#and let him use me however he wants

[rubixcuby]

The things I wanna do to this man…

[slingbats]

🏳️‍🌈 based on several old photos of gerard way

[chalkrub]

super fun trade with @charseraph !

[ask2ps]

I love 2p japan

CHINA: 日本さえ恋がしたいということ、考えられないことではないねぇ。(It’s not unthinkable that even Japan would want love, right?)

JAPAN: 闭嘴。(Shut up.)

[lupins-hehim-pussy]

I think of so many stupid shenanigans between Wriothesley and his daughters in the Addison Lee verse. They tell Wriothesley crazy shit all the time, their daddy-daughter secrets, and it drives Neuvillette nuts that Wriothesley won't snitch.

Sigewinne, whispering into his ear: Today at school I punched a boy because he was being mean. I waited until it was recess, and made sure that no one was watching, and I punched him. Everyone knows he is a liar, so noooo one believed him when he cried about it. And Sigewinne is aaaalways a superstar so Mr Vautrin didn't suspect a thing !

Wriothesley, mildly concerned: Uh huh.

Sigewinne: Papa would say Sigewinne has to be nice to everyone, but, Sigewinne thinks bullies need to get punched sometimes, b'cos, b'cos otherwise, they think everyone is just gonna let them be mean

Wriothesley: Y'know what. That's fair

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[ancient-day]

Heartbreaking! Goro Akechi doesn’t love or hate sweets, but a secret third thing (pleasantly neutral)

[pkmoth]

having swap au thoughts. *slaps roof of claus* there's so much mental illness in this guy. im gonna blow up everyone in the room and then myself

[cranberrymoons]

.

[aceredshirt13]

So my buddy @oshawolt and I have watched the first two episodes of The Young Indiana Jones Chronicles, and by far the funniest part about the show is that its complete inability to give teenaged Indy anything like a concrete logical reason to enlist in WWI results in it reading like Indy is willing to go against his friends, his family, his loved ones, all logic, and a significant number of his moral codes, solely because his bestie T. E. Lawrence signed up for the war, and he apparently values that above literally all other aspects of his life.

Like. Listen. In the first episode, Indy joins Pancho Villa and the Mexican Revolution because he wants to help people, but when a poor villager tells him how even the most just of wars inflict untold suffering on the innocents the soldiers claim to be fighting for, Indy becomes disillusioned with the war effort... only to read a letter + photograph he keeps with him from Lawrence, who says he's joining the war effort in Arabia because he believes it is a cause worth fighting for. And Indy proceeds to immediately forget literally everything he just heard that Mexican villager say and go "fuck it, we ball. and by ball I mean go to the trenches." Indy has decided that the Mexican Revolution "isn't his war", but he's American - WWI in 1916 isn't his war any more than the Mexican Revolution is. So that obviously can't be his justification??

Now, ostensibly he goes because his friend Remy, a Belgian guy he met in Mexico who was fighting for the revolution after his family was killed, decides to go back to Belgium and fight in his own homeland's war instead of the Mexican one. In fact, in the upcoming episodes, he and Remy are together quite a lot. But during the first episode set in Mexico, we are never given to believe that he and Indy are particularly close - they seem like acquaintances at best. Not much time is shown of them together, and we hoped that in the second episode, when the two of them disembark in London and enlist in the Belgian Army, we'd get some of that good old intergenerational friendship energy and really see why Indy, despite not necessarily believing in this war, might want to go to support his friend in Belgium, and his more distant friend in the Middle East.

Nah. Remy ditches Indy for a hot widow almost immediately, and for the entire rest of the episode his ass is GONE. He literally doesn't show up again except to give Indy the papers saying it's time to go to the army, and to be like "oh by the way I'm married now!" at the train station. Bro apparently does not hang out with Indy or tell him anything. Which would be understandable if they were acquaintances, but like??? Aren't they meant to be so close as friends that Indy would up and fight a war with this guy???

Meanwhile, Indy follows a cute girl to a suffragette meeting, they become best friends on the virtue of "speaking an unbelievably unrealistic number of languages" and "having literally identical backstories" (to the point where we found ourselves wishing she'd been Indiana Jones in this show instead, given that she's apparently just his cooler genderbent version played by someone who can act better), meet and get along with his tutor since childhood (who apparently is close enough with Indy now not to want him to enlist in the Army and endanger himself, despite the fact that she disliked Indy so much as a child and allowed him in so many absurdly dangerous situations that we became convinced she was deliberately trying to get him killed in a way that looked like an accident), and eventually fall in love. All through this, Indy helps with the women's suffrage movement, lends money to a poor woman and her children, watches his friend/girlfriend throw a dessert at Winston Churchill (who is in this episode for five minutes because Why The Hell Not I Guess), meets multiple people whose loved ones have been killed in the war, and is told by an older suffragette that one day of the good work he's put in today is worth one year of time in the trenches. At one point, while visiting the girl's family, he is asked why he joined the war effort, and gives an unbelievably vague and evasive answer that all but proves he doesn't even know why. And in the end, he wants to ask the girl to marry him, but she says no - partially because of the implication that she doesn't know him quite well enough to be willing to sign her rights away, and partially because she doesn't know if after the war they'll be two different people.

So let's look at the facts. Here in London, he has friends, family, someone he loves who he could spend a life with and eventually marry after they've established themselves, and a purpose he enjoys with clear, positive results. Sure, he's already signed up for the Belgian Army, but he enlisted under a half-assed fake name that couldn't possibly be traced. He scarcely ever sees Remy - he seems to owe him nothing, and owe his country no allegiance. Why not just... not go when his number is up? What reason on Earth could he have to do anything but stay?

So naturally, he just. He just fucking goes! For no conceivable reason - no conceivable reason other than that Lawrence is also in the war!

Indy's been friends with Lawrence since they met when Lawrence was 20 and Indy was a nine-year-old kid who couldn't act very well - Lawrence asked him to call him "Ned", and he still does (which, for the record, Indy's tutor, who has literally known Lawrence longer than Indy has and is on good terms with him, does not. Apparently she didn't get the nicknaming permission. Rip). Still does, because the only time Indy is able to give a concrete answer about anything in the war is when said tutor angrily asks him why he's enlisted, and he says that "Ned" is in the war! He knows this because apparently Lawrence actually kept his promise to write to him, and they've been writing letters and sending stuff to each other since Indy was a child! And - judging by every other thing in his life suggesting otherwise - Indy values the actions of his pen pal more than anyone else's opinions, his friends and love life, and his own safety and happiness! That doesn't seem like a normal way to react to the actions of a guy you only knew in-person for a few days as a child!

Unless...

...

...In conclusion, world-famous fictional film character Indiana Jones would not have become the person he is if it hadn't been for his gay little crush on real human man T. E. Lawrence.

[heretherebedork]

Mut spends the entire start of the episode antagonizing Rak, pushing his buttons, speaking to him in a dialect he doesn't understand, breaking into his hotel room, refusing to leave... and people are surprised that Rak thought he might be playing a prank on him by jumping off the boat? Why? It makes perfect sense to me to assume that he'd be playing a mean-spirited prank from the way he acted with Rak. That would have been my first assumption, frankly, and I saw that very, very on the nose little montage of him being the Most Perfect Person Alive.

(Rak was literally isolated on a boat he had no way of knowing how to drive and no way of knowing how to contact anyone and could easily have been stuck there for as long as Mut wanted and with no way of knowing where he was, what he was doing and even if he planned on coming back. Yeah, being upset and accusatory makes perfect sense to me.)

I get that Mut meant none of it that seriously but why would Rak know or assume that?

[starlooove]

Duke should have a chain with a lil bat on it and that’s all I can really say about fashion

[drumlincountry]

[karokawwo]

also recently ive gotten the urge to redesign kari since I've been thinking about him and his background a lot lately

[widevibratobitch]

so i am singing that vitellia in the end... but at what fucking cost.

'you gotta sing this softer'

'what'

'this is mozart'

'this is vitellia'

'this is mozart'

'im singing about how much i hate this mf and want him dead before the end of the day'

'this is mozart'

'i wanna murder a guy'

'this is mozart'

'...'

'softer. gentle. mozart'

'...ok'

[quillkiller]

i like how i claim to be anti j*gulus when my second favorite marauders fanfic ever written literally is…. a j*gulus fic…..