#and noone will recognise it

[bi-biscuit]

Sometimes a podcast changes your brain chemistry so much that now you're working on a cosplay of a demon from that silly podcast about demons that you like so much.

[stil-lindigo]

the way that the iran/israel situation has escalated so fast into potential ww3 is terrifying but its also worth saying that if you care about palestinian lives and holding israel accountable, it's not the time to be muting tags. western media is gonna be doing its best to make iran seem like the aggressor. you'll play a part in upholding the narrative by bearing witness now.

[thesherrinfordfacility]

aziraphale constantly expresses his admiration and adoration for crowley by telling him he's nice, and good, and thanks him for what he does for him, calls him all the time to tell him things, "our car" and "our bookshop". and then dear, sweet crowley, who cannot go a single minute without doing something for aziraphale, driving him around everywhere, looking after and tidying the bookshop, indulging him in his earthly pleasures and quaint little hobbies, saving him even when he doesn't necessarily ask to be saved, "little demonic miracle of my own" and "alright, I'll do that one, my treat."

their methods of communicating their - friendship, affection, love - are set.

let's look at the bandstand, where crowley offers to magic them away, away from earth and the loom of armageddon, and aziraphale retaliates with stating that they're not friends and he's doesn't even like him. let's look at the So Did I argument, where crowley offers to whisk gabriel away and dump him on the moors so aziraphale doesnt have to deal with it and is no longer under threat from the former archangel, and aziraphale practically begs crowley to stay, that he'd "love [him] to help [him]".

their methods of communicating their - friendship, affection, love - are being rejected; they're not working.

let's look at 1967, where aziraphale gives in to giving crowley the holy water, but refuses the lift to anywhere he wants to go, and crowley offers to thank aziraphale, but refuses to hear aziraphale's verbal concerns about the danger it poses to him, "you told me what you think - 105 years ago." let's look at the final fifteen, where aziraphale offers to restore crowley to what he thinks crowley has always been yearning for, and crowley tries to tell aziraphale exactly what he means to him, put it into words what he hopes aziraphale will see through and understand.

their methods of communicating their - friendship, affection, love - are swapped, and break them apart altogether.

swapping those methods, in a guesswork effort to reach the other person better, isn't the answer. the action, and what is being said, is what needs to change. crowley offers things that aziraphale doesn't want, or goes against who he is fundamentally, and aziraphale says things that wound crowley deeply, reducing what they are to nothing in a few sharp words. so instead crowley tries to use words, and aziraphale tries to offer an act of devotion; but this doesn't work either - arguably, it's worse!

what they communicate needs to be clearer, not how. crowley needs to stay with aziraphale when he promises that he will, and not attempt to solve problems by running from what he doesn't want to face, threatening to abandon him in the process. aziraphale needs to express outright, plainly, what crowley needs to hear; that exactly as he is, everything that he is, is everything that aziraphale wants and respects and loves. and to be able to do that, they need start by giving each other the respect of acknowledging their respective boundaries, their fears, and what principles are important to them.

they've had their methods right all along, but what they're currently saying with them doesn't make sense. it's the french all over again; the words can be translated, "but you understood me!", but that doesn't mean that it makes any sense.

[dkettchen]

someone tagged trans sanji as cis swap and I blocked them on sight smh

[ratatatastic]

woe a clear picture of lars shaved face thats not in shitty barlights be upon ye

6.29.24 (x)

[sideblogdotjpeg]

also. while im here. something something about. both callie and calder, whos characters have been heavily shaped by feeling lesser than their family, in the ice knife arc, learning that from the start their family had always known them to be destined for greatness. for better or for worse

[paulmccartneymybeloved]

the ONLY thing I don't like abt being a beatles fan is whenever you mention them people go 'did you know that john beat his wife?!?!?!?!'

1. like... have you heard of recognising that ppl can have done bad things and also good things? I am fully capable of recognising someone's good traits and bad traits

2. like the celebrities they like are perfect? most people who are famous have done a bag thing if not multiple but sure let's all gang up on someone who is dead who before they died tried to make the world a better place because they recognised that their behaviour is the past wasn't good

ALSO, it was the 1960s! sure, it wasn't acceptable back then either but things were different

I know people who like celebrities who hit their spouse in the last 15 years and its those ppl who have a problem with john lennon, my sister for example

[gouinisme]

i've gotten it into my head that i should do a drag king jonny d'ville makeup for a con next week (i dont have any clothes even vaguely resembling him and in bdg's words if i cant be accurate i sure as hell am gonna be extra) but 1) i'm scared and 2) i'd have to do the makeup (at least the facial hair) outside of my house and idk how possible that would be

[satturn]

advantage of doing a last minute gideon nav costume is that if the makeup looks messy it's in character

[unknownryoko]

My friends roped me into making a mlp oc.

[saiimonellaboy]

I really love Jonesy!! I originally saw him in the discord for the mfpnp roblox game and then I saw him in the mfpnp tag and I got so excited!! :-D it's so cool seeing somebody have an amalgamated oc!!!

Omg thank you!!!!!!! :DD

[garlic-the-gnome]

top ten scariest bee keeping moments!!!!

[floorpancakes]

i will say that every so often i get a response to The Quiz that's like 'i dont know anything about idols but i didn't know how to answer some of the questions because they were about the idols that's so stupid' and all i could say to that is lol

like its on the label buddy idk what ya expected little guy

[dkettchen]

I went to chinatown today and finally managed to find some gochujang sauce

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[pearl-tarotist]

₊˚ପ⊹ Chose a pile: PACs that I never ended ༻¨*:·.

In this Pick A Pile, I bring different piles of various tarot readings that I never ended/ write more than one pile each.

It's random piles that focus on various areas, none of them are +18. I hope all of you enjoy it!

Not all those who wander are lost.

PILE 1: What will your future spouse find beautiful about you?

They like how intensely you are you. They are at aw that no matter how many styles and physical changes you go trough, there’s something unchangeable.

They ardently enjoy the look on your eyes, they think that they are always recognisable. Firmly, on the quote “the eyes are the window of the soul”.

They do also enjoy the touch of your hands, they like how soft they feel and how they can engulf your hands with theis. They like how, sometimes naughtily , you trace their skin with the tip of your fingers.

There’s also a freckle, for some, close to the eye or upper lip, that they enjoy kissing.

With the moon card, they enjoy the part of you no one can see, yes, emotionally and physically-wise. Emphasis on the chest zone. Your future spouse is always eager to see you naked. They deeply enjoy seeing you in the “purest” way, naked, with no make-up, no clothes nor masks that can hide who you are.

They are fond of your curves, the softness and the reaction of your skin, they could enjoy hugging you so hard that they leave some redness on you. You are just too cute not to annoy a little bit.

They also see behaviours on you that they find beautiful. You are strong and mature. They will feel safe around you. They could see you and think you are the perfect person to build a family with.

“There is nothing more beautiful than seeing a person being themselves. Imagine going through your day being unapologetically you.” (Steve Maraboli)

(4oP - The Chariot - The Moon - 10oP - King of Shells - Queen of Gems)

PILE 2: Your life as a fairytale

i.-Your “new” self: skills, magic.

  In a fairy-tale you would wake up in the middle of the night to be the underdog.

You would live in a big city, surrounded by commerce and loud noises, probably, a coastal city. Technology has no place in this city and you constantly hear stories of dangerous sea pirates and magicians. You like to watch through your window how people make business and speak to each other… to understand the real self of all of them… to not suffer the fate of being betrayed. Your skin holds a golden tone due to the sunlight and your cheeks are always sun-kissed. You dress with flowy clothes and leather boots.

You walk through people as a ghost, comfortable on seeing and on not being seen and when you found yourself involved in any drama you unroll the drama enough to end in the position that you want.

              In dangerous situations you would be forced to use your cleverness and intelligence to survive the obstacles of your adventure.  You would have to decide what you want and which option to choose even when both options are dangerous and unfavourable. There wouldn’t be time to smell the salty air of the shores nor to pay attention to the sand between your toes. Self-reflections and risking decisions are your thing. “For the skin of your teeth” would define your path and personality.

Surviving, barely, everything.

Your skills would involve: wittiness, the observation of details no one else sees, always being two steps in front of everyone and in general: finding the answers no one could have found. When someone asks for the answer to the riddle, you will be the only one answering.

“ What goes on four legs in the morning, on two legs at noon, and on three legs in the evening?”

When everything’s lost, you save them.

ii.-Your group of friends:

You have lost friends along the way in this fairy-tale. Some adventures ended and you had to return to your normal life and your daily projects. You do not keep contact with them on the regular, but sometimes at night you stay under the moon’s gaze and think of them. To the ones you can see and the one you are not able to reach.

At least two of them are fine and you can see them from time to time. Once you saw him in the market corner, convincing someone to make an unfavourable business, you smiled and thought about how they have not changed.

Then, you saw her, dancing heavily and breathless in the bar with a little child, hair messy and a smile that reached her eyes. Her skirt flowed graciously at the sound of the music and the cracks of the fire. She saw you looking and asked you to dance with her but you were tired, so you just sat down in a chair drinking a soft drink.

To the ones you have lost, you think about them at night, thinking about if you could have saved them if you had done things differently. You know you need to stop this self-pitying, but you are not ready yet to let them go.

iii.-Your lover/companion of life:

Your lover was a breath of fresh air, he was the beginning that you needed to leave all the pain and sadness behind. He is happiness and a reason to drink… to cheer for the Gods that have put both of you together and have made your cups full of love.

He is a warrior, always ready to defend you and to take care of you. Reckless and unafraid, your lover stole your heart without doubts. In the same way he charges for battle, he charged for you… You love the warmness of waking up in his arms and the coldness that leave your body when he hugs you at night. He cleans your cheeks with affections when you get dirty and is not afraid to argue with you if it is for your well-being.

You have found stability and the person you do not need to convince to stay, he has chosen you.

 2 of swords //The moon + 5 of Cups// Ace of cups + knight of wands.

PILE 3: Shufflemancy:romantic messages 

۵♡۵ Let’s forget about the problems, worries and economical issues. I just want to party and enjoy this beautiful night with you. Let’s forget about anything else that’s just not us. (Time of our lives- Pitbull).

۵♡۵ I want to have a date with you at the beach, next to the water, let’s have the perfect summer date. (Water-Brad Paisley)

۵♡۵ I just want you to be mine, but I know we are not together. That’s why I hate when you keep secrets from me. I worry about every guy you set your eyes on. (Secrets-The weekend).

۵♡۵ I am going to try my best to earn your trust as it seems that you have trust issues, but I cannot do it if you give up and start going after every guy you want because you get bored of the routine. I am also getting tired. (Emergency -Paramore).

۵♡۵ If maybe…I stoped chasing you, would you come to me? Would you lay next to me? Just like butterflies… (Chasing cars - Snow Patrol).

۵♡۵ I don’t want to be friends, I want the all or nothing. I don’t know how to make it more obvious to you, please understand. ۵♡۵ I wonder why you let me get to close to you if you were just going to push me back. I do wonder too if all your words and what you said was a lie. (Fingers crossed - Lauren Spencer Smith).

In general there is someone kind of disappointed about the fact that you decided to break up with them or just stop talking to them; this person is definitly still into you but it’s unable to handle all of your trust issues. This person still thinks about you daily.