There are two types of series where kids have to fight shit:
Type 1: It is a travesty that these kids have been forced into being child soldiers. Adults have failed them—society has failed them—and the system must be torn down so no child is ever called to fight again
Type 2: Look, sometimes children gotta punch shit, idk what to tell you, it's fun and cool, so don't think about it too hard. They probably shouldn't, like, have to kill a bunch of people or do Black Ops shit before sixteen or eighteen though, that's kinda fucked
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I am obsessed with Atem right now. It's been going on for a few months. There's a story here but I can't write for shit. I'll upload a lot more soon!
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the "argos is part of the superhero team" thing is soooo funny, because it is so ridiculous and he looks so out of place and I'm sure it's super awkward for everyone involved and very difficult to explain. But it DOES make sense. And I totally believe it. It's just a really funny and awkward situation.
(I mean, what else is Ladybug going to do with him? Initiate battle with him (and by extension, Ryuko) to pry his miraculous from him? And then what? She seems to believe none of the miraculouses should be kept in the same place.... so who would she give it to? Whoever wields it will instantly learn that Adrien and Felix and Kagami are sentimonsters from a glance at their rings. Whoever wields it will automatically become privy to the horrors. Whoever wields it has the ability to murder her boyfriend in a split second if they choose to not value his life. Whoever wields it will have to be given a long ethics class on the treatment and value of sentimonsters and life etc etc etc.... a class that can only be meaningfully taught by like... felix himself?)
but yeah it's pretty funny
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Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....
And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.
The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.
And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.
Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.
HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.
But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.
That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:
His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.
Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.
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Friends, I present to you... blorbo from my dreams
Old Man Sampo isn't something I expected or knew I wanted but boy do I want it now.
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THE SIGN (2023 - 2024) EP. 9 dir A Natthaphong Wongkaweepairod
LAMENTATION OVER CHRIST (1436 - 1441) Fra Angelico [source]
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(Basic context is that AU of Duel Desinties where the phantom impersonates Phoenix to get him found guilty of Clay's murder, I talk more under the cut abt it jkhlj)
-Basically meant to be a parallel to turnabout trump, cause if you can have ONE boss get found guilty of murder, why not a second one?
-OK basically: everything in DD happens normally until like- a day before clays murder, Phoenix gets yoinked by the phantom somehow (he is still alive, just being held captive), Phantom is still Fulbright, but they've decided to be silly goofy (target Phoenix and get him found guilty of murder, escape police custody and then murder phoenix and make it seem like Phoenix accidentally died while on the run, thats why they didn't kill phoenix right away unlike the real Fulbright) there is an imposter amo-
-I dont have the logistics as to how this affects solving Metis's murder, and how it effects what evidence is used n whatnot and turnabout for tomorrow as a whole, so im just going nuts HGJKHLJ
-Originally I was actually imagining this taking place during turnabout for tomorrow and I wanted that case to be apollo v klavier instead of phoenix and edgeworth and thats why klav is in here instead of Simon (I decided that Simon got badly injured and couldn't stand in court for the retrial, so klavier was asked to step in)
-The courtroom bombing still happens the same way it does normally, but Apollo decides to take up the case again instead of taking a leave, instead of like, you know, healing from the traumatic event that just happened, turnabout countdown still happens as well
-Apollo and Athena do not find out about the phantom's existence until well after this trial, so they have no idea that Phoenix could've possibly been replaced, though simon, after hearing about the trial, might be suspicious about whether or not that was the real Phoenix
-The Phantom had been not only keeping an eye on Simon for a while, but was also stalking Phoenix and Edgeworth after they both started looking into UR-1, so they were able to impersonate phoenix so well that not even his own daughter thought that anything was up (though while Trucy did find him a *little* bit off, but she figured that it might've been the bombing that caused him to act ever so slightly weird, so she didn't pay much mind to it until she heard about his confession in court and realized it might've been because he possibly, ya know, killed someone)
-it's pretty much just switching Athena being framed for murder with Phoenix, and instead of the trial ending on a cliffhanger, it continues on (probably with Klavier insisting on it) ending with soloman being found innocent and Phoenix being declared guilty
-There's a couple days inbetween the end of the cosmic turnabout and the start of turnabout for tomorrow, so Athena, Apollo and Trucy all get a little bit to process the fact that "oh god my boss/my dad killed someone" (simons execution date is pushed back a bit in this au) and they probably get to talk with Klavier and eventually a lil bit with Simon after he gets out
-Im not sure how it all winds down in turnabout for tomorrow (Phoenix escaping and being at large is basically the perfect cover for the phantom to resume being fulbright for that trial) but they do eventually realize that the phoenix who confessed wasn't the real one and now there's a search on going to find out where the real one is being held captive, hes fineeee just ready to take a week long nap and a good vacation (along with every other waa member)
-I dont have anything else to add on rn but if you want to add something or just throw in a scenario feel free to!! this idea has been bouncing around my head for like a month now and Im very happy to finally show yall it
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In defense of late-canon x files (including the revivals)
I was thinking about this poll after I commented on it, and I kinda want to be brave and say more.
Short answer to the poll's question before I go any further: If you're a new fan and a sensitive sort who thinks you'll struggle with your blorbos Really Going Through It and you really need a happy ending, I suggest you stop at the end of season 8. Do not pass go, do not look at spoilers. Disregard this post entirely, close the internet, and go look at something that makes you happy. (Also fuck every part of society that characterizes sensitivity as inherently weak and bad and some kind of personal failing, you are valid.)
That said, "quality" as a concept is entirely subjective, and the question of whether or not there's a decline in quality for any story is wholly subjective, too. In the case of x files? I'm not convinced there is a decline. I am going to be upfront that I haven't yet watched past season 8, though I am almost completely spoiled on events after that - and the reason I haven't watched yet is not because of how I know events are going to unfold, but simply because I don't want it to end!!! Ohh, the tension between "I CAN'T WAIT!!!" and "Nooo don't be over D:"
When I first came to txf fandom on tumblr and gradually became spoiled about what happens in late canon though, I was often left uncomfortable and tbh kinda queasy about it. As I said in my comment on the poll, the hate for especially the revival and IWTB, or to a lesser extent even seasons 8 & 9, is very well documented. But! There are other takes to be found here on tumblr if you figure out where to look, and my feelings have changed!
The thing is, I have yet to find myself in any fandom where there isn't a vocal subset of fans who dislike the story after a certain point. I am not joking when I say that no one hates the things they love as passionately as sci-fi and fantasy fans. In my experience, it often hinges on the extent to which a viewer has strong notions on where they would like the characters to end up. In particular with series where shipping is a dominant component for the bulk of a fandom, I have almost universally found that there comes some turning point in the story where "let them be happy you cowards" is the dominant view, and things that compromise the attainment of a degree of romantic stability and/or domesticity are, to many fans, annoying at best and despicable at worst. But! As one tagset on the linked poll said:
and I think for any fandom, that last tag especially is so so so important. (I think that's harder for people watching a weekly series live, bc you have so much time to analyze and speculate and dream before the next breadcrumb drops, but I digress.)
So why am I saying this and how do I apply it to x files? Well, I eventually found that there are also a subset of fans who find redeeming things right up to the very end and actually quite like the whole thing! The things that I had seen people rage and ventpost so much about honestly never quite sounded to me as "out of character" or "untrue to the story" etc as those same ventposts made them sound. And I've discovered I'm not the only one who felt that way. Do I love that the spooky squad had to go through all of those things? No, those poor guys D: Life is hard and they have been through so much trauma. But do those events and their choices make sense to me in light of everything that came before? Yes! And I honestly can't wait to see them fight to overcome those things, breaking, healing, always learning, always growing, always getting better.
So if you're wondering "where does it go wrong"... well, I'm a completionist, as many people who've answered that post are, but also my personal opinion is that I don't think it does go wrong. If you're new and interested in exploring why I've gone from "vaguely queasy" to "excited" about the whole thing, or want to maybe balance out the impressions you're getting about the later seasons before deciding whether or not you want to see the whole thing, I'll put a few blog names in the comments.
Final admission: even once I started feeling a little more confident in the possibility that "actually ok maybe I'm not crazy, maybe this all kind of is in character and does make sense", there was one big plot point that I was NOT looking forward to and I thought I would never be comfortable about. In hindsight, I think my discomfort came from the negative responses being SO seemingly universal that I hadn't stopped to let myself truly consider other possible interpretations on that point. (I mean my initial instinct when I first read about it was, why are we mad about this?? CSM is literally the most unreliable narrator in history???? it's obviously fake news?????? this must be either a fever dream someone's having or it's a misdirection ploy against whatever shadowy forces might still be lurking?????????????? but for whatever reason I guess I had halfway written that off.) Happily, just last month there's a new post-s11 novel out, and although reviews for the book as a whole are mixed, it seems to have laid the groundwork for resolving that plot issue in a way I think most fans would be broadly happy with. If you're interested in being spoiled about that and seeing how, I recommend searching #perihelion on @agent-troi who liveblogged reading it with receipts, scroll back chronological-style to the first post on the subject and see how it unfolded. (And never forget that Dana Katherine Scully is the queen of denial as a coping mechanism lol)
Everyone's mileage will vary. Each person can feel however they want! But for anyone new, I wanted you to know that the very many ventposts you might be seeing are not all there is to this show or its fandom. Some of us love it despite - or even because of - all the things that went "wrong". I think we just don't talk about it as much.
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Yeah honestly I didn't mind the ratfish even though I disagreed with 90% of his takes, I just wish we could have had some payoff of seeing the cast react to him and I kinda don't get why they didn't do that. It felt like a weird choice
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Helluva Boss is absolutely fanfic-y, especially in its writing, but honestly that's kind of the appeal to me. I don't think it's a bad thing, just something that not everyone is going to like.
It feels so silly there's a whole dedicated fandom to critiquing this indie show, when it's as simple as you're either on board with the fanfic writing or not.
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I am very protective over Aleheather and Duncney
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“don’t get a fandom tattoo!!”
say that to my Kermit the frog tattoo. Lesbians and middle aged women love him
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idk if I know how to put this into words but people who actually blame Mickey for everything that went down in season 3 are insane to me like that’s just so unfair. The person to blame for all that is Terry.
It was horrible for Ian to watch the person he loved marry someone else after being kept a secret for so long, and to not ask him to stay and everything obviously. his pain from the situation is very real and justified.
But also how can you watch that and think Mickey ever had the option to do anything different? He even says to ian “why you acting like i got a choice in this?” He never had a choice! He was never going to be able to avoid marrying Svetlana. There was no way out for him. To act like Ian’s pain was solely Mickey’s fault without taking the situation into account is just unfair. Mickey was a victim of the circumstances he was in, as was Ian.
imo it’s kind of similar to blaming Ian for how Mickey was hurt by Ian’s actions when he was manic in season 5. Ian wasn’t in control of himself. It was painful for mickey to experience yes, but you can’t say that was all Ian’s fault as if he did it intentionally or something.
they were both hurt by the others actions and that’s valid but honestly nothing could have changed what happened in either of those situations. it was all out of their control.
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!!be warned... this post contains spoilers for tales from the gas station!!
i think it's really funny how in the 1st 2 books or so spencer is viewed as this absolutely irredeemable animal abuser psychopath murderer but by the 4th book its revealed that actually jack was the shitbag all along
like spencer may or may not be a sociopath but at least he doesnt pick apart grasshoppers or whatever it was in the 1st book
hes just a gun for hire with questionable morals that refuses to die and i think thats the best kind of character honestly
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YOU ARE SO WRONG YOU STUPID TWINK. GET FORESHADOWED IDIOT.
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christ alive I love my parents and I'm glad I got to see them but they are just. so fucking exhausting
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