#and now its your problem

[michelle-jacksons-art-blog]

Is this anything

[echo-loves-flowerboy]

Ovid dissing snakes

[boxoftheskyking]

Also so funny to me that for years I've been seeing Chuck and Blair on all the posts of "couples that people are mad they ended up together" because what? They suck? Like may I interest you in the concept of a narrative

[aiweirdness]

“Slopsquatting” in a nutshell:

1. LLM-generated code tries to run code from online software packages. Which is normal, that’s how you get math packages and stuff but

2. The packages don’t exist. Which would normally cause an error but

3. Nefarious people have made malware under the package names that LLMs make up most often. So

4. Now the LLM code points to malware.

https://www.theregister.com/2025/04/12/ai_code_suggestions_sabotage_supply_chain/

[sapphire-to-the-rain]

unusually and exceedingly peculiar and altogether quite impossible to describe / blonde.

+ zoomed in versions :))

[teaboot]

Sometimes at work it's not my place to tell people the things I want to say, and I find I often go home at the end of the rougher days to stand blankly in my shower and tell myself over and over what I wish I could pass on.

This accomplishes very little, and mostly just gives me a tension headache, but through it all I think I've narrowed myself down to a few solid things I'd like to tell people the most.

You can't change people. Not permanently, not for anythig. You can support them, encourage them, love them, give them tools and opportunities and resources, but you can't make them change. They can change themselves if they want to, but they have to want to, and they have to want it for themselves, because they're the only one that's certain to be with them forever.

For better or worse, you make your own choices, and blaming bad choices on others doesn't only work to absolve you of responsibility- it also robs you of control. Because if you say you only did something because I did something, then you arent only shifting blame- you're admitting that you cannot control yourself, that you cannot truly make choices for yourself, that other people can control you- and as long as you truly beleive that, you'll keep facing the same problems over and over. You'll keep letting others dictate your choices, because you'll beleive that they can, and you'll never be free.

White knights on horseback are from fairytales. Nobody can help you if ou're not willing to help yourself. To try, to put the dirty work in, to belive you're worth that effort- Act as though nobody is coming to save you. From a struggle, from pain, from bad relationships, from yourself. And when you do save yourself, because you will, because failure here isn't an option if you want to survive, you'll never find another dragon that can keep you prisoner.

Don't say anything to anyone that you wouldn't want them remembering forever.

Doing the right thing in bad circumstances is hard. It's the hardest thing. But if you make the choice to do that hard thing anyways, despite your fear, you'll go on the rest of your like knowing that you're the sort of person who did something.

The present only seems the hardest because the past I over and the future hasn't happened.

There's so much joy ahead of you, the kind you can't possibly understand until you see it yourself.

The responsibility of consequences is often disguised as the power of permission. "I won't do this if you help me", "I'll work on my anger if you do this for me", "I promised you I'd quit, but can I have just one?". The unspoken question is, "Can it be your fault if this goes badly?"

You cant make someone love you the way you need to be loved. Someone can love you very much and still be bad for you, even if you love them very much in return. Two people can love each other very, very much, and try their very best, and still be wrong for each other.

Sometimes being near to someone changes you, even in good ways, and the people you become don't fit together as well as the people you were.

Caring takes work. Even if it's real. Especially if it's real. And the most important gestures aren't the grand, poetic, songs-and-flowers-and-tears moments; they're getting out of bed even though you don't want to. Paying attention to things you don't enjoy. Scrubbing pans, or opening a window, saying "thank-you", or helping carry groceries into the house. The small things fill the big things- without the small, boring, mediocre things, big things feel hollow.

Thrre is honour and dignity in humble work.

If you are a cruel and spiteful person, then you will find every place you visit to be full of the same cruel, spiteful people. This is not because the world is as cruel as you, but because everywhere you are, you will be disliked. This is the curse that comes with being persistently cruel and spiteful.

If you are a kind and ppsitive person, you will repeatedly encounter kind and positive people, because as they grow familiar with you, they will be happier to have you near. This is the reward of being a kind and positive person.

When splitting paths with loved ones, briefly or forever, aim for your last words to always be "I love you".

[u3pxx]

KIM KITSURAGI - “Is that. My kineema.”

COMPOSURE [Medium: Success] - Something in him is about to break, *big time*.

EMPATHY - And it’s not going to be pretty, do something!

- DRAMA [Formidable] - Everything is fine!

- “Sure is.”

DRAMA [Formidable: Failure] - Surely he’s aware that he’s not the *only* person in the world who owns a Kineema?

YOU - “Is it really *yours*? I mean, plenty of people have their own Kineemas, right? Like working men, government offices, uh, firefighters I guess, maybe even animal control people? Exactly! A million different people who could’ve driven it into the uh…”

DRAMA - Pause, my liege! Ixnay on the Ineemakay!

YOU - “It could even be our *mysterious* joyrider!”

KIM KITSURAGI - Your frenzied babbling falls deaf to the lieutenant's ears. Instead, he approaches the broken vehicle, sunken in the ice. He moves with a caution and gentleness you haven’t seen him display before.

INLAND EMPIRE - It must be cold and lonely down there, in the icy water. Maybe he could sense its sorrow, calling to him…

PERCEPTION (SIGHT) [Easy: Success] - His hands, which are always stiffly placed behind his back, are trembling.

ENDURANCE - This is the shuffle of a tired, tired man.

HALF LIGHT - He’s going to do something drastic because of you. Oh god, terrible! You’re a terrible liar! You can’t look at this, you just can’t!

VOLITION [Formidable: Success] - It's not *you* who drove his kineema into the sea. You have plenty of faults, but this one is decidedly not yours.

KIM KITSURAGI - He kneels down with his head bowed, casting his face in shadow. He plants a hand on the ice to stabilize himself, squinting to get a better view of the motor carriage. “Detective, it says ‘57’ on it.”

YOU - Sweat drips down your brow, and you feel a terrible headache coming. “Maybe our joyrider has an affinity for that number?”

LOGIC - He's not stupid, he knows that it's not that.

KIM KITSURAGI - “57.”

YOU - “What about 57?”, you brace yourself.

KIM KITSURAGI - “Precinct 57.”

YOU - You wince. “Kim, look-”

KIM KITSURAGI - “When I woke up in the Whirling-in-Rags with no memory of what happened during the days before, I've taken note that something of mine has gone missing.” He grits his teeth. "A very. Important. Something."

He runs his hands over his face, messing his already unkempt hair in the process. Regret creeps up on his features. “God. Fuck. They’re going to fire me over this, they’re not going to hear me out.”

EMPATHY - Desperation settles in the lieutenant's tone. Sadly, you find yourself in agreement, even if you don’t want it to be the truth.

YOU - “People are more valuable than machines, Kim.”

KIM KITSURAGI - “Not people like me.” He rasps.

YOU - “…”

KIM KITSURAGI - Before you can say anything more, you fail to notice the lieutenant carefully walking onto the edge of the ice. He looks over the frigid water, a dizzying blue that mirrors and distorts his exhausted face back to him.

YOU - “Kim?”

KIM KITSURAGI - Seconds pass as he looks to be contemplating something. Out of nowhere, he casually takes another step where the ice ends and the sea begins. It happens all too quick for the lieutenant to even voice a call for help— if he even wanted to — his body plunging into the cold water before your eyes.

YOU - “KIM!!!!”

uhhh bonus stuff? sorry i have swap au brainworms pfttt

(im not sure what skills kim has at the moment so rn he only has narration as his inner monologue ok whoops, i would like to keep harry as the guy who thinks in dialogue trees so im still figuring it out pfttt)

also, this was done bc i wanted to expand on these old scribbles of mine, just like an idea, i just think that he'd be having an even worse time wheezes

[jadeinretrogrde]

[nudibutch]

as someone who has unknowingly been in a "mentally unstable femme/do anything for you butch" [i was the do anything for you butch] dynamic i have to say it did severe damage to me and my idea of self worth. i was walked on in horrendous ways. i was not treated like a human or a person with feelings. i was manipulated. i was sexually coerced to do things that no one should ask someone else to do. it has taken me the better part of a decade to recognize the damage this did to me, and it took a strong network of friends (and a particularly supportive and protective femme friend) to help me realize that i deserved to be treated like a person.

i am really tired of seeing butches and femmes alike endorse the idea this is uwucute. its not. its extremely damaging. butches, please find your self worth. recognize that you have needs too. femmes, respect that butches are people. saying mentally unstable femmes use service-oriented butches is downright wrong and disrespectful. i dont care if its a joke or memepost. im exhausted. i know there is a lot of loneliness in being butch and femme. but we don't need to be glorifying unhealthy relationship dynamics, even as a joke. you can get the dynamic you seek (dominance and control) from healthy individuals that respect your personhood. everyone in the community deserves better.

[ew-selfish-art]

Dp x Dc wherein learning magic is similar to learning how to play music. 

So basically, the creation of a summoning spell is like a full composition/song made of smaller components or ‘notes’ for things like gravity shifting, and geolocation, and transportation etc. which is why Magic can be taught and spells can be man-made. 

Danny, however, is the equivalent of having Perfect Pitch. He can compose entire songs of spells without really thinking about it due to his royal titles (ambassador/king/high prince) but doesn’t really know how to be specific which lands him in some trouble with Clockwork. His portals are coming along a lot better with the help of Wulf but its critical that Danny learns how to control the range of his magic *something something, for the timestream something* *blah blah according to the will of the ancients blah blah*. 

So put on the course to learn Magic, Danny decides to hunt down the House of Mystery and study up by himself. He’s doing community college online, what could a little bit of Magic self study really do to his schedule? This place has literally every magic resource he could need! 

Turns out he has a roommate in the House of Mystery- John Constantine does not take well to the fact that half of the spells Danny is creating are causing him issues with the JL. Random shit appearing, random shit disappearing, portals everywhere and don’t get him started on the fucking ICE present on every bloody thing the magic reaches. Not to mention there is no reason a normal human kid should be able to have this much power behind his spells. 

John attempts to teach Danny the basics like a little kid gets stickers placed on the keys of a piano. The problem is Danny has the ability to compose entire scores of Magic all on his own, and absolutely abhors the training wheels John is putting on him. 

Danny: You’re patronizing me! 

John: You deserve to be patronized. 

Just like, Danny learning Magic in various ways that you might teach kids to play musical instruments from the various Magic users in the JLD. Causing chaos along the way, found family, the whole nine. Stickers on the instruments for notes, taking away guitar strings that are ‘more advanced’ and replaying Twinkle, Twinkle little star over and over again. 

Danny can play the Magic equivalent of Tchaikovsky’s Swan Lake but cannot play Chopsticks. 

[miz-chase]

I'm sure I'm not the first nor last person to make this post, but it's sad that new fans of The X-Files miss a lot of the cultural context of the show. It's worth noting that as a 10 year old in 1999, I wasn't allowed to watch the show, BUT I FOR SURE knew by heart the song "David Duchovny (Why Wont you Love Me?)" by Bree Sharp. It played on the radio constantly and the unofficial music video, well:

The video mixes clips of Duchovny with footage of X-Files crew members and numerous celebrities lip-syncing the lyrics, including series co-star Gillian Anderson, Brad Pitt, George Clooney, Pamela Anderson, Whoopi Goldberg, Rosie O'Donnell, Jenna Elfman, Sarah Michelle Gellar, Jane Leeves, Alex Trebek, KISS, and Jerry Springer. 

I dare you to find anything more 90s than this

[nikolaj-costerwaldau]

JAIME LANNISTER in every episode: 1.03 // Lord Snow

[caligvlasaqvarivm]

was rereading the convo dirk has with dave and was captivated by the subtle work done to indicate how very much this was not actually a good or productive convo for dirk, and a capstone on the toxic mess that is him and hal

in the exact same conversation that dave is explaining, and dirk is seemingly accepting, that beta!dirk/bro should not have been allowed near a child, dirk chooses to bring up hal. and he does it to be really shitty.

DIRK: Creating him was an interesting exercise I guess, but over the years I came to see his development as one of my biggest mistakes. DIRK: He sort of turned into a monster. But I could never bring myself to get rid of him, or even really blame him for being an asshole, because he wasn't actually that different from me.

like... hal is dirk's younger brother/kid, right?

that's part of the reason that when hal starts using a different color, it's dave's red. in one part, the orange/red split is evocative of dave/davesprite, casting dirk/hal as foils, but... i don't think the lil bro/"kid i'm responsible for" vibe is unintentional, either. especially when paired with the fact that the brainscan is of 13-year-old dirk, and that the words "nascent" and "emergent" are used to describe hal's consciousness, all implying an element of youthfulness or childishness to him that isn't applied to dirk.

hal is fully sapient, has real feelings (by dirk's own admission, too), and is also, like, completely his own guy. he's not a dirk splinter, he's a computer housing a dirk splinter, and he and dirk only think they're the same guy because their individual issues happen to perfectly align in the worst possible way.

so if you look at their relationship through that lens instead - a frankenstein/frankenstein's monster scenario (which is also directly and intentionally an exploration on parenthood) at best and dirk Pretty Much Actually Just Making A Child at worst - doesn't it become really fucked up that Dirk tried to kill him?

Doesn't it become really fucked up that Dirk is outright calling him a "mistake" and a "monster"?

the other really interesting thing here is when he talks about Jake - specifically, the way he chooses to "make it up to" jake. which is to say, he doesn't.

DIRK: I wouldn't be surprised if he was trying to avoid me as much as possible. DIRK: I'm sure that's for the best. DIRK: I think I need to stay out of his business for a good while, so I don't risk poisoning another innocent kid's life.

This isn't a solution. Hell, this isn't even an apology. This is just self-isolation, self-punishment, more of Dirk's martyrdom complex and teen boy diva bullshit.

yes, dirk hates himself, but the actual toxic loop he's stuck in is one where he doesn't address any of his problems. he identifies what his issues are, he feels really bad about them, he can enunciate them very clearly to other people, but then, instead of fixing them, he inflicts punishment on himself and then calls it a day.

We know that this is a bullshit thing to do to Jake because we know the situation from jake's side of things.

GT: Do you think you could relay the same sentiments to dirk? GT: I was thinking about all the stuff he said to me while we were all telling him to dance. GT: And yeah i was really being a prick when i ran away to lomax. GT: He was right about everything. I should have come clean about wanting some space.

jake wants reconciliation! jake wants to address the fact that he failed and apologize! jake wants to be friends again!

self-punishment is not a solution, and while I don't think dirk is entirely cognizant that he's doing it, by venting to dave - who literally has no idea what's been going on in dirk's group - he's able to frame the story - ahem, control the narrative - to justify his own shitty choice to not actually improve as a person, but instead to wallow in his own self-inflicted misery. If he'd said what he did about Hal to Jake, Roxy, or Jane - all of whom recognized hal's personhood and emotional reality to some degree, and spoke with him extensively - how would they respond? If they knew he'd tried to kill Hal, how would they respond?

The answer to that is why he doesn't tell them, and has got to be ticking in the background to explain why Dirk chooses to isolate himself from them. Put simply, I think the reason why he seems to think his friends never know the worst of him is because he deliberately avoids showing them. If he showed them, they wouldn't stay quiet, and if they didn't stay quiet, he'd actually have to... do something about it, instead of just indulging in some self-punishment and walking away feeling like the problem was solved.

and i think part of why he's so terrible to hal is because, on some level, he recognizes that he does kind of owe it to hal to be better. because, you see.

Hal is his kid.

hal's existence, hal's circumstances, and hal's suffering are a direct result of dirk's decisions, and hal is taking him to task for them. the things dirk really resents about hal are less the ways that hal is a reflection of dirk, though that's in there too, but the fact that hal is asking dirk to take responsibility. actual responsibility. that hal keeps confronting him with the fact that he's the one who caused hal's plight, he's the one with the power to fix it, and he's the one choosing inaction and avoidance.

TT: I'm guessing she's touching base to remind me about the party tomorrow. TT: I don't know what to tell her yet. Or Jane, for that matter. TT: It could get pretty awkward. TT: I have no idea if Jake will be there, and I'm not about to write another cringe-inducing message of desperation for him to ignore. AR: Would you like me to calculate the probability of his attendance? TT: Fuck no. AR: Are you sure? AR: My probabilities are extremely precise. TT: Your probabilities don't mean dick. AR: I could hack his chats, and determine what his plans are. TT: No. Don't do that either. [...] TT: Just don't do anything. Seriously. TT: No hacking, no calculations. Do absolutely nothing.

That's why Dirk takes such exception to the AI thing, too.

AR: In any case, my use of the responder responder is ironic. TT: It's not ironic. TT: YOU were ironic when I made you. TT: Then you became self-aware, and ruined irony forever.

then you became self-aware - in other words, "then you became a free-thinking entity and those jokes became reminders that your situation is fucked up, and i'm the one who put you in it". in other words, "and then you were born, and i had to be responsible for that". because, after all, the AI jokes that dirk hates so much? those aren't a reflection of dirk. that's all hal, baby. dirk can't use his "i hate you because i hate myself" excuse on that.

now i don't want to make it sound like i'm saying that dirk is a monster or anything. he does care, very fucking deeply, about his friends. and i think this conversation was genuinely very cathartic and helpful for dave. and it is, genuinely, very tragic that he does actually hate himself to the point where he finds it difficult to believe that he can get better, or even that he deserves to get better.

but those feelings have transformed into a vastly more harmful attitude of wilful, obstinate refusal to change, and even outright resentment and fear towards those that would ask him to. it's subtler than some of the others, but his convo with dave really highlights that dirk has not finished developing as a character yet. and i think it's really neat.

[quietwingsinthesky]

like. that’s rare, right? no other media i’ve encountered is immune to it. everything else eventually gets mocking and cynical of its own concept. fucking disney can’t make a princess movie without pointing out how stupid true love is. star trek had a whole reboot movie trilogy about rejecting the slower, philosophical roots of the show for cooler, edgy action movies (<- im allowed to say this because i like the aos movies but they Are a different beast from the rest of trek.) and yet doctor who keeps trucking along, whimsical as ever, looking you in the eyes and saying, there is an alien in a blue police box who comes to save the day and for the next forty minutes, you’re gonna believe that. it’s not that the show hasn’t changed or adapted with the times, it’s that the change builds on what’s there rather than looking at it disdainfully, oh how stupid those old things were, how great we are now in comparison. it’s refreshing!

[arcanegifs]

on gif reposting: i dont mind it if u use them for whatever but just put a credit on it please

is that too much of a request for all the free stuff ive made after all these years lmao

[ajastu]

there's a lot of posts in the DA tag criticizing veilguard, and like. Barring the fact that most of those feel like they're really not thought out OR they are not made in good faith...which is a whole another topic on its own...

I don't think that even if it WAS a bad game (which, it really is not), i personally could ever go on a criticism crusade against it. Just because of how...important it is, in regards to representation in these sorts of rpg games. The options it made available re: character creation.

Like, hear me out. I love Origins. I've replayed origins a million times. A lot of those times, i had to ignore large parts of how the game referred to my player character bcs i thought of them as nonbinary. Because it was just. Not An Option. And it was fine, i got pretty used to it, because i literally had to do that in EVERY game that let you create a character (and irl lets be real lol). Power of imagination and all that.

And then bg3 properly came out (obligatory 'i know its not the first big game to let you choose pronouns, its just the one i experienced first' disclaimer). And it let you just. have a nonbinary character. Which was refreshing! I remember how excited i was to learn about that. But ultimately, it didn't make much difference, because it never comes up after the CC screen. (and dont get me started on the same clothes changing depending on the body type lol) And sure, being trans isn't, like, the entirety of someones lived experience, but it does still come up? Like its still pretty relevant as far as personal characteristics go. It shapes your experiences in a certain way.

All that is to say, when I saw this pop up in veilguard, i damn near lost my mind abt the Novelty of it all

Like. You can do that??? YOU CAN JUST DO THAT???? IT COMES UP IN-GAME??? YOU CAN JUST. BRING IT UP WHEN RELEVANT??? YOU CAN TALK TO ANOTHER NONBINARY PERSON ABOUT IT, EVEN????

Suddenly, i no longer had to run a constant filter in my head. My character was just allowed to exist in the way i imagined them. And i did not think i needed that, but, hey. Turns out, its really nice being pandered to, sometimes <3

'oh but its worded so awkwardly-' i cannot express how much i don't care about that

'but its bad representation because it doesn't capture every trans experience at once' first of all bad take, second of all it gotta start Somewhere.

This is not something I would want to pick apart. Could I? Sure. But that is not the point here. It doesn't need to be perfect to be important. ESPECIALLY with the way things are right now. And hey, that said, it's still pretty damn good as far as these things go! like its not even bad!! it really isnt!!!

Point is, veilguard set a new standard for character creation in AAA games, for me personally. Now that I know what it's like, any new game of this type that comes out and doesn't take the same care in it's approach will be lacking. It's something so simple, in retrospect, and it's kind of incredible it took This Long to get there. But we did get here!! Veilguard got here, despite the development hell and EA handling it all in the worst way possible both pre n after release. And that is why datv will forever have a special place in my heart <3

TLDR VEILGUARD THEY CAN NEVER MAKE ME HATE YOU