#and lots of jewellery

[strangerhawke]

i think modern arthur should be a goth, actually

[honourablejester]

A lot of the time when I reblog jewellery on here, it’s art nouveau jewellery, because I really like art nouveau. In general, and in jewellery in particular. And most of that is the aesthetic. I like the natural forms, I like the twisty curly bits, I like the use of materials, I like how a lot of art nouveau jewellery is using metals and stones and other materials to create a specific form, an insect or a plant or a goddess or even sometimes nature scenes. I like …

I feel like a lot of the time with jewellery, it feels like ‘I’m going to use this object to show off the size and value of my pretty rock’. And there’s nothing wrong with that. Some of those rocks are indeed gorgeous. But art nouveau feels more ‘I’m going to use these pretty rocks, and several other things, to create the impact of this object’? I just love the use of materials, glass and enamel and colour, as well as precious stones and metals, to create a form or a scene.

Like, you get a diamond ring, it’s a diamond ring. But you get something like a dragonfly brooch (Louis Acoc):

Or a lilypad hair comb (Rene Lalique):

Or a wisteria branch (Georges Fouquet):

And it’s a whole creation. A little wearable piece of art.

And I don’t want to sound too dismissive. I know the craftmanship and skill and artistry that goes into any kind of jewellery making. That diamond ring took skill I will never have. I just.

I like the emphasis on form more than material that you get with art nouveau. Like normally you hear ‘glass jewellery’, ‘enamel jewellery’, and it’s cheap, it’s frowned upon, but in art nouveau it’s what that glass or enamel was used to make that’s the important part:

(Rene Lalique)

(Eugene Feuillatre)

Anyway. In summary, I really, really, really like art nouveau jewellery?

[timethehobo]

The visual of Emmy being absolutely devastated and heartbroken during the period Rook went missing kept coming up. 😔

[kate-bot]

CHAT DO WE FW THE SMILING FRIENDS BRACELET‼️‼️‼️(ignore how shaky my arm is in the gif LOL)

[swordmaid]

brienne but she's wearing 1949 cocteau's beauty and the beast inspired fit!!! this is the inspo pic i used if ur curious.

gonna be posting more of this redesign thing (and also jaime's ver) some time in the future but i just wanted to share this one <3

[mtsodie]

Show me the pathetic wet man (Kallamar), pretty please? 🥺

the slayer

[freakinator]

the unstable boys and the guys they have a totally normal attachment to

[yrsonpurpose]

guildford ± his necklace

[isbergillustration]

I got covid for the first time and I'm being so brave and un-dramatic about it

[abigail]

potential ethel cain show outfits !! <3 (minus jewellery and shoes etc lol)

[sciderman]

Do any of the boys wear jewelry?

Wade seems like the type to have those grandma box full of jewelry but Peter would probably have one pair of earrings for the occasion?? 

they're too broke for any kind of jewellery save for the edible kind

[littlesparklight]

Okay, actually, let me do a quick, basic primer for Mycenaean fashion, if anyone would want to try this aesthetic for their Greek myth art since Mycenaean era Greece (1400-1200 is when the majority of the myths happen, and especially the Trojan war). Not claiming to be an expert at all, here, as I've mostly googled shit and screencapped images to use as ref and then read some articles, but, I figure, it might be somewhere to start!

Here's one of the panels from the Hagia triada sarcophagus, from Crete during Mycenaean control/hegemony of the island. The women are painted white, the men dark; artistic aesthetic you see in other cultures for their visual arts of the time, like Ancient Egypt.

I think the fur(?) skirts might be religious wear, but aside from that, you have one woman and one man (specifically, the lyre player, which is probably indicative of some cultural attitudes; the lyre player in the fresco from Pylos is definitely wearing a fringed skirt of some sort, similar to what women wear) wearing a long robe/tunic, and the women are wearing some short jackets on top of that. The jackets might be Cretan or merely "early" style, because here's a fresco fragment from the Greek mainland where the woman appears to wear something similar:

It's probable (but basically impossible to know) that the thing underneath is a long robe/tunic like the women above are wearing, short or sleeve-less.

Another Mycenaean/mainland Greek fresco. In this one you'd have to decide if the top halves of the women's dress is a short (but not cut-away) jacket, plus wrap-around, tiered/fringed skirt, or a long robe/tunic with really deep neckline and, again, a wrap-around tiered/fringed skirt.

Now, you don't need to make things harder for yourself than you have to! Women can wear a simpler style of dress (like what the man in the first fresco panel is wearing), basically the same as the men's, probably just longer:

It's possible these two women are wearing wrap around skirts below the edge of the chariot, but I doubt it. As you can see, their style of dress is the same as the man's above, with a plain, straight collar.

The various lines you see plunging down the sides of both the longer robes/tunics and the shorter ones are down the sides (under the arms and down) and might also/either be down the front, at least on the long dresses with elaborate bottom rim; the woman in saffron above clearly has a decorated line going down her front.

I'll put the rest of this under the cut!

Some nice art with Mycenaean-era dress and armour for some of our Trojan war characters. (Aeneas and Hektor notably wearing Mycenaean wear even if they probably wouldn't be.)

I like this site http://www.salimbeti.com/micenei/index.htm for both art and a lot of pictures of artifacts when it comes to armour and weapons from the Mycenaean era.

The men don't just wear those tunics, though; you can get some (short) kilts or skirts;

(In my opinion, I'd say it's basically a given the one/two dudes painted in basically black are meant to be from further south compared to the Greek dude here. Probably not sub-Saharan Africa, however. North Africa/Egyptian might be more reasonable, despite the impossibly dark skin.)

Some examples of the clothes recreated!

This article https://www.jstor.org/stable/20627591 talks about a fresco and its possible reconstructions, and, more importantly, includes photos of some women's clothes, especially the fringed/tiered wrap-around skirts recreated, and some drawing diagrams of said skirts that might be helpful!

Hair-wise, the majority of the men have hair anywhere from around the ears down to the shoulders in mainland Greece. (The exception being, again, the Pylian lyre player.) Minoans, even mycenaean-era Minoans, might have longer hair; one of the panels on the Hagia triada fresco has a flute-player with hair down to his waist in braids (or something like that), for example.

All the women, no matter Cretan/Minoan or Mycenaean/Greek have very long hair, gathered in variously more or less elaborate hairstyles; make your best guess from looking at the frescos is my suggestion!

[aardvaark]

the fact that parker uses stolen jewellery for christmas tree ornaments makes me wonder if she does that with some of the other stuff she steals. like imagine hardison comes over to hers and she hands him a bowl for cereal and it's like. 16th century fine china that belonged to king henry VIlI or whatever. and he has to curse the fact that sophie has been teaching him so much about making fakes cause now he is sure that this is genuine antique porcelain and he's using it to eat lucky charms

[pickled-flowers]

I'm like if a hopeless romantic was aro

[yea-baiyi]

the key to understanding hua cheng’s appearance and how he occupies space is that he’s a transmasc goth who’s committed to red and silver as his aesthetic. ok. the layered hair the outfits the boots the chains. he doesn’t shave off his eyebrows and redraw them only because he is a shapeshifter and so his eyebrows grow the way he wants.

[erendur]

"Other names in song and tale are given to these people"

From Morgoth's Ring, a list of names used to refer to the different group of Elves ; I wanted to put only the weapon-related ones originally, but the whole list is too nice :

The Vanyar are the Blessed Elves, and the Spear-Elves, the Elves of the Air, the friends of the Gods, the Holy Elves and the Immortal, and the Children of Ingwë ; they are the Fair Folk and the White.

The Noldor are the Wise, and the Golden, the Valiant, the Sword-elves, the Elves of the Earth, the Foes of Melkor, the Skilled of Hand, the Jewel-wrights, the Companions of Men, the Followers of Finwë.

The Teleri are the Foam-riders, the Singers of the Shore, the Free, and the Swift, and the Arrow-elves ; they are the Elves of the Sea, the Ship-wrights, the Swanheards, the Gatherers of Pearl, the Blue Elves, the people of Olwë.

The Nandor are the Host of Dan, the Wood-elves, the Wanderers, the Axe-elves, the Green Elves and the Brown, the Hidden People.

Those that came late to Ossiriand are the Elves of the Seven Rivers, the Singers Unseen, the Kingless, the Weaponless, and the Lost Folk, for they are now no more.

The Sindar are the Lemberi, the Lingerers ; they are the Friends of Ossë, the Elves of the Twilight, the Silvern, the Enchanters, the Wards of Melian, the Kindred of Lúthien, the people of Elwë.

Quoth Pengoloð