#and like i want to talk abt it with friends but i feel kind of IDK vulnerable doing that?idk my brains weird

[sergle]

There's something about like. A certain genre of posts / Online Opinions about insecurity/depression/misery/complaints that are so unhelpful that they wrap right around to being straight up hilarious. and it's the ones that are more or less written to the tone of "Feeling bad? That's gross!" Like, just so you know, don't voice your insecurities/ have low self esteem, because that's offputting! You're gross and weird. Don't be insecure about that, though. That would be stupid if you felt insecure about people disliking you for being insecure. Not attractive. You should be thinking about being as attractive as possible. You shouldn't make comments about suicide, even if you're suicidal! Keep those thoughts entirely to yourself. Make sure nobody around you knows you're thinking about this. It would Make Them Uncomfortable. It's better to keep these thoughts in your head where they can fester. Don't post OR talk to friends with complaints about you feeling miserable or depressed. Tbh people who are sad/upset a lot? Kinda a red flag! You are probably miserable because you're a bad person and you've brought this on yourself. If you don't have friends, it's because you're awful to be around. Easy! Solved the problem for you. And no, there is no nuance to this, got it? So, make sure to feel bad about feeling bad, but don't feel bad about it, because, well, that's just gross. And annoying! You might've wanted your brain rotted thoughts to be Peer Reviewed, you might have just needed to vent- you might've been hoping for some comfort, to get things off your chest. Well, don't! Don't talk about thoughts or feelings that are negative with your friends, you'd be burdening them and that's only meant for THERAPY. #SponsoredbyBetterHelp #MentalHealth like, DAMN. that's so helpful. you're so good at helping. I um really liked the part where these are all hard and fast rules that encourage keeping feelings bottled up and keeping your friends at arm's length. That's really funny of you.

[codacheetah]

It's deeply important to me that Loop kind of sucks

[puppyeared]

i wanna post my skip to loafer art but i cant do it knowing ppl are gonna put it on tiktok and pinterest bc itd be like. bringing an invasive species ykwim

[teddybeartoji]

i saw somebody say that not understanding what tmi means might be an autism thing and well.. that does kind of explain it yeah lmao

[rollercoasterwords]

hi! thank you for the kind words, i'm happy you're enjoying the fic. but i also want to use this message as an opportunity to talk about something/set a boundary that i haven't really known how to discuss, and i've blocked out your name because even though i'm not angry or upset with you, i want to make sure i'm not sending any hate back your way. 

i know that this message is well-intentioned, and i know you likely think it's nothing but a compliment to ask me to write more--after all, you're only asking me to write more because you enjoy the story so much! shouldn't that be a nice thing for me to hear? 

and like. i think that's why this is difficult for me to talk about. i don't want to come across as ungrateful or overly sensitive or like i don't appreciate the compliments, because i do. but at the same time, hearing someone say, "please write more of this fic for me, i love your writing so much!" is still hearing someone say "please write more of this fic for me!" like. 300,000 words is incredibly long. most novels are between 70k-100k words. a 300k word book usually takes years to write--years, and hundreds of hours of labor. maybe you chose that number randomly, or you're exaggerating for emphasis; but no matter how nicely you're phrasing it or how facetious you're being, ultimately this sort of message still puts pressure on me to produce a massive amount of writing in a short period of time. and even if you meant it as a compliment, it doesn't feel nice to me. being pressured to churn out hundreds of thousands of words makes me feel as though i'm being seen as a content-creation machine for the entertainment of others, and i don't like that. writing is a labor of love for me, but it is still labor--hours of time and effort that i'm putting into these works which i share for free, with no expectations of anything in return except maybe a few kind words from those who feel like reaching out. when i get messages or comments like this pushing me to write more, to write faster, it makes me feel as though my time and labor are not respected at all; as if there's absolutely no consideration for the amount of effort it takes to write the stories. which, again, makes me feel like i'm being viewed as some sort of fic-writing machine that can just pump out hundreds of thousands of words on demand for others' entertainment.

and none of this is helped by the tongue-in-cheek comment about how you're "suffering" waiting for updates. again, i understand that this was well-intended and maybe even a playful exaggeration that's supposed to be complimentary. but there are ways to tell me you enjoy my writing and eagerly wait for updates without telling me how much you dislike waiting between chapters. posting once a week is already a difficult schedule for me to maintain, and it's entirely possible that i'll need to take another break in the future or skip a week or something. i've been very clear about the fact that my update schedule is subject to change since i started writing the fic; that's just part of reading a wip. but when i get messages or comments like these with people telling me how they don't like waiting for updates, or comments directly asking me to post more than once a week, or--back when i did take a break--comments begging me not to take a break, it all adds together and builds up and creates this pressure to write more, write faster, post the new ch now now now. if you were the only person making this type of comment, it probably wouldn't bother me and i'd just respond and go "thanks lol" and move on. but the problem is that you aren't the only one--since more people have started reading the fic, i've consistently been getting comments like these, where the backhanded pressure to write more or write faster is couched in compliments. it's just so hard to wait for updates because i love your writing so much! i just want you to write more and post now and write faster because i love your writing so much! i know it's all well-intended, but none of it makes me feel good. it just makes me feel a mounting pressure to produce produce produce.

i feel like there are so many conversations happening in this fandom about how we need to treat writers better, where people go "the fandom is so shitty" and everyone goes "yeah!" but no one ever thinks they're part of the problem. and i think it's because everyone thinks the problem is like...really blatantly rude and entitled messages. and like, i get those too--people telling me they don't like a certain characterization and asking me to rewrite the fic; people repeatedly demanding that i write a certain fic for them; people just outright shitting on things i've written because they don't like it and for some reason think i want to know that. but none of that is super common. what is super common is the steady stream of comments and messages like this one, where they are so well-intended and don't see anything wrong with what they're saying because they think they're giving me a compliment. but all these "compliments" build up and create this pressure that hangs over my head to be constantly producing and writing, which is ultimately what leads to burnout and also makes me feel like i'm not being seen as a person so much as a machine. 

so like. idk. i'm not gonna try to speak for every writer in the fandom; maybe there are people out there who do appreciate this kind of message, who feel like it motivates them to write. but for me, i want to make it clear: i really don't appreciate being asked to write more or write faster or to write a certain trope/ship/etc; i am not a waiter taking your order at a restaurant. writing fic is not a service i'm providing for you that you pay me for in comments or kudos or messages or any sort of attention, because i am not writing for that attention in the first place. so when it comes to interacting with me, i'd ask that you reevaluate the way you give compliments and think about what sort of pressure you're putting on me, regardless of how well-intentioned your message is. again, no hard feelings towards you--like i said, this message probably wouldn't even register as pressuring to me if not for the fact that i get so many little comments like it, all from equally well-intentioned people who think they're just giving a compliment, all of which builds up together. 

anyway. all that being said. to answer your question: the fic will likely be four parts, not three as i originally intended. it will probably end up somewhere between 100-200k words based on the fact that we're already at 80k and i've only just started part iii, but i am not going to put pressure on myself to write a certain amount of words or hit a certain length. i'm just going to write what i want to write when i want to write, and share it as i want to share it. i'm happy to have you along if you want to be here, but if the cliffhangers or waiting for updates becomes too unenjoyable for you then there's no pressure for you to stay, yknow? no hard feelings on my end either way :•)

[arolesbianism]

Time for more eternal gales isat au, this time featuring Sier as Isabeau, creating a sprite I can never use next to Aris’ because despite my best efforts it would make them look tall

[peculiarbeauty]

good morning !! i tend to feel super enamored by people who go out of their way to actually talk to me about plots , ships , our muses in general. there are occasions i might feel like a number to people in their following but there are genuinely so many people here who do not do that and i'm thankful. even if it's something so small as talking about our muses once in a while , developing that bond outside of ic content is really important to me ?? and sometimes i'll admit i have no idea wtf to say in the tags on a thread but . building rapport w/ my fellow writers here is really really important to ME as a person. i wanna be your friend soooo bad. <3

[unfortunatelyilikebnha]

The diffriders are so fucking fascinating to me specifically flare trooper dumjid bc like. You take a dragon mercenary who has seen war and has actively watched many comrades die. His whole thing is that he’s a perfect guard and thus the only one who survived, leading to a fucked up conception of himself as above death. And then you have him possess the body of some kid who presumably agrees to let him see earth bc That’s His Favorite Card And He Thinks He’s Cool and who’s probably like 12 (sorry saori I have no clue how old you are I’m just guessing based off taiyou + hiroki) and just. Walk around on earth (where are saori’s parents btw. Like you could say this about most vanguard characters but where are saori’s parents/guardians/friends do they know what “saori” is up to?? Does anyone who knew him pre-diffride realize how different he’s been acting?). Play a card game where he commands his dead comrades bc shiranui is paying him (which. How is he paying him, earth currency or cray currency? And what IS cray currency for that matter?). The only thing he likes about earth is the music but he is specifically cursed to keep having his headphones break. When a unit who’s diffriding a human dies in the human’s body, both the unit and the human die on both planets, and besides the money dumjid is only on shiranui’s team bc antero/miguel DIED, a fact which he’s fully aware of and iirc derides him for (may be wrong abt that one though). He constantly tells people to die when he’s cardfighting them. He is laid-back about vanguard and doesn’t care much until he loses a cardfight and because loss and death are inextricably linked in his mind he proceeds to get Super Fucked Up About It bc he’s built his entire self image off being The One Who Survives and losing the cardfight is akin to confirming that it’s possible for him to die & he especially can’t accept that Some Random Humans have the ability to take him out. Sometimes he shows his opponents the battlefield and the bodies of his comrades and they really don’t seem to devote much thought to it (like. What??? I get that chrono & friends love vanguard and chrono does address it a little bit but mostly iirc just to say “I don’t think that’s what vanguard actually does/that’s not OUR vanguard”). He’s affected worse and worse with each loss and joins a group trying to end the world to get revenge on the humans who’ve beaten him (iirc unclear whether he knows the success of the destruction of the earth will destroy him too). He becomes the last of the original diffriders - chaos breaker dragon doesn’t count he was diffridden during U20 - to remain on earth, a point which he makes sure to bring up as proof of his superior survival abilities. The kid whose body he’s possessing expresses that he’s not happy about the way dumjid’s acting and dumjid doesn’t give a shit and continues to puppet his body around. Just, everything about him as a character is so fascinating in a concerning way and, like shiranui, he brings up the fact that vanguard is Real in a way that the earth characters don’t really consider - yes they have strong imaginations and genuine attachment to their units, but ultimately they’re playing a card game where even if cards get sent to the drop/damage zones they can come back for the next battle* whereas on cray they’re fighting Actual Battles and the units that die die For Real And Permanently. Unlike shiranui, who eventually began to see vanguard as a method of reunion with his dead friends and decided that what he’d been told about earth vanguard being a direct cause for his friends’ deaths might be wrong, Dumjid never changes his view on earth vanguard after “experiencing death”, so when he finally loses and goes back to cray he’s essentially dragged back clawing and screaming. I don’t know, there’s just something about him that’s sooooo soooo fascinating to me

[unproduciblesmackdown]

omgg lol [guy who won't stop going "more like scapeGOATED" voice] now hold! on!! lmao [same guy just saw encanto voice] Hold on!!!

[waywardsalt]

small little thing abt botw/totk and the future of zelda games considering it seems likely that future zelda games might be in the same style as those two and how i feel like botw/totk don't actually feel like zelda games (kind of messy i just typed this out in a kind of informal or whatever way) (this post is long af btw so uhhhh yeah)

im part of the group that claims that botw/totk aren't 'real' zelda games but... i guess they are technically 'real' zelda games, but... they sure as fuck don't feel like it, and because of that, i'm not at all excited with the idea of future loz games being in the same style, especially with the pitfalls these last two games have fallen into having been things that past zelda games did especially well, it feels like things have been sort of flipped on their heads in terms of what's being valued or whatever

like... the best parts of older zelda games were things like the story and the characters and the puzzles and the dungeons and stuff like that... the best parts of botw/totk right now are just the gameplay. people enjoy these new characters, but they dont have the narrative backing that older games do, they don't have the same impactful arcs or roles allowed by a more linear story

the point i want to get at though is how botw/totk honestly don't feel like direct evolutions or steps up from past zelda games but rather just... entirely different game styles (open world games) with the zelda flavoring and worldbuilding and story styling slapped on top.

i mean... i feel like a half-decent example of some other well-known franchises that have jumped on this (honestly kind of thoughtless) open-world bandwagon are mario (mario odyssey) pokemon (sword/shield and scarlet/violet) fire emblem (kind of. with some free-walking segments in 3 houses and engage) and the soulsborne type games (elden ring), these are all other well known and storied game series' that have somewhat made the move to open world, and i think that switch was a bit smoother, kept the core and integrity of the games that came before much better than botw/totk did

elden ring is the easiest to explain- the gameplay loop and core mechanics are the same and build upon past games' you just have more room to run around and get killed in with some little open-world flourishes like material gathering.

fire emblem is... a bit less flexible in terms of changing up the core gameplay, and the addition of open-world segments are added to add bonuses to the strategy gameplay and allow for more support-building oppourtunities and little minigames, and its more or less evolution from echoes' dungeon-crawling bits and the customizable castle in fates. the core gameplay still effectively works the exact same, just with some little class or mechanic tweaks and additions.

mario odyssey, though each world was pretty massive, still had your typical 3d mario platforming, and the new hat stuff fit in pretty well with olderpowerups and gimmicks, and the boss battles feel and work pretty similarly to the way they used it- odyssey does feel like an evolution from past mario games (ps. playing two-player with one person as cappy snaps the game in half. its the secret easy mode lol)

the new pokemon games are pretty much just the same as past pokemon games, theyre just open world and buggy as fuck rip have extra little open-world flourishes that build on what past games set up. the battling works the same as ever and the progression is the same with a number of powerful trainers you have to battle to continue forward.

with botw/totk... the progression is dramatically different in terms of power-scaling, world presentation, item-gathering, puzzle-solving... pretty much everything in the established zelda format. i get that it was pretty much the aim with botw to have a fresh start and throw out a lot of the old standards but it just makes them feel so dramatically alien to past zelda games; theyre completely different experiences in pretty much every single way, and as such they dont feel like what we've (well, people who have started with and spent a lot of time with other loz games) learned to associate with the zelda titles.

with open world games in general it's a bit harder to have a truly impactful narrative akin to those in past zelda games, anyways. i will admit that botw was a good execution of trying out something entirely new, and the narrative and gameplay and world actually complement each other very well, so despite what i've said in the past I can't really fault it's narrative too much since it's a less traditional sort of narrative and effectively does what it aims to do very well.

totk, on the other hand, proves that this style of game does not mesh with the old style of storytelling at ALL. linear games can have proper narratives with coherent stakes, developing characters, twists and reveals and building emotion and mood- and all of that is thrown out the window with totk when they decided to try and have both a more linear story with actual reveals and development and emotion, while also letting you literally spoil it for yourself out the gate.

you can't really have a well-executed story when players are capable of doing things drastically out of order and of jumping into story beats without the prior buildup and straight-up ruining what could be otherwise emotional reveals, and players being capable of doing this is hard-baked in how the game fundamentally works. I honestly feel bad for people who found the fifth sage by accident before anything else.

you can't effectively have a linear story with character growth and plot developments and impactful moments while also allowing it to be experienced out of order and with massive time gaps in between; with this kind of stuff, you can't really have your cake and eat it too. say what you will about the linearity of past zelda games, but i bet you that midna wouldn't be as beloved as a character as she is if it weren't for the linear order of the story and its events. certain parts of storytelling may demand for a linear manner of telling that story.

botw's story works because none of the memories reveal anything groundbreaking taht you don't already know; they are optional and merely give you more information about these characters from link's past and simply inform you about the girl keeping ganon at bay. if you find a late memory first, that's fine- it technically doesnt reveal anything too important to you, it just fills in some gaps for you and your player character. it makes sense within the story itself for the world to be so open and for you to be able to do what you can; the story is not the focus, nor is it even needed to beat the game. the story was made with the gameplay and what you are allowed to do in mind, and as such doesn't include things such as in-depth character development or important plot-twists.

on the other hand, you can easily spoil totk's biggest plot twist in a handful of different ways completely by accident, just by getting curious about the world around you. this can shatter a lot of the mystery or tension in the plot and this can happen completely by accident to someone playing the game organically and blindly. the story itself doesn't take this into account, it reads more like a linear story that would be more suited to a linear style of play, coming across things in order to ramp up the stakes and let things be revealed at the best possible time. (tbh totk's story doesnt seem to take the player into account in general, if the game forcing you to watch basically the same long cutscene four fucking times says anything, jesus christ)

narrative pitfalls aside, botw/totk put heavy emphasis on gameplay, but not in the same way older zelda games did, and as such trade away the unique items and gimmick-y game-specific mechanics for a small toolset handed to you out the gate. what botw/totk do- giving you everything you need from the start and having very little true varation in the gameplay from then on out- make sense and works just fine for an open world game. there is, however, a lack of actual depth to that gameplay that other open world games do have (off the top of my head, the ability to unlock and upgrade abilities and have general character upgrades in fenyx rising as well as the impressive depths of elden ring's combat and character customization system). the most depth botw/totk has to the actual gameplay is just the fourish different weapon types and the ways you use your fourish abilities (saying fourish bc for real ultrahand and fuse are fundamentally the exact same thing). there is also just raising the little defense numbers on your armor and getting more stamina and health, but that does absolutely nothing to the actual gameplay but make link more durable.

i mean, sure, health in past loz games just makes link more durable, too, but thats how health upgrades in any other game work.

the gameplay switch makes sense, considering the switch from a linear puzzle-adventure concentric game to a more sandbox-esque open-world game, but it does not mesh with the former loz formula at all, so while the shift in style makes sense, it makes me think that you can't have a previous-style loz experience in an open-world sandboxish sort of game. especially with how in totk you can very easily bypass most of the fire temple just using the mechanics handed to you at the start. you can't have the same type of zelda dungeons in a game where you are allowed to do it 'wrong' and the game itself does not allow for the same kinds of puzzles.

i am of the opinion that so long as future zelda games work the same way botw/totk did, we will not get old-school zelda-style dungeons again.

the loss of a variety of items used for specific puzzles and environment switches is the loss of a varied dungeon experience and the loss of the same kind of world and character progression as past zelda games.

you are handed everything you'll ever need at the start of botw/totk. the only thing that will meaningfully change is how much damage you do. there are no alternate strategies opened up by new items that can double as weapons, no new traversal options or routes opened up by things such as grappling hooks or clawshots or whips or specific wands. even the battle system is drastically different, instead of being enemies that take specific amounts of hits to die while you can obtain progressively stronger swords, enemies are just damage sponges and you can get all kind of weapons that just do different numerical amounts of damage.

the bosses themselves- big staples and draws of zelda games- also work extremely differently. instead of having to leverage specific items to expose weak spots or having to fight in a specific manner to do damage, you are just asked to... do damage. even in totk's bosses, where sage abilities are most certainly helpful, the only boss i found to truly require a sage ability was the lighting temple's boss; the others i either hardly used the sage at all (i didn't use yunobo at all in the second phase of the fire temple boss and hardly had a need for tulin with the wind temple boss [esp considering i was using a 3-shot lynel bow to make the poor fucker a cakewalk]) or found that alternative solutions felt better, like resorting to splash fruit on repeat water temple fights instead of wrestling with having to activate and use sidon's ability. the sages are honestly fairly poor replacements for dungeon specific items.

this kind of causes botw/totk to play more like a poor man's dark souls or just like any other open world rpgish game. i don't play botw/totk for the experience of a zelda game, i play it because it's an open world game that i can walk around in for five minute before switching to something else because i liked something in that other game better.

the combat in botw/totk isnt designed in such a way that makes it feel good. mineru's mech is fucking dismal, but since it's just either shooting with a bow or attacking with one of three types of melee weapon with some timing for a dodge, it can get stale fast. it doesn't necessarily even feel good, since there's not enough variety for it to get really engaging. (this is def an uneven comparison, but elden ring's combat feels considerable better with the different dodges you can do and the amount of attack options you have with just one weapon, not to mention the amount of control you have over your general fighting style.) combat in botw/totk at hour 1 is the exact same as combat in botw/totk at hour 100, the only different being the amount of damage you do or how much of a beating you can take.

it just... the styles of botw/totk can't allow them to feel the same as older zelda games. the shift in style was clearly a good move to draw in series newbies and shake things up, but it comes at the caveat of making them feel distant from their predecessors and uncomfortably similar to other games like them. it's hard to avoid comparisons with elden ring when on the surface they are very similar games, one just feels more true to its core identity

this all is said without mentioning the way in which botw/totk lore feels almost dismissive of past series staples and seems intent on not looking back while also taking every fucking attempt to nudge you and say 'hey, remember that zelda game' and honestly all that shit does is make me want to play a different zelda game.

botw/totk seem altogether very desperate to distance themselves from past zelda games while also being unable to really tear itself from what came before and it just culminates in me spotting linebeck island on the map and going 'damn i miss linebeck' and turning the fucking game off to play phantom hourglass instead. say what you will about phantom hourglass, but it certainly handles its story progression and character development infinitely better than the game that lets you accidentally shatter the impact of the story by deciding to check out that cool temple in the distance of the depths

[yaoianimeremade]

Soon im rly gonna do it

[puppyeared]

i feel shy talking here when i dont have anything worth sharing but i cant help feeling like ive said things in the tags that could be brought up in court

[secondpersonpoetry]

you’ve probably already read it before, but the poem Party by Kim Addonizio really got me tonight. first thought was “oh man. yeah” and then my second thought was “how can i make this about my hockey guys somehow………..”anyway! have a good one! 

oh. oh.

​

[sleepingfancies]

Sorry for being insane its just that hangout planning fell through for the 500th time and im trying to be so cool and normal about it and not start sledgehammering walls

[wildevenusian]

i just don’t understand. why say ur ready to talk if you aren’t?

can u believe this post is what got me to reach tag limit

[j-esbian]

thinking abt how much of my life i’ve lost to depression and i truly want to throw up