#and neither is opal

[alexandersimpleton]

Also feel free to rb or comment I would love your thoughts and ideas

[bread-wizards]

I actually think Dorian and Orym should fight more.

Remember when their slowly building tension over and entire episode (full of passive aggressive remarks and blame throwing) led to threats? And how after, Orym thanked Dorian for handing over the crown sadly because he knew Dorian would be mad at him? And Dorian couldn't even look at him because he was legitimately hurt, thinking Orym was disappointed in him for doing what he thought was right? That was peak.

The fact they went from that to their current closeness and trust is the best part of their entire dynamic. Their relationship was hard fought and still will be. They will fight for it because they respect and care for one another deeply, and their disagreements don't change that, only improve it.

[sincerely-sofie]

Thought about it for 2.5 seconds and realized 75% of Twig and Ark's children all came from anonymous asks. Seriously. Opal, Spindle, AND Ruby originated from these things. Manaphy is the one exception. These asks are pretty much the stork of my PMD-verse at this point. What on earth.

[dent-de-leon]

A soul split into pieces--learning to better understand themselves, to love themselves through each other--two halves becoming whole again. How much Opal and Ted's background echoes Molly and Lucien's own heartbreaking story, how these souls that were broken apart still reached out to each other when they needed it most--

I would love to see if Kingsley ever got to meet other followers of the Luxon like Opal. I feel like maybe it would make him feel less alone, especially when he's caught up in all these fractured memories across past lives--

[opal-owl-flight]

Few things drive me to absolute pissbaby mode like someone interrupting my splatoon matches or someone eating my FUCKING MACARONS

[incorrectskyrimquotes]

opal and brynjolf have some Moments before she "dies" and then shes alive and then karliah is all "nightingales shouldnt be in love with each other" and bryn and opal both kind of try to distance themselves from each other except they literally cannot do that bc theyre BOTH the guildmasters (which puts them as very very very tired parents to the rest of the guild)

[bluejaybytes]

@snowshinobi Hiiiii :3 I'm responding to your tags on a new post and not the original since the original was already somewhat lengthy, and I plan on being LONG and RAMBLY, but I have sooo many thoughts on what you said and I'm going to say them. Also my browser crashed TWICE (TWO TIMES. 2) when trying to write this post so I'm really fighting for my life out here to get my silly little OC posts done. Also it's under the cut because it's looooong as hell LMAO

Firstly, you're so nice to me forever <3 Secondly, I think you've basically hit the nail on the head. The majority of the issues Maggie has coming back from death and her 9 years gone are really tied almost exclusively to her close family, because she... never really had anyone else. While in-universe it's only 9 years, realistically the jump in technology and culture is around ~20-30 years (Maggie died in the 90s/early 2000s essentially, and wakes up in a just barely futuristic city), but... the most jarring thing to her in terms of what she missed out on is just. Flipphones are no longer popular. Other than her family, she's only close with one other person... who just so happens to be a ghost, and therefore both 1. Wouldn't change much over the timespan due to how long she's been a ghost and 2. Unlike her family, was aware that something happened, since she could see the ghost-of-a-ghost Maggie left behind (The ghosts name is Opal, she positions herself as a sort of "guardian angel" figure, though she's not actually, and serves as just another parental figure for Maggie while also getting after the ghosts that constantly harass her to pass on messages to the living). Maggie has no real relationships outside of her family, and while her relationships with her family are massively impacted by her unknowing death, other than that... the timeskip itself doesn't weigh on her because she had no one regardless. Her struggle to adjust to everything thats happened would've happened regardless of the timeskip for her, because she was such an isolated shut-in that it's the same whether it happened the next day, or nearly a full decade later

So another very interesting thing is that you've actually completely seen where I was going with everything, in spite of everything I said being very surface level and not actually delving into the plot at all. I completely skimmed over Jenna (She's very important to the plot, but she's by in large a regular person as opposed to Maggie's... everything), but for some additional context, Jenna has a horrendously shitty homelife, so her moving in with Maggie is both a gradual process (It goes from spending time there, to spending nights, to eventually just never going back home and moving in fully), and also serves as an escape for her. Part of that is also, so vitally, the food aspect. For some additional additional context, souls essentially serve as a persons lifeforce, practically every bodily function is improved by a soul that's stronger, though the "strength" of a soul is essentially entirely random, and not dependent on the individuals actions of any kind. Maggie had a generally weird soul before (Seeing ghosts inherently means she has to have something going on with her soul), but when she wakes up after her death, her soul is now even weirder, and part of that is that it essentially lets her get away with bad habits she absolutely should be seeing more consequences for. She barely eats, and when she does, it's basically exclusively crackers and whatever other safe foods she has around the house, because actually making food is a level of care and effort she just... doesn't give to herself in the slightest. Part of Jenna staying with her is that Jenna, without really discussing it, entirely takes up the mantle of caretaker of the apartment, with the biggest task being food prep, Jenna sees Maggie's unwillingness to take care of herself and silently steps up and starts making her actual meals so she's eating properly.

The problem is is that this also kinda... just straight up sucks? Jenna doesn't think much of it, it's something that needed to be done so she's doing it, she wants Maggie to be well fed even if she won't do it herself, and she's already been responsible for making all of her own meals for years prior anyways, so it's just another thing she does. Except that's shitty! Maggie's seen firsthand how terrible her homelife is, and it really weighs on her how even in her escape from that, Jenna's still being put in a position where she feels like she must care for her or else she just won't eat properly. So food is such a massively important thing to both of them, it's this symbol of love for both of them, it's love on the part of Jenna, for stepping in and taking care of Maggie when she can't do it herself, and it's love on the part of Maggie, for realizing how her own bad habits impact the people she cares about and wanting to lift that weight by taking care of herself better. It's also very vital for Maggie because she just... doesn't... have hobbies. Learning how to cook becomes really her only hobby and she puts all of her love and care into it, because for the first time in a long while she's actually passionate about something! ...Unfortunately she also is very very bad at it. She's inventing new dishes like "Burnt Salad" and "Please Help I Fucked Up Kraft Mac N Cheese" and still having to have Jenna come in and help her. But it's the thought that counts, and it'll only be a matter of time before she can make something vaguely edible.

And finally, the stuff about names! I didn't post it here, but while idly talking about her in a Discord server I'm in, I definitely think that had I made Maggie like even a few months later than I would've done she would've been nonbinary. As it stands right now though, I'm saying she's probably some form of genderweird but too busy trying not to die to think about it <3 Growing up knowing that ghosts are real and routinely being shut down by authority figures in her life about it has made her very aware of how bullshit a lot of things are and how the people who claim to be knowledgeable tend to not know what they're talking about (Beyond just the "people don't think ghosts are real", she's also got ghosts willing to tell her when people are lying because they've got nothing better to do than just gossip) , so if she spent even just a moment thinking about gender as a social construct she'd instantly recognize that and probably take up some form of genderweird label, but as it stands she's just too stressed with Being The Protagonist to think about that

Now, the thing with Margaret. I'm not even going to lie to you, I think you made a better connection to how a name connects with community in terms of the narrative themes than I did. The thing with Margaret denying the name "Maggie" existed for two reasons, the in-universe explanation is that, with the little scrap of soul Margaret has leftover from Maggie, it's essentially working overtime just to keep her vitals working, it can't dedicate time and energy to making her an individual with preferences and a personality, so part of that is that she doesn't respond to "Maggie" because ultimately, that is not her name. Her name is Margaret and she's not going to respond to "Maggie" because "Maggie" isn't her name. Of course, out of universe the reasoning is that I wanted an easy way to distinguish between Maggie as she is the protagonist, and the version of her that lived in the years she was gone, so different names makes the most sense.

I think your connection to how name relates to community genuinely works on a level I hadn't fully pieced together myself yet and I really love that because I think that absolutely works with everything. One of the main conflicts of the plot is how Maggie is entirely disconnected from her family thanks to the years she was gone, with Margaret having no priorities beyond "survive", she basically never spoke with her parents or brother for years. While her family tried to reach out to her repeatedly (Especially given that, while they're unaware the truth of what happened the night Maggie was murdered, they do know something happened, and they believe that whatever it was severely traumatized her, and that's where the sudden and drastic shift in personality came from), there's a point where they just... gave up. She wasn't trying to talk with them or contact them in the slightest, so around a year or two after Margaret moved out, her parents gave up on her. Her brother would still be there a bit, but he also didn't really... try... anymore.

When Maggie wakes up, she tries to call her parents... and they don't pick up. They'd grown resentful over the years, and now that Maggie wants to talk to them, they don't forgive her for the years of not speaking to them, and aren't interested in whatever she has to say after nearly a decade of trying to reconnect with her and being met with nothing. It's her insistence that she wants to be called Maggie that actually gets her brother to realize she's telling the truth and that something happened. She shows up at his door, already something that Margaret wouldn't have done, and that combined with her being visibly upset when he calls her Margaret and tells him that's not her and that she's Maggie, it signals to him that whatever's going on is real (...though he would've figured this out eventually, given that she also literally 17 again and not in her mid-20s, and has a giant glowing stab wound in her chest). I think it works absolutely perfectly as being a symbol of community, her disconnect from her community is what led to her being called Margaret, and her desperation to be returned to that community is when she's Maggie again. So uh. Congrats on getting the themes of my OCs better than I did <3

And uhhhh closing thoughts! I honestly did still skim over the majority of the plot (Literally never even mentioned Eli or what's going on with her stab wound </3), but I think you reeeeally hit the nail on the head with everything I'm kinda getting at with these OCs, which is... frankly wild given how little main plot I actually got at. Basically everything I mentioned in my original post was the setup, not the main plot. But waaaaugh thank you for being so niceys to me and also giving me another excuse to ramble endlessly <3

[x-ladydisdain-x]

People will refer to Crowley and Aziraphale as “the boys” and it’s throwing me off. what boys. who are the boys. those are not boys.

[ask-tssb]

Opal with a gun. Not the sigma gun or any futuristic arm thing, just a literal gun, thats all.

[the-rogue-mockingjay]

NEW CLASSES NEW GLAM LET'S FRIGGIN GOOOOOOOOOO

(ft. tiny Exarch :3)

[raposarealm]

Kimochi Part 2 is a go! And immediately, I’m surprised that I was in the top ten without any of my fights done:

There’s Chisato standing on duty, proudly representing Team Rapo, and we’re in sixth! As of the time I took this screenshot, that is.

And while poking through the rankings, I noticed yet another familiar name:

@dendylabyrinth​, I think I found your team! :D

Anyways, keep up the good fight, everyone!

[essektheylyss]

Fearne had, in true Fearne fashion, wrapped herself like a personal pashmina around Dorian, which left Orym to curl into his chest.

They had slept this way dozens of times before. Fearne’s blackened fingers wrapped tightly around his forearm as she snored loudly into Dorian’s ear. Orym’s head rested on Dorian’s bicep, his arms folded together between them, and his bare feet were gingerly resting upon Dorian’s thighs just above the knees, as Dorian had coiled enough to let Fearne’s fuzzy leg stretch over his hip. They were exhausted, and this was familiar, and he should’ve been fast asleep.

But Orym’s mind buzzed.

Fearne had always been a strong source of heat, but now she was a furnace, and even without covers it was too warm. But Fearne was not the reason why Orym’s skin burned where it met Dorian’s.

He was a fucking grown man. He was fully capable of admitting that.

Admitting it didn’t change it.

Neither did it change his awareness that Dorian had been too still for the past hour, his breath too precise and measured to be natural as it fell upon Orym’s hair. Orym was not going to presume that the cause of this was the same thing afflicting him; there were plenty of other reasons Dorian would be lying awake tonight.

“My family will find your brother,” he murmured finally, and Dorian’s breath wavered for just an instant before he regained his composure and returned to his measured, singer’s breathing. It was so slight that no one else could’ve noticed it, but Orym noticed. “You said there’s a body— the Tempest can bring him back, or Fearne, honestly—“

“I know,” Dorian answered, and this too was so faint that no one but Orym could’ve heard. “I know,” he said again, as though this one was only to appease himself.

“Do you think… do you think any of Opal is still in there?”

“I don’t know. I could barely tell what was in there—“ he cut himself off. “I couldn’t even help my brother. I think Fy’ra Rai might’ve… she must’ve seen something. I hope so,” he added, inhaling, trying to capture an airy tone that he didn’t fully manage. “The Spider Queen doesn’t deserve her. She doesn’t deserve anything.”

Orym had nothing to say to this. He hadn’t cared what the gods did or didn’t deserve in weeks, but now he could see the vein of fury that sharpened Dorian’s edges. It didn’t frighten him the way it had frightened him months ago, when things had been simpler, when there was not a war to be fought. It simply saddened him. “I’m so sorry about Opal,” he said, after the silence had lingered. “But I’m,” he breathed out a single dark laugh at himself, his selfishness, “I’m real glad it wasn’t you.”

Dorian’s laugh matched his own. “I suppose that is a silver lining.”

“I’m so glad you’re here,” Orym admitted. It was easier to keep his voice from cracking at a whisper. “I’ve thought about seeing you again so many times— I wish the circumstances were better—“

“I’m here,” Dorian said, for the second time today. “The circumstances tried very hard to make even that impossible, but— I’m here.”

Orym pulled his arm gently out of Fearne’s grasp and raised his hand to Dorian’s cheek. It was too dark to see the tinge of lavender against his skin, but Orym could feel the warmth bloom beneath his fingers. He still couldn’t bring himself to attribute his friend’s insomnia to anything so self-serving as his own, but perhaps it was one factor.

He pulled his hand back. Was there a flash of disappointment in Dorian’s eyes? He couldn’t tell in the dark. But he brushed his fingers together, drawing upon the wellspring of life within the ground beneath this hastily-erected encampment. The Hellcatch looked like a barren wasteland to most, but that life was still present even here.

Perhaps not now, but after a rainy season, the valley would bloom with wildflowers. The seeds waited in the earth for their time to sprout. Life went on, even in the darkest of places.

He produced a small stalk of life from his hands, and held out the tiny bundle of forget-me-nots to Dorian.

He should’ve said that they were for Cyrus, to remember him by. He wanted to say that they were for Dorian himself, that a day hadn’t gone by that he hadn’t thought of him. He didn’t speak at all as Dorian’s hand wrapped around Orym’s, pinching the stem beneath his fingers but not letting go.

“Orym,” Dorian breathed, looking from the flowers to his face. Then a strange expression came over his face, a wrinkle of consternation as he stared into the middle distance. “Fearne, are you braiding my hair?”

Orym lifted his head an inch to peer past Dorian’s ear. He had noticed that the snoring had stopped, but he’d been too caught up in the conversation to process it. Fearne’s wide eyes stared back with perfect innocence, her hands indeed weaving Dorian’s hair into a loose braid.

“Just pretend I’m not here,” she whispered quickly. “I’m totally not here.”

When Orym dropped his head back to Dorian’s arm, he was met with a crooked smile. It was not meant to be disarming, but it disarmed him anyway.

“Just like old times, eh?” he said, but his hand was still around Orym’s.

Carefully, Orym moved to tuck the flower behind Dorian’s ear, bringing both of their hands with him, and then laced their fingers together instead. “No,” he said, and tucked his head so that his brow rested against Dorian’s chin, and pressed their entwined hands to his lips. “But I think that’s okay.”

[roguedemonwatcher]

I know they have Zathuda to deal with and whatever they are going to do with the Unseelie, but I’m so curious how this conversation about the Arch Heart’s plan is going to go, especially with Dorian and Ashton so on board with it right now, because the big question I still have and I hope they bring up is “well wtf happens to the vessel?” 

And it’s not that Dorian and Ashton would be callous about this - I simply think neither has thought about it. They just don’t know what it would do. Like would Dorian let another one of his friends potentially lose themselves just to maybe get the gods to flee? You hate the gods for manipulating mortals and playing with their lives, but you’re willing to let a potentially scarier power manipulate your friend to get rid of them? And would this sacrifice even mean mortals stop fighting on behalf of their fleeing gods? Would this actually make things better or is this just a way to make Ludinus’ plan more palatable to you? 

It really does spiral out to a lot of the same down sides of siding with Ludinus - instead this time the gods might not die. And you still need to look one of your friends in the eye and say “hey, hope you don’t lose yourself to a scary god eater, no idea if you can come back from this, good luck,” Dorian ESPECIALLY should understand what an ask this is after seeing what happened with Opal. 

Again, not saying this is how Dorian or Ashton or any of them will come down once they’ve thought about it, but this plan is not as “have your cake and eat it too” as they seem to initially think.

[rarilight]

Secretly, Neither of them like each others pets

"It's just... it's creepy!" Rarity confessed to Rainbow Dash, ashamed. "Owlowiscious is always there, no matter where I look! Just... staring! And let me tell you, the last thing I want when having an intimate moment with my marefriend is for her owl to stare at us the entire time!"

"Ewwwww, Rares! Too much information, dude! Too much information!"

----

"It's just... it's like it hates everypony," Twilight told Applejack over a couple of ciders. "And I like cats! I know some ponies think cats are all 'evil' or something--"

"'Cause they are," Applejack replied.

"But this one actually does hate everything! I don't think I've ever seen Opal happy once in my entire relationship with Rarity!"

"I'm tellin' you, Twi. Cats?" Applejack narrowed her eyes. "Evil."

--- taking little raritwi prompts for a bit, feel free to send me asks w/ them

[opal-owl-flight]

He stare

"Sorry, lil guy. This is another Magolor who's intent on hunting me for sport."

Ft @the-spam-specialist 's Mago!

[virtie333]

Thanks for the tag @steven-grants-world (we won't go into how giddy I get when I'm tagged in something!)

This or that…

coffee or tea (neither!) | early bird or night owl | chocolate or vanilla | spring or fall | silver or gold | pop or alternative | freckles or dimples | snakes or sharks | mountains or fields | thunder or lightning | egyptian mythology or greek mythology | ivory or scarlet | flute or lyre | opal or diamond | butterflies or honeybees I macarons or eclairs l typewritten or handwritten | secret garden or secret library | rooftop or balcony | spicy or mild | opera or ballet | london or paris | vincent van gogh or claude monet | denim or leather | potions or spells | ocean or desert | mermaids or sirens I masquerade ball or cocktail party

no pressure tags: @marieziffer, @jewelsrulz, @diplomaticprincess, @wrenwithapen, @witch-oftheflowers,

@lunar-ghoulie, @coneygoil, and anyone else who wants to because I hate forgetting people! Do it!