#and its actual workings are much more mysterious than what is known about it on the surface level

[rwpolls]

what karma level do you think iterators are at ?

levels 1 – 5

levels 6 – 9 but not 10

level 10 ( max karma )

it's different for each iterator

iterators don't have karma

nuance / other

[astrobydalia]

Aquamarine. Gold. Lavender.Colors of summer... Astro Observations

work by astrobydalia

Your 9th house rules your gandchildren! 9th house is 5th from 5th so your kids' kids.

Also, if you are any of your parent's first kid look at their 11th house to get a glimpse at how they will perceive your fs. (11th house is 7th from 5th, so your first kid's spouse)

^^these are derivative astrology methods so you gotta use whole sign system

The scorpion actually represents the underdeveloped/young version of Scorpio while the developed version of Scorpio is represented by the eagle which to me is analogous to the phoenix. That's why you see an eagle representing Scorpio in the The World card (cause this card signifies fulfillment or completion in tarot)

I think the song 'Part of Me' by Katy Perry really illustrates developed Scorpio energy. Is not resentful or vengeful but rather transformative and empowering, you can't end their spirit just like you can't end a phoenix. Underdeveloped Scorpio energy allows pain, trauma and resentment to ultimately k!ll their soul which turns into self-destruction, think how scorpion's stinger actually points at them (and fun fact: scorpions can actually k!ll themselves when they feel cornered)

Being "different" or an "outcast" is not an Aquarius trait, it's a Leo trait. Leo is all about being yourself, being unique, the one and only and main character energy. Aquarius rules inclusivity, equality, social cohesion, FRIENDSHIP (aka people who get you) and public validation, that's why it is a strong fame indicator. Aquarius energy is relatable to others, its new and fresh, Leo it not relatable because it is unique, it shines among the crowd and burns just like the Sun. Aquarius can be unique too but the main difference is Leos feel ultimately they only have themselves while Aquarius will always have people.

Leos are meant to experience feeling "different" or outcasted because they need to learn to accept and express themselves no matter what, that's why it rules bravery and courage. They often either feel alone in their "greatness" or feel like nobody accepts their real self. Either way its more common for them than for Aquarius to experience loneliness and rejection just like the sun can't never have anything come too close to it

Aquarius does not rule uniqueness per se it rules innovation, authenticity and detachment from the ego. Aquarians that try hard to be different and separated from "most" people are underdeveloped because they're still attached to their ego and this is the n1 thing that kills their innovative potential. Aquarius doesn't do things to validate the self like Leo, it generates ideas on how humanity can better express itself and develop, that's why it rules over technology, science and activism and that's why they're known to be trend setters. Air signs are all about finding common ground, aquarians are not meant to be different from communities or groups but rather find new and authentic new ways to represent them (hence the inclusivity).

All the Gemini Venus I've met were very loyal in their relationships idk what you guys are talking about. They are the golden retriever person that is head over heals obsessed with their partner. It's not easy to get them to commit cus they need someone who has that perfect blend between goofy and mysterious, too much of either bores them quickly. They love in a playful and child-like way so I see how they can be flighty and non-commital sometimes but if they're genuinely intrigued by you oh boy they'll be ALL over you in every way pretty consistently

Harsh aspects (esp square) between Mercury-Mercury in synastry are a no-go when it comes to compatibility. The two people can get along well and like each other if the rest of the synastry supports it but they likely have NOTHING in common. Efforts to try and find shared interests or ideas might be misunderstood or feel forced because there's none 😭. Even if you do have shared ideas or interests, you will have vastly different ways of looking at them because the way in which you both think/communicate always clash so you never really see eye to eye. You can get away with having unharmonious connections between venus or mars in synastry but mercury? Nah.

When it comes to predictions specially, you need to have AT LEAST three indicators for an energy to stick. For example, having just one planet at 29º doesn't mean you're gonna be famous, you need to have at least three fame indicators to even consider fame in chart. Also, I can't stress this enough, you REALLY shouldn't need to dig too hard to find the indicators, they're usually evident and fit into the context of the chart, meaning there are no other things contradicting or neutralizing said energy.

Even though we often look at 7th house for marriage, you are most likely to consider marrying and settling down with people who have their placements in your 4th house and/or 10th house, or you just see them as marriage potential in general. 4th house creates a sense of home, security and familiarity while 10th house synastry points to shared goals, seeing a future together, etc. That's how you'll feel tho, to see if that would happen you gotta check composite chart

If you have fire in your big 3 I just know you love being unhinged and a little wild once you get comfortable

Natives with Venus-Chiron aspects tend to have... questionable taste in lovers or get in relationships that are not so promising (forbidden love, etc). Their love life is always a struggle, they feel like they can't find someone that truly loves them and when they do it's always "complicated". With hard aspects they tend to date people who blatantly suck (abusers, psychos, players, etc). With easy aspects this can happen too but I've noticed they are more prone to attracting people who are alright however deep down are very troubled and/or unavailable individuals so the native tends to be the one to heal or sooth their lover.

Scorpio Mars can have sadistic tendencies... It obviously does NOT have to go that far for everyone, in fact most of them are pretty tame but this placement really gets off on the reactions of others I've noticed. Their n1 superpower is catching you off guard and poking at you psychologically. They know exactly what strings to pull and are very aware of how anything they do or say can trigger and affect others. This can manifest as smart and punchy humor, teasing... or really toxic behaviors. Oh and you do NOT wanna see them genuinely angry 😶 If you have this placement im gonna kindly ask you to please use your powers for good 😭💀

Females with Libra placements could have experienced being 'the other woman' I've seen this a lotttt. Either that or they constantly attract situatioships. They have a tendency to not be taken seriously by the opposite sex, only being seen as a trophy or a pretty face kinda vibe. Unless they also have Cancer energy

Which is interesting to see cause even though Libra rules marriage, the kind of women who are mostly perceived as marriage material by men are Cancer placements not Libra. If you think about it, it makes sense tho cause cancer rules family and motherhood

Water venus people have a very approachable and understanding aura. Very diplomatic and tactful, they'll effortlessly make you feel comfortable around them. Equally accepting of others both in public and in privet, but you'll automatically lose them if you make them feel invaded

Fire venus motto is "it's impossible to impress me.... but let's see you try😏". They purposefully market themselves as hard to get cause they want to see what you got. Will constantly crave interactions with some fun and friction

Earth venus are a lot more harsh, they haven't even talked to you yet but somehow have already decided you didn't make the cut 🥱 Silent observers, they'll have a mental spread sheet of what they like and don't like about you

With air venus you don't want to come off too strong otherwise you'll activate their fight or flight response 🏃‍♀️ You'll never know where you stand with them but if you wanna get closer you need to keep it playful and give them space

Virgo Sun/Mars/ASC like to help others but they do it in such way that is also indirectly self-serving to themselves. Virgos are sidereal Leos, they secretly want recognition for their modesty and want their actions and efforts to ultimately shine back on them

Underdeveloped Pisces Moons are selfish and out of touch. I’ve noticed this placement is painted in a way too innocent light but they can have a nasty shadow too. They will not accept anything that does not conform to their delusional expectations about life and when things don't go their way they’ll isolate in melancholy and victimize themselves using the ‘misunderstood’ card. They can have a really twisted perception of reality, confusing the lines between right and wrong to accommodate their own narrative. Think Thanos from MCU, that character is a perfect example of underdeveloped Pisces Moon fr!! They tend to be very aloof and weaponize their empathy to appear innocent . Can use the “I can understand the world but the world doesn’t understand me” mentality to justify everything they do without ever feeling bad about it.

Another Return that brings a lot of karmic lessons aside from Saturn Return is your North Node return which happens every 18 years (Ages 18, 36, 54, etc)

Gemini risings have a fabricated or fragmented personality. They're often attracted to things like astrology, personality stuff, psychology, etc because it helps them make sense of themselves through abstract concepts. They also tent to define themselves through imitation or comparison like "I do that too", etc. It's very easy for them to convince themselves they're something they're not (gemini rules lies and deception), that's why they're often good actors (Pisces 10th house). They come across as very air-headed cause who they present themselves to be is based on who they THINK and SAY they are vs. how that translates in reality

Based on my life experience and also the responses in astro/observation posts, I've observed Scorpio placements respond relatively well to criticism. Not saying they don't care, but they can handle being villainized quite well because when developed they can have a really healthy acceptance of their shadow side and toxic traits. They also don't mind being misunderstood cause that means people can't pry on their business

CANCER, Libra, Leo and Virgo placements on the other hand are the most sensitive to criticism.... They can't handle not being seen as "the good one" all the time

Most Pisces suns I've met gave off huge xNTJ vibes for some reason like very deep thinkers, silent, sarcastic with a low-key threatening and unapproachable aura. Also VERY elusive and protective their personal stuff, they embodied the "mysterious" Scorpio stereotype fr.

However Pisces sun+pisces venus combo gives much softer vibe, more quiet and doormat-like, you'd think they're high 24/7.

The other bunch of Pisces suns Ive met had a very bubbly and dramatic personality. Can be emotional in a really performative way

Libra Mars people are SMOOOOOTH. Not only with their words but also their mannerisms, how they move and do things in general. You'll never see them triggered or stressed, they make everything look so effortless

The Pluto in Scorpio generation (millennials mostly) were the ones who started this mental health awareness wave. All this concern with anxiety, depression, mental and personality disorders was started by them. They’re the ones who started putting focus on the deeper effects of the dark psychology (Scorpio).

All the people that have scared me and traumatized me deeply for life had planets in my 12th house with no 8th house synastry in sight whatsoever…

>>> In my experience 8th house synastry is only intense in the moment but eventually you get over it fast once you stop entertaining the person/situation. It might be hard to let it go tho cause the connection is intense and this person will leave a lasting impression, but once it’s done that person is forever dead to you. 12th house synastry on the other hand is giving "I fight with you in my sleep", 12th house feels harmless at first but it deals with themes of sorrow and shame. It lingers and haunts you fr. Let’s remember that Saturn, the planet of permanece and lessons, finds its joy in the 12th house…

8th house venus/juno is NOT a sugar baby indicator imo. As per my observation, it is actually the 8th house native that ends up making a lot of money and their spouse/partner benefits from the native's income and success. I swear every person I've seen with these placements had "we could hang out in my yacht if you want😉" as their main flirting technique LMAO. Their own power (8th house) is their main source of seduction and attraction (Venus/Juno)

I believe 2nd house Venus/Juno is more indicative of sugar baby energy. They want that spoiled good life with little effort even if that means being financially dependent on someone else or using family's money

In contrast I've noticed 8th house placements are not really like that, they have a HEAVY entrepreneurial spirit. Super ambitious individuals

With that being said, be careful if your have natal 8th house placements (specially Venus, Moon, Juno, 7th house ruler), cause the people you bond with WILL benefit from YOUR income and success. That's why these natives are prone to experiencing betrayal, cause if you surround yourself with the wrong people they'll take what they want from you or cause chaos in your life and then leave, so use your intuition!!

With 2nd house energy you are good at keeping your resources and income safe, but this means they can lose value if you don't use or invest them eventually just like food goes bad if it just sits in the fridge. With 8th house energy you are prone to loss, debt, loans and other financial risks where you either lose it all or gain lots and lots of money, the all or nothing nature of plutonic energy.

I bet any virgo placement can relate to being a little bit of mess but something I’ve seen in particular with Virgo risings is they are surprisingly sloppy?? You really wouldn't in a million years think so given how they always end up presenting good results but once you know them deeply you notice they often miss out on important details in the process or get so caught up with short-term things that they miss the big picture. Either way, they often look like they got it all together but they constantly improvise a lot more that what it looks like in the surface

Aquarius Mars is a placement I've seen A LOT in celebrities, specially well-liked ones. They attract people to them just by existing, they don't even have to try too hard

I’ve noticed a lot of critically acclaimed actors have air moons

Sagittarius Part of Fortune have a vibrant and fun spirit, you can’t never kill their vibes but they can tend to be immature. It’s like they’re completely oblivious to anything serious 

Libras are people pleasers due to a hidden inferiority complex (sidereal virgo)

work by astrobydalia

[lovelyyandereaddictionpoint]

Hello, I hope your having a nice day, can I request Yandere 1st Years + Grim (Platonic) with a Komi Reader? (From Komi can’t Communicate)

Reader’s known for being incredibly beautiful, intelligent, athletic and elegant in everything she does, however she has crippling Social Anxiety and ends up scaring everyone away with her ‘mean/scary’ look so everyone tends to avoid her (When it’s actually herself that’s nervous since she doesn’t know what to say)

Except for Ace, Deuce and Grim after they spent time with Reader in the mine, they discovered her anxiety she wrote it out so now they’re mostly the ones who do the talking for her and try to help her reach her goal of making 100 Friends in NRC, even though they both think that’s a ‘weird/bad goal’ because this IS NRC

Reader loves cats, so she spoils Grim and Lucius (The latter likes laying in her lap and even follows her around) with pets, treats and affection and helping her friends with studying since she gets perfect marks

How would they react to hearing Reader’s voice for the first time? Not to mention have Reader tell write out that she made a friend all by herself who visits her dorm at night and does nightly walks (You know who it is)

Komi-San Reader | Yandere Twisted Wonderland

You’re quiet and intimidating but not because others find you scary. The exact opposite, they’re obsessed. You’re athletic, you’re smart, you’re beautiful, you’re kind, and the list goes on. Without so much as opening your mouth, the school is at its hands and knees all for you. Little do they know about your silent struggle, not like your dearest first-year friends. More than anyone they know how hard you work and if their hearts could overfill with love for you it already has.  So imagine your stalkers' friends; reaction to you’re never heard before voice:

Ace Trappola

“Aw man, (Y/n) I can’t begin to explain how much of a pain he is! With his moodiness, we’re not going to win the game.”

“...”

“Don’t say that, I am great but not that great.”

“...Y-you c-can d-do it!” 

He plays 10x better 

All while running on his excitement and embarrassment

“Whoa, Ace! W-were you holding out on us!”

Everyone is floored that he’s suddenly just doing so well

He’s keeping your quiet cheers to himself 

Replaying it in his head

He will teasingly ask you for a recording even when you cutely shake your head

“Oi oi don’t get all shy now, you were doing so well!”

He does circle back having already written down the names of those who turned their heads

If they’re so inclined to hear your voice in a roaring crowd 

Then they should be alright with their ears no longer working 

He’s being merciful when he does just this

And if you mention any mysterious friends, he’d no doubt try to follow up on that same treatment

Deuce Spade

“M-maybe being an honor student was too high of a goal.”

You shake your head

“Ahh I appreciate it, (Y/n) but if I’m going to flunk again I’ll be in trouble. Both with Riddle and my mom, I just can’t measure up. ”

“You…are a good student.”

He blushes 

“G-g-g-g-good j-job (Y/n)!”

He knows how much this is taking for you to try 

But he just can’t keep it together 

He’s among the first to hear your precious voice

He has to be the only one

He doesn’t know what this feeling is but he doesn’t want to share

It especially rubs him the wrong way when you mention a mysterious friend 

He decides to wait it out

See who this new friend he’s going to gut he has to meet

Epel Felmier

“Grrrr I can’t stand it! Why can’t I be taken seriously? I just hate my face!”

“...”

“Don’t hafta lie ta me, (Y/n)! I know I’m not handsome.”

“...I….th-th-”

“Huh?” 

“I think you’re handsome.”

“Aw shucks, (Y/n)!”

He definitely wasn’t was expecting that

You’re just the sweetest as he predicted

He already keeps the notebook you’ve lost+ gone through with your written words

And the apple cores he lovingly retrieves from Ramshackle’s trash no doubt cultivating whatever ends up growing from them

He avoids the impulse to tear his book open at the mention of a new friend 

Well I hope they like a poison-apple

Jack Howl 

“I have a magift practice later on…are you still going to come?”

You nod your head

“T-thank you, I’d appreciate your support from the stands.”

When he says that he doesn’t expect you to actually whisper anything out

“G-go Jack!”

His keen ears pick it up and suddenly he’s breezing through obstacles like never before

And of course, he did his mate practically cheered him on

It makes it much earlier to replay that encouragement when he’s fighting for your honor his ownership of you

No doubt Savvannclaw is filled with your admirers

But some are a little too bold

So leave it to your mate to take action first

And while he’s at it he might as well guard your home more intensely

Sebek Zigvolt

“WHAT A MARVEL HUMAN! YOU’VE TAMED ALL THE FERAL FELINES ON CAMPUS!” 

“...”

“WELL FOR A HUMAN IT IS DECENT WORK! PERHAPS YOU DO HAVE–”

“C-can you please be quiet?”

“...?....!..Y-you think y-you, a mere human, can tell me what to do?!” 

Yes you can, having the loud half-fae go down two whole octaves was a feat

And he keeps replaying the moment in his head specifically the way your lips moved

Burning hot all over he’s not really listening to anyone for the next week month

But once he’s broken out of it he’s determined to repeat the miracle

And it seems it works best if your alone?

Then he’ll be sure to chase off the gaggle of scum+ admirers who you claim to be friends with

And he thinks nothing of a midnight friend…that is if you’re alone with them than that’s completely unacceptable

Grim

“Henchhuman! Everyone is soooo mean! Why doesn’t anyone like me? I know I’m so cool and maybe that’s why–”

“I like you.”

“Well of course you w–W-wait did you speak? T-t to me! Whoopee, I’m going to tell everyone the great Grim is who you spoke to first!” 

He runs off to do just that 

Bragging to anyone who would listen

He has to dodge a lot of assassination hits that day

But it gives him the content whenever that icky feeling comes up sometimes

And as for your ‘Hornton’ friend he’s seen him and next time he comes around he’ll boast all about his greatness and how you spoke to him

[rhysstrongforksfagswag]

I need to scream about the brilliant thematic juxtaposition between hbomberguy’s “ROBLOX_OOF.mp3” and Kevin Perjurer/Defunctland’s “Disney Channel’s Theme: A History Mystery”, which came out within 3 days of each other in November 2022 and both concern artistic credit and legacy. Here they are linked for those who haven’t watched one or both:

While both are very different stylistically (with hbomberguy maintaining his signature edge of unhinged video essayist humor while Defunctland is produced in a more traditional documentary style), they are both very well made with a strong narrative through-line— something I consider to be very important in a good documentary. They also have strikingly similar subject matter, but very different “protagonists”, so to speak.

Tommy Tallarico, the center of hbomberguy’s doc, is a well-known and successful video game composer who, over the course of the video, is revealed to be a grifter and seemingly compulsive liar. Perjurer’s doc, by contrast, spends most of its runtime trying to uncover the composer behind Disney Channel’s well known auditory channel theme; eventually this is revealed to be Alex Lasarenko, a composer who wrote a lot of music for brands and sadly passed away in 2020 without much fame to his name. While Lasarenko was obviously unable to be interviewed for the documentary, Perjurer manages to get into contact with many of his collaborators and they have nothing but nice things to say about him. Contrast this with Tallarico, who is far more successful than Lasarenko, but is also a total dick who takes credit for the work of those who work under him (among many many other issues).

To me, the idea at the center of these docs is artistic legacy. When you die, what will you be remembered for? What art that you have created is inherently connected to you as a person? And, does it matter if those who personally know you actually like you as long as your art is loved? Is it better to be famous and despised or unknown and beloved? They also both have commentary to make on media preservation, with Perjurer’s doc being made possible through the tireless work of online archivists who catalog tv bumpers and interstitial content, while hbomberguy’s doc shows how Tallarico actively seeks to rewrite history in service of his own fame.

Basically, I love YouTube documentaries and there were a ton of great ones made in 2022.

[it-happened-one-fic]

Thats How You Know - Leona

Author Notes: This fic is actually for the @briarvalleyarchives "Anthems of Old" event. It was inspired by its namesake song, "That's How You Know" from the Disney film Enchanted. It's surprisingly nerve-wracking to be posting a fic for an event, but I had fun writing thing and had to curb the urge to not just rip of the scene from the film. As per usual, reader is gender neutral. I hope you enjoy.

Type: Fluff/ romantic/ gender-neutral reader/ sfw

Word Count: 1782

“You know he likes you, right?” Ruggie had leaned over to look you in the eye better as he voiced his question, but you looked away as soon as his words registered. 

His question drew a sigh from your lips that didn’t quite match the odd smile on your face as you kept your silence. You weren’t quite able to answer his question, even as Ruggie frowned at your silence.

The truth was that, in a lot of ways, you felt like Leona did like you just as much as you liked him. But he never really did anything to show it if he did, which left you with questions. 

How could you really know if he did like, much less love, you?

Despite what others said, you weren’t certain. You knew you liked him. After all, you’d taken to picking up on his interests, worries, and other such little tidbits that made up the individual that was Leona. They’d affected you, becoming interests and worries of your own.

What had started out as curiosity and wanting to get to know him better had swelled from there. You’d fallen in love with Leona. And while you knew that Leona didn’t hate you, the matter of romantic interest was….. Well, it was a whole other can of worms that you weren’t nearly as confident about.

Or at least you weren’t until recently. 

It had started out simply enough, with a small note being left on your desk on top of a stack of books. The note itself was pinned in an elegant but largely unfamiliar hand and mentioned the upcoming practical magic test.

Something you knew you were going to flunk, what with your lack of ability to practice magic.

But after just a little bit of studying, it became clear that maybe you had a better chance of passing than you had thought. 

The books in the mysterious stack handled the subject well, showing intensive instructions for how to draw an appropriate magic circle that would help you pass the test without having to actually use magic.

That wasn’t what really caught your attention, though. What caught your attention was the signature on the reverse side of the note, which you hadn’t found until you’d given it a closer inspection.

 Elegant and small-lettered, the signature was barely noticeable but easily capable of causing a smile to appear on your face.

Leona Kingscholar.

You’d known he’d helped Ruggie get caught up with the rest of the school in terms of tutoring and having uniforms when he’d first come to NRC, but you’d never expected him to help you.

Perhaps he did care a bit more for your concerns and troubles than you’d thought….

You’d thanked the Savannaclaw housewarden after you’d passed the test, but he’d  brushed off your gratitude with an almost trained ease. 

“You help Jack out with his work, so if I give you stuff, I don’t have to tutor him myself,” A lazy smirk had spread across his features. He’d looked over his shoulder at you as he’d walked off, throwing a final comment back at you, “Less work for me that way.”

His words had caused you to frown slightly, but you shrugged them off. He wasn’t wrong after all. You and the other first-years often studied together to help each other with your problem subjects. If you could teach Jack things, then Leona wouldn't have to worry about it. Though you were pretty sure he’d never bothered with that in the past either.

But what followed the next day had you forgetting your previously dismissive thoughts. 

You and Grim both stared down at the bright yellow flowers that greeted you from your doorstep. At odds with the otherwise dreary day, they smiled brightly up at you from the discolored wood of your porch. They were one of your favorite flowers from the ones you’d seen since coming to this world, simply due to how happy they looked.

You frowned at the blooms even as you knelt to collect them. They were tied with a rough cord, an oddly rugged touch to such a sweet sentiment. 

You fingered the cord slightly before taking them inside to plop in a glass of water before heading off to the botanical garden for Potionology class.

Except when you at last reached the botanical garden, you froze. Staring at the familiar yellow flowers that greeted you, yet again, with smiling faces from alongside jaggedly cut stems that had no doubt been where your little bouquet had once resided.

It could have been a coincidence that Leona spent large amounts of time in the botanical garden where these pretty little flowers, that perfectly matched the color of yellow he wore on his dorm uniform, grew. 

It was a color that was slowly becoming one of your favorites as the days wore on and was possibly one of the reasons you did like these flowers so much

 Either way, the oddness of it all was enough to make you wonder and smile to yourself at the possibilities.

You were still smiling as you were chopping the potion ingredients and you almost missed the grin Ace was wearing when he leaned over closer, “So, anything interesting today?”

You frowned, immediately suspicious since you knew good and well that Ace didn’t bring those flowers when he’d just claimed they aggravated his allergies mere seconds ago.

 His question, though, was incredibly fishy considering that getting a bouquet of flowers from an unknown sender was definitely an interesting start to your day.

“I got some flowers this morning…. Some of those yellow ones you said you were allergic to,” You eyed him skeptically, but he merely snorted.

“Ooh, got an admirer, have we, Prefect?” He bounced his eyebrows at you before laughing at your eye roll and continuing on.

“My day had a weird start too. First thing this morning, Deuce informed me that Jack apparently overheard Ruggie telling Leona that you couldn’t read minds.” 

The redhead’s grin was sly now as he shouldered you playfully, “Weird, huh? Would’ve thought everyone knew that. After all, if you could read minds, you wouldn’t have needed those books to help you with the practical magic test, right?”

You blinked in surprise at the redhead, ignoring the teasing tone he used in favor of thinking about this new information.

The rest of class went by in a blur until Ruggie came trotting over, an exasperated expression on his face, “Y/n, hun, help a guy out?”

You sighed almost immediately at his wheedling tone but found yourself turning to face him anyway, “What is it, Ruggie?”

You were fully prepared for some sort of grand tale about how he had too many jobs and needed help running something to a class or that he’d found some sort of new couple deal and wanted to go on a fake date in the name of sales.

But it was none of those things. Instead, you were met with a sandwich being shoved into your hands, “Give this to Leona for me. I haven’t got the time, and he’s miffed with me anyway. You’re a real pal, bye!”

He was skittering away, waving with his signature snicker, before you even had a chance to object. You glanced Ace’s way only to be met with a rapid head shake, “Oh no, he gave that to you. You’re on your own, Prefect.”

The redhead backed away like you were carrying a bomb and quickly abandoned you to your newfound work. You rolled your eyes at both of the men’s dramatics but turned on your heel, striding towards where Leona always napped with a sandwich in hand. You had some questions you wanted to ask him anyway.

You stepped into the clearing to see him sitting there with some food already in front of him, causing you to frown at the sandwich in your hand.

He looked up at you with his tail flicking in an oddly energetic fashion behind him. Unlike you, he didn’t seem to  be surprised in the slightest bit. In fact, he almost seemed amused by your confusion.

“About time you got here. I’d almost begun to suspect that Ruggie had somehow missed you,” His words were delivered with the customary smirk, and all of the various pieces snapped into place.

“So, the flowers were from you?” You grinned slightly as you sat down across from him and started unwrapping the sandwich in your hand, only to find that, rather than his preferred variety, it was your favorite kind of the sandwiches offered by the cafeteria’s deli. A rare luxury that you couldn’t usually afford.

Leona looked down at the food in front of him and, instead of answering your question, posed one of his own, “So, have you got an answer for Ruggie’s question yet?”

Your eyes widened slightly at his nonchalant question, and your mind went racing back to just a couple of days ago, when Ruggie had been questioning if you knew how Leona felt about you. “You heard him?”

Leona grinned outright at your shock, “Oh yeah, I heard the whole conversation.” He looked up at you, ears twitching almost pointedly as he leaned back. Totally relaxed despite your own embarrassment.

“You ought to pay better attention to your surroundings. Herbivores like you have to be careful if you don’t want someone catching you off guard.”

He was so smug, but you found yourself recovering from being flustered as a thought registered, “But that’s how you came to know how I felt. Right?”

He snorted before leaning forward, entering your personal space with a single easy motion that had your previous confidence failing you, “I already knew. You’d already proved that plenty of times.”

Mercifully, he leaned back, “So, have you got your answer?”

You found yourself smiling slightly at his question this time despite how pleased he seemed with himself.

 Because of course you had your answer. After he’d done so much to prove that he did care and that he paid special attention to you, how could you not?

He’d known that you’d needed help on a test, that you liked those flowers in that specific color, and that you liked this sandwich. They were all little things, but those little things made up who you were. And he’d taken the time to do all of those things just to show you that he did care and did like you because he’d overheard Ruggie’s question and correctly interpreted your own concerns even though you hadn’t voiced them.

 Paying attention to little things like that and taking the time to reassure you…. That's how you know that someone loves you.

[rabbitsrants]

SHINICHI KUDO IS TOO MUCH

guys, i'm currently working on the "reasons why shinran is one of the most brilliantly written romances of all time" masterlist and i came across this part of the manga:

chapter 44

AND I AM LAUGHING MY ASS OFF

shinichi is absolutely RUTHLESS in this chapter. correct me if i'm wrong, but this has to be his angriest moment throughout the entire series? i don't remember him acting this way in any other chapter 😂 like... shinichi is the type of guy who saves murderers from suicide, it's a well known fact that he values human life more than anything, HE'S A DEEPLY IDEALISTIC PERSON, YALL, THAT'S THE MAIN TRAIT THAT DEFINES HIM AS A PERSON and he straight up tells this dude (whos about to slit his own throat btw) TO GO AHEAD AND KILL HIMSELF

this is the most unhinged i've ever seen him 😂

now, let me be serious for a second. obviously, shinichi strongly suspected that the culprit wouldnt go through with it - he spent the entire case trying to cover up his murder after all, that's not something a suicidal person does. still though. the fact that shinichi was willing to risk it says so much about his love for ran. cause that's what his rant is about. the culprit tried to kill ran on multiple occasions and almost succeeded a couple of times. if there's one thing that shinichi can not handle, it's ran being in danger. he'll lose his composure every single time and he will lash out, even at innocent people who are just trying to help:

chapter 640

this man is so devoted to ran, it hurts.

that's why im so shocked everytime the fandom implies that ran is an irrelevant character who doesnt contribute anything to the story. if (for whatever reason) ran stopped being in the picture, the story would end right then and there.

people seem to forget that shinichi has prioritized ran over cases on numerous occasions (that aspect of their relationship deserves its own post tbh, i'll hopefully get to it in the future), he completely loses his mind everytime there's even the slightest risk that she might get hurt and this case right here? chapter 44? that's the wildest shit shinichi has ever said 😂 the part about justice was spot on and very in character for him, but the rest? it was brutal... and very unlike him. which is shocking, considering that ran was completely unharmed. do me a favor and let that sink in: the end of chapter 44 was merely his reaction to the thought of losing ran - he completely lost his shit. now, if ran actually stopped being in his life? shinichi wouldn't just lose his temper, he'd lose himself.

for the record, this isnt me implying that he would go rogue or whatever. the reason why shinichi is so angry in chapter 44 is because ran is okay and tangible, so he still has something to lose. but if she was gone? if she stopped being his life? he wouldn't be angry, he'd be inconsolable. if the level of anger displayed in chapter 44 and 640 is what we get when shinichi simply worries about ran's safety, just imagine the level of heartbreak that we would witness if he genuinely lost her.

shinichi loves and needs ran so much, it's unfathomable for most people, including me. everytime i think i cracked the case and finally figured out how much shinichi loves ran, he proves me wrong. and while i think that most cold cases are a tragedy, i think im coming to terms with leaving this one unresolved. after all, love is the most mysterious force in the universe. and always will be.

visit the shinran library for more

[adamsmasher]

Okay it's after 1am and I've had a lot of wine so obviously it's time for a late night wall-of-text post, but this time it's less likely to piss off your weird uncle or whatever because once again, I gotta talk about the best $4.99 a month I've ever spent.

Please, if you haven't yet, I'm begging you to look into all of the incredible content available on the Dropout.tv streaming service (formerly known as College Humor) . Not only did Whose Line Is It Anyway's Wayne Brady say that the Dropout crew are the only ones doing improv comedy on the same level as Whose Line, but they were also one of the only studios/streaming services allowed to work during the writers' strike because their contracts went above and beyond industry standards. (And, from my own observations, Dropout LOVES hiring queer, trans/nonbinary, and BIPOC performers + crew. Obviously I don't know much about the industry, but they seem like one of the most inclusive companies in Hollywood.)

"Alex, thanks for the recommendation! What shows do they have that you think I'll like?" Oh, you're asking me to gush about my favorite tv shows? Don't mind if I do!!!

Are you D&D curious, but took one look at actual play shows like Critical Role and thought "6 hours an episode? and there's like 750 episodes or whatever? oh baby not my adhd ass..." Don't worry, me too (sorry CR I love you I promise). But Dropout has a show called "Dimension 20" where comedians play Dungeons and Dragons with emotional, immersive storytelling, gut-busting laughs, and spectacular set design that makes you forget it's a fully improvised series controlled by the roll of the dice. They even did a miniseries perfect for D&D beginners called "Dungeons and Drag Queens" where absolute novices and Drag Race royalty Jujubee, Monet X Change, Alaska Thunderfuck, and Bob the Drag Queen embark on an adventure full of mystery, intrigue, and stupidity. I mean, Alaska plays a muscle-bound, axe-wielding, caveman-grunting Orc named Princess, what more could you want? Plus, the primary game master Brennan Lee Mulligan is so easy on the eyes. Oh, you're not into dorky ginger dudes? How about Aabria Iyengar, a 6 foot tall goddess who's equally as nerdy as Brennan but loves basketball. that's right, if nothing else, there's eye candy for every person in every season.

"Oh, why aren't there any good game shows on TV?" you wonder, wishing that the Game Show Network could come up with something that isn't a lame remake of a free-to-play phone game. Well how about Game Changer, "the only game show where the game changes every show (except for [...] Game of Games, Taskmaster, and a few others that have come to light AFTER [Game Changer first aired]. That's right, [the] players have no idea what game it is they're about to play. The only way to learn is by playing, the only way to win is by learning, and the only way to begin is by beginning." And yes, I did sit there and watch the beginning of an episode to make sure I was accurately quoting Game Changer host (and Dropout CEO) Sam Reich's description of his flaghship game show that has THREE separate spin-offs. (for context, he only mentions the other shows that copied his in the one episode I pulled up to get an accurate quote. could you imagine how uncomfortable it would be if he said that every episode? hah!)

Are you more of a traditional Whose Line fan? Look no further than Game Changer spin-off Make Some Noise, where contestants act out "improvisational prompts that [they have] never seen before, isn't that right contestants?" ("We won't know if we've seen them before or not until we see them!" Brennan insists every time he's on...)

You like musicals but wish they were less... ya know, scripted? Check out "Play It By Ear", a fully improvised musical! (you may be familiar with its primary cast members Jess McKenna and Zach Reino from the podcast that inspired it all, "Off Book: the Improvised Musical Podcast with Zach and Jess")

Or maybe you're more into trivia, cuz you're a total nerd like me (and every single performer that's ever appeared on dropout.tv). How about "Umm, Actually" where contestants are given an incorrect statement and have to buzz in to correct it - but you have to say "Umm, Actually" first!

Straight up, you can't go wrong on Dropout. Please, check it out. They're nearly doubling the amount of original shows they have in 2024, and no other streaming service is doing it like them. If I haven't convinced you yet, get the 7 day trial and give em a chance. There's no referral code I can give you that gives me some sort of kickback or whatever, I genuinely wrote what looks like a thousand word essay about Dropout at 1am just because I love them so much.

[catcze]

here me out.. so like i was scrolling a pinterest and i found this one song on spotify called “cigarettes out the window x dangerously yours” and the first thing i thought about is neuvillette!! LIKE THE BRAINROTS IN MY HEAD RN. reader and him are in his office 😱

OH OH OH OH OH OKAY HOLD ON HOL D ONNNN 👀👀👀👀 The way i opened YT so fast!??! HASKJDNA but my GOD do i see what u mean anon—

I'm getting vibes of reader who is, perhaps, from the fatui? or from some other hostile organization (idk im workign on it 💔) and they get assigned to be a double agent at the Palais Mermonia and acquire sensitive information for the organization they work for. Initially, they weren't supposed to do anything complicated— they certainly weren't even supposed to ever cross paths with the chief justice of Fontaine. But what do you know, Neuvillette falls for you first and invites you out to a meal, and you can't necessarily refuse.

Your superiors are delighted by the change in plans— if you get closer to the chief justice, you could easily get your hands on all sorts of information! So, although you're hesitant, you're forced to go along with getting closer to Neuvillette. But over time, you find that he's much, much more than most people think he is. He's more caring and gentle that most realize, and he's so sweet. Gods, he is so sweet. The way he cares for every single melusine is adorable. The way he enthusiastically encourages you to try water that he imported from gods-knows-where, just because he says that it taste fresh and clear like no other. And the way his eyes shine when you take a sip and tell him that he's right, that it's sp distinct, and he smiles, and you don't have the heart to tell him that in truth, it just tastes like water to you.

Before you know it, you're actually falling for Neuvillette. Not for the mission, not for the files. You're genuinely becoming head over heels for him. You can't tell your superiors this— you know you'd be pulled out and disposed of immediately now that you're compromised, but you can't go along with deceiving Neuvillette anymore. But if you tell him... no doubt he'd turn you away, like the double-crosser you are.

But you still find yourself in front of his office anyway, a heavy hand and a heavier heart knocking on his doors.

"Come in," he says.

And it's hard. Gods, it's so hard to come clean to him. You stutter and you just can't seem to spit out the words, so Neuvillette decides to talk first. He pulls something out of a drawer and sets it on his desk, opening its contents for you to see. And you gasp, because these are the files that you had been told were the highest priority. If you ever got your hands on them, you were to risk your life to get them back to your organization.

"Why are you showing me this?" You ask him, voice quiet, brow furrowed. Your hand reaches out to touch the papers, but you hesitate. Neuvillette just watches you, smiling mysteriously.

"Because you have my wholehearted trust," is all he says, and it's enough to break you.

The tears come flowing faster than you can help them. There's a lump in your throat, making it hard to breathe. Even as you splutter out the words, the confessions to why you're here, why you got close to him, and everything else in between, Neuvillette listens patiently. He doesn't yell, doesn't glare or curse you out. He doesn't shout for guards to come and toss you into the darkest pits of Meropide. Instead, he's calm.

"I know," he says as a means of explanation, and you still. His hand reaches across the desk, holding yours gently. "Since the very first day we met, when you stood beside me drenched in rain on the balcony, I've known. And my heart is yours anyway."

You shake your head, still crying quietly. "I will betray you. If not, I will be killed."

Neuvillette's hand squeezes yours. "Do you think so little of me that I would allow any harm to befall you, my love?"

"I think the world of you," you argue, and he smiles.

"There is no safer place for you than by my side. Should there be any threat to your life, I would use every ounce of my power to dispose of it, " Neuvillette vows. "Your organization has made a great many mistakes, but the greatest of them all has been sending you to me, and expecting me to ever let harm befall you."

HAJSDSAJKL LISTEN the monologue in the clip that i found (hopefully we're talking abt the same mashup ?!?!?) was longer + had more drama but OUGH my brain craves soft sweet tender romance without too much drama and life-or-death haksdkajs

[emilystheories]

The Dusk Court: A Gateway Between Worlds.

There is so much mystery and intrigue surrounding the Dusk Court. Why did it vanish? Where did its people go? I've mulled over many different theories, but I always come back to how dusk (or nightfall) is described in Throne of Glass:

"Nightfall. That was when Maeve had told Erawan to meet. That liminal space between light and dark, when one force yielded to another. When she would open the portal for Dorian from rooms away."

Light and dark. Opening portals.

As such, I believe the Dusk Court was home to a Wyrdgate (portal) of immense power, where the people of Midgard and Prythian once crossed over into each other's worlds.

[Spoilers for ACOTAR and CC ahead].

Autumnal Equinox.

To explain this theory, I first need to break down some observations I have noted about the workings of the ACOTAR and Crescent City worlds.

The first involves the Autumnal Equinox, as mentioned in HOSAB. In a conversation between Hypaxia and Ruhn, it is noted that the Autumnal Equinox is when the "veil between the realms is thinnest."

"Hypaxia nodded sagely. “There is a ritual I could perform … It’d need to be on the Autumnal Equinox, though.” “When the veil between realms is thinnest,” Ruhn said."

We know this is true, as on the night of the Autumnal Equinox, Apollion visits Bryce in her dreams, and is able to physically touch her:

"This night, I might appear to you—as more than a vision.” He reached out a hand, and Bryce flinched as it touched her. Truly touched her, ice so cold it ached."

However, the Autumnal Equinox is also known as Death's Day. Note how it is described here (as it becomes important for a later part of this theory):

"On the Autumnal Equinox, we shall have our mating ceremony here in Lunathion.” A month away. The holiday known as Death’s Day was a lively one, despite its name: it was a day of balance between the light and dark, when the veil between the living and dead was thinnest."

The Autumnal Equinox/Death's Day is celebrated by people dressing up in costumes (such as Danika and Bryce dressing up as trash one year, lol). Because of this, one can assume that SJM is referencing Halloween.

[art by Emilia Mildner]

This is further corroborated in the Throne of Glass books, as Aelin notes that on Samhuinn, again, the "veil between the worlds [is] thinnest" (and this is when she interacts with Elena, the dead queen).

"Until the previous kingdom, the previous city, the packed streets full of revellers out to celebrate Samhuinn, to honor the gods when the veil between worlds was thinnest."

Samhuinn is in reference to Samhain; the Celtic version (and origins of) Halloween.

To summarise; in Midgard, Death's Day (or what we know as Halloween) occurs on the Autumnal Equinox. It is a day to honour the dead. It takes place on the one night of the year when the veil between the realms/worlds is thinnest.

Starfall.

In Prythian (and more specifically, the Night Court), we have Starfall; the one night of the year when the spirits of the deceased (which manifest as stars) make their yearly migration across the sky.

However, as many have already pointed out, there seems to be a connection between Starfall, and Midgard. This is because Rhys notes that the number of stars participating in Starfall is dwindling:

“Thousands,” he said. “They’ll keep coming until dawn. Or, I hope they will. There were less and less of them the last time I witnessed Starfall.”

This aligns with what we know of the Asteri, who, instead of letting the souls of the dead pass onto the next life (and presumably, participate in Starfall), will consume these souls for food.

[Art by Clarywhy]

However, Rhys mentions that no one knows why the stars choose this particular date to make their journey across the sky. But, I have a theory about this.

I actually believe that Starfall is happening at all times - every single night. Instead, the only reason that they can see the stars (spirits) on Starfall... is because on that particular date, the veil between the realms is the thinnest. This makes sense, as again - the stars are the spirits of the deceased; you shouldn't be able to see them.

Essentially, it's the Prythian version of Death's Day... a celebration of the deceased (which is exactly what Starfall is...).

But this is where it gets interesting; Starfall occurs on the Spring Equinox (or what is known as the 'vernal' equinox).

In Midgard, as we just discussed, Death's Day occurs on the Autumnal Equinox.

So, if there is only one single date per year when the veil between the worlds is thinnest... for Prythian, this is occurring on the Spring Equinox, and for Midgard, this is occurring on the Autumnal Equinox.

This suggests that Prythian and Midgard are... mirror worlds (which perhaps explains why Bryce was yanked across into Prythian, as opposed to being pulled down?). Or, at the very least, it suggests that these two worlds are operating as opposites to each other. It may also help to explain why SJM stated that there was 6 months between the ACOTAR timeline and the CC timeline.

The Dusk Court.

Towards the end of HOSAB, Rigelus states that the Starborn fae originated from an island of "near permanent twilight," that was "a few miles from the mainland."

“Not your kind of Fae, of course—your breed dwelled in a lovely, verdant land, rich with magic. If it’s of any interest to you, your Starborn bloodline specifically hailed from a small isle a few miles from the mainland. And while the mainland had all manner of climes, the isle existed in beautiful, near-permanent twilight."

This all but confirms that the Starborn fae originated from the Dusk Court, and that this was situated on the Prison Island (which is a few miles away from the mainland of Prythian). Rhys corroborates this by suggesting that the Prison Island once used to be an "eighth court."

"Rhys told me once that this island might have even been an eighth court.”

And, as even more proof, Nesta witnesses the marking of an eight-pointed star on the floor of the Prison; the symbol of the Starborn fae.

However, there is one other location that ties into the narrative around the Dusk Court - Avallen Island (in Midgard).

Avallen Island.

The Prison Island isn't the only place that is jam-packed with hints of the Starborn fae. Instead, Avallen Island, in Midgard, is too. For example:

Avallen Island was where Ruhn found the Starsword (where he was surrounded by the sarcophagi/statues of the "sleeping" Starborn Princes...)

The Avallen fae (or some of them) are said to be Starborn themselves (Cormac says he has Starborn blood, but "not enough to be worthy of the blade"). However, instead of starlight, their powers typically manifest as shadows.

With this in mind, it's also noteworthy that Bryce's star glows for Cormac (and we know that her star glows for those who are connected to Prythian).

Additionally, there are a number of stark similarities between Avallen Island and the Prison Island. Most prominently, both islands are enshrouded in the same mysterious mist, and both are guarded by ancient magic. For example:

Avallen Island:

"I want you in Avallen because it is a safehold. Even the Asteri cannot pierce its mists without permission, so old is the magic that guards it.”

Prison Island:

“When you’re in there,” Rhys said, the words barely audible over the wind and silver streams running down the mountainside, “you won’t be able to reach me.” “Why?” I rubbed my already-freezing hands together before puffing a hot breath into the cradle of my palms. “Wards and spells far older than Prythian,” was all Rhys said."

In sum, the similarities between Avallen Island and the Prison Island are so stark, that I believe they were once connected (and perhaps still are). There are two ways this could be possible:

A Wyrdgate or portal that once existed between the two worlds (joining the two islands together).

They are literally the same place.

Option 1: Wyrdgate or portal.

Towards the end of HOSAB, Rigelus tells us that the Dusk Court existed in a "near permanent twilight," but, that doesn't make much sense -- you can't alter the sun like that (which is why it’s not permanently night-time in the Night Court, or not always day-time in the Day Court, etc). So, what else could this be referring to?

I believe that the Dusk Court used to be the place where there was a Wyrdgate (or a portal) between the ACOTAR world (on the Prison Island) and the Crescent City world (on Avallen Island). They are two separate worlds, but the people on both islands merged and interacted due to the Wyrdgate (portal).

And, as I mentioned at the start of this post, there is evidence to suggest that the ACOTAR and CC worlds are mirrors of each other - or opposites. Thus:

If it's nighttime on Avallen Island, it would be daytime on the Prison island.

If it was dawn on Avallen Island, it would be dusk on the Prison Island.

As such, there is a continual contrast between the light and the dark between the two islands. And that is what dusk is; the merging of the light and the dark. This is what Rigelus is referring to.

Thus, I believe that Dusk Court -- as it existed 15,000 (+) years ago -- didn't just involve the Prison Island... but it encompassed Avallen Island too.

I believe this also explains the powers of the Starborn:

Shadow wielders lived on Avallen Island (and they are represented by Truth-Teller; a knife that glows with a dark, BLACK light).

Starlight wielders lived on the Prison Island (and they are represented by the Starsword, which glows with a bright, WHITE light).

Both make up the two halves of the Dusk Court.

However, although they were separate worlds, evidently, they interacted. Because of this, I believe Queen Theia (who possessed starlight) married/mated and had children with whoever was the King of Avallen (who likely possessed shadow powers). I believe this was High King Fionn, given that the ruler of Avallen is also referred to as "High King"... but that's a theory for another day.

Yet most importantly, this is why their children, such as Helena, were said to have skin that glowed with "starlight AND shadows."

“So does Helena’s,” Ruhn shot back, then recited, “Night-haired Helena, from whose golden skin poured starlight and shadows.”

Eventually however, it is presumed that something happened to the Starborn who lived on the Prison Island (and Nesta senses that they were stuck in stone, or perhaps sent in time somewhere using the Harp?).

"Fae screamed, pounding on stone that hadn’t been there a moment before, pleading for their children’s sakes, begging to be let out let out let out— Nesta had the sensation of falling, tumbling through air and stars and time— It was a trap, and our people were too blind to see it—"

This is likely why the shadow wielders (such as Cormac, Ruhn) still exist on Avallen... but the starlight wielders (such as Bryce) are much more rare.

In the present day, Bryce (a starlight wielder) possesses the Starsword, but resides in Midgard (the Avallen side of the Dusk Court).

In comparison, Azriel (a shadow wielder), possesses Truth-teller, but lives in Prythian (the Prison Island side of the Dusk Court).

Just in reference to their power, it's almost like they're both stuck on the wrong side?

Option 2: Avallen Island and the Prison Island are the exact same place.

In ACOSF, readers are given a hypothesis about how the multiverse works; that the worlds are stacked on top of each other, perhaps even SHARING THE SAME SPACE, but are then separated by time.

"Merrill’s brilliant. Horrible, but brilliant. When she first came here, she was obsessed with theories regarding the existence of different realms—different worlds. Living on top of each other without even knowing it. Whether there is merely one existence, our existence, or if it might be possible for worlds to overlap, occupying the same space but separated by time and a whole bunch of other things I can’t even begin to explain to you because I barely understand them myself.”

But, given the mists and and the "ancient magic" involved in both the Prison Island and Avallen Island... what if the worlds are not separated in this one specific location? So, those in Midgard know of Avallen Island... those in Prythian know of the Prison Island... but, they're the same exact place.

This might seem insane, but there are two points of evidence that make me think it's possible.

The Avallen fae live and dress in the same way as the Prythian fae.

The Avallen fae are said to follow the "old ways." They don't have phones, and don't watch TV. Just like Prythian.

Then when Bryce lands in Prythian and meets the Inner Circle, she notes that they're all dressed the same as the Avallen fae.

"This female was … Fae. Clad in beautiful, yet thoroughly old-fashioned clothes. Like the stuff they wore on Avallen."

This is really damn suspicious. And it leads me to my second point:

2. The Avallen fae have the power to "veil the physical world."

As demonstrated in this passage here:

"[...] power to summon shadows or mist that could not only veil the physical world, but the mind as well.“

The Prison Island looks empty and barren... but is it? What if instead, everything is veiled?

If we entertain the thought that the Prison Island and Avallen Island are one and the same... then what if this has been hidden from the Prythian fae...?

Most of us agree that the Dusk Court is going to play a huge role in upcoming books. However, at present, the Prison Island is barren land. To re-establish the Dusk Court, they'll need to rebuild an entire court from the ground up... which seems rather implausible, given the timeline.

But if the Dusk Court is instead veiled, that's a different story...

Plot-wise, this makes perfect sense for CC3.

From the Midgard POV, exploring Avallen seems like the next logical step. It is the only place that the Asteri cannot enter, so if Ruhn, Hunt and Baxian manage to escape the Asteri's dungeons, it would make sense that they go there.

From the Prythian POV, it seems logical that Bryce will be finding the answers to 'Dusk's Truth,' and will end up exploring the Prison Island.

Both POV's are about exploring the Dusk Court.

As someone who is of the opinion that SJM is going full multiverse (and that CC3 won't be the end of Bryce's adventures in Prythian), my guess is at the end of CC3, when Bryce is at the Prison Island, and Ruhn, Hunt, Baxian are at Avallen Island... someone, on one side (likely the Avallen side), will be stepping through that gate.

Bryce's role in all of this.

It has been my mission over the past few months to emphasise just how important Bryce is to Prythian - that her returning home to Midgard at the end of CC3 (to then just pass the torch onto another character for a supposed spin-off novel) makes no sense.

Instead, Bryce has Queen Theia's exact starlight (to the point where I am pretty sure she is some sort of reincarnation). She is the heir to the Starborn fae, whose true home is the Dusk Court in Prythian (even her scent is of dusk!) And most of all, the star on her chest is a beacon for Prythian; she quite literally glows for the ACOTAR world.

Additionally, given how the Avallen fae tie into this narrative too, it's also worth mentioning that Bryce has been repeatedly foreshadowed to be the High Queen of Avallen.

"Cormac cut in, “One day, she’ll be Queen of Avallen. She’d be a fool to throw it away on a bastard angel.”

"Jesiba said, “I suppose I should consider it an honor, to be called a friend by the Starborn Princess daughter of the Autumn King.” A slight pause, and Bryce knew what was coming next. “And the future Queen of Avallen.”

In fact, Cormac's final words to Bryce were about leading their people forward.

But after today …” Cormac’s words grew heavy. Weary. “I think the choice about whether to lead our people forward will be up to you.”

Which, sounds an awful lot like the ancient fae prophecy connected to all of this:

"When knife and sword are reunited, so shall our people be."

[Art by wavyhues]

And, if Bryce is destined to become High Queen of Avallen, as well as High Lady of the Dusk Court... isn't it fitting that she possesses the Horn, which grants her the ability to enter other worlds?

The Queen who walked between worlds...

[boxheadpaint]

the problem with my last post on the subject was listing a bunch of pieces i already knew and not being specific enough to say 'im looking for something of similar feeling but lesser known'.

im specifically looking for unique "analog" or just video youtube horror that i Havent already heard of. something that doesnt rely exclusively on creepy photoshop face and text to speech voice with the same general idea as any other series. if you know something thats quite good and interesting but you dont see as many people talking about thats the recommendation im looking for

morley grove - from the creator of gemini, incredibly strong. plays with older internet, older youtube and geocities type of personal websites. things that dont jump you right out the blue but continuously build dread. things that are hidden even, implied to be something much worse than you can understand and allowing your mind to run wild. very good, but on hold Along with gemini due to the creators computer problems.

1990s lost media: obscure security system - only one video at the current time sadly, as it is a very good video. plays out plainly like a windows movie maker piece, and once again its only showing you a Part of whats happening. theres startling noises, but not without proper buildup or reason. again strange implications that make you actually Think about whats going on. funnily enough, actually had a nightmare based on this one after watching it. Extremely well done

countess pasta - moreso original writing and readings as opposed to visual storytelling. if you were ever into thelittlefears and still yearn for something that captures that same feeling, take a listen to countess pasta's videos. there also seems to be some kind of overarching plot that could tie the stories together, but even listening to them on their own is a treat. her selection of work is impeccable and anxiety-inducing, well thought-out and refreshing in the current climate of creepypasta readings

Minecraft alpha 1.0.16 versions - hard to describe, more mystery than horror but still unnerving. INCREDIBLY beautifully done and written. teases with the idea that things haunting your minecraft world may not be supernatural or truly sinister in nature, yet still a glimpse into a stranger world seemingly lost to time. remembered this one at the last second

if theres any other videos or series you feel arent discussed as widely as some others, something obscure and slash or of great quality, feel free to put it directly in my eyes

[cripplecharacters]

Hi! I’m writing a story about a lady with Down Syndrome. I was wondering if you knew where I can find any resources about Down Syndrome made by people who actually have it, or any organisations that would be good to follow. Any resources made by people with intellectual disability would be really helpful as well.

I read your post about this and it was really helpful so thank you, I’m going to use it as a starting point for my research.

If you’d like some context about the story she’s literally a lady in the 1920s who’s trying to get control of her family’s estate from her brother. Shes underestimated for her disabilities and for being a women but I’m trying to not focus so much on the discrimination and work more on giving her an interesting mystery to solve with the detective she hired. I’d like it to be a bit lighthearted. Anyway, as she’s a main character I really wanted to make sure I wrote her well. Thanks!

Hi!

There aren't many resources out there unfortunately, but there is a page on the UK Down Syndrome's Association's website where members with DS share their opinions on representation in TV and film! You can read it here. For info on intellectual disability in general the best I can do is link some of my previous posts on it - there's close to nothing that's actually made by us unfortunately, everything that I was able to find is always made by someone who knows a person with ID at best. To be clear, not all of it is bad - I thought this interview (TW for abuse that happens in the movie's plot) about a movie starring actors with DS was pretty good - but it's still a sign that we aren't getting enough #OwnVoices representation. It's slowly changing though!

To learn more about DS I would probably recommend NDSS, it's one of the very few orgs that have people with Down Syndrome as board and team members (should be the bare minimum, but it unfortunately isn't). There's also information on things like preferred language and myths that often show up around Down Syndrome!

I'm not great with history, but in the 1920s she would be a subject to a lot more than just discrimination. Eugenics and institutionalization would definitely be present. Not sure what route you'll take there, but basically all the words around that time that she would be described with are currently considered slurs or pejoratives. The racist term for a person with Down Syndrome was officially used into the 60s, and the ableist one is still used legally in 2024. But if you want to skip past that, I think that's more than fine. You don't always have to aim for 100% historical accuracy, just be aware of the real history.

A detective story sounds very exciting! If you decide to publish it on Tumblr or other online site feel free to send me an ask with a link, I'd love to read it :-) !!

Thank you for the ask!

mod Sasza

I’m just popping in as a history fan for a couple bits of history notes — but again, like Sasza said, you don’t have to be 100% historically accurate if you don’t want to and if you don’t feel it’s necessary.

So, especially in the first half of the 1900s, a large part of disabled children, including children with Down Syndrome, were institutionalized very early in their life. Around this time the push that immorality caused disability was strong, and people were often convinced by doctors and professionals that the children’s needs would always be too much for them. Eugenicism was sort of reaching a peak around this time, as well—I would say it was at its most intense in the period of 1900-1940s.

Not all parents institutionalized their children, though. There was pressure to do so, but that doesn’t mean everyone fell victim to it. There wasn’t really any official support for parents who did this, and there weren’t official organizations for Down Syndrome. From my research, the current large DS organizations seem to have popped up in the 60s.

The term ‘Down Syndrome’ wasn’t in popular use until the 70s, and it wasn’t known that it’s caused by an extra chromosome until 1959.

Life expectancy in 1900-1920 for people born with Down Syndrome was 9 years old. Some of this could absolutely have been due to conditions in institutions, but likely even more relevant is that about 50% of people with DS are born with heart defects (also known as congenital heart disease) that can be fatal if not treated with surgery. Heart surgery wasn’t really feasible until the late 30s and early 40s. Another risk factor is a higher risk for infection, which isn’t easy to manage in a world that doesn’t yet have antibiotics.

I actually wanted to find pictures of adults with Down Syndrome pre-1940ish, though, to see real tangible evidence of adults being part of a community. First I found just one picture of a baby in 1925 on this Minnesota government website. But then I found a collection someone made of photos of both children and young adults, but they are not specifically dated. The first baby picture is from the 30s according to the poster!

Judging by the clothes I see people wearing in these photos, photo #4 (man with Down Syndrome in a suit next to a woman) seems to be from the 20s and photo #13 (young woman with Down Syndrome and very long hair) seems to be from about the 1910s. #18 (large family with a lot of sons, including one boy with Down Syndrome) could be from the 30s. Those three are the oldest people with DS in the photos, and they seem like young adults. A lot of these pictures show a community and aren’t just isolated kids, which I find nice.

It’s hard to find specific historical record of people with Down Syndrome from that period of time, but I wanted to show photos of real people in their communities to show, hey look! They were there, too!

Either way, I love detective stories and historical fiction and I’m glad you’re writing a story and that you care about your character’s portrayal but I totally know the feeling of that tricky balance between historical accuracy and modern acknowledgement that we should have been doing better.

— Mod Sparrow

[ganondoodle]

more thoughts

big part of why i loathe what totk did with its story and lore is that it tremendously hurts botw in retrospect

i said that before and mentioned all of these points before as well but i just have to mention it again; how totk did away with all the little mysteries in botw, like the ancient hero looking kinda strange leading to lots of interesting theories- WHOOP its a sonau mix guy revealed through a collectable and its straight up said by purah/impa that that is the ancient hero .. like it was an always known fact ......

the sonau ruins in botw of a long gone group of people that lived in the forest of phirone - WHOOP those are just monuments built by hylians in memory of the sonau and actually their real architecure isnt rare and few but everywhere en masse and doesnt resemble the ones from botw at all, aside from some vague dragon motive; theres more stuff of the oh so sadly gone and not at all mysterious anymore sonau left than there was of the ancient shiekah in botw (and now it doesnt exist at all anymore, who cares about them, how important they were, or this worlds history, especially zelda, she never cared about shiekah or history that wasnt about sonau :)))) )

one of the biggest crimes, to me, personally, is what totk did with the dragons not actively mind you, but still changed my view of them and i hate it; i always saw them as these ethereal otherwordly spirits older than time itself (i liked the idea of them being like a final evolution of the dragons from skyward sword, tho of course i dont need that to be canon lol) and then totk comes along and .. the newly revealed -always been there super cool- race of people from the sky is heavily based on their designs ... and they have armor sets imitating the dragons ... and have ... magical never heard of before stones that turn people into .... dragons .... i get how that can be an interesting thing for people to connect but for me personally ... its a mystery that REALLY shouldnt have been solved, at all, or even touched, the fact that you knew nothing about the dragons other than they are here was what made them feel so much more divine and awe inspiring (i know you could try to think of it being the other way around, the sonau worshipping the dragons so much they dedicated all of their cultur around them ((but then again were is that anywhere, if they worshipped them so much then they sure didnt matter in any of what we say of them in memories..)) ... but the sonau designs, the armor ... the stones ... its all such an obvious connection ...) and its really hard for me to ignore it, i actively have to work now to keep seeing the dragons as these untouchable ethereal spirits instead of some sonau guy eating a fucking stone

and yet again its like .. can you really blame me for feeling weird about the sonau/dislike them when ... theres nothing that WASNT touched by the sonau, they already had tech way above the level of the shiekah, they were in the sky, the surface AND the underground all along, theirs is the actually important influence on the history of the world, they have been in every place that was once important, hell they were in every place were a settlement of people is EVEN THE FEW YEARS OLD TABURASA (tarrey town), their buildings look like they were abandoned 10 years ago, all their shit is still working, they founded (this) hyrule, they are the royals, they are the gods, they are the dragons, the ancient hero was a sonau mix clad in waht totk made out to be their signature design elements-

we had recordings from that time (tapestry) and even PEOPLE (the monks) and yet the sonau were a total mystery? even though their culture was literally still there when the shiekah built their tech?

what gets me escpeially is how .. they didnt NEED to erase anything shiekah, they didnt need to act like they never existed, they didnt need to make the sonau be the coolest guys ever and were so desperate to get that into your thinking everyone in the game is obsessed with them and tells you why you should be obsessed too

like am i just insane or is it a rather .. obvious connection to make that the shiekah found the tech of the sonau and built theirs inspired by what they could find, it was so old at that point that its non functional or even recognizable in the present, but when the shiekah found it they could still research it; given how the shiekah built multiple shrines and puzzles to them WITHTIN ruins that, in botw, were sonau ruins, i thought that was the logical line to draw and a good way to connect them while still leaving the sonau to be a mysterious ... mystery (this is what im going for in my rewrite btw)

also another thought, if the ancient shiekah could see the future to a degree they built stuff to prepare the next hero for the next calamity that would happen in thousands of years .. how did they never find out about gan? i know they were more about the future than the past but like ... were they really so stupid to see that the calamity will come back just the same from the same place and NOT investigate?? ESPECIALLY considering that the weird half sonau ancient hero was literally THERE when they saw the furture and built all of that for it???? the sonau werent gone gone in any sense and you CANNOT tell me that the shiekah jsut ignored this weird half whatever looking guy outfitted in an aesthetic and culture that wasnt obviously present anymore and clearly connected to somethign else, with probably clear scars were whatever buildings were lifted into the skies- SOMEHOW- and monoments LITERALLY STILL READABLE IN THE PRESENT that tells you about all theshit that went down?? even if you hid them with some weird mechanisms, are you realyl not gonen investigate?? also why hide it anyway?? if its supposed to be a monument to the sonau why the fuck would you built stuff to HIDE the information from it?? gan cant reach it anyway bc hes KINDA STUCK you are telling me the group of people with a vision of the future and high tech stuff that are famously obsessed with the stars and sky didnt see any of the sonau shit floating around there?? ohoho but it was hidden by magic uwu WHY bc you wanted to wait thousands of years for the "right" link to come around?? so you let thousands of people suffer and die just bc you wanted a specific guy? why not the ancient hero instead?? and solve the problem right then and there?? or would that mess too much with the history all of the sudden, you didnt care about messing anythign else up before either

its all just so messy if you start to think even a little bit about whatever the fuck happened in totk and i ahte it, it solves stuff that didnt need solving, ignores or even erases stuff that didnt need erasing and was all ready to go and be more explored, its infuriating

(also additional thought about the previous rant where i mentioned how characters, esepcially zelda, regress HARD in chaarcter development) someone mentioend this about link and ... YEAH, in botw the main thing was the connection between link and zelda, how they didnt like each other at first and at the end were THE brotp; in totk, aside from zelda mentioning how strong link is, theres nothing, the link that was revealed in botw to only be so silent and expressionless (not fully but like supressing everythign rly) bc of the immense pressure that was put on him is now just the most importanest sword guy who didnt even shed a tear when you get the memories of zelda basically killing herself; or did he know she will just be returned to normal with no harm or memory done no problemo in the end?? i dont WANT link to talk mind you, i never want to hear him talk tbh, i like him being mostly silent aside from his grunts when he climbs a cliff or soothes a horse (i go non verbal in high stress situations too) but you could have shown him be affected by it at all, or idk DO ANYTHIGN WITH THEIR RELATIONSHIP they are best friends whod die for each other but that doesnt actually matter in anything bc he just do what sword man does-

[physalian]

The Pronoun Game

*This is not about preferred pronouns, this is writing advice.

I don’t actually know if this is the official term but it’s what we’re going with, otherwise known as contrived vagueness on a character’s identity to keep the secret from the audience.

“You know… ~him~.” “Who?” “HIM.” “One more time.” “HIIIIIIIM!” “…”

Stop doing this. No one talks like this. Or at least come up with a better in-universe code name even if it’s just “the client” or “the target.” Anything is better than this glaring contrivance.

It’s not so much the secret name, it’s how clunky the dialogue becomes without it (ignoring when this is done for humor and supposed to be a little ridiculous).

This is a partner post to how to introduce new characters’ names and the point I’ll be making there applies here: exposition, including new character names, should tell us more about your story than just the information within the text.

But first: just stop doing this. Just name the character. Do it. Audiences will be as confused as if you use a vague “he/him they/them she/her,” but at least they have a name to keep track of, even if it’s faceless at the time they hear it.

It doesn’t even work as a mystery. Characters only play when they’re obfuscating the villain. It’s almost never a red herring. Sure you didn’t say the name, but by deliberately hiding it, you’ve shown your hand.

Real people don’t play the pronoun game unless it’s motivated. So? Make it motivated.

Best example in history: He-who-shall-not-be-named

Why? It’s not just a pronoun, it’s got lore and myths and mystery baked into it. There’s a plot-based reason to be vague. Everyone who says this moniker admits they’re at worst terrified of and at best spiteful of its owner.

I have my own "he who shan't be named" and, can confirm, it's born from glorious spite and satisfying to use every time it comes up.

You can’t copy the epithet, but you can learn from it. Give your characters a reason to be vague beyond preserving the secret for the audience.

Names have power, speaking theirs draws too much attention or bad vibes

Character f*cking hates them, and pronouns them out of spite

Character is being vague to mess with the narrator on purpose

Character fears eavesdroppers and is being careful

Character is testing whether they can trust another by being vague and checking if they’re in on the secret

Character is drunk/high/exhausted and cannot remember the name or care about it to save their life

Optional substitutes here can get quite creative, my personal favorite is “what’s-his-nuts” because I like the cadence but you get the idea

All of these reflect back on the story and the world you’ve built, to give an in-universe reason for the obfuscation.

Now stop playing the pronoun game.

—

Thoughts on the shorter format? I can’t tell if #longpost is supposed to be an insult or not. I have a few of these coming.

[fioras-resolve]

"Is the Berlin Interpretation still relevant?" Part 10 - Results

So, I guess I should finally explain what I'm talking about. I promise I'll stop spamming these tags now.

The Berlin Interpretation of Roguelikes is a genre definition that was made at a roguelike dev conference in 2008. It was a handful of people who were inspired by Rogue to make their own procedural death labyrinths. This was just before Spelunky. It was before The Binding of Isaac, it was before FTL, and it was before Risk of Rain. In other words, this interpretation was made right before the definition of a roguelike radically changed. Before these genre fusions, roguelikes were mostly games like NetHack and Angband, games that were directly inspired by this RPG from 1980. They were roguelikes, because they were "like Rogue."

But let's talk about what this interpretation is actually doing. It is not, in fact, a set of rigid guidelines of what features a game needs to be part of the genre. It is a set of high and low value factors, that a game may not have all of, but the more it has, the more it is, well, Rogue-like. There isn't a game that purely embodies each of these factors, because there's doesn't have to be. Even Rogue isn't fully faithful to this interpretation. It's just that if your game has enough of these factors, then it's clearly working in the same design space, and part of the broader conversation. That's all it was doing.

So is it still relevant? Well, kind of, but not really. Sure, permadeath and procedural generation are still important to people, but for it to be turn-based and grid-based aren't necessary anymore. And I guess for the later polls, either people got tired of me posting these in their tags every day, or they just don't have an opinion one way or the other, because their vote counts didn't even hit the triple digits. It seems like complexity, resource management, and exploration/discovery are still important, while non-modal gameplay and hack-and-slash aren't as much. But I hesitate to give these results the same kind of credence because of how many people from the earlier polls didn't vote on these ones.

It seems like, these days, the roguelike isn't really about its base mechanics. It's a structural genre. You can graft any base mechanics onto it, as long as you start a new run after you die, and each run is made unique by randomness. It seems pretty straightforward.

Okay, what about Mystery Dungeon?

The Mystery Dungeon games these days are mostly known for being Pokemon spinoffs, but the series goes back to the 90s with games like Shiren the Wanderer. These games are directly inspired by the original Rogue, complete with grid-based movement, item discovery, and heavy resource management. It's more "like Rogue" than a lot of modern roguelikes. But because it's structured more like a Japanese RPG, with checkpoints, persistent progression, and a full-blown story, it would probably nowadays be called a "roguelite." Even though it precedes that term by decades!

I'm honestly really surprised that Mystery Dungeon doesn't come up more in discussions about roguelikes. Like, it's a really obvious point of contention, and one that's worth talking about. But only one person in my replies actually mentioned Mystery Dungeon in their thoughts about permadeath. I suspect it's because most of the roguelikes people are invested in these days are indie PC games from the West, while Mystery Dungeon is a Japanese series on console and handheld. But I can't prove it.

Speaking of roguelites though, we have to talk about that term. I don't think that "roguelite" is an inherently elitist term, or that it's useless as a label. it clearly serves some purpose in conversation, even if I wouldn't use it myself. I don't want to prescribe my definitions of terms from on high. I want to understand how people are using these terms in daily practice.

And it seems like it comes down to two definitions. One is the Berliner standpoint. It's less common, but it sees some use. Basically, if you're not making a grid-based dungeon crawler, you're not really making a game "like Rogue," are you? Genre fusions like Risk of Rain and Slay the Spire play completely differently from the roguelikes of old, so it feels weird to just call them roguelikes. This is treating it as a mechanical genre, defining roguelikes by dungeon-crawling in the same way we define a shooter by shooting.

The other definition is a broader one, defined by two key features: procgen and permadeath. This is the most common one in modern conversations about roguelikes, because it takes it as a given that these genre fusions are what roguelikes Are. By this framing, a roguelite is any procgen game that features persistent upgrades. Something like Rogue Legacy, where your progression isn't just you as a player, but your character growing more powerful. Permadeath and procgen serve a very specific purpose in conjunction with each other, and there is a sense where either of these factors being diluted misses the entire point. But plenty of people don't put stock into the like/lite distinction, because they don't see it as mattering. No definition here is wrong, they're just all operating under different beliefs.

(sigh) Look, genre is a lot like gender. In fact, in some languages, they're the same word. It's vague, it's arbitrary, and it doesn't make sense if you squint too hard. But it's important to people, either to describe what they're doing or to understand what others are doing. There's never going to be a strict, clear definition of roguelike that perfectly covers all cases, because that's just not how genre works. Roguelikes are what we mean when we talk about roguelikes. It's very easy to poke fun at a genre label like this, but it's a lot harder to understand what it's doing, and what it means to people. That's the conversation that really matters here.

Is the Berlin Interpretation still relevant? Not as much as it used to be. But your interpretation is what's really important.

[se-agapo-skywalker]

metal hand dilf shenanigans? I’m listening

:3c welcome and thanks for enabling me

Smutty headcanons below the cut:

In order for this to happen, obviously you'd have to be in a relationship--situationship?--with Luke first, or else he wouldn't do it. At all. Even if you had a one-time fling in his hut, the moment you reach out for his cybernetic, he'll quickly pull it away from you (if he doesn't still have his glove on already). That's private--he isn't ready for that level of intimacy, not yet.

You've seen Luke's cybernetic before plenty of times, but he's never touched you with it before. Holding hands is... not his style, unless you've somehow grown close to him. He'd have to warm up to you slowly: reluctantly, he'll let you touch his cybernetic with your own hand, intertwining your fingers with his metal ones. It's nice, nicer than he expected. Even though he can't quite feel the warmth of your flesh, he can still feel the emotional warmth--and, soon enough, he's ready for more.

The next time you venture into Luke's hut at night, you sense a strange anticipation in the Force. Perhaps he's meaning to approach you about something, as he's acting strangely shier than normal. He's always reserved, only speaking as much as he needs to as you're both undressing, but he seems... unsure. When you ask him what's troubling him, he merely responds by asking you--well, telling you--to lay down on the bed and spread your legs. He wants to try something.

You do as Luke asks without hesitation. This wouldn't be the first time you've done so; he always has a way of being so mysterious with you, and you tend to obey without question, knowing he only ever wishes to please you. You trust that's what he desires now.

Luke eyes your wetness and nods affirmatively. Slowly, he traces both his hands up the insides of your thighs, teasing your sensitive flesh with his fingertips as he inches closer and closer to your core. Interestingly, his metal hand is still gloved, touching you with the soft, cool leather. He doesn't speak at all; what he can't say with words, he says with his actions, but you can't quite decipher what he means to say now.

The thumb pad of his flesh hand moves to rub tight circles on your clit, setting a pace that already has you throwing your head back in pleasure. "M-Master..." you sigh, letting out a breathy moan.

A brief flash of a grin crosses Luke's face. What follows said grin is the cool touch of the leather glove covering his cybernetic, lightly tracing the outline of your labia.

"Is this... alright?" he asks, voice low and gravely. You nod, biting your lip as his index finger teases your entrance, and he finally presses inside. The fullness is different from his flesh hand, and the texture of the leather is quite the interesting sensation. You wriggle around beneath him to get a feel of how you want him to be inside you. Thankfully, you're wet enough for him to slip in rather easily, squelching softly as he moves further and deeper.

Luke raises an eyebrow at you and you nod, silently urging him to start moving. He withdraws his finger, and you suppress a whine, only for him to add one more as he begins thrusting in and out. Left hand still working at your clit, both hands move in harmony as they ravish you with electric pleasure--you hadn't previously known of his ambidexterity, but kriff, if you aren't enjoying it.

Long and thick fingers curl within you, hitting that special spot that has you gripping the sheets and cursing to the wind. The speed of his cybernetic is unmatched; his flesh hand has its perks, but what he's able to accomplish with the metal hand is unheard of.

You clench around Luke, fingers still snugly wedged within you, treating them like you would treat his cock. He's unable to actually feel the sensation with this hand, but sensing the resistance, he presses on, this time adding another finger. It's too much--the stretch, coupled with the sensation of him playing with your clit--that it's almost unbearable. He's fully fucking you with his hand, the force of his thrusts making your body shake and your tits bounce (a sight he certainly enjoys seeing, even if he doesn't outwardly express that).

Luke's face remains unchanging as you write beneath him, coming apart with a cry more akin to a scream--you're sure the caretaker village knows exactly what you're doing, or at least the porgs do. He doesn't care in the slightest.

Once your contractions have finished, Luke pulls out his fingers, now soaked with your arousal, and brings them to your panting lips.

"Clean it."

[transmutationisms]

“before even getting into the computer-brain metaphors that have taken over in the last half century” omg PLEASE get into it (if u have the time and desire to)

this is not a new observation on my part by any means lol so this is really just going to be me treading ground that other people have covered much more eloquently and thoughtfully. but yeah it is quite noticeable in the last few decades how the way people talk about the brain is often borrowing directly from the terminology of computer science: think brains "processing" "information", "storing" memories, nerve impulses as a "transmission" of "signals", &c. this isn't inherently bad, but i'm cautious and sceptical about how useful this way of talking is because

often brain-computer metaphors are used to suggest, implicitly or not, that the computer simply is the 'highest' piece of technology there is or can be, and therefore tautologically must be how the brain works; this is pretty ahistorical. brain metaphors have historically drawn from many different technologies, usually whatever was seen as 'advanced' in the day—vacuum tubes, other communication technologies like telephone and telegraph transmissions, even musical instruments. none of this means the computer metaphor is inherently wrong but, it should give us pause before just assuming that this time, we've gotten it right

brains are actually like, more mysterious in their functioning than computers lol given that there are in fact people who know how to make and code and work with computers, and there are in fact no people who, like, know how brains produce consciousness. and i'm not opposed to metaphor in science communication but i'd argue the computer metaphors don't actually enhance clarity of communication for the most part, given that most people have no fucking idea how a computer works anyway—in these sorts of invocations it's just blackbox technology that gives a sheen of scientificity to a lot of very bad psy-science and neuroscience discourse

specifically this came up because that other person was talking about how brains "process information" in regards to watching tiktok videos or whatever, which is a perfect example of how this sort of obfuscates a lot of things we don't actually know about brains or thoughts or consciousness. like there's a very smooth narrative being produced here, based on the idea of the brain as a kind of calcified piece of technology that can be trained into bad habits or have its capacity for attention eroded or whatever—not only is this not really how computers work anyway (so again, not a very useful metaphor), it's also very reminiscent of the degeneracy theories of the past 2–3 centuries, only now expressed in language that scans as 'scientific' according to the standards of the day, where it's compsci that's in fashion over things like stock breeding (a favourite of the 19th century, for example)

so again i'm not saying, like, that it could never be useful to compare the human body or mind to a manufactured technology, or denying that nerve impulses are electrical phenomena (tho people have known this since the galvanic experiments of the renaissance, & yet the computer metaphors could only arise... after the corresponding computer technologies). but i think it would behoove us to think closely about what we're saying when we use these metaphors, whether the metaphors are useful, what sorts of things they convey and what things they obfuscate or muddle, &c.