This might be a bit of a dark question about the fuzzy AU but.. was Acht alone when they died? I'm assuming timeline wise that side order didn't happen pre Grizz winning (unless it did) so did they spend their last few days(?) alone in the Deepsea Metro with no idea what was happening to them or did something less heart wrenching happen?
Man that is a massive plot hole I completely forgot about and did not see coming. Honestly I think I can make it so somehow Acht already met Callie before getting fuzzed up? Because if not it wouldn’t be so interesting (and most importantly there wouldn’t be enough angsssssst).
Also yeah this post is a bit sad so just sayin’.
Acht and Callie already knew each other and went out together constantly, but they got fuzzed up when they were far from each other. Acht couldn’t get out of wherever they were in, because they were just so weak, until it was too much to handle and they died, alone, nobody knew they were struggling with it.
Callie often gets flashbacks about the time they spent together, however her memory gets blurred by her instincts and she doesn’t seem to be affected by them that much anymore. But she does remember them vividly, being probably their first true love.
She sometimes stays up at night thinking about them.
And the saddest part is that she still thinks they’re doing okay somewhere around.
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I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.
I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.
I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.
There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:
A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.
B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.
And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.
This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.
But yk. That didn’t happen. At all. Nowhere close even.
The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).
To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)
And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.
Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.
I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.
Izuku is not controlling too much, he’s expressing just enough.
I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.
In fact, I’ll even say that this moment right here?
ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)
Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.
Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this
And this
Aand this
That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.
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𝗉𝗈𝗍𝗍𝗒 𝗆𝗈𝗎𝗍𝗁
❥𝗌𝗇𝗂𝗉𝗉𝖾𝗍 : 𝗌𝗁𝗈𝗍𝖺 𝖻𝖾𝗂𝗇𝗀 𝗌𝗁𝗈𝖼𝗄𝖾𝖽 𝖻𝗒 𝗒𝗈𝗎𝗋 𝖼𝗁𝗂𝗅𝖽’𝗌 𝗅𝖺𝗇𝗀𝗎𝖺𝗀𝖾 𝗍𝗁𝖾𝗇 𝗁𝖾 𝗋𝖾𝗆𝖾𝗆𝖻𝖾𝗋𝗌 𝗐𝗁𝗈 𝖻𝗂𝗋𝗍𝗁𝖾𝖽 𝗁𝖾𝗋.
{ 𝗐𝖺𝗋𝗇𝗂𝗇𝗀𝗌 — 𝖻𝗅𝖺𝖼𝗄 𝖼𝗈𝖽𝖾𝖽 𝖿𝖾𝗆𝖺𝗅𝖾 𝗋𝖾𝖺𝖽𝖾𝗋, 𝖿𝗅𝗎𝖿𝖿, 𝖾𝗌𝗍𝖺𝖻𝗅𝗂𝗌𝗁𝖾𝖽 𝗆𝖺𝗋𝗋𝗂𝖺𝗀𝖾, 𝗆𝗈𝗍𝗁𝖾𝗋 𝗋𝖾𝖺𝖽𝖾𝗋, 𝖼𝗎𝗋𝗌𝗂𝗇𝗀 𝖻𝖺𝖻𝗒. }
he’s not really surprised that she said it, cuz you say it all the time, calling him a "dumbass/hoe ass nigga" or telling him "nigga shut the fuck up." and aizawa teaching black students (mina and deku) and having a few black coworkers (mirko, rock lock and orca) he hears it all the time himself.
but he’s downright flabbergasted when and how she says it right to his face at that; after you told her to go get her father to come here and yk how kids be, adding extra words nobody told them to say. so your kid stands in front of him with a mischievous smile on her face and glint in her dark brown eyes as she says "mommy said to tell you ‘nigga bring your light bright ass down to the kitchen fo’ you don’t get no damn dinner’ so are you coming daddy?”
and he pauses for a moment having your black mother mannerisms come out of him. “d/n? whatchu just say to me?” she pales a bit “no daddy! that’s what mommy said.” he calls for you yelling your name. "aye y/n cmere!" you shout a "what!" from your place in the kitchen and he repeats himself. the sound of your slippers hitting the tile as you approach your shared bedroom, the anger in your steps ever so evident, belly protruding cause of your second child as you grumble loudly all the way to the door.
"nigga what? i told d/n to come get’chu for a reason na' my damn feet hurt ‘n all I wanted t’ do was cook." you look at him with an attitude hand resting on your wide hip as you leaned on the doorway. "whatchu want shota?" you take in the situation, your husband sitting on the bed a displeased expression on his face and your baby girl got tears welling up in her big brown eyes as she fiddle with her fingers.
"why my baby bout t’ cry?" you walk further into the room standing beside your daughter and in front of aizawa with your arms folded, he rubs on your belly looking up at your frustrated eyes. "’m sorry mama." he kissed your belly. "making you walk all the way back here but what did you tell her to tell me?" you suck your teeth when he kisses your belly again 'ain’t this just what i said earlier??'
sighing out your frustration you continued. "i told her to tell you ‘bring your light bright ass down fore you don’t eat dinner.’ got me walking all up ‘n down this damn house when you know how fat yo’ damn babies are." he rubs you again "’m sorry.. again it’s just your daughter cursing me out." you snicker before he looks at you with dead eyes.
"oh you was forreal? what did she say?" shota and you both look at your five year old her tears still threatening to fall. "tell your mama what you said." she whimpers while repeating what she told her father earlier, it’s a moment or two of silence before you burst out laughing. "fuck i gotta pee ima pee on myself."
you waddled to the bathroom giggling as shota rolled his eyes this is not the right outcome you came out the bathroom wiping the excess water on the cami as tears filled your ducts "’m sorry baby it’s just that shit was too funny." you sat on the bed next to him as you picked up d/n placing her on shota’s lap. "you’re supposed to tell her that she shouldn’t be saying those words at her young age."
you pat his face leaning forward to kiss your daughter on both her chubby cheeks fixing around her bonnet. "those aren’t even the extra bad ones.." you caress her cheek with your thumb. "you know not to say those words to your teachers and the grownups outside the house right? unless they need to hear it.." shota nudges your shoulder and you exclaimed playfully. "what sho i don’t think it’s that serious i think it’s quite hilarious in fact."
he shakes his head from side to side kissing the top of your daughters’ cap "just don’t get used to saying words like that ya’ hear me d/n." she nods her head and y’all stay there for a minute or two loving up on her before you you spoke interrupting the silence. "so baby girl.. say another curse word." "y/n!" you cackle at shota’s face getting ready to get up.
"i’m just kidding.. alright let’s go i wasn’t slavin’ over that hot ass stove for nothin." your daughter jumped off shota’s lap running towards the kitchen. aizawa gets up grabbing you by your hand, pulling you towards him minding your belly, your arms wrap around his shoulders stroking the hairs on the back of his neck as he slaps your ass then grabs it. "she gets it from you ya’ know. you need to stop cursing."
you hum pulling him down kissing him tenderly before pulling away, dragging your hands from his shoulders to pat his chest as you look deeply into his eyes. "i ain’t gotta do a fuck thing.. pretty ass nigga." you peck his lips before waddling away.
you turn your head, sticking your tongue and middle finger out at him before crossing the doorway, your husband shook his head know something like that was coming his way as soon as he said those words. 'these girls are finna be the death of me i hope this next girl isn’t so troublesome.'
𝗌𝗉𝖺𝗆 𝗅𝗂𝗄𝖾𝗌, 𝗋𝖾𝖻𝗅𝗈𝗀𝗌 𝖺𝗇𝖽 𝖼𝗈𝗆𝗆𝖾𝗇𝗍𝗌. 𝖣𝖮𝖭𝖳 𝗌𝗍𝖾𝖺𝗅, 𝖼𝗈𝗉𝗒 𝗈𝗋 𝗉𝗈𝗌𝗍 𝖺𝗇𝗒𝗐𝗁𝖾𝗋𝖾 𝖾𝗅𝗌𝖾. ©𝖼𝗂𝗍𝗒𝗉𝗋𝖾𝗌𝗂𝖽𝖾𝗇𝗍𝗂𝖺𝗅
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A story I’ve been working on for the last two months. Taking my time with it. A snippet underneath.
He finally spoke, hoarse and broken. If her heart could beat, it would stop awash in his sadness. “Flayn, she’s…she’s all I have left.” He took in a breath, breaking his hand free from his face to look up at her. Byleth watched as wet drops flooded his cheeks. “She’s the only reason I came here to the monastery, Professor. If she’s dea—gone, there’s nothing…nothing.”
He sucked in a breath and shook his head. Byleth moved closer to him, feeling brave enough to wipe a tear away. He seemed to be shaken back to the present at the quick gesture, gasping once more. “Everything I’ve overcome, my sister has overcome. All these trials and tribulations, they will have been for nothing.”
Byleth reached forward to wipe one last tear away. “I’ll bring her back.” Seteth’s eyes closed, lips trembled, as if he couldn’t believe it. With a gentleness she didn’t think she possessed, she placed her palms against his cheeks, leaning in close. Seteth didn’t breathe, eyes solely on her. “I will bring her home.”
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It’s October 2023. c!Ranboo and c!Tubbo are almost 20. They’ve been married for 3 years. Michael isn’t a toddler anymore and grew up to be a lively kid, twice the size he was before and incredibly smart. It’s cool weather today in Snowchester, and the snow covered cabins are bright with Halloween decorations. The family are in their mansion, no trace of fear or sadness in them. c!Tubbo, c!Tommy, c!Wilbur, and c!Jack are making Jack-o-Lanterns at the dining table, cracking jokes and making each other howl with laughter. c!Ranboo fondly rolls their eyes at them from where they’re sitting by the fireplace with c!Techno and Michael, making Michael giggle while the three of them sorting through Halloween decorations to hang up inside. c!Phil and c!Niki are mixing cookie batter on the kitchen island, smiling as they converse over the lively Halloween music. They all soon join together to eat dinner and design their Halloween cookies. c!Fundy knocks on the door, a gift in hand and a sly smile on his face, c!Quackity following him in with a cheer. c!Eret joins, cozy fall sweaters in her arms to hand to everyone. c!Puffy and Foolish arrive shortly after, bringing a customized costume for Michael and the othere. Soon the well-loved home fills with friends. There’s no arguments. No battles. No betrayals. Just laughter, warmth, and joy. Everywhere else, the land is healing. Bloodshed and war are no more in the Greater SMP or anywhere for them. Houses stand peacefully, as they once were. People smile at each other and chat happily along the Prime Path, all trace of malice and resentment gone. Everything is peaceful again. The future was bright. No pain or suffering from the past, only healing and moving forward.
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tumblr algorithm stop feeding me takes that this show is just a silly goofy comedy that shouldn’t include death or that Izzy is the token disabled elder queer on the show where an actual disabled elder queer is literally the romantic lead or that Lucius and Pete being called “mateys” is diluting their gayness because it’s not “husbands” or that it’s sexist that Zheng lost her fleet and later prioritized her love for a man or that Ed is Izzy’s abuser because we conveniently forgot all of season 1 or that trauma is never followed through with because sometimes actions are used instead of words or that Ed learned nothing because the inn was apparently a whim as if he hasn’t been obsessing over retirement from day 1 I swear did we even watch the same show?? I literally feel like I’m in backwards land?
I have a really novel concept for y’all complaining about character’s arcs not being fully resolved or healed and that’s called there is supposed to be another season of this show
I also have another really novel concept as to why every single character did not have a one on one trauma apology session and so much time was spent on Ed and Stede and that is because this is literally the Ed and Stede show and also sometimes parallels are meant to be inferred and extrapolated because that is what efficient storytelling does instead of spoonfeeding you
And my most novel concept of all as to why some beloved characters had less screen time is because Max is a massive jerk and cut the budget
Y’all this wasn’t personal and maybe this show was never about Izzy maybe the show called our flag means death is actually about death maybe sad does not equal homophobic letdown maybe the brown gay character introduced as the love interest from day 1 gets to outlive the angry white guy that had a redemption arc after actively bullying and trying to break up every gay couple for a season I don’t know what to tell you just can you please let non-white people have this arc for once without assuming it’s an attack on you I’m BEGGING y’all
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