#and it's easy to explain so

[chloesimaginationthings]

FNAF movie Vanessa wants to meet Glamrock Bonnie..

[findmeinthefallair]

It can't be overstated how powerful the catharsis is when a scene of a character connecting with their wounded inner child is done right. The key poses...the expressions...the timing...storytelling like this can help to provide some healing for so many people in the audience.

[inkskinned]

one of the things that's the most fucking frustrating for me about arguing with climate change deniers is the sheer fucking scope of how much it matters. sweating in my father's car, thinking about how it's the "hottest summer so far," every summer. and there's this deep, roiling rage that comes over me, every time.

the stakes are wrong, is the thing. that's part of what makes it not an actual debate: the other side isn't coming to the table with anything to fucking lose.

like okay. i am obviously pro gun control. but there is a basic human part of me that can understand and empathize with someone who says, "i'm worried that would lead to the law-abiding citizens being punished while criminals now essentially have a superpower." i don't agree, but i can tell the stakes for them are also very high.

but let's say the science is wrong and i'm wrong and the visible reality is wrong and every climate disaster refugee is wrong. let's say you're right, humans aren't causing it or it's not happening or whatever else. let's just say that, for fun.

so we spend hundreds of millions of dollars making the earth cleaner, and then it turns out we didn't need to do that. oops! we cleaned the earth. our children grow up with skies full of more butterflies and bees. lawns are taken over with rich local biodiversity. we don't cry over our electric bills anymore. and, if you're staunchly capitalist and i need to speak ROI with you - we've created so many jobs in developing sectors and we have exciting new investment opportunities.

i am reminded of kodak, and how they did not make "the switch" to digital photography; how within 20 years kodak was no longer a household brand. do we, as a nation, feel comfortable watching as the world makes "the switch" while we ride the laurels of oil? this boggles me. i have heard so much propaganda about how america cannot "fall behind" other countries, but in this crucial sector - the one that could actually influence our own monopolies - suddenly we turn the other cheek. but maybe you're right! maybe it will collapse like just another silicone valley dream. but isn't that the crux of capitalism? that some economies will peter out eventually?

but let's say you're right, and i'm wrong, and we stopped fracking for no good reason. that they re-seed quarries. that we tear down unused corporate-owned buildings or at least repurpose them for communities. that we make an effort, and that effort doesn't really help. what happens then? what are the stakes. what have we lost, and what have we gained?

sometimes we take our cars through a car wash and then later, it rains. "oh," we laugh to ourselves. we gripe about it over coffee with our coworkers. what a shame! but we are also aware: the car is cleaner. is that what you are worried about? that you'll make the effort but things will resolve naturally? that it will just be "a waste"?

and what i'm right. what if we're already seeing people lose their houses and their lives. what if it is happening everywhere, not just in coastal towns or equatorial countries you don't care about. what if i'm right and you're wrong but you're yelling and rich and powerful. so we ignore all of the bellwethers and all of the indicators and all of the sirens. what if we say - well, if it happens, it's fate.

nevermind. you wouldn't even wear a mask, anyway. i know what happens when you see disaster. you think the disaster will flinch if you just shout louder. that you can toss enough lives into the storm for the storm to recognize your sacrifice and balk. you argue because it feels good to stand up against "the liberals" even when the situation should not be political. you are busy crying for jesus with a bullhorn while i am trying to usher people into a shelter. you've already locked the doors, even on the church.

the stakes are skewed. you think this is some intellectual "debate" to win, some funny banter. you fuel up your huge unmuddied truck and say suck it to every citizen of that shitbird state california. serves them right for voting blue!

and the rest of us are terrified of the entire fucking environment collapsing.

[andsewingishalfthebattle]

Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.

Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU

[mumblesplash]

part 2!!!! [read part one here]

transcript below the cut arranged into stanzas to help show where the rhymes are:

“that’s why they brought gem in? as a failsafe?” as a pawn. we were told to point her at whoever we need gone

“gem won’t hurt her allies. …yet.” the curse she carries will it’s had its eye on her since she lost the other eye she was specially selected for her hunting skill it’s quite the high honor. “wow. how generous.” we try

think about it: why does almost no one fight the curse? “given how fast scott killed skizz last season, i can guess.” [“any pain you spare your friends, you’ll have to suffer worse”?] it’s designed to shut down higher reasoning with stress

[poorly-drawn-mdzs]

Tis but a flesh wound!

[First] Prev <–-> Next

[daily-dose-of-bucket]

Day 172: HAPPY (very late) HALLOWEEN!!!

[bunnieswithknives]

Gore, Violence and Blood under the cut

What a mess

[splatoon-confession-box]

Here is some Past,Present,Future Ink Swirls if you'd like to use them for your own Edits. I made them for a friend, but figured i'd share them.

Credit is Appreciated but not Required.

[dyinghomoerotically]

One of the (many) things I love about Xie Lian is how artfully he combines old man and babygirl. I would give examples, but I don’t think I need to. We all know

[r-aindr0p]

Small research/tests for a series of posts I want to do sometime in the future hehee

(I want to give/attribue a piece of classical music for each dorm+characters, and it's harder than I thought it would be, currently fighting w/ the savanaclaw guys... )

[doctorsiren]

Moth Psycho 100 AU

Something that I latched onto for mp100 is the moth imagery for Mogami. More than once is a moth shown as symbolism, but it’s also associated with Mogami more than once, whereas with the other bugs he’s shown associated as, it’s just once i’m pretty sure (even if not, moths show up as symbolism the most so uhhh yeah)

So @cupofchemicalchatter and I cooked up an AU idea :)

Mogami Arc happens as normal except for the very end. Instead of Matsuo catching Mogami’s spirit and trapping him, Mogami is able to go and watch Mob from afar like he said he would: “You made your choice, kid. I’ll keep watching from afar to see if you made the right one.”

At the end of the Mogami Arc, Reigen says: “Anyway, history has shown that no good ever comes from drowning in wealth, fame, or power. Think about it: Mogami let his own powers swallow him up too.” Remember this, as this is important for the AU I’m about to explain. 

And this will go into the next arc, the Separation Arc. The part where Reigen is in the alleyway under the streetlight with those moths above him always felt deeper to a level that it probably wasn’t supposed to be and by that I mean I was connecting it to Mogami’s moth thing.

What am I talking about? Okay well, just imagine the Separation Arc happening as usual UNTIL that moment. The moment where Reigen is in the alleyway:

Mogami had been keeping an eye on both Mob and Reigen, figuring that a way to break Mob was to use someone he cared about, that person being his mentor. So in that moment, Mogami had been possessing / using that moth as his vessel to watch Reigen. The moment that the moth drops dead and Reigen looks up is the moment that Mogami transferred his possession from the moth to Reigen, causing his sudden change. Now he is determined to “become somebody”. Of course, just like in canon and like Mogami did, he starts out by helping people out with their problems. He stated in the Mogami arc: “Mogami? Yeah, I modeled part of my work off him when I started this job.” Mogami stated that “at first, I used my abilities for good, giving advice and solving various problems.” Mogami was the “Psychic Star of the 20th Century”, with Reigen being the “Greatest Psychic of the 21st Century”. Mogami basically told Mob the classic villain thing of “we’re not so different, you and I”, but Mogami now sees that with Reigen as well. Despite the man not having powers, he would prove useful.

Reigen began “developing” psychic abilities. He thought at first that it might have been something residual still left over from when Mob gave him his powers while fighting the Scars, but he soon began to believe that he had dormant abilities that became awoken once he set out on “becoming somebody”. However, it’s actually just the possession from Mogami. He begins to realize that he doesn’t need Mob anymore. He can do exorcisms on his own now! So, he starts pushing everyone away…the people who would be able to actually help him out of this.

Reigen starts to hear a voice in his head. It’s Mogami speaking to him like he did with Mob, but he disguises it as Reigen’s own voice, allowing the conman to think that it’s his own thoughts. Reigen begins to separate himself from this “new” version of himself (which is just Mogami), but not in a way of “oh, these are bad thoughts” but in the way of “this version of me is my only true friend.” Since he’s being possessed, he’s not really thinking rationally. 

His reflection becomes a way that Mogami can communicate visually, while disguised as Reigen, of course. He speaks to Reigen, convincing him further that he doesn’t need anybody. Only himself.

His shadow also becomes a visual way for “Reigen” to communicate (because I thought that would be cool, kind of like Morgana in Ducktales 2017, or in The Princess and the Frog). 

The turning point for where things actually go south is the Supernatural Detective TV spot. When Jodo suggests that Reigen be the one to do the exorcism, instead of letting Jodo trick him, Reigen insists that Jodo go ahead with how the program was planned. In this world, the event is reversed. Jodo actually does the fake exorcism, since it was scripted, but then Reigen steps in and explains there was no evil spirit to exorcise, hence making Jodo the fool rather than Reigen. The host praises Reigen and the child reveals that he was acting the whole time. 

And then begins his true metamorphosis. 

Usually, butterflies are used to represent change, however moths go through that same transformation, but to most, they are held typically in a lesser regard than their daytime counterparts. Not really important, but I just thought it was interesting.

Reigen starts to spiral, becoming more and more of a corrupted conman. He isn’t assassinating people for money like Mogami had done, but he is lying more and more and more. The more he becomes corrupted with power, the more his psychic abilities grow (think Ritsu with Dimple and the student council stuff)/ The idea actually started out by me suggesting that as he gets more corrupted, he starts to cough out moths (sorta like an odd moth-based hanahaki, but having literally nothing to do with unrequited love and he won’t die from the moths. He just coughs them out because we thought that went kinda hard), but of course, he keeps telling himself (as well as Mogami telling him) that he’s fine. 

His powers (Mogami’s powers) are getting stronger and he’s taking out bigger spirits, taking on bigger clients, and becoming a bigger star. He finds himself losing consciousness / disassociating at times, only to wake up and find that he is stronger. It has become a little of a Jekyll and Hyde situation, but while Mogami has control of Reigen’s body, he uses it to consume evil spirits to try and regain the power he lost from fighting Mob. How we’re visually showing the possession is through a scar (like how Dimple has the red cheek spots). He got the scar under his right eye when Mogami exploded that one-way mirror in the Mogami Arc, and since Reigen’s technically being possessed during the duration of the AU (once that moth dies), the scar is visible the whole time.

In the end (we haven’t figured out when but we just know), Mob has to confront Mogami inside Reigen’s head, like he did with Minori. Inside Reigen’s head, it becomes blatant that Reigen isn’t psychic, although Mob’s sorta known that for a while (as it is alluded to at the end of the Separation Arc). But, Mob himself doesn’t want to acknowledge that fact. Reigen always said he had powers! Why would he lie? So although Shigeo knows the truth, Mob doesn’t see it. He pretends that it’s not true. He believes in Reigen’s lies. The student has become the master, in it that Mob is now lying to himself because he can’t bring himself to believe that Reigen lied to him.

After everything, Mob is able to separate Mogami from Reigen (but of course, not without everyone getting their fair share of trauma). The scar goes away, as he is no longer possessed. He’s back to being powerless, and now he knows that it was Mogami the whole time. However, Mob says that line. He says how he’s known that his master is genuinely a good guy, because it wasn’t on his own that he did all that conning and evil spirit stuff. It was because of Mogami’s corruption and influence. I think Matsuo would still somehow come across Mogami’s spirit and capture him, just so that it can come in handy later when he’s used in the World Domination Arc bc I don’t wanna mess that up lmao

Anyways yeah that was my attempt at compiling some frantic and excited discord DMs about this AU into something somewhat cohesive! Now here’s art for the AU, because I wanted to share them, but I needed to explain what was going on first!

This was the first one I did for the AU, when I knew I needed to draw something up for the concept of him getting corrupted and coughing moths 😄

And then the shadow and mirror thing (I LOVE the one of “Reigen” in the reflection oughhhh)

If you remember that post where I said I woke up and found I had written “twink controlling a twink” the night prior, this is what it was in relation to 😭 why did I call Mogami a twink very very late at night? Who knows. The important thing is that doing so altered everything and now he is one in my mind, so I can’t do anything about it. Don't ask why this page seems really fruity, it was like 3 AM and over a week ago so I don't know (/silly)

These were from when I was rewatching the Mogami Arc to pick up details for the AU

Moths have the patterns on their wings to mimic eyes, so there’s that inherent aspect of deception and lying. It makes the moths seem like a bigger threat than they actually are. (also I have him wearing Mogami's blazer and shirt)

And then just the moths and such with Mogami’s spirit

And me pulling a quote from when Dimple was explaining who Mogami was.

YEAH I just really love drawing stuff for this AU bc of the fun moth symbolism.If none of any of this makes sense, I’m so sorry. I just needed to finally post about this AU bc it’s given me brainmoths (like brainworms, but y’know)

We kinda came up with the AU backwards and filled in random spots here and there after the fact of our original conjuration of it, so I had to try and piece it together HAHA 

[hooked-on-elvis]

[inkskinned]

one of the things about being an educator is that you hear what parents want their kids to be able to do a lot. they want their kid to be an astronaut or a ballerina or a politician. they want them to get off that damn phone. be better about socializing. stop spending so much time indoors. learn to control their own temper. to just "fucking listen", which means to be obedient.

one of the things i learned in my pedagogy classes is that it's almost always easier to roleplay how you want someone to act. it's almost always easier to explain why a rule exists, rather than simply setting the rule and demanding adherence.

i want my kids to be kind. i want them to ask me what book they should read next, and i want to read that book with them so we can discuss it. i want my kid to be able to tell me hey that hurt my feelings without worrying i'll punish them. i want my kid to be proud of small things and come running up to me to tell me about them. i want them to say "nah, i get why this rule exists, but i get to hate it" and know that i don't need them to be grateful-for-the-roof-overhead while washing the dishes. i want them to teach me things. i want them to say - this isn't safe. i'm calling my mom and getting out of this. i want them to hear me apologize when i do fuck up; and i want them to want to come home.

the other day a parent was telling me she didn't understand why her kid "just got so angry." this woman had flown off the handle at me.

my dad - traditional catholic that he is - resents my sentiment of "gentle parenting". he says they'll grow up spoiled, horrible, pretentious. granola, he spits.

i am going to be kind to them. i am going to set the example, i think. and whatever they choose become in the meantime - i'm going to love them for it.

[metalhoops]

The place was Chicago. The year was 1990. 

It was early enough into the year that the term ‘1990′ still sounded space aged. It’d been the 80s for as long as Eddie cared to remember. It was late enough in the year that everyone kept telling him winter was over. Nevertheless, he wore the leather jacket he’d ‘borrowed’ from his ex-boyfriend. Spring in Chicago was worse than a million L.A. winters. 

Eddie hated California on principle, but his record label was in Burbank. Despite the band being one of the biggest rising stars in the metal scene, he didn’t have room to get cocky. He’d spent the break between tours last year with his aforementioned ex-boyfriend in his New York apartment. 

The place had been small enough that smoking with the windows open felt like a hotbox session. There was one window in the apartment. It was in the bathroom and only opened an inch if you could get it to open at all. It wasn’t the rockstar life he’d fantasised about back in high school, but he was getting by. 

So how the hell did he end up in Chicago? He was getting there. 

As the filmmaker he’d slept with in Toronto had told him, opening in media res was the best way to hold an audience's attention. Was that what Eddie was doing? Trying to retell the shitshow of his life back to himself? Trying to make sense of it all, make it climax to something meaningful? Maybe. 

Eddie had gotten into the habit of keeping a journal, mostly for lyrics. The band was meant to be recording their third full-length studio album in a matter of months and Eddie only had three songs that were worth anything. To make matters worse, the other two had been concept albums. 

Corroded Coffin’s first and sophomore albums had been different enough that the band hadn’t been boxed into anything. Yes, they were a metal band, but they got their fair share of punks, goths and even a handful of yuppies that’d shown up to their gigs in the past. Hell, their opening act had been a grunge band. It sounded pretentious as fuck, but Eddie wasn’t afraid to transcend genres. The metal scene was changing. They had to learn to change with it.

The nail in his goddamn Corroded Coffin was that the band were known for their concept albums. Their first album Knightmare was a D&D-inspired thrash, metal album. Think Ritchie Blackmore's Rainbow, with a few more homoerotic undertones. Their next album, Dream Dimension was more sci-fi leaning. It told the story of an unnamed group of kids who’d stumbled into another dimension. It was a little more glam metal. Some of the B-sides like ‘My Year’ and ‘Lakeside Interlude’ had been downright shoegaze. One magazine had likened the story to Dream Warriors, which Eddie thought was fitting. 

It wasn’t like Eddie didn’t have ideas for the next album. That was the problem. Eddie did have an idea. He just couldn’t write the damn thing. It was meant to be his magnum opus, the third album that’d stand on its own but also interconnect with the other two. 

He’d call it Daydream. It followed the story of a white-collar guy living the perfect nuclear family life, complete with a white picket fence and a Malibu Barbie, dream house. The thing was, the dude was miserable. He’d spend all his free time daydreaming about adventure and forgotten realms. 

The kicker was halfway through the album the listener would realise the guy was the titular knight from Knightmare. His perfect suburban life was turned upside down when his kid disappeared à la portal to another dimension. It’d be perfect. All Eddie had to do is write it, and that was the damn thing. He couldn’t.  

All his albums were about something. There was always a meaning beneath the meaning. Knightmare? Easy, that was about escapism. Dream Dimension? It was about growing up too fast. Daydream? That was more complicated. 

Daydream was why Eddie needed to write in his journal. It was why he needed to remember that the year was 1990 and that he was in Chicago. 

The thing was, Eddie didn’t remember writing Dream Dimension. There was a 1988 sized hole in his memory between their first and second US tours. He wasn’t an idiot. He knew exactly what caused it. In their early days, they were practically paid in 8 Balls and party favours. Eddie always had an addictive personality and getting into anything stronger than weed had been a bad idea.

It wasn’t until his bandmates had an intervention that he’d been able to see the forest through the trees. Realising there was a whole chunk of his life he’d missed out on was petrifying. So, Eddie kept a journal. 

He’d been sober for almost a year. He was practically fucking straight-edge without all the pretentiousness that came with it, but he knew one slip-up was enough to send him spiralling. That was how he ended up in Chicago.

It was the last show of their Dream Dimension tour, and they were in Chicago. Eddie was always lively on stage. Gareth had abandoned one of his drumsticks during a solo only for Eddie to run across the stage, slip and bite the dust with his ankle going one way and the rest of him going another. 

He’d woken up in a hospital with a lump on his ankle the size of a baseball and the uncomfortably familiar feeling of being high off his face on painkillers. 

To answer the question, Daydream was about getting older. It was about being okay with getting older. It was about doing it your own way. Back in the thick of it all, it’d looked like Eddie wasn’t going to make it to thirty. He was trying to be okay with the idea that he might. 

Last year, Jeff got married to a nice girl who’d been their costume designer for their first music video. It’d shaken him in a way he didn’t know how to explain. He was in his mid-twenties, yet suddenly he felt old. Wayne had retired and with Eddie’s help brought a Winnebago. He was probably fishing in Nebraska right now. 

See, the thing about the titular character in Daydream, was that he’d conformed to what life was supposed to be. By the end of the album, he’d have left that life behind for another, one of action and adventure, because Eddie could never understand why Dorothy wanted to leave Oz for fucking Kansas. Fuck Kansas, on principal.

Something about the album wasn’t clicking. Knightmare was leaving his boring life but ultimately, he was alone. Was that what getting older was all about? Being okay with being alone? When you were gay in 1990, it might be. 

After the tour ended he hadn’t wanted to go back to his apartment in Burbank. He hated it there. He’d entertained the idea of heading back to New York but it was depressing. It reminded him of Jack, and how so many of their friends weren’t around anymore. 

When all was said and done, he and Gareth decided to stay in Chicago. He never said it out loud, but Eddie was sure his friend had stuck around to keep an eye on him. 

Sometimes, Eddie just wanted someone to come home to. Maybe that was why he’d had a string of shit boyfriends. If you weren’t picky, people would walk all over you. 

Jack had been the one that’d made Eddie swear off dating. It wasn’t worth the trouble. He’d rather die alone. His name wasn’t even Jack, it was Corey, but everyone called him Jack. Short for Jacket. Eddie wished he was joking. That should’ve been the first red flag. 

The thing about Corey was he always wore the same goddamn custom-made, leather jacket, all year round. He’d liked having sex in front of his full-length mirror with Eddie always on his knees, which should’ve been at least a yellow flag. He never liked anything gentle. Corey liked the idea of having a rockstar boyfriend more than he actually liked Eddie or monogamy. That was why when Eddie left, he took his jacket. 

He didn’t know why he was still wearing it, but he was. He pulled it on as he hobbled in his moon boot across the street from his and Gareth’s rented apartment to the record store. He hadn’t gone outside in a week, and he was about to start climbing up the goddamn walls. He just needed to go somewhere, and Eddie loved record stores, especially little indie ones. 

Once inside, Eddie noticed the place was practically empty save for the guy behind the counter. They had an eclectic mix of records and zines lining the shelves. Eddie was glad the place was quiet. He didn’t have to worry about being spotted. It wasn’t like they were The Beatles. They could go places but in a big enough crowd, he was sure to turn a few heads. Some days, Eddie just wanted to disappear. 

They had Corroded Coffin records on the display shelf and a couple of magazines with his band's name on the cover, which made pride swell in Eddie’s chest, but he wasn’t here for stroking his ego. He wanted to know what other people were doing and get back in touch with the scene. 

He was busy sifting through the bargain bin when he felt someone slide in beside him. He cringed, almost expecting it to be some over-enthused metal head with a pen and a Corroded Coffin tee shirt, but it was just the dude behind the counter.  

“Sorry, can I squeeze past?” the guy mumbled, a crate of records awkwardly tucked beneath his shoulder.

Eddie did his best to make himself small, his dumbass ankle making a simple task seem like an effort. He didn’t miss the way the man’s free hand brushed over his side as he passed, as though trying to assure Eddie stayed stable. 

“Place sure is quiet,” Eddie observed glancing over at the man.

His jeans were fitted, tight in all the right places. He’d rolled up the cuffs of his shirt to reveal more of his bicep than Eddie deemed necessary and god his hair. There was something about his hair. Something about him seemed familiar. Eddie really hoped they hadn’t hooked up once. That’d be awkward as hell. 

“Yeah, we usually close around five,” The man replied putting an album on the shelf. 

It was almost six. Shit. 

Eddie hated when people did that. They treated him differently because his name was in the papers. Everyone wanted something from him, and they thought doing favours was a good way to win him over. It wasn’t. The guy could clearly see something shift in Eddie. 

“It’s no big deal. I have to stay an hour late to replace the stock, plus my roommate has a girl over, so I’d rather be here,” The boy laughed, shooting a look at Eddie over his shoulder, a stray strand of his perfect goddamn hair falling in his face. 

The boy paused, teeth worrying away at his lower lip, his hand falling to his hip as his eyes searched Eddie's face. 

“Do I know you from somewhere?” He asked. 

And there it was. Sometimes people did that. They played dumb about who he was before making a big goddamn deal out of it. Eddie suddenly wanted to crawl back to his apartment and spend another month in isolation. 

The boy snapped his fingers in triumph.

“Munson,” He practically shouted and holy fucking shit, that wasn’t what Eddie expected. 

No one knew his last name, not his real one. Everyone changed their names when they got famous. He’d gone for something simple, Eddie Emerson, it had some alliteration, just like Corroded Coffin. It wasn’t too far from his real name but not even the die-hards knew him as Munson. 

Then Eddie remembered. 

This guy was Steve goddamn Harrington. He didn’t remember many people from high school, but he remembered Steve. 

“Harrington,” Eddie breathed in disbelief. To his surprise, Steve screwed up his nose. 

“Unfortunately,” He admitted and stuck out a hand expectantly. Eddie leaned down and clasped Steve’s hand. From what he remembered of Steve, the guy had never been this friendly. 

“Nice to re-meet you I guess. I’d like to think I’ve changed a little in over five years.” He had, Eddie didn’t know how to explain how he knew, he just did. It was something about the way the boy held himself. 

“What brings you to Chicago?” He asked, seemingly oblivious to the fact that one of Eddie’s records was sitting on the shelf beside him. Honestly, it was a breath of fresh air to find someone who didn’t know who he was. He could keep the charade up a little bit longer. 

“Oh you know, work stuff,” Eddie answered vaguely, toying with his hair. 

That was something he did when he was flirting and holy shit, he needed to squash that right goddamn now. He wasn’t looking to date anybody, and he remembered Steve being very straight in high school. He needed to save himself from another heartbreak. 

“You live in Chicago now?” Eddie asked. The‘ because you didn’t seem like the type to ever leave’ was implied. 

“Yeah. Rob, my roommate, she practically dragged me here. We’ve been attached at the hip since I graduated. It wasn’t like there was anywhere else I wanted to be,” Steve answered. 

A little detail about the statement screamed for Eddie’s attention. 

“The same roommate that has a girl over?” He pressed and watch Steve fold his arms over his chest, all huffy indignation locked and loaded, begging for Eddie to choose his next words wisely. 

“The same,” he confirmed. Now that Eddie knew, he noticed they were selling a couple of queer zines. It didn’t necessarily mean anything. Steve might just be progressive. 

“I thought you were meant to be the lady's man, Steve,” Eddie tried hoping that was enough to make Steve’s defences fall. To his surprise, Steve snorted and shook his head. 

“Like I said, lots changed since high school. My luck in the dating department couldn’t be worse,” he admitted as he returned to stacking the shelves. 

Eddie watched the planes of his back move beneath his shirt, wanting to push himself against him, to feel what it was like for Steve to move beneath him.

He really needed to get a hold of himself. 

“Couldn’t be worse than my luck,” Eddie rebutted offhandedly. 

Steve shook his head and shot Eddie another glance over his shoulder. He inhaled deeply as though preparing to tell a long story. Eddie leaned against the shelf to show Steve he was all ears. 

“Last month, I went on a date with a girl and she asked me if she could call me by her ex-boyfriend’s name,” Steve began. 

Eddie screwed up his nose in response. 

“Worse still, I was so shocked she’d asked, I just agreed to it.” It was Eddie’s turn to snort. 

“Stevie, you didn’t.” 

Stevie. Goddamn Stevie. Don’t do this to yourself, Munson. Pet names are one step away from a full-blown crush. 

“I did. Do I look like a ‘Juan’ to you?” Steve asked honestly. The question had Eddie doubled over in stitches. 

“Alright, alright. That’s pretty bad, but that’s one bad date,” Eddie reasoned. 

“Dude, I wasn’t finished. The girl before that realised she was a lesbian, while on a date with me. Which is like... the third time that’s happened,” Steve admitted.

Eddie’s hand had betrayed him and returned to toy with a strand of his hair. He hid behind it as he tried to mask a laugh. This guy did have shit luck. 

“You’re a lesbian magnet,” Eddie reasoned watching as Steve hid behind his hands. 

“And the time before that, I thought I was getting somewhere with a guy. We’d been on three dates before he told me he had a wife.” 

Steve made the next confession a little quieter than the others, a little more reserved. Eddie felt the hairs on his arm stand on end. Steve had changed since high school.

“Once I hooked up with a guy who’d only give me head if I sang to him while he did it,” Eddie admitted, feeling the need to get Steve off the defensive and add to the pity party. He watched the boy’s features shift.

“Oh wow, that’s bad. You should’ve pretended to be tone-deaf,” Steve reasoned, once more proving he had no idea what Eddie did for a living. 

“See I was torn between that and singing La Cucaracha at the top of my lungs.” Steve snorted, honest to god snorted.  

The two lapsed into silence but it was a comfortable one. Steve smoothed down his hair five times within the space of a minute before taking a deep breath. 

Eddie knew what was coming. He wasn’t dumb, but a part of him would always be trapped back in high school. It kept screaming there was no way a popular kid like Steve would talk to a loser like him. He thought he’d buried that part of himself, yet here it was, rising from the dead. 

“Do you want to get a drink?” 

And there it was. Eddie didn’t mean to cringe, but Steve caught it, his hands stuffed themselves into the too-tight back pockets of his jeans. 

“Or not,” He muttered averting his gaze. 

“No. It’s not that. I... I don’t drink.” 

There you go Gareth. He was responsible enough to look after himself. 

“I could do dinner though,” Eddie tried to throw Steve a bone. 

Eddie waited for Steve to throw up one of the red flags he’d gotten used to seeing with all the men he’d dated or hooked up with. Eddie would say he didn’t drink, and they’d give him a funny look or mutter something about him being a killjoy. 

“There’s a place that does a wicked deep-dish pizza not far from here. You said you weren’t from Chicago, right? You’ve gotta have the pizza, it’s a rite of passage,” Steve ploughed on.

“Sure,” He muttered trying not to look as surprised as he felt. 

He watched Steve buzz around the record store, shutting up shop and then extending a hand shyly to Eddie. Right, his stupid goddamn leg. At least it gave him an excuse to get up close and personal with Steve in the street and not draw too much attention. 

The two made the short walk to the pizzeria at a plodding pace, talking about nothing in particular. 

“What happened to your leg?” Steve asked as they slid into the booth. 

“Slid on a drumstick and took a nosedive off a stage,” Eddie admitted. He wasn’t going to outright lie to Steve. 

“Ouch,” Steve mumbled, passing the menu over to Eddie. 

“So, you still do band stuff? I remember that high school talent show,” Steve noted, and Eddie cringed, letting his head drop to the table. 

“I really wish you didn’t,” He chuckled before confirming,

“Yeah, I still do band stuff,” as he raised his head and chanced a glance at Steve. 

“Cool,” was all he said before they shifted the subject. 

They were swapping stories about best friends, roommates, shared high-school trauma and generally flirting when a figure approached their booth. It was a kid, who couldn’t be older than fifteen with a shaved head and a battle jacket. He reminded Eddie of himself at that age. He knew what was coming.

“You’re Eddie Emerson, right? From Corroded Coffin,” the kid asked, his hands shaking. He watched as a furrow appeared on Steve’s brow before his jaw dropped. So Steve wasn’t totally clueless. 

“One and only. You want me to sign something for you?” Eddie asked, having gone through this song and dance a million times before. He tried to be nice, after all, it was a kid, but sometimes he got tired of always having to be on. 

To make matters worse it happened in front of Steve. Something about people coming up to him always sat wrong with other guys he’d been with. He wasn’t sure if it was jealousy or ego that did it, but he knew if he ran into a fan on a date, the rest of the night typically went sideways. 

He signed the back of a napkin as he listened to the kid rattle off praise for their music. He talked about his favourite songs and lyrics. Eddie wished he knew what to say, wished he knew how to take a compliment but he didn’t. To his surprise, he heard Steve speak. 

“Hey, did you make this?” Steve asked indicating the kid's battle jacket, forcing him to come up for air.

“Yeah, all on my own.”

The kid blinked and ran his hand over a couple of the hand-sewn patches. Steve obviously knew nothing about the scene because if you didn’t make your own jacket people would call you a poser. It was a nice shout though because he watched the kid light up. 

“Even the safety pins?” Steve asked curiously.

Eddie watched as the kid launched into a story of every little pin and stitch in the jacket, turning his attention away from Eddie, and giving him space to catch his breath. It was nice. He felt like Steve had seen him.

After another few minutes, the kid’s dad came to collect him and Eddie felt his body sag against the diner booth. 

“You get that all the time?” Steve asked, his foot nudging Eddie’s under the table. 

“You wouldn’t believe it,” He grumbled scrubbing his face. Steve nudged his foot again, giving him a goofy grin. 

“At least he liked your stuff,” He proposed. 

“I’m guessing it’s not your thing,” Eddie reasoned. He wasn’t one for stereotypes, but he really didn’t look like the typical Corroded Coffin fan. 

“I’m not too picky when it comes to music. I just listen to top forty stuff.” Eddie shot him a disbelieving look.  

“Dude you work in a record store,” he laughed and Steve shrugged.

“Among other things. I just got the job to hang out with Robin. She works there too. She only took the job to try and peddle her girlfriend Nancy’s zines. Sometimes I write the sports section because Nancy, Robin and Jonathan don’t know anything about sports.” Eddie rested his head in the palm of his hand, listening attentively. 

“Wait, is that the same Nancy that you dated back in high school?” He asked, trying to sound scandalised, glad to have a break from the rock star bullshit. 

“Like you said, lesbian magnet,” Steve grumbled, mirroring Eddie’s gesture, resting his head in his hand. 

“What are you actually doing in town?” Steve asked, more curious than nosy. 

“Trying to run away from writing our third album,” Eddie spoke. 

It’d been the first time he admitted it out loud. He didn’t talk about his music until he thought it was worth something, but Steve was a good listener. To Eddie’s surprise, he found himself spilling his guts to Steve. He told him all about the third album, about the goddamn symbolism, and the way things just weren’t clicking. 

“Why don’t you give him a reason to stay?” Steve asked when Eddie finished his monologue, as though it was the simplest solution in the world. 

“I mean, Dorothy doesn’t go back to Kansas because she doesn’t like Oz, she misses home. She misses her family. You want your knight guy to stay in fantasy land? Give him someone to stay for,” Steve proposed, and it was like the final puzzle piece sliding into place. It was brilliant.

“Stevie, I could kiss you,” Eddie spoke.

“Is that a promise?” Steve asked with a cheeky grin.

“Let’s get out of here and find out.”

[officialspec]

could you share an obscure fun fact about one of your interests?

ummm i guess this isnt particularly obscure but pretty much all the bees you see are old....... bees cycle through roles as they age, starting by taking care of larvae, then building cells and managing storage, then guarding the hive, and then when they reach the end of their life they leave to forage for pollen and nectar. since its the most dangerous job (alone, exposed to predators and the elements) they do this to make sure every bee contributes as much as possible to the hive before they pass away :}

my second fun fact is we dont actually know for sure why moths are light-attracted. theres a few theories abt UV sensitivity (for orientation purposes while flying, help seeking out a mate etc) but its still kind of a mystery