#and it’s his last chance

[imaharrie]

-

[hinamie]

trick or treat!

[aingeal98]

Ultimately the resolution of Jason and Cass fights comes down to the fact that while he has his own ideals that don't mesh with the bats, Jason can be flexible. DC skipped the whole reconciliation with the family but while he's willing to kill it's generally a means to an end to him, not the whole entire point unless you're talking about Joker. Meanwhile for Cass the question of killing vs not killing is dead serious to her which means any time they're working together and things start going off track it's like:

Jason: Look if we kill this guy we send a message to his boss which makes it easier for us to negotiate with him from a position of power and I just think that-

Cass, snatching one of his guns and pointing it at her own head: Go on, pull the trigger. Kill him. Kill me. Go tell Batman that you let his daughter die to make a negotiation easier. He already let you die so no problem right? You think we should die? You think our life only worthwhile as part of a plan, just because we're killers? Are we doomed? Are we rotten to the core with no hope of redemption? Go on then, kill us and kill part of your soul alongside it. You clearly don't care for it so why are you even trying? Kill yourself along with us, come on Jason let's all just die right?

Jason, slowly backing away: I think you may be projecting a tiny bit so just. Calm down before I call the suicide hotline please.

Cass, slowly lowering the gun and knocking the random henchman unconscious: Yeah that's what I thought, fucking pussy.

Jason: Mm yeah you know what I hate you actually. Fuck this mission I'll just shoot you right now if you're going to be this annoying about it.

Jason, explaining things later to Dick: So I just kept shooting at her until I ran out of bullets and we both calmed down enough to call a truce. We tracked the guy down and didn't kill anyone but I did blow up the batplane just as a last minute screw you. Is she always this uh... intense?

Dick: Yeah, one time I broke up with Barbara and she threw me out a window. She's just like that.

[mirthmave]

So I was thinking about the whole younger siblings getting taller that older siblings thing that I am a victim of and it got me thinking.

So it’s known that some boys will continue to grow until they reach the age of 21 . Not all of them mind you, but some of them do.

From what I remember, Dick is currently 26, Jason is 22-23, Tim is forever 16-17 and Damian is 14.

Dick being the eldest was able to stay the tallest for a long time. Then Jason came back around 17-18 and suddenly his little brother isn’t so little anymore and Dick suddenly realises that it is possible that the others will get taller than him as well.

Damian is a given as Bruce is 6’2” so Dick knows that he hasn’t got a chance there, especially when Damian starts getting that mid-teen growth spurt. But Tim…

Tim has always been shorter than him by four inches. He’s 5’6” and Dick is 5’10” and the kid is barely growing. There is hope that he will continue to be taller than Tim!

Little does Dick know that Tim is still growing, just slowly.

Something happens that causes Tim and Dick not to see each other for a little while (nothing bad, just busy vigilante stuff) so it comes as a shock to Dick when they can all get together for dinner finally that he’s not seeing the top of Tim’s head.

No, that boy is now looking at him eye to eye.

Only not completely because Tim now has an inch on Dick.

[latenightsundayblues]

Fucking love the final flashback montage in saw VI because the way they edited it makes it look like hoffman is pissing directly on an unconscious erickson's bald head

Ive been cry laugghing for five fucking minutes

[borgialucrezia]

"Grief? Then why do you force this false joy upon us? We are dancing on your brother's grave."

[poorly-drawn-mdzs]

Danse Macabre

[Commission]

[egophiliac]

happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!

thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!

I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)

I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!

also maybe he had some reflection on his hair's troubled past with three kids...

...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.

[notmoreflippingelves]

Actually going insane over the implications of Jason asking Dick to be the Robin to his Batman in Battle for the Cowl.

Like I initially took it at the purely surface-level of Jason wanting a partner in the general sense. Which made sense, it's a huge responsibility and a lonely one so an assistant/sidekick/partner seems a no-brainer if you can get one.

But then I really thought about it, because Jason is not asking Dick to be his partner in the general sense; he's not even asking Dick to be his Nightwing. He's asking Dick to be his Robin.

And they both know exactly what Jason means: "Be the light to my darkness. Be the smile to my scowl. Be the hope to my fear. "

He's saying "Be 'Robin'; be the embodiment of Love and Justice and Goodness. Be the exceptional person that you have always been. Be the slightly-less exceptional person that I was when I wore your colors. Be the person that I was in the process of becoming and might have been (or might still be), if only Joker hadn't clipped my wings."

He's saying "I am prepared to become vengeance, become the Night. And I will go further than Bruce ever dared to, because it is what is needed. I will be the necessary evil. But you don't have to be. If Batman is Gotham's curse, Robin has always been its blessing. I will be the brutal punishment to our world, and I am asking you to be its incandescent gift."

He's saying, "Be for me, what we were for Him. Be my anchor, my comfort, my hope. Remind me what it's all for, why it's all worth it. And remind yourself as well."

He's saying "Be 'Robin' again--for both of our sakes."

[gunsatthaphan]

#always in character.

[dykedvonte]

I just realized some people are confused about events in the alluded to past in Mouthwashing, particularly about how long the crew has been working together.

The only person who is truly new is Daisuke and it’s why his dynamic with the crew and role in the story is very unique and somewhat distant. Curly didn’t just get Jimmy this job on the Tulpar, he got him the job with the Pony Express. He’s been his copilot for probably a couple of years but still not as long as they’ve been friends. None of them are new with the freight industry, Anya and Swansea especially have been doing this for years, together.

Jimmy is the newest on the regular crew, maybe just a few assignments, but it’s not his first time working with them. I think it’s just something important because this isn’t just one bad mistake that snowballed with giving Jimmy the job. None of them thought Jimmy would do anything, no matter how off-put by him they could’ve been, since he hadn’t done a thing since being there. Generally unpleasantness isn’t a crime and he’d be aware of that.

It was a festering thing and a sort of forced trust they had to give him that he knowingly took advantage of. He was the black sheep and still a wolf under the wool. He expected when he lashed out, that he had been there long enough for it to be looked over completely. Got too comfortable in the space he inserted into and did a lot of damage with his claws when he felt he was going to get shaken out.

[formulanni]

Liam Lawson as the Page of Pentacles:

This card indicates that you are on the brink of giving life to a new venture or opportunity that brings you luck in the material world. You are full of enthusiasm and energy to make this new opportunity come to life.

Generally, the Page of pentacles refers to the kind of energy that you need to complete all that is needed for your work. It may point to the determination, focus and the ability to stick with a particular task no matter how boring it may seem.

Tag list: @st-leclerc @rubywingsracing @saviour-of-lord @three-days-time @the-wall-is-my-goal @albonoooo @ch3rubd0lls @brawngp2009

[oseike]

Bonus after thirty minutes:

[sherrymagic]

I've been followed for a while now. It's probably those who don't want me on your brother's case. I'm still looking for evidence.

JJay Patiphan as WIN 4MINUTES | EP. 4

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

[starry-bi-sky]

more clone^2 memes because i think they're funny