#and others in smaller roles

[smimon]

Giant K series #26: the first day!

It's a stream-of-consciousness kind of story, over 20 pages of gags with occasional brief existential angst, without much of a bigger plot. Big thanks to beta reader @j-restlessgeek for supporting me along the way 💛

Enjoy!

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[blorbologist]

Y'know, I think I figured out why the Hells still feel like a new low-level party to me, even though they're level 13 and almost 100 episodes in.

I don't quite think it's the lack of conversations, or the fact half the party's plot hooks are big ties to past campaigns - though that definitely plays a part.

... Bell's Hells still primarily rely on quest givers.

Most of their goals are given to them and do not feel organic to the party, and constantly remind us that the Hells are pretty much never the most powerful people in the room. Which is usually something you see with a low-level party.

NPCs offering jobs is not a bad thing; it's a very common plot hook. Matt has been extremely skilled with using NPC quest givers in those two campaigns. Not only do they provide an obvious plot thread, but they can put the party in the path of others (say, the Nein running into the Iron Shepherds while doing a job for the Gentleman and everything that came of that). And the Hells had a solid start with it too - Eshteross was an excellent quest giver!

The problem is that Bell's Hells have never really not had a quest giver.

Maybe it's a byproduct of the more plot-heavy structure of this campaign? But while prior parties have felt like they decided on their course of action and what they prioritized, Bell's Hells feels less like level 13 (13! Level 13!) experienced adventurers and more like an MMO group clicking on the exclamation point over an NPC's head. Where does the plot demand we go next? Who do we report back to?

They're level 13.

At level 13, Vox Machina had just defeated a necromantic city-state to clear their name and Percy's conscience. And, you know, the Conclave just destroyed Emon. No one was explicitly telling the group to gather Vestiges and save the world (though Matt guided them there), and they were usually among the most powerful people in the room. They chose which Vestiges to prioritize, which dragons to tackle when, even if the over-all plot was pretty clear.

At level 13, the Mighty Nein were celebrating Traveler Con (another PC goal, I'll note) after brokering peace between two nations, accidentally becoming pirates and heroes of the Dynasty. The Nein regularly chose what to do based on personal goals, not grand ones. Though definitely smaller fish than Vox Machina at this level, they were very independent and gaining solid political clout.

While we're at it: level 13 is one level lower than the Ring of Brass, who had a huge amount of sway over Avalir. They ended the world, and also saved it, while in the grand scheme of things being only a smidge more powerful than Bell's Hells are now.

Can you really see the Hells wielding that amount of influence, when they're constantly being told what to do next?

The god-eater might be unleashed, so Bell's Hells have no time to do anything but what is asked of them. No time for therapy unless stolen from Feywild time, no travel on foot and late-night watches. They haven't even had time to grieve FCG. Percy was grieved in the middle of the Conclave arc. Molly was grieved when half the party was still in irons.

Matt is in the very unfortunate spot of not being able to give the Hells the same agency as the other two parties. Not only because of the world-ending plot introduced so early on; they are surrounded by characters they know (and the cast knows) are stronger and wiser than them - the familiarity of the past PCs and NPCs is to their disadvantage.

Why would the party reasonably ignore Keyleth's task that will help save the world and go off on a romp? Why would the cast when they know well Keyleth has to be sensible and with the best intentions in mind? The stakes are just too high.

It means that the Hells still feel like they're running errands instead of pursuing their own destiny. Their accomplishments are diminished as just being parts of a to-do list, and any stakes feel padded by several level 20 PCs/NPCs standing 5 steps away ready to catch them.

This isn't Bell's Hell's fault, nor is it Matt's. It could be amended, I think, if the Hells are really left to their own devices for a long period of time without support and shortcuts (like during the party split)... which would be really tricky to pull off at this point in the campaign.

They're level 13. They're big fish, but they're stuck in a pond full of friendly sharks, so they don't feel big at all.

[harbingersglory]

Perhaps the Shogun Puppet and Sara (both trans) sharing the reader? The puppet offering up a volunteer (reader) as a reward for Sara’s devoted years of service, that quickly ends up with the reader getting spitroasted between them. Sara has the privilege of claiming the reader’s pussy (and by extension, their womb and eventual firstborn child) while the Shogun takes their mouth—this is meant to be Sara’s reward after all.

{☆} characters kujou sara, raiden shogun [ puppet ] {☆} notes drabble, fem reader, sub reader, transfem kujou sara, transfem raiden shogun {☆} warnings 18+ content, breeding kink, restraints, fingering, face fucking

Kujou Sara was many things– loyal, devoted and first and foremost a soldier. There was little time between a strict schedule for anything but honing herself like a dulled blade. She assumed she simply did not care for worldly pleasures, but now..

Her throat feels impossibly dry, her palms clammy as she tries to ignore how tight fitting her uniform feels all of a sudden. She cannot look away from the meek figure at the feet of the Shogun, her Archon, stripped bare and tied in an intricate display of winding ropes that accentuate your figure– she feels lightheaded at the sight, a broken groan tumbling from her lips, just barely muffled in time by her trembling hand.

"A reward," The stoic, unyielding voice of the Shogun rings in the room like the swing of a blade, cutting through the thick air with the ease befitting of such an imposing figure. "For your service, General Kujou." She gestures so easily to you, as if presenting an object to be owned rather then a person– she cannot find it in herself to dispute it. You are..beyond words. Ethereal, even as you are bound in tight ropes and left at the mercy of an Archon and a tengu.

"..I am honored by your generosity, Almighty Shogun." Sara replies quickly and stiffly, her eyes never drifting far from your body– always drawn back. "Yet you are still hesitant." The Shogun snaps back coldly, eyes narrowed– her shoulders grow stiff in tension, her mind scrambling for an excuse, yet she cannot manage to speak a word.

"If this reward is not suitable.." Sara nearly balks at that, her hands twitching and her teeth aching in an urge she thought long buried. Try as she might, she cannot ignore the desire she feels towards you..and she cannot simply refuse a reward from the Shogun herself. Archons, she is a weak woman, she realizes– her will broken by a pretty face..

"..It is suitable, Almighty Shogun."

Yet she steels her resolve like a honed blade, kneeling before her "reward" and clasping your ankles in her calloused hands– your skin is smooth, at least compared to her own, as she eases your legs apart. Archons, you are even more gorgeous up close. The satisfied hum of the Shogun, watching with piercing eyes as she claims her reward, spurs her on. She leans close to your face, cupping your jaw in her hand and taking a moment to appreciate your features. The bob of your throat as you swallow, the haziness of your eyes..she leans down further, pressing almost reverent, apologetic kisses to your jaw, exhaling heavily against your skin.

She cannot stop herself now. The sickly sweet scent of shampoo, likely the courtesy of the Shogun, fills her lungs and makes her feel dizzy. You're like a fine dessert and she wants to devour you.

Even still, however, she keeps a close eye on your face– watching the slightest changes like a hawk. She leans away from spots you seem to show discomfort from, pressing more kisses and nips to the spots that have your breath hitching in your throat. She likes it– seeing you beneath her like this..Archons, her uniform feels so suffocating now, her cock straining against it.

But she wants to take it slow, if only for her own inexperience. She wants to see your face twisted in pleasure, not discomfort.

So she takes her take unraveling you, her chapped lips kissing down your throat to your chest, the barest hint of bruises marring your skin as she drags her tongue across your nipple, a low growl building in her throat at the way you arched your back into her mouth. It's so distracting that she almost forgets the Shogun stands above her, watching like a statue as her hand slips between your thighs to sink a finger into your cunt– and how easily she does so, your thighs already sticky with arousal. She is slow in her movements, fingering you more like a lover, intimate in a way that feels foreign to her.

"You're so pretty," She murmurs in a haze, words slurred through the fog of desire, sighing softly against your shoulder as she eases another finger inside you, her tongue finding your other nipple. "Does this feel good?" Her eyes meet your own as she presses a kiss to your chest, practically pleading for the answer to be yes– she wants the validation, to know she's making you feel good, at least as good as she feels. Her touch is still uncertain and clumsy, but she has always been a quick learner.

It does not take long before you unravel beneath her, your squishy walls squeezing around her fingers as she eases you through your climax.

Your cum sticks to her fingers when she pulls her hand back, her own breath hitching in her throat as she swipes her tongue across her digits– had she not been in such a daze, she might've been embarrassed, but the taste upon her tongue only made the fog worse. She almost considered burying her face in your cunt for a better taste, but her cock was..painfully hard. So with a hint of reluctance, she fumbled with her uniform, tugging her aching cock free with a broken groan.

For a moment she almost seems embarrassed by your stare, her hands pushing your thighs further apart– but the look of raw need..it matches her own, feeding the almost animalistic urges that urge her to claim you, to push your legs up to your chest and fill your womb till it's bursting with her cum. Archons, she wants to. Just seeing her cum spilling out of your cunt would be enough.

Her nails dig into your thighs as she aligns her cock, dragging the tip through your folds before gently sinking into your cunt. It almost breaks her– the tight, wet heat of your folds around her drags a whine unbidden from her throat, breaths coming out in shallow panting. Her grip on your thighs tightens as she presses a shaky kiss to your chest, satisfied by the moans that tumble from your own lips. She wonders what it would be like to kiss you, but the thought is swept from her thoughts as quickly as it came, her cock slowly stretching your cunt around her, forcing you to take every inch.

You've never looked prettier in her eyes.

But her moment of admiration and awe is short lived, her body falling into complete stillness as she watched the Shogun step forward– Sara can feel her stare through the back of her head, sweat beading on her brow and her throat so dry it's difficult to swallow. Rather, instead of whatever Sara expected, the Shogun kneels.

It's only now she sees the twitching cock between her own legs, stilling any protests that bubbled up in her throat. She watched, transfixed as the Shogun slid a thumb past your lips, tilting your head back enough for her to sink her cock into your waiting mouth. The sight of it makes her heart stutter in her chest, her own cock twitching inside you as she bucks her hips instinctively, hissing at the sudden burst of pleasure.

Sara doesn't dare to speak up, but she can't help but feel transfixed by the way your throat bulges around the Shogun's cock, her hands digging deeper into your thighs. The ease in which you take the Shogun makes her wonder if you were hers– the idea of fucking the Shogun's pet..she was surprised to find the idea so enticing, her hips snapping harshly against yours as she fit herself fully inside your cunt, hands clasping your thighs to the point even her hands were beginning to ache.

The Shogun was still watching her, she could feel it, but it felt less suffocating and more..curious, maybe. Whatever rhythm Sara set, the Shogun would adjust, the gentle rolling of her hips accentuated by the short thrusts into your mouth. She felt dizzy at it all, burying her face against your chest and sliding her hands up your hips, along your ribs, clutching you tightly against as she pulled her hips back, nearly slipping out of your cunt altogether before snapping her hips forward harshly, the slap of skin making her groan.

She couldn't help it anymore– she needed to claim you, to see your face contort in pleasure as she claimed your cunt, filled you to the brim with her cum..she wanted it so badly it made her feel dizzy. A part of her wonders if the Shogun would even let her impregnate you, but she didn't care– she'd try anyway. Even if she had to fill you up again and again, as many times as it took.

Sara's gentle thrusts quickly crumbled into something much rougher, all sense forgotten at the promise of claiming you– of making you hers, from your cunt to your womb, and even your mouth, if she ever got the chance. She was practically an animal in her desperation, stretching your cunt to fit her with every harsh thrust and growling against your chest, leaving visible bruises and bites on your chest. The Shogun matched her with a robotic rhythm of her own, the sound of you gagging around the Shogun's cock making her shudder, her eyes following the drool dribbling down your face.

It was far more arousing then she wanted to admit, watching the Shogun use your throat while she used your cunt, giving you no room to breathe.

It is with a great reluctance that she pulls her gaze away from you and the Shogun, burying her face against your chest once more as the pressure builds, her lips caught between her teeth until the taste of iron flooded her taste buds. But she had no time to dwell on it, pressing her hips firmly against your own with a muffled groan as the pressure exploded, her cum painting your walls, still bucking into you in short thrusts.

She could only imagine the image of your throat being filled by the Shogun's own climax, her lungs straining as she gulped down air between shaky moans, pressing a kiss to your chest.

She was far from done with you, but you deserved at least a moment of respite before she filled you all over again.

[dyke-o-matic]

So you saw fell in love with Lily Gladstone in Killers of the Flower Moon and now you want her on your screen as much as possible? I’m here to help.

Certain Women directed by Kelly Reichardt

This was the first time I saw Lily Gladstone in anything and I screamed about her specifically for days. The film is segmented into three stories about women living in the northwestern plains region of the US. All three segments are good, but Lily Gladstone’s is by far my favorite. She plays a ranch hand who starts sitting in on a night school law class when she develops a crush on the teacher, played by (bonus!) Kristen Stewart.

Certain Women is streaming on The Criterion Channel, AMC+, and Kanopy (Kanopy is free!). It is also available to rent on the major platforms.

The Unknown Country directed by Morrisa Maltz

This movie is stunning. Think Nomadland but even more stripped down. Lily Gladstone plays a character on a roadtrip to reunite with her estranged family after the death of her grandmother. Along the way she tries to learn more about who her grandmother was in life and reconnect with her memory. A lot of the film is unscripted, and breathtaking shots of the western US landscape punctuate the brief encounters she has at each stop on her journey.

The Unknown Country is available to rent on the major platforms such as Apple TV, Amazon, and YouTube.

Quantum Cowboys directed by Geoff Marslett

This one’s for the multiverse fans. A really fun romp that might make your head hurt if you think about it too hard. Lily Gladstone plays a character in the 1870’s southwest who encounters a pair of travelers stuck in a time loop (sort of). She enlists their help (sort of) in a plan to recover land that was taken from her and in return helps them in their attempt to break their cycle. Most of the film is rotoscope animation, so it’s a completely different type of a performance from Lily Gladstone. I had the extraordinary luck of meeting her at a festival screening last year and they said it was such a fun deviation from their usual hyper realistic work.

Quantum Cowboys is available to rent on major platforms such as Apple TV, Amazon, and YouTube.

Fancy Dance directed by Erica Tremblay

The most recent Lily Gladstone film to blow me away, and maybe my favorite film of 2023. Lily Gladstone plays a character who has been trying to find her missing sister while simultaneously providing care for her sister’s daughter. When it appears she may lose custody, the two hit the road to search for the teen’s mother. It’s sad and sweet and beautiful. I have to warn that the subject matter is heavy and all too real but that’s why it’s an important story. It’s about something that is so pervasive, yet people outside of the community affected turn a blind eye to it.

Fancy Dance can be seen in select theaters and is now streaming on Apple TV+. Erica Tremblay previously directed Lily Gladstone in the short film Little Chief, which can be found on Vimeo.

[thenotoriousscuttlecliff]

I kinda think that neither Thom or Liandrin will make it out of the season finale alive because, like Loial, both have virtually nothing to do for the rest of the series after this point. Which is also why I think Siuan won't die because she still has an important role to play. Moiraine's fate though will be more ambiguous.

[rearranging-deck-chairs]

if 9&10 were "dont wander off", and 11&12 were "the doctor lies", 13s rule #1 is "dont question me"

"have we not had a good time together" shes pointing yaz to the rule that yaz very well knows is there: we can travel if you dont ask me any difficult questions. yaz knows this is the rule - "because you ask too many questions", "this team structure isnt flat" - but she also was the one to invite the doctor into her home so im pretty sure she also knows shes not gonna kicked out that easily. she has some leeway. which she has been using between revolution and flux, which is why the doctor reminds her of the rules

i dont think she'd kick her out though. she wouldnt. i think it's just that the more you break the rule, the more unpleasant she becomes to be around, and eventually youre gonna walk out on your own. she doesnt want you to, she'd rather you stay and dont ask questions. but if youre gonna try to ask questions anyway, i think thats whats gonna happen

and yaz must think so too. because she does back off. because she doesnt want that to happen either. and it does anyway

[shorthaltsjester]

rather than the frustration i have with several other choices/executions in the season, i say this with very genuine curiosity: given the cast’s discussion regarding how certain character choices work at the table with the immediacy and imperfection of improv and dice but don’t work in a written story, i’m intrigued by the inclusion of vex’s “don’t go off and get married” line. like so much of the meat of that line is that above table laura completely forgot vex said that (fairly fitting given that vex said it in her sleepy post-grey hunt heart to heart stupor) and liam remembered it so wholly that it informed the choices he had vax make in the year off. and i think if they had the kind of silly but sweet and codependent heart to heart the twins were having about being separated for the first time and having homes that reach beyond one another, it might’ve fit a bit better. but given that it’s pretty much vex’s sole reaction to vax and her separating, it feels a bit odd as something to be included.

[archersartcorner]

Back in Far Harbor gang… I get they probably didn’t want to extend a cutscene where the player had no control out too long, but I do wish in the Acadia meeting that you can eavesdrop on they brought up Nick 😭 but they do Not so here’s me making up scenarios. The Usual. 😏

[hotel-japanifornia]

The nice thing about Investigations 2 getting localized is that the larger AA fanbase will learn that there not only one, not even just two, but THREE fathers worse than Von Karma.

[feral-renaissance-cat]

There's this whole concept in the "Does Exandria need the gods?" question regarding "If reincarnation was the norm before the gods came, isn't it bad that the gods take the souls of the dead and keep them instead of letting them reincarnate?"

The gods came from an eternal palace of light and beauty and perfection. They were forced to become "real" when they fled. My theory is that in their minds, having to become "real" (reincarnated) over and over sounds like torture. They think taking the souls to somewhere eternal is doing them a favor.

[solitaireships]

Happy Oscars day, everyone pray with me on Emilia Perez's downfall

[calciumcryptid]

I find it strange people are complaining about WinnySatang getting main leads, as if they have not had the most natural escalation of confirmed pairings.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[vickysaurus-art]

Kiss the Razor, chapter 2: A Dance of Steel is up! Because a little facebiting should never put you off a good plan.

Have a little teaser:

[ramon-tikaram-love]

poll for his live action roles here

[whitelakesboys]

not a plot bunny per se, but i keep thinking abt lake mer coalitions, and then i started thinking it would be fun to make an au with like explicitly a guy as the MC, so he and lake!mer sun, moon and possibly also balloon world/fanon eclipse could form a lake mer coalition

like the guy lives on a houseboat in a large lake system, he's obviously a nomadic guy like us! and he's kinda cute, he could help us snag humans! (and we like him) and we can help him snag waterfolk with us, ayyyy 👉👉

imagine, a group of random humans taking beers at some lakeshore cafe/pub and this guy swaggers up from the docks and starts talking to them. and you know, the guy's pretty cute, there's some casual flirting, eventually the guy invites the group to hang out on his houseboat with his buddies. turns out the buddies are mers, whoa??? and flirty, too. and they keep wingmanning each other, the guy and the mers. :'''D

and vice versa: sun, moon and eclipse getting some waterfolk cutie to come over to the houseboat and basically cheering on their buddy the whole time and ideally also getting in on the action

and then of course sometimes the guy and the mers get a bit frisky with each other by themselves, because why not?

the idea is very much that they, the trio/quartet, are a stable unit, they're committed to each other, and they just go around... fucking around, ideally. trying to snag cuties, and if some cuties want to do them all, that's even better.

and! the funny thing is. because this mc would also interact with waterfolk in similar ways to the wlb mc, he'd also get some of the same minor body horror that i have in store for wlb mc :')