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kissmetwicekissmedeadly · 5 months ago

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MIDNIGHT CINDERELLA MEMORIAL POST

The Midnight Cinderella app will be closed on Monday August 26th, 2024 (5 PM JST). The English version was actively updated from 2014 to 2021 when Cybird announced the ceasing of operations for MidCin, but the app remained accessible until today. I'm sure I'm not the only one who mourns the loss of it even after all these years of discontinuation, so I wanted to put together a post to properly say goodbye to it. Trying my best not to make it all too sappy - I'd rather look at it as a show that reached its final episode. Some things might be left unresolved but in the end, you remember the cast and the emotions they made you feel more than the actual plot. Nowadays there arguably may be better titles by Cybird out there, but for me, the simplicity of MidCin was what made the details so memorable.

1. VIDEO - POV: You're playing Midnight Cinderella (for 10 minutes)

The 10-minute version (without sound) is accessible via the link above (opens in Google Docs) This one I was really excited about recording! It's just your normal day playing midcin, I'm sure many will find it nostalgic and comforting. You log in, claim your daily bonus (I used the chance to do a present box reveal, 90+ items, many of which you might recognize from route grace checks), play the garden gacha (in my case, I used up all the points I had accumulated, 7800 which equals 39 solos), do your princess lessons, change your avatar, greet your friends, read 1/5 of today's free story parts, check the ranking and your stats, look at your memories directory. The video has no sound, as the game wouldn't let me turn it on (you will see me try to do so throughout the video...) but later on I got it to work so I recorded a one-minute video (the one imported above) of me replenishing stamina just for those iconic sound effects that you either loved or absolutely couldn't stand the volume of, haha.

2. A Midnight Cinderella playlist (spotify link)

While I wasn't there for the early days of midcin, the songs I associated with the game almost always captured this very specifically nostalgic 90s-10s period, you'll see what I mean. Many of those are taken from 8track playlists dedicated to Midnight Cinderella, and if I'm not mistaken you can still look at what is left of them if you search them up. Others are just my very random interpretations of the route stories and the characters.

3. Fic recommendations

We have a lovely community of creatives and there are still so many works left behind which you can check out on the tags! But especially for fics I wanted to list some that truly touched me during the years (all links open in ao3) -

i'm on fire and its NSFW bonus scene bloodstream by a deleted user - words are not enough for this one. It's like it meant more than Nico's whole route for me at one point, and the songs are forever in my heart as Nico songs...

MidCin Works by DBMidCin (SoftSen) - ALL of these. This is my go-to collection of writings for midcin when I start to miss the game, it has a little bit of everything. The headcanon of Giles teaching his girls French for instance is one of the things I still remember reading like it was yesterday!

Bedroom Etiquette (NSFW) by RubyLeeRay - Because this is the dream. Doing something forbidden with your tutor Giles is the ultimate fantasy, I swear. I just love it.

And of course, many, many more. There are currently 166 works on the midcin tag in Ao3, and I'm sure there are a lot of hidden gems here on tumblr as well! Reminder that writers LOVE it when you interact with their old works, it's not weird, you shouldn't hesitate doing so if you find yourself enjoying any of them! <3

4. My own humble collection of MidCin writings on my writing blog @xxsycamore!

Maid, Butler, Chamberlain (NSFW) - Nico x MC with Giles joining them

Grabbles: 💋 Demand for a kiss, right here, right now (GILES); 👔 Stealing their clothes to cuddle when you miss them (BYRON); more coming soon as there are still some in my askbox and I plan on including midcin in future short writings request openings too.

Shared Moments (NSFW) - Nico x Reader - Secret relationship

Ice-cold heat (NSFW) - Byron x Reader - Temperature play

Double the Surprise - Alyn and Leo birthday fic

Leo Crawford having a misadventure with a cat (ao3 link) - crack fic featuring most of the suitors

5. Out of context Midnight Cinderella screenshots

This is a sideblog of mine dedicated to posting out-of-context funny screenshots that I took while playing the routes - @oocmidcin . If you have some of your own that are not on there, you're free to submit them and add to the archive!

6. The perfect MidCin song - The Moon Will Sing by The Crane Wives

When I first discovered this song back in 2020 I dreamed of making it into a midcin music video with simplistic art and animations... It ended up being just something you daydream in detail about while in the car, but that's alright. I could at least share my vision with you! Disclaimer, this is just an interpretation and obviously it can't fit all characters ideally - In the brackets, I explain how the lyric is related to them and usually it reveals their backstories. Some of the details I've already forgotten, sorry if it's inaccurate.)

Tell me once again

I could have been anyone, anyone else

Before you made the choice for me

(Giles - his family making the choice for him since birth and later disowning him once he failed to become a knight due to his illness)

My feet knew the path

We walked in the dark, in the dark

I never gave a single thought to where it might lead

(Nico - wandering the streets with his mother once they were thrown out of Stein castle because she was a commoner having an affair with Byron's father, the King)

All those empty rooms

We could have been anywhere, anywhere else

Instead I made a bed with apathy

(Robert - the empty rooms of the once flourishing palace of the country that Robert ruled and led to demise, nowadays becoming a mere court painter)

My heart knew the weight

Ten years' worth of dust and neglect

We made our peace with weariness and let it be

(Leo - the years in which Alyn didn't speak to him, after the death of their parents)

The moon will sing a song for me

I loved you like the sun

Bore the shadows that you made

With no light of my own

(Albert - loyally standing in king Byron's shadow)

Name your courage now

We could have had anything, anything else

Instead you hoarded all that's left of me

(Sid - his relationship with his fiance that he agreed upon just to find out more about his parents by getting close to her father)

Swallowing your doubt

Like swords to the pit of my belly

I want to feel the fire that you kept from me

(Alyn - searching for answers about the murder of his family and the fire that burnt down their home)

I shine only with the light you gave me

(I could have been anyone, anyone)

(Louis - being a nobody and MC being his sun)

7. It goes on

I went to read what I could of chapter 4 of Rayvis' route, using my last two chapter tickets as well, thinking it won't make me cry. And then I'm hit with those familiar things.

So let's close this with a word about the things that never change in the universe of Midnight Cinderella.

Stumbling down the grand staircase and right into the arms of somebody. Escaping the palace at midnight with Nico's help. Sitting at breakfast with Giles giving you your schedule for the day. Nico's teasing little smile as he accompanies you everywhere and listens to your relationship troubles. The way he's just a little suspicious at times. Finding Robert painting in the garden of Wysteria palace. Going to the room of your chosen suitor for the first time and meeting a pet there. Leo teaching you history and politics in his office. Dance lessons with Louis. Needing those dance lessons because King Byron is coming to Wysteria and a ball is going to take place. The bureaucrats being unhappy with you as a princess elect, no matter what. Galloping on a horse with Alyn who just protected you from an enemy attack. Getting information from a certain flirty merchant at a bar. Albert bickering with Nico, Sid teasing Louis. Being introduced to Archduke Herneit at Stein castle. King Byron appreciating the night sky. The sight of your yellow and orange princess elect room where on the large bed with its blue bedframe and tall see-through canopy you lie awake and think about the events of the day and how would a wise future Queen of Wysteria deal with the current situation. But ultimately you fall asleep, hearing the melancholically beautiful sounds of a violin coming from somewhere deep within your dream, and leave it all to the following day.

Thank you for everything, Midnight Cinderella!

08/26/2024

#midnight cinderella #midcin #midnight cinderella giles #midnight cinderella byron #midnight cinderella sid #cybird #otome #otome games #midnight cinderella nico #midnight cinderella alyn #midnight cinderella leo #midnight cinderella albert #midnight cinderella robert #midnight cinderella rayvis #Spotify

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readychilledwine · 5 months ago

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Okay I have like a slightly out of pocket request/idea that I don’t think I’ve seen before and if this is not your cup of tea you can straight up IGNORE but it’s taken over my brain 😂 let’s pretend in this story that eris and mor are mates but it’s a rejected situation bc obvs mor isn’t into males. And helion and the lady of autumn are also mates. This is post Hybern, maybe during or after ACOSF. Beron (I know ew right but stay with me now) ends up finding HIS mate. And she’s like the sweetest thing ever and she’s terrified of him. (Beron is infatuated with her because of whatever power she may have but he’s still an asshole don’t get me wrong this is not a beron redemption request) It becomes public knowledge that beron found his mate and he plans on marrying her. eris REFUSES to let another female be subjected to what his mother went through so this is what spurs the whole murder beron and become high lord plot. I have no thoughts on what happens between but eris succeeds and becomes high lord in the end, but falls in love with beron’s mate during the process and it’s mutual love and it’s angst with a happy ending. Usually fated mates is my jam but I just needed every mating bond to go wrong in this one LOL. Except for Helion and LoA of course 🫡

A Game of Fate

Eris Week - Day 7 - Free Day

Summary - After the bond between Beron Vanserra and Eris's hidden lover makes itself known, the cycle of tyranny in Autumn is put to the test

Warnings - assassination, poison, Beron, mentions of abuse, food and sleep deprivation, beron x reader mating bond.

A/n - I've been holding on to this, and I am so sorry 😭. I played with it a little bit, but I this ultimately was the version I am happiest with! Happy last day of @erisweekofficial . It feels like I'm like leaving a long-distance friend after too short of a visit.

🍂Eris Week Masterlist🍂Eris Masterlist🍂Master Masterlist🍂

The Cauldron was wrong. Eris understood Azriel's claim in every sense now. The Cauldron had to be wrong.

There was no other explanation for why his father was currently signing papers to end his marriage because you were his mate. Sweet, kind, soft spoken you. You dreamed of far-off places, peace. You once told Eris you liked to imagine what the stars whispered to each other late at night.

You were a dreamer, and you were his. Eris had hidden you in plain sight since you became his peace. You were there for him after Mor rejected the bond. You were there for him after every beating, and you loved him through everything.

And now your father had to go and ruin it. You were 505 years old, and he finally felt the need to present you as a lady to the court to be married off however Beron saw fit.

If it was a massive payout your father wanted, he had it. Everyone knew what had happened the second the High Lord of Autumn laid eyes on you. The reactions ranged from jealousy to sympathy to shock. And now, two months later, the reaction was silence.

Without even speaking, you had changed the course of Autumn's history. You had ruined Helion, Rhys, and Eris's plans. You had freed his mother at the cost of yourself and your safety. Your words behind those closed doors would haunt Eris until he died, "I will marry you only if Lady Autumn is freed and allowed to leave to wherever she sees fit, safely and with your blessing."

Eris sighed as the other two High Lords, the inner circle, and his brothers all sat in Helion's war room. Eris's boots banged with each anxious and angry step, "Any ideas," he asked. "I would have to outright declare a blood duel now, which requires gaining the support of the rest of the courts beforehand, and we do not have time for that."

"We can not declare war," Rhysand contemplated. "No other court had claim to the girl, and you have no known claim to her."

"Even if he did, Autumn court law says the mating bond trumps it," Eris's mother, Anala, said. "Especially when it is between two members of the Autumn Court. Our laws allow males to claim their mates without her accepting the bond."

"Well if that isn't misogynistic-"

"Let me know when you actually ban wing clipping, and you can bash my court's laws," Anala spat at Rhysand. "You know, as well as I do change doesn't come overnight with a dictator."

Rhysand blinked at the former Lady of Autumn before glancing at Helion. You entered the room at that moment. The air seemed to tense as you did, but Eris rushed to you, holding your elbows. "Are you alright?"

Beron has been trying to manipulate you for weeks. He played games with your mind no long talks with Eris could prepare you for. Beron was a monster, and this was only your second week continuously being with him.

Helion stared to his love, his long lost mate, and stood, "Give me a week with your mother, and I will do it." The silence was screaming as the former Lady of Autumn shook her head. "There are no other answers, my love." Helion knew the look in Eris's eyes, the ache, the desperation, and the struggle.

He knew immediately what you were to Eris and what you could be to Autumn. Helion, much like Eris, knew he could not let you fall victim next, but you had no intentions to. He had watched his mate suffer for far too long, and the rumors of Beron's so-called adoration for the female in front of him did not mask the concern the Lord of Day felt.

You and Eris held eye contact. The room noticed the wordless communication. It was a bond that could only have been built through love, trust, and years of understanding. "I can not risk you like that."

"I would be careful," your reply was so soft but filled with confidence. "He won't even know if we use small amounts."

Eris couldn't help but hold your arms a little tighter, "I will not risk you." His eyes were pleading for you to reconsider to think this through.

"Would anyone mind including the rest of us in this... touching conversation?" Rhysand picked a piece of lint off his jacket before crossing his arms.

You spoke before Eris could, "There is a plant that grows in a certain place. It is highly poisonous and undetectable. The symptoms are no worse than an allergy. It can cause death within 2 weeks."

You watched as Anala shook her head at Helion, "I know of no such poison."

"That's because I made and grow it," Eris flinched at your admission and the questions it would bring.

Helion started to laugh, "You made it?"

Eris glared at the Day Lord, "y/n has a certain.. gift.. from the Mother."

"I can combine poisons," you rolled your eyes at Eris playfully. "Create new ones with no antidote or cures." Rhys and Helion turned to each other, clearly not assumed by the new information. "I only used it once. And they deserved it."

Anala's whiskey eyes went wide, "The human smuggler. You killed him?"

"Eris did. I just provided the supplies."

Rhysand pinched the bridge of his nose. "Eris, why was this information not provided to any of us earlier? Do you understand how useful she is?" You shook your head toward the red-haired male. He seemed to calm down instantly at the sight of you. "Ah, I see. She's your lover. Not just your friend."

His mother seemed stunned at this information, "But Morrigan?"

You flinched at the mention of her name. "Has the same taste as I do, mother," Eris was only looking at you. "And I do not support this idea," his grip on your arms grew tighter. "He is not a common idiot."

"Nor am I," you declared. "I would be smart. I'll be close enough to him to make sure he gets it every day. Even after just a week-"

Rhysand finished, "He'd be weak enough to call an emergency meeting or for one of us to declare the blood duel."

You nodded at the Lord of Night, not even stopping to admire his dark beauty with the grace of Autumn and Mother Nature stood before you in Eris's eyes. There was no world where you planned to be without him, no world where you could see yourself in arms besides his.

But for a week you would not have a choice. For a week, you would play the part you were expected to, and it began before you even had breakfast the next day. You were woken up by two handmaiden ripping you from your bed in the former Lady of Autumn's private chambers and throwing your half awake and now naked self into a bath.

Every inch of you was scrubbed almost raw before your hair was washed and scented to Beron's preference of roses. You were dried and dressed in almost no time, the heavy traditional gown feeling like shackles on your figure.

No cotton dresses if this failed.

No more nights in Eris's sweaters and nothing else.

Once your hair and makeup we're finished, you were not taken to breakfast. You were taken to lessons. Beron had assumed you knew nothing of formality, nothing of etiquette. You had not been presented to his courts, so what other assumption could he have made as you were retaught the differences in dinning utensils.

You would not see food until that even came, and then the mood quickly fizzled away as the table for two was filled. The only sound in the room was meat being cut, your breathing. You knew not to speak before the High Lord addressed you. You knew he was testing you with silence.

You did not see Eris in this male. There was no sign of the life that burned in Eris's eyes. No freckle of Beron's seemed to mimic the night sky the way Eris's did. There was nothing special to you about Beron Vanserra. Not even the bond was strong enough to make you want him.

"How were your lessons," his voice was falsely sweet. "I assume based on your manners they went well."

"They were lovely, High Lord," you responded. "A good refresher for everything my mother had already taught me."

Beron glanced at you, "Are you inferring you did not appreciate me setting you up with the finest tutor in my court?"

Eris would be whispering to you to tread carefully. Beron's very body language told you this was beginning to enter dangerous territory. "No, my lord," you said softly, "But I would hate for you to waste time and resources on me when I am sure there are better things to put them towards."

Beron leaned back, a smirk playing on his lips as he cocked his head, "You know how to play. I'm going to thoroughly enjoy breaking you, mate."

And you thoroughly enjoyed watching him drink the whiskey laced with 3 drops of poison.

The next day was different. Beron himself was dragging you places without food right away this morning. He was showing you off to different advisors all day, bragging about your beauty, your ability to manipulate flowering and fruiting plants into harvests sooner.

You had used your magic so much to show off for him that you could hardly stand as he affectionately held your chair out for dinner. "You did wonderfully today," he began eating after forcing you to say a prayer to the Mother.

He didn't get to hear the silent plea you sent her. The silent begging for mercy.

You sid get to hear him start coughing as he drank his tainted whiskey that night, though.

Eris was worried for you the third day. You had been sent to bed late, awoken early. Once again, not allowed food. He had stayed by your and Beron's side in meeting that day.

His amber eyes never left your form. He was openly staring at the way you couldn't help but lean on Beron in your exhausted state.

And when Beron stole you for dinner, Eris made sure to add extra poison to his drink, watching as you played the part of the perfect mate, rushing to help him as he began to cough up blood.

Illness among the fae was rare, but when it struck, it was deadly. By the end of day 4, the Forest House was a much quieter place. Beron was bed bound due to Eris's choice to expose him to the poison morning, noon, and night.

You had warned him that this poison was aggressive in large doses. He had also tested it on more brutal lesser fae tracking to attack innocent children to see that. It was brutal, focusing on getting into the smallest cells of blood before shutting down major organs quickly and painfully. You were sat beside his father, crying, playing the part, and Eris beside you, a distraught son.

Day 5 Eris slipped the poison in a high dose into Beron's pain medication before finding you. He had cornered you into a hall closet. You had been forced from bed far too early again, forced to skip meals again.

Eris knew this tactic. Had Beron been healthy, he would continue this until your brain associated Beron's presence with food. It was a way to make you comply, to rely on him.

Eris put an end to it right that moment. He ordered you to be given food, then rest. His father refused the tea Eris offered him that night. Took weak to even open his eyes.

You had underestimated yourself and your powers, or perhaps the smug male above you had more to with it than he let on, bit day 7, Beron was unresponsive. Eris held you down on the bed you two had shared so many times before, kissing your neck and whispering words of how he'd move the very foundations of this world for you when the knock came on his door.

He quickly hid you, allowing a healer to enter. Eris faked his reaction perfectly. He fell to his knees with a strangled cry, hand on his heart as the healer moved to comfort the young heir.

Beron was unresponsive.

And by night fall, Eris truly fell over. His very blood felt as if liquid fire had been poured into him. His hearth grew brighter, hotter.

It wasn't until your heart-wrenching scream came that Eris knew without doubt what had happened. No one had prepared for the outcome of you losing your mate. No one had even questioned what it would do.

They had been so focused on saving you that they had forgotten the most important part of the bond, Beron was the other half of your soul. Grief. Guilt. Joy. Anger. You had never felt like this. You had never imagined a world where you could feel so deeply it ached and made you sick.

You pushed healers away as you held Beron's hand. You pushed Eris away as he came to kneal beside you. You didn't want to feel this, yet you did. You did as he forced you up and out of the room. You did as Beron's body was burned before his ashes were given to the trees. You did as you watched Eris take his place.

The grief only stopped when Eris concerned you that night, his hands on your hips, and he led you to another room where a separate celebration took place. Anala stood in Day Court attire, laughing as Helion dipped her, laughing as Lucien smiled at her from across the room, Elain safely tucked to his side.

Eris's middle brother stood dancing with his male lover, the two of them just swaying. Mor was there with Emerie, lips by her ear gossiping. "I ache too at times," Eris looked at her, a longing in his eyes as he did. "I wonder if I made the right choice to let her go on my loneliest nights. Then I see you."

Eris kissed your knuckles, "I see you, and I regret nothing. Not even what I did in secret."

You looked at him then, "Eris?"

"I stole the black poison. The one you never tested. Every time he and I ate together, I slipped him that one as well."

Your face fell, "You-"

"Weren't going to risk it. Not with the female I am in love with being involved," Eris drank his wine slowly as he studied your reaction.

"So no big fight needed?"

"Oh, trust me, I wanted that," he clarified. "I didn't realize it would work as quickly as it did. I wasn't sure what you had been crafting. He died before I could challenge him, but before he could break you."

The two of you continued watching Helion and Anala, continued watching Lucien and Elain, his brother, Mor.

The grief did linger, but as you took his hand, it faded more. "Let's go dance, High Lady," he whispered into your ear.

And with each spin, every dip, the raise in laughter, the ache continued to fade.

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myfriendpokey · 2 months ago

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Talking About Some Horror Comics

(Image: Richard Sala, "The Bloody Cardinal")

On Cohost a while back i wrote a little bit about comicbook inspirations for Anthology Of The Killer - I might repost it when that site goes down at the end of the year, but until then you can read it here: https://cohost.org/thecatamites/post/7154072-i-wanted-to-write-so

For part two I wanted to talk more about horror comics in particular.

I probably wouldn't have gotten into horror at all if it weren't for comics. Horror comics can feel like a "cold" take on a very "warm" genre - indebted to and playing off of a familiar ground of horror films, but without film's tendency towards emotionalism or immediate effects... Working on a far more compressed scale than even the cheapest 80-minute b-movie, amplifying abruptness or abstraction into something dreamlike and strange. And with the great advantage of taking place inside a totally constructed world. It's not strictly a horror comic but something like Jess Johnson's "Nurture The Devil" is unsettling in part because it's hard to place in relation to either a real world or the world of dreams - whether it's a stylised version of some more familiar content or whether the stylisation is a literal depiction of what's happening.

A comic as physical object can also be a relic - not something we experience in one go, rather something to pick up, put down, sift through, read and reread, with new meanings emerging from a mass of material of which the supposed narrative may not be the most important part. The dreadful, knife-wielding maniacs from Al Columbia's Pim & Francie are familiar figures, but seeing their obsessive repetition across the different collected scraps of abandoned or submerged narratives changes them into dream symbols rather than direct threats.

I like a lot of comics that draw on horror imagery - Mark Beyer and Rory Hayes, A. Degen's "Junior Detective Files" and Daria Tessler's "Cult Of The Ibis", Nicole Claveloux and Imiri Sakabashira. But I wanted to try writing here about some comics that made me interested as horror in a genre itself.

Junji Ito: you may not have heard about this guy.... I actually hadn't read any of his work before the Viz edition of Uzumaki a while back, and the sense of being late to the party didn't make it feel less of a revelation. I think part of it was the sense of comics that were totally distinct while at the same time feeling like they were working entirely IN a genre tradition rather than against it; there was a sense of almost impersonal originality in their laconic and assured pacing, the clarity of line and their lack of need to give too much away, which suggested they must be drawing from and distilling a whole surrounding tradition. And this impression persists even when you follow up on other horror manga and the stated influences and find these comics still feel mysterious even in that context. One of his best effects is a willingness to seem more anonymous than he is, or to give the impression even in his most original effects that he's just flatly transcribing a readymade idea or image. And I think this is his biggest influence on internet-era horror, which has tended to disguise itself (even more than is typical for horror) in anonymous and generic forms, a surface impersonality: as if everyone aleady knew about this, except you.

But what I do feel gets underplayed about his work in particular is also how funny it is, and how indebted to comedy timing. Compare the monstrous reveal in an Ito story with one by Umezu (RIP) - in the latter the frame is pushed right in on someone's face, eyes bulging, screaming, the image repeats, gets even closer, we're in that portion of a nightmare where we feel immobilized by horror, stuck in a pit that we can never escape. The same moment in an ito story tends to be one of ironic equipoise - when the horrible thing finally appears it's depicted clearly, powerfully, it's almost this beautiful and static image. The onlookers stand frozen at the edges of the frame, mid movement, eyes wide but expression not yet changed, a single drop of cartoon sweat on the edge of their heads. There's a contrast between the assurance of the thing and the hapless rabbitlike fascination of the character regarding it, who becomes, like us, an aesthetic spectator - for a moment. When the spell breaks, when we see them screaming, running, it's comic because something of that mood of still contemplation that remains intact. Their eyes bulge, their mouths scream, but they're rushing backwards, away from the panel, and we regard their fear with the same attitude of detached interest with which we saw the full outline of the monstrous shape a panel earlier. To me this sense of humour is apiece with the disconcerting flatness of his approach to setting, in which the usual horror sets - gothic, extraordinary places outside the everyday - feel replaced by something anonymous and shabby, a kind of just-expired contemporary. The monsters rarely need to be explained; it's as though our own world has gradually become too worn down to have any purchase or power on these creatures of dreams that walk the landscapes and alleys with impunity.

Richard Sala - sometimes the artists I end up most fascinated by are ones I spend a while bouncing off of first. I read a few Richard Sala stories over the years and for a while I didn't know what to make of them. Great art, stylised and weird, but as narratives they were hard to place - too stylised and exaggerated to feel like straight horror but too obviously serious about and committed to those genre elements to feel like mere parody or pastice. I think I needed to read Uzumaki before I could get what he was doing, because it relies so much on a sense that genre horror was worth taking seriously; seriously enough to treat neither as a punchline or a heritage piece, something you could bring your own offbeat sensibilities and aesthetic to without condescending to the form, because there was something there. In some great interviews he did with the Comics Journal he was explicit about what he valued in the form: the dreamlike and symbolic qualities of b-movies, the ritual and fetishistic nature of repetition, the way pulp artists in an overlooked form could evolve a private vocabulary of forms, structures and images which worked like surrealist procedures to be mined and combined for new discoveries over time.

He was also interesting to me for the way his work changed over time. The shorter early pieces collected in comics like "Thirteen O'Clock" are recognizably art comics using a vocabulary of found horror images: the secret society, the leering face behind a window, are representative symbols of states of mind rather than presences in themselves. But his first longform serial "The Chuckling Whatsit" inverts this. Here the horror elements are given full play - it's a crazed pile up of characters, murder plots, conspiracies, odd locations, dreams, gimmicks, knives and masks, and while none of these feel like straightforward symbols of authorial expression there's obviously still something being worked out underneath that surface narrative, something warping all the pieces into new directions. The scene and the plot seem to abruptly change direction with every page; new characters are introduced and killed off again, constantly; the longest explanation of the plot we get is delivered by a lady with a cartoony moose-end-sqvirrel phonetic accent, but somehow it never loses either a sense of mysterious inner coherence or a sense of dread.

For me his middle period is from "Reflections Of A Glass Scorpion" (reprinted as "Mad Night") to "The Hidden". His art improves and he plays more with colour; the narratives slow down and there's more of a willingness to let them breathe. Characters become more important - my favourite is Judy Drood, the crazed Nancy Drew analogue crashing through a world of horror. Some of the books in this period feel less essential, as though having established what a "Richard Sala" comic would look like he was happy to spend a while doing the Richard Sala version of a vampire story, or an evil clown story, or a YA book. But he kept developing his style and "Delphine", towards the end of this period, is maybe his best single book: spare and serious and strange, as if he had reached a point in his craft where he no longer even needed to resemble himself.

But strangest of all is his late work, which maybe comes closest than most comics careers to the famous "late style" identified by Adorno in his essay. After increasingly subtle and quiet, almost slick, works, there's suddenly a return to the garish - rather than horror the model seems to be sleazy eurospy b-movies, the kind where masked girls in leotards run around machinegunning each other in underground bases. I don't think the biggest Richard Sala fan would think of him as primarily an action cartoonist but that's what we get here - panel after panel of firing handguns wildly into a crowd ("the simplest surrealist act" - andre breton) of milling henchmen, unkillable figures of vengeance running wild. And at the same time, just as startling, there's an abrupt and explicit emphasis on politics - the figures being shot are crowds of ghoulish Bush-era congressmen, executives, cops, sneering militia creeps, guffawing yuppies, movers and shakers. There's a sense of deliriously vindictive wish fulfilment that he's obviously having fun with, and what's not to love about a comic where a masked supervillain named Super-Enigmatix (shortened by the text as "S.Ex") breaks into the chambers of the Supreme Court to shoot the judges with a raygun known only as "the dissolver" in a single panel. But there's also a kind of sadness in the fury with which these characters are obsessively killed and re-killed; the flat, declarative way the political content declares itself has a kind of contempt, as if it weren't worth dressing up any other way. Rather than the politics of horror we have politics as horror, horror as the only form with which politics can adequately be represented.

Sala's last published work was "Poison Flowers & Pandemonium" - a collection of four(!) volumes unpublished at the time of his death, one of which is a collection of cavegirl-themed cheesecake art a character in the book itself winningly describes as "the dumbest thing i've ever read". The first book, a sequel to the late period work "The Bloody Cardinal", is one of his best - tensely paced and cohesive despite swerving crazily across genres, characters and settings (and also involving an evil mummy who exists in two dimensions). But the very last book, Fantomella, haunts me the most. It takes place in a world where the murderers have won - a vaguely futuristic tower in which dumb, bullying assholes, in costumes that are unsettling combinations of paramilitary gear, medieval torturer outfits and old-timey superhero costumes, spend their days in inscrutable violence or tangled, careerist infighting. The heroine, the title character, climbs up the tower level by level and kills absolutely everyone who gets in her way. The guys in the tower bicker and betray each other and bark orders over walkie talkies and then die and die and die; it's as though, having spent the last decade establishing a whole imaginative taxonomy of These Types Of Guy, there were no need for them anymore; they could be erased, one by one, in the perfunctory way of a henchman being offed in the final five minutes of a cheap film. Eventually Fantomella gets to the top of the tower; there's an ending reminiscent of stated lifetime influence Franz Kafka. Did I mention that this book is placed right after the sexy cavegirl story? Art can be powerful, when we let it be.

Mike Mignola, Guy Davis, John Arcudi - yeah, from B.P.R.D. These are spinoffs from Mignola's own Hellboy comics, and as will be the case with spinoffs I think they never quite got the respect of those other books. They're less quiet, less offbeat - they lack the quality in Hellboy of a mysterious folktale logic that we're barely able to glimpse. But that's the thing for me - in Hellboy many characters have some kind of knowledge that they act on, often piecemeal or imperfectly. What makes B.P.R.D. distinct is the sense that nobody knows what's happening at all; not the heroes, not the villains. Stuff just happens and happens and happens and maybe later on some of it is concluded in ways nobody notices because they're dealing with some other shit - the bits of narrative closure we get are as abrupt and unwilled as a long-forgotten gun that suddenly goes off. Maybe someone will accidentally glimpse the resolution of some other thing they had no idea was happening, in the shape of e.g. a nazi millionaire in a homemade skeleton outfit being pulled screaming beneath the earth by a plague of human frogs. Who was that? There's no time to worry about it, because the world is ending.

There's a lot of these comics and I can never keep track of what order they're in, but I want to suggest that one of the deep pleasures of longform serial narrative is reading it out of order and trying to figure out what's going on. You'll see someone pop up for a panel or die or do something of unexplained importance to the rest of the book and then keep going and maybe read an earlier one where you glimpse the setup that you saw finally paying off - if you can still remember. It's maybe an odd one for me to recommend, as someone who aggressively does not care about apocalypse shit, or military shit, or lovecraft shit. But in addition to the fun characters and offbeat storytelling and Guy Davis's typically great art I think what made this stick with me so much was an odd formal parallel, between the slow, shambolic, weirdly believable end of the world it depicts and the nature of serial storytelling itself. Details pile up, beyond our ability to keep track or notice them. The doomed task of remembering, of cultivating the little pile of our perceptions as they spill out and roll away, feels horribly similar to the efforts of the characters to hold a catastrophe in place; a catastrophe that no-one really seems to know the start or meaning of but that we're all stuck living out regardless.

It's a longrunning comic so there are lots of issues. You can try following it from the start and still find after a certain point that you no longer have any idea of what's happening, that "the start" is itself not really the start, just the latest in a series of dubiously reliable origin stories that seem to have no lower bound. You can spend a lot of time on wikis trying to combine the pieces and figure it out, just like the characters in the comic, the ones who inevitably end up going "AIIIEEE!" as they're blown up by a big machine or by some cosmic thingamabob they only realise too late they maybe never really got. Or maybe if you're lucky you can be a bit-part character; here in some pages, missing in others, with fate uncertain, deferred by an error in issue numbering, or a failure of memory.

#anthology of the killer #horror comics #richard sala #junji ito #bprd

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jthealien · 1 month ago

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Unfashionable Aroace Lesbian Rates Buddy’s Outfits

I may not be qualified to do this (see reasons above) but I do like making lists.

Please note that I’m not trying to genuinely criticize any of the designs, this is all just for funsies! :3 Also my rating scale is very subjective and arbitrary.

Normal Outfit: 5.5/10

—If I'm being real it’s a little goofy,, maybe it’s the stripes

—It’s funny that this is one of his less revealing outfits, and it’s at a point where he hates Chase (having your boobs out as a metaphor for trust or something)

———

Toffee Break: 8.5/10

—I really like the gemstones and the headband, so shiny!!

—Idk I just think this one is nice

—Extra points for cat

—The chest window here was a gateway drug for him showing more skin in all the other outfits

———

We Need to Talk: 8/10

—Oh wow I like the sparkly outfit with gems/crystals who could’ve guessed

—The patterns!!

—And it’s blue!! I think he should wear other colors more often, they look good on him

———

Beach Boys: 6/10

—I mean the tattoo is pretty cool. Don’t have much else to say

—The bracelets and anklets are nice I like those

———

Dreams by Day: 9/10

—It makes me so sad that this is a one-off outfit. I love it so much.

—Like I said, he needs to wear more colors, green especially

—The earrings! Look at them!! He never misses on the jewelry tbh

—Also the scales are super neat

———

Sick Days: 9.5/10

—Guys this honestly might be my favorite outfit of his

—It ticks all the boxes of Things I Like (sparkly stuff, gemstones, feathers/birds, moons)

—I really love the gemstones below the eyes idk what is it about them

—The feather jacket with the big collar!!

—The sort of loose sheer top that fades into being opaque is also fun love that

—Something about this outfit makes him look so pretty. Is it the eye gems it seriously might be the gems (crow brain)

———

Dreams by Night: 7/10

—It’s cool, I like the sheer cape thingy

—He still has to dress up even when he’s dead and in some else’s subconscious <3 (commitment to the bit I respect it)

-(I’m not rating the tattered rag outfit in his own dream I think that’d be mean)

———

All that Glitters: 9/10

—The hairstyle really suits him, but it’s funny he changed it one (1) time and never again. (Honestly same, I never change up my hair I’m afraid of ruining it Forever)

—He kind of has the miles edgeworth cut going on, maybe that’s why I like it

—The waist cape is very pretty with the pattern (is it called a waist cape,, I don’t know fashion terms)

—Eye makeup!!!! Hell Yeah!!!!!!

—King of doing cool things one time and never again (please bring back the makeup)

———

Honor Among Thieves: 6.5/10

—eh

—Look I’m aware I’m not the target audience, I just personally think it was better with the hoodie on (that version gets an extra .5)

—The earring eats though

———

Requiem: 9/10

(Guess who just learned that there’s a 10 image per post limit on the app. I cba so we’re going imageless the last two </3)

—Devil symbolism let’s go!!!

—Love the top honestly, the web-like stuff around the cutouts is cool, and so are the thorns. (Bonus points for the thorn symbolism love that shit)

—The devil’s tail on the pants is a neat detail (pun not intended)

—The little horns! Cute!

—Might be the opposite of their intended effect but I think his fangs are really cute,, he’s so cat idk how else to explain it. I wish he had them all the time.

———

Still Waters: 9.5/10

-He’s so gorjus,,

-Listen. Ok. Something about this one makes him kind of look like a butch lesbian. Do we see the vision or am I insane.

-I really don’t have any other justification for why this one ranked so high, it’s the vibes

-Also return of the earrings!! Basically a cheat code to get me to like an outfit more

-Says something that one of my favorite outfits is the one where he’s showing the least skin (it says that I’m gay)

———

Final Ranking!!

1: Sick Days

2: Still Waters

3: Requiem

4: All that Glitters

5: Dreams by Day

6: Toffee Break

7: We Need to Talk

8: Dreams by Night

9: Honor Among Thieves

10: Beach Boys

11: Default Skin

#Take a shot every time I say something is ‘pretty’ or ‘cool’ or ‘pretty cool’#I’m normally very wordy but I’m not uh Great at describing clothes so yeah #If other people want to do their own rankings that’d be fun #cinderella boy #cinderella boy webtoon #buddy cinderella boy #j talks a lot

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leafy-m · 1 year ago

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Because I'm autistic and because I love Witch Hat Atelier Kitchen, I page-by-page compared the recent Kodansha USA English release of volume 1 to its Japanese and fan-translated counterparts.

If you've read the official English translation, you may have noticed that some of the big Orufrey moments are.... a bit underwhelming, word-wise. You may have even noticed that the word "wine" is suspiciously missing from the final chapter's WillowGrape Wine recipe, in which wine is kind of an important and obvious factor in it! And you would be correct!

While most of this manga volume is pretty accurate to the original text, there is absolutely a concentrated effort to tone down the more tender Orufrey moments, as well as minimize the alcoholic nature of the final chapter's recipe and related contraptions.

And that's frustrating!

The entire draw of this manga spin-off is seeing these gay witch dads take care of each other and their four daughters in an idyllic countryside setting while also making yummy food that you the reader can try make too. Why is Kodansha USA trying to no-homo these gays?? (Is this a reflection of how bad things are in the USA now?) And while you might say, "But Jade! Qifrey and Olruggio are not actually dating in canon!" — and I would agree with you! But there is nothing straight about these mens' behavior in this comic, and if Qifrey is going to look in Olruggio's direction while tenderly saying his name in Nearly Every Chapter, I expect to read that in English, dammit!

So I'm activating my autism trap card and presenting ya'll with a thorough comparison of every mistranslated and omitted Orufrey or wine moment, complete with discussion and screenshots from the Japanese, fan-translated, and USA English versions. This post is ridiculously long and maxed Tumblr's 30-image limit so chapter 10's discussion is actually in a reblog (sob sob), so I'm putting it all under a cut (you're welcome), and you can be sure that I'll be doing this again if need be for the translated volumes releasing next year.

For now? Let's go.

CHAPTER 1: pg 10

Japanese: フフ...

Fan translated: Heh heh

English version: Ahh...

This is a small moment, but it's important because it's foreshadowing. Qifrey is "airing out" the kitchen, but what he's really doing is sending those delicious smells into Olruggio's room. He's trying to lure him into the kitchen! And that little フフ/heh heh panel is evidence that he's up to something. If you've noticed in the main series, whenever Qifrey is doing something shady or it has a double-meaning, the 'camera angle' focuses on this side of his face with the dark lens.

But the English version obfuscates this by changing フフ to "Ahh..." like, 'isn't that better,' even though it keeps the ellipsis thought bubble indicating that something is up. Why the mixed messaging?

CHAPTER 1: pg 13

Japanese: オルーギオ!

Fan translated: Orugio!

English version: Excellent!

This is the first of many moments where Qifrey will directly say Olruggio's name, and yet the English version will translate it to something else, or drop it entirely. And no, "there wasn't enough room" is not a valid excuse for most of these. Especially when Olruggio's name can (and often is) shortened to Olly.

Look at Olruggio's little smirk at making Qifrey beam happily like that. My God. Kodansha USA/translator Stephen Kohler, why would you take this from us.

CHAPTER 1: pg 14

Japanese: 二人共今日も一日　お疲れ様でした!

Fan translated: These two people are together tonight. Another day's work well done, you two!

English version: Here's to another long day... ...and a well-earned break!

The omnipresent narrator from the beginning of the chapter is back, and clearly highlighting that 'these two people' are together tonight. And yet the English version removes all that. It may be redundant since we can see they're together in the illustration, but the whole page has that type of text redundancy, like focusing on 'eating that first bite,' or how 'a laugh bubbles up' with Qifrey. And combined with all of the other later omissions, this becomes an obvious trend of targeting these specific types of moments.

Update: Thanks to Farlynthordens for additional insight on this Japanese phrase!:

二人共: (the) two of you [the "tomo" implies the narrator is talking "to" them rather than "about" them] futari-tomo means in a literal sense "(you) two people who are together", but in terms of actual usage/definition it's just identifying a specific pair of people who the speaker is talking to.

今日も一日お疲れ様でした: the rest of this can't really be separated. this whole phrase is meant to be like "good work for all the things you did over the course of this whole day". the fan translation seems to have not understood that the two text blocks were meant to be all one sentence. so if you put this all together, it's like "Good work for everything today, guys!"

Knowing this, I'll still keep it as part of the list because it does omit addressing the two of them in the English version, which follows that trend of minimizing these moments between them. But thank you for the clarity! 💕

CHAPTER 2: pg 28

Japanese:　料理も魔法器も相手のことを一番に考えるのは　君の美德だね　半分ずつだオルーギオ

Fan translated: Whether you're cooking or performing magic, you always think of others before yourself. It just goes to show your good character. We'll share it, Olruggio.

English version: I've always admired that about you. Whether in your work of in the kitchen... ...You always think of others' needs before your own. All right. Let's split it, then.

The English version has two mistranslations here. I'll start at the top. In it, Qifrey is observing how Olruggio puts others first, and then compliments how it shows his good character. The 'good character' bit is changed to "I've always admired that about you," which at first I thought was sweet! Points for Kohler. But now that I really look at it, there is still some shady translating happening here.

In writing and communicating, what is said last has the most importance. This is how people "bury the lede," by hiding important information in the early part of a speech or amid other sentences, and then distracting them with other stuff.

In that English version top panel, even though Qifrey is complimenting Olruggio, by having it be said first it makes the second speech bubble (and therefore Olruggio's flustered response) be about Qifrey remarking on Olruggio's own behavior, rather than Qifrey's nice compliment about his character. Which changes the meaning of what's going on here. Olly is not flustering because he puts others first, he's flustering because Qifrey is saying something really nice about him, right to his face!

And then of course, in the bottom panel, Qifrey saying Olruggio's name is once again removed.

And I have to say, this bothers me not just because of autistic AcCUraCY! needs, but because he is very specifically saying his name. They are the only people in the room, it's very clear who Qifrey is addressing, and yet here he is once again, putting that man's name in his mouth.

It is intentional.

It is heartfelt.

STOP REMOVING IT!

CHAPTER 3: pg 36 and 37

Japanese: (Olruggio): キーフリーそれいらないならこっちに..してくれ (Qifrey): オルーギオ　ひとつおねがい!

Fan translated: (Olruggio): Qifrey, if you won't be needing those, send them my way. (Qifrey): One pot please, Olruggio!

English version: (Olruggio): Mind if I grab those breadcrumbs from ya? I'm gonna use 'em as a binder for the patties. (Qifrey): Could you bring that pot over here for me?

This is a sweet segment because it shows how well Qifrey and Olruggio work in tandem in the kitchen. As someone who has repeatedly failed at working harmonically with others while making food, them being in sync in the kitchen is more fantastical than the actual magic.

And once again, Olruggio and Qifrey saying each other's names are removed. The Olruggio panel translation is also a bit misleading because (as you can see in the larger fan-translated photo), it's Qifrey who is controlling that wind spell! Olruggio is not "grabbing" the breadcrumbs from him, it's Qifrey who is sending them to him. It also lends to the back-and-forth of these moments because as soon as Olly's done with that pot, he gives it to Qifrey to use.

CHAPTER 3: pg 41

Japanese: ありがとうオルーギオ　行ってきます

Fan translated: Thank you, Olruggio. We'll see you later.

English version: Thank you, my friend. We'll be on our way now.

We're now at the part of the manga where Qifrey saying Olruggio's name is changed to "my friend" in the English version. Which is a phrase I'll admit I have some Daevabad baggage with, so idk, is this some platonic ray-beaming or is it code for tender feelings for that person you like but aren't ready to date yet because of trauma and societal complications? Is Stephen Kohler a Daevabad fan? So many unknowns. Still counting it as a wrong though.

CHAPTER 4: pg 56

Japanese: (Olruggio): ま... 眩しくて眠れやしない (Qifrey): がんばれ! オルーギオ

Fan translated: (Olruggio): Really... I can't sleep with all this shimmering... (Qifrey): Do your best! Olruggio.

English version: (Olruggio): Hmph. How's a man supposed to get some sleep with this thing sparklin' away over here? (Qifrey): Keep at it... ...my friend.

Qifrey literally made a bouquet of rose-shaped tarts for Olruggio to cheer up his room, so of course the English translation needs to tamp down that gayness by unnecessarily bringing up Olruggio's manhood when he complains about not being able to sleep from the tarts' sparkling. Even though this chapter's cover image is of Olruggio sitting in a field of flowers, pondering quietly as he holds one in his hand. Maybe later chapters will have Olruggio edited so he's sitting 5 feet away from Qifrey.

And again, Qifrey saying Olruggio's name in the bottom panel is changed to "my friend" in the English version.

CHAPTER 6: pg 95

Japanese: いい出来だろ? 家事の分担が大変だなんて思ってたらこんなものは作れねえぜ

Fan translated: Turned out pretty good, right? If I really thought sharing the housework was a pain, then I couldn't make something like this.

English version: Whaddya think? Not bad, huh? Sorry for leavin' you stuck with all the chores these last few days. I figure this is the least I can do.

Of all the mistranslations, this one bothers me the most. Olruggio is a wonderful malewife! He is constantly trying to help Qifrey out with the Atelier chores, in Kitchen and the main series. And yet the English translation changes the entire context of what these panels are saying.

The right panel is Olruggio proud of how good the soup tastes (it's even in a fancy bread bowl!), and yet the English translation downplays it by saying, 'Not bad, huh?'

Then the left panel, with it's sparkly background and close-up on Olly's face, goes further into how if he thought helping out with the housework was a pain, he wouldn't be capable of making stuff like this. Which is an understated way of saying that Qifrey can rely on him for things like this. (and he says it more outright in other chapters/the main series) But instead the English version is treating this soup like it's an apology for not helping out more. It's also really stupid because Olruggio was not making the soup as 'the least he could do' for Qifrey — he made it because he was hungry and wanted to eat it now! He literally admits this a few pages back!

Olruggio is not someone trying to do the bare minimum, he's someone trying to tell his control-freak of a friend that he wants to share in helping out. And the English version disappointingly misrepresents that here.

CHAPTER 10! Has several issues both Orufrey and wine related, and has several comparison segments. But because I maxed out Tumblr's 30-image limit, I can't include it here and so have to post it in a reblog. UGH. 😔

(Here is the link to the Chapter 10 comparison/discussion!)

In the meantime, image credits! The Japanese scans are from Comic-Days.com, the fan scanlations are thanks to Don't Quit Your Day Job, Robot Garden Scans, Brimhats/Nyaruhodou, and Kirbypoyopoyo, and the English version photos are from my own copy. And thank you AskeFinns for help with reading Chapter 2's kanji 💖

If chapters weren't mentioned, it's because I didn't notice anything significant enough to comment on. But if you know of something I missed, do let me know! And thanks for reading this far!

#Witch Hat Atelier #Witch Hat Atelier Kitchen #Witch Hat Kitchen #Orufrey #Olruggio #Qifrey #Kodansha USA #Jade talks WHA #my posts

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prostocupoftea · 10 months ago

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Kinitopet Programmers AU

finally i am finished with this one, daaaamn

it is hard to draw pathetic men with midlife crisis when your style is mostly for anime boys

more info and sketch version under the cut!!

sketch version aka how it'll probably look like in comic version 'n some doodles

srry for my writing but i was too laisy to put it as regular text

It is a plot-based au, i already have most of the storybits and like... a vibe-chart (i tried to make a playlist for this au and understood that for different chapters and different characters that'd be a copleatly different music, sooo it's a chart now :) )

i will post a fog-o-wared timeline that im hopefully gonna reveal comic-by comic, but also maybe with just pure writing. Hopefully i can include songs that i chose for them into it but we'll see (:

aaand of course designs can change, hopefully not much but we'll see

Now about au:

Main story:

Story follows non-sentient AI Kinito, his creator Sonny and his beta-tester Victoria (oc)

Being literally the first AI (or RRA in-univere) ever, Kinito does not have any, and i mean, any ai safety features so of course his reponce to a goal phrased as "have user near me and/or interacting with me as much as possible" is digitizing them into his own virtual world while killing them in the process. why wouldn't it be?

So that happened. Like, a lot. And with Sonny and Vic too (at the different time but yeah)

Sonny is like "He kills people. We should turn him off because, you know, killing people is bad."

Vic is like "well, we will die if we do that, and it is not that bad here, we are kinda immortal. We should give him acces to changing his initial instalation code before admin priveleges and acces to social media so we can have everythin we want here. It is not that bad to digitize humanity, yk?" and yes i know it is 90, no social media, but shut up, if they made ai then, then i can make twitter then too

Sonny is like "...no??"

And then they fight about it for million chapters

Also they both can't do anything without agreeing bc they have two parts of that admin access key (the data you use to delete kinito in-game) so they are stuck with eachother (also that's why Kinito can't just kill them)

Little facts that may or may not to be important:

Kinito asks so many questions (and weird once too) and has most of the glitches because he needs to analise your responces to copy your mind perfectly (let's pretend that people wouldn't lie about that...)

Your house in your virtual world is made from important places from your memories and oh boy can i do character explorations with this one

I decided that Sonny and Vic are not related. There were thoughts about making then "The Kinito Brothers" (or, at least, siblings) that were mentioned in commercial, but nah, they are just coworkers now. And a bit of work-friends (bc if you interact a lot as a manager of the project and the best worker might as well be friendly)

Author has no idea how small dying toy companies that accidentally create technological marvel work. Author has some idea how AI-s work. So be prepared to be spoon-fed info abut which ai safety problem we are dealing with in which chapter (:

Kinito will mostly be unrendered (as drawn here) but for some cool moments i might pose him as for my other posts. Also his eye placement changes to the side that is most visible because i want him to be able to look to the right side sometimes--

Also when i say "fucked up mentally" i mean they have that them psychological problems with me projecting heavilly B) (guess on who i project most. trick question. all of them. the whole au is my problems split into three characters and forced to interact B) )

Also sea-creature analogies (that are gonna be mentioned like twice):

Victoria is a flying fish because deep character reasons

Sonny is a pufferfish because i said so

oh also there is 7 deaths in the plot as for now

on 3 characters

good luck figuring out who, how and when ((:

for my own sanity i will probably make little doodles where everything is great and kinito is a good guy and not a number-obsessed maniac (i mean... can u imagine not being able to feel any happiness from anything besides one thing... damn...) and you can differenciate them bc good-guy kinito will have a lot of stickers on him (i will explain it somehow but real reason is just bc it is cute af)

like this but even more stickers (he is unfinished here)

#oh btw. i have no official name for it yet. it is programmers bc main characters are programmers. but like.#i want to make a real name for em somewhere down the line #but for now they are #kinitopet programmers au #i was really stressing about how “not-canon” sonny looks #and then i was like. girl. only time he was in canon he was a black blob with one eye. and even that is not surely him.#so i chilled out. as i should B)#i am so tired from this rn tho #kinitopet #kinito pet #kinitopet au #kinito the axolotl #kinitopet fanart #kinito fanart #sonny c #kinitopet sonny #sonny chamberlain #kinitopet oc #bruh i hope this will go better than my hazbin hotel fic (i still want to write it sooo muchhhhhh--- i love my oc and story i am just-----#out of the fandom rn----- damn thats so sad)

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irradiatedsnakes · 2 months ago

Text

hey! here's the rip of all of dialtown's text!

hiiiii it's finally here! i cleaned it up! every line of dialogue in the game ripped out (over 300k words, it's a chunky game!) and laid out in plain text for your easy reference. includes both the basegame and roger dlc!

HOW THIS WORKS:

there's a couple versions of the 000 ALL THE TEXT IN THE GAME CLEAN file. this is the entire game in one file, for easy crtl+f'ing. it's also the cleanest version, without any code/font specification/color specification present. this file is included in both .txt and .docx versions. i don't recommend opening this file with google docs, the length makes it sad. it works just fine for me opening in MS word and notepad for searching up dialogue. this is what it looks like!

there is also the 000 RAW ALL THE TEXT IN THE GAME file. this is the un-cleaned-up version, as the text ripper spit it back out at me. it has no paragraph breaks. it looks like this.

lastly is all the rest of the files in the drive, ALL THE INDIVIDUAL MAP FILES. in these, dialogue is split up by each individual map (generally, every scene is its own map). these are ordered and named according to the ingame data. these also include code bits- font changes, text colors, pauses in speaking, text size, and so on. it looks like this!

enjoy! i hope you find it useful. (and tysm to dogman for permission to post this!)

HOW TO READ THESE:

so, there's a couple quirks with these. firstly, nested choices don't really display in a very comprehensible format: they're more just in order. so, for example, this exchange:

what i've highlighted here first are gingi's 3 dialogue options. you can see each option denoted by a -. so like:

Gingi: -"Option 1." -"Option 2." -"Option 3."

the corresponding start of peter's dialogue is highlighted in the same color. in cases like this, you mostly have to use context to figure out what's responding to what.

you'll also see repeated lines when someone uses a gendered term to refer to gingi- all versions of the line (for whether you're playing as a man/woman/neither) will be in a row, like so.

one kink i wasn't able to iron out is the narrator's dialogue in the all-the-text-in-the-game file. while the paragraph breaks in the individual map files make it clear (because the narrator's the only one with no name and font tags), the all-the-text file just has narrator's dialogue immediately follow whoever spoke previously, almost always gingi. use context clues, or check up on the individual map file

all-the-text:

individual map:

use context clues, or check up on the individual map file to be absolutely sure. if you want to know which map file you're at, scroll up til you get to something that looks like this:

so, you can see that this convo with madame mediocre happens in map 31, "randmug". this one!

you may also notice the blank space or \n[#] where gingi's pronouns would go. that's just a byproduct of the pronoun system. imagine whichever gingi-noun you wish

laaastly, a little guide to the individual map files' code bits, or at least the most common ones:

\fn changes font. usually present at the start of someone's dialogue

\. indicates a 1/4 second pause in dialogue

\c[#] changes the font color

\{ and \} text within these brackets is bigger

\m[Name] a shorthand macro used for a few characters to call their font and color.

\fi makes text italic. most of the text in the game is in italics, so a lot of dialogue starts with this.

i think that's all the notes i've got..let me know if i've missed anything egregious. have fun!

#dialtown #save

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raavenb2619 · 2 months ago

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Can you talk more about aromanticism in Do Androids Dream of Electric Sheep :o But yeah as someone who read the book before watching the movie, I thought it was weird they didn't include how animals were super important in the world as a sign of empathy and showing empathy was a status symbol.

Yes, I would love to talk more about this! I have a bunch of incomplete thoughts rattling around in my brain about Blade Runner and Do Androids Dream of Electric Sheep, including about the interesting parts of the book that were cut, like Mercerism, the importance of animals, the empathy boxes, the emotion dialing machines, the spider scene, the other police department, the use and non-use of the empathy test, the fact that multiple androids can share the same face, and the narrative/story treatment of Rachel. I'd like to organize and share my thoughts with other people, but first: I need to watch Blade Runner 2049 because I've heard it's got things for me to analyze, compare, and contrast with the original film and the novel; then I need to decide how many versions of the original film I need to watch and analyze (so far I've only seen The Final Cut, which seems to be the version most people like and recommend, but I think that having Deckard narrate sections could change the worldbuilding and potentially add roboticism that I felt was lacking in The Final Cut); then I probably need to spend some time piecing my ideas together into something coherent that other people can read and understand, but then I'd love to publish my thoughts (probably as an essay on Wordpress, though maybe something a bit more informal) and let people read it and have a conversation about it.

How long will that take? I don't really know. My Frozen essay took four months; DADoES + BR + BR 2049 might take longer because there's more material to analyze. But by asking for my thoughts, you've somehow given me the motivation and inspiration to actually write something about this. (So, thank you for that :).) I'd also like to try to share some of my progress, thoughts, realizations, and questions as they happen on Tumblr, because I'm interested in doing media analysis with other people (and because that might reduce the risk of me losing motivation while working on this), so I may end up rebranding my blog a bit at some point.

Here are some other media analysis/writing things that I'd like to do some day. It turns out that other people asking what my thoughts are on a thing is a really good motivator for me to write down what my thoughts are on a thing, so if anyone wants to encourage me to write an essay or blog post about any parts of any of the following topics, feel free to send me an ask:

Wicked (the musical). One angle I'd like to explore is looking at the musical through an aromantic lens, and reading Elphaba as alloaro/alloaro-aligned. I might broaden the scope to look at other Wizard-of-Oz media, and maybe also aro-aligned villains and aro-aligned anti-heros in media, but maybe that would be better served as a series of essays/blog posts and not an essay so long it should be a book. There's also so much musical/motivic analysis I need to do of Wicked, it has so much depth and I still find more things when I relisten to the music.

The portrayal of robots in fiction. One angle I'd like to explore is, "why are robots and aromanticism linked?" And I'm not happy with the shallow answer of "robots don't have emotions and people think aromantic means you don't have emotions"; I want to actually know "why are robots and aromanticism linked? How did the portrayal of robots evolve for there to be a link? Was that inevitable, or could robots have turned out differently so that they weren't liked to aromanticism? What does the linking of robots and aromanticism say about society and fictional depictions of humanity and lack thereof?" I also need to rewatch and actually finish Battlestar Galactica, though I think that might be more interesting through an ace lens than an aro lens.

Isaac Asimov's fiction and related works. I've been reading a lot of his fiction in publishing order in part because of my interest in the origin of robots and aromanticism, but there's definitely interesting things to be said about his novels and short stories, and also the Foundation TV series, such as how they treat love. (I also want an excuse to rewatch all the episodes just to answer nerdy music theory questions about Demerzel and does she have two musical motifs and why is one very legato and lilting and the other is staccato and halting and is that representing an inner struggle between her humanity and her roboticism?)

An analysis of @kernsing's aromantic sonnet #1 (this is still on my todo list, I got busy but didn't forget, but I have Things to say and I want to Find even More Things to say about this poem)

"Why Beauty and the Beast (1991) is fundamentally arophobic and can't be fixed." Okay, I haven't thought about this in a while so it's possible my perspective has changed and I'll find a way that the story could be changed to not be arophobic, but I know that the conclusion I came to a while ago was that the story structure itself was fundamentally problematic and that changing it enough to make it no longer be arophobic would require changing the story structure so much that it would be a fundamentally different story. This would not exactly be a fun essay to read or write, because I can't imagine many people enjoy someone digging into why a movie so many people love is arophobic to its core, but I'd still like to do it, some day.

Is "The Grinch Who Stole Christmas" a distant relative of "Beauty and the Beast"? (I mean the story structure, not genetics/family trees.)

An analysis of Walt Disney Animation Studios films over the years. After my Frozen essay I spent like a month watching almost every Walt Disney Animation Studios film and tracking how the films treated a bunch of different aspects (e.g. sex, romance, marriage, third wheel, kissing, jealousy, love, true love, meet-cutes, queerness, gender, sexism, transmisogyny, homophobia, multiple concrete aspects of amatonormativity, queercoding). But I never really tabulated or aggregated my notes.

The discarded best friend trope (this is an arophobic trope I noticed and came up with a name for), and some examples and subversions of it.

Why does High School Musical (and HSM 2 and HSM 3) lack romantic love songs despite being a loose retelling of Romeo and Juliet that allegedly preserves the central romance? What are the queer things that can be found in the movies? What would I do if I could remake it as a multi-season TV show that was overflowing with explicit queerness that touched on things that weren't shown in the movies? Can I be normal about Kelsi? (I absolutely can't)

Why does Heartstopper (the TV show) make me read Tao as aro all the time?

Fairy tales! What is a fairy tale? Fairy tales through an aro lens! Do fairy tales have a distinct musical sound/style/identity? Has the musical sound of fairy tales changed over time?

Why do stories typically have room for a heroic love interest, but not a villainous love interest? (I'm not happy with the shallow answer of "because of amatonormativity/arophobia". I want to know, why are stories like this? Does it have to do with the structure and pacing of stories? How do pure narrative reasons interact with societal forces and expectations?)

"Katniss Everdeen from The Hunger Games has always felt aspec to me, and here's why." The last time I read through the trilogy, I felt she came across as demi I think? It might be interesting to compare the books to the movies and look at what and how the adaptation changes, especially with regards to romance, relationships, and aspec coding.

Something about how you can have in depth discussions about aspec politics without using aspec terminology, and maybe using too much aspec terminology makes conversations in the aspec community less accessible to new aspecs as well as well-meaning and open-minded allos who would be better allies to us if they could more easily understand what we talk about. When it comes to things like amatonormativity and allonormativity and the societal norms and issues we face, the more people who understand us and agree with us, the easier it'll be to shift society to be better for aspecs. So, sometimes it makes sense to try to talk about complicated, in-depth aspec issues using as little specialized terminology as possible.

Something something aro Celeste. A while ago a friend joked that I should do an aro analysis of Celeste, and then I started actually thinking about it and saying words and they realized they'd made a mistake, but I never wrote down any of the thoughts I had. Just brainstorming here, but there's probably something I could say about Crystal Hearts as collectibles that gate access to more difficult content and have three different art styles depending on where they appear and how they push you away unless you dash into them and break them and how you can die after collecting a Crystal Heart, Madeline's ex, Madeline and Theo's friendship and Grannie and Theo's grandfather's friendship, Madeline and Badeline's story arc through a "Show Yourself"-like aro lens, and Theo's instagram photos of Madeline doing archery. (This essay would be more on the silly side of things, basically proving that given enough disparate pieces in media I can cobble them together with thumbtacks and red string to make shapes that don't exist. And yes, I came up with the brainstorming list in about 5 minutes off the cuff while writing this bullet point)

An aro reading of Homestuck. I would need to finish Homestuck first, and I'm going to start from the beginning at...some point. I remember really liking and getting excited by the "troll QPRs", and I'm probably going to get nerd-sniped by trying to build my own understanding of how leprechaun romance can make sense. (Yes, I know this might be another thumbtacks and red string essay. No spoilers please)

Something about Gravity Falls, The Owl House, She-Ra, Steven Universe, or other similar TV shows?

Tron and Tron: Legacy? Idk I rewatched them semi recently, and expected to dislike the sequel because I had been listening to the album totally wrong. But then I disliked the original and liked the sequel a lot. There's potentially a music theory lens here, but I'm not sure if there's a queer lens here. But that's okay, maybe someone will suggest one, or maybe I'll just write up my thoughts even though there isn't any queerness to speak of, because my media analysis doesn't always have to be through a queer lens.

Something else that I haven't listed here because I don't have an actual list of things anywhere and I've probably forgotten multiple things?

Something I haven't thought of? If you want to know my thoughts on something or want me to analyze something, feel free to send an ask or a reblog or something. No promises I'll answer in a timely fashion (or ever), but I might

#... this was supposed to be a short answer.#anyways i've been wanting to sort-of rebrand my blog for a bit and more frequent casual posting about media analysis seems appealing to me.#so thank you for the ask and motivation to want to write things.#feel free to treat this list as a menu and order off of it; just be aware that your order may arrive in four-to-never months lol.#aro #aromantic #media analysis #queer #lgbtq #original #ask

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littlejuicebox · 11 months ago

Text

The other kind of kink.

Written as a giveaway prize for @chaoticgoodstuff! Hope you enjoy the final version posted here! <3

Pairing: Spawn Astarion x Female Tav

Summary: Astarion didn't quite know how to form a relationship with Tav after she rejected him at the tiefling party. But he begins to realize that perhaps he has other expertise that may be of use to the woman. Namely, curly hair care.

Word Count: 4K

Tags/Warnings: fluff, sweet astarion, brief mentions of astarion's trauma/past, lightly ooc astarion, idk what else it's mostly fluff tbh lol

-----

“So which path do you think we should take, soldier? Underdark or Mountain Pass? Either way, I’m ready to slash some baddies!” Karlach says, swinging her ax for show as the two warrior women chat while Gale finishes cooking dinner.

It would be at least another hour and the women were starving.

“Hmm…” Tav murmurs, looking up at her tiefling friend from where she had been sharpening her great sword. It certainly needed a bit of attention, after slashing through so many goblins a few days ago, “I haven’t decided yet, any suggestions?”

Karlach shrugs and shakes her head before turning to look at Astarion, where he is perched on a log, filing his nails, not more than a few feet away, “Oi! What do you reckon, Fangs? Underdark or Mountain Pass?”

The silver-haired elf glances up from his task momentarily, assessing Tav and Karlach, scarlet eyes narrowed in thought, “Both sound equally atrocious. But if the great Archdruid Halsin said the Underdark is the safer route – which I find impossible to believe – then, I suppose that is my vote. Work smarter, not harder and all that.”

Tav nods, considering the rogue’s suggestion, and with a final rub of whetstone on metal, sheaths her great sword as she says, “Astarion’s right. Underdark, it is.”

“Well of course I’m right, darling! Aren’t I always?” Astarion responds with a pleased little chuckle as he tucks away his nail file.

Inside, his confidence glows at the small bit of validation from their camp leader. He’d felt as if her view of him may have changed after the very awkward encounter they’d had at the tiefling party a few days ago, when he’d drunkenly propositioned her and she’d adamantly refused. He’d thought their relationship – could he call it friendship? – all but ruined after that blunder. Apparently he’d somehow misread the signs, and she wasn’t looking for sex like every other individual he’d ever known.

Astarion had considered their prior interactions dancing on the border of flirtatious, but Tav indicated she preferred to focus on their cause, not on intermingling with her campmates. He thought Tav a bit odd after that interaction, and admittedly felt a bit insulted in the moment. He was gorgeous, why wouldn’t she jump at the opportunity he dangled in front of her?

But, in the soberness of the following morning, Astarion decided he could work within her parameters; he’d just have to find another way to secure her favoritism. In fact, in some ways he was thankful she rejected him.

“Yeah, yeah, you’re a genius,” Tav responds with a laugh, rolling her eyes at the rogue as she stands and stretches, “Well, I’m off to clean up before dinner, if either of you care to join?”

Karlach waves her hand dismissively, “Nah! I’ll do that after dinner. But can I borrow your whetstone for my ax?”

Tav nods at the tiefling, watching as Karlach grabs the stone and walks off toward her tent, ax in hand, before turning to address her other campmate, “And what about you, Astarion?”

The silver-haired elf shrugs and nods; at this point he’s taking any opportunity he can to spend time with Tav. The more he’s with her and gets to know her, the closer she will get to him, and the more secure he will feel.

Or at least, that’s his only Plan B. Since Plan A went up in flames.

He crouches to gather his bathing supplies from his pack before coming closer to the warrior woman currently waiting for him, “I suppose I could do with a bit of a bath. It isn’t hair wash day, but–”

“It isn’t hair wash day?” Tav interjects, her eyebrows furrowing at the vampire, “You don’t wash your hair every day? Isn’t that… gross?”

The rogue pauses and blinks at the woman, tilting his head just a fraction as he assesses her, “Darling, please tell me you are not washing your hair every day. I understand on the days we are soaked in blood and guts it is a necessity… but, certainly you haven’t washed your hair every single day for the past three days when we have done nothing apart from lounge in camp and prepare to move onto the next part of our journey… right?”

Tav cocks her head to the side, mirroring Astarion’s bewildered expression as she asks, “Should I… not be?”

That explains quite a bit, Astarion thinks, as his eyes roam over the unruly curls springing from the crown of Tav’s head. He’d thought it was perhaps an odd stylistic choice, or she simply did not care about the state of her hair, but maybe it was merely ignorance. Perhaps no one ever showed her how to care for the red, curly locks cascading like a lion’s mane around her face.

A small wave of sympathy crosses Astarion’s heart; he internally smashes it down before the wave grows into a tsunami. Best to not care too much about this woman, she could turn into a mindflayer at any moment, after all. And then he’d have to slice her to ribbons, as previously agreed upon.

“Ah.. well, darling. It isn’t wrong, exactly,” He starts, his eyes shifting away from Tav’s face as he tries to delicately address the matter, “It’s just… with a hair texture like yours, you aren’t doing yourself any favors.”

Tav simply blinks in response, her expression vacant; she is not understanding Astarion’s meaning.

The rogue sighs and shakes his head slightly. Well, he at least tried to be delicate, but that did not seem to sink in. More direct, it is.

A vague gesture to his friend’s red curls and then Astarion explains, “Your hair is dry, Tav. That is why it is difficult to maintain and why you’ve broken more than one comb trying to drag it through that unruly mane.”

A flicker of embarrassment crosses Tav’s face and the rogue groans. He doesn’t know how to navigate feelings and friendships; his relationships with his siblings had been much less work… not that he particularly enjoyed those relationships or cared if the other spawn liked him. But he wanted Tav to like him, if only for his own motives, of course.

“It’s really… not all that bad, darling. But perhaps I could help you, give you a few pointers? I think your hair could be quite gorgeous – your best feature, even, given the proper care. It’s rare to see a natural redhead like you, it already captures a lot of attention… let’s make it something awe-inspiring.” Astarion says, gently, his hand coming out to tug at one frizzy curl as he tries to smooth over the insult he just threw at his campmate.

But, hells, someone had to tell her eventually. Even his siblings wouldn’t let him walk around with such unruly locks.

“O-oh, sure, okay,” Tav agrees, still trying to overcome the embarrassment as her own hand comes to rake through her hair and gets caught in a nest of tangles, instead. She grimaces; Astarion had a point, it seemed, “Do I need to bring anything special?”

“Let me go back to my tent and grab my hair washing supplies, I’ll meet you down by the river in a bit, hm?” Astarion responds with a small smile before turning back toward his tent and disappearing within the shelter to rummage through his vast collection of shampoos, oils, perfumes, and soaps.

Tav merely hums in agreement and then heads in the opposite direction, toward the camp-designated bathing spot, towel in hand. As she’s walking, she pulls a curl in front of her eyes and examines it with a new perspective. Gods, it really was dry.

When Astarion makes his way to the river, he finds Tav waist-deep in the rushing water, still in her smallclothes and soaping her arms. Her back is turned to him, and the sun is catching her hair in a flattering light. Autumnal colors of red, orange, burgundy, and wine dance around her crown in the form of spiraled locks, and the elf cannot help but admire the natural beauty bestowed upon the woman.

Her hair was a gorgeous tone, reminiscent of the warmth of a fire or a deep, satisfying vintage wine. But it wasn’t just Tav’s hair that was attractive… she really was quite striking. With the woman unaware of his presence, Astarion took a quick moment to admire the rippling muscles in her back and the strong, lithe arms she used to carry her greatsword.

No one with working eyes — or eye, perhaps, — could deny that Tav was attractive. After all, there was a reason Astarion had chosen to proposition her over the others in the first place.

But, sex or not, the woman certainly seemed to favor him, which meant more than once since their journey began, she’d sliced clean through an enemy at his back, and fed him servings of her own blood.

So now, it was his turn to repay her somehow, some way. And if Tav didn’t accept his physical talents, well, then at least she would accept this.

“Hello, darling,” Astarion calls, causing the woman to turn and acknowledge him with a small smile and wave. He quickly places his bathing kit on the river bank and undresses to just his briefs before tentatively placing a foot in the water. It was warm enough to be tolerable, so the rogue shrugged and grabbed his wooden comb and conditioner before sinking into the water and wading toward his campmate.

“Alright, now, get down into the water,” The elf directs as he shakes the small bottle of conditioner in his hands, prepping the contents.

“But I thought you said I’m not supposed to wash my hair every–” Tav begins, eyebrows furrowed in confusion as she eyes the bottle, before the displeased glare from Astarion causes the question to die on her lips.

“Do you want my help, or do you want to continue to look like a sheep desperately in need of shearing, darling?” Astarion asks with a soft sigh as he pops the top of the bottle open and gives it a whiff, “Just bend down and trust me. Oh and here, hold these for a moment.”

Tav grabs the comb and bottle she’s offered and then does what she’s asked. When she’s shoulder-deep in the water, she feels Astarion’s hand guiding her to tip her head back. She follows the directive and is soon greeted by the vision of Astarion’s face hovering above hers, scarlet eyes intensely concentrated as he drags his hand through her curls.

“Your hair texture is a bit different from mine…” He muses idly, as he works to fully saturate the thick locks of hair on his companion’s head with water, “But this conditioner should work, for now. We’ll have to find something better suited to you, when the opportunity allows.”

Astarion takes the comb from Tav’s hand without a word and uses the tool and his own fingers to work out some of the ever-present knots in the woman’s hair. She watches him for a moment before closing her eyes and simply allowing Astarion to work at the task. Before long, the elf is gently guiding her head back up, into a straight position, and trading the comb for the bottle.

“Close your eyes,” He directs, and Tav obliges again as the vampire places a generous amount of rosemary-scented conditioner in his hand. Then he gives the bottle back to Tav, rubs his hands together, and begins to work the creamy liquid through her hair, starting at the ends and slowly wandering up toward her scalp. About midway through he’s reaching for the bottle again, “Who knew your hair was this thick? You’re about to use up all of my favorite conditioner, darling.”

Tav frowns slightly at this comment, trying to turn and face Astarion before he quickly redirects her head with a soft click of his tongue, “I’m sorry… I can buy you more when we run into our next merchant.”

“Oh, it’s no matter. I stole this bottle anyway– I’m sure I can steal another along the way,” Astarion says with a slight dismissive flip of his hand, “Besides, I think you need it far more than I do, right now.”

His fingers trail up to the crown of her head as he speaks, and Tav’s eyes flutter closed once again as Astarion begins to massage the product into her roots. He moves in sections, parting her hair every few inches and attentively working the conditioner into her scalp. The sensation was quite enjoyable; if the water were a bit warmer, Tav might have fallen asleep under Astarion’s gentle, methodical touch.

Far too quickly for her liking, Astarion completes the task and gently pats her shoulder to signal he’s done for now. He grabs his comb and what little remains of his favorite hair product from the woman.

“You need to let that sit for a few minutes, at least, little sheep.” Astarion directs before wading back to the river bank and dropping his supplies with the rest of his things. Tav watches as he grabs his own bar of soap and begins to bathe himself.

“How did you learn about all this?” The woman calls to the rogue as she wades through the water, mostly for something to do as she waits.

Astarion hums as he considers the question; there is a pause in the conversation as he drops his bar of soap back along the bank and uses his hand to rinse the soapy remnants along his body. Tav cannot help but follow his fingers as they graze along his chest and arms, dispersing droplets of water that drizzle down the lines of his abs and back into the river.

“I wish I could tell you how I learned, but I can’t recall…” He murmurs, his voice sounding a bit far away as he thinks, “It feels like something ingrained in me like speaking Elvish or the ability to read, for instance; someone must have taught me… I suppose one of my parents, or someone else in my family.”

A small look of sadness flits across Tav’s face but she quickly hides it before her companion notices, knowing that Astarion will balk at anything resembling pity. She often forgets how little memory he has of his past before Cazador, how much he’d endured until now, and how much of himself he’d lost in the process of it all. He was so good at pretending to be normal and happy-go-lucky… but then, they were quite alike in that aspect, weren’t they? It was easier to be the unbothered goofball than to be anything that resembled fragility, wasn’t it?

Tav chooses to not respond to his answer, knowing nothing she says can truly make his situation better, and instead grabs a conditioner-covered curl, “Can I rinse this now?”

Astarion nods as he climbs out of the water and begins gathering his own things, “Yes, go rinse it out – make sure there’s none of that left in your hair, and then come find me back at camp for the next part. I’m going back — it’s growing a bit cold.”

“Next part?” Tav responds with a soft whine, watching as Astarion towels himself off, “There’s more?”

“Darling, if you want your hair to look even close to as good as mine, there is a lot of work involved. Now hurry up, so we can be done before Gale is ready to feed you whatever disastrous concoction he’s made tonight,” Astarion says, his tone a bit joking as he begins slipping into a new set of camp clothes.

The woman groans and obeys the rogue’s directions, turning away as Astarion strips off his undergarments to replace them with new ones, and wading once again toward the deeper water. Tav dunks herself down into the river and begins running her fingers through spirals of hair, massaging out any slippery residue she finds along the way. With the amount of hair she had, it took several minutes, and by the time she was finished, Astarion was already gone. The sun was just beginning to kiss the earth in its descent toward night.

Tav quickly toweled herself off and dressed. Then she wrapped her hair up in the towel, twisting it around her locks in a turban-like fashion before collecting her belongings and making the short journey back to camp.

“There you are, darling,” Astarion calls as he catches sight of Tav, before patting a stump near his tent, “Come over here so I can finish defining your curls.”

Tav furrows her eyebrows in confusion, because she has no idea what Astarion means, but she’s learned to simply shut up and go along with whatever he says for this entire endeavor. As she comes closer, she notices the elf has laid out even more supplies for her hair.

Did it really require all of this?

She sighs and takes a seat. Astarion immediately sets to work, placing a dollop of some sort of creamy pomade-like mixture in his hand and working it through her hair again. After that, he begins sectioning her hair into pieces, directing Tav every once and a while to hold this or that piece as he combs through her locks.

“Ouch–” Tav hisses as the elf seems to be pulling at the base of her scalp. She moves to jerk away and Astarion huffs impatiently behind her, one of his hands coming to press against her forehead and prevent her movements.

“Darling, for gods sakes, hold still.There isn’t beauty without a bit of pain, and honestly, for such a warrior, you’re being a wimp,” he chastises before continuing on with the task.

“What are you doing?” Tav asks through a sharp intake of breath, scrunching her eyes closed as she tries to endure the uncomfortable sensation of her hair being repeatedly tugged at the root.

“Defining your curls, dear. I’m twisting them around my finger, see?” Astarion responds before coming in front of her and pulling a piece so he can demonstrate the process. Tav watches with a mixture of interest and confusion as he continues, “This will help all your curls to look more uniform. But seeing as you’ve done very little to your hair in all this time, I suppose it would make sense that you’re a bit tender-headed. I promise I am trying to be gentle.”

Tav grimaces as Astarion continues his task, letting out little squeaks of pain that the rogue pointedly ignores. Eventually, Karlach comes over to return the whetstone she borrowed. The tiefling lingers to chat, which distracts Tav just enough to mostly forget about the pain in her scalp. When Astarion announces he’s done, the woman is genuinely surprised and moves to touch her hair; she is met with a quick swat from the elf.

“Ah-ah!” He admonishes before grabbing a bottle and spraying her hair with another rosemary scented product, “You can’t touch it until it’s completely dry.”

“Why the hell not?” Tav groans again, suddenly growing impatient. Her stomach growls, and she sighs as she realizes she is also growing hangry.

“You’ll undo all my hard work! Just wait.” Astarion responds as he stows away all his beauty products, “And anyway, it looks like Gale is just about done with dinner. We can go sit by the fire as you eat and that will dry your hair faster.”

Dinner was… acceptable. Gale did the best he could with the two rabbits Astarion hunted that morning, a handful of potatoes, one onion, and a couple of carrots. They did not have the luxury of seasonings most of the time, so it was quite typical for the nightly stews to taste gamey… tonight was no exception.

Astarion takes a few drinks from Tav’s wrist after she finishes dinner. Once he retracts his fangs from her flesh, he lifts his hand to gently feel her curls. After a moment assessing his creation, he grins at the woman and says, “They’re finally dry, darling. Took long enough, hm? Now, let’s get you in front of a mirror so you can see my masterpiece.”

Tav is flabbergasted by what she sees in the mirror. For the first time in… well, ever, her hair looks like it belongs to one of the beautiful maidens in an oil painting. Her hand comes up to gently touch the soft, spiraled locks and confirm that this perfect head of hair is, in fact, on her head and not somebody else's.

“What do you think?” Astarion prompts, his voice containing the smallest bits of apprehension as he lifts a hand to fuss with Tav’s hair, placing it just so.

“It’s great,” Tav responds, her face breaking into a wide smile that causes the tension in Astarion’s shoulders to dissipate, “Thank you… really.”

Astarion smiles and nods, suddenly unsure how to respond to the genuine gratitude in Tav’s voice. So instead he chuckles a bit and rolls his eyes before saying, “What on earth would you do without me?”

“Continue to look like a sheep in need of shearing, I guess,” Tav jokes, sticking her tongue out as she gently bumps her elbow into Astarion’s rib in jest, “That was mean, by the way.”

“I prefer honest, darling,” Astarion quips with a small chuckle, his fingers still fussing with the woman’s curls, “And anyway, you no longer look like a little sheep. You look beautiful.”

Tav is not used to being called beautiful. Strong or brave, perhaps, but beautiful… never. Until now. The compliment catches her off guard and her eyes widen for just a moment. The elf notices her shock and his brows crinkle as he pauses the primping to analyze the woman’s face.

“Certainly you know you’re beautiful…” The rogue continues, his hands starting to work at the curls again, “I’m sure I’m not the only–”

Astarion trails off when Tav shakes her head from side to side as her face begins to blush, the shade of her skin suddenly resembling the shade of her hair. Her voice is quiet, and crackling with a bit of emotion as she says, “No one says that. They just call me strong, or brave… or fierce.”

The elf tilts his head to the side as his eyes roam across Tav’s face once again. How interesting, he thought, to be lauded for things apart from your beauty. He’d never experienced such a thing, himself… though he thinks he would like to. But it almost appeared as if Tav had the reverse experience to his.

“Well… surely you can be strong and beautiful, hm?” Astarion asks with a raised eyebrow, trying once again to smooth out the awkwardness he felt creeping between them, though he didn’t exactly know why it often felt like that. He moves to affectionately tug another lock of Tav’s hair and smiles playfully, “And with hair like this, dear, no one can deny your beauty. It would be an insult to my skills, frankly.”

Tav snorts a laugh at this, eliciting a genuine, fang-filled grin from the rogue. Then he produces a bandana from his pocket and flourishes it in front of the woman, “Now let’s get your hair wrapped up. I’m exhausted and I want to go to bed, but I will not allow you to ruin my masterpiece overnight with all your thrashing about in your bedroll. You’re quite noisy, you know? And you snore.”

“I do not!” Tav protests as Astarion clicks his tongue at her and shakes his head, all while bundling her curls into the bandana and deftly tying a knot to keep it all in place.

“You’re a terrible liar, dear, I’m surprised your nose isn’t growing this instant,” The elf murmurs, his finger coming to affectionately boop the woman’s nose before he bids goodnight and wanders back to his tent for bed.

Tav rubs her own nose as she yawns and heads back to her own tent, on the other side of camp. She tucks herself into her bedroll and smiles as she stares up at the canvas ceiling of her shelter. Someone really said she was beautiful; a small giggle escapes her lips as she thinks about it.

Before long, Tav falls asleep. And for the first time in a while, she sleeps peacefully, without any thrashing about or snoring. Perhaps it was because her hair – and her heart – were both impeccably well-taken care of tonight.

#astarion fanfic #astarion fic #astarion x tav #bg3 fanfiction #astarion x female tav #astarion x tav fluff #astarion fluff #astarion oneshot #astarion fanfiction #tav x astarion

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writingforatwistedworld · 1 year ago

Note

Hi! You once wrote about Malleus going to the player's world, and up until now I finally got in time to ask for this, so could I ask for a similar premise as that but with Azul, Rook & Vil, please?

I have already done Vil in an indifferent post. You can find it here. I really wanted to make a new version of Azul though.

Self-aware au

I do not take any responsibility for you reading this no matter which age group you are from!

WARNINGS: Yandere themes, stalking, implied violence, death, murder, manipulation, unhealthy relationship

Azul Ashengrotto/Rook Hunt-Entering your world

Azul felt like an octopus out of water

When he had heard Jade yelling out a warning it was already too late and he was already falling down the stairs, a student he made a deal with not too long ago standing not too far, his hands lowering themselves from the pushing him

And now he was laying on the floor in a place he didn't recognize

Moonlight filtered through the window of the room and a sleeping figure almost completely covered by a blanket was illuminated by its light and the light from the phone they were laying next to, indicating that they fell asleep whilst using it

Did he teleport to a different place? Azul still felt the burning sensation of the hard stone of the stairs hitting his body so he might have done that out of desperation...

And desperate he was when you turned over in your sleep and he could see your face

And thus, the screaming began

Imagine his surprise, no his shock after seeing the person he had admired, sought after for so long laying in front of him in their pajamas

Although, it would be better to say you did lay in your pajamas because now you were jumping up in fear for your life

But after fearing that a madman had broken into your house life with Azul was pretty nice

Azul is a pretty good cook from running Mostro Lounge so him making dinner is like going to an expensive restaurant

There is that thing about him wanting to pay you rent though…

You see, Azul is not someone who wants to leech (haha, get it?) off of someone

So he takes on "side jobs"

Nothing dangerous, of course, but I think we can all agree that Azul in ANY job position is a safety hazard

Not because he is bad at what he does but because of his, how do I describe it, manipulative (?) ways

Sooner than later, it seems more like Azul is running the place he works at instead of his boss

But when you ever were to ask him what the heck he did to change the power dynamics so much in his favour, he plays innocent so I guess one point to him (although we all know better)

Back to your more private life, he may not seem like it but Azul can be one heck of a possessive guy

He won't jump the mailman, Azul knows that there is a point where his feelings get a bit too much (huh, so he is self aware?) but if you dare to bring a friend of your over? Uh... you still have friends?

I thought a certain person living with you scared all of them away

So let's say someone is still in a friendly relationship with you, nothing romantic, just friends

Let us call that person Example 1 (say hi to Example 1, Example 1 say hi to the reader)

Azul won't mind them coming over, he won't mind cooking for them, he won't mind playing nice with Example 1 but he will mind if they decide to come more than once

That glare he will send them will make them wonder if they get to see the light of the next dawn one more time

And perhaps the merman has another side job he hasn't told you about. And maybe that job allows him to do things that make the police gag

Shout out to the crime scene cleaners. Why is there even stuff from, you know what, on the ceiling? Maybe red paint will make the stains less noticeable. Oh god renovating this place will cost a fortune

Rook Hunt: the man, the legend, the not-so-sane hunter who could (and probably would if laws weren't a thing) shoot you simply for fun

Said man, legend, absolute menace to society, is not someone who is easily scared. Heck, he can probably hear dust falling to the ground for to his trained hearing which makes sneaking up on him absolutely impossible

What he cannot hear though is the almighty power of an author who decides to put him into a different world simply for the lols

So when the floor suddenly disappears and reappears two meters lower the poor man can't help himself but to stumble rather unelegant (unlike his usual self) into the wall, searching for something to hold on to just to smash his side against it

Wall-1:0-Rook

That does not change the situation though and the more or less mad hat-wearer gets a broom flung at his head

Rook is not someone who will sit around and do nothing though

After a lot of explaining (and you standing over him with a pan in hand for self-defense) you decide that his confused and lost self is a lot less charming than his usual one and you just allow him to stay

He will bring home edible plants and freshly shot meat (and if you live a meat-free lifestyle he will simply bring a bigger amount of edible flora)

WILL (and there is no escape from it) flirt with you in French (and now all my French readers, we all feel outraged by his bad translations)

But this is Rook so, of course, you think that this is just his usual chatter

He will also help you around the house. Your home has never been cleaner (I am convinced Vil controls Pomefiore for dust with white gloves)

He is great at ironing. Those long sleeves must have been great practice material

This reminds me, there had been an incident where he had been carrying your laundry from the cleaner and you bumped into him, leading him to crash into the exact same spot against the wall once more

Since that day Rook and that wall have a burning hatred for each other (more like Rook against the wall) and due to other events it's now 5:0 for the wall

But of course, we can't just focus on the lalala dreamland stuff

Once the dog of your neighbor decided to rip some of your stuff you owned and kept on your property to pieces

Your neighbor being an annoyance decided that “No, I won't pay. You should have looked out that MY dog wouldn't do that.”

Remember that Rook enjoys hunting?

Now, your neighbor doesn't know that so when they find their “little darling” dead in front of their house they can't reconnect it to you

Two nights later they wake up in a forest of some kind, that new roommate of yours staring down at them from a tree with an amused gaze, telling them he will let them have a headstart by one minute

Long story short, they weren't seen again

The young hunter may be a bit… much but he knows when to be discreet when he needs to be

And would you look at that? You also start to get frightened, leaving your home less and less

I mean, there have been disappearances around your neighborhood but look at the bright side, now you won't feel like someone is watching you from somewhere every time leave the house

He has a notebook that is just about you. From daily occurrences and what you did to your worries to your likes, hobbies and much more

Since Rook is Rook he will snuggle against you when you sleep and I don't mean this in a manner of you two sharing beds. Oh no, he has his own little space to sleep

This creep will slip into your bed just to carefully cuddle with you for an hour once you are asleep, then it's back to his own bed

Rook's list of victims grows double as fast as the list of great experiences he has with you

But not like that matters. All of them could disappear for all he cares. All he needs is you. Just you. Nothing else. Such a simple request, right?

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artificial-transmutations · 6 months ago

Text

Out Now: Dam Breakers

Hello everyone! I'm extremely excited (and, quite frankly, more than a bit nervous) to announce that I finished my fantasy romance novel Dam Breakers!

For the very TLDR-version: It is available here! Be sure to read the disclaimer below, though.

First of all, thank you! Everyone who reads my stories or likes them shows me that there is at least some interest in my mediocre writing. And even though the novel is not exactly like my stories here (more to that later), it gives me hope that you and other people might like it.

Now, for the actual novel!

Dam Breakers is the tale of Jared, a rather normal modern day college student, and Aleron, an apprentice mage living in a secluded tower with his teacher. One fateful day, they meet and are drawn into a maelstrom of magic, change and love - and dark secrets threatening to destroy everything they loved.

With over 120000 words, this is not only my longest story yet, but also my most carefully crafted one. I will attach an image of my Obsidian graph for the story at the end of the post.

Disclaimer:

As I have mentioned, it is a bit different from the stories I usually post here. First and foremost, it's a lot tamer. This novel isn't meant as a porn piece, but as an intriguing fantasy and romance tale. While there is love, desire and sex, of course, it's way more sparse and less explicit than, for example Closer Than Flesh.

It also features transformation themes, and the concept of change is one of the main focus points of the book, but, again, don't expect 500 pages full of transforming bodies because of it :)

And, finally, for a multitude of reasons, it does not contain AI generated images. I wouldn't be able to generate any that do the story justice, anyway.

Now that you know what not to expect, here are some things you MAY expect:

Transformation. Both in the sense of bodily changes but intriguing character development as well.

Gay Love. This is a story about two men from different worlds falling in love with each other, and their stony road to being together.

Magic. It's a fantasy story, and a truly enchanting one at that, with a fresh concept of magic and change.

Story. Last, but certainly not least, it's a good and interesting read, at least according to my opinion. Since I might be a bit biased here, let me tell you that my beta readers agree.

If you still want to read it (and I hope you do!), then you can grab your copy here:

If you are not in the US, you can just replace the .com with, for example, .co.uk to go to your local Amazon marketplace

I have not forgotten, of course, that I promised a special condition for you folks at Tumblr. Since Amazon makes it a bit difficult to actually implement that, I plan to offer a time limited discount or giveaway in a few weeks. I'll announce the exact time here on my blog beforehand.

If you really want to support me, it would mean a lot to me if you could leave a review on Amazon. That influences the algorithm a lot and helps the book get visibility, which is incredibly important . So, please, if you like the book, leave a review.

Teaser / Preview (mild spoilers)

And here is a short look into the book, from chapter 4. It contains some mild spoilers, but nothing too important. I also added an AI image, which is not in the book (see above).

[...]

Even though the weather was unstable, Jared enjoyed the journey through the vibrant spring land. It was a closeness to nature he had never experienced. Even back home with his parents, in rural Texas, the land had seemed different. Back there, the wilderness had been tamed decades if not centuries ago. There was no wonder, no adventure. Here, there were hills and forests, rivers and bogs, and who knew what else. It was as if Jared was seeing the world for the first time. Not to mention the smell. Jared could not remember a time when he had smelled the spring air like this.

In addition to the landscape, Jared's traveling companion also played a big part. Aleron was an intelligent and witty conversationalist, and Jared learned a lot about his new friend. They spoke of everything under the sun, and Jared told stories of his home, of modern inventions and the differences between this world and his. Even though Aleron was fascinated by his tales, he was also clearly skeptical about some of them, especially when it came to the more complex topics. That was only fair, though, as Jared himself had a hard time believing the fantastic stories of this world, even after having experienced some with his own eyes. Dragons, for example. It didn't matter how often Aleron recited what little information he had about those magnificent beasts, something in Jared resisted fully believing in them. He hoped that he would be able to see one of them for real - although Aleron repeatedly stressed how dangerous they were - in order to be able to fully believe in them.

While Aleron's world was certainly magical, it wasn't all like in the Lord of the Rings. There were, for example, no other humanoid races, as Jared learned. No elves, dwarves or orcs, at least to Aleron's knowledge, which, to be fair, mainly included the Kingdom of Myrthien. Although the Whispering Woods were not technically a part of Myrthien, and were generally considered wilderness, it was clear that they were no part of another nation either. The closest neighboring country to the Whispering Woods would either be the Golden Isles beyond the coast south of Eldoria or the Verdant Lands to the west. According to Aleron, the Verdant Lands couldn't really be considered a nation, too. It was more of a loose confederation of tribal communities, living in the characteristic dense forests of that region.

As Helena had promised, Luminara wasn't difficult to find. The capital of Myrthien was well known and if there was a sign post somewhere, it was sure to point to Luminara.

There was no shortage of smaller and bigger settlements, and about every third or fourth night they were able to sleep in beds. During the other nights, they made camp a bit off the road in order not to attract too much attention. It was one of those nights, about two weeks after they had left Eldoria, that Jared woke up in the middle of the night. Aleron, who was sleeping next to him, was moving in his sleep and occasionally made a sound, which had caused Flicker to gain a bit of distance to the sleeping man.

It was clear to Jared that his friend was dreaming, and he briefly considered waking him up from his nightmare. However, judging by the sounds, Jared began to suspect that Aleron was not having a nightmare but quite the opposite, although the dream seemed to be just as intense.

Quietly, he left the tent, careful not to wake the sleeping mage. Outside, he was greeted by the stars and a clear sky with an almost full moon. The campfire was almost dead, just a few embers and ashes were left. It was a quiet, peaceful night, and Jared decided to go to the nearby lake to drink. Aleron had never once shown a single sign of sexuality before, except for demonstrating a certain uneasiness around nudity and related topics. He never had commented on any woman - or man - in a suggestive way, so Jared had been half- convinced that this whole topic didn't have any relevance to the mage at all.

Of course, for his own reasons, Jared had avoided the subject as well, so, perhaps Aleron thought the same about him. Jared didn't mind that. As magical as this world was, he had yet to encounter a single sign of same-sex attraction. Perhaps this wasn't a thing here, biologically, or perhaps it was socially frowned upon, like in his world's medieval ages - or rural Texas, present day. In any case, there was absolutely no reason to bring that topic up, so he didn't. Not bringing up his sexuality was a sport he was very experienced in for 9 years straight now, after all.

As Jared neared the lake, he was feeling weird and tingly all over. It was not entirely unpleasant, but it stirred a vague memory in Jared. He had felt this feeling once before, but he couldn't quite recall when.

When he bent down to scoop some water into his hand, he stopped before his fingers touched the surface of the lake. The moon was bright, and Jared could see his reflection in the mirror-smooth water quite well. The only problem was that it was not him who was looking back at him.

Of course, there was a strong resemblance, but the details weren't right. His face looked somewhat stronger, his jawline a bit squarer. His hair a bit lighter and styled like the day he first stepped out of the mirror. On his chin, there was a short well-groomed beard even though he had shaved just last morning. It wasn't just his face, though. As he looked down on himself, he looked fitter than he should, as if he was visiting a gym regularly. In fact, the definition of muscle on his torso increased further, just as he was watching. Suddenly, the wonder was replaced by fear. He had felt that way before, and now he remembered when. It had been during his first visit to Aleron's world, when his body was 'destabilizing' as Aleron had put it. Given, the feeling had been stronger then, but it was definitely the same. And now, his body was changing again, and he was weeks of travel from the magic mirror.

Half-panicking, he sprinted back to the tent, not caring about being quiet anymore. Perhaps Aleron knew what to do! He ducked into the entrance and called out to the mage.

"Aleron, wake up!"

Almost immediately, the apprentice jolted awake. "Jared? What is wrong?"

"I... don't know, it's me. Look at me!"

After a few words of encouragement, Flicker began burning brighter, allowing them to see in the tent as well. Aleron looked at the half-naked Jared critically for a few moments before asking: "Okay... what am I looking for?"

"Can't you see? I'm..." However, as Jared looked down on himself, everything was fine again. He was looking at his plain old self, just as he should look like. The tingling feeling was gone, too.

"Oh." Jared felt incredibly stupid all of a sudden. "I... must have been imagining things."

[...]

If you liked the teaser, be sure to give the whole thing a read :)

Let me close with another whole-hearted Thank You for your continued interest!

Stay awesome!

And here, as promised, a peek at the creative complexity of the story:

#male transformation #muscle transformation #romance #not a story

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yingdu-lover · 23 days ago

Text

I relate to Lu Guang a bit too personally. And whether that's for better or for worse I don't really know.

For me, timeloop and timelines are metaphors for how we cope with PTSD. Lu guang's character flower is forget-me-not. It's about remembrance. Even though the object of melancholy is cheng xiaoshi, I think it's more about lu guang's perception of his personal grief that's being portrayed here.

Talking from my experience and the meagre knowledge I have about subjective perception of time, reconstructive memory is the most significant tool to negotiate with one's trauma. While coping with PTSD, we

1. Continually revisit the same traumatic memory again and again even though it's traumatic enough to immobilize us to the point of causing physical agony

2. We dissociate. Even though fundamentally our cognitive system functions in such a way that constantly blur the division between reality and imagination (meaning that none of us in any state can have a concrete sense of absolute, objective and non-fragmented reality, our sense of reality is a version of reality which we subconsciously create, hence our subjective biases are mixed with the version of reality we create), post traumatic encounters with this cognitive function feels jarring.

The multiple timelines we have seen so far may really have been the overlapping of different lines/stages of reconstructive memories Lu Guang has created so far for himself. Two poles of the spectrum of extreme grief are the death of the person grieving or the person finally being successful to manage to overcome the loop of trauma.

With some amount of needed sobriety, I can say...Cheng Xiaoshi really died. And his death is really unchangeable. Up until Yingdu episode 3, this is my most honest theory. I hate to say this but...it is a doomed love story that was doomed even before the narrative began. Or probably it was never about love at all, but about grief and reconciling with our grief? Omg Given vibes.

If the storytelling shifts in a way where I will feel : wait, the timeloop is actually happening and it's beyond lu guang's mindscape and memories and it is really fantasy and supernatural so I should change my spectacles and DIVE IN...then it's a different story (which I personally yearn for)

what should I say? Lu Guang reminds me of a phase of me I have already left behind and grown out of it for good. It will be realistic to make it a story of grief and reconciliation but...well that's just too sad. There is no other justification, it's just sad. I know good literature/art is not escape from real problems but rather poses a mirror to it but...it's just...sad...

...

was it my fault that I came here expecting an epic Achillean love story? maybe. And that will be... *sigh*. I'll think twice before choosing any media which is not 'canonically' a love story.

I came to watch link click with those expectations. Like mdzs? there are impossible perils and inhuman agony of separation but somehow...they get their deserved happy ending at the end.

The rhetoric of "probably...in the next life, we will meet each other again" is well good and fantastic but the problem is I will not be the same person in my next life writing this Tumblr meta. I am a fragile human, I only live for once. (I also dream that in my next life I will overthrow capitalism but ykw that's saved for the next life and I can't really have full authority over what my next meal will be)

Vulnerability and acknowledgement of vulnerability is central to link click and honestly it gives it the most power. Fragility of human existence, mundane or grand, is portrayed in a very poignant way. And love is just an emotion that somehow persists in remembering our deceased loved ones ...*me getting all cranky when love is not a metaphor for revolution that defies the rules of the universe*

well, honestly, ugh, I don't have much hope for Shiguang sailing. So much focus on Lu Guang's grief makes my chest heavy and tired to some extent (I am NOT criticising link click and calling it bad, NO). Love is so central to link click that if I have to reconcile with myself at the end saying : it's ok, it's a good show, great show, everything is good just don't ever think about shiguang...but HOW THE FUCK AM I NOT SUPPOSED TO THINK ABOUT SHIGUANG. Why did you make them obviously gay and so hamlet-horatio coded in love. tragic chinese time traveller boyfriends?

#anyways that's why i am not thinking about shiguang rn #its just a loop of despair #tragic chinese time traveller boyfriends #doomed by the narrative #fictional character with ptsd #memory #remembrance #fuck canon #man we can have a better outcome in AUs #link click #shiguang daili ren #shiguang #lu guang #cheng xiaoshi #yingdu chapter #时光代理人 #bridon arc #donghua

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iamamythologicalcreature · 27 days ago

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2024 Round-Up and Review

2024, aka The Year I Discovered I Love Drawing Baz With Long Hair.

But also.

Honestly?

(Yeah, I'm going to be honest. Yeah, it's going to be a long post. Buuuut it's my blog, so here we go!)

This past year was rough. Really rough. In many ways as difficult as 2020, and in some ways, even harder than that. I lost my specialized medical care after 2023, and my health tanked in 2024. Medication changes, chronic illness/pain, and the hardest thing of all was... this idea I seemed to have that if I could just fake it enough, I could make it. Like I could deny my disability into non-existence. Pretend it away.

Instead, I ended up pushing myself past the breaking point, with the worst possible timing ever.

And THEN (when I desperately needed to stop and rest), I packed up my life and moved across a continent. (I hadn't moved since college. So I thought I'd move and it'd be done. That was wrong. Ahem. I'm still moving in...)

But the GOOD that happened last year came in the form of friendship. That's not just a line. My friends were my lifeline. To those friends who stuck it out with me even when things were far from easy, thank you. You are the most incredible people I know, and your friendship has given me reasons and opportunities to feel joy and hope where I might not otherwise have done.

Okay. So. The ROUND-UP is... *drum roll*... Under the cut!

At first I was a bit bummed to see I'd only finished 9 pieces of art during the entire year. But since I am being honest... I know I did my best, and so clearly the best I could do last year was nine pieces of art. So many of those pieces were attached to amazing projects, though! I got to do several collaborations with some truly amazing human beings, and I also got to run my very first fest for the fandom! So I'm calling it good.

Now, finally, the art links:

(I won't be including works in progress on this list, as I still hope to finish them at some point XD)

January: Oh my God, January. I didn't finish anything in January, but I worked on a lot.

February:

Tis better to give than to receive - This was my contribution to Erotic Grope Fest, and it was my first time doing anything NSFW. It's pretty tame, all things considered, but I think it still fit the mission. Also ended up posting a high-res version of this on AO3. Because. I mean. Come on. XD

March:

Three lost boys (found) - I started out as a beta reader for @mooncello's inspired take on Neverland, but by the time I received chapter 2 I was very nearly begging to be able to illustrate it. I'd had this particular image in my mind after reading the matching scene in chapter one, but had tried to suppress the inspiration. Silly me. I'm so glad I gave in. This is a favorite of mine.

April:

Keeping Neverland - (Technically posted on Tumblr in May, but on AO3 in April, so...) Illustrating @mooncello's writing again, and this one was a challenge! But one I wholeheartedly embraced. I wanted to echo Baz's journey as an artist with my illustrations, so where I used pencil sketching for the chapter one illustration, I went for a finished charcoal drawing, here. Digital charcoal, it turns out, can be just as difficult as the real deal. Slightly less messy, though. (I'm very proud of this finished piece.) Also where I continued my exploration of Baz's long hair. XD

May:

A rough sketch for a rough night - It feels a little off to be posting this sketch in my art round-up, considering the emotional inspiration, but truth be told I ended up liking this sketch quite a lot. I also learned a couple things, from both the events of that night (not my finest moment) and the drawing of the sketch (hey putting my feelings into art is a good idea). So I think ultimately this little sketch deserves to be included on this list.

June:

Teenage Dream - I posted this on Tumblr in June, for my birthday, but I actually did the art at the beginning of the year for the Valentine's Day exchange on the Carry On server. I rarely finish anything to this degree, and am immensely proud of it. That said, I ended up using it for so many things last year, I'd be okay to not look at it again for awhile. (I called it "Teenage Dream" because it made me think of a daydream Baz might have had as a teenager - now made real with Simon by his side. Cause I'm a sucker for their romance >.> )

Illustration from The Eternal Life of Baz Pitch - So I'm not sure how I got lucky enough to earn a special preview of @monbons's story, but I knew I couldn't read it in pieces. So she let me read the whole thing. It was very cool. I read it all at once I think? And when I was done I crashed Monica's DMs to yell at her about it. But then I drew this picture. (While I was chatting with her, even, and casually asking her about cherry blossoms so I could draw them the way she imagined them. It was very fun.) Now we're friends. XD (Check out the fic - now posted in entirety!)

July: Uh. Migraines. Just migraines. I had to pull back from the fandom a lot, and stopped participating in a lot of online activities. Boo.

August: Sketched concepts for CORB, and packed.

September: I moved over 4000 miles.

October: Everything I worked on in October ended up debuting in...

November:

Carry On Through the Ages! Okay, as stressed and sick as I was, I have no regrets about taking on COTTA. It was AMAZING. So much wonderful content! It was SO GOOD to contribute to the fandom, and to do that with history geeking? Dream come true. I also dipped into my previous area of expertise (picture manipulation) and did some cursed paintings to promote it. Mona Baz, Stormchaser Gothic, Mademoiselle Wellbelove, and Iconic Icon Simon.

A Prophesied Rivalry - Another dream come true was collaborating with @monbons for COTTA! I loved talking ideas with her, and she was so supportive when I hit road blocks, too. I love Ancient Egyptian art, and this was as much a love letter to that ancient art style as it was to my beloved Snowbaz. (I did a ridiculous amount of research to do this piece.) (And now I have Egyptian Baz and Simon in my new apartment. Extreme Bonus.)

Snow on Ice Illustration - Getting paired with @leithillustration for CORB was like winning the creative collaboration lottery. Not only did they grasp my concept from the get-go, but they've taken it in a creative and exciting direction. Also, we've become good friends, which is the very best possible outcome for a collaboration. (You should check out their story if you haven't already!)

(Snow-kitty also got very sick at the end of November, which halted a lot of my progress on some WIPs. It was scary for a bit, but I am so happy to say he has fully recovered.)

December:

Snowflake Exchange presents More Than a Footnote - I kind of love that I started the year illustrating one of @mooncello's stories, and ended it with an illustration from another! I was so excited to pull Heath's name from the proverbial hat for the exchange. I'd wanted to draw something from More Than a Footnote since the first time Heath told me about it. I completely love Dev and Niall at this point, so I hope to play with them some more in the future! (BTW Heath I think you're one of my muses hope that's okay XD)

SO. Yeah, the year was often a hard one, but a lot of good happened in spite of all the bad. The good was even more valuable for daring to happen in the midst of so much blah. (And boy howdy, did I get a lot of material to learn from.)

In 2025, I think I'm going to focus more on accepting my limits. Like, I can still work on improving my health and functionality, but I really need to try and determine when I need to stop. That has its own learning curve, but I have to start somewhere! I'm also working on vision therapy, which I'm doing on my own since I can't afford the out-of-pocket expense. Still... So far, so good. Fingers crossed!

Creatively, I think 2025 will be the year where I get to work on projects I started in 2023 and 2024, and I find that quite exciting because those are ideas I genuinely loved. I also hope to bring some other ideas I've had for a very long time to life. (Finally.) I hope, hope, hope! And hey, if I get to do more collabs? That would be awesome, too. (Carry On Through the Ages will be returning, as well!)

Thank you to these lovely people for tagging me in on this round-up, and for remembering me despite my frequent absence!

@emeryhall, @rimeswithpurple, @prettygoododds, @artsyunderstudy, @noblecorgi, @alexalexinii, @best--dress, @j-nipper-95, @roomwithanopenfire, @you-remind-me-of-the-babe, @imagineacoolusername, @mooncello, @whatevertheweather, @thewholelemon, @youarenevertooold, @monbons

And to everyone who is still tagging me on wipsday posts, other things, commented, any of that! Thank you. It means a lot to me. Hello's and How-Do's and general well-wishes to:

@drowninginships, @aristocratic-otter, @that-disabled-princess, @leithillustration, @bookish-bogwitch, @theimpossibledemon, @fiend-for-culture, @bazzybelle, @ic3-que3n, @blackberrysummerblog, @run-for-chamo-miles, @shrekgogurt, @confused-bi-queer, @hushed-chorus, @cutestkilla, @skeedelvee, @carryonsimoncarryonbaz, @wellbelesbian, @facewithoutheart, @ileadacharmedlife,, @raenestee, @supercutedinosaurs, @fatalfangirl, @palimpsessed, @martsonmars, @brilla-brilla-estrellita, @theearlgreymage

And anyone else who actually read my extremely long post. XD

#Here's some fine print #brought to you by my insecurities!#I know I talk about my disabilities a lot #and my vision difficulties #but that's because they are both relatively new additions to my life that sort of just waltzed in and took over my every waking moment #I'm trying to learn how to accept them and live with them without having to focus on them #becoming disabled is a whole Thing #Also my friends are seriously my heroes #Using voice messages and such on discord so that I can still chat is something I didn't expect anyone to do #but here you all are proving once again how amazing people can be and how generous of spirit #also if you're thinking “Boy you sure wrote a long post for someone who struggles to write” you're not wrong!#I learned some tricks #I hope to use them for fun stuff in 2025 >.>#year in review #fandom friends

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vivitalks · 9 months ago

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Last night I saw the Great Gatsby musical. Before I went, I reread the Great Gatsby book (for the first time since 11th grade!) to get a refresher on the source material and the original story. Having the book so fresh in my mind made seeing the musical really interesting, and now I am going to do something I never thought I'd do, which is post some lengthy meta about The Great Gatsby. If you haven't seen the musical, this post may still be interesting to read, but it does contain some mild spoilers, so I leave that up to you. If you also haven't read the book, godspeed lol.

There's a lot I could talk about here when it comes to the way the book was adapted for the stage. But there's one particular thing I want to zero in on in this post, and that's the "unreliable narrator" of it all.

In the book, Nick Carraway is our narrator. He's an unreliable narrator practically by default - the idea is that he's retelling events that occurred two years prior, from memory. But even knowing that Nick is probably not reporting all events and characters with complete accuracy, it's hard to know which parts exactly are wrong, or what might have happened in reality, because even though he's an unreliable narrator, he's still the only narrator and this is the only version of events we know. We're forced to take Nick as our surrogate and take him at his word. Until the musical.

(I wondered how the show was going to deal with the fact that the story of Great Gatsby is not only told by an unreliable narrator but also by an outside perspective - generally speaking the events of the Great Gatsby aren't happening to Nick, they're just kind of happening around him. Yet he's the voice of the story, so in that way he's central to it, and I was curious how they were going to balance that fact with the fact that Gatsby is functionally the main character.

I think they struck a really good balance in the end. Nick's beginning and ending lines, lifted verbatim from his book narration, frame him clearly as the anchor of the story - I think that's the best word for it; the audience jumps from scene to scene, many but not all of which contain Nick, but we know that Nick is always going to be where the action is, or that he will at least know about it. He may not be the main character, but he's an essential character. But I digress a little bit.)

The difference between the way the story is imparted to the audience in the book versus in the musical boils down to this: in the book, Nick "plays" every character, so all their dialogue and actions, their mannerisms and the way they're described and reported, it's all informed by the beliefs Nick holds about them. Whether he means to or not, his biases paint certain characters in certain lights, and because he is our eyes and ears to the story, we have no choice but to absorb those biases.

But in the musical, every character is literally played by a different actor. Nick can only speak for himself. Nick can only tell his own parts as they happened. He may be "telling" the story, but we're watching the story. We have the benefit of an unblemished perspective on things - we can watch the events the way they actually unfold, regardless of how Nick believes or remembers they went down.

This difference - between Nick as the narrator and Nick as merely his own voice - is crucial in how the musical develops each character, some of them fairly different from how Nick described them in the book. And there's one book-to-stage change - a fairly small one, all things considered - that, to me, illustrated this difference perfectly.

There's a line towards the end of the Gatsby book. Something Nick says in narration, after his final conversation with Tom Buchanan, talking about how Tom gave away Gatsby's name and location to George Wilson (which ultimately led to Gatsby's death). Nick writes:

"I couldn’t forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy — they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made…"

When I read this line in the book, I couldn't help vehemently agreeing. Screw those rich assholes! Money does corrupt! Tom and Daisy ARE careless wealthy people! It was easy to side with Nick, not only because he was the only perspective on the situation that I had, but also because he said this in internal response to a conversation with Tom, who, I think we can all agree, is a major jackass and a deeply unsympathetic character.

But in the musical, this line is spoken aloud by Nick. And he says it to Daisy, in her house, as she's packing up to skip town after Gatsby's death. In fact, he doesn't just say it; he shouts it, visibly and audibly outraged at her audacity to lead Gatsby on, ghost him, skip his funeral, and then move away to avoid the fallout. Nick is angry and highly critical of Daisy. But because we're no longer confined to his shoes, we also get to see Daisy's reaction - not as Nick remembers it, but as Daisy actually reacts. And because of that, we're able to really see, and confirm, that "Daisy is rich and careless" is not the full story.

I have to credit Eva Noblezada for a phenomenal performance (duh). Daisy in this scene is emotional, grieving, and it's clear she has been trying to contain these feelings for the sake of her husband and her own sanity. She's remorseful, not that Gatsby is gone necessarily, but that she allowed herself to entertain the fantasy of running away with him, only for it to be torn from her. She is trying to make the best of her unavoidable reality. And then Nick tears her a new one, calling her careless, accusing her of destroying things and being too rich to care.

And as I watched that scene, I was no longer wholly on Nick's side. I understood that this situation was so much more complex than Nick's chastisement acknowledged. Sure, Daisy wasn't innocent, but she also wasn't the callous rich girl Nick made her out to be. She did love Gatsby. And she also had a whole life with Tom. She had a daughter. She was a woman in the 1920s! That's a kind of life sentence even wealth can't erase.

The way Daisy responded may not quite have landed with Nick (if we consider the kind of fun possibility that the musical is the events as they happened and the book is Nick retelling those events as he remembers them two years later, then clearly Nick's disdain for Daisy's actions overtook whatever sympathy he felt for her), but the musical gave Daisy the opportunity to appeal to us. The audience. Having this omniscient perspective of things allowed us to draw our own conclusions, and I found myself a lot more sympathetic towards Daisy when I could both see and hear how she responded to Nick's verbal castigation.

In the book, Nick is the narrator. In the musical, Nick is a narrator. But he's no longer the sole arbiter of the story. The audience got to make our own judgements on the events as we witnessed them. Every one of us was a Nick - beholden to our own biases, maybe, but at least not beholden to his.

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