#and knocks one thing over

[lock-my-feelings-in-a-jar]

[cream-and-tea]

must a book have ‘plot’ and ‘structure’ and ‘progression.’ is it not enough for characters to be in a place. and for that place to be really fucking weird.

[dblsoul]

stay like this forever

[lighthouseas]

no you don't understand. when byler kiss i need them to be gasping into each other's mouths and holding onto each other for dear life. i need them to be shoving each other into things and knocking things over because they're so desperate to be closer. i need them grinning like idiots against each press of lips. i need tears. i need forehead touches. i need hands running down each others' bodies. i need

[cannot-be-cyn]

me, engaging in other media be like:

[wordsinhaled]

payneland neighbors AU

(a.k.a. one of my million WIPs that may actually be seeing the light of day)

edwin is an Alive Boy, who has had a near-death experience being bullied while he was at school, so he can now see ghosts.

charles is a Dead Boy, who is starting a detective agency out of his new flat, which happens to be next door to edwin's.

edwin does not realize charles is a ghost at first.

they are mutually down bad and trying hard (and failing) to be normal about it.

pining and shenanigans ensue.

should be able to get this posted to Ao3 sometime later today as chapter 1/? of who knows how many because apparently payneland has made me that person with multiple multichapter WIPs, lmao ~*~*~

Edwin does not think about his new neighbor across the hall.

(Said new neighbor's name, it will turn out, is Charles.

And Edwin most certainly does not fixate on the compelling glint of Charles' single earring in the sun, or the curve of his smile so easily offered.)

The story of it is this: Edwin had held the door to their building for him one fine spring day. Simple politeness, and moreover basic human decency, both dictated this was the proper thing to do for someone carrying such an absurd quantity of unwieldy parcels.

He had not expected the stranger to look so taken aback.

(He had an honest-to-goodness crystal ball propped precariously atop a stack of antique-looking books; and those teetered on top of several cardboard boxes near buckling under the weight of whatever they held within. A cricket bat protruded from the pin-encrusted rucksack slung over his shoulder. People did insist on having such incongruous pastimes, Edwin thought; and, apparently, atrocious packing habits to go along with them.

But the titles of the volumes Edwin managed to glimpse were as intriguing as the crystal ball was misguided—and he'd found himself rather helplessly curious.

"Cheers, mate!" the person he will soon know to be Charles had said, sounding obscenely grateful as he manouevred his way inside, and had flashed Edwin a grin so radiant and wide it hurt Edwin's cheeks in sympathy just to look at it.

Still, Edwin tried to think no more on him; nor on how surprised he'd appeared to be at Edwin's tiny show of kindness—at Edwin's perceiving him at all, even. Tried being the operative word.)

He'd been aware Jenny was letting the rooms across the hall, because she asked him several weeks ago if he might know any potential tenants. Edwin had informed her he did not. His last neighbor had listened to ungraciously-loud electropop at all hours of the night and harbored a seemingly endless stream of stray cats despite Jenny's very clear policy against animals.

Edwin would far prefer the space to stay blessedly vacant and blissfully quiet for as long a stretch as possible. He deserved some sort of a reprieve, he'd thought.

it seems he is not about to get one.

Edwin is reading when he hears a muffled string of colorful swearing, the lugging of things, the scraping of furniture across hardwood floors. While he may be able to studiously avoid thinking about the beautiful boy he'd met downstairs, Edwin cannot escape the inevitable and inconvenient fact that they will now be living in proximity. The telltale commotion that can only be made by someone moving in comes right to his proverbial stoop.

Who else could it be but him?

Edwin sighs. The only thing for it, he supposes, is to go over and introduce himself.

[kacievvbbbb]

I need Mihawk to go on a true odyssey (you know like the Greek sense of the word)

Just the universe, truly atrocious luck, psychological and very physical violence all conspiring with the ocean to ensure this dude does not get where he is trynna go.

Mihawk vs heaven hell and everything in between trying to make it to his next duel with Shanks.

Of course he wins and of course he learns nothing. (​the ocean screaming shanking banging its head because it’s tried its best but these stupid as fuck swordsmen)

[epickiya722]

Sometimes, I forget that there are people who find protagonists like Izuku, Tanjiro and Yuji "boring" because "they exhibit typical shonen protagonist traits" and one of them woukd be "They're nice, they're kind, they're all sunshine".

Which, okay, have your tastes, that's fine.

But when it comes to characters who are kind and/or nice, there's layers to them.

Just because a character is nice, doesn't mean they're kind and vice versa.

A character can be the most evil one in that story and still show kindness to some people somehow. A nice character may be the one to do immoral things, Yuji being an example.

The reasons for why a character is nice and/or kind varies, too.

Some are just genuinely born that one. Some may be selective as to who they show those sides, too, because of their own morality. Maybe, a character is being kind or nice to also manipulate others. Some characters may choose to be kind because who will, despite the cruelty of the world?

Also, I feel like, even with people outside of a fandom, they hear or seen a character being nice and kind, they just stop at that and don't think they're capable of being ruthless.

Like, Tanjiro canonically has a pure soul, but multiple times he has shown he is not only a menace in a fight, but he has shown to be one in casual situations. Sometimes, he's not even aware he is because he is so nice.

Izuku, he's a sweetheart, too. But even he will just shut off that "sunshine" to literally tear into you. He has been told in canon to hold back his emotions, the most prominent one being his anger. When he's angry, go apologize!

Yuji, look, let's be real... he is sunshine and rainbows, but that boy is probably the least sweetest one out of these three examples. Hold back? Yuji don't know what that is. No, no, he really don't. I kid you not, this kid doesn't. You can't even use the fight against Junpei as one because he punched Junpei UP into a window. Had Junpei not have that shikigami, he would have gotten major injuries.

My point is!

Just because a character is kind or nice or both, it doesn't mean...

A) it's the only trait they have.

B) they're not capable of not being kind or nice.

I think some see nice and kind and associate it with being "soft" in a derogatory manner.

Which, first off, there's nothing wrong with being soft.

I'll be honest, it will sound silly (go ahead and laugh actually, I encourage it), but if you asked put a character like one of the mentioned protagonists in front of me along with their villain and asked me "who I'm more scared of" I'm pointing at the protagonist.

Listen to me. Don't let that cuteness fool you.

With a villain, I am well aware of that villain being evil and will hurt me no matter what I do.

With someone like Yuji or Tanjiro or Izuku, they look nice, they look kind but it's like you have to be careful to not to trigger them in a way to set them off. You're caught off guard but those sweet faces and then next thing you know, BOOM! You got knocked out.

If anything, as much as people like to clown on these characters, they're only just following the footsteps of the ones before them.

Just like those legends, they started from the bottom and grew stronger over time and even with being a chill person or don't want to do evil, that doesn't exempt them from being not "a sweetheart".

I said it before, but a sunshine character to me is a character who is warm but lethal, like sunlight.

[rad-roche]

it's my neo-noir and i get to paint the cover

i'll be making a masterpost when dead woman walking is out, so i figured it'd be cute to make a themed cover for both. this'll be for the first one and i'll fill in all the text later on when it's all ready to go

speedpaint as always. i did this all in one sitting because i'm quite sick at the moment and needed the distraction. i would not recommend doing this. actually, i'd advise against it

[valengory1234]

While I love the storyline where Alfred was there from day one and helped raise Bruce, I think the original where he’s just some guy who shows up one day and Bruce and Dick just have to cope is extremely funny

[helimir]

Campaign 2, episode 111: First campaign 2 appearance of Widogast's Nascent Nein-Sided Tower. We get to see Caleb's love for the Mighty Nein in intricate magical detail (and I fell in love instantly)

Campaign 3, episode 111: First campaign 3 appearance of Widogast's Nascent Nein-Sided Tower. We get to see the love the Mighty Nein have for each other spreading out to Bells Hells with connection, compassion, and hilarity (and I fell in love all over again)

[triglycercule]

killer eating food in front of horror as a way to taunt him. duuuude do you see this delectable parfait he has in his hands right now. he just put a spoonful in his mouth. horror is scratching at his own arms right now (trying not to jump this bitchass). killer can't even taste it LMAOOO another bite ‼️ imagine not being able to eat food 🤣🤣🤣 killer can't even taste it and enjoy the food but horror can't even EAT food

then horror grabs the parfait glass out of his hands and oh killer you should probably teleport away before horror does to you what undyne did to his eye

[holographic-mars]

crawls into your inbox,, mars,,, mars i need ravage and soundwave affection headcanons. mars i need fluff. hands held open, only u can save me,, 🤲

CRACKS MY KNUCKLES DID SOMEONE SAY SOUNDWAVE AND RAV AFFECTION HCS

Starting off well known and easy—Soundwave, though seemingly adverse to being touched, much enjoys physical contact from the mechs he cares about. Touch is reassuring and comforting, it also provides a means of grounding himself when his senses overwhelm him. When Ravage is around, they are attached at the hip. Ravage is pressed against his leg, curled up on his lap, or draped over his shoulders (being able to not only hear, but feel Ravage’s spark pulse is comforting to Soundwave, and Ravage knowing that Soundwave is safe with her again. It’s mutual reassurance).

Ravage butts her head against Soundwave when showing affection. She nuzzles into his palm or under his chin, and Soundwave will nuzzle back. He bumps his head against his other cassettes and loved ones as a way of affection because Ravage does it to him (on that same note, Ravage will roughly butt her nose against Soundwave to get his attention or to reprimand him if he’s done something she does not approve of).

Grooming is a very high form of affection between Soundwave and all his cassettes. Whether it just to pick flecks of dirt out between Ravage’s plating or use sharp claws to dig into hard to get places on Soundwave’s frame, keeping one another well maintained is love. They will take family baths together where they all soak in a hot oil bath with an obscene amount of bubbles. They’ll lie in the oil for hours and hours enjoying the comfort and company. And pile bubbles on top of whichever cassette is closest. (when Soundwave was much younger and much less adept at keeping himself clean, Ravage would grab Soundwave and clean his face as if she was grooming a kitten. She still does it sometimes, much to Soundwave protest).

Soundwave, much like Ravage, rarely takes full rest cycles and instead just takes short naps whenever he can. Because of this, they take naps together all the time. Soundwave is Ravage’s personal space heater, and she will sprawl overtop of him to take a nap. If Ravage falls asleep, Soundwave will follow soon after (Ravage knows this and takes advantage of it when Soundwave is overworking himself. He cannot resist the pull of a sleepy Ravage. No work. Just Naptime).

THATS ALL I CAN THINK OF OFF THE TOP OF MY HEAD BUT. BUT I LOVE THEM YOUR HONOR ,, I LOVE THEM

[gin-juice-tonic]

i have been on hold for the past hour and 40 minutes and someone finally picked up and i accidentally hung up

[tallsc]

AvA Blue Character Analysis

Starting this analysis, I thought I would have trouble coming up with something important to talk about with Blue. Their character's been pretty stated, right? They're a pacifist potion-creator who likes eating weird stuff and is good with a bow. They're pretty acrobatic, they're a decent builder but not the best, they don't like being in leadership roles. That's their character, right?

No, it isn't.

The first statement in that list is wrong. Or, at least, is missing many key details that explains a lot more about what Blue is actually like.

Blue has been commonly described as a pacifist, and I can understand why. Before looking into this topic, that's how I thought of them too. They've never been one to start a fight with their friends (unlike most every other member of the Color Gang) and in Piglin War, they wouldn't hurt the piglins, only the zombies.

But that doesn't make them a pacifist. It highlights another aspect of their character that I will discuss later in this analysis, but it doesn't make them a pacifist.

Blue has been shown, time and time again, to kill. They killed the ghast with Green in season 1, along with Yellow's ghast friend in one of the shorts. They have fought pillagers with lethal force, and taught villagers to do the same. They even killed piglin brutes along with the rest of the Color Gang in the Ultimate Weapon. They never hesitated to do that, despite going out of their way (and almost dying) to avoid hurting any of the piglins in Piglin War.

Additionally, they seem to enjoy the act of fighting. They happily join sparring matches with the rest of the color gang, and will even initiate them as long as they know it is all in good fun. So they do sometimes enjoy battle, and show no hesitance to kill when the situation requires it.

This doesn't make Blue any worse than the rest of the characters, since they have all fought mobs and killed before and they all like fighting, but it certainly doesn't make them entirely peaceful. So why do they have a reputation as a pacifist? Why do they seem so reluctant to start serious fights, and why were they so careful around the piglins in Piglin War?

Well, the answer to that seems to be that Blue forms a very close protective bond with those they care about, and they form those bonds very quickly. Everyone in the Color Gang cares about each other, of course, but Blue tends to express their bonds in a different way, and forms said attachments so quickly, that their actions tend to resemble pacifism.

Blue has consistently been quietly protective of their friends in a way that none of the others seem to express. They avoid fights - with their friends. They try to stop conflicts - between their friends. They go out of their way to make sure their friends don't get hurt. They risked their life multiple times to save their piglin friends, both in Piglin War and in The King. Their main focus is often to support their friends and, most importantly, keep them safe.

In fact, while they've never backed down from a possibly-dangerous adventure, they also have never (purposefully) started one. The only time they did start anything of the sort, they went out of their way to not bring any of the others. New adventures can be dangerous after all, and the last thing they want is for their close friends to get hurt.

This apparent desire for peace that has led to Blue's reputation as a pacifist is really more a focus on keeping their friends safe by avoiding infighting, rather than them disliking battle in general. But this still seems like a good thing, on a surface level, since being the protective mediator should help to keep those friends they value so deeply safe.

But there is a problem with Blue's thought process. Because their friends have gotten hurt before. And, worse, people who Blue had started to view as a close friend have hurt them. And they haven't taken either scenario well.

Blue often appears to be the one who's hit the hardest whenever it appears their friends have been hurt or killed. Everyone cares, everyone's upset, but Blue always appears the most distraught. They're so afraid to lose their friends that they will regularly risk their own life or even harm their friends on accident - most notably in the Ghast friend short - in an attempt to protect them. Blue isn't instinctual like Orange, but their actions can still be misguided when they don't have time to think everything through.

But there's more than one way to lose a friend. Purple's betrayal seems to have affected them deeply, such that - significantly after the betrayal, even after it appeared Purple was their ally again - Blue was very reluctant to trust anyone who reminded them of Purple. Far before Mango revealed their plan, Blue still did not trust them, solely because Mango reminded them of Purple. Blue puts in so much energy and trust into their friends that losing one through betrayal hits them incredibly hard.

Blue is a lot of things. Like all the Color Gang, Blue makes friends easily. They always do their best to keep their friends safe, both from outside threats and from each other. They're crushed at the idea of their friends dying, and will risk their life to stop that from happening. They're afraid of betrayal.

But one thing that Blue is definitely not, is a pacifist.

Thank you for reading! I hope you enjoyed, you thought of this topic in a new light, or at least found it interesting! I'll be honest, I really did think of Blue as the pacifist one up until now, but from what I can tell now that's based in something entirely different.

Thanks to rigatoniiiiiiii for the suggestion to do something for Blue! And sorry for like directly contradicting the one thing you said about them but this was the topic I came up with- 'XD I was considering doing something on their relation with Green here too but this is a long enough analysis already so I'll do that some other time.

[pilferingapples]

.

having all sorts of mixed feelings about today -- I DO actually like Valentine's day, it's all associated with handmaking class valentines and buying candy and yeah, Fun Dates

and also it's my mom's birthday

which she hated, she hated sharing her birthday with today, so I always made sure to do something extra special about it so she didn't

it's the first one she's not here for

it's the first Valentine's Day that's JUST Valentine's day

I am a Little Fucked Up about it

...happy birthday, Mom, I'll yell at my elected representatives for you today