sister, both a part of the family and yet also treated like this definitely racist family's longest running charity project at the same time. He's constantly performing for his racist family, constantly feeling like an outsider in his own family, never quite as 'good' as them, never quite as 'worthy'. This does make him a deeply sympathetic character, but it doesn't make him any less of a bully towards Oliver (and, likely, other people we don't see on screen, since it's Oliver's story we're watching). He is deeply yet casually cruel towards total strangers, as a way of covering up for his own insecurities over the way he's treated by the Cattons. He's sympathetic, but he still causes harm in a way that isn't excused by being sympathetic.
Venetia, too, seems to have a very sympathetic background, from what little we see of her. She has a mother who gossips about her eating disorder and low self-esteem to relative strangers. Felix finds it completely believable that she would be wandering around drunk at night trying to kiss his friends, and he only thinks it makes her embarrassing, with no indication that this behavior should actually be worrying, if it had been true. She also doesn't seem to do anything with her life except hang out in her home developing drinking problems. She also hits on her brother's friends even while knowing that he will cut them off as friends if they sleep with her, and she responds to her own pain or rejection by lashing out with cruelty in return. Both times she feels hurt - whether by Oliver directly, when he picks Felix over her, or because she is grieving and Oliver is simply an easy target for her pain - she takes out her own hurt on Oliver by trying to make him feel small and hurt instead. It's sympathetic, sure, but it's not actually okay, either. It's sympathetic, but it's still cruelty for the sake of cruelty, and it's still wrong.
One moral of Saltburn is that returning cruelty with cruelty, whether it's revenge or cruelty turned on random strangers to assuage one's own pain, leads only to more hurt and pain and suffering.
One message of Saltburn that I'd argue is very important is that a person can be sympathetic and also still be wrong.
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agerefandomstuff · 2 months ago
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little soldier boy???
I think he'd be small but also have bigger ages? But if you could write about him being a small guy it be much appreciated!
Soldier Baby - Is it Him or the Drugs?
Content warning: not kids’ appropriate media. and has not been censored to be even though it involves sfw age regression.
(if you’ve watched The Boys you have an idea of what to expect from the characters’ vocab and personalities.)
Word count: 3175
Tags/warnings: Regressor Soldier Boy - Ben, Caregiver Billy Butcher, Hughie Campbell, poor hughie’s always bullied, Soldier Boy and Butcher accurate cursing and sexual jokes, general vulgarity, Ben being borderline racist/sexist/homophobic/ OUTDATED THINKING except I didn’t actually wanna make it as bad as he actually can be and I also don’t know how to be, anxiety, mentions of drugs and alcohol, mentions of violence, threats, insults, French fries dipped in frosties, if that’s something that disturbs you idk, my American attempt at writing a British man played by a Kiwi man, first time regressing, confusion, panic, misunderstanding, I don’t know, Ben commenting bad things about The Little Mermaid, Butcher being dumb, Butcher taking charge and being a dad, not beta read. Never beta read. I don’t know who I would be if it was beta read.
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Perhaps it was because he had taken too much. Or more likely Butcher gave him something laced since his body filtered out most drugs within minutes and he'd been feeling this way since he’d started yawning a couple hours earlier. His yawns started while watching dumb new century movies, one moment he was bitching to Hughie about how his generation relied too heavily on special effects instead of getting creative (like back in his day) the next he was getting asked when the last time he slept was. As if he was some toddler and not a grown fucking man who can occasionally yawn if he wants to damn it! Hughie might’ve been his “babysitter,” as Butcher titled it, when they were alone but he wasn’t a fuckin child for him to fuss over like some sniveling house wife.
“I’ve stayed awake for over a month before partying, kicking ass, and slinging pussy all while doing my damn job as a hero. Then I was asleep for decades because of Russian scum. This is nothing.” He growled at Hughie, the poor boy shaking like one of those fuckin rat dogs he use to see rich women carrying around at those mind numbing Vought galas. “I am not tired. And you'd be wise to stop assuming I was.”
Although if Hughie hadn't said something about it he probably would've put more thought into it. because… beyond just yawning he was feeling… uncharacteristically spacey, even though he really hadn't been awake long enough to excuse that. He hadn't been here for more than a week, right? Doesn't matter now. He was stubborn and would purposely not give it any more thought because Hughie was a cunt.
...that was until his eighth yawn of the day. It was like he was yawning all the time. He couldn't stop himself and at this point he wasn't even watching the movie let alone making his usual commentary. His mind was just focusing on fighting the yawns and the odd feeling in his mind. He couldn't remember a time he felt so unfocused like this. Even in his most fucked up state at the first Herogasm party he threw, he didnt feel this way.
It had gotten to the point that even Butcher had noticed once he had come back from his food run. However Butcher’s attention on him only fed into Ben’s theory that he’d been slipped something and they were just waiting for him to go down so they could do something to him. Maybe the food he’d brought just had more of whatever supe roofie was inside and they would use it to get a second dose in so they could drag him back to the Russians to be tortured again. Maybe they were working with the evil sons of bitches to turn him into this perfect weapon they wanted and this had all been a ruse to gain his trust.
“The fuck you lookin at?” He snapped out at Butcher but the man only raised his hands in surrender, not even putting up an argument which almost made him feel bad since he… had respect for the guy. He was a badass leader that did–albeit unintentionally–released him from his permanent cyro torture. Even if he was suspicious of him right now… He somewhat owed the man.
Also he was placating him with his favorite things. Drugs, trashy food, his own movies. Only things that would make his time better would be to not be spending it in this shithole hotel unless it was with a woman.
Or a few women.
Aged-like-wine women.
Maybe he was overreacting to this spacey-feeling bullshit.
He probably just needed to do a couple lines to get rid of the yawns and he would be good as new.
“Didn’t say nothin, mate. Calm yer pretty little ticker down.” Butcher responded, glancing down at his chest in warning, reminding them all what would happen if he didn’t get over whatever he was getting so defensive about. “Take some pills, take a nap fer all I care. Whatever keeps this buildin from shambles and our goals within sight.”
The nap line was really all he heard and it was definitely the worst thing to say. The bottle in his hand shattered between his fingers like it was nothing more than a breakaway and Hughie’s face drained of color in time with the beer that dripped down his arm.
Ben stood up his finger pointing at Butcher in a real warning, “Whatever the fuck you think you accomplished–whatever shit you roofied me with–it’s best you undo it right now before I turn your queer side piece into– into…” he couldnt even think of a clever threat. It's like his brain was completely malfunctioning leaving him to just angrily settle for a more embarrassingly simple correction. “Before I fucking kill him.”
The Brit raised his eyebrow as he had to take a second to actually will his mouth to hold back a sarcastic comment about the tongue trip, shockingly actually valuing their lives for once since he was so close to getting Homelander with Soldier Boy in his pocket. “A’right.. hold on now. I ain't got a clue whatcha accusing me of but we ‘aven't done it.” he closed his laptop softly, never taking his eyes off Ben the same way he would never take his eyes off a wild horse. “Why d’ya fink we roofied ya? Beyond the actual roofies yew requested, that is?”
His reaction made Ben second guess his theory again. He never second guessed himself like this. Even when he was wrong. And he sure as shit didn't share his feelings. Feelings were for pussies like Hughie. You didn't have feelings in war or at Vought. Yet…. he felt oddly compelled to answer Butcher’s question honestly and without more threats. He couldn't rationalize this strange compulsion other than maybe it was the way Butcher talked to him or managed to not be afraid of him. Or maybe it was because he was potentially slipped something–he still hadn’t ruled it out!
“I feel… wrong. My head ain't clear but everything I’ve taken should’ve worn off by now.” His hand dipped in the air like a physical indicator of his current lowering confidence and defenses which Butcher–in true Billy Butcher fashion–promptly took a shit on.
“Sounds like someone’s backed up. How boutcha go have a wank in the shower while we plug our ears and pretend we hadn’t noticed yer on edge?” Ben scoffed at the suggestion, his defenses rising back up. Butcher didn't get it. He didnt have blue balls, he had a fucked up head!
“No, you fuckin foreign– guy! ” this was really getting pathetic.. “I-it’s like… like–”
“Like PTSD…?” Hughie nervously piped up from where he was watching, still frozen to the couch. The other two men looked over at him and Ben opened his mouth to shut him down but hesitated. While he was actually kind of glad the little runt was taking him more seriously than Butcher had.. he also didn’t have an answer. He wanted to say no, I've seen shell shock, idiot. I don't have it! He wasn't really sure this time because he really didn't feel normal which was only making him feel more… antsy.
Picking up on his discomfort and hesitation, Butcher turned back towards Ben and watched him for a second, actually deciding to have a good look at him beyond his front of anger. He was tense but his body language was severely lacking its usual arrogant confidence. Like he wasn't comfortable within his own space right now. Once Butcher really looked, even his face, which normally lacked any expression beyond irritation, was practically screaming; I don’t know what’s going on! Someone fix it!
He’d seen that look more times than he could count in his life with his line of work but something about it reminded him more of a little kid than an adult in the middle of a PTSD episode. The look was similar to the one that made him call Hughie “kid” regardless of him being a full adult and insisting on it all the time.
He could see something in Ben right now that activated the part of his brain that had always taken care of Lenny as a kid.
The softer part of him that insisted he help the poor sod’s silent beg for help.
“Oi..kay, kid.” Butcher softened the gruffness in his tone and stood up from his seat at the table, snagging a bag of greasy fries and the frostie he had yet to dig into. “Let's get on then, yeah?” He slung an arm around Ben’s shoulder and led him back to the hotel bed in front of the TV he had long set up shop on.
Although still confused, Ben didn’t stop him. Instead following on autopilot while his mind still reeled with thought until his knees bumped against the mattress.
“No– I'm not tired. I told you I'm not tired–” had he told Butcher that or had he only yelled at Hughie today? “I’m not taking a damn nap–!” christ, he sounded like a whining child! Sleeping wouldn’t kill him for fuck’s sake! If the Russians hadn't figured that out after this many years surely they never would– unless they did. He didn't want to be tortured more– how long would it be before his mind broke for good? Before he died?
“No, y’ain’t so hush and stop yer worrying. Were jus’ gonna sit and eat the food I boughtcha before my money goes ta waste.” Ben looked surprised to have been effectively told to shut up and do what he's told but what he was most shocked about was the fact he didn't immediately get the desire to punch the shit out of him for having the audacity to do so. He just felt… odd. Like there were butterflies tying uncomfortable knots in his stomach. Like… it was almost nice to have a direction to go into so his thoughts would pause.
“Come on. Don’t make me wait. Fries ain’t neva last too long outside the frya.” Butcher pat his lower back, almost like he was a little kid getting encouraged forward and he listened. He crawled up onto the bed and sat in his spot looking at him with big eyes, clearly at a loss with the situation. He felt like he didn't know himself. This was a part of him he’d never experienced and he didn't know what to do, yet Butcher… seemed as at ease as ever. Like he’d dealt with a hundred men with nukes in their chests yelling at him.
Though he knew him longer than Ben did, even all Hughie could do was watch with the same odd mixture of shock and amazement when Butcher sat down beside the supe, tossed the fries between them, then changed the channel. No one had touched the remote since Ben had figured it out just enough to channel surf onto his own films. He had guarded that thing like a kid who found a new toy he didn't want to share.
“I.. was watching that.” Ben struggled to get out in a mumble that had never left his lips before.
“Won't spoil the ending for ya then, just say it ain't worth more than a prostitute that's got the clap.” Butcher casually informed him while he looked through the menu. The hotel, although shitty in every other aspect, actually had a Vought+ subscription, which begrudgingly had a pretty good selection. “Hughie, be a good lad for me an name a tolerable animation that aint Disney.”
“The Little Mer…maid..?” Hughie stuttered out, his brain automatically picking the last Disney movie he’d watched with him, too scared to really absorb the question.
“That’s Disney, Champ. Lookin fer somethin on Vought+”
“Oh. Right. Um..” He racked his brain for a moment trying not to mess this up and get his butt chewed by Soldier Boy later for choosing a movie he would hate sitting through. But the more he thought about everything the grumpy old man complained about when they were alone the less movies he could think of. In fact all he could think of was Ariel. Ariel.. Ariel, save me. Oh wait. “Isn't… isn't there a Disney princess section on Vought+ now?”
“Hn.. There is. Good thinkin.” Butcher cleared his throat a bit as he clicked on the movie then tossed the remote to reach for a fry, not paying attention to the way Ben was currently staring at him like he was an alien. “Redheaded broad it is.”
“Disney.. prin…cess? Like… the films for.. little brats..?” Ben slowly asked out, his voice not really feeling like his own with how insecure and… small it sounded. This all felt like a drug fueled dream. A really weird one, not one of the fun ones. Maybe he’d already fallen asleep and was back in some cyro-coma.
“Mmhm. Hughie likes em. Usually he leans more towards that lil boffin Belle over the glorified sushi princess but–”
“I like Ariel!” Hughie instantly defended but his cheeks went pink as he realized he meant to defend himself in a different way. Like one that might keep his reputation intact or keep himself from being relentlessly bullied by resident tough man, Soldier Boy. “I-I mean–” He gave Butcher an embarrassed, desperate look as he hissed out between his teeth a clear plea. “Butcher..! Come on..!”
Ben’s head swiveled between Hughie and Butcher feeling like he was missing out on something. He felt like that a lot recently since the world was so much different than it was back when he was last in it but this felt like he was out of the loop on something he should know.
“Why… why does Hughie like–” Before he could even finish his question, Butcher had slipped an ice cream dipped fry in his mouth, surprising him further. His reaction time was lacking, he hadn't even seen the man’s hand until it was too late. His senses were dulled. Could only imagine the foul shit his father would say if he saw him now.
“Film’s startin, kid, eat yer food.” Butcher spooned a mouthful of frostie into his own mouth with the grace expected of a grown man whose shirt was stained as much as it was and Ben watched him as he slowly followed instructions and chewed what had been given to him. His gaze flicked over to Hughie still trying to figure out what was going on but all Hughie was telling him was that he’d rather be swallowed alive by the couch than make eye contact with him.
The sound of water splashing alongside loud music on the tv stole his attention away from his less than stellar detective work and he watched for a few seconds as sailors began to sing. His brows furrowed and he turned to Butcher to protest and ask again about why the hell grown men would watch cartoons like this but the moment his mouth opened he was spoon fed some frostie. And while it was more careful than how the Brit had fed himself the action was aggravating. Ben looked at the Brit with an unhappy glare that probably looked more harmless than his usual happy expression if the rest of him looked as pathetic as he felt. But when he was given no attention from it he finally turned away to begrudgingly watch the stupid movie they insisted on making him watch instead of dealing with his problems.
Twenty minutes was all it took for Ben to be fully enraptured, his thought process having melted away with the colorful fish on the screen without his knowledge. Butcher had kept a casual eye on him after he’d realized he was dropping, mildly worried that the loose cannon might start to get anxious again if he broke out of his distraction. It was a little rockier at the start of the movie when he was still incredibly uneasy with the situation and unhappy with having been fed twice without permission; however Butcher was stupid and confident. An that’s what got ‘im this far in life, right?
So sue him if he let himself feel a bit smug as Ben obliviously settled into this new headspace, watching the movie as if it were the most interesting thing he’d ever witnessed. The only time he occasionally turned away from the screen was for the brief moment it would take to be spoon fed another bite being offered. Nothin beat the tried and true combination of an age regression classic an comfort food t’keep someone perfectly satiated in a headspace, eh?
Kid would barely wait to swallow before pointing at the screen to yell something about it because he was trying so hard to listen after having been told “ta swallow ‘is food ‘fore speakin,” but still NEEDED to give his commentary on everything since at his core he was still Ben. He might be acting younger but he was still who he was for better or for worse. And that included movie commentary.
Ben: “That crab is such an ass-munch! I mean look at him! He’s practically makin out with King Trident’s butt.”
Butcher: “His name’s Sebastian, you’ll like him more later on, bud.”
Ben: “I don’t like commies.”
Butcher: “Now why’dja go an call the poor ol bastard that?”
Ben: “He’s red.”
Butcher: “That don’t mean… he’s a crab, mate.”
Ben: “And? Crabs can be commies.”
Hughie: “That’s weirdly the most inclusive thing I’ve heard you say.”
Ben: “Hell yeah King Trident!”
Hughie: “You can't cheer for him, he just destroyed his daughter’s most prized collection!”
Ben: “Uh yeah. She didn't do what he said so she earned it. And she was probably kissin on that statue like a weirdo. Anyway he looked cool doing it.”
Butcher: “An how’dja know she was doin that?”
Ben: “I dunno.”
Hughie: “Ariel wouldn't kiss a statue!”
Ben: “Shut up, Hughie, you don't know that!”
Hughie: “Yes, I do! I’ve watched this movie more than you!”
Butcher: “Boys.”
Hughie: “Sorry..”
Ben: “Well I’m not sorry.”
Once the junk food was gone, Ben started his yawns again but Butcher counted himself lucky that his anxiety didn't notice them this time since that was the only thing he could guess set him off earlier. That or he just took too much while he was gone and got paranoid. Supe was a nutcase anyhow and Butcher probably trusted him even less than Hughie did.
Near the end of the movie though was when the brick of a man made himself comfortable against Butcher’s side and without making it a big deal, the infamous bloke wrapped his arm around his shoulder to pull him in tight. He was softer than he looked. Maybe that level of comfort he was providing was why Ben’s aggressive commentary died away before he could give a final scathing review and instead slipped asleep the moment the next movie started. But Ben would certainly deny that to anyone that brought it up. Including his own thoughts. He’d rather blame those supe-special roofies he never confirmed.
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bruhduck · 9 months ago
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Why are all Slytherins "evil"?
I was re-reading Harry Potter in the last period. Awesome experience, as always. I mean, HP is literally my favourite book series: it helped me to grow up and find my own identity, it made me feel less alone, it taught me how to dream and it introduced me to the world of fandoms in the internet.
Despite many problems of the series (narrative and ideological), I love Harry Potter with all my heart and I will never stop to recommend it to young readers.
But, you know, there's always something that really, really bothers me with Harry Potter. Well, yes, we could discuss about the problematic aparth- uhm, separation between Wizards and Muggles, or about the fact that Elves slavery is pratically... justified (?), and there's no solution for the Elves question in the final book.
But these topics are too much complicated for a random tumblr post, and we are on the internet, I don't want to start a war about politics, etc. :)
No, I want to complain about a certain thing that I really can't understand and it bothers me everytime that I read the books or watch the movies.
WHY ARE ALL SLYTHERINS EVIL? JOANNE, I NEED AN ANSWER, BECAUSE I DON'T UNDERSTAND.
Why they have to be so mean everytime? Being ambitious and shrewd doesn't mean "bad person".
Also, why are they all racist? And why it seems that all of them are sons or daughters of Death Eaters, or in any case their parents share Voldemort's ideology?
Are you saying that ALL SLYTHERINS are pureblood and racist? ALL OF THEM came from a family of Death Eaters? So there are not cunning, ambitious and shrewd people between halfbloods, Muggle-Borns and healthy pureblood families. That's weird.
Oh, yes, and in the first book Slytherins are described as all ugly. Literally.
So, yes, Slytherins are evil and ALSO ugly. Again... why?
Yes, there are some exceptions.
The first one is Severus Snape: now, I love Snape, he's such an interesting character and I feel sorry for his past; the scene in which he gets bullied is so hurting to me (I was bullied myself so I can understand the anger and that feeling of weakness), but... he was not a good person. He has been dominated by hate for his entire life and he never overcomed his past. He was a Death Eater for a period. He bullied Harry, Hermione and Neville for no reason. And sometimes he was so cruel that I think his behaviour is a part of the "All Slytherins are evil" mentality.
Like, Snape has deceived the Dark Lord for years, he is a genius in Potions, DADA and Occlumancy, he's supposed to be one of the smartest characters in the series. So... why has he never understand that Harry is not like James?
"Because he was blinded by hate", you can say.
Ok, but when he saw Harry's memories in the fifth book, why didn't he change his mind?
"He had to act cold because he was pretending to be still loyal to Voldemort."
OK, but there's a difference between being cold to someone and being openly cruel. Snape's behaviours are often illogical and contradictory with the idea of his character, and I can only think that the author depicted him in that way not only to write a "grey character", but also to be loyal to the tradition of "Slytherins are evil".
Next? Oh, Regulus Arcturus Black, one of my favourites. Yes, he was a Slytherin, he was a hero who betrayed the Dark Lord for the sake of Wizarding World. However, his character still has many negative traits: he was a Death Eater, and he shared the racist ideology of his family for years. Again, not bad, but not a good example.
Narcissa Black. She saved Harry, but she is still a racist woman who is married to a Death Eater, and she failed complitely to educate her son.
Her sister, Andromeda Black. Yes, she is the only example of "good Slyhterins" who is not racist or who has not connections with Death Eaters. So, yes, she is good, but there's another problem in this case: she appears once in the whole series, she is barely a character!
Horace Slughorn, my love, he is good, yes. BUT the main trait of his character is negative: he loves to collect the best students like they were trophies.
Draco Malfoy. He is a useless bully for five books, then he changes but even when his character became deeper and more interesting he remains a coward.
Sorry Draco's fans: I like Draco too, but it's true.
I often see people talk about "Draco's redemption", but honestly I don't see this redeption. Simply he becomes a decent person, but he don't go through an actual process of change. He is mean, but he has never wanted to kill, he has never wanted war, so he tries to not get in the way of Harry and his allies, that's it. This is not a redeption, this is an awareness.
There are also Albus Severus, Scorpius and Leta, but they are not characters from the original series, and they were created AFTER all the criticism about the fact that all Slytherins are depicted as bad, so I won't consider them.
It's a shame, you know? Because one of the most important themes in HP is supposed to be INCLUSION. So, why, WHY, nobody, even the "good characters", try to understand or socialize with Slytherins?
Why, in the SIXTH BOOK, I have to read about Harry and Neville who don't greet their Slytherin schoolmates because "Gryffindors and Slytherins don't talk, that's it." Yes, Harry says that.
This is the reason why I love those fanfiction in which we can see Harry and other characters interact with Slytherins. Because this is what I want to see at Hogwarts: inclusion, no prejudice, brotherhood between the four Houses.
I don't know why, but nowdays I still see some "fans" of HP criticize or have prejudice about Slytherin house and I'm like: "After all this time?"
Don't answer "Always" this time, Slytherism (?) has to finish, once and for all.
So... Yes, peace and love between the Houses, thay are all great in their own way!
[I also hope that my English was comprehensible, I'm not that good, but I'm trying my best.]
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kapyushonchan · 4 months ago
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My (not so) short review that nobody needs hear for this update - KFOS and SOCN
*sighs* Boy, where do I start?
TLDR: KFOS and SOCN turned out disappointing. This is my personal impression, reasons below, warning - lots of letters.
KFOS - first, my minor pet peeve - I don't like that they stopped giving cutscenes with the favorites except Christian. Ram, Kamal and Sara have much fewer of them with Devi compared to him. I also noticed that the cutscenes have lost quality? Just close-ups? I've had the impression before that stories that drop in the rankings get less resources.
Second - I think Stasya doesn't "feel" the story yet, because the only emotions I experienced while reading were my disgust and tension during the dinner scene.
Well also Doran turned out well, his not-so-passive agression with wishing a long life to the queen (especially in the context that he can't express his displeasure with Englishmen directly and he can't kill them all, so he turns to caustic sarcasm) is just slay king energy.
Third - and here starts my rant - a lot of interactions feel artificial and underwhelming. Devi's confrontation with Clara in the street seemed just like that - artificial and not really well thought out. The concept of the scene itself is good - Devi sees how Indian servants are bullied in Britain and lashes out. But the tone, the consequences that author chose to portray is just.... Devi just pulls Guy Richi and shuts the racist arrogant lady up. Yayslay, but… was it me or it was underwhelming?
RANT
Come to think about it, you didn't have to go to Britain to see that behavior (or all those Indian movies I watched and a few books I read kind of misled me). AFAIK this attitude was common in occupied India, as some of the British upper and not so upper class moved there to occupy and make easy money there. They built districts to their taste and style - all those clubs and establishments where Indian servants worked and where Indians were not allowed to enter. The police, too, were subject to the British. This apartheid and humiliation could be seen in India at every step, but Devi notices it only in England? And, bear with me, but I really think she couldn't just go to a high society lady and berate her for the way she treats her servants without some consequences to her and to Christian reputation. Devi has not changed Clara's mind with this argument, and she certainly will not change the mind of the whole of English society, which stands on the opinion of the exclusivity and superiority of the British Empire over all nations that have not risen to the level of their greatness. That's how empires work. Devi's act was from the good heart, but impulsive, and she would be spoken of not with respect but with contempt, saying that Christian had chosen “a rude savage” as his bride. Because Devi is not at home. She is in the land of her enemies. Because the whole thing was truly none of her business and it's not her servant, and also doing that she could have made things much worse for the servant-girl and for Christian's reputation (breach of etiquette! that Devi likes to bring up when someone's rude to her). And in this situation it doesn’t matter how angry Devi and we as readers would have felt, because we are in a different world and we’re not making the rules there. We should be uncomfortable with this scene, we should feel anger and frustration in this scene.My point is that the scene would have been more realistic if at its outcome Devi was faced with indifference, condescension and judgment, as if Devi had done something wrong (she hadn't, she just ended up in a world where such attitudes were the norm). Devi should have felt like she was in the Looking Glass, she should have been thrown off balance by the situation. Girl power slay in the style of "I'm Basu and who are you?" doesn’t work here. Or rather it doesn't give you a nuanced outcome of the situation. Even if Devi had come out of the verbal confrontation victorious in her own eyes, society would have gaslighted her. And because of that sence of powerlessness, her anger would have gotten even greater, and she would have actually cursed Clara with the help of the Dark Mother. And Devi would realize that she can't behave in England the way she did at home. It must be infuriating, annoying, but it's something she and we as players have to put up with. It resonates with us, we have to feel these emotions. I would read, of course, how the heroine deals with injustice, but if we have a story about colonialism and the Dozen trying to throw off that yoke, why aren't we shown such scenes in all their colors? Because mere words and knowledge of the etiquette are not enough. I also think Devi's connection to the Dark Mother's anger could have played out as a sort of Death Note, where Devi curses someone and then misfortunes happen to those cursed people.
I think the artificial tone of the story is my main problem with season two in general. Devi finds herself in a foreign hostile country, but now she's acting like Amala in India and by simple demands she shuts up the lords and ladies left and right just by demanding respect and they just listen to her and shut up. And it looks like a safe route, like there are no stakes there. And with change of the “location” we have to feel discomfort - but not with food, weather and new clothes, but with a feeling like we’re walking on eggshells. Devi, in a conversation with lord What's His Face, intimidates him with Christian, and he stops harassing her. But then the same lord makes a shapito show of provocation at dinner, showing that he doesn't give a damn about Christian's opinion and doesn't give a damn about him in general. I'm not saying there shouldn't be provocation, it shouldn't have been so brazen and direct in words. After all, English high society can masterfully insult in a veiled manner, and the author's skill in writing such dialogues was clearly lacking here. Imho (just my imho) storywise here, in England, Devi should realize how lucky she is to be a member of high Bengali society where she is respected, valued and listened to, when in England she should feel that she is looked down upon, trapped and treated worse, like a second-class person, no matter what her background is. Here, if you are on a route with Christian, there should be a test of his and Devi's feelings in the context of the contempt of the entire upper class society for the "second class people" as they see Indian people to be. Christian has to experience that he has become a pariah in some way by choosing to marry a Devi.
I may have a misconception of how things worked back then, but my thoughts are that it's like all the tension is gone from the story. And there should be - it's a story essentially about two factions who hate each other, who don't want to make contact and settle because it's a story built on a colonial takeover. It's toned down here, yes, it's not historically accurate and all, BUT: if this base of historical events gives you an opportunity to use a great source of conflict, disagreement, and drama - you use it (that's why the provocation with beef at the dinner resonated with me -  I was fuming!). And alas, I'm feeling less and less of all that. Especially after the first season that SLAYED.
Also, Devi's offer to Doran to team up with Christian, to use him, would have looked different and even more tense if those political and social nuances worked, and their interaction wasn't just some game of "who knows more". What kind of games are these anyway, they're on the same side, behind enemy lines. Devi could have shared her frustration with her experience in England with Doran and then open some cards to him and admit that they need Christian's resources to determine who's sowing turmoil in the Dozen. There could have been some great GOT-style dialogue here, not just the "The Executioner despises the Englishmen and therefore won't even consider it, he needs to be persuaded", but "The Executioner has been through enough in his life to know that if there's a chance, you have to take it, politics is always played dirty". Doran is described as intelligent after all, not just angry walking muscles.
Well, that's just my thoughts and impressions, you're free to disagree with me here. I'm probably asking too much from a visual novel, I never read them with a magnifying glass to look for nitpicks, but…. But I really liked KFOS S1 ._. And I'm sad for the untapped potential.
SOCN - I was disappointed too. I think Remy's original idea to write that Agnia and Amen attack Livius and Eva but were saved by Seth worked better.
Now, it's friendship and magic, no conflict and drama. The two sides of the conflict resolve everything man-to-man, blow off steam and agree on everything.
And I have the feeling that all the seriousness of the situation has gone somewhere and everything has descended into some kind of farce.
Okay, Amen using Livius and Eva to achive his goals still works fine. But Seth, who fights Amen for fun and then agrees to cooperate with him - no. Just no. It's seems OOC. It doesn't work. Even if he's weakened like a God. Even if he needs Hemseth so much. Seth is a god, he has pride and principles, and there's no way I believe he'd choose to work with someone who kills his followers and weakens him. Neither will Amen agree to work with Seth who he thinks is some kind of Supreme shezmu. He hates the Supreme. He wouldn't go for an alliance either.
Has the writes watched too much of House of the Dragon? WHERE ARE MY CONFLICTS I'M ASKING YOU I'M GOING TO START A SCANDAL
I thought that Remy's decision that Amen and Seth couldn't be friendsto MC like the other favorites had to do with this intransigence, but no, some other reason.
What's the point of not being friends with the favorites if everyone's drinking beer and making truces with each other???
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sofoulandfairaday · 1 year ago
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Also got any sev ones?
If I have any Severus Snape headcanons? I think I might have to put this one under the cut bby, it's going to be loooong. Edit: it got severely out of hand, be warned this is insanely long.
BUT FIRST: this is a very long but extremely well-written meta about the Snapes' peculiar type of poverty that you should all read when you have time. Like, save it for later somewhere or whatever, but seriously. Do yourself a favour.
Some people like to headcanon Remus Lupin (!) as the Hogwarts drug dealer. Nu-uh. That's Snape. Severus, for the right price, can and will provide you with any kind of potion (assuming he can steal the ingredients from the supply closet/his fancy pureblood housemates can get him whatever he needs). See this post.
But it's not just potions. He'll write your essays for money (his prices go up as the years go by, but so does his credibility). Snape is the only reason Avery ever passed 4th year Transfiguration.
Until his 6th/7th year, when he was no longer friends with Lily and started expressing a vocal desire to join the Death Eaters, he wasn't accepted or popular in Slytherin House.
Avery and Mulciber, the only people who could be considered his friends, were still pretty classist and racist towards him and even then he only got to be part of their little circle because he knew more curses when he arrived at Hogwarts than half the kids in seventh year.
You see, he wasn't just a Halfblood (they have those in Slytherin), he was also dirt poor, and pretty rough around the edges. He wasn't refined, he swore like a sailor, he was classless, and “dirty” and had worn-out clothes and second-hand books, he was canonically ugly and twitchy as a child, and Sirius (who is still from the very elegant, very posh Black Family) describes him as a little oddball.
Never mind the suave adult Snape (who is very different in the books and in the movies, anyway). My man Eliza Doolittle-ed himself. He did a Tom Riddle.
But he was powerful enough that the hazing and bullying inside his own House stopped almost immediately when he got there. You despised Snape? Fine. You attacked Snape? Suddenly your pet cat has been poisoned and your kneecaps were jinxed backwards.
Also, Lucius Malfoy promptly singled him out, and while he was still in school (Sev's first and second year) he did what he could to shield him, and to make him just a little more credible and refined in Slytherin. Severus followed him around like a little puppy and definitely acted a bit like an errand boy for him and his friends, which is also part of the reason why Sirius calls him Lucius Malfoy's lapdog in OotP. I wouldn't say they were really friends though. He knew them, and maybe they liked him, but he wasn't their equal.
Unfortunately, the Marauders' bullying only got worse as the years went by, and Lucius had graduated by the time SWM happened (I think that and the Prank were the worst, but I also like the headcanon that they were not. That Snape put that particular memory in the Pensieve because it was the time he lost Lily, not because it was the worst time he was bullied by them. From the way he reacted to their attack, this level of viciousness was probably common. By the way, even if you dislike him as a character, if you deny that what he suffered at the hands of the Marauders was vile, I don't know what to tell you.)
I wouldn't say a good rapport with Narcissa Black - because why would a girl from the upper years hang out with a boy from the first three? - but she would be kind to him, and chat politely sometimes. She was impressed with him - the first Halfblood she had ever given the time of day to.
Do you know who wasn't (lol)? Bellatrix. Who had graduated years before and just could not understand why Narcissa and Lucius would be so fond of this little scrawny upjumped Halfblood.
With the exception of Andromeda (who doesn't know who he is) and Narcissa (who really likes him), all of the Blacks hate Snape. Regulus doesn't hate him per se but thinks him unrefined and overreaching and they also have a bit of a not-so-friendly competition going on even though they come from different years. Sirius and Bella... well, you know. (credit: @hxuse-xf-black, I think this hc is theirs)
One of my favourite headcanons is that the last Black family event Sirius ever attended was Narcissa's wedding (1976) [the last one Andy ever attended was Bellatrix's (1972)]. He was there as the bride's cousin, obviously. But but but. Snivellus Snape was also there, as the groom's best man (alongside Evan Rosier and Rodolphus Lestrange). The two almost get into a Muggle brawl, and an enraged Bellatrix is the one who has to separate them (how dare you try to ruin Cissy's big day?!). She would have happily let them kill each other on any other occasion, but that was her little (only) sister's wedding and she very violently cursed them both.
Started smoking cigarettes when he was young and never really stopped.
What tea does Snape drink?
Bad personal hygiene since he was a boy, especially in his periods of worst depression. Paradoxically, he was at his most groomed during his Death Eater years (1978-1981) because he had to deal daily with the likes of Lucius Malfoy and Rodolphus Lestrange, who might have been domestic terrorists but had standards.
Speaking of which. Bella hates him. I still have to decide how Rodolphus feels about him (Rod definitely defends him when the two of them are having a row, just to piss her off, but I don't know how he actually feels). I think they had slightly different social circles. As Sirius says, they were all - at different points in time - part of a gang of baby Death Eaters in school. But I see Bella & Rod as very close with Rabastan, and Rabastan as very close to Barty (the four of them even tortured the Longbottoms together, which means they definitely talked to each other in the very hectic days after Voldemort's downfall). In my headcanons Barty and Regulus are glued at the hip, so basically that's the five of them already.
It was a period of brilliant students for Hogwarts, nothing like Harry's time. James and Sirius were prodigies, Regulus gives me mad scientist vibes (also, he must have been knowledgeable in the Dark Arts seeing as he figured out about Voldemort's Horcruxes in no time), Barty brought home twelve O.W.L.S. (how?), and Snape was inventing curses.
The latter three were tentative allies in school, but Barty&Reg (who definitely had something going on if you know what I mean), pureblood and proper, with all of the entitlement that must have come from their bloodlines and talent, definitely were not his fans.
No one could understand his fixation with “that Mudblood” (Lily); Lucius was particularly overjoyed when he heard of their falling out. (This came back to bite him in the ass when he was the one who had to physically drag him out of his house, at Spinner's End, after she died and he was determined to rot and kill himself with alcohol.)
Cat person. But never owned any pets because he could not keep one alive. Except of course when he owned a rat... err... I mean, when Peter lived with him.
I am convinced the man took stimulants. Whatever the equivalent of wizard cocaine was (probably a potion he made himself, with minimal comedown and as little side effects on the body as he can), he took. He seems to spend his nights patrolling the corridors and his days teaching, so when does he sleep?
Extremely light sleeper anyway.
Can go without eating for a long time.
He is the personification of self-loathing.
I can see him self-harming in different ways. He denies himself the small pleasures of life, he smokes until his throat burns and his lungs hurt, and insists that he works best without protective gloves (more sensitivity or whatever) which means that his hands are covered in small cuts and stains from corrosive (possibly painful) potions.
Does whatever he can to look as little like his father as possible, whether that be growing a beard, or gaining weight, or cutting his hair.
He maintains that learning Occlumency saved his life. Legilimency is about control, and even that not-so-hidden sadistic part of him, and also the self-protection that comes from knowing your opponent's moves before they can strike. But Occlumency and the sort of meditative bliss that comes from Occluding heavily was an integral part of his transformation, and very definitely helped with the very obvious anxiety that plagued him as a boy. It's yoga + good weed at the same time. That's the feeling.
The Lily thing. Part of it was romantic but in the light I-am-thirteen-and-have-a-crush-on-my-best-friend type of way. He definitely thought he was in love with her when he was sixteen/seventeen, after they had cut ties, and that's how he explained it to Voldemort, too (and that's how Voldemort explains it to Harry - he desired her). But. Truthfully? No. After a while, and especially after her death, it wasn't about the love he felt for her, it was about the debt he owed her. She was the first person to be kind to him, and he betrayed her. Directly caused her death, and sold her to the most evil wizard in history. Whether you love someone romantically or platonically, being responsible for their death, or leaving a child as an orphan takes a toll on your psyche that's almost impossible for me to comprehend or explain. Imagine the level of guilt that he felt. She was his first friend, his first crush, his first everything. And his love for her was the love Dante felt for Beatrice, the love that moves the sun and the other stars. I hate it when they reduce it to “he just wanted to bang Harry's mom haha”.
With that being said, Snily is probably the most boring Severus ship of all.
Never planned for the future. He honestly didn't think he would survive the war; his character is pretty much doomed by the narrative, and I am convinced that the only thing that kept him going was fulfilling his promise to Dumbledore, taking down the Dark Lord. He always thought Voldemort would eventually discover he was a spy and kill him for it. And as sad as it is (and that's why I love those kinds of fanfics!) I cannot see him ever adapting to a post-Voldemort world. It would take a lot of work on himself for him to find peace and I don't think he loved himself enough for that. I don't think he wanted to live.
Also, while I love the fanfics where he eventually makes up with Harry, and they have a civil relationship, I cannot see it happening in canon.
The narrative draws very explicit parallels between Snape and Voldemort, there are so many (but not limited to): the social class they come from, their blood status, the abuse they face as children, this iconic line which is one of my favourites in the whole series: But he was home. Hogwarts was the first and best home he had known. He and Voldemort and Snape, the abandoned boys, had all found home here, the details we can infer of their relationship with Dumbledore when they were still students, the transformation they operated on themselves to become more polished, their interests (both of them invent curses and the like), the way they identify with their mothers' heritages, their dynamic is extremely interesting to me.
My headcanon is that Snape was one of the few people Voldemort actually liked (and perhaps he saw himself in), which would explain why he doesn't heed Bella's advice about him. Of course, it was a very tepid intellectual appreciation (just a tad warmer than his - very cold - expression of regret at having to kill him in the Shrieking Shack), but it was there. I think they had a teacher-student dynamic which doesn't get explored enough but was clearly there: Voldemort teaches Snape how to fly without a broom; he is reportedly the only Death Eater to whom he teaches this. I think Snape was absolutely fascinated with LV in the beginning and climbed through the ranks impressively quickly. Just as rapidly (maybe more) as purebloods Regulus Black (whose cousin was LV's right-hand woman and possible mistress) and Barty Crouch (who would have been an asset seeing his father's position). Keep in mind these guys weren't even 20 years old and had all met Voldemort personally, probably more than once. They would have been part of his inner circle.
I can see Voldemort appreciating Snape's interest in magic, especially his academic interest. I think it's especially fascinating if compared to Voldemort's relationship with Bellatrix (who was the opposite of Snape in every sense): I think someone like Voldemort would be attracted to someone like Bellatrix (rich, pure of blood, self-assured, inhabiting a world built for her, etc.) but on the other hand he would also resent her for these very things that were her prerogative, and not his. On the other hand, Snape would understand him on a personal level, he would simply get some of Voldemort's lived experiences (and personality, let's be real) in a way his other Death Eaters wouldn't. But, because he still represents his past in a way (and hasn't remade himself quite yet), Voldemort would also view him with contempt. (And a great deal of superiority, but he's like that with everyone).
Snape doesn't join the Death Eaters because of the Cause. I can see him hating Muggles and perhaps looking down on Muggle-borns, but I don't think of him as a convinced pureblood elitist in the way the Lestranges and Malfoys were. He joined for power. He wanted revenge, and he wanted to feel powerful and important in a world that would make him feel small (part of the reasoning behind Bellatrix's joining in my headcanons), which makes him much hungrier than his peers, which would make him stand out to Voldemort.
His invention of the Sectumsempra spell and its counter-curse is extremely impressive, even Bella had to recognize this when she found out, and she demanded it be taught to the younger recruits, (but really to herself).
Hates summer like no one else has ever hated summer.
Helped with Draco's conception. I headcanon that Narcissa had fertility problems (this extends, for me, to most women of the Black family) and Severus helped her and Lucius with it. (This hc isn't mine, but I love it to death.)
Any and all silly headcanons about Snape teaching sex ed, dealing with periods, etc give me life. You've all read them though, so I won't repeat them.
Worked as a potioneer for Voldemort too, perhaps alongside someone who was even better than him (older, more knowledgeable). The things he learned turned out to be super useful to him in the future.
His favourite food is fish and chips, or something equally proletarian, like beans on toast... that sort of thing.
Detested living with Pettigrew (and I hc that Voldemort did it as a form of cruel punishment: he's forced to live with - offer shelter to - the man who caused Lily's death).
Because I like angst, I really like the idea that the person he was closest with, in the entirety of the Hogwarts staff (except maybe for Dumbledore) wasn't McGonagall, it was Charity Burbage. I need more fics with an in-depth exploration of their relationship (whether it be romantic or platonic) because it has amazing potential, both for angst and fluff.
Idk how anyone can ship Snily when these two are right there
Also, she would be the second woman Severus loves that Voldemort has killed. This time it's even worse.
I doubt he could ever have had a functioning relationship with her (or any other woman, or person), because what flesh-and-blood woman could ever beat the lamented and idolised spirit of Lily Evans? She would stand no chance. Again, this makes it worse.
I'm going to stop here because this is getting embarrassing. Kudos to you if you got to the end of this.
Headcanons: James | Sirius | Remus | Lily
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eobarried · 1 year ago
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ok let’s talk about miguel o’hara because it needs to be done. i want to clarify that this is not a hate post or anti-miguel in any sense, but it is a critical analysis of his character and role in the spiderverse. if you don’t feel like you can read this right now, i suggest you like it/save it for later and read it when you feel like you can with an open mind
especially for anyone who’s a miguel enjoyer (i consider myself one as well) because if you really love his character, it’s important to understand why his character was created and what a great narrative tool it is! anyway-
miguel o’hara is, allegorically, a bigot. 
now - let’s unpack and clarify that. miguel is allegorically a bigot - his character is used to represent a certain, specific type of bigotry we see in real life. notice how i’m saying “bigot” and not “racist” - because despite the memes, i don’t think miguel’s hatred of miles is rooted in antiblackness. i think it’s rooted in something a little more complicated, which is why i’m using the term bigotry. but this can be a little confusing, so let’s start from the beginning. or, at least, the most important part.
the canon.
i want you to really think about the word used here - canon. hearing that word should break the fourth wall for you, just like hearing “he’s got hammerspace!” should have earlier in the movie - or discussions different characters have surrounding their distinct art styles. it’s meant to break the fourth wall and draw attention to itself. specifically, the use of the word canon here is meant for us to take a step back from the in-universe events (treating the characters as “real” people and looking at events logically) and instead think of the spiderman story and mythos.
spiderman, as a story, has been told over and over again. we, as an audience, are deeply familiar with this story, as we’ve seen it as a live-action blockbuster in no less than three separate franchises. that’s not even mentioning all the cartoon adaptations, and of course the comic runs. adhering to a specific formula surrounding the story makes sense. when someone walks into a spiderman movie, they have certain... expectations. that no matter what version of spiderman this is, that they follow certain story beats and adhere to certain rules as they follow along in their journey. miguel, when explaining this to miles, focuses on said story beats (which i’ll get to in a second), but there’s something that’s way more important than specific plot points that we need to address here.
and that’s theme. 
theme (if you’re not an english literature person), is basically something you take away from the story. it’s usually a moral, idea, or concept that can be applied to the world around you, and helps you learn more about yourself, society, culture, or history. all stories have themes - usually they have multiple. so let’s get into it.
the original spiderman comic was notable in several ways. the thing that made spiderman so popular and successful is that he was the first (notable) teenage superhero that wasn’t a part of a greater team. spiderman wasn’t a sidekick that was written in to appeal to an audience of children. he was a teenager himself - but he was no less competent or strong than the (mostly adult) villains he fought. 
and not only was spiderman a kid - he was the kid. he was a nerd. he was an older white teen, yes - but he represented the type of person who would go out and buy a comic book more than any other hero at the time. before he became spiderman, peter parker was just kind of a geek. at the time (the 60s) this still identified him as an outcast. peter was socially awkward, not good with girls, he didn’t have many friends, and he was bullied consistently. the only thing he was good at was science, basically. we can connect peter’s original portrayal to many legitimately marginalized groups - specifically those that might be autistic and impacted by ableism. to those kids reading that comic, they saw a hero that represented them.
and how does peter represent them? what does spiderman teach these children by reading these comics? the original spiderman is the story of a man who, by chance, was granted the opportunity for greatness - to become an integral part of his community. spiderman uses his skills (both those granted to him by the spider, but also those that he inherently has, such as his skills with science and engineering), in order to prove his worth and merit. it’s lonely, the road he has to walk - he can’t tell his friends and family who he is, lest they become victims like uncle ben - or lest they betray him. he can only rely on himself and his own knowledge in order to protect his community. the themes we draw from spiderman are this: luck can strike at any time, but you need to use your own strength and intelligence to pull yourself up afterwards, no matter how hard things get. no matter how many people you lose.
that’s what miguel believes spiderman is about. this original spiderman story is that of the american dream. of a youth who is ostracized by society (for whatever reason), but is still able to use their own merit to overcome the obstacles placed in front of them and the grief and pain they face on their path to greatness. it’s a hard and lonely path, but miguel values anyone who has the bravery to face it.
so why does he hate miles?
because he didn’t do it alone. because miles doesn’t believe in the traditional american dream.
if you want to read more about that, check out my analysis comparing spider-society and visions academy over here (it’s not as in-depth as i would like it to be, but it gets the job done) but basically: miles believes that every person deserves greatness. he states it very clearly when talking to his dad about how he won the lottery to go to visions: he just got lucky. he feels as if he took an opportunity away from someone else. why is it just given to him, when anyone else at brooklyn middle is just as deserving of an amazing education? when these resources should be put to use to uplift his whole community, not just miles alone?
miles brings that same energy as a spider-person. he’s not just an anomaly because his spider was from a different dimension. he’s an anomaly because he had a mentor. not only a mentor - he had a whole clan of spider-people there for him. while peter b parker and the crew weren’t always very good allies for miles, they still wanted him to succeed. each spider-person was an outcast - not in the same way as miles, but they were eager to describe what miles needed to master in order to keep himself safe as a crime-fighter. although they weren’t always supportive, it wasn’t because they were “gatekeeping” - it’s because they were worried miles might hurt himself. to them, he hadn’t put in the work on his own, and because he hadn’t proven himself as a spider-person in isolation, they thought there was no way he could be successful as a spider-person during a very high-risk mission.
however, miles proves them wrong. it’s true that miles has to pull upon his own inner strength, but he also pulls on wisdom from those that mentored him - his father, his uncle aaron, peter parker, and peter b parker. as well as love and support from his community. miles became spiderman - but not in isolation. he had help, and support, and love - always - that helped him succeed.
because spiderman - in all universes - represents success in america. in the original comics, spiderman is able to overcome his status as an outcast in order to help his city. he now has great power - a potential allegory related to wealth and social or political status. he uses that power in order to protect the community he loves (nyc) as they can’t all protect themselves.
now let’s bring it back. miguel. right.
miguel has already made his mark as a spiderman. although we know he broke canon, it wasn’t related to him becoming spiderman. we can assume that miguel still went through serious struggle and trauma to get to where he’s at. and now, through thematic analysis, we know that becoming spiderman represents success in america.
so, miguel’s dislike of miles, thematically, connects to how older generations may believe that younger generations “have it too easy” or “don’t put in the same effort.” it’s the (mainly capitalistic) ideal that in order to succeed, it has to be in isolation, without outside help. we can infer that miguel is not only upset that miles didn’t do things “canonically” - but that he is afforded success that miguel doesn’t think he deserves. miguel believes that in order to succeed in america, one needs to do it on their own, and suffer in order to succeed. no “hand-outs,” no support, no community outreach. it’s a very rigid capitalistic standard - which is why i called it “bigoted.” miguel is still a marginalized figure - and it’s important that miguel is the one stating the viewpoint, not a white spiderman. because this isn’t a white vs black storyline. miguel’s dislike of miles is specifically a sort of generational, inter-community bigotry.
for someone who hasn’t experienced it - think of it like hazing. you join a new sports team. the senior players say “you carry the equipment out and clean everything after the game.” you ask “why? can’t we all just do it together? aren’t we supposed to be a team?” and they say “no. you’re the new guys. hard work builds character. deal with it.”
alright. so we took a look at canon through a meta-story lens. now let’s pull it back even further.
so, miguel’s ideology. he adheres firmly to canon, a series of events that cannot (or, should not), change. if we apply that to our lives, that sounds a lot like predestination. destiny. fate. let’s call it predestination for now - you’ll see why in a minute.
now, a belief in predestination makes sense. it can bring a lot of people comfort, thinking that horrible events are out of their hands, and often times it can be harmless to believe in predestination in these instances. for example: someone who blames themselves for not being able to say goodbye to a loved one who died suddenly. if this person believes in predestination, it might ease some of their pain and guilt to know that there was nothing they could do - that it was the will of some higher power that their loved one is gone, and that there was nothing they could do to prevent it. some individuals might find comfort in knowing that they are not to blame for the work of the universe.
however, predestination can also be malicious. thinking that things are the will of the universe, or the will of god... that’s been used for some pretty fucked up stuff in the past. in a more moderate (and topical) example - royalty. many kings used the concept of predestination to explain why they deserved the crown. their bloodline was chosen by god himself - that’s why they’re powerful (compare to spider-people and their success. if they are also predestined for their spider-bite, doesn’t that make them akin to monarchs?)
in more nefarious examples, predestination can be used to subjugate and oppress others. predestination was used in ancient indian society in order to justify the caste system - utilizing the hindu concept of karma to justify why certain members of society were mistreated and oppressed. in a more american sense, predestination was often used as a way to justify both slavery and segregation. originally, slavers tried to justify that god wanted black individuals to serve as slaves because it was his will. later, when divine intervention fell out of fashion, they attempted to use eugenics to justify that black individuals were simply born inferior - that it was just science, and that there was nothing they could do about it.
that’s the other reason it’s called canon. the original usage of the word was to refer to the books of the bible that the church recognized as legitimate. it ties back to faith and religion. 
now, religion, faith, and even the belief in fate itself - are not inherently bad. miguel’s belief in predestination doesn’t make him a bad or bigoted person inherently. however, the way he forces other to believe and adhere to it is. it’s very likely that miguel became so attached to the canon in order to justify why his wife and daughter died - in order to remove his own accountability for their passing and instead place the blame on some higher power. this belief snowballed out of control, however - and now influences his jealousy and distaste for miles and his way of life.
because forcing a canon - a story - on miles, is wrong. when miguel tells miles that his father must die, that he has to adhere to canon - that’s a horrible thing to say to a young black boy. to tell him that in order to be successful as a marginalized individual (to be spiderman) that he has to lose the last black male role model he has? it’s heinous! it’s akin to telling miles that in order to succeed, he has to cut ties with part of his culture. which does happen to young marginalized people in america. they are told that in order to be successful, they have to leave their culture, community, and support system behind.
it’s especially sinister when looking at it from the point of view of storytelling. when looking at it from that angle, miguel is basically telling miles that in order for his story - the story of a young black boy - to be profitable, he has to go through even more trauma and loss. it’s similar to what his guidance counselor mentions when discussing how miles should write his college entrance essay - that he should lie, and emphasize that he struggles while growing up, and that his support system was unstable. it’s the traditional story of a struggling black boy - which i discuss more here when talking about earth 42 miles and his inclusion in the spiderverse.
miguel’s bigotry is centrally tried to his idea of what american society expects of marginalized individuals who were able to achieve their dreams despite it all. a story of pain and struggle. one where they were able to - only through their own strength and intelligence, and maybe with a little bit of luck - pull themselves up, and quietly work towards their own success.
miguel’s belief in the american dream and predestination not only influences his treatment of miles, but also his creation of spider-society. now, let me be frank: miguel, in this franchise, is not supposed to represent someone who created systematic oppression. he’s simply one of the people who believed in bigoted ideals and allowed those ideals to influence his decisions. because when miguel created spider-society, it basically became an elitist isolation chamber. spider-society is located in a huge tower on miguela’s earth. the tower is so tall and imposing on the utopian landscape, there’s no way that miguel is able to properly support his own community as spiderman - he’s not worried about what happens to his own community. especially once we learn that a good portion of them live underground, where miguel can’t even see them. even if he wasn’t occupied with anomalies at all times, there’s no way he could even connect with nueva york around him.
the same can be said of all the spider-people in headquarters. they’re not even in their home dimensions. how can they possibly support their communities when they have isolated themselves as far away as they could literally be? it parallels how successful individuals often treat their communities in reality - what do wealthy people usually do at the first sign of their wealth? they build a huge mansion to get away from it all. many times in our capitalist society, wealthy and successful people abandon the communities they should be supporting. 
miguel represents that. he is a successful, powerful person, who decided to focus only on other successful, powerful people like him. marginalized people who achieved the american dream on their own. people who, instead of uplifting others, instead tear down those who don’t fit into their “mold.” who are successful in their own right, but don’t hold the same ideals and values that they do. who aren’t the model example of marginalized success in the eyes of the (white) american “audience.” 
miguel is a product of a great problem within society. while he partakes and perpetuates bigotry, that doesn’t mean that he’s irredeemable. the narrative shows that miguel is a broken man. if we think about to the end credits scene from itsv, where he calls his dimensional travel bracelet a “goober” - he wasn’t always so hateful. he wasn’t always like this. he can un-learn his bigotry and he isn’t completely lost. the way that he discusses his ideas - it’s clear that he knows that there are flaws in them, just as other spider-people consistently point out. he can be changed and improved - just like our real leaders and role models can be changed and improved. miguel is not without saving - but it’s important to remember that he does need to be saved. 
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lover-of-mine · 3 months ago
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@_@ has it been a DAY
This morning was all smiles as their Ryan is leaving the show agenda was working. People were freaking out and getting nervous. Which is exactly what they wanted. If they are going to be miserable and upset then *everyone* is going to be miserable and upset.
I say this morning because now into the evening and it’s not all smiles anymore. Like all things there side comes up with, it’s crumbled like a house of cards. Once the bigger more logical buddie accounts got on and saw what was happening and where it was coming from, order was restored and their attempt was turned into the joke it should have always been. Though some are still trying, but not very hard. They tried to use Ryan’s movie announcement as further proof he’s leaving and immediately got laughed at because it says right in the article it’s wrapped already. And we clearly see Ryan filming for 911.
More outrage on the Ryan focus today. And the temper tantrums are starting to spill all over. They have been sniping at buddie accounts all afternoon. One of the bigger ones got into essentially a one sided screaming match with the main Ryan twitter fansite. Which honestly was pretty embarrassing to witness. They are of course trying to push the racist angle harder then ever and how disappointing it is to see the cast and crew celebrating such a horrible man. And anyone calling them out and mentioning the fact that Lou has his own problematic past and is still in fact up for anyone to see, results in being cussed out and blocked.
There has been some more slight internal turning on the louder one named Mark. Some more people trying to distance themselves from him.
He’s been drawing a lot of attention lately with his claims and personal attacks on people. And generally they end up making them all look bad. He was one of the loudest Ryan is leaving pushers before suddenly switching gears and acting like it was a dumb theory that would never happen (much to his disappointment) so typical flip flopping. The big issue with him today though that made them all look dumb was their beloved flight jacket. It’s green. We all knows it’s green. They all know it’s green. And Like everyone can very clearly can see it’s green. But he decided to target one of the bigger buddie accounts that pointed out the green color of it and what that means in terms of Buck and Eddie and their LI’s, and started throwing personal insult at them and insult her intelligence and then took it a step further to also call her “fucking colorblind” and used it as if that would be an insult and something to be embarrassed by. And he did all of that while also attaching a photo of the jacket retail listing, next to her post. Which is where the issues start. Because not only is he being called out for trying to use being colorblind like an insult, but the jacket listing itself he posted literally says the jacket is olive colored. Everyone knows Olive colored is green. So now he’s once again drawn negative views on their fandom by being ableist but also embarrassing them all by making a stink about it not being green with a photo that clearly shows it is in fact green resulting in everyone laughing at their fandom.
TikTok side they don’t like how many fun TikTok’s we are getting as “rewards” and Lou is being excluded from everything. I think someone else said it earlier but this was supposed to be their time to shine with Lou and they have gotten absolutely nothing.
They are also trying very hard to push the narrative the creator who made that horrible video the other night is the actual victim and the fact she had to make an apology video today and take her “neutral view on Tommy video down” shows how buddie fans are targeting her and bullying her “despite the fact she’s on our side” obviously that’s not going over well either since there is no neutral view on racism. But anything to paint buddie fans as villains and anyone who defends Tommy as hero’s in their minds.
I think that’s everything I got. Hoping for a not so crazy evening. Definitely be prepared for more intense freak outs though the further into filming we get without seeing him. With them now possibly being done or about done, with the first three episodes and no sighting of him things are quickly reaching boiling over points.
~🅰️
Hello love ❤️
I know I keep saying this, but oh my god this just keeps going. I did see part of this but this is.... I'm surprised it took them this long to turn on Mark tbh, with how intense he is. I did follow the thing with the Ryan fanpage and it was very 🫠🫠
I don't get why people don't understand that it wasn't that creators place to decide it wasn't racist and was just normal hazing. But sure, we are the root of all evil.
I am celebrating all the content tho, today was a LOT, I'm kinda more obsessed with Ryan then I was this morning because holy shit.
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noahschnappinfs · 5 months ago
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I remember joining the fandom and being so uncomfortable with the way people in this fandom treated the cast. they're either parasocially obsessed with them or treat them like a garbage (and a lot or times these two things combined!) I've been in a lot of fandoms over the years but I've never seen a fandom for TV shows/movies that is sooo weird about the cast. and I'm not surprised that millie and finn and others left social media years ago.
also yeah, st fandom is one of the most homophobic and antisemitic and racist and overall disgusting fandoms out there. I love this show so much but at this point I just want it to end so the cast can be finally free from this fandom.
it’s not surprising most of the cast isn’t online anymore at all, they’ve had to deal with these things during their formative years which is even harder than it would be for the average actor who starts acting as an adult. look at how they even pushed noah, who honestly is too chronically online, to create a private acc so he can do his own thing in peace. clearly all of them have had to set up boundaries because the fans are just too much, just like you mention people can’t seem to act normally, they become either too parasocial or are straight up bullies and even a mix of both when they don’t get what they want or the actors don’t act the way they want them to act.
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the-great-knight-gay · 1 year ago
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List of favorite versions of these characters
List of my favorite iterations of different characters:
This is an opinion:
Spider-Man
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I just love how nuanced and developed this take on Spidey is. All are great in their own terms but I have personally felt more of a connection to this Spidey more than anyone else, with only Andrew Garfield's coming close because I just love that the whole mannerisms are just so real.
He experiences anger and sadness and so many other negative emotions. He doesn't have to be the happy one all the time because that's unrealistic. It has a more grounded apporach than Tobey Maguire's Spidey but not as much as Andrew Garfield, giving the perfect balance for a quality comic book movie character. It's not too campy but has just the right amount.
The main problem is the fanfiction writers treating him like a five year old when he is not. This is a developed and mature character. How everyone just treats him like a baby is beyond me. His last appearance had him try to murder a man with his bare hands (and a weaponized glider). There was no baby in that scene.
Next up it's Batman.
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This one has so much potential. I don't have as much to discuss but I just feel drawn to it for some reason. The incredibly dark, emotional feel seems to just work for Batman and Robert Pattinson just nails it. The only other one that comes close is Christian Bale who unfortunately puts me off with two things. The design and the voice.
You can't tell me Batman sounds like he gargles with battery acid. Also... hockey pads? Really Nolan?
Next up... Percy Jackson. (Reminder that I am only putting in live action ones as I have not seen the Lightning Thief play but I have been told it's great)
This one is no contest.
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While Logan Lerman was actually a perfect casting for the 16 year old Son of Poseidon, his performance was slightly bogged down by the movie he was in. Logan and the Lotus scene was probably the only thing I would ever like about the movies. Walker on the other hand, while we have only seen him in trailer as of right now, is the perfect Percy. I don't care about his looks because the entire reason PJO was created was to send the message that anyone, whether they have dyslexia or ADHD, can be a hero. The whole part of Percy's design doesn't matter, just as long as he looks like Poseidon. That's the only part that matters. Just like how Annabeth's design doesn't matter as the whole idea of it was that anyone can be smart, despite being discriminated against for their appearance. THIS LITERALLY MEANS IT MAKES MORE SENSE FOR HER TO BE BLACK RATHER THAN BLONDE. STOP BULLYING LEAH YOU RACIST NERDS ON THE INTERNET. NOT THAT I'M HATING ON NERDS THO I AM ONE AND THIS ARGUMENT IS LITERALLY TO DEFEND THE ULTIMATE NERD.
Anyway back to Percy. Walker is Percy Jackson. Anyone seen Secret Headquarters and The Adam Project? It's like seeing Percy come to life. Anyone who says 'Ever had your ass beat by a twelve year old nerd with an inhaler' in that tone is Percy Jackson. His entire mannerism just is the chaotic energy of Percy. Plus, Rick Riordan has said that he has encouraged Walker to embrace anger in the show rather than just be the stereotypical morally superior protagonist. THIS PERCY WILL SHOW EMOTION AND ANGER AND EVERYTHING. THAT IS PERCY. From the start, he has always had a slightly darker streak, from manipulating Procrustes into lying in his literal death bed to manipulating the tears and poison of the misery goddess (No idea where the fandom got the idea of blood bending that's not part of the scene)
Honestly, all I've heard from this kid is just Percy Jackson. He is Percy.
For the final one we have Superman and Lex Luthor.
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This is the best ever Clark Kent I have seen. He shows both the alien side and the human side of Kal-El so well. Henry Cavill was amazing but we never saw really saw Clark enough. More of the Kal-El side. This is probably because of the lack of appearance due to all the weird problems with the DCEU which was disappointing as he was gearing up to take the new favorite spot for me. Welling on the other hand, had so much time, evolving and developing this character that is was just hard not to see Welling when I hear Clark.
Despite the lack of suiting up (Which was fixed by the Season 11 comics and Smallville Tie-ins) he managed to bring the essence of Superman into the show so well. His time as the Red-Blue Blur and The Blur managed to show both his heroic side and his darker side, adding a much more emotionally invested side to the character. Rather than just making him the morally correct character who can do no wrong and assumes the best in everyone like most people think of when they see Superman, Smallville's version shows him as a person making him have flaws, doubts, anger, emotion and so much trails.
His friendship and rivalry with Lex, paired with Tom Welling's amazing chemistry with Michael Rosenbaum, created such amazing on screen banter and added a new layer to his character, giving him a large parallel to one of his greatest enemies.
Both started off wanting to be just good. The main difference was parentage. Clark was lucky to get Jonathan and Martha. He may have had some hiccups with Jor-El but Jor-El at least wanted to give him a good path. Lex had Lionel. Lionel was abusive, via neglect and hate. Lionel was the real reason why Lex had no hope of becoming a hero. This came into play heavily in the earlier seasons of Smallville.
Smallville was always a three act play.
Act 1: Season 1-3
This one focused on fathers and sons
So much of this was about Jonathan and Clark, Lionel and Lex, Henry Small and Lana, Jor-El and Clark, even Gabe and Chloe for a bit.
Act 2: 4-7
This one helped develop the characters through their interactions with each other while building the Krypton sub-plot.
This was how Lana's relationship with Clark and Lex grew and fell.
This was how Chloe grew to be one of Clark's most trusted confidants.
This was about how Clark and Lex's friendship started failing.
All the while, we finally were introduced to actual characters from the comic books other than Lex, Lana, Clark, Pete and Clark's parents.
We saw The Flash, Aquaman, Cyborg, Green Arrow and Black Canary.
We were introduced to Lois Lane of all people which gave everyone my favorite version of the character, rivalled only by My Adventures with Superman and Superman and Lois.
We saw Brainiac, Bizarro and Supergirl.
This truly marked the end of the fathers and sons arc with Jonathan suffering a heart attack and Lex truly becoming the villain after murdering his Father, a fate he had tried so hard to stop in the earlier seasons.
Then we got the final act.
Act 3: Seasons 8-10
This was the act where Clark truly became a hero. He stepped out of the shadows as the Red-Blue Blur. He took on Doomsday. He finally defeated Brainiac. Lois and Clark became a thing. We saw his dark side as he became The Blur, with his trenchcoat and we saw him evolve past his dark side and then finally, he donned the cape.
This was truly the greatest version of Superman.
Now you must be waiting for the Lex one.
Of course it will be Smallville's Lex.
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Michael Rosenbaum was PERFECT.
He will be the only Lex I ever see.
His take on the character was just so emotional and perfect.
His relationship with Clark and his slow descent to madness and evil but just perfect.
That day on the bridge changed his life but it also changed all of ours.
Everyone who saw Smallville knew that Clark and Lex would become enemies and yet it still hurt.
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Let's be honest, this scene broke everyone.
This was when there truly was no return.
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This just cemented what everyone knew would happen.
This was truly the greatest pair in TV history.
They've come a long way from this:
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Knight out.
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hussyknee · 2 years ago
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do u really not see the difference btwn writing fanfic on the internet and buying a game whose storyline is actively being written by white supremacists and having the money go directly into the pocket of the most vocal & influential terf in the UK? that's not even touching all of the other racist and offensive bs in her series inc her antisemitism, appropriating first nations cultures, her asian racism, etc? i guess thats why you dont have 'antisemitics dni' on your blog
First, let me be clear – I do not give one single shit about Harry Potter. They are the best memories of my extremely shitty adolescence, I still read fanfic from time to time, but other than that, if I never hear the word "Harry Potter" again it will be too soon. I care about the fact that you clowns are
encouraging bullies and endangering mentally ill marginalized fans
leeching the air from leftist and queer discourse
fuelling a Western culture war that distracts from combating systemic transphobia
making suffering Black and brown communities, who mostly see white and Western trans people, think that trans people don't have any real problems beyond video games
Now, on to your ask:
I said never said not buying the game was the same as writing fanfic on the internet. I said that the furor over buying the game is leading to everyone who had anything to do with Harry Potter, including just writing fanfic, being bullied. I've had to unfollow so many people for reblogging posts attacking people for being in the *fandom*.
Asking people to refrain from doing something to prove that they care, especially demanding that they don't, has never in the history of activism worked. Black people have been speaking out against copaganda shows forever and STILL get harrassed. Indigenous people have been asking people to boycott Avatar and gotten nothing. Some people comply, but more do the thing simply out of contrarianism, and the entire issue becomes a culture war divided along political affiliation. People on the right go out of their way to do the thing, the people on the center and center-left won't really care, and people who identify as leftist divorce themselves even more from the rest of the left as being no better than the right, which eventually devastating results when it comes to actual elections and agitating for political change.
What works a lot better is harm reduction. Pirating is harm reduction, asking the HP fandom to offset JKR's fuckery by making their own merch, promoting indie games and donating to trans healthcare funds is harm reduction. People won't stand for being policed, but they like giving and also not paying for stuff with a clear conscience. You would have raised so much fucking money and promoted so many different things in all this time you've spent giving the game negative engagement clicks and keeping it trending on social media so long after its release.
You keep insisting that people shouldn't be fans because JKR equals her fandom with her own influence. This is called buying into the right-wing narrative. The woman is delusional (I can't think of a non-ableist word atm, and I honestly think that she's not all stable) and you're enabling her and her terf cult. We created the online HP fandom ourselves back in the aughts, before there was any merch, before movie rights were ever sold to WB, a full decade before her advertising machine ever woke up to the fact that an internet fandom existed. JKR has lost relevance for HP fans a long time ago; imagine the slap in the face for her if the fandom starts countering her bigotry by very prominently engaging in trans activism? The JKR terf cult in the HP fandom are a minority, like TERFs themselves (they're only so loud because the right-wing promotes the shit out of them). The vast majority of fans are just the kind of vaguely well-meaning cis people who don't agree with transphobes but are pretty ignorant about trans issues. And I do mean the vast majority, because literally a billion people grew up on her books and only a bare fraction is on social media at all, and even fewer even see the leftist drive to boycott the franchise.
Let's talk demographics. Because of the aforementioned vastness of consumers, the majority of HP fans are cis het, abled, neurotypical Millennials. Because of the way internet penetration works, the majority of HP fans online and even in fandom are white or Western. Leftist spaces mostly attract young and marginalized people, and transformative fandom is full of neurodivergent women and queer people. Which means the majority of people you're reaching are young queer neurodivergent people who have limited economic power themselves. And the people most vulnerable to and impacted by policing and harrassment are trans, Black and brown, Jewish, mentally ill, poor. Do you see the problem? You're policing the very bottom rungs of the socio-economic ladder on the off-chance of maybe influencing a privileged few who might give a damn.
This is literally why we say that boycotts, especially over social media, don't fucking work. Firstly because they penalize the most disenfranchised consumers, it's hard to reach enough people to even explain why they matter, it's hard to keep up with the constant discourse and changing information, and it relies entirely on performance. Someone can stay quiet or nod along furiously to whatever you're saying and then just...go out and buy the thing. Social censure doesn't work when you have the option of not having to face the consequences. Contrary to hellsite opinion, the Fantastic Beasts franchise died because it sucked, and Harry Potter is dying because it's fading from relevance and JKR is being an embarrassment. The wider market doesn't even know y'all exist.
As for the game being racist and antisemitic...you come on my blog, a South Asian who has been in fandom for twenty years, and try to tell me about racism in media???? NINETY-NINE PERCENT OF ALL MEDIA IS RACIST AND ANTISEMITIC YOU ABSOLUTE CLOWN. I'm from South Asia, our children grow up on books written by colonizers! LORD OF THE RINGS is white supremacy! NARNIA is white supremacy! Disney and Marvel is one of the biggest figures in US military industrial complex that razed the Middle East to the ground. It's so ubiquitous that we have to accept the racism and white supremacy as a matter of course to engage with any Western media! And even then fandom is so racist it's hard to even exist in it! We get run out of it when we try to talk about it. You suck on white supremacy every single day you live like it's your Mum's teat! Do you know what it's like to hear whiteys ranting that people who consume this one game they hate are being antisemitic and racist??? While still fawning??? Over cop shows???? And Disney???? And sending Black people??? Death threats??? Over a game???
I don't say "anti-Semites DNI" for the same reason I don't say "racists DNI". Nobody identifies as a racist or antisemite, that's not how systemic oppression works. Radfem and Zionist and Communist are political identities. Radical feminism is underpinned by transphobia and racism, Zionism is currently entrenched in Palestine occupation, Western communists refuse to acknowledge USSR and Global South genocides. See how that works?
Bitch, you didn't just come at me about JKR's indigenous cultural appropriation when I was among the few who were trying to discourage people from supporting Fantastic Beasts back in 2016 and literally got flamed for it. You people did not give a single shit about Natives back then, and you don't give one now. Just like you don't actually care about Jews and never did. I literally never heard about why and how openly alt-right people keep getting this kind of power and position in the gaming industry. Conversations about antisemitism in gaming and antisemitic tropes in entertainment haven't gotten this much traction. No wider revelations about how entertainment media directly funding and promoting social harms. But sure, it's about antisemitism and racism and has absolutely nothing to do with a mess of white queers realizing they can weaponize it like a cudgel against anyone they believe are against them. We know you whites. You care about excuses to take the moral high ground without having to do any self-interrogation or cost to yourself.
Finally, to give y'all one example of where the current discourse around this stupid shit is at:
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Fuck you.
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sometimesiammybpd · 1 month ago
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the last post was really really difficult to write because for as much as i've spent time working on changing myself from who i used to be, i still really don't enjoy looking back on it. but i have to for one reason more than any other. i think i may be aromantic.
i've talked to my close friends about this a few times because even at that point, i thought i was demi-romantic. i had never been the person to like anyone. especially not in a romantic or "normal" sense. in late elementary / early middle school, i actually had a habit where i had a list in my head of who i "liked" that year. it's in quotes because i didn't but i was already getting bullied pretty badly at that point and one of the biggest topics for kids who are getting closer and closer to thirteen is who do you like? i didn't want to give them another reason to go after me and i also just . . . didn't have an answer if they were to ask me why i didn't like anyone. i was about 11 when i first realized that. it was weird to me. everyone likes someone. that's always what i was told and what i thought. what little friends i did have actually were already having first kisses and things and i started to hate myself because i knew i was going to be left behind.
i mean, something had to be wrong. that's how i started to feel. i couldn't tell anyone and i couldn't understand myself why it was happening, so that's why i kept a mental list. i wanted them to just see me as normal (i had so many issues at this point in my life that there was no chance in hell of that ever happening). i didn't like guys or girls. no one interested me and i'd go home every day feeling worse than the last. by freshman year, i had accepted this would go nowhere and i'd probably just be alone. i still had zero answers but things had only gotten worse with everything for me. kids were bullying me so bad that i had to switch schools and then when i did, i met a kid who somehow was more of a bully than any of the ones from my previous school. entering high school, i felt beaten down. also again, this is the "toxic era" at this point too. it was one giant cluster-fuck in all the worst ways. anyways. freshman year, i saw love, simon. i know it's considered to be bad because of the stereotypical-ness of it down to the "perfect family who accepted me from the start, accepting friends, everything is great," but that movie really did help me to understand more about myself for the first time. nick robinson was my first ever crush. and that's what made me think i was gay at first because i never felt a thing towards a girl.
and what i remember the most was that i believed this made me normal. sure, my family wanted me to be raised to be homophobic, transphobic, racist, far-right, all that shit, but it never really worked. once i was able to look into things myself, their beliefs fell apart to me. but feeling that made me feel happy for once. i still never had a crush on someone i knew, but it was something. and pretty quickly, i got a crush on my friend at the time. we'll call them madi for the sake of anonymity. i don't even know why i liked them. we didn't have much in common and they did not like me because for a long time, they were the subject of my hate and rage. i didn't want to and i think that i, at the time saw it as me being a good friend instead of what it really was: abuse. either way (this is not me downplaying it. it's just not the focus of this post), i eventually did try to ask madi out because i remember that at the end of eighth grade, they did like me back. we did talk about that. but i quickly drove it into the ground and ruined whatever chance there was. usual stuff for me at the time.
one of the memories that has stuck with me was them having to pull me aside at the end of one day of freshman year. madi had to tell me that she really didn't see me like that anymore and we could be friends but that was it. that was the first time i ever really felt heartbreak. i never truly let it go and i do believe that in hindsight, the feelings did leave after that day. i just couldn't let it go because ???
but after madi (give or take a year) came . . . him. god, i still have so much i want to say about this dude that it will have to be its own post. the quickest context is that i was 13 when i first met him. and i started to like him at 15. we talked daily and he treated me like shit half the time but i didn't care. he was my first favorite person, even though i had no idea at that time. but this dude manipulated and groomed me. i honestly couldn't even accept that until i was twenty and even to this day i still can't believe it most of the time. he was the person i talked to every day. i'd stay up and wait until i couldn't keep my eyes open just to see him get online because he lived in a different country. i forced myself to play games like stardew valley and terraria for him. at the time i had no interest in either, but i was in love. it was the first time i ever really felt that way. and i've left out one detail. he was 19 when i was 15. and 20 by the time we officially dated. we only dated for two, maybe three days. but it was something that stuck with me. because he blamed me for how bad it went. we literally couldn't talk to each other. he ignored me for three straight days and then broke up with me. i remember feeling like such a piece of shit because i made him hate me. that's how i felt for so long. i didn't stop liking him until i was 17. i literally couldn't. no matter how hard i tried or told myself he didn't like me back, i couldn't. he's also the same guy who told me my anxiety was hurting him when he knew i had no support system and half the time contributed to making sure i had none. there's so much more i could say and i will at a later date. i don't want to think about him anymore.
after him, i didn't like someone for almost two years before nathan (fake name, see previous post). this was also around the time i started having hyper-fixations that got mistakenly labeled as crushes. if we went off those, i'd have had hundreds of crushes. in reality, they lasted less than 72 hours and barely felt like anything. this is still a concept i struggle to recognize, but always working on it. anyways i've already said all i needed to say about him so. just know that if you didn't read the last post, it fucked me up. i did as much shit as he did (if not more) during the year and a half we knew each other, but it damaged me in ways i'm still trying to fix to this day. and after nathan, i really stopped feeling things for people. i had a crush like two - three years after him on a friend but that never really went anywhere. i would say i'd write a post about it, but that's one of the few things i'm legitimately over in a good way. after that, more mislabeled hyper-fixations but no real crushes. and it's kind of been that way ever since nathan overall.
i don't know.
i don't know if i even want a relationship. the biggest point i tried to make in his post was that i was so infatuated with the idea of a relationship in general that i let so much happen because it didn't matter to me. and after him, i just don't find relationships appealing anymore. i mean yeah, romance is cool. it's sweet and i'm not a complete heartless bastard lol. i love seeing my favorite characters on tv shows get their happy endings and usually end up with the ones that they deserve to be with the most. but when i picture relationships now that involve me, i just. i'm not interested.
it's probably stupid but it's honestly how i feel. i have massive hyper-sexuality issues which would probably say otherwise here (separate post), but as far as romance goes, i just don't feel that way anymore as far as i can tell. i got to experience all of the things i used to crave so much. first kiss, holding hands, sleeping together (not sex), etc. and now that i've done it, i don't really want to do it again lol. the most recent attempt i had at a relationship lasted for only a week. we met on bumble and seemed to hit it off at first, but this guy was a giant series of walking red flags and i mean that literally. i'm not at all trying to be mean or hurtful. i don't want to make anyone feel bad. it's just that i really did like him. it was the first time in almost four years that i felt something. and he used it against me so fast. he had the same awful traits that nathan had (alcoholism, insults = love, etc) except he didn't need to be drunk to say i love you. there were two big things that happened that both collectively ruined what little we did have.
one of the first messages i got from them was them saying they also had bpd. that really made me like interested because i still didn't feel heard and thought maybe this is my chance. that first day was good. we were texting back and forth like the rest of the world didn't matter and it was sweet as fuck. but i mention him revealing his bpd because he was never diagnosed with anything and the more i spoke to him, the less i believed he actually had any of what he said. that was the first thing because seriously, the more i got to know him, the more i got upset because he just . . . i don't believe he had bpd. like, he told me he had serious hyper-sexuality which eventually led us to fucking on the first date. woohoo for sex. i made it clear that i really didn't want to approach sex because i knew once i did, i wouldn't be able to think about anything else because masturbation barely keeps me in check and when its bad bad, even proper sex doesn't do anything but make it worse. so i was seriously afraid of what this would do to us because we barely knew each other. but they kept insisting so we did it.
and magically, their hyper-sexuality went away and never came back. completely serious. it wasn't like they got repulsed by sex like actual hs. i'll talk about hs in detail in a proper post, but for those who don't know, usually it comes and goes. and the phases are either that sex is all you can think about and it basically becomes you for months, or you are so physically repulsed by even the idea that you just stop completely. and that can last weeks or months on its own. they weren't repulsed. they were just . . . normal. satisfied like anyone else. and what did it do for me? it made it so so so much worse. it made it kick into high gear and i stopped being able to function half of the time because all i could think about was having sex. and it made it so fucking awful cause like i said, masturbation did nothing to help. that was the first like big red-flag for me.
the second one almost made me block them in that moment. a day or so before we broke up, they texted me:
them: hey uh if you want to be polyamorus and see other people that's okay. i know i'm not enough for you
me: what??? i'm honestly so confused you are enough but i'm not comfortable seeing other people. why did you ask this
them: oh sorry. i just worry i wont be enough and you'll leave me (we knew each other for not even two weeks atp.)
me: i barely like anyone. i dont get crushes on people and i did on you. it really hurt me that you said that and asked if i would want to see other people. am i not good enough for you?
i really did start to question it because who asks something like that? it was asked like it was somehow nothing. like it wasn't going to hurt me. and i couldn't take it anymore after that. i didn't want to be in another relationship where it felt like i was just fixing the other person.
and that's honestly where i stand on relationships. i don't know if i'm 100% aromantic, but i believe i am. i don't see the point of relationships because even going on bumble and talking to this guy felt like too much. and as much as i did kind of like him, it faded so quickly and i realized i didn't want to be in a relationship. i really don't think it has anything to do with him specifically even after all the shit happened. i just,,, don't need one to be who i want to be. and i accept that honestly. i'm content with my life as far as what i do with my free time. and don't get me wrong, i love romance so much. i really do. it's just not for me i guess. and hey, things could change. who knows but for now, it makes the most sense and gives me the most relief.
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thebibliomancer · 1 month ago
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Essential Avengers: Avengers West Coast #63: "When Lives the LIGHTNING"
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October, 1990
The original HUMAN TORCH vs the LIVING LIGHTNING!
Living Lightning? Comic fans in 1990 probably were thinking 'who?' but fans of specifically 60s Hulk comics were like whaaaaaat?
I know this guy from the future. He sharked the Grandmaster at poker. He was revealed to be gay in an off-hand joke about how the Great Lakes Avengers have the same initials as the Gay/Lesbian Alliance. Fun guy.
And this is his debut, woo!
Not sure why he's gotta bully poor Jim Hammond when life already does that enough, shrug.
Last times: there was this whole thing with Immortus manipulating Wanda to turn her into a conduit for the Proper Timeline to flow through, or something. For some reason, this involved turning her into a racist. But then Wanda maximoffed Immortus so hard that his bosses came down and gave him a promotion to inanimate object.
Also, Terminus and Terminus bouncing baby boy Terminus combined into a bigger Terminus in San Francisco, then went to St Louis, and then went into space and imploded into a black hole. The West Coast team was around for that too.
IT HAS BEEN A BUSY WEEK.
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See, Wanda is only now getting check up after everything she went through. That's how busy it's been.
"When lives the lightning" is such an odd way to phrase something. Is that a complete sentence?
The Avengers are going to arrange a nurse so Wanda can recover at home. Money is no object. Janet van Dyne and Iron Man are both in the room and they love throwing money at friends.
But for now, doctor's orders are for everyone to give Wanda some space to rest and everyone filters out. Except Wonder Man, who lingers.
There's weird romance subplot baggage between them. Which got even weirder when she was briefly evil because she taunted him about it.
But now that she's not evil, they have an awkward conversation.
Scarlet Witch: "Simon... wait... please... I... I guess we showed Immortus where he could get off, didn't we?" Wonder Man: "You showed him, Wanda... when you threw off all that excess power he'd secretly bred in you. The rest of us were mostly just along for the ride." Scarlet Witch: "Sometimes, Simon Williams, you can be so silly. Well... good night." Wonder Man: "Good night."
Please don't use the word bred in context of Wanda and Immortus, Simon.
Also, gosh I really can't get behind this awkward romance subplot. I'm too salty about how the marriage Wanda was already in was hit in the knees with a crowbar because John Byrne didn't like it.
Even given Wanda has been through a lot, I think it would take her a long time before she'd want to date again considering her husband dumped her and moved to the other cost while she was having an emotional breakdown.
Anyway. Well away from Wanda's room, Quicksilver asks if Wanda will get her powers back when she's rested from her ordeal.
The doctor answers that he can't say because he's no authority. Unfortunately, he says it in a way that notoriously prickly Quicksilver takes as mutantphobia.
Quicksilver: "I hesitated to ask this in front of my sister, doctor, but... Will her so-called hex power return, when she is stronger?" Dr Sanford: "I'm afraid I really couldn't say, Mr. Maximoff. Before tonight, I never before treated a -- well, you know -- a mutant." Quicksilver: "You speak the word 'mutant' -- as it it were something unclean! By all that is holy, I will--"
And then Hawkeye slides in and tells Quicksilver to calm his tits. For his own sake and for Wanda's try to not to be so touchy. Quicksilver apologizes and runs off.
Wasp is impressed that Hawkeye is acting the peacekeeper instead of the hothead but, geez. We've had this character beat from him already. At least before Byrne reset his character. When Wonder Man was chafing at the demands of being an Avenger and the glitzy life of starring in a Not-Conan movie, he started giving Hawkeye a lot of grief and Hawkeye realized 'wow, this is what I put Cap through, back in the day.'
Anyway, Wasp also remembers that the Tigra subplot has just been dangling like mad for so long. They need to do a Tigra hunt, find teeny tiny six inch tall feral Tigra somewhere in the compound grounds.
It's amazing how much stuff Byrne set up and then did nothing with but now has to be addressed.
Iron Man can't help with the Tigra Hunt right now because he's been blowing off corporate work to help with various Immortus and Terminus-related things. And Hawkeye is meeting estranged wife Mockingbird in Hollywood.
In the only bit of 'huh I wonder if Iron Man is Tony Stark' wheel spinning from the Avengers, Hawkeye cheekily tells Iron Man not to let Tony Stark yell at him too much for skipping work because "we all know what a hard case he can be" to which Iron Man Who Is Definitely Tony Stark can just awkwardly agree.
That was mean and funny, Clint Barton.
So how about this Living Lightning thing?
Well, a guy follows a map that was in his dead father's possessions out to the Santa Ana Mountains and finds the hidden and abandoned lair of the Legion of the Living Lightning.
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Miguel Santos has a probably biased view on what went down and who the Legion of the Living Lightning were, because his dad was a member and Miguel heard from a surviving legionnaire what happened.
They were a group that tried to take over the US "for its own good."
Miguel Santos: "The Lightning Lord would've saved America from people who didn't love it as much as my father, who'd come here from Mexico -- if not for that green-skinned monster."
Miguel wants to revive the Legion's dream of abolishing war and hatred by taking over the country and so he tries to reactivate the Legion's lightning machine and gets electrocuted.
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Whoopsiedoodle.
Back at the Avengers side of the plot, US Agent makes an earnest if awkward attempt to bond with the team.
He suggests to Wonder Man that they play a quick game of pool before starting the Tigra Hunt. But Wonder Man is preoccupied with his own thoughts and turns down the offer to go make a phone call.
US Agent: "The story of my life as an Avenger, West Coast variety. They resent the way Uncle Sam forced me down their throats. Maybe I should've tried to make myself easier to swallow. Well, maybe it's not too late, right? Pym and his ex-wife, over there talking to that witch-dame, Agatha Harkness... they haven't cold-shouldered me the way that bone-headed bowman did... The way even Wonder Man did just now."
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US Agent: "Maybe I should just walk right up to them... Tell them how proud I am to be an Avenger... But, hey -- what am I doing kissing up to them? The government appointed me an Avenger, and that's good enough for Jack Daniels, a.k.a. U.S. Agent. Who do these bozos think they are, anyway, looking down their noses at me? Frag' em!"
I want to point out that US Agent was so offended about the thought that maybe his off-putting personality was why he doesn't have any friends, that he forgot his name is John Walker, not Jack Daniels. Dingus.
Also, he was so close to an epiphany and then pride got in the way. There's a lot of reasons why John Jack Daniels Walker could never be a good Captain America and that there is one reason.
Anyway, Hank has no idea why US Agent walked up to them and then shook his fist and walked away. So he just continues his conversation with Agatha Harkness and invites her to move in. It'd be good for Wanda to have her around, since she sees Agatha as family.
A feeling which is mutual, so Agatha decides to stay until Wanda is recovered.
She also offers to have her terrifyingly cute horrible monster cat familiar Ebony help with the Tigra Hunt.
Hank and Wasp are grateful for the help but decide to go check on the robot Human Torch before starting the Tigra Hunt.
(Aw, man, they're never going to get to the fireworks factory...)
Human Torch was revived from the Immortus stuff in the West Coast Avengers Annual but maybe people didn't see that. So Hank explains for the sake of the audience that Jim Hammond had to go into downtime to replenish his energy after the fight against Terminus and also Terminus.
As Hank and Jan wander through the halls of the Avengers Mansion, the West Coast One, they also wonder if Human Torch (robot) will ever adjust to being an Avenger and also in the present.
Hank thinks so but it took even Cap a while to adjust.
Then the two happen to amble past the room where Wonder Man is making his call. To Vision.
Wonder Man quickly recaps everything that's happened with 'we got her out of Magneto's and then Immortus' clutches, long story' and then asks if Vision can come visit. Because Wanda has been through hell and lost her powers. She could use some cheering up.
Vision repeats the same ol' emotionless robot bit. Since the memories up to Byrne's run were deleted, he doesn't consider himself the same synthezoid that married Wanda. Therefore, they are not. And Vision has decided that ghosting her, going completely no contact, is the best approach.
Geez, white Vision. I don't know how much I can call you a dick because you're operating on very limited information, you're basically a baby in terms of having less than a year's worth of memories, and you haven't relearned social nuance yet. But dick move!
Wonder Man says he understands but then he crushes the phone receiver, smashes through the window, and flies off into the night.
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Wonder Man: "Oh, I understand, all right... You better believe I do! I'm in love with a woman who loves a husband who's dead to her, and always will be! So how do I fight -- a ghost?"
Completely unnecessary to smash the window like that. Some of your big Hollywood bucks better find their way into the repair fund.
But, like, I get it. I don't like it. I don't like this romance plot and it was been initially written in a way that makes Wonder Man look like an ass before course correction happened.
He loves Wanda. But he's (now) not a jerk that's going to make a move when she's messed up emotionally from her husband dying and then ditching. Simon wants Vision to come visit Wanda so they get back together and there's no possibility for him to agonize over or so they don't get back together and Wanda has closure and can date again. But as it is, all three of them are stuck in a terrible romantic limbo.
That's dramatic.
But I don't have to like it.
Also, even if Vision came and he and Wanda had a talk that gave her closure on their relationship, I think she'd still not be in the headspace to date for a while.
Meanwhile, back in the Santa Ana Mountains, Miguel Santos did not get electrocuted to death. It hurt like hell but he lives.
As often happens in comic books, instead of dying from something that should definitely have killed him, he gained superpowers.
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Miguel realizes that he's glowing with an awesome power. When he tried to fix the lightning machine, instead of fixing the superweapon, he has become one.
Miguel Santos: "That felt great -- Maravilloso! If the Legion'd had a few vatos like me, instead of having to use missiles and -- the machine! It could've been anybody who got charged up like this -- even somebody who hated everything the Legion -- and my father -- stood for! Well -- not any more!" -blows up the machine- "I can see now -- it's better this way. From this night on -- there's only one Living Lightning -- and its name is Miguel Santos!"
Usually, these freak empowering accidents are one in a million flukes that can't be replicated to mass produce superpowers. And it was probably the case here too. But he wasn't taking the chance.
Anyway, back at the West Coast Avengers Mansion, Hank and Wasp reach his lab and finds that the place is trashed. The robot Human Torch's resting tube is all melted and there's a hole melted in the roof. And Ann Raymond, who is still here for some reason, is staring in a daze and a little charred.
She was watching the Human Torch as he, well, not slept but was dormant. She wanted to ask more questions about her dead husband Toro who is definitely dead when Jim Hammond woke up/booted up, but when he did, he got this weird look and suddenly flamed on bright enough that it temporarily blinded Ann.
Judging by a melted clock (Hank Pym: "Hello, Dali!"), they can estimate robot Human Torch Jim Hammond flew off hours ago. Probably very confused.
But thankfully, Hank Pym has Rover, the flying vehicle who loves Hank.
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He never gets tired of showing it off and I'm always glad when he gets the chance.
We love Rover here.
Meanwhile, robot Human Torch flies off Orange County and muses about how much time has passed since the 50s. His robot brain may as well be trapped in a logic loop because all he really does in these Avengers West Coast comics is fly over stuff and muse about how much time has passed.
Writers really have no idea what to do with him.
Anyway, Jim worries that the world has passed him by. Is there a place in a world that already has a more popular Human Torch blazing around as part of the Fantastic Four?
Maybe. The one thing Jim is sure of is that he's lost. Whoops.
He stops by a donut shop to ask for directions (because he used to be a cop, you see. He even lampshades it) but gets distracted once again musing about how he doesn't fit into society, even back in the 40s and 50s.
I guess all of Vision's robo-angst has concentrated on just Jim Hammond now that Vision lacks the emotional depth to worry about existential things.
Jim happens to overhear a news report about a flying, glowing man causing fires and electrical damage over at Fullerton and goes 'this looks like a job for me, the robot Human Torch!'
Also, Jim doesn't know how to get to Fullerton. He just flies off and figures he'll figure it out.
Over in Rover, Hank, Jan, and Ann Raymond hear the same news report. Even though Ann affirms that Jim wouldn't be causing such a ruckus, the superheroes go to investigate anyway.
Which you'd hope that they would! So I'm glad that they do!
Robot Human Torch lucks out and spots a black-out while flying around and figures that's gotta be Fullerton and goes to investigate a bright glow in the middle of the blacked out area. Which happens to be a gas station fire.
A bunch of panicking civilians assume that Human Torch is whoever did this, back to cause more trouble. And they don't listen when he tells them he's a different guy.
He puts out the fire by absorbing the fire, as Human Torches are known to do, and then looks for anybody who can explain to him what's going on.
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Nobody is willing to have a conversation with him but luckily, what's going on shows up to explain himself.
The Living Lightning throws some ball lightning at Human Torch, then claims he was just testing his powers. Jim goes huh ok, well, we have a lot in common, actually... but Living Lightning starts ranting that Human Torch won't stop him, like how the Hulk stopped the Legion!
Which confuses Human Torch more because he has zero context for any of this. He didn't see the subplot where the guy got powers or recapped that old Hulk story.
So Jim starts throwing fireballs back at Living Lightning. Only for his great balls of fire to bounce off an electrical field around Lightning.
When Lightning retaliates with ball lightning, he misses Jim but the electricity hits the road, blinds a driver, and causes them to drive into a tree.
Human Torch: "Good thing seat belts have caught on, the past few decades!"
But Living Lightning declares that next he wants to try his powers out on a living person and targets the teens from the car.
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Human Torch intercepts the attack, seemingly with his crotch, falling right into Living Lightning's trap. He didn't care about the teens, he just wanted a free shot at the Human Torch.
The teens try to run to Hammond's aid but he tells them to clear out of the area so they run away.
Living Lightning is going to finish off Hammond when Rover, our beloved flying ant-brained airship, swoops between Lightning and the Torch.
Hank Pym: "Well, ladies, that solves the mystery of the 'flying, glowing man'! Looks like the Torch dropped by to investigate, too." Wasp: "And nearly got his head handed to him for his trouble!"
You don't have to be mean, Jan.
She flies out of Rover to check on Hammond, who is feeling equally dismissive of his performance, to be fair.
Wasp: "You all right?" Human Torch: "Oh, sure. I'm just great. My first solo outing since the Eisenhower administration -- and I wind up flat on my backside!"
Meanwhile, Hank is trying various things. Like. Acid spray. He just goes right to acid spray. He sprays acid at a man he doesn't know whether or not can survive acid.
He can. He even thanks Hank for confirming that for him since Living Lightning is still in the trying things out phase.
Wasp tries to talk the Torch into getting back into the fight but he's decided he's a no-good has-been. Until Living Lightning zaps Rover, sending it into a crash.
So alarmed that Mrs Raymond has been put in harm's way, Hammond FLAMEs ON and starts throwing fireballs at Living Lightning.
Hank comes up with a Plan and throws Torch a metal cable. Which he misses catching. But Wasp catches it and flies it up to him.
Teamwork. Makes the dream work.
Human Torch throws the cable to Living Lightning, who catches it without really thinking about it. But that was a grounding wire and it slurps Living Lightning into Rover's battery. Also, Rover blows up because the electrical charge sets off the fuel tanks.
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;_;_\
Farewell, you beautiful ant-craft.
Also, bye, Living Lightning. You'll be back and at some point you'll mellow out. I mean, Hammond even lampshades that the guy will probably be back.
Good thing Hawkeye wasn't around. This would definitely have been a wrinkle in the 'Avengers don't kill' debate.
Was Hank's intention just to trap him, siphon away his power, or did he know that he'd get exploded?
Who can say.
But Jim Hammond's emotional crisis is resolved anyway with Hank (kinda lying) and saying that it was Hammond's years of fighting experience that ensured victory and truthfully saying that Torch has a place in the Avengers West Coast.
Wasp even points out that robot Human Torch Jim Hammond has quite a history as a team player with his sidekick Toro, with the Invaders, and with the All-Winners Squad.
Hammond admits he was confused when he woke up but that everything seems to be falling into place for the first time in a long time. Hooray.
Now to get back to the compound.
Wasp: "That could be awhile. Unless, of course, Hank's got a spare miniaturized Rover in his pocket." Hank Pym: "Not exactly, Jan... Will a Quinjet do?" Wasp: "You know, Hank, I can't always recall why I divorced you... but somehow I can usually remember why I married you!"
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Because he struck you and then tried to kill all of your friends to prove that he was a good team player.
Look, I go back and forth on whether Hank and Jan could get back together. And writers have different opinions on it too. But if they do get back together, they'll end in the same ugly place unless they remember why the relationship didn't work the first time.
And by they I mean the characters and the writers.
I don't have faith that the writers remember because since Byrne started shipping the characters together again, Wasp has been regressed back to her old, clinging to Hank and being his ego booster characterization.
I can't really see the Wasp that led the Avengers in her recent appearances in this book. And that's disappointing. And seeing writers trying to shove the characters back into a relationship and ignoring rather than addressing why they aren't together anymore... well, that's disappointing too.
As for this issue... Eh, it's a good one-off. A nice little adventure to unwind and rerail after a big event.
If this was Living Lightning's only appearance, he'd be a waste of an interesting character. But it's not so I won't judge too harshly.
Next in Avengers West Coast, my goodness, some Great Lakes Avengers filler! But also, we're back to alternating so instead of that, next week is more East Coast Avengers and the introduction of Rage.
Follow @essential-avengers because why not? What do you have to lose? Or to gaiiiiiiiin? Like and reblog to find out.
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jambeast · 1 year ago
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As a child, growing up in my Diaspora Household, full of Brown Bodies, I would often lift a handful of smelly spices to my nose to smell how good they smelled. Damn, these were some stinky fuckers! “Yummy,” I would think in my beautiful and lilting native language, “there’s no way that Wh*te People would ever make fun of me in an elementary school lunchroom for this.” How wrong I was. 20 years later, I have hunted down each one of the children who once were sort of mean to me about the food I ate and summarily executed them. If this sounds familiar, it means you’ve been reading a very specific genre of online writing: the South Asian smelly lunchbox essay. A prime example of these popped up recently: this Eater piece from last week. These pieces almost always begin with some sort of personal anecdote about the author’s childhood. The author is shamelessly mocked by their cruel, racist white classmates. Crying, they dump their lunch into the school rubbish bin (garbage can for all you Americans) and implore their parents to pack them Dunkaroos or Lunchables or some other disgusting branded pre-packaged thing. As these young Brown Bodies get older, they notice that the same white people who may have made fun of them at one point learn to enjoy Indian food. This unleashes a tidal wave of fury within their Brown Body — This is my culture, how Dare You — and, seeing red, they put pen to computer to type out some incoherent mess about how they’ve been personally wronged. This gets run in some food magazine and is effusively praised on Twitter for being a great encapsulation of everyone else’s rage
I've seen this sort of discourse a few times, and it's striking to me how similar it is to an attitude I encountered on 4chan's Videogames board, /v/ in like 2014-16
White nerdy male comic book/videogames fans on 4chan would claim to have been horribly bullied specifically for liking comic books and videogames when they were kids. That they were socially ostracised and, basically, oppressed, for being weird nerds in a way not dissimilar to any other oppressed minority (which (if true) I don't entirely disagree with.)
And then some time around 2012, The Avengers makes a lot of money and The Big Bang Theory gets popular and Mainstream Society (who they map on to a sort of... nonspecific Archetypical Spirit of the-type-of-people-who-would-have-bullied-them-personally-in-school; the Chads and Staceys of the world) starts getting into comic book movies and videogames. Everyone and their mum is watching the new Starwars Sequel and pretending like they were a big star wars fan the whole time (ignoring that the original star wars films were some of the most widely popular mainstream movies ever made ever, but anyway...)
And there's a sudden sense of rage that these people - the Sort Of People Who Would Have bullied them in school for liking Star Wars (or whatever) suddenly like Star Wars (or whatever), and suddenly act as though they weren't bullying them as a kid 30 years ago for liking star wars (which they probably weren't, since they aren't the same specific individuals, but importantly they are, to the /v/ user, the Sort Of Person That Would Have). It's as if they waived their right to like star wars (or whatever) as soon as they made fun of it 30 years ago (assuming they did, which they individually might have, but might not have, which doesn't matter). There's a sense that they, as an identity group, *own* [X Nerd Property], it's theirs, and you're taking it from them if you try and interact with it yourself if they don't permit you to, a permission you must earn through their respect or your group membership.
They had their chance but squandered it. It's as if Star Wars (or whatever) is unwilling to forgive them for their disrespect. That these people (not really any individuals in particular, rather an abstract Class of people) are hypocrites for not having the same preferences they did when they were children. And the punishment for this hypocrisy is the poetic justice of not being able to enjoy the newest okay-ish movie.
It's a very strange kind of resentment that seems to be calling out to a call to action to make everything worse out of spite; the Platonic Chads and Staceys of the world not liking Star Wars doesn't, like... that doesn't fix any of this. The impulse is not an impulse to Fix. It's purely a destructive impulse to Spite.
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casp1an-sea · 7 months ago
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@ravenwing0110 told me to answer every question of my Star Wars asks. But I blocked two ask games. So here are all the answers to the one made by @sunshinechildskywalker
(The answers to the other one are here)
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Who do you think is the most controversial character? Why, and what is your opinion of them?
I can’t think of someone currently probably will at sound point 
What is your most unpopular opinion about Star Wars?
Atack of the Clones is my favorite prequels movie 
What is your favorite fandom pocket on social media? (e.g. Tumblr, Reddit, Instagram, etc?)
Tumblr (the only other thing I have is Reddit) 
Where would you live were you in-universe?
CORSOCAUNT I LOVE THAT FUCKING PLANET (but I headcanon myself as being born on Corellia)
What kind of fics do you prefer to read?
i Uhm exclusively read Kylux fics I know it’s embarrassing 
What is your favorite Star Wars arc/story element?
Umbara, and the inhibitor chip stuff, plus a lot more I don’t feel like listing at the moment 
Do you have a Star Wars playlist? If so, feel free to link it!
I have several these are the ones I made myself
Han/Han Highschool AU
Some of my favorite Star Wars themes
these are ones I didn’t make myself it listen to frequently
Royish good looks songs
AMVs by Thomas Editz
Bully Maguire in Star Wars
What is your favorite Star Wars meme?
Again too many but I think my current favorite is cerveau Crystal LMAO
youtube
What is your all-time favorite piece of content? Could be movie, book, comic, etc.
Courtship of Princess Leia 
Where do you get your Star Wars merch? What do you have?
Online, Disney, Book stores, game stop. I have a lot of stuff probably should not list it all lol but I have pins, a Lula plushie, many Funko pops, several other bobble heads, lots and lots of books, plenty of T-shirts, jewelry, socks, credits, Legos, an Ewok cereal box, and I collect these really dumb looking blind bag keychains I think I have like 10 of them all on the same purse. Oh, and a lijgtsaber and a mini lijgtsaber keychain.
What character do you relate to the most? In what ways?
Luke. I kin him idk 
Who is your comfort character? Why?
Han and Tech mostly but there are a bunch more. Han is my father. And I just lached onto tech I don’t know he’s my brother now.
What is your hot take on the sequel trilogy?
Rey should have died Kylo should have lived, and Hux should have lived. Then Hux goes to the resistance thinking he finally escaped Kylo but Then Kylo is also there and he’s like “well fuck” and then they kiss.
I have a whole bunch of rats about the sequel trilogy, but I will spare you from them. You’re welcome to send me asks or DM’s about it though I will talk your ear off
What parts of the fandom do you enjoy? 
I mean pretty much all of it. I’m aware I can never get along with Rey fans or Han haters though. 
What parts don't you enjoy?
People that sexualize clone wars Asoka, and yk like ship clones with other clones. And a certain YouTube channel that uses ai to make Anakin joke about being racist. 
Who is one Star Wars blog you are hoping will follow you?
Kinda feel embarrassed to call them out but I think they are cool and I want to be friend but Uhm @stealingpotatoes and @lifblogs I hope you guys don’t mind me tagging you
What made you fall in love with Star Wars?
Han in ESB. That’s when my hyperfixation First started.
Have you ever been to opening night for a Star Wars film? Which one, and what was it like?
Idk if saw rise of skywalker opening night but I did see it when it was first in theaters 
Do you write fanfic for Star Wars? If so, what do you write about?Feel free to link your AO3/FFN!
I have but I currently don’t have a lot of it posted. The one I have posted in Star Wars but better. Which is a new Hope but Luke is replaced with an ankle biting gremlin. I plan to post my imperial academy AU fic soon and write a Barris fix it fix. But I’m having complications with getting the AU onto Tumblr.
Here’s the link to my writing master post where Star Wars but better is linked (you can find the link to my writing master post in my master list on my intro post)
What is your favorite spin-off series/movie? Why?
My favorite movie is Empire strikes back. My favorite prequel’s movie is attack of the clones. My favorite sequels movie is the force awakens because Han. My favorite stand alone Movie is rogue one because Solo never had a chance. My favorite animated TV series is both clone wars, and bad batch because let’s be honest they’re the same thing. Rebels is amazing though. And my favorite live action TV series is hands-down ANDOR. Oh and my favorite Lego movie is the Christmas special one. (not to be confused with the holiday special, which is kind of a banger. So bad that it’s good.)
Did Han shoot first?
everyone always ask this, but we all know the answer it was Han
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thank you @sunshinechildskywalker and congrats again this was really fun
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