#and maybe this makes the story look as weird as it is

[reignpage]

Finders Keepers

Summary: in which alien!reader crash lands right in front of Gojo and your story with him begins Word Count: 1k (just trialing a new concept so it's a quick opening) Warnings: a little cursing, allusions to experimentation and alien warfare, reader is naked but not in a sexual manner

“I can’t believe aliens actually exist,” Satoru mutters to himself. 

This has been an incredibly wild evening. 

When he stepped out of his apartment to throw the bins out, he hadn’t expected to see a blinding flash of light zoom past him and explode in the parking lot. Thank goodness for his infinity, otherwise he would not have fared as well as the minivan you landed on. 

Yes. 

You.

The woman who came straight from the sky and fell on top of a car, missing him by just two metres.

At first, he thought it was a curse; these things get pretty weird sometimes, after all. But using his Six Eyes, he could tell you were different. Sure, you looked like any other person, with arms and legs and a head. But you had a unique aura to you, positively otherworldly. 

If he was any other kind of man, he would have just left you there and pretended nothing happened — ignorance is bliss and whatnot — but what kind of Honoured One would he be if he didn’t do his duty and helped you out?

So, he slides down the massive crater you made (boy is that going to be a pain for maintenance to clean up) and carefully cradles your naked body in his arms, carefully so as to not touch bits and pieces no gentleman has a business looking at. Why are you naked anyways? 

Sensing people making their way down the stairs to inspect the commotion, he teleports back into his apartment quick as a flash before anyone could think to look through their windows. 

He throws a blanket at you and leaves you on the sofa as he paces the length of his living room and ponders what to do. On one hand, he could call the police and leave it up to them to deal with you. The government would know best about how to deal about falling space women, right? But then, don’t all the sci-fi movies talk about inhumane experimentation, weaponizing alien technology, and Area 51? 

That wouldn’t be a very nice thing to do, at all. 

And on the other hand, he could just take care of you himself. He has the means to, that’s for sure. You really don’t look any different from everyone else — surely, you need the same things he does: food, water, shelter and warmth.

Right?

Just as he’s about to pick up the phone to call his doctor friend, you begin rousing from sleep. Your eyes flutter open and they’re a normal colour, which freaks him out more if he’s going to be perfectly honest. 

“Uh,” Satoru scratches the back of his neck, shuffling on his feet a little, “hey? I’m Gojo Satoru. You can just call me Satoru, though. If you want, or can, I guess.”

You tilt your head, scanning his body, and you open your mouth. What comes out is definitely an alien language. Or maybe he needs to travel more. But he certainly does not comprehend a single thing that you say. 

Clearing his throat, he tries to smile comfortingly. “Okay, so I didn’t understand what you said. Sorry. But uh, do you need anything? Like, do you know where you are? Yeah, you definitely don’t know what I’m saying either, do you?”

You tilt your head again. 

“What is wrong with me? Seriously. What was I thinking bringing you home? You may have fallen from the sky but I’m the one that clearly hit my head. I really am an idiot.”

Glancing around the room, you don’t look any bit as frazzled and panicked as he is. Actually, you’re as cool as a cucumber, and there isn’t a hint of shame or embarrassment on your face when you push yourself off the sofa, blanket sliding down your body. 

“Woah! Woah!”

Satoru presses his hands to his eyes and leaves them there for a second or two before realising that does absolutely nothing and when he pulls them down, he doesn’t flinch when you’re standing before him, inquisitive eyes meeting his. 

His infinity is on and he’s ready to subdue you if you prove to be a threat, but so far, he’s simply letting you reorient yourself, getting used to your surroundings and giving you the opportunity to decide he’s not a bad guy. 

That being said, however, he’s still deciding whether to keep you or not. He doesn’t want you to be poked and prodded — that wouldn’t be a very cool welcome to planet Earth and he doesn’t need you to go around telling your alien friends humans suck, though they do. But he also doesn’t know if that’s the best decision. 

You could be a danger to jujitsu society, to his students, to the world. What if, right at this very moment, you’re leaking deadly radiation? And what if his infinity can’t keep it out? Can’t keep you out?

Gosh, there are so many things that could go wrong. 

It’s entirely possible too that you’re a blood sucking monster intent on wringing him dry for all he’s worth. Maybe you’re not even an alien. Maybe you’re a special kind of curse, the kind that can bypass his Six Eyes, though he’s fairly confident that’s not the case (there’s no one stronger than him, after all). 

What if this is Kenjaku all over again?

Yeah, on second thought, he should definitely call the police. Or Ijichi, or the Prime Minister of Japan, or whoever will believe him when he says there’s a naked, alien lady in his home, and no, he’s not a pervert playing out some sick fantasy.

But just as he’s lifting his phone, you lift your hand the same time he does and cover your eyes. 

Then you say his name in perfect Japanese with a sweet, soft voice, not a hint of hesitation or unsteadiness. You smile, eyes still obscured, and he feels himself mirroring your gleeful expression. 

“That’s right. I’m Satoru. It’s nice to meet you.”

He decides, there and then, to hell with radiation, alien armies, and the deadly risk you pose to everything he knows or cares about. The military, conspiracy theorists, and scientists be damned.

He’s going to keep you. 

[deadandwalking]

i am aware this is intended as an ask game but i NEVER get asks so fuck yall

1. Nobody even look at me for this. Silco - Arcane, Slenderman - creepypasta, Kagekao - creepypasta, Logan - sanders sides, Observer - tribetwelve.

2. Lighter

3. FUCK NO!!!

4. I believe anything can be real if you let it

5. Sadly blue. i hate them.

6. i could be dead tomorrow

7. hair ties

8. one. cups are a different question

9. don’t drink coffee. although i would like cold better as i hate hot drinks

10. depends on who

11. writing stories

12. a bad one

13. not recently

14. it is a scent

15. i parent my littles

16. no

17. nearsighted

18. whatever hag buys. i don’t get to choose.

19. if we were friends, yes

20. neither

21. i have a plushie of a white tiger called Winna. her <3

22. human one (<-flex)

23. cold :(

24. probably hiding. hide and seek >:)

25. perfume

26. meeting my brother, getting back with my ex, and sometimes i think over an alter’s memories to help calm them

27. last night a good 10 but usually about 4

28. nuhuh

29. hot but not scalding.

30. as always

31. eminem, songs that make me think of ww1, any songs i associate to my current fp

32. no, weird

33. emmm when i ran away i guess?

34. plenty. but i still remember the first i learned. it was yesterday’s men, idk the original singer but i grew up hearing the celtic thunder version

35. idk the codes or anything. it’s 2:38am now. just check when i posted if you wanna know

36. i moved blogs a few times due to it being found but i don’t change other than that.

37. nobody. if i ignore relatives, the person i’ve known longest is Joey who i have known 5 years now

38. couldn’t tell you. don’t really care about soap scents

39. no, though i really should

40. nope

41. still don’t drink it

42. youtube, spotify, discord (in phases), and more recently safari to read something online

43. no no likey :(

44. oooh a lot of people are candidates, maybe Nicola or Kevin

45. some parts

46. i watch like 3 movies bro. does a nightmare on elm street count?

47. “he’s still upset by it, idk what to tell him” - in reference to Angel losing someone important to him

48. younger than i wanted

49. don’t think so

50. sure, go apeshit!

here’s weirder asks

who is/are your comfort character(s)?

lighter or matches?

do you leave the window open at night?

which cryptyd being do you believe in?

what color are your eyes?

why did you do that?

hair-ties or scrunchies?

how many water bottles are in your room right now?

which do you prefer, hot coffee or cold coffee?

would you slaughter the rich?

favorite extracurricular activity?

what kind of day is it?

when was the last time you ate?

do you love the smell of earth after it rains?

are you a parent? (all answers qualify)

can you drive?

are you farsighted or nearsighted?

what hair products do you use?

imagine we’re at a sleepover, would you paint my nails?

do you say soda or pop?

something you’ve kept since childhood?

what type of person are you?

how do you feel about chilly weather?

if we were together on a rooftop, what would we be doing?

perfume/body spray or lotion?

a scenario that you’ve replayed multiple times?

about how many hours of sleep did you get?

do you wear a mask?

how do you like your shower water?

is there dishes in your room?

what type of music keeps you grounded?

do you have a favorite towel?

the last adventure you’ve been on?

is there a song you know every word to by heart?

what’s your timezone?

how many times have you changed your url?

someone in your life, other than a relative, you’ve known for 10+ years?

a soap bar that smells good?

do you use lip balm?

did you have any snacks today?

how do you take your coffee?

an app you frequently use besides this godforsaken site?

what’s your take on spicy foods?

you get a free pass to kill anyone, who is it?

can you remember what happened yesterday?

favorite holiday film?

what was the last message you sent?

when did you first try an alcohol beverage?

can you skip rocks?

can i tag you in random stuff?

[writersblockiskillingme]

Red | The Salesman

Pairing: The Salesman x fem!reader

Summary: After a tiring day, you're just trying to go home, but while you're waiting on your train, a handsome man in a suit stumbles on you.

Warning/s: betting, money in exchange for a game, slapping (on the face, you nasty), salesman trying to recruit you for the games, smoking cigarettes, people on the station being kind of weirded out, maybe some cursing (idk), reader is in debt, possible grammar and spelling mistakes

Author's note: So this is like the prequel to my story Russian Roulette, but it really doesn't matter whether you read that fic or this one first. You do you. I really love the request, btw. Hope you enjoy!

Request: hii can u make more stories in this story line between the reader n him? like i rlly wanna know what they were like tgthr before this situation since we r told they had smth tgthr at some point tyyyy

Part 2 here!!

The bench where I was sitting was quite cold, which, of course, wasn't surprising considering how cold it was tonight. My hand slightly shook as I wrapped my fingers around the lit up cigarette that I was smoking for who knows how long. My flimsy jacket that was wrapped around me did not bring exact comfort to me that I had hoped it would.

Shivering there, I sat as the announcer's voice rang around the train station, signaling that the train that I was waiting for to go home would be slightly delayed, forcing me to wait there for entire hour more than I should be waiting. It was already late and I was so done with today's day.

Trying to earn money was hard, especially when you're in a lot of debt. Being chased by the people who you owe money to, threatening to cut out your eyes, possibly even kill you in the end, wasn't fun either. You had to learn to sleep with one eye open. Constantly on edge, just like I was right now.

The job that I worked did not provide as much money as I needed it to. There was simply no way for me to earn enough money for food every day, to pay rent which I was already three months behind. My landlord was truly a fucking angel for letting me live in that house as long as I did, but I knew that that wouldn't last forever either. There was no way that I could afford to pay everything that was essential, let alone pay off my debts.

In frustration, letting out a deep, disappointed sigh, my hand slid into the pocket of my jacket, reaching for yet another cigarette and a lighter.

"Hello, miss."

I practically jumped from my seat, startled by a sudden voice next to me. I whipped my head around, finding the face that this voice belonged to.

Right next to me, smiling, was a very handsome man that looked like some kind of salesman. He was wearing a very expensive suit. His hair was as black as the night sky. His piercing eyes just as black. There was little to no facial hair, but that really suited him. He was very handsome and I quickly found myself surprised when I realized that he was actually talking to me.

"Can I talk to you?" He asked once he noticed how startled I was.

"I'm not a prostitute, sir." I said, sliding away on the bench further away from him.

"Don't worry, miss, it's not that." He chuckled gently, his eyes never leaving mine. "I just want to let you in on a great opportunity to win some money."

There was just silence for a while. I sad nothing all the while he kept looking at me.

"Um..." I looked at him and, for a while, just couldn't bring myself to speak up. "No, thank you."

"'No'?" He asked.

It seemed like I caught him by surprise, but after a little while I noticed something else in his eyes that I just couldn't seem to figure out. Some kind of amazement? Respect even? But there was definitely something that I couldn't label quite yet.

"There is definitely a catch." I smiled slightly. I would love to get some money, of course, but I know that it won't be that easy.

"Miss." The salesman smiled once again, his eyes surprisingly gently just like his voice as he spoke. "Would you like to play a game with me?

"Wha-What kind of g-game?" I found myself stuttering a bit. "Look, if this is some sort of sick perverted thing you're doing 'cause I swear if you try something, I am going to scream." I threatened, a newfound confidence overwhelming me.

He chuckled once more, "No, nothing like that, Miss."

All of a sudden, he quickly turned his face away from me as he reached to open his suitcase. I could swear that for a split second I saw him blush, but then I realized that I probably imagined it because there's no way. I mean, sure, he is very handsome, but the two of us are a whole world apart, too different from each other.

"I'm sure you've played ddakji before, right?" He spoke and I looked at the open suitcase that was resting between us.

There were a few piles of money on one side and two different colors of ddakji on the other side. Red and blue. I looked at him with surprise.

"You-You want me to play ddakji with you?" I asked, raising my eyebrow in question.

He nodded with a smile.

"For money?"

He nodded again, "Play a few rounds of ddakji with me and each time you win, I'll pay you a 100,000 won."

Damn.

I mean, sure, why not. I loved that game when I was a kid, and I didn't have a chance to play the game in what seemed like forever. Plus, if I win, I get money. It all seemed amazing, but then I realized what the problem with all of this could be.

"And what if I lose and you win." I asked, he continued to smile as he answered.

"Then you pay me 100,000 won."

"Sir, this is amazing and all, don't get me wrong." I gently said, "But I'm afraid that I don't have the money to pay you back."

"That is all right, miss." His smile unwavering. "We'll figure something else regarding that if it comes to it."

For a moment, I just sat there in silence, pondering the offer. But after a while I finally decided.

"Ah, sure," I sighed before matching his smile and meet his eyes, "Why not?"

"What color would you like to play as?" He asked me, taking both red and blue ddakji as I stood up. He followed me almost immediately.

"Red, please." I said and he smiled as he handed me the red ddakji.

As I reached for the red one that he was handing me out, our hands touched. For a moment we both froze, but then I quickly took the ddakji and moved away.

It was so strange. The feeling I got when I touched his hand. It was as if some sort of electricity went straight through me, forcing me to quickly move away due to the shock of it all.

He cleared his throat before extending his right hand, pointing to the floor, "You gotta first, Miss."

I nodded, and with that, he placed the blue ddakji on the ground, and I stood over it. I took a stronger hold of the red ddakji and stood up more straight as I glared at the blue ddakji. Goodness, I haven't done this in years, I thought to myself, letting out a shaky breath.

I took a deep breath.

I could feel his eyes on me.

I swang my arm behind my head before powerfully striking his blue ddakji. Apparently, I must have done something wrong because his blue ddakji moved but did not flip over. I let out a sigh, looking kind of defeated.

He stepped forward, grabbed his blue ddakji, and stood back up. I moved away, giving him more space, his eyes folowing my every move. Almost immediately, he swang his arm behind his head, slaming his blue ddakji on my red one, flipping it over with ease. I sighed as he turned to look at me, teasing smile making it's way on his face.

"So..." I spoke up, kind of unsure and slightly intimidated, "So what now? I lost."

"Don't worry about money." He spoke up, kind of surprising me with that one, "We'll discuss it at the end if that is okay with you, Miss?"

"Sure." I answered him, meeting his eyes.

His smile widened a little bit more as we, for a few moments, just stood there taking each other in. All of a sudden, he cleared his throat, snapping himself out of it.

"One more round?" He asked as he fixed his tie, I nodded, not saying a word.

Turns out, one round meant about five more. I lost every single round. It truly began to seem like luck wasn't on my side that day.

We got to the last round, the sixth one. I was getting annoyed, constantly losing. I took a deep breath. His blue ddakji stared at me, my red one locked in my hand. I flipped my ddakji over and decided that that was it. I swang my hand behind my head and delivered the most powerful swing yet. I stared at his blue ddakji and my red one as both of them flipped in the air before his blue ddakji landed on the cold floor. It flipped over... I won...

I couldn't help the laugh that escaped my lips as he gave me a little applause, smiling as I jokingly bowed.

"Wow," I chuckled, "I finally won the round."

"Well done, Miss." He chuckled lowly, but somehow so softly as he reopened his suitcase handing me 100,000 won. "As promised."

"Thank you," I said, taking the money, "but I lost like five times. Tell me, what can I possibly give you to make this even."

"How about you give me the pleasure of taking you out for dinner, Miss?" He spoke up almost shyly in a way that was so endearing, and even though it seemed like that look wouldn't fit him, it somehow did. "Only if you want to, of course."

"I..." I spoke up stuttering and blushing a bit, surprised by his offer, "I would love to."

After that interesting interaction, we went out to get dinner. I had a great time with him, and even though I hated to admit it, I started to like him. We talked on and on about random things. We were truly having fun and that made my day so much better.

Before separating, he gifted me a blood red rose, and he gave me a card that looked really strange. At the front of the brownish card was a circle, a triangle, and a square. I flipped the card over and saw what looked like a telephone number.

"Miss, there are other games like the one that we played where you can make even more money than you did. So much more." He started to explain, but his expression became different. His smile was gone and there was a sort of gloomy gaze in his eyes. That seemed to surprise him. "Think about it."

He stepped closer to me, looked me deep in the eyes before he started to slowly lean in. I found myself doing the same. Our lips met. We were just standing there, outside of the restaurant, rose in my hand, his hands on my face deepening the kiss.

As we parted ways, he told me that he hoped to see me again if I made it. Whatever that meant.

I took another look at the card that he gave me, staring at the number, not knowing that I will meet my childhood friend Gi-hun, not knowing what the games will do to both of us and to all the other people, not knowing the amount of money I was gonna win, not knowing that I will spend the next three years of my life chasing the man of my life, trying to haunt him down, not knowing how dangerous the last game that we'll play will be.

TAGLIST:

@shadow-tumbler

[see-arcane]

Examining the Nosfertrio

I must uphold my position as Words Georg and yammer about the Nosferatu Trio (Nosfertrio) that makes up the core of Nosferatu (2024). Specifically in terms of the love triangle and their roles within it.

Spoilers and a massive monolith of text below.

Ellen and Orlok

I’ve already seen a handful of posts going into the metaphors inherent to their relationship. Orlok as Ellen’s id, as the repressed darkness and fey nature she must keep bottled up for the sake of her era and society, as brutality and sensuality, et cetera. And there’s definitely truth in that. Just as it can be found in a lot of horror-attraction (I hesitate to give all of them the blanket of ‘romance’ but attraction is key on one or both sides for hero and antagonist) stories in various degrees from bodice ripper to outright nightmare. There is a definite cathartic itch that’s scratched in everything from Labyrinth’s Jareth to The Phantom of the Opera’s Erik all the way to this, Orlok at his most cadaverous and insidious.

People want to be wanted. On some level, we want to express the repressed depths of ourselves, be they perverse and violent or weird and whimsical. 99 times out of 100, we still restrain ourselves from doing the Immediate Gratification action—anything from snatching the last piece of cake because we know someone else is looking forward to it or taking a hammer to an annoying customer’s skull—because appeasing that kneejerk urge will have consequences. We will feel bad about having done it or else outside forces will punish us. Repression is a fact of life, with some forced to constrict themselves more than others. Not always for good reason. Case in point, poor Ellen stuck in period piece hell.

Ellen was suffering as a young girl. Her clairvoyance and supernatural susceptibility made her an early outcast and the death of her mother left her alone with a father who we learn had a period where he seriously considered sending her to an asylum. A period we also learn came after Orlok began either causing or infinitely worsening her epileptic fits. The one Ellen describes to Von Franz involves her being found naked mid-spasm. Something to do with her flesh.

Was she found orgasming? Had she clawed at herself, perhaps at her breast where Orlok couldn’t yet feed and bleed her? Maybe she was caught in a masturbatory act that Orlok played puppeteer to. We don’t know because we’re only meant to conjure something mortifying for Ellen to be caught at; just as her other public fits have been. Her father is disgusted by it, whatever it is.

Sometime in this miserable window, Thomas enters her life.

Thomas Hutter who is in every way Count Orlok’s antithesis. He loves where Orlok only wants. He wishes only to give to Ellen, to make himself and their life a thing worthy of her—note, she lived in a stunning mansion as a girl and Thomas needed a loan from Friedrich Harding to afford their tiny home; Ellen married down to be with him and he knows it. If Ellen is an owed piece of property in Orlok’s view, Ellen is precious beyond words to Thomas, who even in his terror and ailment, loves her more than he fears anything.

Then comes Orlok in person, slapping Wisborg with plague and murdering friends and children and threatening to go after Thomas if Ellen does not ‘willingly’ submit to him. A big bloodstained temper tantrum is needed before Ellen dons her wedding dress again and gives herself to Orlok for the sake of being the Judith to his Holofernes. When Orlok’s time comes it is an agonizing thing. A final dose of pain for him to suffer in recompense for years of violation inflicted on a girl since puberty.

Ellen kills him. Ellen dies for the sake of killing him and guarding Thomas. In pure emotional math, she is true to what she told Orlok outright:

No. I love Thomas.

I care nothing for your affliction.

I abhor you.

You revel in my torture.

Nothing but truth here. She loves Thomas. She doesn’t give a shit how ‘afflicted’ Orlok is by him wanting her. She abhors him. And, with almost a lifetime of evidence on her side, yes, Orlok appears to get off on casually, repeatedly, flashily subjecting Ellen to her spasms, however pleasurable or painful they might be, to say nothing of her embarrassment and being ‘helped’ by the era’s dehumanizing quackery.

And yet.

Ellen has two visuals and two lines that suggest that buried in her hate and horror at Orlok and all he does, there is still one wisp of…I really hesitate to call it love. Attraction might be in it. ‘Affliction.’ Whatever it is, it is the tiny buried stretch of spiritual ore that I imagine brought Orlok sniffing in the first place. Ore that has been honed by years of abuse and the hopeless inescapability of his attentions into something that Ellen shelves with the rest of her shame and fear, but cannot let go because it is a part of her and part of what kept her from succumbing to total despair in her time before Thomas.

Because Ellen was lonely once upon a time. Did she know Anna as a young girl? Or did that come later, after Thomas? Either way, she prayed for a companion. For comfort. She felt alien and alone and wrong. Which Orlok scented as she called out blindly—a familiar essence he could take advantage of. Because he is a tyrant. A monster. And he is alone too. 

You are not for the living. You are not for humankind.

The visuals:

Ellen meets him in Anna’s room. Comes close close close to kissing him—and reverses (I abhor you).

Ellen stays with him in the bed, lightly cradling Orlok as the sunrise kills him; and he does not claw or tear at her in his death throes, even knowing her betrayal. Only lays a gentle grasp on her shoulder. They recline again as they die, Ellen letting him lay rather than letting him fall off.

The lines:

Before Orlok strikes her mind: He took me for his lover! (Not victim. Lover. She believes it.)

While Orlok has reached out and pressed his influence on her again, her words possibly not wholly her own: You could not please me so well as him. (Is it Orlok goading? Is it Ellen telling a truth or a lie to prod Thomas into sex? Is it a jumble?)

Ellen loves Thomas more than Orlok or her own life. But there is a grain of care for the monster who obsessed over and menaced her for so long. It’s the grim and heady little whisper under all the trappings of horror-attraction, why fiction loves a demonic dom or a pining terror.

I was never alone with them infecting my life. I was the focus of all their attention and passion. I saw so much violence done for the sake of them coercing me to their side. I had these throes forced on me and in being forced to endure their darkness I was absolved of any guilt in moments of pleasure from it. I held hands with Death in a dream and I was so happy when everyone I knew—everyone I smother myself to accommodate—was dead.

It’s there. Of course it’s there.

But what else is there with it?

Ellen and Thomas

Enter the newlyweds who didn’t deserve Any of That Shit.

We don’t really get much time with these two beyond establishing that they are very genuinely in love, have been thoroughly enjoying a too-short honeymoon, and are each prepared to kill and die for each other.

But something I’m seeing around the edges of post-film analyses is a phenomenon that I recognize from certain unfortunate reads of Jonathan Harker’s character, both from Dracula’s book canon and almost 130 years’ worth of trash adaptations. Already this boy is teetering on the precipice of being done dirty the exact same way Jonathan was via sanding down his full role and character in the story. I’ve seen takes that reduce him to the Normal Guy Your Weird Ex Hates, the Guy Who Doesn’t Listen to His Wife, the Useless Guy, the Boring Normie Guy, the Connecticut Clark to Ellen’s Malfina, et cetera et cetera.  

But like. You have to miss a mountain of context clues to land on any of these statuses as Thomas’ deal.

Let’s look at the chief offense: Thomas disregards and/or shuts down Ellen.

First:

Thomas tries to shush Ellen about her nightmare(s). For a moment. But Ellen insists, and so he listens to the dream of wedding Death. He does shush her then, but in the way of soothing. It was just a dream, not a portent. All will be well. What is he supposed to say otherwise? Yes, I believe you. Yes, something horrible is about to happen. Worry, fear, fret. It’s the best course of action.

As for him leaving the bedside and ultimately going out to Orlok’s castle despite Ellen’s pleading? Again, what else is he logically meant to do? This boy does not know what genre he’s in. Ellen does because she’s Ellen. Thomas thinks he’s in a period piece romance with a happy ending and his moneyed best friend repaid for his loan and his beloved back to living in the luxury he knows she left behind to be with him. To do that, he must work for it. He must jump through whatever hoop Herr Knock tells him to. Between the latter and the bait of the commission he and Orlok dangle in front of him—Friedrich paid back, a step toward a plush future to gift to Ellen—and the fact that Ellen’s warning plea comes from dreamt vapor, it’d make no sense for him to just kick off his shoes, endanger his job and roll back in bed with her because his permission slip would read:

‘My wife said no :)’

Even if he wanted to, and it’s hard to think he doesn’t want to going by how uneasy he was the moment Knock put the job in his hands, Thomas had no real room to refuse without putting himself and Ellen in real economic and interpersonal trouble. At best he might have feigned illness, but even that would be a gamble. All the things Ellen wanted him to do—stay longer with her, heed her premonition, don’t go on the journey—Thomas did want to do. But couldn’t.

Second offense:

Thomas ignores Ellen when she says their petite home (and ohhh doesn’t that sting in the 21st century to think that a place like theirs was considered ‘small’ or lower class once upon a time) is fine and Thomas need not push himself to extremes to finance a bigger better household with a maidservant and other bells and whistles to satisfy her. True! No denying it! Just as there is no denying that, out of the entire ensemble, Thomas Hutter is from the lowest class out of everyone.

Friedrich is his friend, a wealthy inheritor to a father’s shipping company who lent Thomas the money needed to pay for the little home and possibly his and Ellen’s wedding. Anna is Ellen’s friend, two girls with a friendly and possibly amorous history from what we can infer is a similarly well-off social level. Thomas is only in their circle by dint of somehow crossing paths with Friedrich and being charming enough to win an otherwise Classically Masculine and Rich Man’s regard.

And Ellen, again, stepped out of the wealthy life to be with him out of love. In her dream her father was there, one of the dead, but he is absent for the entire film. Considering her only other mentions of him were a childhood of his calling her a changeling girl or an unclean thing meant for a madhouse, we can assume the man did not empty his pockets for or applaud her choice of husband. Hence Friedrich’s loan. But for all the discomfort of her family life, Ellen did live a far more polished life than the one Thomas can give her as-is.

(I envy you, said to Friedrich outright.)

This is Thomas’ most standout flaw in my opinion, one that amounts to a single facet of a wider issue: Thomas Hutter feels inadequate on multiple fronts.

He is not wealthy enough to give Ellen the lifestyle he wants to return to her. He has not made up enough savings to repay a man he wishes were only a friend rather than an all-but-in-name sugar daddy. He’s unequivocally not within spitting distance of any other male character’s classic forms of manliness. Just an ongoing mantra of ‘not X enough,’ and that’s before Orlok gets in his head. More on that later.

He’s not shutting out Ellen’s insistence that she’s happy with their simple surroundings because he doesn’t care about her opinion. He’s shutting it out because he can’t get out of his own head about how much lesser he feels compared to her and their friends, feeling as if he has to make up for not coming from where they do and for basically taking his princess away from her metaphorical castle. Fittingly, it’s the complete reverse of Orlok’s treatment.

If Ellen is the prize to be conquered for Orlok, she is the undeserved prize on a pedestal to Thomas. One who needs precious things foisted on her to make him worthy of her loving him despite her saying otherwise. The guy can’t see past his own low view of himself to accept that she is sincere in his insistence that he is enough.

And that brings us to the third issue:

Ellen says she wants to come Orlok-hunting. Thomas shoots her down.

Bit of an echo from Dracula there, with Jonathan and the rest of the Drac Attack Pack unanimously deciding Mina has to be kept out of the villain’s reach while they go a-hunting..! Only for that very move to be what puts her in an unprotected position when said villain comes skulking up to her. It is a very old school Protect the Fair Maiden! move. Fitting for the genre and the time period and so on.

But unlike in Dracula, Thomas and Ellen’s playing of the scene makes much more sense.

They are not dealing with Dracula the Conqueror. They are dealing with Orlok the Repeat Rapist and Tantrum-Murderer Obsessed with Ellen. If there was one person in the entire ensemble not to bring into closer proximity to Orlok, even if she were at maximum anachronistic girlboss badass levels, or even just armed with her own stake and pistol, it would still very much be Ellen. Orlok’s been making her life hell at a distance. Willingly putting her in arm’s reach would make me blue screen too if I were Thomas. This isn’t Jonathan fearing the chance that Dracula might go after Mina out of convenience. This is Thomas rightfully clocking that Orlok will 110% go directly after Ellen. Obviously he says Ellen shouldn’t be on the hunt.

Which was just as obvious to Ellen before she even suggested it.

Because with or without Von Franz promising to lead Thomas and Sievers on the wild goose chase for the sarcophagus, Ellen was already planning to barter herself in exchange for protecting Thomas and Wisborg. Which Thomas would also 110% slam the brakes on if he knew what she was up to. She didn’t suggest her joining the hunt because she had any intention or expectation of them agreeing. It was to make sure that the suggestion was shut down and that Thomas and the others would be far away when she baited Orlok to her.

Both Hutters are terrified for the safety of one another and would rather face Orlok themselves and risk dying than put their beloved in danger. They are too alike in that regard, just as the Harkers are, and that love and desire to protect is abused by both versions of the Count to get what they want. It’s just that Ellen knew exactly how to ensure Thomas would do what she wanted by nettling him with the concept of her coming along and risking proximity to Orlok; perhaps intentionally implying she meant to put herself between him and Thomas as a shield. Cue him declaring absolutely not. Irony of ironies.

But alllll this is just window dressing compared to my main nitpick when it comes to some folks’ view of Thomas paired with Ellen. And that’s that he is the milquetoast nothingburger ignorant could never truly understand or please her! husband.

Shut the hell your mouth. I am a proud monsterfucker. I am all for the dark gothic fuckeduppedness of Orlok and Ellen’s whole dynamic. But as Stoker and Murnau are my witness, You Shall NOT Slander This Lad as Jonathan Harker was Before Him.

Ellen was the one wheedling Thomas to stay home and roll around in bed while he was late for work, wanting more of whatever he was dishing out. They were left unsupervised in someone else’s foyer for 0.5 seconds and immediately started tongue wrestling while sinking to their knees and cutting away to [REDACTED INTIMACY WHILE STILL VERY VISIBLE IN THEIR FRIENDS’ HOUSE]. Thomas jumped into a river, dragged himself from the brink of undeath, and rode half-dead all the way home to reach Ellen and try to get her out of Orlok’s range. Thomas, who was terrified of Orlok, still put that horror aside because he learned of Orlok’s torturing of Ellen and intended to kill the fucker for it to keep her safe.

Before all of that, Thomas earned Ellen’s love in their even greener youth.

Ellen, the girl who was strange and Other and tormented by Orlok’s spells and despondently alone with her monster? That was the Ellen who Thomas met. Who Thomas fell in love with. Who fell in love with him. And it was a love intense enough to blot Orlok’s shadow. When that shadow came back—

I am become a demon! I am unclean!

—Thomas stayed in the dark with her—

I love you! I love you!

—resolving to either kill the thing that had preyed on her or die trying.

Even if we knew none of this, Ellen’s final act is its own proof of what he was to her. We saw what she’s like with someone she clocks as an asshole when she confronts Friedrich for his actual ignorance and actual callousness. If any character is the starched ‘refuses to believe the supernatural reality/adheres to patriarchal bullshit’ figure, it’s him, not Thomas. (Hello echoes of Jonathan Harker versus John Seward, but I digress.) Ellen calls that shit out.

Why do you hate me? How can you be so stupid? So cruel?

She feels what she feels and says what she means and is the most observant character in the entire story.

And in the end, she deems whole fucking murder-suicide as a price she’s willing to pay to protect Thomas. Whatever we could not see before the film began, whatever romance the Hutters shared, it was true and powerful enough for her to do this.

Which leaves Thomas behind, her cold hand in his, all tears and grief at this—his last failure to tally on his internal chalkboard. He was not the Hero, but the Damsel unaware. He could not protect Ellen because she and Von Franz tricked him into safety as the latter schemed and the former gave herself up to the martyr role. Thomas was too trusting and too late and too much himself rather than the Man ™ who should have saved her from throwing herself on Providence’s pyre.

On that note.

We have to address the mess in the castle.

Thomas and Orlok

Eggers added a lot of meat to the very trimmed-down characters of the 1922 Hutters and Count. Original concepts and harvested bits from Dracula were all applied. The way he composed them served to fix what I still consider to be a barely-concealed plot hole.  

In 1922 and 1979, the Count sees a girl in a locket and immediately becomes obsessed with her. That’s it. That is the entire bulk of his awareness of her before Thomas arrives at his castle. An arrival that was very much based in the original Dracula’s desire to move himself and his deadly presence away to a new place. Original 1922 Orlok seems to just be in it for mysterious plague harbinger reasons. 1979 Dracuorlok seems to be genuinely distraught and resigned to some kind of irresistible condition that says He Must Go Bring Death. But Orlok 2024?

According to Von Franz and his reading, Orlok wants to kill the whole world with his plague..! But has just been chilling for a few centuries I guess. No rush. Not until Ellen happens. She and her covenant and—gasp!—marrying another man!? Barely a man at that.

Ellen Hutter and her new marriage is Orlok’s impetus in coming out of the castle and planting himself in Wisborg. Him stealing the locket and being obsessed with her now makes far more sense than it did in any preceding film because we get the new context of him preying on her since she was a teenager…

…which was interrupted because of Thomas.

The other man. The boy. The laughable gentle meek shivering rival who Knock sends to his door and into his power.

Where 1922 Count was rigid and awkward to the point of seeming like he had to fight rigor mortis with every step and 1979 Count was glassy-eyed and frantically grasping with lonesome eagerness, 2024 Count is stewing over jealousy and disbelief and derision and only the flimsiest attempt at playing client to fool the young man into signing his status as Ellen’s husband away. A farce, a farce. But the covenant demands he cannot kill him outright. That would be theft, not Ellen ‘giving herself freely.’

But after? After the signing, surely he could wring the boy’s neck. Could sit and watch as the wolves tear him to pieces. He could fill him up with plague or snap him in half or drown him like the Pied Piper with a rat… All these things he could have done after he tricked Thomas’ signature out of him on the occult document.

And didn’t.

Let’s retreat to that first strange night together.

Thomas gets subjected to Orlok’s trance the second he reaches the crossroads that leads to the castle. He does not walk as much as float into the coach that has no driver, his next scene showing him abruptly on his feet with his eyes shut in sleep. The doors open to him without hands, leaving him to trail after the Count as if on a string. Orlok gives Thomas two orders the moment they reach the dining room.

One, get out the paperwork. Two, Thomas will address Orlok as his Lord.

“Pardon, sir—?”

“Your. Lord.”

“yesmylordforgivememylord”

Thomas takes his seat and gets treated to Orlok very obviously flexing his powers by doing his little teleportation trick around the table, getting right up in Thomas’ space to pour him his wine, his hand nearly brushing Thomas’ face before retreating.

Thomas asks about the vampire hunting scene he saw in the graveyard and—

“SPEAK NOT OF IT AGAIN!”

Thomas speaks not of it again. Orlok tells him to eat. Cue the mishap with the bread knife and the bleeding thumb. Orlok sounds caught between snarling like an animal or climaxing at the table at the sight of the blood and insists Thomas go sit by the fire where Orlok can see to the wound. Thomas blinks and has lost time again: Somehow he’s been moved to the chair by the fire, fully paralyzed and in tears as Orlok closes in on him, locked in a waking nightmare as the innkeeper woman warned him. This is where Eggers cuts away. All we know for certain is that Orlok fed at Thomas’ breast at least once in the night.

And that he went out of his way to leave Thomas laying face down on the floor come daylight.

The reveal shot is posed as almost comical when coming straight after Ellen’s pining comment about him. I heard some people laugh in the theater. But combining this visual with others to come makes it one of the most awful scenes in hindsight. Because I believe it’s the clearest sign that Orlok outright raped Thomas.

No jokes, no implications, no metaphors. I think he performed the literal act. The only way it could stop short of that in my mind is if Orlok abused his trance state to force Thomas to his knees before or after feeding on him for some emasculating puppeteer work. But no. I think it was genuine rape. It may have happened again in the next feeding night, where Orlok is shown wholly naked as he feeds on Thomas’ breast again. Both times Thomas wakes up dressed. Both times Thomas was preyed on in the exact same way Orlok preys on Ellen.  

And notably, not in the same way as Anna Harding, who immediately got whacked with a dose of plague. Her children had their throats torn out. Ditto the ship’s sailors. Everyone else just sickens and rots and blood-vomits to death.

Thomas and Ellen are the only ones Orlok goes out of his way to prey on in an erotically posed way that results in trauma and ailment, but not the plague or raw slaughter Orlok’s throwaway victims get. Ellen makes sense because she’s ‘his enchantress.’ Thomas because..?

Hm. How does jealousy really fit in here as a reason, Count? Why is it that Thomas is the only man in the film you go out of your way to target by mounting and suckling on him? Why is it that you put words in Ellen’s mouth to describe him as a swooning lily of a woman who fell into your arms? Why is it that you still have your feelers in Thomas’ head to airdrop visions of yourself and your last assault on him? And—big big question here—how much influence did you have on Thomas and Ellen during their spontaneous lovemaking scene? Were you watching like Ellen implied? Did you want to?

Last and certainly not least:

You say you couldn’t kill Thomas or it would spoil the covenant. Yet you were surprised that he was still alive. And you reacted Violently+ when Knock suggested he be ordered to go out and kill the young man in your service. Why is that?

(Who made that vampire in the graveyard?)

((Which of those coffins in the crypt was going to be Thomas’?))

This is dancing around the subject, I know. The gist is this: Orlok wasn’t just angry at Thomas for stealing Ellen from him. He was incensed at Thomas being just as out of place as Ellen herself was. Ellen is not a classic fair maiden. Thomas is not a classic manly man. Thomas is, to Orlok’s surprise, making him pissed and horny. And that opens the door to the Count attacking Thomas in a way that seems to be a warmup for his future laying with Ellen. He wants to ‘make a woman’ of Thomas, the lesser, weaker, kinder, prettier, chosen man.

See? See? She has no husband to thwart his conquest! This quailing thing under him can be no man, so it must be a woman. Ha. Ha.

Cue him leaving Thomas on the floor, ass up, for Reasons.

Whether Orlok blithely accepts his attraction to Thomas (he is merely an Appetite, after all) or is grimly wrestling with ye olde compulsory heterosexuality and quietly framing all his weird attentions to Thomas as just him humiliating/emasculating the young man, we also have to turn the lens on Thomas himself.

Theories have been passed around that, given the queer elements of the film, Ellen and Anna, Thomas and Friedrich, all had romantic pasts of their own. Or at least friendships as intimate as they could get away with before they paired up with their respective significant others. Ellen and Thomas especially are heavily bi-coded. Ellen has Anna, naturally (Thank you for loving me), but Thomas has beats with Friedrich, with the unnamed and charismatic leader of the vampire hunting party in the graveyard, and, if only due to Orlok’s trance, Orlok himself.

Even if it was magically induced, Thomas saw a vision of Ellen in Orlok’s place as he was fed on. Seeing it, seemingly experiencing it, Thomas looks to be in a heady stupor as Orlok feeds—blearily welcoming the initial attack and whatever might have followed it.

Cut forward to his breaking from his fever in Ellen’s company, still in traumatized shock, unable to speak on everything that happened to him. She’s seen the bite wounds on him. That isn’t a secret. Something else, something worse—I can’t breathe! Get off me! Get off!—is left unspoken, and he cannot bring himself to admit it to Ellen. Not even after she divulges her history with Orlok. Not even after the fight or the sex or the broken spell and their embrace. Orlok did an awful thing to Thomas that he is too afraid and ashamed to speak aloud, at least on screen. Would it be better or worse if there had not been a memory of pleasure to taint it as it taints Ellen’s assaults? 

Ellen calls Orlok her shame. Now he’s a shame for both of them.

…

With all that said. Yes, ‘love triangle’ is the easiest name to pin on this entire hot mess, if not a perfectly accurate one. Ellen and Thomas are in love, but the right words don’t exist to label the lines that connect Ellen and Thomas to Orlok.

tl; dr: Orlok was never going to make this polycule happen and I will not give him kudos for trying. 

[raven-at-the-writing-desk]

I was looking at the Diasomnia washroom image and I’m wondering, do you think there are light fae in Diasomnia? The whole look of the dorm seems to suit the tastes of nocturnal fae. Or are there even any light fae at NRC? Maybe some of them are at RSA in a dedicated dorm similar to Diasomnia

[Referencing this post!]

I’m assuming by “light fae” you mean diurnal fae? 🤔 Well… it’s hard to say for sure but based on circumstantial evidence, I think it's possible for diurnal fae to be enrolled at NRC.

Firstly, it would be very yikes in-universe if there were ZERO diurnal fae at their school and only nocturnal fae (Malleus, Lilia, Sebek) enrolled + vice versa (the Seven Dwarves) for RSA. It miiiight imply there's a weird... racial component to enrollment at either school and obviously that's no good. Not only is that morally and ethically wrong on all levels, but it would also be just a PR disaster waiting to happen for the headmasters 💀

Secondly, it's entirely possible that we just don't see these diurnal fae students due to the graphical limitations of the game and its assets. The game does not always accurately portray what it is trying to depict. For example, you'll find that ALL Savanaclaw mob students in the game are beastmen (which also implies a weird situation where Savanaclaw is all made of one race). However, throwaway dialogue lines in the game and illustrations in other official Twst media (such as the manga) clearly state or depict humans in Savanaclaw too. So for diurnal fae, it could be a case similar to this. This would be easier to handwave away for fae too, since they're so rare within the population compared to humans (90%).

asihbfoasyvfyfevapafi THIS IS KIND OF SILLY BUT. Most diurnal fae we see tend to be quite small, like the elemental pixies we see in the main story and events. M-Maybe... the diurnal fae students are so small it's easy to miss them...? But it's also possible that there are larger variants (like the dwarves and the Fairy Queen) that we just miss because I doubt most of us are head hunting for pointed ears among the background characters in the manga.

Fae also seem to make up the minority of the population (+ are pretty isolated and hesitant to interact with humans), so this could be a case of insufficient sample size?? Like, if there are so few fae to begin with, we may not have a good representation of nocturnal and diurnal at the school.

As for why the Diasomnia washroom is styled as it is... I think it has a lot less to do with making it comfortable for nocturnal fae and more to do with designing it in honor of the Fairy of Thorns. Judging by her looks, Maleficent might also be considered a nocturnal fae, and therefore the entirety of Diasomnia was made in her likeness rather than something more neutral or accommodating to diurnal fae.

[tseecka]

It's also one of the absolute best ways to find MORE fic that will scratch whatever itch brought you to that author in the first place. Because if you click on an author (using one of my faves to demonstrate),

To go to their page,

You can click on this link here,

To find OTHER WORKS THAT AUTHOR ENJOYED READING.

I'm so fucking serious: this is like a Wikipedia rabbit hole but for fanfiction. Many of my absolute favourite fics or writers are ones I discovered by investigating what my current faves are reading and liking well enough to bookmark.

This isn't foolproof obviously. Not everyone uses bookmarks, many people make their bookmarks privately, but if you're stymied by the absolute glut of fic in your favourite tags and want to find something new to read, it's such an amazing place to start. Consider:

If you're finicky about writing style or quality, odds are your favorite fic writer is bookmarking works that jive with their own sensibilities.

You like how they write particular dynamics or tropes or kinks? They probably have their own favorites in those categories. Same goes for motifs or themes.

You want to know what other fandoms might be inspiring them, where you might find content you enjoy as well? Explore what fandoms they are reading fic for, and maybe discover something new! (Case in point; I first learned about Victoria Goddard's books specifically from exploring what @ariaste was reading, and now I LOVE THEM.)

Some tags for fandoms or pairings have tens, if not hundreds, of thousands of fics. Relying only on kudos or bookmark counts to sort through them all isn't a guaranteed way of finding your next fave fic, but washing through years or even decades of stories isn't necessarily feasible. This can also be a fantastic way to uncover hidden or forgotten gems and show older fics some love. You wanna know how you get authors gushing with excitement about someone commenting on their fic from 2007 that they thought had been entirely subsumed by the influx of reboot fans? You follow the rabbit hole!

It's not creepy. It's not stalking. It's not even weird. Users can make their bookmarks private if they choose to, or just bookmark through other means. Looking through what your faves loved enough to save for later is such a great way to replicate the old Internet communities of webrings and message boards, of making recommendations to one another.

And then, don't forget to make your own bookmarks--because you can also go down these rabbit holes by taking a look at who bookmarked that fic you love so much, and seeing what else THEY'VE liked enough to save; and people can do the same with you.

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[waywardwhispersblaze]

I'll be forever mad that Jayce ruined the moment right there, but not because I think this would've been a perfect ending for them (I don't). I'm mad because if Jayce had just waited five fucking minutes, the resulting scene would've been so juicy.

Look at the way Vi and Cait look at each other here:

Caitlyn: shocked, betrayed, hurt

Vi just looks sad:

We know from their dialogue in ep 8 that while Vi and Caitlyn were making the plan to distract Ambessa, Vi had another one, to bring in Jinx as a contingency in case Caitlyn couldn't be trusted or failed. She had to know Caitlyn wouldn't take it well once she found out. Vi's priority n°1 was saving Vander though, and they likely didn't have much time to think this through. Basically, she had to know that from Caitlyn's POV, it would look like "Vi chooses Jinx over Cait", edition number 2.

And she was likely right! We know Caitlyn lets go of her anger towards Jinx in the next episode, and accepts that Vi has the right to choose her family, but in my opinion, she wasn't there yet in ep 6. Having a broken Jinx locked up in a cell (her single goal for the last few months) while Vi was lying unconscious on her bed for days very likely helped Caitlyn reassess her priorities in life. But here in this scene she literally doesn't have time to think!

Let's look at Caitlyn a bit more here. During their reunion, She probably expected Vi to hate her guts, but instead, Vi looks grumpy, calls her a mongoose and a cupcake in two sentences, and drops the "my dad needs help" bomb after hesitating for a hot, single second. Moments after that, Caitlyn reevaluates her life choices and decides to make a big career change. Plenty of great posts have already been made about Caitlyn's motivations there, but to sum it up, I'd say it was a combination of: her being already wary of Ambessa and not wanting to let a Noxian warlord get her hands on a dangerous weapon / innocent man, being tired of hating herself, and, yes, her feelings for Vi coming back to her in full force.

For a few, glorious moments, she was working with Vi again! Probably feeling more like herself than she had in months. Maybe she started to hope they could reconcile after all. Maybe, she hoped it could be a "do over" for their failed mission with the strike team, where she'd be helping a member of Vi's family, instead of being torn apart by one of them.

... only to find that Vi didn't actually trust her (which was deserved, but still, ouch), and to come face to face with the source of her seething hatred, the single object of her obsession in the last few months. Right after being saved by said source of seething hatred. It's a lot to take in. She had to be simultaneously disappointed and shocked

So, what was she gonna do? There was probably nothing Vi could have said that wouldn't have pissed Caitlyn off right then (no, Vi, saying "she's changed" probably wouldn't have helped), Jinx opening her mouth would have likely made it worse, but at the same time they still had to run away asap. Caitlyn had already betrayed Ambessa, she couldn't go back. Vi pretty much put her in a position where she'd have no choice but to follow along, no matter how angry she was, at least for a little while...

and I made this post just to say, that the resulting bickering would have been hilarious to see :S

(forget about Jayce waiting five minutes, though, what if it they had an hour? what would Caitlyn had done once they were far enough from the Noxian army? point her gun at Jinx? attempt an arrest? (right in front of Vander? gulp) she might have simply ended up separating from them, and that would have been heartbreaking enough, but a completely different story)

((and that's assuming cult member!vander would have just agreed to leave the commune without acting weird))

[mscherub]

Hello! This was, and is originally posted on my Ao3, but I’m gonna bring it over here for other ppl to read, cause why not?

Courting with Floyd (Floyd Leech x Reader)

Gender neutral reader, referred to as perfect and or Y/N, I honestly forgot :/ LOL

(Possible?) Warnings:

swearing(I have a sailors mouth and it makes its way into my writing)

Mention of a tooth

Uneducated reader on merfolk courting rituals

Probs grammatical errors and or spelling, or both, knowing me—

Word count: approximately 2.4K

How long has it been since Floyd has been acting weird? Well, I mean he always was weird to begin with, but now? Yea, totally different! He seemed more calm around you which—shockingly—is not like him. Was he ok? Where’d the sinister maniacal eel boy go? Figuring Jade would know better about his own brother, you went to him first just to ask, but, as expected, Jade was no help, simply smirking at you and basically telling you “tough luck.” I mean, Floyd, Floyd, was starting to be nice to you. Always finding a reason to be with you, always finding a reason to annoy hang out with you. Granted he did that before, but not as much. You weren’t thattt interesting. You were basic looking at best in his opinion(rude…), you caused a lot of trouble(ok, that’s fun…), and you did make everything twice as exciting when around so…ehhhh, maybe you were more interesting than he gave you credit for. But now? He’s going all out just to be closer it seems, and it’s unnerving.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

“Shrimpyyyyyyyyyyyyyy…ne ne, heyyyyyyy. Lookie lookie! Loooook!!! Shrimpy?” Floyd pouted and poked your cheek.

You were in the library, minding your business studying. Grim was off with Ace and Deuce so you got a moment alone, even just for a few minutes, but of course it was ruined already…

“Huh? I’m trying to study here…” you reply. Honestly why did trouble always find you? And more importantly why did the cause of it get blamed on you and—

“Booooringgg…hey hey, shrimpy~” he flashes you that signature toothy grin, pulling you out of your inner monologue. “I have something more fun in mind, yea? Come with me~” he doesn’t give you any time to even respond and yanks you up from your seat. You begrudgingly follow along behind him, trying to pull your arm away from his grip, but to no luck. The fuck did this guy eat to be so damn strong?

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

After going about campus for who knows how long, precious study time replaced by scaring and robbing people on Azul’s special blacklist…Floyd drags you under a tree in the botanical gardens. He hums a tune softly as he kicks at rocks in the grass…he’s out of toys to play with now and I guess you’re the only option, right?

“Heyyyyyy, Shrimpy! Tell me a story from your world.” you’re pulled from your thoughts again and look over at him as he leans against the tree and slumps down to the ground. He looks up at you expectantly. You sigh and sit down next to him, backs against the trees.

“What do you wanna hear?” You hum as your eyes find their way to a group of butterflies fluttering around a small patch of flowers.

“Something cool. Hmmmm…oh! How ‘bout something about the oceans in your world? You have em, yea?” He sighs, gently bumping the back of his head against the tree

“Yea, my world has oceans, but I dunno. We have like maybe 5% explored? A lot of fish I guess…not much different from yours in a sense besides that merfolk don’t exist.” you murmur. What else was there really to say? You exactly weren’t a marine biologist before ending up here.

Floyd goes quiet and lets out a scoff of disbelief, his eyes widening

“Huh…your world sounds boring shrimpy…no other eel merfolk then?” He waits for your reply. Why did he care about that

“Uh…no. Not any merfolk at all…and I guess it is kinda boring. But hey, it’s home.” you retort. Floyd simply grins and moves his face closer to yours. You glare at him confused. You could be studying right now, you could be reading up on whatever topic Trein assigned, but no! You were bullshitting around with probably one of the top most deadliest students in the entire school, and that’s without the use of magic. But Floyd doesn’t do anything sinister, instead he pulls something from his blazer pocket and drops it in your lap…what the—a pearl?

“Uh—“

“Pretty, huh? Just like your eyes, or whatever. Anyways…I’m bored, and ‘Zul’s probably got some spiel for me when I get back…gotta beat him to the lounge.” Floyd hoists himself up and looks down at you, waving his hand. “Later, shrimpy-Chan~” he grins again. His eyes have a weird glint to them today.

He whistles as he walks off, leaving you alone to ponder, again…ok…what the fuck just happened?

Things didn’t exactly add up. Was he trying to trick you…did he just give you a gift, for free!? Uh, hello? Not Floyd like, not Octivanelle student like at all! Something was fishy, and no pun intended, but what the actual fuck? Ok, thinking logically, maybe you did something that benefited him and he payed you back for it? But what did you do? And also that’s not like Floyd, either? You’re completely and utterly stumped.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Floyd’s behavior only got weirder over the days, and he even uncharacteristically started to give more gifts to you…one being the tooth of who knows who’s. You’ve asked him about it and it’s the same reply each time:

“Just felt like it. Bye now!” —or something like that…gave you something pretty, which was always usually shiny, and then left, leaving you to look at the gift(if you even wanna consider a tooth that then sure) confused.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

One evening you’re sitting in Ramshackle dorm, doom scrolling on MagiCam, Grim curled up and passed out beside you on the couch…

Ding!

“The hell?”

A message from Azul pops up and you instinctively click on it.

Azul: “for the love of the seven, please say yes to Floyd already. It’s driving me and my business into turmoil…”

Huh…

Ok, what the hell did he mean by “say yes to Floyd?” What am I saying yes to?

You: “…uh…what?”

Azul: “…”

Azul: “come to the lounge.”

And that’s it. Azul ends the conversation. Weird.

You hoist yourself up and you pat grim on the head to wake him up.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

When you and Grim get to the lounge, it’s empty, besides for the disaster playing out…Floyd slumped directly on the floor in the middle of the lounge in his eel form, his tail flicking angrily and smacking against the floor, a pout plastered onto his face. Apparently Azul caught him trying to sneak out again to go to the sea for “presents,” and Azul got fed up. Floyd grumbles and glares over at the door, his eyes soften just a bit when he sees it’s you, but he’s in one of his moods.

“Shrimpy…come’ere…” he mutters. “Tell ‘Zul how dickish he’s being by not letting me go get you another trinket from the sea.”

“Floyd, you’ve been skipping out on working hours—“

Jade chimes in, “To be fair, when doesn’t he?”

Floyd keeps bickering with Azul, leaving you and Grim to just witness the scene unfold before you.

“Henchhuman, we could run right about…now!” Grim murmurs.

“No…” you sigh as you grab his tail before he books it. You could totally take advantage of this, maybe get Azul to make a fair deal with you if you solve whatever is wrong with Floyd…

Jade walks up next to you silently and smiles as he watches.

“You know…my brother has taken quite a liking to you I fear…he would be fairly upset if you were to keep ignoring his advances.” He hums. “Though it is enjoyable to watch him try so hard.”

“What? Jade, no offense but what the hell do you mean?” You side eye him, but Azul calls Jade over to drag Floyd to the pool until he can get him a potion to change him back…Azul is stressed and it’s evident as he takes off his glasses to rub his face. But soon his exasperated expression is replaced by a glare as he makes eye contact with you.

“Perfect, I truly thought you were smart, but in this type of situation, you’re so dense!” Azul huffs.

“Ok, ok, before accusing me of anything else, you mind telling me what’s going on?” You say as you cross your arms.

“You know exactly what’s going on…right?” He mutters.

Azul looks at you, his glare never changing until you can see something click for him. His eyes go a little wide and he looks at you surprised.

Shit…you didn’t know the courting rituals of merfolk, did you? I mean it would only make sense, you were a human, and you weren’t exactly from this world…

“Ah…Perfect. How to explain this—“

“How to explain what?” You sigh.

Azul takes a breath in and puts his glasses back on before continuing.

“I suppose there’s differences in each culture varying from land to sea, and in truth that is what makes them all unique in their own ways…uh—“ he pauses again, rubbing his temples.

“in merfolk culture, those who may be interested in another tend to give gifts as a means of courting. Do you understand that? Need I say more?”

You stare at him blankly, blink a few times, then take a breath in.

“Courting?”

“Courting.” Azul confirms.

“By that you mean Floyd is trying to…trying to get with me? Date me?” You murmur, your eyes widening.

“Precisely.” Azul sighs. “And while I have no problem with that in a sense, you ignoring his advances have caused him to be more—more in a sour mood, lately, more than he usually is, anyways. It’s truly putting a stunt into the business of the lounge due to him working less…it’s cumbersome.” Azul sighs again, longer this time.

You look at Azul, then to Grim who seems even more surprised than you. He looks over at you and looks about ready to cry.

“NOOOOO. HENCHHUMAN NO! NO, NO! YOU WILL NOT NOOOOOOO!” Grim whines, grabbing your arm and shaking you.

“Tell Floyd off, Azul! Ain’t no way my Henchhuman is gonna fall in the grips of that slimy eel!” Grim complains

Azul puts up his hand, shushing Grim.

“That’s not my decision, and you both practically know Floyd as well as I do…and to be fair I don’t exactly know why he’s courting since neither him nor Jade have ever tried in their life, not even back in the coral sea…but, Perfect,” Azul narrows his eyes at you, “don’t make a decision that will ruin my business…” and with that, he leaves you and Grim, slamming the door to the VIP lounge.

“Henchhuman you can’t be considerin’ this! There’s a lot of better guys out there…like Kalim, rich too!”

“Floyd and Jade are pretty rich, too, Grim—“

“And he lives above land, and he has Jamil who makes great food! I think if you’re going for someone go for him.” He interrupts.

“Grimmy, it ain’t just about the money for one…” you sigh.

“YOU’RE CONSIDERING THIS?!” He yells, he looks ready to faint.

Truth was, that as much as you acted like you didn’t like Floyd, you honestly kind of did. For what, though? Hard to tell. Maybe it was his laid back attitude, or maybe it was his looks, though he kinda looked like a gremlin, or maybe you just liked him for, well, him…

Grim is already walking(floating) away, but you let him this time…you’ll find him later, guarantee, probably caught up with some mess he always manages to make. Instead, you take a breath in and walk to where the pools are located.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

You push through the double doors to the pool room and you find Floyd swimming in circles, bored mumbling obscenities to himself. You get closer, your footsteps echoing on the tiled floor.

“If it’s you ‘zul, I don’t wanna hear what you have ta say, ain’t gonna change anything, and—“ he looks up and sees you. He stops talking then stops swimming. Slowly, his pout forms into a smirk and he swims over to the edge of the pool.

“Shrimpy~ I knew you’d come…” he gives you a closed eye grin. He hoists himself up out of the pool and sits on the edge, the rest of his tail in the water.

You walk over to him and sit next to him, keeping at least a few feet between you in hopes you don’t get wet.

“Sorry I didn’t notice earlier…I guess?” you murmur. You look at him. His smile doesn’t fade, he moves his face closer to yours. “About the courting or whatever, I mean. Actually, it’s more your fault cause how were you gonna do that to me when I didn’t even know what it meant? Ah, whatever. Guess it’s just good I know now, right?” you tease. Floyd giggles and boops your nose.

“Thought you knew. You seemed smart, but maybe I gave ya too much credit for that, huh?” He teases back.

You nudge him gently with your shoulder, your uniform blazer sticking slightly to his viscous skin…

He smiles and holds out a closed fist to you. You look up at him and furrow your brows, looking at his gesture confused.

He turns his fist and opens it, revealing a pearl necklaces with shiny scales that obviously didn’t belong to him. Now that you understood the implications somewhat of the gifts, you hesitate to take it, but he plops it into the palm or your hand. You clip it around your neck and let out a soft hum as the light glints of the scales.

“It’s pretty,..uh, I guess just like you, thank you?” You murmur. Floyd grins even more and practically pounces on you.

“You’re too cute shrimpy…” he hums, rubbing his cheek against yours. “You get it now, yea? Good…now you gotta do it back…I only like expensive things so—“

“Floyd, let’s just skip that, ok?” You chuckle. “I like you, too…without the gifts you’ve given me, though, they are nice…”

“Hmmm…guess I can see past it just this once…” he sighs. He pulls back a little and grins at you. You look back at him and can’t help but smile.

“Do you know how we seal a courtship?” His smiling never faltering.

“Let me guess, a ki—“

Floyd crashes his lips against yours and shuts you up. A small sound of surprise leaves you. He pulls away and giggles, watching as your face turns bright red.

“Hmmm…now I’m bored, Shrimpy…oh, I know let’s go for swim!”

Oh no.

That’s it for now my lovelies! Also this was my first work on Ao3 and ofc transferring it over here may have messed it up a lot more, so if it’s bad that’s why 💀 (I also can write rlly well some days and others I can’t, weird thing…)

Ao3 link here since I have 3 other works posted on there that aren’t on my Tumblr page quite yet—> https://archiveofourown.org/users/Ms_cherub

Please don’t steal or copy any of my work! You may, however, repost if you’d want to!

Pictures belong to Disney Twisted Wonderland but are edited by me :)

[klorophile]

I agree and I don't at the same time... I've been having mixed feelings about this take and I'm gonna try to put some words on it.

First of, Arcane absolutely is a modern tragedy, yes, of course, no doubts about that. It's even presented with a classic theatre colored structure: different acts composed of episodes (scenes), and even works in threes to be fancy. And I mean... the characters, their actions, the consequences, the themes, ... You see how things will go bad, and they do go bad because of their premices. Tragedy all the way.

Yes. ...For season 1. But season 2? I personally expected season 2 not to be a tragedy, or at least not fully. Because I feel like... "what's the point?" Season 1 was already fantastically sad. Absolutely all the characters were shaken at their core (to the point of death for some), everyone was facing their big ass consequences by the end of it. Why repeat that in season 2? Because the message of "you always pay the consequences of your actions" had already been 100% delivered, I feel like there was no need to repeat it for another 9 episodes. In a way, I feel like it's redundant.

And maybe that wouldn't have been a problem. I mean, Game of Thrones told us from the start "you're gonna cry, 'cause the world is horrible and that's it" and repeated it throughout all the seasons, sure, but I think one of the differences is that Game of Thrones never promised anything else. While I know I feel like Arcane did.

One of their motto for the second season was that everything was going to be turned upside down, a 'story of opposites' as Silco says, they wanted to force the characters to be the opposite of what they usually are (Vi with no one to protect, Jinx a hero, ruthless Caitlyn, not alive silco ToT etc). And well... If season 1 was a complete tragedy and season 2 is going to be the upside down version, then why is it still a tragedy?

And I know, writing those words, that the obvious answer is "because everyone still face consequences", "because the world is a tragedy no matter who you are", "because you can't escape", etc etc. Okay. Maybe (most probably) I'm just a pussy who can't stand sad endings, especially when I have a blorbo from this show. Maybe.

But I think a lot of us are feeling betrayed, not just disappointed, hence the strong reactions. For @angelinthefire's "Because I think a lot of the complaints you see come from some people result from expecting it to be a certain kind of story that it's not." I wonder: Wasn't it the story itself that made us expect another genre at the end? Like I said, the part 1 tragedy then part 2 same tragedy feels weird.

And, in all honesty, I hate that I am saying all of that, because I completely agree that people should just tell the story they want to tell however they want to tell it. I did not expect to find myself complain about something being a tragedy instead of having a good ending.

But the other thing is that I feel like season 2 is not completely consistant about its 'consequences', and also, well, a bit cruel... Because if you look at Caitlyn, she paid very little, she's just forgiven by the narrative like that, because the writers decided that she was 'good', and that in spite of her actions. And don't read this as Caitlyn hate, I absolutely love her, but I think that doing this to her kept her away from the character development she could have had. I feel like they made her narratively good, but also less narratively intersting than she could have been.

Meanwhile, Jinx had to die with Warwick, and the message is that she finally pays the consequences of her actions from when she was 12 and accidentally got her family killed. And that's... brutal. Of course, I am a Jinx stan, so I'm not objective at all, I am aware. But if I am a Jinx stan, it's because the show made her oh so relatable. A lot of people see themselves in her. And that makes killing her a little tricky I think... Especially as what she is being 'punished' for was an accident, that in the end does not get to be forgiven.

And I mean... I think all of this could have been okay, actually. Season 2 could have been a second tragedy, why not. But what bothers me the most is simply that it does not work as well as season 1.

In season 1, the end is unescapable. That is precisely why it's a tragedy. Everyone is aiming towards it, everything is falling falling falling to this. But I am not convinced by season 2. Viktor and Jayce had to be obliterated by the arcane to save the world? Ok, sure, but then explain it! How does it work? What did they actually stop? Because the Hexgate is still standing there, hextech still exists, Piltover is still what it is... Events are going to repeat themselves. And sure, there won't be Viktor for a new Glorious Evolution, which is for the better, but what how why Ekko what what happened?? It's just not explained enough. If it's all about consequences then the arcane and the wild rune should be explained better because nothing feels like consequences, it just feel like plot written for itself. It doesn't feel like a tragedy, it feels like a story written by people trying to knot an ending. Vi and Jinx can't have a relationship anymore, because they always fall in this codependant nocious thing so Jinx has to fake her own death and flee the country all on her own? Ok, that's interesting. But why show that they could and actually did begin to mend things between each other then? (the both of them working together as equals, Vi asking for Jinx's opinion, Jinx learning to be the big sister with Isha and by seeing Vi with her alcohol problem, ...) Why show Vander and Silco (Vi and Jinx parallels) together if by the end the conclusion is that you cannot mend a relationship when it's been too bad for too long?

Anyway, I feel like what I disagree with in season 2 (one of the things at least, because we're not talking about the Piltover/Zaun storytelling here, amongst other things) is that we were told that it did not have to end badly, and then it did anyway, and for reasons that are not solid enough. I agree with season 1 because I see how it couldn't have turned differently. It shows us its heroes, and because they are what they are, the end is what it is. But in season 2, I just feel like the sad ending was forced. It's the other way around: the end has to be sad, so the characters are going to do this and that. And I think that is also a part of why we read the 'consequences' with the morale glasses on: because if it is more forced than logically flowing, then we see the choices the writers deliberately made, who they chose to keep alive and who they did not, and we wonder why.

They say it's about consequences, but it feels more like they are forcing their characters in a direction because they want the end to go a certain way. It's not inescapable like season 1. And if it's not inescapable, then maybe we deserved a good ending for season 2. Or at least an episode 10 that would be an alternate ending or something.

I've been thinking about how I would most concisely sum up the plot of Acane. Because I think a lot of the complaints you see come from some people result from expecting it to be a certain kind of story that it's not.

And I think the most concise way to put it is that Arcane is about consequences. The first episode starts with an explosion, that the characters spend the rest of the arc dealing with the repercussions of. And then the first arc ends with two massive events - Powder killing her family and the invention of hextech - that they spend the entire rest of the show dealing with.

I think most of the stories we get from Western media are about achieving or accomplishing something, or the failure to achieve something. And you can frame Arcane in those terms. But I think to best understand the story, you have to step out of that typical framework. Because the thing with an achievement-based story is that there is a particular end goal in mind, and I don't think Arcand has that.

Like take Vi and Jinx, for example. A typical way to frame their story would be that it's about two sisters trying to rebuild their relationship. That presupposes a certain ending: They either succeed or fail at their relationship, and that's what the focus is on.

But it's not about that. It's about - how do you deal with an event that fundamentally changes you?

In season 1, Vi's answer was to recapture what things were like before. In season 2, they try to redo the past (saving Vander) and get a different outcome, but that's impossible. The answer comes with Ekko - to build something new.

And this is all over the show - action and reaction, how the arcane wakes up, killing is a cycle.

[dearlot]

NO ORDINARY GIRL | lottie matthews

— pairing: mermaid!lottie matthews x gn!reader

— summary: a collection of stories involving your relationships with the mermaid!yellowjackets, starting with how you meet lottie.

— wordcount: 2,260

The moment you finished unpacking your bags, you headed to your favorite place whenever you're here on holiday: the beachside. It's wonderful there, almost a vacation home in itself. Your parents always reprimanded you for neglecting to spend time with your grandparents since this was their home, but you couldn't care less. Maybe they shouldn't have chosen such a cool spot to vacation. And besides, you were on vacation! You should be spending time at the beach and not at home.

The room that you stay in is filled with seashells and rocks you've collected over the years.

Coming here is all you really look forward to when summer rolls around. You collect things in your hometown, but the nearest beach is miles away, and even though you're an avid collector, you're also lazy. Seashells are your favorite. You love touching them, and you love how each of them is unique to one another. They're never the same. Like snowflakes.

It's an odd day, mainly because there's barely anyone out on the beach with you. Usually, it's packed with tourists and townspeople alike. But today there's just you, the new ice cream man whose name you learned is Chris (the one you remember from your childhood died a few months back. Poor guy. He used to give you freebies on your birthday), the old lady who likes to feed the seagulls, and this weird girl whose head you can see peeking from behind a rock. You've been watching her for a few minutes and wondering if she's alright. She looks alright, I mean, what you can see of her, at least. You thought she was drowning at first because of how long she's been in the water, but she's not calling out for help or thrashing around. Then you realize how dumb you sound. Of course she would be in the water, you're at a beach! You shake your head and scoff in embarrassment, getting up from the bench and thinking you could find more shells by the water's edge. Which just happens to be near where the girl is.

Maybe she's a collector like you? You could do with a friend here you think. You could impress her with your vast collection of shells and rocks. Your lips twist into a smile as you walk closer to the grey boulder where the girl hides behind, thinking about how you're going to introduce yourself later. For now, you need those damn seashells. You've only scored a few of them so far and it's the worst collecting day ever. None are even spilling out of your pockets like they usually are.

When you pass the boulder, you're only able to see the girl's face, which is just as pretty as you thought it would be, and her fiddling around with seashells and other beach junk. She doesn't seem to notice you as she smiles to herself and places her things in a neat line that's color-coded. She's cute, you think. Now you have to work 10x harder to come up with an introduction.

You turn back hopefully, half expecting her to be looking right back at you. But you don't see that. All you see are the waves crashing against the rock and a half-hidden scaly purple tail where her feet should be. You stop in your tracks immediately, leaning forward ever so slightly to get a good look at what you think is your imagination playing tricks on you. Blinking furiously, you brush at your eyes just to make sure, but no, what you see is genuinely real. The girl's tail flaps happily as she hums to herself and messes with her beach junk.

"What the fuck?" you murmur to yourself, definitely a little too loudly.

The girl gasps, her tail slapping the water and nearly splashing you as she scoots herself back. She looks at you, frightened and in shock before she dashes away. She's a blurred streak of white and blue as you watch her swim back into the ocean. You try to call out for her, running into the shallow water to see if she's still out here but there's nothing. Did you just witness a real mermaid?! You're frozen in utter surprise, and you only get a hold of yourself and move back to shore when your feet start tingling from the cold. As you walk back, you notice that she left behind her things, and you bend down to look at them.

Holy shit... she had a pearl?! You've been looking for one of these for goddamn years. Do you take it? No, you'd feel bad. But maybe... You glance up sheepishly before slowly slipping it into your grasp and then into your pocket. You're sure she has plenty of pearls. The rest of the stuff is just beach junk minus some shells you already have, but you decide to take all of it back home. Maybe you could return tomorrow and catch her again?

Yeah, that sounds like a plan.

No one says anything about the amount of junk in your hands when you arrive home, and you plop it down by your bed before faceplanting into the pillows that smell like your grandma's perfume. It's not even 6 pm yet and you're tired. You feel like getting some rest... At least sleeping meant you'd be seeing that mermaid girl faster.

When you wake up, you feel something swirling around in your stomach. Something that feels like you're anxiously waiting on something but you can't remember what. The longer you lie in bed, drifting between sleep and consciousness, the feeling gets stronger. You decide to get up and rub your eyes and stretch, washing away the sleep from your body. The smell of breakfast downstairs fills your nostrils and you sit up, tossing your blanket off before planting your feet on the floor.

"Ow, shit!" Something sharp poked your foot. You look down to see the beach junk you brought home yesterday and realize why you felt that strange sensation in your stomach earlier. Okay, maybe you're a little excited to go to the beach today. You really hope the mermaid is there. You'll have to be extra careful if she is since you don't want to scare her off again.

After you scarf down your breakfast and take a shower, you stuff the mermaid's things into a mesh bag and scour through your grandparents' garage to find that old scuba diving gear you know they still have. You've thought it over: if she isn't there, you think you know where she hides out. There's this small island not far from the beach that's perfect for a mermaid to live. You've never been to it, but you've passed by it dozens of times while boating with your dad and grandpa. You hope you're right, but if not, a nice trip to a cave would be nice either way. There are probably more things to collect in there that you've never even thought of.

The trip to the beach feels like the longest walk of your life.

You keep dropping the equipment and some guy tried to buy it off you which took up entirely way too much time of your life.

But you made it. Finally. You walk around a bit to look for her but she's not behind the rock or anywhere in sight. Scuba diving it is. As you finish putting everything on, you feel a little discouraged by the small dot the island makes in the distance, thinking that you might've overestimated your swimming abilities. Whatever. You grab the bag with a small pout and flip-flop into the water, hoping all of this will be worth it.

Turns out this scuba diving stuff is pretty exhausting. You've had to rest your arms and legs by drifting in the water for a few minutes before resuming. And you've been jumpscared by this dolphin a few times. You nearly shit yourself when you saw it first, assuming it was a shark, but it didn't try to attack you or anything. You don't know why it keeps coming back to fuck with you, but it almost looks like it leaves to go tell a friend about it. Fucker.

When you reach the island, you decide to take a 15 minute break for your body's sake. There's a lot more walking ahead and you know you'll thank yourself later.

After you get up and start walking around, observing the trees and nature all around you, you suddenly spot it. The cave. There's no way she isn't in there. You march your way through cobwebs and branches just to reach it but once inside, you're glad for those cuts on your arms and face because goddamn is it beautiful. The water is a cerulean blue and shines brightly in the sun due to the open hole at the top of the cave. You feel a sense of calmness wash over you just from looking at it. The rocky walls of the cave seem almost alive just as you are as the reflection of the water cast shadows upon them. And speaking of the walls, they seem to have markings on them. You walk closer, squinting your eyes to make out what you think are the words S + J. Hm. Maybe this cave is a popular spot for couples?

The more you look around, the more the cave looks lived in. There is some beach junk similar to what you found the girl playing with yesterday placed neatly in a pile in front of a rock. It has a name carved on it.

"Lottie?" you whisper to yourself. Is that the mermaid's name?

"Don't touch it!" Someone hisses.

You let out a choked gasp and turn around, eyes darting all over the cave before you see her. She's in the water with only her eyes above surface level almost like she's hiding from you. They almost seem fully black because of how big and wide they are. You quickly get up and the girl flinches in response. You assume she's going to retreat so you speak up before she can swim away again.

"Wait, I brought you your stuff back." You hold out the bag for her to see and shake it like a human would shake a bag of dog treats to get their dog's attention. "You left it yesterday..."

Slowly, you inch forward and softly place the bag before her. You scoot back to give her some room and wait.

The mermaid eyes you curiously and with some skepticism, but swims forward to swipe the bag from the surface. You watch as she opens the zipper quickly and shuffles through the items with a smile on her face. She looks back up at you when you shift on your feet and pauses before frowning. "Where's the pearl?"

Shit.

You left it at home for yourself.

"Uh, there was no pearl when I found it." you lie, giving her your best confused look. "Must've washed away or something."

She frowns once more and places the bag back on the sandy surface. "Thank you. I like collecting this type of junk. The others say I'm weird for spending so much time by the shore, but I like studying humans."

The others? Studying humans?

"You're welcome. You're Lottie, right? That's your rock?" you nod towards her 'junk' rock.

She confirms with a nod and reveals more of her body as she swims up and places her elbows on the rocks. The bra? Scales? Covering her chest is a magnificent shade of different kinds of purple. Her tail that flutters gently in the water matches it.

"I didn't mean to scare you yesterday," you mention, sitting down in the sand and running your fingers through the grains. "You kinda scared me as well. I've never seen a mermaid before."

"I've never seen a human so up close either. I usually just observe from afar." Lottie replies and puts her chin under her palms. "Why'd you bring my stuff back?"

"Dunno." you shrug. "You collect stuff like me. Thought maybe you'd appreciate it or something..." You trail off at the end, looking down and blushing. "Plus, I thought you were pretty."

Her tail splashes against the water hard at your comment and she clears her throat, feeling embarrassed. "What do you collect?" She's curious, she'll admit it. She's not even supposed to be interacting with humans under any circumstances, but you intrigue her. You don't seem like a threat anyhow.

"Anything. Shells, rocks, fossils, random things I find off the street. I have a whole collection of receipts from when I go out to eat."

"Can you...show me your collection?" she murmurs shyly, removing her face from her palms and nervously tapping her nails against the rocks.

"Sure, but how? I don't think I can make it here again, no offense. It's a hell of a swim." you chuckle, smiling at how her eyes shine brightly after you agree.

"I can help with that. I can bring you back to the beach in seconds!" she exclaims, her voice high and excited. "Or you can piggyback on one of my dolphins."

You barely have time to process what she just said before she speaks again.

"Can you show me right now? Please?"

You feel like everything's happening all at once and don't know how to reply, so you simply nod.

Hey, maybe you can even bring her back the pearl you stole from her. She'd probably like you even more.

lottie taglist: @heliolottie

[hopeymchope]

The utter brilliance of Castlevania: Nocturne S1 (and the fucking pox of right-wing YouTubers)

I just rewatched Castelvania: Nocturne's first season, and it's so fucking excellent. Upon first viewing, I already thought it was probably the second-best season of animated Castlevania, but now? I think it's probably the best one.

The character relationships offer so much drama and emotion. The dialogue is both clever/witty AND moving. The directing of the action sequences has always been top-tier on this show, but the vocal performances make them even more engaging and involving. The way they've infused historical context into the story is absolutely brilliant.

Some of the weird story decisions RE: Dracula at the end of the first series' fourth season (not unsatisfying decisions, mind you, but still just... bizarre, if you're adapting this franchise) really stuck the writers in a weird position as far as how to move forward. I could think of maybe three solid possibilities: one which would undermine the ending of S4 completely, one which would require a HUGE leap forward into the modern day, and the third? Is basically what they did.

Bringing in Erzebet Bathory, the primary antagonist of Castlevania: Bloodlines, was certainly a valid approach for how to deal with the Dracula situation. Applying her to the Rondo of Blood/Symphony of the Night era is surprising, but not terribly so; it's not like her historical counterpart didn't already exist. I have some qualms with HOW they did this (why is she Russian now instead of Hungarian.... ?), but there's no denying that she serves as an effective antagonist.

Look at that; that's literally Maria's design in "Nocturne" right there.

As a fan of the games, this is obviously a different world but still an extremely familiar one. Seasons 3 and 4 of the first series felt like we were drifting farther and farther away from our roots in the games, but Nocturne brings us closer to that inspiration again. Richter and Maria look like they stepped right out of the PSP's "Dracula X Chronicles," with their costumes nearly identical... though of course, Richter eventually adds and embraces the headband from his original "Rondo" design. Maria is just a handful of years older than she is in Rondo/Dracula X Chronicles, allowing her to be far less of the out-of-place childish cartoon character that she comes off as in Rondo (or Castlevania Judgment, for that matter). I realize that was the POINT of her character in Rondo — to feel like she invaded from a totally different series — but the writers do a great job bringing her in line with the tone and characters of the animated series and overall franchise in Nocturne. The characters' powers and abilities are very much based in the games; we even get an (incredibly rousing!) rendition of "Divine Bloodlines" when Richter pulls off a "Grand Cross"-style magical attack for the first time in his life. It's exhilarating. And that's even without me getting into how Richter uses his triple-knife throw, or how we get the lore of the woefully underrated "Harmony of Dissonance" rolled into this show when a certain character makes a surprise appearance (to my immense delight).

Regarding the original four seasons... "I'm going to eat your soul, shit it out and and use it to smother your fucking girlfriend" was not the kind of dialogue I expected to hear from DEATH, of all people.

There are times in the original four-season run when it feels like it's trying a little too hard to be edgy and grimdark—times when the excessive gore and the insane use of profanity feels like it's screaming "I AM AN ADULT ANIMATED SERIES" in a way that's undermining its best qualities. But Castlevania: Nocturne is too confident to fall into such traps. The gore is there, the profanity is present, but it's only in service of exciting action, consistent characterization, and powerful storytelling; no lingering still shots of blood-spattered cribs for shock value are necessary. It's just a smash from start to finish, and after each episode, I find myself pondering the implications of certain lines and stories — thinking about the goddamn philosophical underpinnings of this animated show based on video games.

Nocturne is a prime example of how and why we're in a golden age of video game adaptions right now. This thing is BEGGING for a deep dive into its world, its lore, and its characters' worldviews. It's the kind of thing that would make for killer YouTube essays exploring all of its facets, because there is just SO MUCH here.

So when I go onto YouTube, and I only find one video that even says "It's not that bad" amidst a goddamned SEA of "This show's writing is shit and this series is fucking woke trash"??? That's when I know WE HAVE FAILED AS A FUCKING SPECIES.

These fucking right-wing YouTube dudebros are ruining our ability to think logically, they are MURDERING our media literacy. They are an absolute cancer. The fact that we don't have strong counterpoints out there against them is a crime; the right-wing grifters have totally conquered the algorithm.

I wish I had the skill or knowledge or even TIME to make videos of my own.

Fucking ugh.

[faithlia]

⋆｡˚ Jᥙᥒ᥆ ୧˚｡⋆

english ins't my first lenguage.

warnings: smut, unprotected sex, kind of friends to lovers.

a/n: this was a request for a sequel to something about you, however, this story doesn't tell much about what happened in its premise, although it has the same characters and their respective interests. also I'm so sorry for the delay, I've been very busy lately, but I hope you like it 💓

"you're make me wanna falling in love" - sabrina carpenter.

I don't know how to react to this or how to talk about it. After a series of meaningless flirtations and arousal-ridden insistence, I have Matt sitting on my living room floor, pretending he knows how to put the puzzle together properly. It's what? Eleven o'clock at night? Maybe he won't be leaving anytime soon.

I'm intrigued and anxious about what might happen if he comes over to my place. He wants to fuck me, and I know it; I have no objections to it, just thoughts of endless possibilities. I mean, I can't help myself, hormones are high.

When we arrive, I thought he was going to grab me and I would forget everything to focus on the moment, but that's not what happened.

I grab two glasses of wine, taking them to him in short steps.

"Thanks", he says as he reaches for the drink. I sit a little closer to him, but on the couch, watching him sort the pieces out to line them up in their proper place.

“How long have you been putting this together?” he asks, pointing with his finger.

“I don’t know. I think it’s been about two days,” I say. I really don’t know where I got the patience to put together a puzzle with a thousand tiny pieces, but the idea seems brilliant. “It helps me relax,” I sigh. I drink some more wine and then find myself staring at the empty glass – like a professional drunk.

Seriously? You relax with that?" He downs the rest of his wine, looking at me with slanted eyes.

"Of course I do," I say, smiling like an idiot. It seems that half a glass of wine is enough for me to feel comfortable with each leg on either side of his body. He doesn't mind; in fact, he even drops his head back - right into my lap.

"I can't imagine you relaxing; You're always so anxious about everything." He looks at me with such serene eyes that I have to make sure that it's not a figment of my imagination and that his eyes and expression aren't the most attractive thing I've ever seen.

"I think I'm pretty relaxed now." It's not entirely a lie, but part of me feels like my heart is almost in my mouth. I bite my lip and dare to run my hands through his messy hair; it's soft, but at the same time it looks like he hasn't washed it. I don't think he's the kind of guy who spends time worrying about what products to put in his hair. It makes me want to wash his hair like he's a doll, which is kind of weird.

"Okay," he says. He sighs and closes his eyes, feeling very comfortable, and I like that. Little by little, a feeling settles in my chest, and I don't think so much about what might happen. Of course, yes, I really want to kiss him, because his mouth is so attractive, and everything about him makes me surrender to a simple touch or a bold tilt.

Without thinking, I start to trace his face with the tip of my finger, delicately. He doesn't open his eyes and this allows me to be more evasive, pinching the tip of his nose lightly.

"Wow" I say, laughing.

"What is it?", he asks, still with his eyes closed, settling his head more into my lap.

"It's just... Have you noticed that your nose is really big?", I think I'm drunk because this is the first time I've said something about his appearance. It's not an insult, but rather something that has always strangely attracted me to him.

Contrary to what I thought, Matt laughed.

"Fuck you", he says. I lean a little closer to his face and say, "I like it. I find it quite... useful." I smack my lips and Matt opens his eyes. Damn, again those damn eyes so beautiful they look like they're going to eat me alive.

Now everything seems sneaky. He whispers to me, "Really?", knowing exactly what I mean. And before I can say anything else, he pulls my head down and kisses me. It's a sloppy kiss, but neither of us cares. He caresses the back of my neck and lifts his body up to take my lips. The feeling of his mouth on mine is delicious. I feel like I'm Spider-Man wearing pink panties

Matt lets out a moan and it drives me crazy. I pull away from him from the discomfort of being so bent over.

"That was our first kiss", I point out.

"Yeah" he nods, turning to face me — still between my legs. "Was it good?" he asks, so relaxed that it makes me comfortable with what we just did.

I lick my lips and say "Yeah" too, but the sound is more like a moan.

"Do you want to do it again?" he raises his eyebrows suggestively.

"I do!", and that's absolutely true. "But I know where this is going," I think out loud. For some reason, I'm not reluctant to tell him what I'm thinking. Maybe the nervousness went away when I started drinking, and that's fine with me. I like to tell him what I think and I don't think he minds. I think he likes being teased by my words – especially since I like it when he does it to me.

"What? Sex?", he gives me a wicked smile. And looks directly at my breasts.

"Yes!", I lean back on the couch, feeling the softness of the upholstery. "And what's the problem, I thought you wanted it", he looks at me like a puppy. I move my hand to stroke his hair again.

"I don't know. Won't it be weird?" I ask, thinking about an idea that has crossed my mind many times.

"Why would it be weird?" he asks back and now we're playing this little game that I kind of like. I shrug and he's quiet for a while. "We don't have to have sex if you don't want to", he says, lowering his gaze to between my legs.

"Okay",I say it like I'm not dying to have him. I think he wants to eat me out and I wouldn't deny it, I'd just be annoying enough to make him tired of trying. "Are you upset?" I ask.

This isn't the first time you've said no to me," I smile at that and he drags his hand up my thigh. "I want to wash your hair," I say and he rolls his eyes. "What? I really want to!"

"Do you want to give me a bath too?" I do, but I don't need to say it.

"Well, if it's to wash your hair..." I won't say it directly.

He shakes his head and sighs heavily, thinking about what to say, but before I do I reconsider. "But actually, I think it's better not to! I don't want you to get excited in the middle of everything," for a moment I regret what I said.

"Juno", he bites his lip, calling me.

"Hm?" I look at his mouth; it looks so soft.

"I've been hard for about two minutes now," I open and close my mouth, looking at the considerably large bulge in his pants. I don't know what to say. "Oh my God. I managed to shut your fucking mouth. Awesome!" he says as if it's the best thing in the world, but I don't take offense; he's said worse to me. With a little difficulty, he stands up and stretches his entire body with his back to me. I'm a little intimidated about what he's going to do; however, he sits down next to me and, at the same time, grabs a pillow to cover his "problem".

He doesn't say anything and I shift to get closer to him. Now, from how much I've played with his hair, he's slightly disheveled. "How are you going to fix this?" I ask, knowing he's going to give me an expected answer.

"Do you want to fix it for me?" Before I can answer, he kisses me, and this time with tongue, and it's so automatic that I gasp. He grabs my ass and squeezes the flesh hungrily. I moan into his mouth and he pulls me to sit on his lap – and I realize he's quickly removed the pillow, feeling the openness of the bulge. I'm not going to lie or be hypocrite; I've been wet for a while now. When he forces me against his cock, I feel my pussy throb – it feels so fucking good.

"Matt", I hold his face with both hands, almost crying. "I don't know if we should have sex now", I say, separating myself from his mouth and feeling a delicious longing as I move over his intimacy.

The truth is that, although I would like to have his mouth all over my body and his cock inside me, I'm insecure about everything. This concern invades my head when the realization that it's Matt who's there watching me moan like a whore on his lap. The fact that he's already seen my breasts weighs this stigma even more.

"Okay! I know you haven't had sex with guys in a while", it's true, but wait.

"How do you know that?", I frown.

"Because you tell me everything, idiot", he seals our lips quickly. Matt lowers his mouth to my neck, saying: "But at least let me eat you out or just suck your tits, or just watch you touch yourself; I would love that." He thrusts his hips against me, catching me off guard, making me gasp loudly with my mouth open.

I take a deep breath and gather the courage to tell him: "I want to, I really do! I'm just a little insecure..." I look down, trying not to rub myself against him. "I shouldn't, because you're so hot! And you know that's true." He lifts my chin with his hand and bites my neck, biting until he reaches my cleavage, sticking his face in there. "And, fuck, I've seen those tits, and they're even more beautiful up close." He squeezes my breasts with his big hands, intensifying a delicious sensation in my lower abdomen. "Do you want me to tell you about your pussy that's wetting my pants, too?" Matt looks at me, his eyes shining. It was true, I'm making a terrible mess.

Fuck.

"Do you still want to wash my hair?" Matt asks, with his naughtiest smile. I nod and he lifts me easily onto his lap and heads to the bathroom.

He's quick to take off my clothes and he's also quick to make me go crazy. He pushes me against the shower wall and kneels down to eat my pussy. I like the way he knows how to eat me and how grotesque he is in the sense of making a mess on his own face just to devour me. When he runs the tip of his nose over my clit and almost shoves his face inside me, he says in a very slurred voice: "That's what you wanted, isn't it?" and he takes saliva on the tip of his tongue to join my lubricated clit and satisfy me a little more. And, when I squirt on his face from the accumulated stimulation, he opens his mouth with his tongue out, swallowing everything, panting: "You're delicious, babe".

Matt is the kind of guy who likes to fuck dirty and knows how to be thirsty for it.

I swore every moment that he wouldn't fuck me tonight, but after cumming in his mouth and knowing how naughty he is, the urge got worse and he fucked me the way he wanted, moaning loudly that I take him well, that he would cum inside me and he didn't care at all and he did; I like how he keeps his words.

And you can bet that I really like the fact that he takes me to bed, still wet, and makes me sit on his sensitive cock with my back to him, murmuring how hot I am and pinching my nipples between his fingers. I don't bother to scream when he hits my sensitive spot. I love the way he starts to feel overwhelmed and whimpers in my ear; I aggravate my movements and grip the back of his neck tightly just to hear him closer. He cums inside me once more, both of us letting out moans from the sensitivity caused in our bodies. He masturbates my clit and I release myself too, rolling my eyes in pleasure.

The last thing I remember is being in his arms, and after that, I fall asleep.

When I wake up, I feel unimaginably tired. Matt's eyes are open, sleepy; he says, "Good morning," and for me, talking at that moment is not an option. He kisses my forehead and smiles, touching my cheek, being so gentle.

"We weren't supposed to do this," I say, my voice unrecognizable. He presses his lips together and smacks, murmuring, "I know!" I sigh, stretching. "Do you want to do it again?" he asks.

Well.

No need to ask!

I must say that Matt and I fucked hard all day, in every possible position. And a few times, he asked me which ones I had tried; he was surprised by some of them.

He kissed me tenderly at each end, assuring me that it was very good. And surprisingly, after cumming on his cock so many times like a slut, I actually washed his hair when we showered – leaving it nice and wavy.

We finished putting the puzzle together – even though we argued a lot about where the pieces should go. He also felt motivated enough to tell me that he likes me since I started to feel comfortable insulting him, but that he finds me annoying and sometimes insufferable. I told him he was an idiot and teased him: “Does this turn you on, Matt?”

“Oh my god. I’m so fucking horny.” He laughs and kisses me and I know for sure that I want his touch for the rest of my life.

The End

a/n: Yeah, I know. It doesn't have much to do with the song, but if you're really fucking horny, I wouldn't hesitate to make a one-shot with all the positions that Juno and Matt did before putting together puzzles, and, who knows, after that too.

[haru-dipthong]

Fansub Release + Notes on the translation process for Utena ep 17

We're back! Apologies for the hiatus, Christmas and Oshōgatsu had me too busy with family stuff to stick to my usual rate of translation.

This time, instead of general translation notes, I'd like to show my working! Where do I start with a tough line, and how to I end up on the translations I settle on?

いつも私を守ってくれた

For example, this is an interesting line, and the final translation is a bit out there if you look at it without seeing the thought process. The key word here is 守る, which is often translated as “protect”, so the lowest-hanging fruit for this line would be:

She always protected me.

But it sounds weird and conspicuously like “anime-english” which I always try desperately to avoid. So I tried this instead:

She always took care of me.

This translation gets the literal meaning across better, but it has a fatal flaw. The word 守る has strong connotations with masculinity in general and throughout the series, yet “taking care of” someone makes it sound too feminine. In this line, it’s important that Juri’s masculinity is emphasised and contrasted against Shiori’s femininity. So then I thought, maybe this:

She was always protective of me.

But this is no good either. The くれた in 守ってくれた makes it clear that Shiori views the care/protection that Juri provided as a positive thing, yet this translation comes across as slightly bitter. In English I think “being protective of someone” has the nuance of restricting one's freedom, like an overbearing parent.

I felt like there were no good options for this line! Then it struck me like lightning:

She was my rock. (no orange because I didn't use an equivalent word at all)

“Being someone’s rock” is such a masculine thing! It also carries these patriarchal notions of stability (masc) vs instability (fem), which I think the series tries quite hard to weave into the story as criticisms of patriarchal gender. Juri at least in part represents women who seek success not through liberation for all women, but by becoming a patriarchal dominator herself.

Not to mention, 守る is often depicted in RGU as being something that a man does to their female lover. The “my rock” translation also carries romantic connotations, which is obviously important for how the Shiori/Juri relationship is portrayed through the dialogue.

This translation departs from the literal meaning quite heavily, but it preserves the subtextual meaning much better, which I think is more important in this case.

あの動き、まるで先輩の剣だ。

The way she moves... it's exactly like Juri. (my initial translation, which I didn’t use in the end)

The word 剣 means (literally) sword, but it can also be used metaphorically to refer to someone’s sword technique. Take this panel from Ranking of Kings:

それは王の剣じゃない！

That’s no way for a king to fight!

That’s not the “sword” of a king!

So the question is — how do you translate this when the swords are both literal AND metaphorical? When Utena says 剣 in this line, they’re talking about the technique (剣 as a metaphor). But the writers want us to make the connection that it is also literally Juri’s sword, pulled out of her heart, which in turn is a metaphor for her anger, insecurities, and angst. It's a metaphor for swordsmanship, which is meant to be interpreted as literal through dramatic irony, which literal meaning is meant to be reinterpreted as a deeper metaphor. I love Utena.

If the swordfights can be interpreted as philosophical debates, the swords can be considered the worldview that each character wields. Since the Black Rose duellists don’t use their own swords, they could be said to be tapping into, stealing, and exploiting the worldviews/swords of their respective victims, represented by their literal ripping the sword out of the victim’s 心 (heart/mind).

With no word in English that can capture the metaphorical triple meaning of 剣, I had to settle for something else:

Those moves… it’s like she stole them from Juri. (no red because I didn't use an equivalent word at all)

I think this phrasing gets across a similar feel that 剣 does. The base reading, and the one that the uninformed and naive Utena intends, is that Shiori is just imitating, “stealing”, Juri’s moves. The next level up is that she literally did steal something from Juri — the sword from her heart. Then the final level is that what she stole was not just a physical sword; she literally stole the metaphorical moves by stealing the sword, because the moves are the sword, the sword is the angst, the angst is the worldview!

Thank you to @dontbe-lasanya for your amazing edits as always!

Follow the blog if you'd like to keep up to date with new episode releases. For all episodes released so far, go here:

Rose divider taken from this post

[slaaverin]

I rewatched AYS today, and I keep watching clips, and I just cannot get over the part in ep8 when the producers say they were worried about the show, or more reaffirm what JK was saying when he said they (he and Jimin) were worried!?

Why? Why were they so worried? If they are friends and have nothing to hide, why? It’s such a wild thing to say. Because really all they were essentially doing in the episode they watched was eating, and cooking at camp, so eating again, and Jimin got sick. So what stood out, or worse, what didn’t make it into the show?

https://youtube.com/shorts/JEwKfWQDisY?si=uZ3C4ogYS64vBhGl

Excellent question anon 🤭

I think jikook, the staff, and all of us were collectively worried about this show lol

Maybe it was for different reasons but I think not.

The rational answer would be that firstly the show had no real sense of direction. Jungkook voiced this in the first episodes. Jimin thought it wouldn't even air.

Yes because "they had nothing to do" except quiet moments and little adventures, but also because I think we all *know* that this show would be very tricky to edit properly.

How to show a couple's vacations without showing the couple coupling? Hard thing to do and everyone knew this!

As many have said before me, what was filmed in this show was only little time during their day. Few hours here and there, but most of their time was spent only the two of them. And even then, they were not sure. It was already a bit dangerous. Poor editing team lol

We also saw that there were soooo many cuts, I'm sure of many moments that would not be suitable for cameras, including the moments they turned the cameras off themselves (Jungkook with the bedroom in EP2)

Jeju had also a lot of weird cuts (side eyeing the shower situation) ANYWAY

I think the fact that this show was simply them being themselves (with all that entails) would be quite worrying for everyone.

They did the best they could to make it look cohesive and entertaining, but we know they left many things out for everyone's benefit.

I am still shocked about what they left in though, I guess it is impossible for jikook not to be jikooking so you have to put SOME in but??? It was wild even like this.

To put it simply, I think they were all worried it would show a little bit too much that they are a couple and it did, anyway. But just enough to still be able to deny it. Just enough so that there is no scandal.

Really, poor editing team 🥲 they had a tough job.

Who knows what was left out, but I think time-wise, quite a lot.

We didn't see anything about Tokyo. We didn't see the in-between-activities moments. We didn't see all the conversations. We didn't see the nights. We didn't see all the car rides. We didn't see THE SHOWERS *I will die on this hill* 😂 also the goings and returns home. And the mornings.

So yeah A LOT was left out.

I expected more from the behinds but they stayed on course with them.

Ahhh how frustrating not knowing, right?

But I guess I am also happy that the two of them got to spend time together, alone. Those trips were for them first and foremost before being for the show.

Everyone was on this edge of their seat with this show, and I applaud jikook for playing it cool, and for the editing team who did such a great job even in this risky situation.

But yeah, someone, somewhere at hybe has sensitive content about the two of them, and you can be sure about that.

Much to think about

Jikook will probably tell us more stories about the show too once they are out, and I can barely wait

Until then it's all up to our imagination

(Knowing they always exceed expectations so...yeah 👀)

Thanks for your ask anon and take care 💜

[hotasfahrenheit]

my top 10 ql shows of 2024

we're a week into the new year already so i guess i should finally get this list posted 👀👀👀

to make this list, i kept an ongoing note in my phone all year of all the ql shows i watched, and then i sat down a couple days ago (*cough*a week ago*cough) and rearranged them to figure out which ones were my favourites. i didn't have any kind of ranking system going through the year (besides being very sure by the beginning of february what was going to be my absolute favourite of the year- and i was right) so this was all based on the vibes i was feeling about all these shows as i made the list, thinking back on them over the year.

i had JUST finished one of these shows so that's part of why i wanted to let it sit for a few days- make sure my ranking wasn't skewed by the feeling of having finished a show then immediately making the list right after while it was fresher than anything else. a week on, i'm still solid on these. i think. i keep looking at this list and being like "wait, did i really love that show more than this other one? did i? how is that one not in the top 10? wait but the ones above it are also just so good" and if i don't just post a list then i'll never stop fidgeting with it, so here we go!

10 - 4Minutes

was 4Minutes perfect? no, but i enjoyed the twisting layers of narrative and the speculation and discussion around this show so much. there were multiple times i thought i had things about the story figured out, and i kept being close to correct, but it kept finding ways to surprise me anyway.

9 - Love Is A Poison

this show was an unexpected delight in so many ways. it was funny, it was smart, it was wild, it was bonkers, i hope they get to make more of it.

8 - Jack & Joker

the longing, the heists, the shenanigans, the friendships, the everything about this show. it got a lil shaky towards the end but on the whole it was such a fun time, and it's still so incredible and such a triumph that they even got this show made, and i love it forever.

7 - Meet You At The Blossom

ANOTHER TRIUMPH OF A SHOW. so pretty. so splendid. so many long sleeves being waved around. so much nonsense and adventure. a fantastic pairing of characters, a fun side couple, just all around perfection.

6 - Love Sea

does this show get a biased boost in the ranking because i love Fort and Peat so much and even an imperfect show with them in it was going to be something i loved? maybe. possibly. probably. Peat spent the whole time looking expensive and pretty, and Fort spent the whole time looking like he was going to devour him, and they're just so good together. sorry not sorry.

5 - 1000 Years Old

this show gets two gifs, because they're my gifs, and i loved it SO MUCH. definitely a weird little show, but it had so much heart, and the way the story built was incredible, and it was just such a warm, beautiful show about found family and embracing your weirdness and being yourself and also love. all about love. the deepest love, and patience, and being willing to try again no matter how many times it takes. also soup, and so many umbrellas.

4 - My Stand-In

(this gif is from this set i made)

this show. THIS SHOW. the acting, the story, everything about it was absolutely insane and was all-consuming especially towards the ending of it. i love stories with complex, nuanced characters, and i love actors who can make you angry with how good they are at playing terrible people. this show had me shouting in the group chat all the time and it was just such a wild ride. an EXPERIENCE from start to finish.

3 - Love In The Big City

an absolutely stunning work of art. i watched the first two episodes with @poetry-protest-pornography when it first released then we both got busy with life for a bit; i listened to the audiobook at work the last week of December and immediately slammed through the rest of the episodes compulsively. i couldn't stay away. i had to inject it into my being. i'm aware that i interacted with and experienced this story differently than a lot of people i've seen talk about it on here because it didn't resonate with me in all the exact same ways as i am a straight person, and i saw a lot of people talking about how deeply it spoke to them about the queer experience, but the themes of loss and loneliness and searching for purpose and meaning and love were universal enough that this show did a number on my heart and soul and still is echoing in me now.

2 - Let Free The Curse of Taekwondo

another stunning, emotional show. this story had me in its GRIP from the first episode and has still not let me go. it was a rollercoaster and was such a deep tale about forgiveness and finding ways to just live life and how it's never too late for a new beginning. about how sometimes you can't let go of people, and you shouldn't. about being able to find and keep love and joy even through the darkest times and places.

1 - Love For Love's Sake

aslkdfjhalsfkdjhafd obviously. obviously this was my number one. an absolute powerhouse of a story about love and acceptance and being willing to not only help other people take second chances on life, but allowing yourself to as well. about being willing and open to loving and caring for others, and loving and caring for yourself. about taking control of your situation and writing your own future. about love, for love's sake.

THAT'S THE LIST.

everything here is obviously my opinion, if there's a show you're curious about that you loved that you don't see here, comment and i'll tell you where it ended up in my longer list (unless it's something i didn't get to this year!) and let me know how my list compares to your faves!

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Bonus round: honorouble mention - Knock, Knock, Boys!

listen, as much as i loved all the other shows here, i considered making this a top 15 list instead of 10 because i loved this show so much and it didn't feel fair that it wasn't included. it was goofy, it was heartfelt, it was fun the whole way through and i really loved it a whole lot. 15 would have been too many tho, so this just gets an honourable mention at the end instead.

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any gifs in this post that don't have credit under them are ones i made! i don't have the time or energy to make new gifs for every show so i just pulled from things i'd already made and had on my hard drive, or used ones made by others where needed. thanks to the other gif makers whose stuff i used!

[swanqueen-is-the-story]

Okay, here's the thing... I've always LOVED the big coma theory from Operation Out...

BUT THIS RIGHT HERE makes the show MORE SWAN QUEEN!!

Like, I totally understand why people hate coma theories, I hate it too most of the time 'cause it sort of erases everything that happened in a show or a book, and makes it a dream.... But, that's not the case with OUAT, and I LOVE THAT! Like, yes, give me MORE TO CHEW ON!

All the emotions are not erased by this theory, and I love that the Swan-Mills family is still THE HEART OF THE SHOW!

This opens up the possibility of so much Swan Queen that we haven't witnessed but that's told metaphorically... Like, maybe in the beginning, Emma was not very responsive, but then she's kinda back and forth, so she isn't completely cut off from Regina and Henry.

She's sometimes moving and talking. So Emma and Regina are interacting, they just have to work super hard for it... like they're on opposite sites of the town line.

Or imagine Regina mocking an Emma who says weird fairy tale sentences... and a Regina who is so lonely that the only person she comes to talk to is a woman who is half-conscious... because it's safe. But then still being snarky about it like:

Sidney: The only thing I really learned was that she doesn’t like to sit still. Regina: Well, that appears to have changed.

OR

Regina (to Emma): Well, you covered this room. I suggest you branch out.

And then, the half-conscious woman is completely in love with Regina against her own better judgment because this asshole is not being precious with her like everyone else. And Regina goes from little sarcastic interactions to starting to look at Emma and really seeing her... she's listening to the weird things she says, she's trying to go to where Emma is, understand what she's saying with all her fairytale adventures. She fucking likes her, in spite of being in different realms, and feels like she knows her... profoundly. And that's holy CANON.

Video: YouTube

Like, I love Swan Queen still after all these years, and the fact that analyzing this show with these new glasses still has the potential to give me new SQ squeal moments is just insane. I am now on the HUNT for hidden Swan Queen moments in other storylines.

Like, one thing I've already noticed is that from the beginning, Regina is "cast" as the love interest every time in the first season. I mean the fact that Sydney is "The Mirror"... literally a reflection of Emma, and he goes, "She's an amazing woman." and then Emma "You're in love with her? Ugh." Like, Emma's annoyed with herself for totally being into this woman... and all of this stuff seems fully intentional. Just when you thought this show couldn't get more gay, it really, really does. And that's an example that's not super evident.... because let's remind ourselves that Swan Queen parallels Snow and Charming ALL THE TIME!!! So where are the other hidden ones, you know? 👀

So anyway, all I'm trying to say is that we should hunt all the Swan Queen that's still left to discover.

SQ really, really is the story.

Analyzing Once Upon a Time

This can't be how the story ends

Since this blog is now as old as Henry in the Pilot, we thought this would be a good time to re-introduce this Once Upon a Time theory to the new kids on the block - and to the old kids on the block, because we have learned a thing or two during the decade we've been researching this concept.

The heart of the theory can really be summed up in one sentence:

"Everything that happened on Once Upon a Time also really happened in our world, and it is all a metaphorical retelling of Emma's life experiences in the past and in the present."

That's the part of the theory that we are certain about. Every episode has a deeper meaning, there is no fluff and together they all form one big story.

Does that mean that the story that we watched, didn't really happen? No, it's more like getting two stories for the price of one. The best metaphor we can come up with is that of lenticular cards.

Remember those little cards that you would twist and then the image would change? It doesn't really matter which one of those two images is real, because they both are. Someone had to draw and print both of them and use the right technique so we could see them both. Usually the images tell a bit of a story when you combine them, but they work perfectly fine as two standalone images.

So what we are doing is simply twisting the card, we're revealing our second story. We've really emotionally invested in these characters and now we're entering an Alternate Universe that was written by the same writers. And that's the real appeal of this theory, to get another story after the show's been off the air for so long, with the characters we know and love, because they are both.

Let's say the genre of the story we watched on television for 7 years is fantasy and the genre of our new AU is magical realism. So take a seat, suspend disbelief and enjoy the ride, because we're about to watch the official trailer of this new ABC show called Once Upon a Time.

If you watch the trailer, you see the idea of the two sides of the story being reinforced. You also hear the voice-over tell us that "someone from our world" needs to save the fairy tale characters while showing an unconscious Emma. This is the moment when the story splits in two.

Once Upon a Time takes place in what Jung called "The Collective Unconscious", or in this case The Enchanted Forest - a place where humankind's stories are real, where the fairy tale characters we know and love live - the world of archetypes.

A metaphorical curse is cast when Emma crashes her car. She loses consciousness and travels to her own subconscious mind. The fairy tale world and Emma's personal world collide and she gradually steals the fairy tale characters to work through her own issues and traumas. This is how the fairy tale characters actually get trapped in our world.

This is why this version of the story is "Magical Realism" - In magical realism, the underlying idea is that the world we currently live in actually has an undercurrent of magic, of intelligence, a magic that expresses itself through uncanny coincidences. We see this in the Pilot. Emma makes a heartfelt wish, and a second later, her long lost son rings the door bell. Unlikely, but possible in our world. When she slams her car door in anger, electric sparks fly and when she looks up at the clock, it's stuck on 8:15. August 15th. The date her long lost son was born. Odd coincidences, but entirely possible.

This magical world, however, is also a world of karma, because she violently knocks a man against his steering wheel earlier in the episode. Later that night, she hits her own head. This was the only way for the hidden magic of our world to grant Emma's wish and to restore her karma. The intelligent universe forced her to confront her demons with the help of age-old archetypes, so she could heal from her traumas, learn the life lessons she needs to allow people like Henry and Regina into her life.

Everything we saw on this show was Emma's real experience during the show's timeline, but the undercurrent of the world she experienced was created by her memories and by everything what's going on in the world around her while she is in different states of consciousness. Like Jefferson points out during "Hat Trick", even fictional stories come from a real place. They come from the writer's emotions and experiences, codified into story.

What we didn't know when we first started writing this theory, was how weird our consciousness really is. Real comas are nothing like movie comas where people just sit up one day. Maybe they need a little bit of physical rehab and then off they go. No, in the real world, people spend days, weeks, months or even years living in between their dream world and reality, trying to make sense of it all. Some people report having no memory of the months after they woke up and after they were up and somewhat functional. Many report strange dreams and remembering conversations that happened around them - except they thought they were participating.

Based on this newfound knowledge, we concluded that Emma was only in a deep coma for parts of the show's timeline. We think Emma's state in this theory closely aligns with what medical professionals call a minimally conscious state (MCS). Sleeping curse victims in an MCS are awake but show limited awareness of their surroundings. They may respond to stimuli, have brief moments of purposeful behavior, or even show emotional reactions to familiar voices or events. While their consciousness seems fragmented, they can form connections between external events and their inner experiences. The show uses David's coma story to tell us what's happening with Emma. He is able to grab Mary Margaret's hand, which he couldn't do if he was in a full coma. That means Emma is sometimes saying words and interacting with the people around her. They can connect with her in meaningful ways. And they do.

The show is peppered with hints that point to Emma's state in the land without magic. Jefferson is one of the characters who is used as a part of her subconscious that is trying to make Emma aware of her situation in the reality realm, but during the second episode, Emma herself gives us a description of the curse that she is now trapped in.

Emma: "So, for decades, people have been walking around in a haze, not aging, with screwed up memories, stuck in a cursed town that kept them oblivious."

What's very important about this description, is the "screwed up memories". The flashbacks about Emma's life that we have seen, are just as metaphorical of the other parts. They did happen, but they didn't happen in the way we saw them happen. The best explanation for how these 'new memories' are created is by looking at one clear example.

The "memory" of Emma giving birth to Henry is actually a metaphorical memory of Henry coming back into Emma's life, through parallels and visual clues. In this new memory, she expresses how she really felt in that moment, in so much emotional pain she could scream, and terrified to be asked to be a mother. This is how all the stories are created.

Much of the show works this way, except unlike during this scene, we haven't seen the original experience that the metaphor is based upon. So to decipher the rest of Emma's memories, all we can do is look at the recurring themes and storylines, as they show what Emma is wrestling with. Season 1 is full of car crashes, because crashing her car in the Pilot is a very recent trauma. Parents giving up children is a recurring trauma, because it matches both her story and Henry's story. This is the translation key to figure out Emma's story. Look at the patterns.

If we listen back to the show's trailer one more time, the theme song that was chosen to represent the show couldn't be more of an invitation to see the reality layer of the story.

Rescue me

Show me who I am

'Cause I can't believe

This is how the story ends

Fight for me

If it's not too late

Help me breathe again

No, this can't be how the story ends

This is Emma fighting for her life in reality. Asking Regina and Henry and the people around her to help her come back to life, because this can't be how the story ends. This can't be how she dies.

Ooookay... so where's the fun exactly?

You may be wondering, what is the appeal? Admittedly, this story is somewhat sad and dark at first glance, but remember when you watched the first season and you were trying to guess the characters' fairy tale identities? You get to do that again, except this time you are trying to guess the real world identities. You get to experience the curse from the inside and it really does feel like you can recapture some of the fun from the first time around.

Once you realize that the memories we saw were warped, many questions bubble up to the surface. How did Henry really find Emma? Who gave him the story book and why? How did he come to his conclusions? Is he the author because he is creating the fairy tales he is reading to Emma? Who are Emma's real parents? Why was she given up for adoption? What really happened to her in foster care? Is Neal really Henry's father or is there more to the story? What is wrong with Emma? Was there something fishy about the adoption? Why is she in and out of consciousness? How do Henry and Regina react? Did Regina really try to kill her? If Regina wasn't actually the evil queen, why did Henry think she didn't love him? Why is everyone suddenly related? Who is Emma Swan? Who is Regina Mills? Who is Henry? And Gold? And Hook?

It becomes a gigantic mystery, a fantastical true crime show. And the more people lend their ears and their eyes to it, the better our chances are to actually solve this very, very weird puzzle. Because as we said, the only part of this theory that we are sure of, is that everything we saw, is all a metaphorical retelling of Emma's life in the past and in the present. We report on the connections we find, the possible interpretations. The recurring themes. The meaningful parallels. We don't claim those are the correct interpretations, because they change as we dig deeper.

So consider this an invitation to take a bite out of the forbidden fruit of knowledge, join in and share your observations, because we would like to see the full picture once we tilt our little card to take another look.