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dirtysvthoughts · 8 months ago

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mafia boss! wonwoo x reader headcanons

tags/warnings: smut, female! reader, reader is shorter than wonwoo, some pwp, some worldbuilding before the smut (you know how i do), pet names (pretty girl, little one, etc.), mentions of love languages, mentions of lingerie, fingering, lots of kissing and making out, mentions of a dinner, apartment sex, kitchen sex into bedroom sex, make sure they wrap it up before you unwrap it! i’m actually highly upset i can’t have wonwoo blow my back out on a regular

author’s note: first of all, HEY BESTIES! i know i’ve been kinda silent, but i’m slowly getting back my will and motivation to write (do NOT take 3 classes during the summer). i’ve been dying to get my thoughts out on this after the lalali mv, and who knows - this may end up as a full length fic sometime soon 👀 let’s get into it!

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-mafia boss! wonwoo whose gang started off small, and now he runs one of the largest mafia organizations in the country. he’s cunning, smart, sly, intimidating, even ruthless. those under him respect and admire him, from his vice-leader to the newer members. he strikes fear into several and he is not to be taken lightly or crossed. several groups have been eliminated with just a few words from his lips (like he said, he’s a monster).

-then enter you, his lover, whose entire lifestyle is the opposite of the one he leads. you’re just a simple office worker, but you’re fortunate enough to have some extra pleasures, like a lavish apartment and a decent social life. wonwoo has had his share of women and previous relationships, but you were different. you keep him level headed and grounded. your calm demeanor and intelligence are so very, very attractive to him. and of course, your looks and natural beauty were stunning. he’s protective of you and would prefer you rather not get involved in any of his business endeavors.

-even though he insists on not bringing you into his craziness, he wants to help you out and provide for you as much as he can. his acts of service have ranged from his captains running errands for you to even giving you large monetary gifts every few months.

smut under the cut!! minors DO NOT INTERACT FROM HERE!

-good god, sex with mafia boss! wonwoo would go two ways: rough sex with you screaming and begging for mercy or soft sex with you whimpering and moaning his name, telling you to hold your cum in until he says you can release it. either way, his dominance will be asserted.

-has multiple pet names for you, but absolutely loves calling you: “little one,” “princess,” “my darling,” and “pretty girl.”

-mafia boss! wonwoo has an OBSESSION with you in lingerie. he. can’t. get. enough. he’s bought you multiple sets, and of course has his favorites. absolutely loves it when you dress up for him, he will roam his calloused hands up and down your body, kissing your stomach as he toys with the hem of your panties.

-one of your sexual encounters was in his gang’s warehouse (before the group’s weekly meeting, so it was empty). he looked so dashing in his green gucci suit, hair pulled back into a bun - the wetness gushing in your panties making it clear you needed him. when he closes and locks the warehouse garage door, he crashes his lips onto yours while his hands grab your ass. he grunted something about missing you and how he needed to feel your tight cunt around him. at the moment, you’re unable to form words, but you feel the exact same way, all you could think about was him while you were working and the last time he fucked you silly. he walks you over to a table, lips still on yours and his hands now moving to take off your blouse. he tosses the white garment to the side, leaving you in your bra and work pants. once the back of your knees hit the edge of the table, he guides you to lay on top, clearing off everything in your way - objects loudly crashing to the floor. he caresses your face as his right hand works the clasps and the zipper on your pants, fingers slowly trailing inside your panties, and lightly touching your clit from the outside. you can help but bite your lip and moan his name, wonwoo smirking in response and he rubs the pad of his fingers around your part. “think you can finish before junghoon (his vice leader) gets here, little one?”

-another wonderful sexual encounter brought out his soft dom side. he wanted to spend some time with you, so you two set a date where he can come over to your place, have some food, and enjoy your company. on the day of, he rings the doorbell to your apartment, bringing with him a bottle of champagne, dressed in a white mock turtleneck with black pants. when you open the door, a smile appears on his face and you take his hand, leading him through the door. you just put him at ease, and he feels so comfortable around you. “i missed you my darling,” he whispers as he kisses your hand, a blush creeping on your cheeks.

-some time passes after dinner, and the two of you are talking in the kitchen with champagne still in your glasses. as you sit on the counter, wonwoo finishes washing the dishes, thanking you for the meal. you shrug and say it was nothing and you didn’t mind, but wonwoo insists that it was something more. “i know i don’t say this a lot, but i want to let you know that i do love you, and you mean a lot to me.” your heart melts at his words and you give wonwoo a hug as he comes back to your side. “i love you too, baby,” you whisper. a few moments later, you delicately press your lips on his, and he seals the deal. your tongues dance together as you continue to kiss, this time your hands are the first to move and they tug at the hem of his turtleneck, pulling it up to reveal some of his abs. he helps you out as his shirt goes higher, and it’s quickly tossed to the other side of the room. he returns the favor by taking off your crop top, revealing the bra that beautifully accentuates your breasts. he licks his lips as he kisses your neck, his hands moving slowly up your thighs. “w-wonwoo,” you whine, “i need you!” “i know, darling, i know,” he responds. “you’ll have everything you want and more tonight.” he carries you bridal style to your bedroom, lips still locked together as gently tosses you onto the bed.

-you’re pretty sure by now your neighbors can hear you moan for your partner, but you could care less right now - wonwoo was thrusting into so deliciously that you body pinged with each movement. he knew your body and he knew how to please you, and tonight he wanted to make sure just how much you meant to him. filthy phrases leave his mouth, calling you his baby girl, how perfect your pussy was for him, and all he wanted was to see your legs covered in his juices. you grasp onto your hotel-like white sheets, your face contorting as his deep voice and dick send you over the edge when he hits your spot and releases his load in you. you breathe heavily as you come too, saying his name over and over as if it was the only thing you knew.

“i love you little one,” he kisses your cheek as he pulls out, embracing you as you cuddle up to his side.

“mmm, i love you too.”

#svthub #seventeen smut #svt smut #seventeen imagines #seventeen imagine #svt imagines #seventeen x reader #svt x reader #wonwoo #jeon wonwoo #wonwoo smut #jeon wonwoo smut #wonwoo imagines #wonwoo imagine #jeon wonwoo imagine #wonwoo x reader #wonwoo fics #wonwoo scenarios

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she-posts-nerdy-stuff · 3 months ago

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Wicked the movie thoughts - spoiler version

I went to see Wicked today! If you want to read a spoiler free edition of what I thought you can do that here but otherwise below the cut I am going to talk in a lot of detail about the show and share my thoughts - they're overwhelmingly positive!! I loved this movie, I love this musical, and I have a lot of thoughts to discuss, I'm welcoming conversations about things I say or about stuff I didn't say but that you want to talk about let's absolutely chat, and this is all the way through going to contain spoilers for the plot but also for specific details, scenes, acting, etc, of the new movie so be warned if you don't want to read that

First of all, the genuine love and care that was put into the show and that can be seen not only in the acting but in the set, the music, in every aspect the care and the adoration for the theatre production was so clear, it was so lovingly crafted from the word go. I also felt like not only Wicked the musical but also Oz, in the original Wizard of Oz novel, in the Wicked novel, in the world and in everything that Gregory Maguire brought to the world, and so on and so forth was being treated with such care and being genuinely revered whilst also balancing well enough that I didn't feel like I was only ever seeing rehashes of existing material or a carbon copy of the past

Even as I was watching and thinking this, and thinking how well they had captured the feeling of watching something on stage, I was still wondering how they were possibly going to execute the Emerald City and the One Short Day performance because it's so iconic and so distinct in the musical but genuinely I was so impressed with the success of that scene. It both captured the essence of One Short Day on stage and added something new to it without taking anything away from the original and they deserve so much praise for that. I'm going to talk a little bit about the nail salon scene later when I discuss propaganda in Wicked (this is gonna be a looooooong post y'all buckle up) but other than that for One Short Day I just need to address, because how could I not, IDINA MENZEL AND KRISTEN CHENOWORTH!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I didn't know they were going to be there!!!!!!!!!! I was losing my goddamn mind you guys omg

I was genuinely astonished. Like I'd seen them doing press and stuff but I assumed that was just because their names are so synonymous with Wicked I didn't realise they were actually going to be there!!

I really enjoyed the small stage production about the Wise Ones and the Grimmerie it was brilliant in concept and execution for worldbuilding and lore but KRISTEN AND IDINA OMG wonderful oh my gosh. Now was it on the nose? Absolutely. But I don't think that it felt forced, I thought that if you didn't know who they were then even when Chenoworth was singing to Grande and Menzel was singing to Eviro then it still wouldn't have felt strange or out of place, but of course I'm looking at it through the lens of a fan receiving fan service so generally speaking even though I know it's fanservice I'm still going to enjoy it and it's possible that through another's eyes it would feel different. I thought it was brilliant though and nothing will take that away from me

I think it's fair to say that the pacing of Wicked is kind of messed up and I have heard concern that because of that the act 2 movie will struggle; pacing of act 2 does get messy, but I cannot fault them in any way for splitting it into two movies ok because this was spectacular and I would not want to cut a single thing from it so yeah that's kind of all my thoughts on that point; I think that even if act 2 is harder to bring to screen that it can still be done in a high quality and successful way and especially after watching part 1 today I absolutely trust that this production can do that

I'm gonna now hop right back to No-One Mourns the Wicked (the pacing of this post is gonna be worse than the pacing of wicked). I was slightly concerned that Ariana Grande's intense recognisable-ness was going to take something away from the show because it would be hard to see the character she was playing rather than just Ariana Grande singing, if that makes sense, but from as early as No-One Mourns the Wicked my concerns were alleviated. Glinda is not an easy character to play, in my opinion, and she's not an easy character to play because she acts incredibly melodramatic in everything she does whilst her genuine emotions are incredibly subtle. What I saw in both Grande and Erivo was how fantastic their micro-expressions are and how much they can tell the audience with one or two features, often the eyes, alone. In No-One Mourns the Wicked , Galinda genuinely believes and will presumably continue to believe for the rest of her life that Elphaba is dead. And throughout her performance of the song, I more than once found it visibly notable that Glinda was on the verge of tears. She was smiling, she was singing, she was moving gracefully with her typical accentuated and dramatic movements, but the pain in her eyes was remarkable. This was a woman who believed that the only person she had ever had a genuine emotional connection with was dead, a woman who had lost not only someone she had manufactured a relationship with (Fiyero) and convinced herself that she was happy with what she knew was a false pretence of love to receive from, but also the only person in the world who had ever shown her real love and was finally being confronted by the fullest extent of the choices she had made but having to keep everything light and cheerful because of those very choices. Did that make sense? I hope I'm not just spouting nonsense. One of the most emphasised moments of this for me was when this massive effigy of Elphaba and one of the munchkinland residents hands Glinda the torch to light it; there's this blink and you miss it moment where Glinda looks at the torch, at the effigy, then back to the man who held it out to her, who's watching her expectantly, before she turns and tosses it on with a sense of urgency. Not only is this alone powerful, but I also think it's powerful that she throws the torch instead of standing at the effigy and taking care to set it alight firstly because she may not be able to bring herself to do so but also in a way that may be reflective of their relationship and the story: Glinda does not outrightly attack or harm Elphaba but she makes the choices that she makes, she throws her torch and whatever burns will burn.

I also felt that she captured the comedic elements of Glinda fantastically, with one of my favourite moments being when she melodramatically collapses kneeling in front of the bed as though she is sobbing into the quilt but just sits there perfectly still and the camera just stares at her for a few moments before she peeks up over her shoulder to see if Elphie's looking. The difference we can see between these two sides of Glinda's character was very well executed and I think we also see something of her more vulnerable side in some of these comedic moments, because ultimately she does (I'm going to talk about this later) feel unloved because of how shallow all of her relationships are and even in melodramatic, foolish or naive moments like the throwing herself on the duvet cover she is actively seeking attention because she equates attention to love - she so desperately claws her way to attention and popularity because she feels unloved and she thinks that this is love, so when it doesn't give her the feeling she was searching for she becomes convinced that it was because she doesn't have enough of it yet and she needs more. I thought that she was incredibly well captured and presented from all angles with her very many layers being well laid out.

Again with the insane jumping around but let's just dive headfirst into a couple of little details that I noticed whilst I'm thinking about them - during the Wizard and I when Elphaba is imagining her success and her dream she runs through a cornfield!! As though she is running towards Fiyero!!! I loved it. Like it's so tiny, but I love it. Another tiny one - loved the silver shoes for Nessa as a hark to the original book wherein the magic slippers were silver, but then in Popular when Glinda is going through her wardrobe and pulling out all these different options she gives Elphaba a pair of ruby red slippers and then decides against them and throws them away again!! Loved it as a teeny little reference. I also really lovedddddddddddddddddddddddddddddddddddddddd and this one is more meaningful to the story but when Elphie has her magic outburst at Shiz right at the start where she sends Nessa into the air and stuff gets thrown everywhere, there's a statue on the wall of the Wizard that gets smashed. When it smashes, it's briefly visible that beneath the statue the wall was originally painted with a mural of animal scholars!!!!!!!!!!!!! I LOVED this detail, I was BUZZING. Like you saw it long enough to see what it was, there were three animals with a bear in the middle and I think the bear was wearing maroon robes and they were all clearly scholars

My personal theories on this is that either they were highly valued intellectual alumni of Shiz or that they founded the school, however there mya be lore standing on them that I am unaware of I started reading the book a long time ago and never finished it (I really want to read it but I haven't got around to it yet. I read enough to know what happened to Dr Dillimond in the book but I don't remember a lot after that)

Speaking of Dr Dillimond, I'm not sure if I just missed a detail or something implicit but I wasn't sure that they gave any real explanation as to why the poppies didn't knock Fiyero out????

On Fiyero: Johnathon Bailey understands Fiyero so well and it was brilliant. His performance very much took in the different layers of the character and the split between what he presents to the world and the intensity of the emotions he hides. Fiyero experiences emotion so intensely and feels such an intense response to others' emotions as well, and I think that you could really tell that whilst not feeling like anything was being taken away from the charismatic charming persona that you knew he was putting on. One of my favourite moments between him and Elphaba in this was when she siad something along the lines of 'you aren't as shallow and self-loving as I thought' and he replies something along the lines of 'how dare you? I genuinely love myself and I am deeply shallow' and I love this not only because his humour is enjoyable and his defence mechanisms are interesting but also because she immediately breaks through and says no, you're unhappy.

I promised thoughts on Dancing Through Life so whilst we're on Fiyero -> I don't at all intend to say that Bailey isn't a good singer because he is, I just thought that to some degree his voice didn't stand out from the chorus' voices in the same way that Erivo's and Grande's do and so the song did necessarily have the same bite to it as some of the others did/ That isn't to say that it wasn't a fantastic scene, because it was, and I loved the choreography and I was obsessed with the spinning bookshelves and all of it, the bringing the beat of the song in through the movement of the books was brilliant, and again he is a good singer and I think that having the actor's own voice in the movie is almost always the right decision

Okay I am going to make a post on its own about this as well because this is really long and I am so deeply obsessed with this I want to give it a chance to get proper discussion but one of my favourite propaganda-related details of this movie was Elphaba's nails. Yes, you read that right. Her nails.

In all of the imagery and posters of the 'Wicked Witch of the West' she is very often leaning forwards with her hands strangely position in the foreground and then her face behind them so your focus is drawn very quickly to the hands. In these images, her nails are always presented as extravagantly long, sharp, and claw-like. So in a world where animals are discriminated against and being used as the common enemy long before Elphaba is used as that enemy it's so fascinating that the dehumanisation of Elphaba has emphasis on her hands appearing strange or 'unnatural' and it makes me think of the line in Something Bad 'It's enough to give pause to anyone with paws' because that's where the emphasis on this distinction lies with no-one but humans having limbs that resemble hands - having Elphaba presented effectively as though she has claws in a world where animals are discriminated against and actively silenced, especially since she advocated against that silencing. And something I really enjoyed after having noticed the long nails in the posters during No-One Mourns the Wicked is that throughout the movie Elphaba has unapologetically long, beautiful nails that in a truly wonderful subtle aspect of Erivo's acting we get the sense she cares about even though they are never discussed. When she and Glinda go to the Emerald City we see this montage of their day during One Short Day and one of the things they do is go to a nail salon and we see Elphaba excitedly showing off to Glinda her long pretty nails that she loves so much and that make her feel pretty. Again this is such a massive testament to Erivo's acting skills because there's no dialogue about it but we know that she is so excited and we know that this is one of very few times that Elphie has felt pretty, she loves her nails. And they get used so horrifyingly against her. The nail salon is such a brief, subtle moment but it's so very well executed. There's also an earlier scene where she's alone with Madame Morrible practicing magic and when she reaches out to make the hand movements the camera cuts to show the shadow of her hand and it creates this emphasis on the length of her nails and how because of the shape of her hand midway through the movement the image looks like a claw or like a very stereotypical evil witch hands sort of thing. I also think that this moment is particularly powerful bc she's alone with Morrible and everything that Elphie does under Morrible's instruction is perfectly natural but what is seen on Morrible's stationary on the desk below her is representative of the propaganda that Morrible will turn the actions that she forced Elphaba to do into.

Also more propaganda stuff I could talk about the use of the word 'witch' for all goddamn eternity so I'm not going to hark on about it now but I will say that a piece of media like this one cannot be created today without acknowledgemnt of the difference between the word 'wtich' and the word 'wizard' and how they are presented, and I think that this was really interestingly handled in the word 'witch' not being said in the prequel aspect of it until Morrible labels her 'this Wicked Witch'.

Okay I think this is going to be what I finish off with but if you know this account you know that I LOVE a parallel and I was obsessed with the parallel drawn between family dynamics in Elphie's relationship with Nessa and her father, and then with the family that she's looking for and briefly thinks she could find with Morrible, the wizard, and Glinda. Yeoh said in an interview that Morrible's betrayal is realising that the mother figure isn't who you thought she was. Madame Morrible becomes Elphaba's maternal figure, and to her living memory realistically her only maternal figure, from very early on and this maternal view of her that we have through Elphaba's eyes is very much existent by the time we reach Sentimental Man, wherein the idea of the Wizard being able to offer her some kind of paternal love, that she has never felt because her relationship with her father is so fraught, is brought forth. Sentimental Man was very well performed in my opinion, it was the right decision to keep it low and subtle and close because it created this very specific closeness between Elphie and the Wizard and we felt what she felt, which was the exact manipulation that the Wizard wanted her to feel. When Madame Morrible enters the scene we then have both of these parental-style figures present telling Elphaba how precious she is, how amazing she is, how much they believe in her - essentially all these different things that she has been denied her entire life. What I find particularly fascinating about this is that what gets created here is exactly Elphaba's existing family dynamic - because Glinda is there too. This is what Elphaba always wanted - a motherly figure, a fatherly figure, and a sisterly figure - but it still comes at the expense of the sister. Glinda is being actively diminished and put down whilst Elphaba is raised and complimented for the purpose of manipulation and to be used for their purposes rather than existing for herself, just as her father diminishes and hurts her whilst complimenting and idolising Nessa but also manipulating her & never allowing her to live her own life. There's a moment where they're all stood around the grimmerie to get the four of them in shot with Elphie looking over the book, Morrible encouragingly at her side, the Wizard watching on from behind, and Glinda leaning over Elphie's other side to try and squeeze herself into the picture and I think that this still alone captures the entire thing so very well.

In a way, this is why Glinda turned round - without Elphie there, she gets love. When Elphaba had parental figures over her and no Nessa present to be better than her, she felt loved; when Glinda has parental figures over her and no Elphaba present to be better than her, she feels loved. The fundamental difference between them in the moment of choice is arguably that Elphaba's love for others, primarily Nessa, will always be stronger than her need for love from others, whereas Glinda's need for love from others will always be stronger than her love for others, primarily Elphaba.

In this moment, Glinda's warped distinction between love and popularity, as I discussed it earlier, is finally put to direct test and even though she loves Elphie and is loved by her in a way that she has arguably never been loved (we saw just how shallow her relationship with her parents was upon the arrival at Shiz. It's as shallow as her friendships at Shiz and romance with Fiyero.) she chooses popularity because she has somehow convinced herself that superficial love from many is better than genuine love from few. Elphaba's love for Glinda is probably the most genuine affection she's experienced in her entire life - but it doesn't come from authority. Elphaba's love isn't coming from someone who can raise Glina up or give her advantages and ultimately she is always seeking the approval of authority, possibly because she felt like she never received it from the authority that was her parents when she was a child, and she finds that feeling in Morrible and the Wizard, and arguably in the power that Fiyero's family could give her as well.

Okay super quick additions that i just remembered:

I loved loved loved the addition of her falling from the palace and seeing young Elphaba in the reflection and once again so freaking much could be said about the strength of Erivo's acting here it was truly beautiful and I found it like genuinely nerve-wracking even though I knew she obvs had to make it and the song wasn't over yk but yeah it was fantastic

When Elphaba's running from the soldiers & the flying monkeys just after the monkeys have been told to attack her and Glinda is chasing after her. They go through a narrow corridor of the palace lined by windows, and the wall are made of green brick. The sunset beyond casts pink light through every window. Every window is pink, all the walls are green. Elphaba is running and Glinda is following, trying to tell her to come back to the Wizard. As they run the flying monkeys start smashing the windows, so for every pace that they take THE PINK SHATTERS AND ONLY THE GREEN IS LEFT BEHIND. They are running towards Defying Gravity and for every step closer to it they become the less intertwined the colours are. The pink shatters and the green is left behind. It was visual poetry.

Okay I hope that this insane rambling made sense, I was partially transcribing this from voicenotes I sent to my friends when I got back after the movie and they actually got more than this so apologies to them and thank you for indulging me, and thank you to anyone who has bothered to read this lol I hope it was interesting - overall, excellent movie and I loved it!! Already can't wait for part 2

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weirdmarioenemies · 1 year ago

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Name: Neo Bowser City (aka Koopa City in PAL regions)

Debut: Mario Kart 7

Do you ever think of all the weird locations we only ever see in Mario Kart games? Despite being the biggest of all of Mario's spin-off franchises, when you really get down to it, remarkably few Mario Kart courses are actually based on established Mario locations!

It's not none, there's the occasional Donut Plains and Tick-Tock Clock and Airship Fortress, but most of the courses are these weird one-off locations we never see outside the context of that specific racetrack.

But have you ever taken a moment to step back and like, think of the Lore Implications of some of these places?

Like okay! Bowser just owns this whole dang cyberpunk city and we only ever see it in the context of Kart Racing! How messed up is that?!

One day Mario and Friends were looking for new places to race, and Bowser must have said something like "Gwah-hah-hah! I bet you puny punks could NEVER beat me in a race in my cyberpunk metropolis!" and right then and there it was established that Bowser owns a cyberpunk metropolis. Neo Bowser City is a city that exists in the Super Mario World and aside from returning in other Mario Kart games, it hasn't been acknowledged before or since.

Neo Bowser City first appeared in Mario Kart 7, as the third course in the Star Cup. Despite its flashy visuals, it actually doesn't really have a whole lot going on. It's a difficult track with some tight turns made more difficult by the rain making things more slippery, but besides that it doesn't really have any of the Wacky Obstacles that define so many Mario Kart courses.

Then it returned in Mario Kart 8 looking more gorgeous than ever! The bright colors really pop out, and the whole track is just oozing with detail that really emphasizes the scale of this city!

But like, the emphasized scale really only further raises the question of where this exists in the Mario World. Clearly, the fact that Bowser is plastered all over the billboards and the fact it's named "Neo Bowser City" helps us deduce that this city probably belongs to Bowser. Is this located in Bowser's Kingdom? Just how big is Bowser's Kingdom? And why does he own so many separate castles?

Maybe Neo Bowser City exists in the future? Is this a bad timeline? I mean, Mario Kart is allowed to have time-travel shenanigans. There's a Splatoon battle arena and that exists thousands of years in the future so sure, dust off Mario's Time Machine and head to the bad future where Bowser wins. Should've pressed that New Super Mario Bros. big yellow P-Switch!

I asked my friend Mod Chikako for their input and their theory is that Neo Bowser City isn't the future of Mario's world, but of our world. Clearly Bowser just couldn't take Wreck-It-Ralph losing the Oscar vote!

But in that case I guess it's a cooler cyberpunk future than the one we're living in right now. Corporate monopolies that run mass-surveillance with little government intervention due to their extreme wealth giving them extensive political power? No thank you! Neo Bowser City has bright neon colors, and flying cars! If I'm going to live in a dystopia, I want it to be a fun one. The only advertisements I want to see plastered everywhere are ones advertising Bowser!

Boo! That's the bad guy! Thumbs down!

The course returns again in that pitiful mobile game with another redesign, this time letting us see his Coney Island Disco Palace off in the distance. Does Bowser live in his Neo City? Is this worldbuilding we've been missing out on for decades, finally answered by a kart racer? Is this the capital city of Bowser's Kingdom? Am I once again falling victim to my perpetual hubris of overthinking the Mario franchise?

Really, I can't offer too much in terms of wacky fan theories, because I'm still thinking about this location existing in the first place. I'd love to know the Lore and worldbuilding here, but I guess the nature of Mario's canon is that it doesn't need to be over-analyzed. Bowser simply owns a cyberpunk metropolis, we'll only ever see it in the context of kart racing, and maybe that's okay.

Of course, this post wouldn't be complete if I didn't mention Dinohattan from the 1993 Super Mario Bros. Movie, which we've barely talked about on this blog somehow. You see, when the meteor hit, some of the dinosaurs escaped into a parallel timeline where they then evolved into humans, and then they built Dinohattan instead of Manhattan. Get it? Yeah, that movie is all sorts of bonkers. I wouldn't say it's very good, but I kinda love it. I'd recommend checking it out, if only to see a vastly different take on Mario than you'd be used to.

Anyway I bring this up because it's a completely separate instance of a version of Bowser building a large cyberpunk metropolis, and it actually predates Neo Bowser City! Do you think they could be connected? Are Dinohattan and Neo Bowser City one and the same...?

#neo bowser city #mario kart 7 #weird mario locations #mario kart 8 #mod hooligon #really mod chikako also helped contribute a few jokes to this post i gotta credit them #i've had this post sitting in the drafts for over a year and a half #no clue why i took so long to publish it it's basically been fully complete this whole time

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lilbeanz · 9 months ago

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hello beanz, hope you're doing well! do you have any useless worldbuilding headcanons or jodt facts which are utterly useless or very mildly useful to the plot?

Hello lovely💗 I'm doing well, and I hope the same for you!

And gah! This is such a good ask! Definitely a thinker, too 🤭

The Useful Headcanons:

• The Wizarding World is called the Wixen World because fuck the patriarchy. (And yes, I realise both "wizard" and "witch" can be perceived as gender neutral, but typically, wizards are male, and witches are female (ugh👎))

• There are more magical schools than just eLEvEn, because as a wise man once said:

Take it from Hermione and Draco in GS,ch4:

“There’s around fifty in all of Europe,” Hermione began.

“Another fifty in Asia,” Draco carried on.

“Several in the Americas.”

“A handful of smaller schools scattered across the Pacific Islands.”

“And near a hundred in Africa.”

• Generally, wix are not homophobic, transphobic, or racist. Their prejudice problems revolve around blood and magical creatures.

Historically speaking, the Victorian era really fucked up Muggle society. And, yes, there was homophobic/racist ideology pre-Victorian era (1600s - 1700s), but by then, the magic and muggle world was already at odds with each other (Statute of Secrecy was eatablished in 1692) -- why would purebloods concern themselves with such trivial Muggle bigotry?

• Which leads me to my next worldbuilding point; Paganism. Traditional witchcraft and its influences on both the Wixen and Muggle worlds. Pureblood families are known to celebrate the Wheel of the Year -- equinoxes and solstices etc... Paganism existed before the statute and still exists into the Muggle world of course, which is how Muggles have wicca and the craft. Why Wiccan Muggles gather at Stone Henge for the summer solstice and all sorts. It just makes sense 🤌✨️

• Wolfstar. That's it. That's the whole bullet point. Just. Wolfstar.

• In Pureblood society, there is an unspoken hierarchy. The Malfoys' circle consisted of the Goyles, the Crabbes, and the Notts (and other notable Death Eater names), as well as the Parkinsons, the Greengrasses, and many other blood purist sympathisers.

Draco grew up with Greg, Vince, Pansy, Daphne, and Theo. The coming war will surely test the strength of childhood bonds...

• The divide between Draco and his father means Draco is becoming his own person as opposed to following in his father's footsteps. Draco finds himself striving to be a little more like his mother, and a lot more like himself.

The fire of rebellion flourishes inside him, but how far can he go before the flames grow out of his control?

The Not So Useful & Sort of Silly Headcanons:

• Crabbe and Goyle are not as thick as some people (*cough* Harry *cough*) perceive. Vince is a Transfiguration whizz-kid & Greg enjoys art.

• Pansy Parkinson falls in love very easily, but also very quickly moves onto her next meal -- ah, her next fixation.

• Mad-Eye Moody enjoyed a very relaxed year of his retirement from 1994 to 1995, with absolutely no home intrusions or attacks from dark wix.

• Lucius Malfoy has an unhealthy obsession with white peacocks. Especially his prized darling, Bartholomew Armand Malfoy the Third.

• Dobby has a cupboard specifically for storing all of his socks at Hogwarts.

• Professor Burbage had a groovy flower-power phase in the 70s.

• Harry sometimes finds himself talking to Draco's embroidered portrait on the Black family tapestry at Grimmauld Place.

• Erik, Nikolaj, and Katrina embark on a journey across America after graduating from Durmstrang. In their travels, they may discover many things...

I'm sure there's more! But here's what I can think of off the top of my head! 🥰💕

#jodt #journal of dreadful things #asks and replies #lovely lovely people #LORE DUMP #frothing at the mouth #THANK YOU FOR THIS ASK #💖💖💖#headcanons #harry potter #drarry #draco malfoy #lilbeanz #hehehe <3

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pipperoo · 1 month ago

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finally finished fantasy high junior year and of course my brain had to, against my will, start making an au for the npmd guys. it's so bad that i literally had to doodle some of them

this au is still very much in its infancy and might probably stay there, but i had some ideas for these guys. richie is also included in this au, i'm still working out the kinks for his design

but essentially it would start with the six main characters starting their freshman year at some adventuring academy and after some event, are forced to be in a party together for the rest of the year. they all really don't like each other at the beginning, but eventually grow closer as they uncover the evils that have taken root in hatchetfield (this is just the vague synopsis)

steph is a high elf sorcerer, grace is an aasimar cleric, ruth is a half orc bard, pete is a firbolg wizard, max is a tiefling barbarian, and, honestly, still kinda struggling with what richie would be, for now, he's an air genasi rogue (very much could change) [below are their basic designs, which turned out not too bad]

i'll put more of my idea below the cut, but this au may not be really fleshed out completely anytime soon, gotta a lot of wips with little time on my hands. but check it out if you're interested (and, this is probably a long shot, but if you have ideas for richie, i would love them!! please)

Just to be very clear, this is a DND au, specifically an au of Fantasy High which is a Dimension 20 show that I love very dearly. A lot of the worldbuilding would be heavily based on that world (so I use some terms that are from fantasy high throughout this, but I think it's still very understandable if you haven't watched any of it. But if you don't know a lot about DND, this may not make the most sense) But, I still have Hatchetfield twists and this is mainly my own story I'm coming up with, there's inspirations, but still mostly my own.

I'm, first of all, imagining that Hatchetfield is much like Elmville and exists in Spyre as some modern town. So all kinds of species and magic exist in this world. Most of the people are raised up as adventurers like any DND world.

So, basicially the big bad would be the lords in black. They would operate as gods that are in the same pantheon and pretty much share power with each other. Wiggly would operate as the leader, but they are equal in regards to strength. The one being keeping them in check and preventing them from taking over the world is Webby. They once existed in the same pantheon before Webby left. She and her few remaining followers aim to counter their ploys.

The Lords would give anything to eliminate Webby, but as long as she has followers that remember her name and believe in her, she remains a God. They are constantly trying to hunt down followers of Webby, but they are far too elusive.

But, there still remains a chance for the Lords to stop Webby once and for all and purge the world of her followers. There is a prophecy. (I don't have the exact wording yet) Essentially it claims that one of the Lords' devotees will have a child that is imbued with Webby's powers at birth. On the first blood moon after their fifteenth birthday, the child has the choice to devote themselves to the Lords or be sacrificed in the Lords' names. Either way, the Lords will finally be given the power to strike down Webby for good. With the child, they'll have an edge over Webby that they can capitalize on. The child devoting themselves would be making a warlock pact and sacrificing is sacrificing. Until this child is born, the Lords wait.

The devotees are, of course, the Church of the Starry Children. They are devoted to the entire pantheon. I'm still debating the exact people involved, but the Youngs, the Monroes, and Solomon Lauter are for sure there. They operate in secrecy, also waiting for this child to be born. In the meantime they try to gain higher up positions within the town so they can aid in the taking over the world when it occurs. Solomon is the mayor.

As another avenue for the Lords to gain more power, they gain individual followings. They do this by tricking their followings into believing they are some different god. The heads of these individual churches know who the real god is, but no one else. The corruption runs deep in Hatchetfield.

One of the centerpieces of Hatchetfield is the adventuring academy (place holder name is Blim's Battling Academy) ((Jeff Blim would be the principal)). This is a place that acts as the highschool where young adventurers learn how to succeed in their chosen class.

The character at the heart of the story, that's at the center of it all, is Stephanie Lauter. She is a High Elf, like her father, and she was born as a Divine Soul (chaos affinity) Sorcerer (as the nepo baby she is). She is the child from the prophecy, but does not know about it and doesn't know what her father really does. She's had that white streak in her hair since birth. She is not thrilled to be going to school and being forced to join a party. She has that same rebellious spark from the musical and hates authority just as much. She has some grasp on her abilities, but knows very little of why she was given these powers and from who. Though she won't admit it, she wants more of an understanding and she doesn't often feel worthy of these powers because she did nothing to earn them. She's disliked her father ever since her mother vanished without a trace one day and he refused to tell her what happened. (That was due to some Nibbly stuff)

The next important character is Grace Chasity. She was born as an aasimar to human parents. She was seen as a blessing to them. Her celestial heritage shows through her white hair and white freckles. She was raised in Blinky's pretend church (I still need a name for what Grace believes it to be.) She is a Domain of Order Cleric. She believes that following her deity is the best way to go and has some superiority complex because of it. She does have one secret though, that her parents have always urged her to keep hidden. She is a fallen aasimar which means that her divine energy manifests as a necrotic shroud and through skeletal, flightless wings that appear on her back. (This occurs when they were touched by dark powers in their youth which was Blinky in her case, but Modify Memory was used on her, so she doesn't remember it) She fully believes this darkness is who she is and will do anything to cover that up.

Another character that is pretty fleshed out is Max Jägerman. He is a red tiefling that was born to his human father and tiefling mother. Max also lost his mother to something when he was younger. He is a Path of the Zealot Barbarian. After Max's mom vanished, his father turned mean and distant. The only path to gain his attention was through worshipping his deity (Wiggly). Max himself doesn't have as much understanding or faith in this God, kept in the dark a lot. He only does it to appease his father and that is so strong he gets the same effects as if he was worshipping the deity directly. When he rages he gets a little radiant damage bonus to his attacks. He is still the same asshole from the musical, like he seriously sucks and is a massive bully (honestly, kinda like Ragh before his redemption arc), but he didn't go to middle school with any of the characters. (The plot hinges on the fact that none of them really know each other.) He is, of course, a major player on the blood rush team (this world's version of football)

For the nerdy trio I have less fleshed out ideas, I also want them to have a tie to the cult, but I still need more time to think on it.

Ruth is a Half Orc, born to half orcs (her tusks are kinda supposed to like the head gear she wore, though I might still give her head gear). She's never felt compelled to use her natural given strength and instead finds that her passion points more to theater and learning to be a bard. She still is very anxious, so her Charisma is not the best and therefore she's not a very good bard yet. She is a College of Spirits Bard. She's not the best with persuading others and her connection to spirits further ostracizes her. She doesn't have the best control over the spirits she conjures. Her arc would be about gaining the confidence to be a true bard and to step into her potential. There could be a possible Pokey connection too.

Pete is a firbolg, like the rest of his family. He is a a Chronurgy (time manipulation magic) Wizard (this is from the Explorer's Guide to Wildmount, so Critical Role, but I think I'm still going to go with it because it fits him too well). He has no idea where these time manipulation powers have come from, they're sometimes out of his control. He likes to keep his head down in his studies, to be invisible. He is still reeling from the disappearance of his brother, who vanished without a trace, he also had shown some Chronurgy abilities before he was gone. He sometimes pokes around and look for answers, but nothing has come up yet. He doesn't have a good feeling about it. (Tinky would be Pete's connection).

And for Richie, I still need to think of his basic arc, I really don't know yet. For now, he's an Air Genasi and a Scout Rogue, but that is not set in stone. I think he would definitely be a rogue, but he could be a phantom rogue and have that connection to Ruth with the spirit stuff. Again, would love other opinions!

So, basically the main plot is them having a Bad Kids situation where they all get detention or miss out on choosing a party and they're all forced to be in a party together. There are a lot of contentions in the beginning, but they begin to unfold the mystery of the church of the starry children and the prophecy Steph's in. They get closer as they share their insecurities and help each other grow from them. The ending would be them facing down the cult and stop Steph from playing her role in the prophecy. (The loophole is that Steph has the choice, she's not forced to make a choice. She still has the option to opt out and stop them from gaining her power.) I also have Grace discovering the origins of her religion and choosing to change deities. Right now, she changes domains to the Tempest Domain (basically going from order to the natural chaos of storms because Grace is more unhinged than not and she should be free to have that chaos) Pete finds out where Ted went, Tinky got him, and where his abilities stem from (i think he would eventually switch classes to multiclass artificer, but that would probably happen sometime later). Max faces off with his dad and learns the truth about his deity. Ultimately will stand against him and start the process of finding another source for his rage (most likely Path of the Totem Warrior and choosing the wolf as his totem spirit)

The only ship I currently have is Steph/Grace, from what I set up, it's kinda the obvious choice. They have contentions because Grace is struggling with being a fallen aasimar and Steph, who did nothing for her powers, automatically having this divine energy. Something that was not given to Grace regarding her heritage when all she does is maintain faith. And that hits a sore spot for Steph because she deep down doesn't believe she deserves it either, but has it regardless. She wishes she had the choice for her class, that she wasn't stuck, and hates that Grace had the option and chose that. That's what I have so far (Grace also has those contentions with Max because of his faith and how, despite the fact he's a tielfing and asshole, he's still gifted something radiant, but these two will just be friends) More ships may be added, but who knows

This is what I have so far, I may continue with this and may even write it one day, but not in the near future at all. I want to make each of the storylines more equal, it seems like I have a lot of focus on some but that's only because those ideas came pretty easily first. Steph is the heart, but I want more balance and more plot given to the nerdy trio. Again, if you have an idea for Richie (Please) or any other ideas for this, I'd love to hear it!!! And, thank you for reading it to this point, I ended up having a lot more than I thought!!

#hatchetfield #grace chasity #max jagerman #ruth fleming #peter spankoffski #stephanie lauter #richie lipschitz #npmd au #npmd #pip’s rambles #this kinda got out of hand #i really love dnd and this was a great way to combine all of my obsession!!#i even don't hate my drawings that much #Even tried to color them a little #i really need to stop with these new ideas and focus on the ones in front of me #also first time drawing pete ruth and max!#can’t believe it took so long #lautity #its still so scary posting drawings and my au idea ahhh

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daylesspax · 3 months ago

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Favorite transformers ship, favorite mech out of all of them (or a list)

and fic recs? Just because I wanna get to know you

Okay! So sorry it took so long to answer this, lmao

My favorite ships rotate every month depending on what fanfiction I’m reading

Currently, my favorite ship is Jazzprowl!

My favorite character also rotates depending on the fanfictions I’m reading, but Rodimus is a classic for me ;)

For fic recommendations… wow, I have a lot but I obviously can’t name all of them so I’ll give a short list of some good ones (almost all of them are finished)

The Crime in Crystals series by Aard_Rinn, amazing Jazzprowl and exquisite world building and storytelling! Super fun and amazing badass moments!

And I Alone Have Escaped To Tell You by astolat, a time travel fic centering around a G1ish Cyclonus, very fun time with an engaging plot and incredible characterizations! I adore this rendition of the classic Cyclonus!

Echoes of Messatine by MileMusketeer… Ooh boy, this one is a doozy. This fic is a long-term commitment, and it will take you for a ride— Megatron angst and dark topics galore!

The Echo Garden by AltraViolet is a classic in my opinion, a masterpiece in worldbuilding and some truly professional work on Soundwave’s character arc! Some of the most well-done content on the Rodimus/Soundwave ship, on the use of dimension travel, and with the Lost Light in general!

Attack on Prime by melishade! Because of course I’m going to promote it lol, this is an incredible, in-depth crossover story of Attack on Titan and Transformers Prime— I consider this a personal classic and one of the best TF crossovers I’ve had the joy of experiencing :)

I have none-TF recs too but I really don’t feel like listing more… 😅

Read my fic, Exception, too if you want, idk, I think I did okay on it

#transformers #maccadam #tfp #dayless asks #fic rec #art #jazzprowl #jazz x prowl #rodimus #lost light #transformers mtmte

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anistarrose · 10 months ago

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taz balance one-shot recs!

I've been meaning to make this post for a while now, so here we are! The majority of these are from the past three years or so, because I love a fandom classic as much as anyone, but I particularly want to shine a light on some gems from after the peak of traffic in the fandom tags! There are of course also exceptions that are older, though.

Also, April 19th-21st are Just Leave a Comment Fest, so please show these authors some love!! They're all so deserving!

a recipe for home by @journalofimprobablethings: Taako tries to cook for the first time since Glamour Springs. When things go awry, Lucretia is there to lend a hand.

Gen (Taako & Lucretia), 3.5k. Early B.O.B. era hurt/comfort centered around cooking, with a delicious dollop of sentimentality and dramatic irony on top.

Seven Times Magnus Burnsides Gave Someone A Hug + One Time He Received One by @barry-j-blupjeans: Magnus wasn't really any good at— at words. He was more of an action man. Or, y'know, a "I'll take this hit so you don't have to" man. Talking to someone about their feelings was all kinds of weird, so usually he just left the space for someone else to talk. And, well... Magnus wasn't good at words. But there's a few different ways to get his support across.

Mostly gen with some Magnulia, 8.6k. You've all heard of the classic 5 Plus 1, but obviously Magnus deserves a 7 Plus 1! I don't know how to describe it without spoilers other than being full of incredibly sweet, gentle takes on so many fraught or bittersweet moments. Super underrated, do give it a read.

Embrace the Dark by @ceilingfan5: Bookstore coworkers Kravitz and Taako get more than they bargained for when Taako tries to use his powers to fix Kravitz's migraine. But it's okay--it's an excuse for them to spend time together until one of them can nut up and ask the other out.

Taakitz, 8.9k. Modern with Superpowers AU! Super sweet interactions between Kravitz and Taako, paired with lots of fun background worldbuilding. And, of course, a very special grilled cheese sandwich.

Break This Heavy Chain by Punka_Writes: In the immediate aftermath of Story and Song, Barry Bluejeans could really use a hug.

Blupjeans and misc. platonic interactions, 2.3k. The absolute epitome of comfort food in written form, with excellent Barry characterization (and of course, he does get that hug)!

birds of a feather steal sweaters together by @holdmecloser-gandydancer: When you're a big, burly guy it seems that your clothes just become free reign for all your friends. Normally Magnus is a reasonable guy, but everyone has their limits.

Gen (IPRE crew), 1.9k. Starblaster era fluff! Everyone is written absolutely delightfully, and every time I read it I snort out loud at least twice.

Security by @ceilingfan5: Barry has finally made it--his incredible scientific discovery has landed him a huge fortune...and a lot of problems. The only good thing that's come of it, honestly, has been his bodyguard, Lup. (And the science. That's good also.) He's just gotta stay normal about how nice it is to have someone like Lup around, and also not perish by way of press circuit, and everything will be fine.

Blupjeans, 6k. Modern with magic AU from Barry's POV, featuring equal parts anxiety and pining. Also, it's straight-up extremely funny.

Lonesome Dreams by @jerreeeeeee: Taako wakes up one morning from a nightmare, fast fading. There was a guy in glasses, and they were… somewhere high up? Something terrible happened, but he doesn’t remember. He wakes up in a wagon he’s never seen before, but it has his name on it. There’s tons of food inside, more than he’d be able to afford. And he’s alone. Thinking back to the last thing he remembers is difficult. College? No, he’d graduated. Top of his class, obviously, he remembers that. But what- what happened after? Where is Lup?

Gen (Taako & Lup), 10.2k. Everything starts out the same, except Taako remembers Lup, even if not how she went missing, and it's incredibly underrated and full of phenomenal characterization. I won't spoil how things shake out, but it's a great emotional ride and I genuinely reread it all the time.

it's my party and I'll mope if I want to by @holdmecloser-gandydancer: Taako's birthday is just another Thursday. A detective and an old friend have a different idea.

Gen (Taako & Lucretia & Angus), 2.1k. Short and so sweet! Fics about voidfished!Taako's birthday never get old, and this is one of my absolute favorites. Nailing the angst-to-wholesome ratio.

Tedious Familiarity by @barry-j-blupjeans: Déjà vu. Noun. A feeling of having already experienced the present situation. A tedious familiarity. Barry Bluejeans woke up in a cave, fresh out of a pod filled with green goop, and saddled with an unsettling feeling that he had been here before. If you had asked forty-year-old Barry if he would follow instructions left by a talking coin, he probably would have asked you what type of drugs you were on. But, y’know, fifty… two? Fifty-one? How old was he? Fifty-two sounded right. But, y’know, fifty-two years old Barry didn’t really have that many other places to turn, so this couldn't be all that bad.

Gen, 4.1k. Missing scenes based off Barry's decade alone, written in such an effective style, where all the little details truly make it. Mandatory reading for fellow Barry angst enjoyers.

Angus McDonald and the Wonderland Escape Rooms by coppersunshine: When Angus gets grounded from detecting, to keep his skills sharp he becomes a patron of the Wonderland Escape rooms, run by Edward and Lydia, who quickly decide he's their new nemesis. To their surprise, Angus and the collection of weird adults he's accompanied by decide otherwise.

Gen (Angus & Edward & Lydia), 7k. Modern with magic AU, putting Edward and Lydia in the absolute funniest possible job, at which a little boy detective torments... and maybe, even gives them a chance to turn over a new leaf. I am of the opinion that Angus and the Wonderland twins have a criminally underexplored dynamic, and this fic gave me everything I wanted.

If the Sun and Moon Should Doubt by Punka_Writes: Merle Highchurch, on the brink of a bad decision.

Gen, 1.6k. Merle character study immediately before running out on his marriage. Truly the incredible characterization that Merle deserves; this was a fic that really ignited my love for him.

Greensleeves by @sgrumby: Kravitz has never seen a lich like this before, and he's seen a lot of liches. Merle is just trying to save the universe, thanks very much.

Gen (Kravitz & Merle), 2.2k. A unique and also absolutely genius Lich!Merle AU where Kravitz inevitably comes after him, and Merle is... well, the Peacemaker, of course!

#taz #taz balance #taz balance spoilers #fic rec #long post

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corkinavoid · 6 months ago

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Fun Facts about Fiance to a Star

It's just a lore/worldbuilding dump that doesn't fit in the fic (this fic), and I am ¾ done with translating chapter 3, wow

The Tower is the name of the building itself while the Academy of Magic is the name of the institution that lies within it. Contrary to Tim's belief, it has not been designed by demons but rather by the joined efforts of the Ancients and a few trusted humans whose names have been long lost in history. It is cylindrical and structured like a donut if you look at it from the top: the outer layer being the hallways, encircling each floor, then the classrooms/rooms and a well-like room in the middle that goes from the third floor all the way to the roof. There are no stairs between the floors but there are three elevators for you to use.

Although, on the account of the Tower not abiding by any laws of logic and physics, Tim was right: most of the places inside the Tower are magically changed or enhanced, hence the classrooms and public places are much larger than they are architecturally supposed to and the hallways are a lot shorter than you would think. The trick to getting where you need quickly is to simply know exactly where you're going.

The Tower has thirteen floors on the ground and four underground floors. The first floor is accessible to any and everyone seeking the help or advice from the Academy, while the rest can only be accessed depending on your status and reason for entry. The indication of your status in the Tower is a pass in a shape of the emblem of the Academy which can be worn as a pin, a necklace or in any other way you want. The different passes are made of different materials and have varying charms and spells on them.

Iron pass is for guests and visitors. It allows you to go anywhere from the first to the third floor, which are the main hallway and the registration on the first floor, the dorms and rooms for both guests and students on the second, and the general areas such as cafeteria, training grounds and study on the third.

Silver pass is for the fist-year students. It gives you all the above and additional access to the fourth and fifth floor, which are mostly classrooms and a library.

White gold pass is for the second-years and the sixth and seventh floor. The sixth floor also contains mostly classrooms while the seventh floor has a few laboratories and workshops.

Platinum pass is for third-years and eighth and ninth floor. There you can find a much bigger library and a few classrooms and labs specific to various advanced courses.

Mithril pass is issued to fourth-years both as the pass to the tenth floor and a graduation gift. The tenth floor contains the exhibit of artifacts and the so called 'cursed library'.

While the passes are mostly needed to access the floors of the Tower, they are also commonly used as an indication of status and achievement outside of Academy. They also have a fairly practical use: aside from the standard spells incorporated in the passes (simple shield, acess to the floors, identification) you can enchant your pass with as many spells as you want as long as the pass can take it. Silver passes are only able to hold two or three additional spells, while Mithril ones could be turned into an artifact and hold up to thirty different spells.

The other passes include Gold pass for researchers (first to tenth floor and the underground floors), Rose gold pass for teachers and administration (first to thirteenth floor) and the Unnamed pass for the Headmaster, his confidants and a few others (all the floors).

#danny phantom #dc x dp #dpxdc #cork writes fantasy #amity park as a magic school

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felassan · 8 months ago

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this post is just some thoughts on/speculation re: the recent news (the new blog post and the IGN article etc). under a cut for length.

I’m so excited for the official first look at the gameplay!! (ofc) and psyched that it’s happening in early summer as opposed to late summer like August or thereabouts. it feels surreal in a good way that it’s now basically ‘DA:TV Eve’ :D With 15+ minutes of gameplay from the start of the game, we could gain a lot of new information and context such as who the PC is, where the story kicks off and the premise/framing of the story, who the starting companions are, etc.

it surprised me that the name of the game changed, but I like the new title, I think it’s cool and unusual and from dev comments it's not something they decided on a whim or anything. a title change makes sense in the light that Solas isn’t the only focus of the game or the only player on the board – that he’s a key player, but not the heart of it, and the companions are who is being centered. in any event the feel of a title to like say and stuff for me doesn’t affect gameplay or what it’s like interacting with characters etc. I would play this game if it was called Dragon Age: The Quantum Blorbening anyway.

‘The Veilguard’ is the name of our crew of companions, as in a group or faction. (It reminds me of “the Kingsguard”.) Obviously we can see from the name that this group will be involved in protecting and defending the barrier between the Fade and the waking world in some manner. I wonder, will it be a group we form, or a group we join/are recruited into? They must be a fairly recent addition to Thedas. What’s their relation to the Veil Jumpers, if any? Does the existence of the Veilguard imply that the theories that the game will begin with the Veil torn down already aren’t the case? Will the Veilguard always want to protect the Veil during the story, or will there come a point when they re-evaluate that idea? It sounds like they’re always able to take down the new evil threat, but will they always be able (or always want to) to prevent the Veil from being destroyed? also, in-world, who named them The Veilguard?

Maybe our PC’s own ‘title’ (Warden, Hero, Inquisitor, Herald of Andraste, kinda thing) will be Veil Guardian or Guardian of the Veil or something like that..? we obviously won’t be the only veil guard, but while the DA:O PC was ‘the Hero of Ferelden’, in-game they often were referred to in passing simply as Grey Warden or The Warden, despite there being another Warden present (Alistair). When the devs have been talking about The Avengers, I think about that and also get Guardians of the Galaxy kinda vibes. With Varric and Harding’s storyline in DA: The Missing, I wonder if he will be like the Nick Fury (he kind of brought the Avengers together and coordinated them right? Or at least recruited them all, put the team together?), with Harding joining the team itself..? Avengers assemble, form Voltron, etc. with stuff like “you’ll unite this team of unforgettable heroes”, it sounds like the PC (as in previous games) will end up leading the group in some manner, even if they are new to the squad. That reminds me of the HoF. ^^

Somewhere out there in the multiverse, on a different plane, DA4 came out and it was a multiplayer game. it’s good to hear about refocusing on creating a singleplayer game with a focus on characters, choices & decisions, worldbuilding, companionship with characters with their own deep storylines that intersect with the main plot etc, with the customizable hero and the cast of their companions at the center of an SP story. and no online team members, no live service etc.

The world of Thedas itself is still my favorite ‘character’ :D

Warden, Hawke, Inquisitor mention. 🥺

I don’t mind one way or the other about most gameplay specifics. Some of the aspects of combat gameplay (of course, I’m just guessing based on reading some lines in an article atm), like the pausing the action and the ability wheel to give orders, sound like ME: Andromeda gameplay, and Andromeda had good gameplay/combat gameplay that was fun and fluid to play.

One thing I am 😔 about tho is the change of party size from 3 companions to 2. I love Mass Effect and it’s a 3-person squad in that series too (and it works well ofc both in terms of gameplay and dynamics), but I’ll still miss having 3 companions with me in DA :< esp in a game with such a focus on the characters/companions. What can I say, I’m just a blorbo hoarder. I’ll also miss all party members being directly controllable.

I wonder if the 7 companions (seven is a lucky number ^^) will have a class split like 2 warrior/2 rogue/2 mages+1 ‘unique/special’ companion (e.g. Dog, Shale – maybe the flaming head Skellington?) or +1‘extra/secret’ companion or something (e.g. Loghain).

Also, speculatively, being that we’ve never had a qunari woman as a companion before, I hope one is a qunari woman, and since we’ve never had a dwarf woman as a companion before in a ‘main’ game (ily sigrun), I hope one will be a dwarf woman. That also makes me curious about the race and gender split of the 7. Maybe it’s like 2 humans/2 elves/1 qunari/1 dwarf/1 ‘unique or special’ (e.g. Shale)..? Maybe it’s like 3 men/3 women/1 nonbinary person, or the first 6 are a mix of men, women and nonbinary people, and the seventh is something like Dog or a spirit or something?

There were 6 companions in ME1. In DAII, there were 8 in the base game (Seb was DLC), but Bethany/Carver were only around for part of the game. today one of the main things people love most about DAII is its cast of companions. ^^ also, with the way the devs talk about the companions, it's giving "Found Family" trope vibes. that's another thing that people love a lot about DAII. ^^

will it just be the 7 of us, like the crew in DA2? Will it be like in DA:I, where the organization (Inquisition/Veilguard in this case) has main figures/an inner circle, but also commands other people? Or will it be like Mass Effect, where you have a crew which is comprised of companions (in this case 7) who join you on the field as well as a few other developed characters that hang out at ‘home base’? on the number paring down from 9 to 7, I’d rather quality and depth over quantity. In ME2, Kasumi and Zaeed (as DLC) didn’t have proper conversations on the ship. I wonder if “pare down” refers to it being versus the number of companions we had in DA:I, or whether at some point in development of DA:TV there used to be more than 7 companions and some were cut.

each of the 7 companions is from/represents a different faction. For example, while not stated to be a companion in the trailer he was revealed in, it's common speculation that he is, and Davrin is a Grey Warden. Going by the 4 factions Varric and Harding deal with in The Missing, surely 4 of these companion backstory factions in DA:TV are the Grey Wardens, the Antivan Crows, the Veil Jumpers and the Shadow Dragons. And the other 3..? the Lords of Fortune are a new addition to the lore that have also been prominent in recent material. A Grey Warden, an Antivan Crow, and a Veil Jumper walk into a bar.. : ) the composition of The Veilguard is reminding me of Duncan’s words about the Grey Wardens: “Men and women from every race, warriors and mages, barbarians and kings.”

---

some more wild speculation on the 7 factions.

1. Davrin - the Grey Wardens

2. Bellara - ??

3. Harding - Inquisition/Inquisition remnants (I do not think Varric is a companion)

then, based on prominence in previous promo material and The Missing etc -

4. A Lord of Fortune

5. A Veil Jumper (STRIFE PLS!!!)

6. An Antivan Crow

7. A Shadow Dragon

or… this prev concept art (bearing in mind it might represent nothing at all except ‘general mood’ & no specific actual characters, or be from a different version of the game before a reboot or before cuts etc, who knows) shows 8 characters. could it be the 7 companions and the Player Character? Skellington Guy (green flaming skull guy) could easily be the (speculative!!) ‘unique/special 7th one’, assuming a 2/2/2 warrior-rogue-mage classbreak down among the other 6 (which is speculation only too ofc). lmk what you think : )

I’m nervous about upsetting or getting the new companions killed already HH.

It’s nice to read how strongly they feel about the new characters and their stories.

I’m so excited to explore all the regions and varied biomes.

I’m still not clear/sure on whether “you can romance the companions you want” means all 7 companions are bi/pan+, or that there are no non-romanceable companions among the 7 (like no Stens or Varrics), or whether it was more like a general off-hand comment that can’t be read into that much.

I wonder if the Varric-narrated in-game cinematic from 1 year ago plays at the start of the game? Or after we meet Varric?

here is a link to a ramble/speculation about the new logo/icon.

All of Thedas is at risk from a big, scary new threat. As we know, Solas was never the only being interested in the Veil and its removal or destruction. (you can also outline lots of reasons why it should be brought down, like the way the world used to be, elven immortality, the effect on mages/magic etc). it’s also long been theorized that Solas isn’t the main threat/main antagonist in DA4, and maybe more like the Dragon to someone/something else, or a figure like Loghain in DA:O, who you can kill or convince to join you in your fight against the real overarching threat, in that case the Blight. Corypheus broke the Veil in the Red Lyrium future. Demons always want to cross it. the Evanuris are trapped in some way that involves the Veil being in place. Flemythal can never achieve true vengeance while her killers are sleeping or imprisoned somewhere she can’t reach. The Bio25 book says that “The Evil Gods have Thedas in their sights” and that “shadows of the past stir”. It also says that the “Deep Roads teem with evils both new and old”. There are theories about a double Blight. The most recent trailer has someone gushing “Glory to the Risen Gods. They’ve come to deliver this world”. Tevinter Nights hints at fck-knows-what – places and beings, “past the Veil of our world, neither demon nor spirit”, things with chthonic kinda vibes. Etc. a threat being “unleashed” has the implication of someone let something go.. or someone.. let something in... there are also other groups and beings to consider, like the Old Gods, the Forgotten Ones, the Executors.

I thought this phrasing from the IGN article was interesting, though it's not a direct quote from Gary. “Solas, who helped create the Veil, now wants to destroy it.” Helped create? Until now it was more like “Solas created the Veil”. Helped who..? 👁️

The other evil threats/the real threats, these ‘other gods’ (Gary McKay mentions them twice: “it might not just be Solas”, “the Dread Wolf is not the only god” you need be worried about), are surely the upside-down figures in this mural, right? Surely they are the “Evil Gods” (whoever /they/ are) mentioned in the Bio25 book, right? :D

#long post #longpost #video games #dragon age #mj and the world #dragon age: the veilguard #dragon age: dreadwolf #dragon age 4 #the dread wolf rises #da4 #bioware #solas #lgbtq #strife #mass effect #mass effect: andromeda

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okanra · 1 year ago

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FEW FUN BEHIND-THE-SCENES STUFF I DID FOR “THE UNSPOKEN” WEBCOMIC SERIES (still ongoing, of course)

So I’m migrating some of the (public version of) pre-production stuff I did in 2021-2023 for THE UNSPOKEN webcomic (back when it still had the old name “Trunks and Goten in High School AU”) here, since X/Twitter apparently annihilated the old Moment feature for real. These are mostly research stuff, some warm up doodles and inspiring sountrack playlists I did before a chapter or a story got made. I usually do a lot of research offline before working on any creative project, that’s why sometimes it feels like there’s so many information gets jammed into one chapter: it was mostly to make do for all the time that I didn’t get to, or wouldn’t be able to work on the comics.

Will add in the chapters along side the information paper for clearer understanding ✌️

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1. The warm-up expression practice sheet (or doodles, in my case) of Son Goten and Trunks in my webcomic series (late 2022 or early 2023):

Since the idea in mind for these two in the webcomic was to be more “mature, human-like” than the original manga version to fit with the narrative I want to tell and aim at the older demographic, practices are needed :p

2. The Martial Arts techniques research information papers - Chapter 2 and 3 aka “The Spar” 1 & “The Spar” 2 (2021-2022):

A. Goten’s techniques:

B. Trunks’s techniques:

This research about martial arts techniques was actually very fun to do due to martial arts and cultural aspects are being two of the things I enjoy the most in life. That’s probably parts of the reasons why I went back to Dragon Ball in 2020: motorbikes, martial arts and mixed races culture.

Back then I did plan on sharing my research to everyone in the form of little fun art lessons, so there were interesting tweets like this or this. Later I decided to share this somewhere else more private (like my Patreon community) since I realized pre-production researches (or something akin to visual developments) are not that well-liked for most online viewers even though it’s a very much needed process in a creative project 🤔

This martial art concept is one of the actual main themes throughout the whole webcomic series, not really the (super duper gay) b-romance relationship between Son Goten and Trunks, yes I’m very sorryyyyyyy I like them too but I like worldbuilding more lmaoooo :p

3. The brief character design sheet and Chinese-influenced culture research information papers - Chapter 4: “The Iron Woman” and Chapter 5: “Her Resolution, His Origin” (mid-2022 until now and will be continued):

A. Character Design brief sheet:

B. Culture research stuff:

The hilarious thing about researching for these chapters are: Back when “The Iron Woman” was being made, the research limited at reading articles and some books about Chinese cultures, and watching documentaries on Youtube. But when “Her Resolution, His Origin” was being made, the research tuned into a real life trip to China, to take real life reference photos and listening to real legends and stories.

This research for “Her Resolution, His Origin” will be posted to Patreon later, of course ✌️

4. The Original Comic introduction and comeback announcements in mid-2022:

I must have eaten some edibles while drawing this because the boys look so good here. Goten looks so good, I even made him the profile picture for my Patreon account lmao.

5. Soundtrack playlists for inspirations (2021 - now): always the cherry on top. I listen to these playlists everytime I work on the series.

A. Duo playlist for chapters featuring both main characters: link

B. Character playlist for chapters focusing on single character, or anything related to that character: link

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All in all, posts like this are for people who like to see what’s beneath the surface when working on a creative project. I completely guarantee you, what you’ve seen on this blog are just the tips of the ice berg 🤫

Def not a PR, but my Patreon has lots of this lmao. Half joking half serious, there’s even a “non-posted” comic up there too and many other things. I’m just stating facts.

That aside, I’m just really happy to be able to work on this webcomic. THE UNSPOKEN webcomic series has always been a long-term indie project, not a daily content so I hope the readers who like and follow this series would stay tuned for more ✌️

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For easier reading, you can either follow the links that are included above, or just read this Tapas updated version.

#the unspoken webcomic #truten in high school au #my art #my comic #dragon ball #goten #son goten #trunks #kid trunks #dbz #dragon ball z #chichi #son gohan #martial arts #researching is fun and is also my hobby #but honestly i’m just happy drawing comics

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sweetteaanddragons · 5 months ago

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And How Can Man Die Better: Director's Cut

I had lots of worldbuilding thoughts that didn't make it into the story for @saturniiids beautiful artwork, so have them here! (Spoilers ahead.)

"Thorin had never met a hacker quite so dedicated to pretending to be on the legal side of the fence as Master Baggins. It was reassuring, really; it spoke to a level of discretion he appreciated."

As you might have guessed, Bilbo is actually 100% sincere here. Thorin remains blissfully unaware of this throughout the entire story.

"They knew they had already been earmarked for Mahal; that he needed their service in his great foundries and machineries to make his constructs for the Last Great War. What would become of them all when the end days came and Dagor Dagorath struck if they had denied him the souls of centuries of dwarves? The government had not been impressed with this argument . . . " The government here is Sauron. Also his minions, but ultimately Sauron. The dwarves do not, of course, know this - he's switching between his personas as Annatar and the Necromancer - but unsurprisingly, Sauron was not impressed by the argument that the dwarves needed to be allowed to go to Mahal's Halls so they could create weapons to use against him and Morgoth at Dagor Dagorath. If the dwarves had realized, they would have tried a different argument.

"The government had not been impressed with this argument, any more than they had been impressed with the dwarves’ furious insistence that Mahal was not, of course, in any way connected with one of the Forbidden Ones. Who was this Aulë others spoke of? Certainly they knew him not. They followed Mahal and Mahal alone; surely they could not be faulted that his name and that of one of the Forbidden Ones rhymed." Sauron is genuinely unsure if the dwarves telling him this - perfectly straight faced - are as unaware of the truth behind this as they were with their previous argument or not. A lot of knowledge has been lost! (A lot of it has been deliberately suppressed.) They might not know - or they might, and they might be laughing at him.

Most of the dwarves genuinely don't know and are making this argument with indignant righteousness. There are a few (like Balin) who know better. Regardless, they end up having to follow Mahal in secret because all mention of any of the Valar, much less any devotion to them, is being violently suppressed by Sauron, who is violently afraid that the Valar are going to show up to topple his little house of cards. The Valar showed up because the mortals were penitent last time and because the mortals asked for help; he can't risk that happening again.

The Valar are, unbeknownst to him, very aware of what is going on and very eager to intervene, but toppling his house of cards is exactly what they're worried about; Mordor has so consumed everything that they aren't sure how to save people without accidentally destroying the planet in the process.

"Just as they were also faulted for just how many dwarves had been, tragically, dying in conflagrations so intense that no brain matter was left for Dol Guldur." Dol Guldur's brand of afterlife nastiness in this story was borrowed from the Mechanism's album, Ulysses Dies at Dawn. Like in that world, all brains are plugged into a horrible mass computer system after death; any attempt to render your brain unsuitable for this is punished horribly.

But if there's anything that could make a brain truly, entirely, unpunishably unsuitable, it seems like being consumed by fire would do the trick.

"The concrete didn’t switch to marble; there were no trumpet calls summoning them home. Still. He almost thought he could feel it, like a buzzing in his chest." And here we have the first mention of the buzzing that we will eventually learn is the madness-inducing tone coming from Smaug! This was also inspired by Ulysses; Erebor takes the place of Ilium. This seemed particularly appropriate to me given the gold madness that awaited Thorin in the original.

"In the old days, Balin had told him once, their people had buried their dead in stone. Fire had been too impermanent a monument . . . 'From the fires of Mahal’s forge we came,' Balin said quietly. 'And to them we pray to return,' the rest echoed." I thought a lot about the dwarves canonically having to burn their dead after the battle of Azanulbizar; how it was against their traditions, but they did it out of need and made it an honor.

In this AU, I imagine this necessity initially was deeply upsetting to the dwarves that took it up, but by the time the story takes place, they've successfully mythologized it to make it acceptable to themselves.

"The City had not always just been the City, of course; once, before it had conquered and bargained and slowly consumed all else, up to the top of the breathable atmosphere and down to the roots of the earth, once there had been other cities and so it had needed a name.

Once, it had been Mordor."

In this AU, Celebrimbor helps Annatar create a wonderful potion of immortality for their mortal friends. Why shouldn't they be able to delay the Gift of Men for awhile as the Numenorians already do?

The Numenorians, of course, are enchanted by it and use it to extend their own very live longs (and, like in Ulysses, this has unfortunate consequences for the world around them). There's the potion for those who can afford it . . . and Annatar's promise that eventually, even the very poorest will be guaranteed to live forever.

Hello, Dol Guldur.

Annatar uses the potion to seduce some countries into willingly joining his banner and sets out to conquer the rest.

Celebrimbor, once he realizes how it has all gone wrong tries - and fails - to stand against him.

Somewhere in this AU, Pharazon is very much still alive and enjoying his wealth and power.

“'Skulls are intact,' Fili said quietly. 'Most of them.' It was true, he saw. Some few were smashed, but that was easily enough explained, whatever they had been fighting. Most were intact. Which meant that even after the Necromancer had won, he had not sent in drones to collect minds for Dol Guldur. Not even from the bodies that had not been burned." So, in Ulysses, some people's minds are deemed unsuitable for harvesting due to insanity. To keep this from seeming like a preferable alternative that people might be tempted to feign or induce, these people are forcibly kept alive through immortality inducing drugs . . . but kept in absolutely horrible conditions. Presumably, though, this did not happen to the people of Ilium who were driven to kill each other through Ulysses's weapon.

“Hobbit ears must not be as keen as their dwarven fellows.” Which Bilbo will have ample cause to be thankful for shortly.

"The next door was the one Thorin had been unable to find anyone qualified to open on his own; the one he had nearly despaired of until he had once again stumbled across Gandalf, who had hemmed and hawed over the danger of the journey before admitting it might be worth the risk and saying he knew just the man for the job." Gandalf is still one of the Istari in this AU; five undercover Maiar sent by the Valar to try to figure out a way to help. As per canon, Radagast has gotten sidetracked by his absolute horror over what has become of most of the plant and animal life in this world spanning city, Saruman is slowly being corrupted by fear and the promise of power, and the blue wizards are . . . somewhere. Gandalf has lost track of them.

He, however, is still desperately trying his best.

"'Of course outside of one of their terrarium blocks you haven’t got much of a prayer of getting anything to grow.'

'Not much of a prayer!' Master Baggins said indignantly. 'Why, all you have to do is - '"

As you might guess, there aren't any Ents left in this AU. There are, of course, still hobbits; they weren't particularly seduced by the lure of immortality, but they were conquered easily enough. Their knack for growing things has fewer opportunities by far, but they still grow what they can.

There was so much blood on his hands. Obviously, Thorin and his nephews ended up mortally wounding each other. Their brains are scrambled enough though that they can't remember who struck which blows. At this point, only Mahal could tell them - and he definitely has every intention of keeping that to himself.

“Thorin, are you - I promise it’s just me, totally harmless - “ The trap was calibrated for dwarves. Bilbo was totally unaffected except for having to run from everyone.

"Thorin, at least, would die sane. Surely Mahal would accept Thorin’s tribute at least, and if he did - surely Thorin could convince him. They had died in Mahal’s service; surely Mahal could find some purpose for them even if they had not died sane. Surely there must be something he could offer to convince -" Thorin is aware that Dol Guldur does not accept the insane, and he assumes that Mahal's Halls will be the same. The dwarves' understanding of their Maker has been corrupted over time; mostly, they assume that working in Mahal's Halls will be much like their current (horribly inhumane) factory jobs. This is still preferable to Dol Guldur, because Dol Guldur is awful, and also because they are genuinely convinced they are needed to prepare for the apocalypse.

The dwarves are, of course, very wrong. Mahal accepts them regardless of their condition - and in Fili and Kili's case, they were fine once the sound's ability to influence them ceased.

Dwalin was there, blood thick on his own hands, but Dwalin was there, and Dwalin understood. I regret to inform you that Balin was also a casualty of this AU. And probably some of the others.

Fili: . . . and with a productivity increase like that, you really can't afford not to assign the three of us together to whatever doomsday weapon you want worked on.

Kili, in iglishmek, from where he's currently smushed against Mahal's shoulder: Do you think it's working?

Fili, from the other shoulder: I don't know. I've never had to give this speech to a supervisor that was hugging me and crying before.

Mahal is just. So happy. Whenever any of his children manage to find their way home.

#the hobbit #thorin oakenshield #bilbo baggins #fili #kili #dwalin #ulysses dies at dawn au #cyberpunk au

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tleeaves · 10 months ago

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Folks going "WHAT they made a show about the Fallout franchise?? I've been hearing people say Bethesda messed it up, but I haven't watched it myself, so I'm going to trust the word of other people -- some of which also haven't finished watching it" is driving me insane.

Being a hard core fan of something obviously brings with it a lot of passionate feelings when adaptations come into play. Of course, there's going to be people going "but in 8 episodes of the first ever season they made, they didn't explore Theme C or D, didn't introduce factions E and F and G, and because the source company is notorious for its scams, we and everyone else who's a TRUE fan should hate it".

The Amazon Original series Fallout follows the videogame franchise of the same name. It is a labour of love and you can tell by the attention to detail, the writing, the sets, and YES THE THEMES ARGUE WITH THE WALL. It's clearly fan service. I mean, the very characterisation of Lucy is a deadringer for someone playing a Fallout game for the first time. She embodies the innocent player whose expectations drastically change in a game that breaks your heart over and over again. Of course, she's also the vessel through which we explore a lot of themes, but I'll get to that.

There're some folks arguing that the show retcons the games, and I gotta say... for a website practically built on fandom culture, why are we so violently against the idea of someone basing an adaptation on a franchise that so easily lends itself to new and interesting interpretations? But to be frank, a lot of what AO's Fallout is not that new. We have: naive Vault dweller, sexy traumatised ghoul that people who aren't cowards will thirst over, and pathetic guy from a militaristic faction. We also have: total atomic annihilation, and literally in-world references to the games' lore and worldbuilding constantly (the way I was shaking my sister over seeing Grognark the Barbarian, Sugar Bombs, Cram, Stimpaks, and bags of RadAway was ridiculous). Oh, and the Red Rocket?? Best pal Dogmeat? I'm definitely outing myself as specifically a Fallout 4 player, but that's not the point you should be taking away from this.

The details, the references, and the new characters -- this show is practically SCREAMING "hey look, we did this for the fans, we hope you love it as much as we do". Who cares that the characters are new, they still hold the essence of ones we used to know! And they're still interesting, so goddamn bloody interesting. Their arcs mean so much to the story, and they're told in a genuinely intriguing way. This isn't just any videogame adaptation, this was gold. This sits near Netflix's Arcane: League of Legends level in videogame adaptation. Both series create new plots out of familiar worlds.

Of course, those who've done the work have already figured out AO's Fallout is not a retcon anyway. But even if it was, that shouldn't take away from the fact that this show is actually good. Not even just good, it's great.

Were some references a little shoe-horned in to the themes by the end of the show, such as with "War never changes"? Yes, I thought so. But I love how even with a new plot and characters, they're actually still exploring the same themes and staying true to the games. I've seen folks argue otherwise, but I truly disagree. The way capitalism poisons our world, represented primarily through The American Dream and the atomic age of the 45-50s that promoted the nuclear family dynamic -- it's there. If you think it's glorifying it by leaning so heavily into in the adaptation, I feel like you're not seeing it from the right angle. It's like saying Of Mice And Men by John Steinbeck glorifies the American Dream, when both this book and the Fallout franchise are criticisms of it. If you think about it, the post-apocalyptic world of Fallout is a graveyard to the American Dream. This criticism comes from the plots that are built into every Fallout story that I know of. The Vaults are literally constructed to be their own horror story just by their mere existence, what they stand for, what happens in each of them. The whole entire show is about the preservation of the wrong things leading to fucked up worlds and people. The missions of the Vaults are time and again proven to be fruitless, unethical, plain wrong. Lucy is our brainwashed character who believed in the veritable cult she lived in before she found out the truth.

So then consider the Brotherhood of Steel. I really don't think it exists in the story to glorify the military. We see just how much the Brotherhood has brainwashed people like Max (also, anything ominously named something like "the Brotherhood" should raise eyebrows). Personally, I don't like Max, but I am intrigued by his characterisation. I thought the end of his arc was rushed the way he "came good" basically, but [SPOILERS] having him embraced as a knight in the Brotherhood at the end against his will -- finally getting something he always wanted -- and him grimly accepting it from all that we can tell? Him having that destiny forced upon him now that he's swaying? After he defected? If his storyline is meant to be a tragedy, it wouldn't surprise me, because Fallout is rife with tragedies anyway. And a tragedy would also be a criticism of the military. That's what Max's entire arc is. It goes from the microcosm focusing on the cycle of bullying between soldiers to the macro-environment where Max is being forced to continue a cycle of violence against humanity he doesn't want to anymore because a world driven to extremes forces him to choose it to survive (not to mention what a cult and no family would do to his psyche). Let's not forget what the Brotherhood's rules are: humankind is supreme. Mutants, ghouls, synths, and robots are abominations to be hated and destroyed. If you can't draw the parallels to the real world, you need to retake history and literature classes. The Brotherhood is also about preserving the wrong things, like the Vaults (like the Enclave, really). They just came about through different method. The Enclave is capitalism and twisted greed in a world where money barely exists anymore. The Brotherhood is, well, fascism plain and simple.

Are these the only factions in the Fallout franchise? Hell no. But if you're mad about that -- that they're the main ones explored, apart from the NCR -- I think you're missing the point. These themes, these reminders, are highly relevant in the current climate. In fact, I almost think they always will be relevant unless we undergo drastic change. On the surface-level, Fallout seems like the American ideal complete with guns blazing that guys in their basements jerk off to. Under that surface, is a mind-fuck story about almost the entire opposite: it's a deconstruction of American ideals that are held so closely by some, and the way that key notion of freedom gets twisted, and you're shooting a guy in-game because it's more merciful than what the world had in store for him.

I mean, the ghoul's a fucking cowboy from the wild west character he used to play in Hollywood glam and his wife was one of the people who helped blow up America in the name of capitalism and "peace". There are so many layers of this to explore, I'd need several days to try and keep track and go through it all.

The Amazon Prime show is a testament to the Fallout franchise. The message, the themes? They were not messed up or muddled or anything of the sort, in my opinion.

As for Todd Howard, that Bethesda guy, I'm sure there's perfectly valid reasons to hate him. I mean, I've hated people for a lot less valid reasons, and that's valid. We all got our feelings. But the show is about more than just him. My advice is to keep that in mind when you're judging it.

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