#and nero i guess

[poliodeuces]

random talking abt life i guess but there's one thing, or two things maybe, that i like abt having a Real Job which are 1) money 2) getting to socialize bc that's smth i barely do in recent years. however i really miss just being holed up in my room and drawing and not having to think, im gonna have to leave the house for six days in a row, then crashing to a day off where nothing happens but doing laundry which to me, is just like doing work again...the worst part though to me is still the only one day off...it's miserable

ive been squeezing some time for art when im not too exhausted, and lately ive been obsessing over mhyk's weird twins, bc of course...it's always the twins...

the twins to me are like this passage from pzb's wormwood, in the very first short story

[sammakesart]

I am having thots about Illario Dellamorte

[chaoticcatbehaviour]

I personally think it's Lucius because it would be ironic that he tried to stab his own father but oh well...(Also Lucius means 'light' so that's another factor)

I'm so unwell about them someone Help me please

Ignore my ranting in the tags

[getvalentined]

Decomposition Versus Dissolution: The Breakdown of Bodies in Final Fantasy VII

Warnings for discussion of death, dead bodies, and the desecration thereof, as well as references to digestive and gastrointestinal processes including illness. Features images of dead fictional characters and spoilers for basically the entire Compilation.

This is something I've been chewing on for quite a while, and this post is a bit of a doozy because of detailed examples cited to indicate support for this interpretation. It doesn't work 100% of the time, but it's consistent enough that I'm comfortable personally accepting it as accurate enough, and talking with @skadren about it earlier gave me the impetus to finally organize it well enough to put out into the public sphere. Consider this my personal standard model of Gaian decomposition—if and when we get a better canonical explanation, I'll take it, but for now this works for me, so maybe it'll work for you too!

In the world of Final Fantasy VII, there are four possible outcomes after the death of an animal lifeform:

Decomposition – Organic breakdown of physical remains over time after death, as seen in the real world.

Dissolution – The energetic breakdown of physical remains at the moment of death.

Delayed Dissolution – The sudden energetic breakdown of physical remains at some point after the moment of death, prior to the onset of traditional decomposition.

Rejection – Cases in which the remains neither decompose nor dissolve, physical remains left intact and energetic remains unabsorbed by the Lifestream.

Floral and fungal life appear to be subject only to decomposition, while the outcomes for native microbial and viral lifeforms are unknown. This piece considers all fiends, even those with characteristics similar to floral lifeforms, to be animals, although it's more likely that fiends in-universe comprise their own unique clade on the tree of life.

There's very little information within canonical lore to even directly imply the determining factors for any given outcome, but we can gain insight on these factors by noting when and where a given outcome occurs.

We do have to accept that some instances are based entirely on game mechanics rather than on any lore, as sometimes the field needs to be cleared in order to maintain the gameplay experience, but the fact that we see all of these in cutscenes through the series make it clear that it isn't only a game mechanic.

Based on known instances, prerequisites appear to be as follows:

Decomposition occurs in lifeforms with no or low mako exposure, or with a unique connection to the planet. These remains are able to rot naturally, as that's the most effective way for their remains to feed Gaia's life cycle, helping to "feed" the planet physically as well as energetically. If we consider the reabsorption of living things in terms of digestion, this would be equivalent to consumption of a so-called "whole food." We can assume this is the case based on the existence of livestock within the FF7 universe, and the known canonical instances of this outcome:

• Ifalna – body dissected by Hojo. (source: FF7R)

• Seto – body petrified and intact in Cosmo Canyon (source: OG, FF7R, OTWTAS)

• Aerith Gainsborough – body put to rest in water. (source: OG, AC)

• Dyne – body buried by Dio. (source: FF7R)

• Melphie Kusakabe – body found by Sonon. (source: FF7R)

• Kalm and Nibelheim locals – bodies used in experimentation. (source: OG, BC)

• North Corel and Gongaga locals – bodies buried by other residents. (source: OG, FF7R)

• Wutaian NPCs – bodies found outside Nibel Reactor. (source: FF7R)

• Rhadoran NPCs – bodies buried by Sephiroth. (source: FF7EC)

• Mr. and Mrs. Rhapsodos – bodies buried by Genesis. (source: CCFF7)

• Unnamed Turks – bodies buried by Genesis. (source: CCFF7)

• Most non-fiend animals – The presence of meat makes this pretty obvious. (source: OG, FF7R)

Dissolution occurs in lifeforms with moderate to high mako exposure, presumably due to energetic destabilization at the point of death rendering the remains much easier for the planet to reabsorb. Following the same digestion comparison as above, this is similar to the human body's accelerated processing of refined sugars as compared to raw sugars or whole foods. This also appears to occur based on the will of the planet, but the these cases are extremely rare, with only one known occurrence.

We can assume this is accurate based on the following known instances:

• Grimoire Valentine – body began to dissolve while still alive but actively dying, disintegrating entirely at the moment of death. May be a special case due to cause of death. (source: DCFF7)

• Lazard Deusericus – body dissolved at the moment of death. (source: CCFF7)

• Secondary Project G Subjects – bodies most often seen to dissolve at the moment of death in both gameplay and cutscenes, except in rare cases discussed below. (source: CCFF7, DCFF7)

• Midgar locals – implied by the dramatic lack of corpses following the Sector 7 plate drop. (source: FF7R)

• Shinra employees – implied by the dramatic lack of corpses following Zack's last stand, as well as the presence of equipment but no bodies in Nero's training room. (source: OG, CCFF7, FF7R)

• Various fiends – shown to occur in both gameplay and cutscenes. (source: CCFF7, DCFF7, FF7R, FF7EC)

• Kadaj – body began to dissolve while still alive but actively dying. Dissolution appears to have been based on the will of the planet rather than energetic instability. (source: AC)

Delayed dissolution occurs when the remains have been subject to certain types or levels of energetic corruption, even when paired with high levels of mako exposure. This appears to occur either due to an inability for the planet to reabsorb the remains immediately, or because of a partial rejection from the Lifestream.

Energetic corruption in the world of FF7 is stored in the Void and eventually consumed by Chaos, as shown in Dirge of Cerberus; it's safe to assume that these delays occur due to Chaos being more or less unavailable during the course of known canon, having been removed from its post in the mid-1970s and hosted in Vincent Valentine's body in the early 1980s. This explains the growing pollution of the Lifestream during the course of canon, as the planet's primary filtration system is missing or damaged until after Omega's premature awakening, but the energy in question is still compatible with the Lifestream to a high enough degree to eventually be reabsorbed.

Following the digestion metaphor established earlier, this would be similar to eating heavily processed or partially spoiled food with a damaged gut biome, leading to slow digestion, discomfort, and eventual illness.

These cases are slightly more difficult to confirm, but are proven to occur via cutscenes and narrative in the following instances:

• Zack Fair – body persisted long enough for Cloud to collect himself and leave after a year of catatonia, but neither present at later visits to the location nor indicated in any source to have been recovered following his last stand. Shown to have been "taken" by Angeal, although this may have been strictly thematic. (source: OG, CCFF7)

• Angeal Hewley – confirmed by Hojo's statement via mission brief that his body was not recovered, in spite of having persisted after death in Modeoheim. (source: CCFF7)

• Gillian Hewley – unconfirmed but presumable based on the persistence of her body during the razing of Banora and the delayed dissolution of all primary and some secondary Project G subjects. (source: CCFF7, FF7EC)

• Professor Hojo – as shown in the screenshot at the top of this section. (source: DCFF7)

• Lucrecia Crescent – indicated by her body's persistence even as her energetic remains have been slowly eroded by the Lifestream over time, even after her initial rejection from the Lifestream similar to discussion below. (source: OG, DCFF7)

• Secondary Project G Subjects – most notably a handful of Copies from both Genesis and Angeal. This may be based on their manner of death, as Copies killed in the presence of Sephiroth seem to persist for a time, while those killed elsewhere do not. (source: CCFF7)

• DeepGround SOLDIERS – shown to leave corpses persistently enough for Nero to play with them in order to scare his opponents, but indicated to eventually dissolve based on the presence of damaged gear but lack of corpses in Nero's training room. (source: DCFF7, FF7R)

• Various fiends – shown to occur in gameplay and cutscenes. (source: CCFF7, FF7R, FF7EC)

• Various NPCs – energetically only, shown to be incapable of disseminating into the Lifestream after death due to some polluting action or affect applied during life. Should not be confused with rejection, discussed below, as the energetic remains of these lifeforms will eventually dissolve properly. (source: DCFF7, OTWTAS)

Rejection is the most rare outcome following death, at least with regard to physical bodies; energetic rejection is slightly more common by volume, but only because of one very large group energetically rejected by the Lifestream at a point several thousand years pre-canon.

Rejection is only indicated to occur for one of two reasons:

Incompatibility with the Lifestream itself.

The will of the planet based on necessity.

In cases of incompatibility, it's similar to the concept of mixing oil and water, two materials that will always eventually separate if not subjected to a chemical change to allow incorporation. With regards to the will of the planet, this occurs when the subject in question is integral to the continued functioning of the planet itself, and can't be allowed to remain physically decomposed or to energetically disseminate. To complete the metaphor of consumption and digestion, rejection via incompatibility would be instances of eating materials that can't be digested and should be ejected from the body, while rejection due to planetary processes is similar to swallowing something important and intentionally inducing vomiting in order to reclaim the item in question.

There are only six known cases of complete rejection, and one population-wide case of strictly energetic rejection:

• Jenova – complete rejection, body in usable condition with will intact even thousands of years after death. Remains persist in usable condition even years after destruction of main portion just prior to Meteorfall. Rejection appears to be caused by incompatibility due to extraterrestrial origin, as most individuals with Jenova infection, even severe cases, are eventually capable of dissolution to some degree. (source: OG, AC, FF7R)

• Sephiroth – complete rejection, body mostly intact and will fully intact five years after his death in the Nibelheim Incident, with will remaining energetically active even after final destruction of body. Body also capable of being reconstituted based on force of will. Rejection presumed to be caused by incompatibility due to Jenova's extraterrestrial origins. (source: OG, AC, FF7R, OTWTAS)

• Vincent Valentine – complete rejection, body regenerates and reconstitutes after death on multiple occasions. Originally serving as host to Chaos—a Weapon—the powers bestowed by this role persist even after its consciousness returns to the planet, proven by Vincent's return to form in Chaos' cave following complete physiological destruction during his last stand to stop Omega. This repeated rejection from the Lifestream, both physically and energetically, implies Vincent's position postcanon is that of Chaos' successor, not its container, rendering him integral to planetary processes. (source: OG, AC, DCFF7, OTWTAS)

• Cloud Strife – complete rejection, rejected from the Lifestream and healed of mortal wounds and illness multiple times. Rather than being due to incompatibility based on his S-cell infection, Cloud's rejections being fairly gentle—similar to Vincent's—seems to imply he's integral to planetary processes, presumably due to his unique ability to subdue Sephiroth. (source: OG, AC)

• Nero the Sable – complete rejection, body reconstitutes in the Void upon death while will and energetic remains persist on multiple occasions. Genetic relation to Chaos through use of corrupted mako in his conception presumably lead to him being viewed as equally integral to planetary processes, even if this may not be the case. (source: FF7DC, FF7R)

• Weiss the Immaculate – complete rejection, body persists even after death with will intact in spite of assumptions to the contrary and canonical complete energetic purity. Rejection appears to be due to his position as vessel of Omega, another Weapon, which renders him integral to planetary processes in much the same way as Vincent Valentine. (source: FF7DC)

• The Gi – energetic rejection only, affecting the entire species, although some bodies appear to still be intact in Cosmo Canyon for use in merit trials; possibly reconstituted through force of will, but more likely maintained by locals for cultural reasons. Rejection is due to incompatibility with the Lifestream, as the Gi are extraterrestrial lifeforms much like Jenova. (source: FF7R)

Again, there are instances that go against this interpretation, although those primarily take place in gameplay rather than in cutscenes or narrative, lending credence to the concept that these exceptions are based on game mechanics rather than lore.

If you read this far and this speaks to you, great! I'm glad I was able to shed some light on this particularly confusing fictional subject! If you read this far and this doesn't speak to you, that's also fine! Implications within canon don't necessarily make a particular interpretation the canonical one, after all.

Either way, thank you so much for lending me your time—I hope it was an enjoyable read, if nothing else.

Source Key: OG - Final Fantasy VII (1997) | AC - Advent Children (2005) + Complete (2009) | BC - Before Crisis (2004) | DCFF7 - Dirge of Cerberus (2006) | CCFF7 - Crisis Core (2007) + Reunion (2022) | FF7R - Final Fantasy VII Remake (2020) + Rebirth (2024) | FF7EC - Ever Crisis (2023) | OTWTAS - On The Way To A Smile (2004, 2009)

[storytellering]

It's that time of the year again ✨

[mustelavison]

hello tumblr i made these like over a month ago i just forgot to post them because majority of art i make i throw to my friends and then later im like Oh yeah i have a tumblr! and then i post it to tumblr anyways what if instead if devil may cry it was dragon may cry and they turned into cool dragons instead of devils

[sheetzking]

hes so iconic to me :3

[disquiet-dream]

it's kind of funny how Artoria's whole Deal has basically led to the big main sabers clearly based around her all being more or less textually nonbinary, even if other works don't always take it so seriously

Nero's explicitly states she considers herself to be both male and female even if she presents female, Mordred has all that shit going on, and Takeru is literally, explicitly, nonbinary and seems to not care in the slightest how they're perceived

somehow "assigned female at birth, assigned male at sword, basically counts as trans in my heart but not really in the text" is the least genderful situation of them all, both in terms of how much it impacts the character and how much it actually like, matters to the text

it's fun!

[skrittkicking]

charr body types for practice, rambling nonsense under the cut

ive been trying to get better at drawing more varied body types for a while now and i think ive still got a long way to go but im getting there. fat and muscle definition werent something i bothered to learn for a long time because all i wanted to draw was twinks and dragons ... but in the last year or so ive really been pushing myself to do better. i think learning to draw different body shapes is really important and improves your overall anatomy skill by a mile, its also just really fun for me to think about how fat is distributed across the body and affected by gravity and all that stuff. bodies in general are my favorite thing to draw and what i spend the most time sketching

ok enough word vomit lets talk about my ocs

iovitus is supposed to be built more like an athlete, but im not sure i got that across very well. they're still skinny and comparatively twinky next to their fellow cats, but still strong and in good shape. after they left the legions they didnt really bother that much with the upkeep of their figure, but since theyre focusing more on mercenary work again they've been better about it

most of iovitus' muscle is in their shoulder & back, as their weapons of choice -- longbow and throwing axes -- require a lot of strength in that area. theyre very triangular shaped & top-heavy, with a broad chest & shoulders, thin waist and narrow hips. skipped leg day :/

nero is supposed to have sort of a dad-bod type of build. i changed a bit about his design as ive been tinkering around with his lore recently. she was always supposed to have some tummy to her, but i dont think i drew it very well in the past. i think a dad bod is very fitting because she is one after all

i also wanted to make her blind eye more obvious because i kept forgetting about it whenever i drew her so umm sorry babe. still need to come up with an explanation as to why it happened! was considering having him just born with it for a while, but i love scars and scary traumatic events so... sorry nero

in spite of the good layer of fat he's got on his body though, nero is very strong and muscular underneath it all. his warband doesnt do a lot of combat stuff anymore but he's still working most of the time and takes good care of himself. juicy thighs btw

ruckus... i dont have much to say about. i love you babygirl

she's so much taller than everyone else.... its difficult to notice in the line-up as they are, but i wanted to see so i lined them up in front of one another and. well. ->

look at her. and iovitus. why are you so small??

finally, lia! she's still small in comparison to most other blood legion charr, but she makes up for it in her strength. or, well, she might've in her younger years; at her current age she's definitely lost a lot of that muscle definition just by the nature of aging

thats not to say she's weak, though. she can and will definitely fuck you up if you try her

her burned arm is her main weak point. it was burned severely enough where the muscle and nerves were permanently damaged, resulting in a lot of stiffness, uncomfortability, and chronic pain. the movement in that arm is limited and she has to guard it closely if she's ever in a scuffle

i think in general a lot of muscle definition for charr is lost just cause they have fur to cover it up, evident by the fact you cant really see a lot of it on the in-game models. or at least thats my excuse for not knowing how to define muscle with lineart

[i-cry-everytime]

No matter what the subject, JoJo characters will be seen.

[mitsuidaisuki]

Ah yes. I ship them

[goldenshrikecomic]

What was the hardest part of writing the main characters ?

Characters like Nero have been my flagship for years, so he's super easy. Nothing about him has been hard to write.

Runi was harder because I too am one of those people who have found it hard to write or relate to female characters due to weird girl prejudices set upon me in my early life. There was this trend of making girls super cool girlbosses who don't fall in the built norm of pink ribbons and flowers, and it rocks, but I didn't want Runi to be cool or blunt, I wanted her to like flowers, and be kind and smart and bit of a nerd. I think my biggest fear was people thinking she's just a crutch for dumb and impulsive Nero, the voice of reason, there just to put the male protag on a pedestial. I was afraid she'd be boring, but I quickly realized she isn't. She's my baby.

With Kasko I knew I wanted someone who could light the mood, because in the end the story can get dark. Writing his deceptive side was hard because at that point I hadn't fully created his background and I didn't know how deep is wounds went. I also saw a lot of Kasko hate at that point and was briefly scared I had ruined him completely.

Boneslav... I wanted him to be serious and unexcitable, but not cool-cool. I can't stand characters whose whole demeanor is cool and they're never shown breaking down or losing their nerve. Bones looks mysterious, but when he opens his mouth he's not very smooth at all.

Usma is another hard one. I HATE that I made her an albino because I later realized it's very common to make female animal characters white, or at least light. I just wanted something easy to color since there's a lot of characters at this point! Because she has fewer scenes, I haven't gotten to write her as much and I'm not as deep in her head as I am with others'. She's gentle, shy, victmized, which is not an original combo, but there's more. I'm excited to see how she shapes up later.

Writing Antaras makes me feel like a tightrope walker.

[deus-and-the-machina]

you know the contrast between how Vergil is presented vs thinking too hard about Vergil’s story is pretty funny. Man’s reputation is this iconic badass, the pinnacle of what video game rivalries can be, the coolest guy to play as, the guy who breaks every game he’s added to,

and then you go to the story and like. man’s lost his free will and autonomy at 19 and then came back a fractured man half of which was a lovecraftian eye beast the other half of which was a chronically ill goth man. and then he reunites and hes in like his 40s now I believe but legit the last time he was actually in a game where he wasn’t being mind controlled when he was 19 which is both sad but also thinking about how this guy who’s considered one of the top badasses of gaming has never really lived life outside of being a teenager.

Anyways this is the secret comedic potential of post DMC5 for Vergil because not only has the human world probably changed a fair bit in terms of technology, if he’s sticking around Dante he’s gonna actually have to learn in depth how taxes and grocery shopping work. Amazing.

[thealatvs]

post-canon au. kyrie begins singing again to support her family, dante joins in on the fun (i will die on this hill of dante being the musically gifted twin: he’s a producer of art while vergil is a consumer of art). they’re unsurprisingly popular, at least in fortuna, and are able to get some live concerts every now and again. nero always attends kyrie’s concerts to support her (and dante, though he wouldn’t want to admit that). vergil also always attends, at first because of dante pestering him, and then because he genuinely enjoys their music despite it not being his genre. i also chopped off kyrie’s hair to match nero.

[minticecodes]

I'm slowly getting through devil may cry v and got inspired enough to doodle again. Sure they aren't polished but I love looking at others' sketch dumps, it's like looking at a smorgasbord of ideas. So here you go. Read more for close ups of the other doodles. The ID in alt are the same as written in the text.

[I.D. Digital art. A boy in a shirt hoodie, Nero, sits cross legged as he leans backwards to smile up at his companion. Said companion is a tall horned knight, Nelo Angelo, kneeling behind Nero. Nelo gazes to the side, but braces his broadsword by Nero, and his cape drapes around where Nero's sitting. Nero is rendered in light blue and red, Nelo is rendered in light blue, and they're brightly illuminated. End I.D.]

(Was thinking of 'Love Seeketh Not Itself to Please' by Indigomoods on ao3 while doing this one).

[I.D. A number of digital art sketches, most prominently featuring Dante and Vergil from the Devil May Cry series. From top to bottom, right to left:

Headshots of two boys, Dante and Vergil. Short comic of a man (Dante) ruffling a boy's (Vergil's) hair. Sketch of two boys on a couch, one (Dante) looking concerned at the other (Vergil) in foetal position. Branches curl under the couch. Sketch of child Dante and Vergil in red and blue, running hand in hand. Thumbprint sized chibi child Dante and Vergil. Nero and Nelo sitting together.

Semirealistic headshot (DMCV Vergil) in blue. Boy (Dante) curled in a fire, and fire demon (SDT Dante) gazing at his palm against a black background. Loose sketches of a man's head, roughly scribbled out except one, and an angry cat with a sword. They're labelled in blue and red writing. Side profile of a young man in blues (DMC3 Vergil), face shadowed, a yellow ribbon curled in the background. Side profile of DMC3 Vergil. End I.D.]

[I.D. 4 black and white digital pen cartoony sketches of child Dante and Vergil. Head and bust shot of a boy with slicked back hair and black turtleneck (Vergil) looking right. His brows are furrowed, eyes narrowed; he looks unimpressed. Below is a head and bust shot of a boy with shoulder length hair and white shirt (Dante) looking left with wide eyes and a fang toothed, wide grin. Centre close up of a cloaked boy (Vergil) glaring up, brow furrowed. His hair hangs over a shadowed face. One narrowed eye is visible. Right sketch is of a cloaked boy (Vergil) hugging a book to his chest, referencing a Visions of V panel. His one visible eye is wide as he gazes down with a small expression. End I.D.]

[I.D. Coloured digital art over a black background. Two panels. Panel one is child Dante, arms hugging his legs as he sits within a fire raging around him. He's buried his face in his arms. Panel two is an adult Dante in his demonic SDT form. He gazes down at his clawed hand while the fiery core in his chest glows as the main source of light, casting shadows and red light against his armoured form. The tips of his claws seem to glow in the reflected light. End I.D.]

[I.D. Messy sketch of child Vergil and Dante, running hand in hand. The two look at each other with smiles, Dante with a wide grin and Vergil with closed lips and determined brows. Their full expressions aside from the smile cannot be seen; Dante's hair whips back and covers his face while Vergil's face is eyeless. They're softly rendered in light blue and red, and bright lighting. End I.D.]

[I.D. Messy sketch of child Vergil and Dante sitting on a couch, shot from behind the couch. Dante directs a concerned gaze to Vergil, his hand braced on the couch back as he leans closer. Vergil only looks down. His arms are curled around his knees. From the angle, his expression cannot be seen aside from a small frown. Under the couch slithers Qliphoth tree roots. End I.D.]

[I.D. Chibi doodle of child Vergil and Dante, holding hands. Light blue and red ovals were airbrushed on the page, and a pen lined out their features. They have round cheek patches, like budgies. Vergil has a cartoony pout and a book tucked under an arm, labelled with a V; Dante has a toothy grin and is making a bunny ears hand sign. End I.D.]

[I.D. 'DANTE' is evenly block printed in blue pen. Underneath are what looks to be the start of three portraits of Dante in black pen, but they're roughly scribbled out. The most detailed of the three scribbled out portraits is Dante's grinning side profile. He had sunglasses on. The only intact portrait is a shot of Dante from behind, from the chest up and face not visible aside from a grin. Carried on his back is the Devil Sword Dante, rendered in more detail than Dante.

Meanwhile 'VERGIL' is written in orange/red pen, but strikethroughed. Written above instead is 'PURR-GIL!!', an arrow pointing at a doodle of a cat holding a roughly drawn katana(Yamato). The cat is grimacing with furrowed brows. It has spiky fur on its head, a spiky curled tail, a thorn pattern on its arms resembling Vergil's coat sleeves, and fat round blushy cheeks. End I.D.]

[I.D. Semirealistic rendering of DMCV Vergil from the neck up in three quarter view. He's painted in blues, with soft red shadows. He glares at the viewer, brows furrowed. His irises are a soft red, and he has eye bags. His lips are somewhat glossy. To the side is the blue color palette. End I.D.]

[I.D. Stylised depiction of DMC3 Vergil glaring downwards in profile, from the chest up. He's rendered in blues, his face shadowed from the light against his back. Running over his skin are cracked gold lines, reminiscent of kintsugi. In the background curls a yellow ribbon in the same gold. He's wearing a sleeveless turtleneck and cravat. End I.D.]

[I.D. Stylised black and white lineart of DMC3 Vergil glaring in profile, lips sneering, from the neck up. He's in a coat and cravat. End I.D.]

[I.D. Messy comic.

Panel 1: DMCV Dante ruffling child Vergil's hair. Dante's face is out of the panel

Vergil (grimacing): "Dante!"

Panel 2: Vergil's staved off the hair ruffling, lifting up Dante's hand with both his hands. His brows are furrowed as he looks up at Dante. In the background is a laughing sound effect, that tapers off. 'HA HA ha...'

Panel 3: Adult Dante gazing down at child Vergil, arm hovering over him. His expression seems sad, despite the small smile.

Dante: ... I missed ya, Verge.

Vergil gazes up at Dante, a small question mark by his head. End I.D.]

[moghedien]

Christians who think that studying = memorizing something without understanding history really hate the “yeah we actually know that the book of revelations was about the Roman Empire and 666 literally translates to Nero. If you put it all in its historical context it’s pretty obviously a revenge fantasy and not an end times prophecy” vibe I bring